Emily Dickinson

Peace is a fiction of our Faith

912

Peace is a fiction of our Faith—
The Bells a Winter Night
Bearing the Neighbor out of Sound
That never did alight.

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Emily Dickinson

Her sweet Weight on my Heart a Night

518

Her sweet Weight on my Heart a Night
Had scarcely deigned to lie—
When, stirring, for Belief's delight,
My Bride had slipped away—

If 'twas a Dream—made solid—just
The Heaven to confirm—
Or if Myself were dreamed of Her—
The power to presume—

With Him remain—who unto Me—
Gave—even as to All—
A Fiction superseding Faith—
By so much—as 'twas real—

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Emily Dickinson

A House upon the Height

399

A House upon the Height—
That Wagon never reached—
No Dead, were ever carried down—
No Peddler's Cart—approached—

Whose Chimney never smoked—
Whose Windows—Night and Morn—
Caught Sunrise first—and Sunset—last—
Then—held an Empty Pane—

Whose fate—Conjecture knew—
No other neighbor—did—
And what it was—we never lisped—
Because He—never told—

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Emily Dickinson

My Faith is larger than the Hills

766

My Faith is larger than the Hills—
So when the Hills decay—
My Faith must take the Purple Wheel
To show the Sun the way—

'Tis first He steps upon the Vane—
And then—upon the Hill—
And then abroad the World He go
To do His Golden Will—

And if His Yellow feet should miss—
The Bird would not arise—
The Flowers would slumber on their Stems—
No Bells have Paradise—

How dare I, therefore, stint a faith
On which so vast depends—
Lest Firmament should fail for me—
The Rivet in the Bands

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Emily Dickinson

I had no Cause to be awake

542

I had no Cause to be awake—
My Best—was gone to sleep—
And Morn a new politeness took—
And failed to wake them up—

But called the others—clear—
And passed their Curtains by—
Sweet Morning—when I oversleep—
Knock—Recollect—to Me—

I looked at Sunrise—Once—
And then I looked at Them—
And wishfulness in me arose—
For Circumstance the same—

'Twas such an Ample Peace—
It could not hold a Sigh—
'Twas Sabbath—with the Bells divorced—
'Twas Sunset—all the Day—

So choosing but a Gown—
And taking but a Prayer—
The only Raiment I should need—
I struggled—and was There—

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Emily Dickinson

A first Mute Coming

702

A first Mute Coming—
In the Stranger's House—
A first fair Going—
When the Bells rejoice—

A first Exchange—of
What hath mingled—been—
For Lot—exhibited to
Faith—alone—

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Emily Dickinson

It was too late for Man

623

It was too late for Man—
But early, yet, for God—
Creation—impotent to help—
But Prayer—remained—Our Side—

How excellent the Heaven—
When Earth—cannot be had—
How hospitable—then—the face
Of our Old Neighbor—God—

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Emily Dickinson

Unfulfilled to Observation

972

Unfulfilled to Observation—
Incomplete—to Eye—
But to Faith—a Revolution
In Locality—

Unto Us—the Suns extinguish—
To our Opposite—
New Horizons—they embellish—
Fronting Us—with Night.

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Emily Dickinson

The Winters are so short

403

The Winters are so short—
I'm hardly justified
In sending all the Birds away—
And moving into Pod—

Myself—for scarcely settled—
The Phoebes have begun—
And then—it's time to strike my Tent—
And open House—again—

It's mostly, interruptions—
My Summer—is despoiled—
Because there was a Winter—once—
And al the Cattle—starved—

And so there was a Deluge—
And swept the World away—
But Ararat's a Legend—now—
And no one credits Noah—

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Emily Dickinson

A Prison gets to be a friend

652

A Prison gets to be a friend—
Between its Ponderous face
And Ours—a Kinsmanship express—
And in its narrow Eyes—

We come to look with gratitude
For the appointed Beam
It deal us—stated as our food—
And hungered for—the same—

We learn to know the Planks—
That answer to Our feet—
So miserable a sound—at first—
Nor ever now—so sweet—

As plashing in the Pools—
When Memory was a Boy—
But a Demurer Circuit—
A Geometric Joy—

The Posture of the Key
That interrupt the Day
To Our Endeavor—Not so real
The Check of Liberty—

As this Phantasm Steel—
Whose features—Day and Night—
Are present to us—as Our Own—
And as escapeless—quite—

The narrow Round—the Stint—
The slow exchange of Hope—
For something passiver—Content
Too steep for lookinp up—

The Liberty we knew
Avoided—like a Dream—
Too wide for any Night but Heaven—
If That—indeed—redeem—

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Emily Dickinson

This World is not Conclusion

501

This World is not Conclusion.
A Species stands beyond—
Invisible, as Music—
But positive, as Sound—
It beckons, and it baffles—
Philosophy—don't know—
And through a Riddle, at the last—
Sagacity, must go—
To guess it, puzzles scholars—
To gain it, Men have borne
Contempt of Generations
And Crucifixion, shown—
Faith slips—and laughs, and rallies—
Blushes, if any see—
Plucks at a twig of Evidence—
And asks a Vane, the way—
Much Gesture, from the Pulpit—
Strong Hallelujahs roll—
Narcotics cannot still the Tooth
That nibbles at the soul—

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Emily Dickinson

Through the strait pass of suffering

792

Through the strait pass of suffering—
The Martyrs—even—trod.
Their feet—upon Temptations—
Their faces—upon God—

A stately—shriven—Company—
Con vulsion—playing round—
Harmless—as streaks of Meteor—
Upon a Planet's Bond—

Their faith—the everlasting troth—
Their Expectation—fair—
The Needle—to the North Degree—
Wades—so—thro' polar Air!

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Emily Dickinson

To lose one's faith—surpass

377

To lose one's faith—surpass
The loss of an Estate—
Because Estates can be
Replenished—faith cannot—

Inherited with Life—
Belief—but once—can be—
Annihilate a single clause—
And Being's—Beggary—

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Villanelle Of Spring Bells

Bells in the town alight with spring
converse, with a concordance of new airs
make clear the fresh and ancient sound they sing.

People emerge from winter to hear them ring,
children glitter with mischief and the blind man hears
bells in the town alight with spring.

Even he on his eyes feels the caressing
finger of Persephone, and her voice escaped from tears
make clear the fresh and ancient sound they sing.

Bird feels the enchantment of his wing
and in ten fine notes dispels twenty cares.
Bells in the town alight with spring

warble the praise of Time, for he can bring
this season: chimes the merry heaven bears
make clear the fresh and ancient sound they sing.

All evil men intent on evil thing
falter, for in their cold unready ears
bells in the town alight with spring
make clear the fresh and ancient sound they sing.


Submitted by Andrew Todd

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Emily Dickinson

It might be lonelier

405

It might be lonelier
Without the Loneliness—
I'm so accustomed to my Fate—
Perhaps the Other—Peace—

Would interrupt the Dark—
And crowd the little Room—
Too scant—by Cubits—to contain
The Sacrament—of Him—

I am not used to Hope—
It might intrude upon—
Its sweet parade—blaspheme the place—
Ordained to Suffering—

It might be easier
To fail—with Land in Sight—
Than gain—My Blue Peninsula—
To perish—of Delight—

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Emily Dickinson

A Night—there lay the Days between

471

A Night—there lay the Days between—
The Day that was Before—
And Day that was Behind—were one—
And now—'twas Night—was here—

Slow—Night—that must be watched away—
As Grains upon a shore—
Too imperceptible to note—
Till it be night—no more—

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Emily Dickinson

You know that Portrait in the Moon

504

You know that Portrait in the Moon—
So tell me who 'tis like—
The very Brow—the stooping eyes—
A fog for—Say—Whose Sake?

The very Pattern of the Cheek—
It varies—in the Chin—
But—Ishmael—since we met—'tis long—
And fashions—intervene—

When Moon's at full—'Tis Thou—I say—
My lips just hold the name—
When crescent—Thou art worn—I note—
But—there—the Golden Same—

And when—Some Night—Bold—slashing Clouds
Cut Thee away from Me—
That's easier—than the other film
That glazes Holiday—

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Emily Dickinson

The Robin's my Criterion for Tune

285

The Robin's my Criterion for Tune—
Because I grow—where Robins do—
But, were I Cuckoo born—
I'd swear by him—
The ode familiar—rules the Noon—
The Buttercup's, my Whim for Bloom—
Because, we're Orchard sprung—
But, were I Britain born,
I'd Daisies spurn—
None but the Nut—October fit—
Because, through dropping it,
The Seasons flit—I'm taught—
Without the Snow's Tableau
Winter, were lie—to me—
Because I see—New Englandly—
The Queen, discerns like me—
Provincially—

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Emily Dickinson

I envy Seas, whereon He rides

498

I envy Seas, whereon He rides—
I envy Spokes of Wheels
Of Chariots, that Him convey—
I envy Crooked Hills

That gaze upon His journey—
How easy All can see
What is forbidden utterly
As Heaven—unto me!

I envy Nests of Sparrows—
That dot His distant Eaves—
The wealthy Fly, upon His Pane—
The happy—happy Leaves—

That just abroad His Window
Have Summer's leave to play—
The Ear Rings of Pizarro
Could not obtain for me—

I envy Light—that wakes Him—
And Bells—that boldly ring
To tell Him it is Noon, abroad—
Myself—be Noon to Him—

Yet interdict—my Blossom—
And abrogate—my Bee—
Lest Noon in Everlasting Night—
Drop Gabriel—and Me—

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Emily Dickinson

Have any like Myself

736

Have any like Myself
Investigating March,
New Houses on the Hill descried—
And possibly a Church—

That were not, We are sure—
As lately as the Snow—
And are Today—if We exist—
Though how may this be so?

Have any like Myself
Conjectured Who may be
The Occupants of the Adobes—
So easy to the Sky—

'Twould seem that God should be
The nearest Neighbor to—
And Heaven—a convenient Grace
For Show, or Company—

Have any like Myself
Preserved the Charm secure
By shunning carefully the Place
All Seasons of the Year,

Excepting March—'Tis then
My Villages be seen—
And possibly a Steeple—
Not afterward—by Men—

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Emily Dickinson

It ceased to hurt me, though so slow

584

It ceased to hurt me, though so slow
I could not feel the Anguish go—
But only knew by looking back—
That something—had benumbed the Track—

Nor when it altered, I could say,
For I had worn it, every day,
As constant as the Childish frock—
I hung upon the Peg, at night.

But not the Grief—that nestled close
As needles—ladies softly press
To Cushions Cheeks—
To keep their place—

Nor what consoled it, I could trace—
Except, whereas 'twas Wilderness—
It's better—almost Peace—

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