Farm Scene
They come each morning to the gate,
are milked and wander off to feed;
six cows, a calf and in the lead
a brindled bull, old, fat sedate.
And every evening they are back,
loafing along the quarter-mile
of dusty lane in single file,
the old bull trailing up the track.
I would not load with thought that brings
meanings deep-conjured in the mind
this quiet scene-but here I find
the rhythm of eternal things.
And envy him who takes his pail
jingling to met them at the gate;
sun-up, sun-down, that constant date
which neither he nor they will fail.
I envy him whose life allows
him the cool blessedness; to stand
and simply watch the coming and
later the going of the cows.
poem by Ernest G Moll
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The Drover's Sweetheart
An hour before the sun goes down
Behind the ragged boughs,
I go across the little run
And bring the dusty cows;
And once I used to sit and rest
Beneath the fading dome,
For there was one that I loved best
Who'd bring the cattle home.
Our yard is fixed with double bails,
Round one the grass is green,
The bush is growing through the rails,
The spike is rusted in;
And 'twas from there his freckled face
Would turn and smile at me --
He'd milk a dozen in the race
While I was milking three.
I milk eleven cows myself
Where once I milked but four;
I set the dishes on the shelf
And close the dairy door;
And when the glaring sunlight fails
And the fire shines through the cracks,
I climb the broken stockyard rails
And watch the bridle-tracks.
He kissed me twice and once again
And rode across the hill,
The pint-pots and the hobble-chain
I hear them jingling still;
He'll come at night or not at all --
He left in dust and heat,
And when the soft, cool shadows fall
Is the best time to meet.
And he is coming back again,
He wrote to let me know,
The floods were in the Darling then --
It seems so long ago;
He'd come through miles of slush and mud,
And it was weary work,
The creeks were bankers, and the flood
Was forty miles round Bourke.
He said the floods had formed a block,
The plains could not be crossed,
And there was foot-rot in the flock
And hundreds had been lost;
The sheep were falling thick and fast
A hundred miles from town,
And when he reached the line at last
He trucked the remnant down.
And so he'll have to stand the cost;
His luck was always bad,
Instead of making more, he lost
The money that he had;
And how he'll manage, heaven knows
(My eyes are getting dim),
He says -- he says -- he don't -- suppose
I'll want -- to -- marry -- him.
As if I wouldn't take his hand
Without a golden glove --
Oh! Jack, you men won't understand
How much a girl can love.
I long to see his face once more --
Jack's dog! thank God, it's Jack! --
(I never thought I'd faint before)
He's coming -- up -- the track.
poem by Henry Lawson
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The Road to Hogan's Gap
Now look, you see, it’s this way like,
You cross the broken bridge
And run the crick down till you strike
The second right-hand ridge.
The track is hard to see in parts,
But still it’s pretty clear;
There’s been two Injin hawkers’ carts
Along that road this year.
Well, run that right-hand ridge along—
It ain’t, to say, too steep—
There’s two fresh tracks might put you wrong
Where blokes went out with sheep.
But keep the crick upon your right,
And follow pretty straight
Along the spur, until you sight
A wire and sapling gate.
Well, that’s where Hogan’s old grey mare
Fell off and broke her back;
You’ll see her carcase layin’ there,
Jist down below the track.
And then you drop two mile, or three,
It’s pretty steep and blind;
You want to go and fall a tree
And tie it on behind.
And then you pass a broken cart
Below a granite bluff;
And that is where you strike the part
They reckon pretty rough.
But by the time you’ve got that far
It’s either cure or kill,
So turn your horses round the spur
And face ’em up the hill.
For look, if you should miss the slope
And get below the track,
You haven’t got the whitest hope
Of ever gettin’ back.
An’ half way up you’ll see the hide
Of Hogan’s brindled bull;
Well, mind and keep the right-hand side,
The left’s too steep a pull.
And both the banks is full of cracks;
An’ just about at dark
You’ll see the last year’s bullock tracks
Where Hogan drew the bark.
The marks is old and pretty faint—
And grown with scrub and such;
Of course the track to Hogan’s ain’t
A road that’s travelled much.
But turn and run the tracks along
For half a mile or more,
And then, of course, you can’t go wrong—
You’re right at Hogan’s door.
When first you come to Hogan’s gate
He mightn’t show, perhaps;
He’s pretty sure to plant and wait
To see it ain’t the traps.
I wouldn’t call it good enough
To let your horses out;
There’s some that’s pretty extra rough
Is livin’ round about.
It’s likely if your horses did
Get feedin’ near the track,
It’s goin’ to cost at least a quid
Or more to get them back.
So, if you find they’re off the place,
It’s up to you to go
And flash a quid in Hogan’s face—
He’ll know the blokes that know.
But listen—if you’re feelin’ dry,
Just see there’s no one near,
And go and wink the other eye
And ask for ginger beer.
The blokes come in from near and far
To sample Hogan’s pop;
They reckon once they breast the bar
They stay there till they drop.
On Sundays you can see them spread
Like flies around the tap.
It’s like that song “The Livin’ Dead”
Up there at Hogan’s Gap.
They like to make it pretty strong
Whenever there’s a charnce;
So when a stranger comes along
They always holds a dance.
There’s recitations, songs, and fights—
A willin’ lot you’ll meet.
There’s one long bloke up there recites,
I tell you—he’s a treat.
They’re lively blokes all right up there,
It’s never dull a day.
I’d go meself if I could spare
The time to get away.
. . . . .
The stranger turned his horses quick.
He didn’t cross the bridge;
He didn’t go along the crick
To strike the second ridge;
He didn’t make the trip, because
He wasn’t feeling fit.
His business up at Hogan’s was
To serve him with a writ.
He reckoned if he faced the pull
And climbed the rocky stair,
The next to come might find his hide
A land-mark on the mountain side,
Along with Hogan’s brindled bull
And Hogan’s old grey mare!
poem by Andrew Barton Paterson
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Man cannot be chaste.
One bull can manage ten cows.
One cow cannot stand ten bulls.
A woman is at ease to be chaste.
To be so is man’s distaste
29.05.2001, Berh
poem by Rm. Shanmugam Chettiar
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Those Who Come To Bull
When is BS,
BS?
And begins to spoil the atmosphere?
When bullies attempt to jump over the Moon,
To stumble over pebbles instead.
With a sneaking done over a fence,
To stench the field.
With disguises to pass themselves off,
As prized cows...
To spy on the thoroughbreds grazing.
As the real prized cows swoon,
To gain the attention...
Of those who are true champions.
No matter what those who come to bull do!
poem by Lawrence S. Pertillar
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Fable L: The Hare and Many Friends
Friendship, as love, is but a name,
Save in a concentrated flame;
And thus, in friendships, who depend
On more than one, find not one friend.
A hare who, in a civil way,
Was not dissimilar to GAY,
Was well known never to offend,
And every creature was her friend.
As was her wont, at early dawn,
She issued to the dewy lawn;
When, from the wood and empty lair,
The cry of hounds fell on her ear.
She started at the frightful sounds,
And doubled to mislead the hounds;
Till, fainting with her beating heart,
She saw the horse, who fed apart.
'My friend, the hounds are on my track;
Oh, let me refuge on your back! '
The horse responded: 'Honest Puss,
It grieves me much to see you thus.
Be comforted-relief is near;
Behold, the bull is in the rear.'
Then she implored the stately bull,
His answer we relate in full:
'Madam, each beast alive can tell
How very much I wish you well;
But business presses in a heap,
I an appointment have to keep;
And now a lady's in the case,-
When other things, you know, give place.
Behold the goat is just behind;
Trust, trust you'll not think me unkind.'
The goat declared his rocky lairs
Wholly unsuited were to hares.
'There is the sheep,' he said, 'with fleece.
Adapted, now, to your release.'
The sheep replied that she was sure
Her weight was too great to endure;
'Besides,' she said, 'hounds worry sheep.'
Next was a calf, safe in a keep:
'Oh, help me, bull-calf-lend me aid! '
'My youth and inexperience weighed,'
Replied the bull-calf, 'though I rue it,
Make me incompetent to do it;
My friends might take offence. My heart-
You know my heart, my friend-we part,
I do assure you-Hark! adieu!
The pack, in full cry, is in view.'
Train of fate
I see life passing by
On this train that I ride
All the people I sit beside
What is it that they hide?
How do I communicate?
On this train that`s running late
Often times tempting fate
Looking at my watch checking the date
In a world with so much hate
I listen to a heated debate
Like a fish hooked on the bait
On a train where I sit and wait
My emotions locked behind a gate
My heart beating at such a fast rate
Yet my mind very sedate
Thinking of a better world I wish to create
Where all the people are feeling great
Where love, hope and joy are the motto of state
But i`m stuck on a train running late
Pondering whether I should temp fate
And find the key that unlocks the gate
poem by Joseph Whelan
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I DON'T ENVY WOMEN 2...by talile ali
I DON'T ENVY WOMEN
NO I DON'T
THE STUFF THEY HAVE TO GO THRU
I DON'T ENVY WOMEN
NO I DON'T
HOW COULD REALITY BE SO CRUEL
I GOT A FRIEND
CUTE AS HELL
I'LL LOVE HER TILL THE BITTER END
BEEN RAPED SO MUCH
LOOKED TO GOOD TO TOUCH
MESSED UP PRICE FOR A PRETTY FACE, MY FRIEND
I DON'T ENVY WOMEN
NO I DON'T
THE SHIT THEY HAVE TO GO THRU HURTS SO MUCH
I DON'T ENVY WOMEN
NO I DON'T
HOW COULD REALITY BE SO CRUEL AND TRUE
I HAVE ANOTHER FRIEND
ALL OVER THE PLACE
AS IF SHE LOST HER MIND
WITH HEAVY FLOWS
AND HORMONE WOES
IT'S A MIRACLE SHE'S NOT DYIN
I DON'T ENVY WOMEN
NO I DON'T
THE STUFF THEY GO THRU BECAUSE WE JUST DON'T
I DON'T ENVY WOMEN
NO I DON'T
THE BRAINLESS CRUELTY JUST SIMPLY WON'T
THESE GIRLS I KNOW
THEY ALL OWN MY HEART
TO KNOW SUCH GREAT DESPAIR IS BEYOND JUST FAIR
NEVER KNOWING
A MOMENTS PEACE
AND UNTROUBLED LOVE THAT THEY CAN NEVER SHARE
I DON'T ENVY WOMEN
NO I DON'T
THE STUFF THEY ALL HAVE TO GO THRU
I DON'T ENVY WOMEN
NO I DON'T
HOW COULD THEIR LIFE BE SO CRUEL
poem by Talile Ali
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Langwidge
'The flamin' cows!' 'e ses; 'e did, an' worse;
'Twas 'orrible the langwidge that 'e used.
It made me blood run cold to 'ear 'im curse;
An' me that taken-back-like an' confused;
W'ile them poor beasts 'e belted an' abused.
'They couldn't shift,' 'e ses, 'a blanky 'earse!
The flamin' cows!'
'The flamin' cows!' You oughter 'eard 'im curse.
You would a bin that shocked. . . . An' the idear!
'Im usin' such remarks about a 'earse;
An' 'is own brother buried not a year.
'Not move a blanky 'earee!' 'e ses. My dear,
You 'ardly could imagine langwidge worse.
'The flamin' cows!'
'The flamin' cows!' Wot would the parson say?
An' 'im so friendly-like with 'im an' 'er.
I pity 'er; I do, 'cos, in 'er way.
She is respectable. But 'i! It's fur
From me, as you well know, to cast a slur,
On anyone; but wot I 'eard that day. . . .
'The flamin' cows!'
'The flamin' cows!' I know quite well that we
Ain't wot you'd call thin-skinned; and nasty pride
Is wot I never 'ad.... But 'er! ... W'y she
She's allus that stuck-up an' full o' side;
A sorter thing I never could abide.
An' all the time 'er 'usband.... Goodness me!
'The flamin' cows!'
'The flamin' cows!' O' course 'e never knowed
That I was list'nin' to 'im all the w'ile.
'E muster bin a full hour on the road;
An', Lord, you could 'a' 'eard 'im for a mile.
Jes' cos they stuck 'im in that boggy sile:
'If they ain't blanky swine,' 'e ses, 'I'm blowed!
The flamin' cows!'
'The flamin' cows!' W'y, if it 'ad occurred,
An' me not 'eard, I'd 'ardly think it true.
An', you know well, I wouldn't breathe a word
Against a livin' soul, I don't care 'oo;
Not if the Queen of Hingland arst me to.
But, oh! that langwidge! If you only 'eard!
'The flamin' cows!'
'The flamin' cows!' 'e ses,, an' more besides.
An' fancy! 'Im! To think that 'e would swear!
W'y 'Blarst!' 'e sez... Yes! 'Blarst the'r blanky 'ides!'
(Oh, you may well throw up your 'ands an' stare!)
Yes - 'Blarst,' 'e ses, 'the'r blanky 'ides an' 'air!
I'll out the blanky skin off er the'r sides!
The flamin' cows!'
poem by Clarence Michael James Stanislaus Dennis
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A futile search
What do I search in my fertile mind?
What it actually probes and what it finds?
Is it material gain or natural thrust?
All should be answered and it is must
I wonder at nature’s magical show
I find mountains clad with snow
I simply think and gaze through window
I feel cool breeze in air and words grow
I wave my hand in the air
When find nothing, scratch the hair
Mind simply wonder and try to collect
I grab them hastily and recollect
This is how I have come into being
I have kingdom and act as king
I may act and unveil the forgotten gate
They may eventually flow at any rate
I feel gentle touch when thoughts invade
Do they say bye or offer me a shade
I sit underneath the tree and feel its flow
Face shine beautifully with fine glow
Reddishness rush and I hear something
It is musical note in the ears to ring
What is this little whispering to suggest?
It is difficult to understand and digest
I may try to prove as nature’s child
Prefer to be hard but always mild
Go as usual without being wild
Words to be smooth and very kind
It is me and no one else
No one dares and openly tells
I am the only one to decide the destiny
It is the way I rule the kingdom tiny
I may sit idly and think seriously of the past
How quickly it has ended in succession very last
I find nothing new in the morning
What else can be there in the evening?
If need be I can end seclusion
It may be good to find lovely inclusion
Why don’t I share my treasured philosophy?
Will it reward me with any of the trophy?
Well, this has haunted me quite a lot
Heart and mind many times fought
Still it prevails with lot of confusion
I must see it with new concept and vision
I must reach at the end of the road
It has to be done without bearing any load
I am sure it will deliver very good result
I need not ask anybody or consult
It may open new gate and air may rush in
Cool mind to open and shun the ideas of any sin
It may invite scores of many things to usher
Joy and happiness all over when some one may whisper
poem by Hasmukh Amathalal
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A Bull For Me
I think, Sirs, and most inimitable Ladies
I think I prefer to look at a bull
The sketch of a bull, the head of a bull perhaps
even if but a study by an artist
rather than some fancy prophet in glorious paint
or in grand chapel or some miracle recounted
in paint and colors and with consummate skill
or even God descending
ah, all these do not take my fancy
they smack too much of the Elevated;
there’s too much
of the grandstanding in these
Grand Divine Themes
but the face of a bull, ah give me a sketch
of the face of a bull
just the bull, all marks of nature in it
and just itself
no symbolism, no conceit, no artifice
no High sounding theology, no Revelation
but just animal nature in its nudity
being a bull
just animal, its eyes and mouth and horns
just all coming together to form one creature
a portrait of a bull anytime for me
Sirs and most inimitable Ladies
none of the Holy Ones and the Great Prophets
and the Mighty and the Divine
and the Grand-Looking:
no bull for me, please;
just the plain head of a bull, as it is
poem by Raj Arumugam
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The Black Angus Bull
Out there in the paddock I hear the black bull
He never stops bellowing when the moon is full
I wonder does the moon effect him in some strange way
For I've never heard him bellow in the light of the day
The full moon does effect people 'tis said
It has an unsettling effect in the head
And if a mental weakness in humans the full moon can find
Why not it too effect the animal kind
He has his herd of cows with him yet I do wonder why
He bellows all night when the moon's in the sky
During the hours of day he is always so quiet
And I've never heard him bellow on a dark night
But he never stops bellowing when the moon is full
Out there in the paddock the black angus bull.
poem by Francis Duggan
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I Envy Nothing But One
I don’t envy the angels with wings who can fly
I’ve been soaring in the beautiful sky of your love
I don’t envy the beauty of the rainbow
You’ve made me the most beautiful woman in your love
I don’t envy the freedom of the dolphins swimming in the ocean
I’ve been swimming in the ocean of your loving eyes
I don’t envy Shakespeare for his love poems
I’ve become the greatest poet since I met you
I don’t envy Romeo’s faith to Juliet
You’ve never turned your heart from me, not even once
I don’t envy the softness of the dew the morning has
You’ve been kissing me gently with your tender lips
I don’t envy Monalisa’s wonderful smile Leonardo has
I’ve got one of mine on your face
I don’t envy the sweet sound a harp has
I’ve got a sweeter one when you whisper in my ears
I envy nothing but one
The way you love and make me feel this way
poem by Santi Dewi Sihombing
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A Drought Idyll
It was the middle of the drought; the ground was hot and bare,
You might search for grass with a microscope, but nary grass was there;
The hay was done, the cornstalks gone, the trees were dying fast,
The sun o'erhead was a curse in read and the wind was a furnace blast;
The waterholes were sun-baked mud, the drays stood thick as bees
Around the well, a mile away, amid the ringbarked trees.
McGinty left his pumpkin-pie and gazed upon the scene:
His cows stood propped 'gainst tree and fence wherever they could lean;
The horse he'd fixed with sapling forks had fallen down once more;
The fleas were hopping joyfully on stockyard, path, and floor;
The flies in thousands buzzed about before his waving hand;
The hungry pigs squealed as he said, 'Me own, me native land!'
'Queensland, me Mother! Ain't yer well?' he asked. 'Come tell me how's -'
'Dry up! Dry up!' yelled Mrs Mac, 'Go out and feed the cows.'
'But where's the feed?' McGinty cried, 'The sugarcane's all done -
It wasn't worth the bally freight we paid for it per ton.
I'll get me little axe and go with Possum and the mare
For 'arf a ton of apple-tree or a load of prickly-pear.'
'The prickly-pear'll kill the cows unless yer bile it right,'
Cried Mrs Mac, 'and I don't mean to bile it all the night.
They tell me fer a bob a bag the brewery will sell
Their refuse stuff, like Simpson 'ad - his cows is doin' well.
Yer get the loan of Bampston's dray and borrer Freeny's nags,
And fetch along a decent load, McGinty - thirty bags.
McGinty borrowed Bampston's dray and hitched up Freeney's nags
And drove like blazes into town and fetched back thirty bags.
The stuff was mellow, soft, and brown; and if you came too near
It shed around a lovely scent till the air seemed full of beer,
McGinty fetched each feedbox out and filled it to the brim,
Then lit his pipe and fell asleep. That was the style of him.
The cows, they lurched off fence and tree and staggered in to feed,
The horses tottered after them - old, feeble, and knock-kneed.
But when they smelt that sacred stuff in boxes on the ground
They smiled and neighed and lowed and twirled their hungry tails around.
You would have walked a hundred miles or more to see and hear
They way McGinty's stock attacked that stuff that smelt like beer…
'Wake up! Wake up! McGinty man! Wake up!' yelled Mrs Mac.
She held a broom and every word was followed by a whack.
McGinty had been dreaming hard that it was Judgement Day
And he was drafted with the goats and being driven away;
The Devil with a toasting fork was jabbing at his jaw,
He rose and yelled and fled outside - and this is what he saw:
The brindle cow, with spotted tail, was trying to climb a tree;
The spotted cow, with brindled tail, to imitate a flea;
Old Bally who had lost one horn engaged in combat stout
With the Lincoln ram whose only eye McGinty had knocked out;
With tails entwined, among the trees, went Bessie and Basilk,
Singing, 'Goodbye, McGinty, we will come back with the milk,'
McGinty, trembling, viewed the scene in wonderment and funk,
Then lifted up his voice and roared, 'Mother, the cows is drunk!
Look at that bloomin' heifer with 'er 'ead 'ung down the sty,
Telling the sow she loves 'er but she some'ow can't tell why.
Three of 'em snoring on their backs, the rest all on the loose -
Ain't there no police in these parts when cows gets on the boose?'
McGinty viewed the orgy with a jealousy profound -
Cows in various states of drunk were scattered all around;
But most his rage was heightened by the conduct of the horse
That stood and laughed, and laughed, and laughed - and laughed without remorse -
That horse so oft he'd lifted up and propped with logs and boughs
Now leant against a tree and mocked McGinty and his cows.
'Bring soda-water, Mother,' cried McGinty, 'Bring a tub'
(Forgetting that he lived about a league from any pu .
'I swear by soda-water when the drink illumes my brow,
And if it fixes up a man it ought to fix a cow.'
But as he spoke a boozy steer approached with speed intense
And helped McGinty over to the safe side of the fence.
Regret and hate and envy held McGinty where he sat.
'To think,' he said, 'these purple cows should have a time like that!
For months I couldn't raise a drink - it wasn't up to me;
Yet every bally head of stock I've got is on the spree.
This comes when you forget to keep a bottle on the shelf.'
Inspired, he rose and smote his brow and fetched a spoon and delf -
'My word!' he said. 'It's up to me to feed on this meself!'
poem by George Essex Evans
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Ballade of an Omnibus
"To see my love suffices me."
--Ballades in Blue China.
Some men to carriages aspire;
On some the costly hansoms wait;
Some seek a fly, on job or hire;
Some mount the trotting steed, elate.
I envy not the rich and great,
A wandering minstrel, poor and free,
I am contented with my fate --
An omnibus suffices me.
In winter days of rain and mire
I find within a corner strait;
The 'busmen know me and my lyre
From Brompton to the Bull-and-Gate.
When summer comes, I mount in state
The topmost summit, whence I see
Crœsus look up, compassionate --
An omnibus suffices me.
I mark, untroubled by desire,
Lucullus' phaeton and its freight.
The scene whereof I cannot tire,
The human tale of love and hate,
The city pageant, early and late
Unfolds itself, rolls by, to be
A pleasure deep and delicate.
An omnibus suffices me.
Princess, your splendour you require,
I, my simplicity; agree
Neither to rate lower nor higher.
An omnibus suffices me.
The Crazy Bull
Look out, here comes a crazy bull
He is crazy
Hide behind the fence, my love
He is coming fast
Just toss me your jacket
And I will fight him for you
Toro, Toro, Toro
Enter the arena
everyone
Is watching me now
Toro, Toro, Toro
Crazy bull
Little by little
I am taming you
They are going to open up the gates
To his pen
So this beaten bull can leave
Now he returns back home
Looking like a lamb
Toro, Toro, Toro
poem by Mercedes Zoller
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The Arrogant Frog And The Superior Bull
Once, on a time and in a place
Conducive to malaria,
There lived a member of the race
Of
Rana Temporaria
;
Or, more concisely still, a frog
Inhabited a certain bog.
A bull of Brobdingnagian size,
Too proud for condescension,
One morning chanced to cast his eyes
Upon the frog I mention;
And, being to the manner born,
Surveyed him with a lofty scorn.
Perceiving this, the bactrian's frame
With anger was inflated,
Till, growing larger, he became
Egregiously elated;
For inspiration's sudden spell
Had pointed out a way to swell.
'Ha! ha!' he proudly cried, 'a fig
For this, your mammoth torso!
Just watch me while I grow as big
As you-or even more so!'
To which magniloquential gush
His bullship simply answered 'Tush!'
Alas! the frog's success was slight,
Which really was a wonder,
In view of how with main and might
He strove to grow rotunder!
And, standing patiently the while,
The bull displayed a quiet smile.
But ah, the frog tried once too oft
And, doing so, he busted;
Whereat the bull discreetly coughed
And moved away, disgusted,
As well he might, considering
The wretched taste that marked the thing.
THE MORAL: Everybody knows
How ill a wind it is that blows.
poem by Guy Wetmore Carryl
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The Butcher's Courtship
"On, my Mary Ann," he side,
" Will you be my loving bride ? I cannot liver 'nother day without you.
Your bright smile lights up my heart,
Whisper yes, beefore we part, And the tenderlines of love I'll cast about you!"
Then the rascal, growing bolder,
Drew her head upon his shoulder, While the ribbones on her bonnet fluttered free,
And fore-quarter of an hour
They reclined within the bower, And she promised him she ever true would be.
" Now," says he, " I must be goin'—
Don't you hear the cattle loin ? I can tarry here no longer, love, to-day;
You can steak a silver dollar
I shall be a steady caller; Keep your pluck and spirits up while I'm away!"
Then he turned to cross a mead Where the horned cattle feed,
And wasn't paying very much attention To the gender of the herd, When there suddenly occurred
An accident he fain would never mention.
He chanced to look a round, When towards him, with a bound, Came their masculine protector o'er the lea;
And so brisket seemed to him That his chance was rather slim To flank him, or to even shin a tree.
He was bull dosed, so to speak,
Sorely rumpled, cowed and weak, And will steer hereafter clear from bulls and cows.
The tail, alas! is sad;
Would'st shun a bull that's mad ? Then beware the quick contraction of his browse!
poem by Charles Follen Adams from Yawcob Strauss and Other Poems
Submitted by Veronica Serbanoiu
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By the horn
Heightened excitement and a little fear
The matador faces a bull, with a crowd behind him it lessens his care
Frustrated, harnessed to entertain
Frantic charging with poor aim
Targeting this red rag, the bull has missed
While the matador plays to the crowd and blows a kiss
A stroke of luck, our bull has made contact
While the matador feels sheepish, the crowd witnessed the fact
Carried by his breeches he's tossed up high
Oohs, aahs, the crowd sees his breeches torn
He attempts to cover his modesty as they are exposed by a horn
Heartened, our bull charges again and delivers a better aim
Escape is on hand as the matador takes flight and is tossed into the stand.
poem by Brian Roy Skyers
Submitted by Poetry Lover
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Coming Back To You
Maybe Im still hurting
I cant turn the other cheek
But you know that I still love you
Its just that I cant speak
I looked for you in everyone
And they called me on that too
I lived alone but I was only
Coming back to you
Ah theyre shutting down the factory now
Just when all the bills are due
And the fields theyre under lock and key
Tho the rain and the sun come through
And springtime starts but then it stops
In the name of something new
And all the senses rise against this
Coming back to you
And theyre handing down my sentence now
And I know what I must do
Another mile of silence while im
Coming back to you
There are many in your life
And many still to be
Since you are a shining light
Theres many that youll see
But I have to deal with envy
When you choose the precious few
Whove left their pride on the other side of
Coming back to you
Even in your arms I know
Ill never get it right
Even when you bend to give me
Comfort in the night
Ive got to have your word on this
Or none of it is true
And all Ive said was just instead of
Coming back to you
song performed by by Leonard Cohen
Submitted by Lucian Velea
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Butterfly
On a horrid summer's day I seclude myself away,
Only to be drawn out to the light by nature at play,
Butterfly oh Butterfly carelessly fluttering by,
Your elegant dance entrances the innocence in me,
Butterfly oh Butterfly know that you spur great envy,
You are so very beautiful careless peaceful and sweet,
Your life is simple yet no different to the one I lead,
You are but a pattern in a endless chaotic sea,
Your pace of life seems slow yet you achieve as much as me,
You know life's meaning is less if it's not wholly free,
Butterfly oh Butterfly although you spur great envy,
I know that if you could you would envy the life I lead.
poem by Christian Lacdael
Submitted by Poetry Lover
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