Chicago Weather
To-day, fair Thisbe, winsome girl!
Strays o'er the meads where daisies blow,
Or, ling'ring where the brooklets purl,
Laves in the cool, refreshing flow.
To-morrow, Thisbe, with a host
Of amorous suitors in her train,
Comes like a goddess forth to coast
Or skate upon the frozen main.
To-day, sweet posies mark her track,
While birds sing gayly in the trees;
To-morrow morn, her sealskin sack
Defies the piping polar breeze.
So Doris is to-day enthused
By Thisbe's soft, responsive sighs,
And on the morrow is confused
By Thisbe's cold, repellent eyes.
poem by Eugene Field
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Related quotes
There's No To-Morrow
Two long had Lov'd, and now the Nymph desir'd,
The Cloak of Wedlock, as the Case requir'd;
Urg'd that, the Day he wrought her to this Sorrow,
He Vow'd, that he wou'd marry her To-Morrow.
Agen he Swears, to shun the present Storm,
That he, To-Morrow, will that Vow perform.
The Morrows in their due Successions came;
Impatient still on Each, the pregnant Dame
Urg'd him to keep his Word, and still he swore the same.
When tir'd at length, and meaning no Redress,
But yet the Lye not caring to confess,
He for his Oath this Salvo chose to borrow,
That he was Free, since there was no To-Morrow;
For when it comes in Place to be employ'd,
'Tis then To-Day; To-Morrow's ne'er enjoy'd.
The Tale's a Jest, the Moral is a Truth;
To-Morrow and To-Morrow, cheat our Youth:
In riper Age, To-Morrow still we cry,
Not thinking, that the present Day we Dye;
Unpractis'd all the Good we had Design'd;
There's No To-Morrow to a Willing Mind.
poem by Anne Kingsmill Finch
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Will Sail Tomorrow
THE good ship lies in the crowded dock,
Fair as a statue, firm as a rock:
Her tall masts piercing the still blue air,
Her funnel glittering white and bare,
Whence the long soft line of vapory smoke
Betwixt sky and sea like a vision broke,
Or slowly o'er the horizon curled
Like a lost hope fled to the other world:
She sails to-morrow,--
Sails to-morrow.
Out steps the captain, busy and grave,
With his sailor's footfall, quick and brave,
His hundred thoughts and his thousand cares,
And his steady eye that all things dares:
Though a little smile o'er the kind face dawns
On the loving brute that leaps and fawns,
And a little shadow comes and goes,
As if heart and fancy fled--where, who knows:
He sails to-morrow:
Sails to-morrow.
To-morrow the serried line of ships
Will quick close after her as she slips
Into the unknown deep once more:
To-morrow, to-morrow, some on shore
With straining eyes shall desperate yearn--
'This is not parting? return--return!'
Peace, wild-wrung hands! hush, sobbing breath!
Love keepeth its own through life and death;
Though she sails to-morrow--
Sails to-morrow.
Sail, stately ship; down Southampton water
Gliding fair as old Nereus' daughter:
Christian ship that for burthen bears
Christians, speeded by Christian prayers;
All kinds of angels follow her track!
Pitiful God, bring the good ship back!
All the souls in her forever keep
Thine, living or dying, awake or asleep:
Then sail to-morrow!
Ship, sail to-morrow!
poem by Dinah Maria Mulock Craik
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O sleep, my babe
O sleep, my babe, hear not the rippling wave,
Nor feel the breeze that round thee ling'ring strays
To drink thy balmy breath,
And sigh one long farewell.
Soon shall it mourn above thy wat'ry bed,
And whisper to me, on the wave-beat shore,
Deep murm'ring in reproach,
Thy sad untimely fate.
Ere those dear eyes had open'd on the light,
In vain to plead, thy coming life was sold,
O waken'd but to sleep,
Whence it can wake no more!
A thousand and a thousand silken leaves
The tufted beech unfolds in early spring,
All clad in tenderest green,
All of the self-same shape:
A thousand infant faces, soft and sweet,
Each year sends forth, yet every mother views
Her last not least beloved
Like its dear self alone.
No musing mind hath ever yet foreshaped
The face to-morrow's sun shall first reveal,
No heart hath e'er conceived
What love that face will bring.
O sleep, my babe, nor heed how mourns the gale
To part with thy soft locks and fragrant breath,
As when it deeply sighs
O'er autumn's latest bloom.
poem by Sara Coleridge
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The Mad Maid's Song
Good morrow to the day so fair;
Good morning, sir, to you;
Good morrow to mine own torn hair,
Bedabbled with the dew.
Good morning to this primrose too;
Good morrow to each maid;
That will with flowers the tomb bestrew
Wherein my Love is laid.
Ah! woe is me, woe, woe is me,
Alack and well-a-day!
For pity, sir, find out that bee,
Which bore my Love away.
I'll seek him in your bonnet brave;
I'll seek him in your eyes;
Nay, now I think they've made his grave
I' th' bed of strawberries.
I'll seek him there; I know, ere this,
The cold, cold earth doth shake him;
But I will go, or send a kiss
By you, sir, to awake him.
Pray hurt him not; though he be dead,
He knows well who do love him;
And who with green turfs rear his head,
And who do rudely move him.
He's soft and tender, pray take heed,
With bands of cowslips bind him,
And bring him home;--but 'tis decreed
That I shall never find him.
poem by Robert Herrick
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Today
This is To-day, a child in white and blue
Running to meet me out of Night who stilled
The ghost of Yester-eve; this is fair Morn
The mother of To-morrow. And these clouds
That chase the sunshine over gleaming hills
Are thoughts, delighting in the golden change
And the ceremony of their drifting state.
This is To-day. To-morrow might bring death,—
And Life, the gleeful madrigal of birds,
Be drowned in glimmer of sleep. To-day I know
How sweet it is to spend these eyes, and boast
This bubble of vistaed memory and sense
Blown by my joy aloft the glittering airs
Of heavenly peace. Oh take me to yourselves,
Earth, sky, and spirit! Let me stand within
The circle of your transience, that my voice
May thrill the lonely silences with song.
poem by Siegfried Sassoon
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How Soon The Servant Sun
How soon the servant sun,
(Sir morrow mark),
Can time unriddle, and the cupboard stone,
(Fog has a bone
He'll trumpet into meat),
Unshelve that all my gristles have a gown
And the naked egg stand straight,
Sir morrow at his sponge,
(The wound records),
The nurse of giants by the cut sea basin,
(Fog by his spring
Soaks up the sewing tides),
Tells you and you, my masters, as his strange
Man morrow blows through food.
All nerves to serve the sun,
The rite of light,
A claw I question from the mouse's bone,
The long-tailed stone
Trap I with coil and sheet,
Let the soil squeal I am the biting man
And the velvet dead inch out.
How soon my level, lord,
(Sir morrow stamps
Two heels of water on the floor of seed),
Shall raise a lamp
Or spirit up a cloud,
Erect a walking centre in the shroud,
Invisible on the stump
A leg as long as trees,
This inward sir,
Mister and master, darkness for his eyes,
The womb-eyed, cries,
And all sweet hell, deaf as an hour's ear,
Blasts back the trumpet voice.
poem by Dylan Thomas
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A Song. If Wine And Music Have The Power
If wine and music have the power
To ease the sickness of the soul,
Let Phoebis every string explore,
And Bacchus fill the sprightly bowl:
Let them their friendly aid employ
To make my Cloe's absense light,
And seek for pleasure to destroy
The sorrows of this live-long night.
But she to-morrow will return:
Venus, be thou to-morrow great;
Thy myrtles strow, thy odours burn,
And meet thy favourite nymph in state,
Kind goddess, to no other powers
Let us to-morrow's blessings own,
Thy darling Loves shall guide the hours,
And all the day be thine alone.
poem by Matthew Prior
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Ashes Of Life
Love has gone and left me and the days are all alike;
Eat I must, and sleep I will,—and would that night were
here!
But ah!—to lie awake and hear the slow hours strike!
Would that it were day again!—with twilight near!
Love has gone and left me and I don't know what to do;
This or that or what you will is all the same to me;
But all the things that I begin I leave before I'm through,—
There's little use in anything as far as I can see.
Love has gone and left me,—and the neighbors knock and
borrow,
And life goes on forever like the gnawing of a mouse,—
And to-morrow and to-morrow and to-morrow and to-morrow
There's this little street and this little house.
poem by Edna St. Vincent Millay
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Here For Today
No more songs of sorrow
Lamenting things gone past us
Live today and hope for morrow
Hold tight the moments joyous.
Maybe the morrow will not find us
Our footsteps will not ring on the grass
We have only today for a fresh start
To live anew and love with all heart.
No more songs of sorrow
It's time to break from the past
Even if there comes no morrow
Live moments that fly away fast.
poem by Pradip Chattopadhyay
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I Don't Care
Recorded by hank williams (sr.)
Written by hank williams (sr.)
Capo on 2nd fret: key: e play: d
I don't [d] care if to-[a] morrow never [d] comes [d7]
This [g] world holds nothin' for [d] me [d7]
I've been [g] lonely night and day ever [d] since you went away
So i don't care if to-[a] morrow never [d] comes. [d7]
Chorus
If to-[g] morrow never comes and the sun [d] don't ever shine
It won't matter with [a] me
For [d] when she went a-[d7] way, my [g] world ended that [d] day
So i don't care if to-[a] morrow never [d] comes.
My lonely mind wanders back to days that used to be
My broken heart cries out for you
Oh, if i can't have you here, i can't go on my dear
So i don't care if tomorrow never comes.
Repeat chorus
song performed by by Hank Williams
Submitted by Lucian Velea
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Envoy
Go, songs, for ended is our brief, sweet play;
Go, children of swift joy and tardy sorrow:
And some are sung, and that was yesterday,
And some unsung, and that may be to-morrow.
Go forth; and if it be o'er stony way,
Old joy can lend what newer grief must borrow:
And it was sweet, and that was yesterday,
And sweet is sweet, though purchas-ed with sorrow.
Go, songs, and come not back from your far way:
And if men ask you why ye smile and sorrow,
Tell them ye grieve, for your hearts know To-day,
Tell them ye smile, for your eyes know To-morrow.
poem by Francis Thompson
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The Song of Callicles
Through the black, rushing smoke-bursts,
Thick breaks the red flame.
All Etna heaves fiercely
Her forest-clothed frame.
Not here, O Apollo!
Are haunts meet for thee.
But, where Helicon breaks down
In cliff to the sea.
Where the moon-silver'd inlets
Send far their light voice
Up the still vale of Thisbe,
O speed, and rejoice!
On the sward at the cliff-top,
Lie strewn the white flocks;
On the cliff-side, the pigeons
Roost deep in the rocks.
In the moonlight the shepherds,
Soft lull'd by the rills,
Lie wrapt in their blankets,
Asleep on the hills.
—What forms are these coming
So white through the gloom?
What garments out-glistening
The gold-flower'd broom?
What sweet-breathing Presence
Out-perfumes the thyme?
What voices enrapture
The night's balmy prime?—
'Tis Apollo comes leading
His choir, The Nine.
—The Leader is fairest,
But all are divine.
They are lost in the hollows.
They stream up again.
What seeks on this mountain
The glorified train?—
They bathe on this mountain,
In the spring by their road.
Then on to Olympus,
Their endless abode.
—Whose praise do they mention:
Of what is it told?—
What will be for ever.
What was from of old.
First hymn they the Father
Of all things: and then,
The rest of Immortals,
The action of men.
The Day in his hotness,
The strife with the palm;
The Night in her silence,
The Stars in their calm.
poem by Matthew Arnold
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Apollo Musagetes
Through the black, rushing smoke-bursts,
Thick breaks the red flame;
All Etna heaves fiercely
Her forest-clothed frame.
Not here, O Apollo!
Are haunts meet for thee.
But, where Helicon breaks down
In cliff to the sea,
Where the moon-silver'd inlets
Send far their light voice
Up the still vale of Thisbe,
O speed, and rejoice!
On the sward at the cliff-top
Lie strewn the white flocks,
On the cliff-side the pigeons
Roost deep in the rocks.
In the moonlight the shepherds,
Soft lull'd by the rills,
Lie wrapped in their blankets
Asleep on the hills.
--What forms are these coming
So white through the gloom?
What garments out-glistening
The gold-flower'd broom?
What sweet-breathing presence
Out-perfumes the thyme?
What voices enrapture
The night's balmy prime?
'Tis Apollo comes leading
His choir, the Nine.
--The leader is fairest,
But all are divine.
They are lost in the hollows!
They stream up again!
What seeks on this mountain
The glorified train?--
They bathe on this mountain,
In the spring by their road;
Then on to Olympus,
Their endless abode.
--Whose proase do they mention?
Of what is it told?--
What will be for ever;
What was from of old.
First hymn they the Father
Of all things; and then,
The rest of immortals,
The action of men.
The day in his hotness,
The strife with the palm;
The night in her silence,
The stars in their calm.
poem by Matthew Arnold
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Kiss Met Kismet - After Austin Dobson A Kiss and James Leigh Hunt Jenny Kissed Me
In seduction I lack
not one whit in the sack,
making pass I attack
Jenny's tongue tied and, thwack!
she kissed me right back
like that, without sorrow,
and a pat on the back
seemed to show on right track
was my rapid clic-clac.
Yet at dawn on the morrow
she hastened to pack
and the taxi fare borrow
though I'd thought myself crack
minglling tongue tastes, alack...
tingling young hastes allegro!
revised 11 March 2012 after Austin Dobson A Kiss and James Leigh Hunt Jenny Kissed Me for previous versions see below
In seduction I lack
not one whit in the sack,
in the ‘Ars' I've a knack
while admiring her rack
with my strong chimney stack.
That she kissed me right back
no remonstrance, no sorrow,
with a pat on the back,
neither heartbreak nor flack,
nor regret for some lack,
seemed to show on right track
was strategic attack -
as the French say ‘crack crack! '
But before dawn the morrow
she'd so rapidly pack -
what is white, what is black? -
and eclipsed herself solo
proving victory hollow
with a law-suit to follow.
3 August 1991 revised 12 October 2008 revised 25 January 2009
Kiss Met Kismet
In seduction I lack
not one whit in the sack,
she kissed me right back
like that, without sorrow,
and a pat on the back
seemed to show on right track
was my rapid attack.
Yet at dawn on the morrow
she hastened to pack
and the taxi fare borrow!
3 August 1991 revised 12 October 2008 for previous version see below
A Kiss - The Reply
I kissed Rose right back
like that, without sorrow,
and a pat on the back
showing on the right track
was my rapid attack
I received on the morrow: -
so why would she pack
and the taxi fare borrow?
(3 August 1991)
poem by Jonathan Robin
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Welcome, Dear Heart, and a Most Kind Good-Morrow
Welcome, dear Heart, and a most kind good-morrow;
The day is gloomy, but our looks shall shine:—
Flowers I have none to give thee, but I borrow
Their sweetness in a verse to speak for thine.
Here are red roses, gather'd at thy cheeks,—
The white were all too happy to look white:
For love the rose, for faith the lily speaks;
It withers in false hands, but here 'tis bright!
Dost love sweet Hyacinth? Its scented leaf
Curls manifold,—all love's delights blow double:
'Tis said this flow'ret is inscribed with grief,—
But let that hint of a forgotten trouble.
I pluck'd the Primrose at night's dewy noon;
Like Hope, it show'd its blossoms in the night;—
'Twas, like Endymion, watching for the Moon!
And here are Sun-flowers, amorous of light!
These golden Buttercups are April's seal,—
The Daisy-stars her constellations be:
These grew so lowly, I was forced to kneel,
Therefore I pluck no Daisies but for thee!
Here's Daisies for the morn, Primrose for gloom
Pansies and Roses for the noontide hours:—
A wight once made a dial of their bloom,—
So may thy life be measured out by flowers!
poem by Thomas Hood
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O Silver Rose
THE dark hour turns so slowly and so sweet,
The last still hour soft-fallen from the stars.
To-morrow I may kneel and touch thy feet,
O Rose of all Shiraz.
Lay wide thine amorous lattice to the south,
O Silver Rose, when roses breathe thy name,
And thou at dawn shalt feel upon thy mouth
The kiss I dared not claim.
Discrowned, dishonoured, reft of pride and power,
From the red battle where they hailed me lord,
O Silver Rose, O sweet Pomegranate Flower,
I turn me to their sword.
Life hath so held me to an empty part,
Life hath so snared me, bound and made me blind.
To-morrow I may rest upon thy heart,
For death shall prove more kind.
poem by Marjorie Lowry Christie Pickthall
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From to-morrow till to-morrow time goes a long journey.
To-Morrow
When you’re suffering hard for your sins, old man,
When you wake to trouble and sleep ill—
Oh, this is the clack of the middle class,
‘Win back the respect of the people!’
You are weak, you’re a fool, or a drunken brute
When you’re deep in trouble and sorrow;
But walk down the street in a decent suit,
And their hats will be off to-morrow! Old Chap—
And their hats will be off to-morrow!
They cant and they cackle—‘Redeem the Past!’
Who never had past worth redeeming:
Your soul seems dead, but you’ll find at last
That somewhere your soul lay dreaming.
You may stagger down-hill in a beer-stained coat,
You may loaf, you may cadge and borrow—
But walk down the street with a ten-pound note
And their hats will be off to-morrow! Old Man—
Yes, their hats will be off to-morrow!
But stick to it, man! for your old self’s sake,
Though to brood on the past is human;
Hold up for the sake of the mate who was true,
And the sake of the Other Woman.
And as for the rest, you may take off your hat
And banish all signs of sorrow;
You may take their hands, but in spite of that,
Can they win your respect to-morrow? Old Man—
Can they win your respect to-morrow?
poem by Henry Lawson
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Four Seasons
Maple leaves of yesterday
Rainbow leaves of morrow
Autumn strolls on its way
Time it fails to borrow.
Ice crystals of yesterday
Snow flowers of morrow
Winter roves on a dray
Time it fails to borrow.
Oak leaves of yesterday
Verdant leaves of morrow
April flows into May
Time it fails to borrow.
Blue blossoms of yesterday
Forget-me-not of morrow
Summer rides a railway
Love overcomes sorrow.
poem by Paul Hartal
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A nobody to-day, a prince to-morrow. [The reverse of ""To-day a man, to-morrow a mouse.""]