Emily Dickinson

One Year ago—jots what?

296

One Year ago—jots what?
God—spell the word! I—can't—
Was't Grace? Not that—
Was't Glory? That—will do—
Spell slower—Glory—

Such Anniversary shall be—
Sometimes—not often—in Eternity—
When farther Parted, than the Common Woe—
Look—feed upon each other's faces—so—
In doubtful meal, if it be possible
Their Banquet's true—

I tasted—careless—then—
I did not know the Wine
Came once a World—Did you?
Oh, had you told me so—
This Thirst would blister—easier—now—
You said it hurt you—most—
Mine—was an Acorn's Breast—
And could not know how fondness grew
In Shaggier Vest—
Perhaps—I couldn't—
But, had you looked in—
A Giant—eye to eye with you, had been—
No Acorn—then—

So—Twelve months ago—
We breathed—
Then dropped the Air—
Which bore it best?
Was this—the patientest—
Because it was a Child, you know—
And could not value—Air?

If to be "Elder"—mean most pain—
I'm old enough, today, I'm certain—then—
As old as thee—how soon?
One—Birthday more—or Ten?
Let me—choose!
Ah, Sir, None!

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Oprah Believes In Jesus

Watching a video on Oprah and Eckhart Tolle
I see the truth I already know.
For it's been my philosophy
Jesus was here to make us see
We are "God Consciousness" all in its glory.
"Do not believe Oprah a false prophet" is what was said
this is a rumor that people where feed.
Oprah is not a false prophet, now let's all get along
for there is really no real proof of what's right or wrong.
Misinformation is like a parasite, please hear Oprah words right.
Don Miguel's Ruiz a Tolec, writes of gossip on mankind
to me it's is like a wire of misinformation in twisted vines.
in Ruiz's book gossip is like a virus on the internet
it's a spell that weaves it's web-
Don writes: "Misuse of the word puts us in a deeper hell"
I reply "Let's all break this vicious spell"
By awaking up and seeing things as they really are
We are all equal and are shining stars.
Like Joseph Campbell even says
"I don't have to have faith, I have experience."

Written by Suzae Chevalier on February 20,2011

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Christina Georgina Rossetti

The Three Enemies

THE FLESH

"Sweet, thou art pale."
"More pale to see,
Christ hung upon the cruel tree
And bore His Father's wrath for me."

"Sweet, thou art sad."
"Beneath a rod
More heavy, Christ for my sake trod
The winepress of the wrath of God."

"Sweet, thou art weary."
"Not so Christ:
Whose mighty love of me suffic'd
For Strength, Salvation, Eucharist."

"Sweet, thou art footsore."
"If I bleed,
His feet have bled; yea in my need
His Heart once bled for mine indeed."

THE WORLD

"Sweet, thou art young."
"So He was young
Who for my sake in silence hung
Upon the Cross with Passion wrung."

"Look, thou art fair."
"He was more fair
Than men, Who deign'd for me to wear
A visage marr'd beyond compare."

"And thou hast riches."
"Daily bread:
All else is His: Who, living, dead,
For me lack'd where to lay His Head."

"And life is sweet."
"It was not so
To Him, Whose Cup did overflow
With mine unutterable woe."

THE DEVIL

"Thou drinkest deep."
"When Christ would sup
He drain'd the dregs from out my cup:
So how should I be lifted up?"

"Thou shalt win Glory."
"In the skies,
Lord Jesus, cover up mine eyes
Lest they should look on vanities."

"Thou shalt have Knowledge."
"Helpless dust!
In Thee, O Lord, I put my trust:
Answer Thou for me, Wise and Just."

"And Might."--
"Get thee behind me. Lord,
Who hast redeem'd and not abhorr'd
My soul, oh keep it by Thy Word."

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Goodbye Mine M.j.

A "Stranger in Moscow" told me that you've gone!
But is it true that you've gone my M.J.?
And with tears in my eyes I say goodbye my M.J.
You who feeds the eyes and the ears
And has graced our African soil
But why did you have to go, you "Smooth criminal"
When you know "They don't care about us"
Tell me, who will "Heal the world"?
Who will make it a better place for us?

Who will give to the poor once and again to their necessity?
Who will be there for them in their anguish and pain?
O', know you not that admired you are of those that hate you most
And did you have to go; or where you too lonely?
But you said "We're the world" that "You are not alone"
Then why did you have to go? And did you leave another "Thriller"
If no, then why choose to be "The man in the mirror"
Thus dirge and elegy now met in my heart. Why?

"Do you remember the time" we first met in my dream
And "The way you make me feel" with your "Childhood"?
Oh king of pop, my M.J., "I want you back"
And you "Got to be there" for me on my birthday
To sing me your song, "Don't stop till you get enough"
While "Rockin Robin and Ben" "Off the wall" till they "Scream"
For your love is magical because you're angelica
You are so wonderful because you're beautiful
You are indispensable because you're irreplaceable
And now I see the "Liberian girl" cry because you're "Speechless"
And upon our bodies the nighted color of mourning you. Why?
Alas death! Why taketh him away when all that look on him yet not satisfied?
O', let not the world lose another "Michael Jackson".
Michael I love you "Yesterday, today and forever."

May the spirit light your way
Through the land of the shadow
To the halls of eternal peace. Amen.


In the cabinet of my imagination, in the treasury of my reason, in the registry of my conscience, and in the council chamber of my thought, there shall you live forever.
I LOVE YOU MINE M.J.

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William Cowper

Lovest Thou Me?

(John, xxi.16)

Hark my soul! it is the Lord;
'Tis Thy Saviour, hear His word;
Jesus speaks and speaks to thee,
"Say poor sinner, lovst thou me?

"I deliver'd thee when bound,
And when bleeding, heal'd thy wound;
Sought thee wandering, set thee right,
Turn'd thy darkness into light.

"Can a woman's tender care
Cease towards the child she bare?
Yes, she may forgetful be,
Yet will I remember thee.

"Mine is an unchanging love,
Higher than the heights above,
Deeper than the depths beneath,
Free and faithful, strong as death.

"Thou shalt see my glory soon,
When the work of grace is done;
Partner of my throne shalt be;
Say, poor sinner, lovst thou me?"

Lord it is my chief complaint,
That my love is weak and faint;
Yet I love Thee and adore, --
Oh! for grace to love Thee more!

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The ABC

'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"

Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"

"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."

C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."

"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."

"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.

"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."

X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."

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Ella Wheeler Wilcox

A Golden Day

The subtle beauty of this day
Hangs o'er me like a fairy spell,
And care and grief have flown away,
And every breeze sings, "all is well."
I ask, "Holds earth or sin, or woe?"
My heart replies, "I do not know."

Nay! all we know, or feel, my heart,
Today is joy undimmed, complete;
In tears or pain we have no part;
The act of breathing is so sweet,
We care no higher joy to name.
What reck we now of wealth or fame?

The past--what matters it to me?
The pain it gave has passed away.
The future--that I cannot see!
I care for nothing save today--
This is a respite from all care,
And trouble flies--I know not where.

Go on, oh noisy, restless life!
Pass by, oh, feet that seek for heights!
I have no part in aught of strife;
I do not want your vain delights.
The day wraps round me like a spell
And every breeze sings, "All is well."

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Rudyard Kipling

The New Knighthood

Who gives him the Bath?
"I," said the wet,
Rank-Jungle-sweat,
"I'll give him the Bath!"

Who'll sing the psalms?
"We," said the Palms.
"Ere the hot wind becalms,
"We'll sing the psalms."

Who lays on the sword ?
"I," said the Sun,
Before he has done,
"I'll lay on the sword."

"Who fastens his belt?
"I," said Short-Rations,
" I know all the fashions
"Of tightening a belt!"

Who gives him his spur?
"I," said his Chief,
Exacting and brief,
"I'll give him the spur."

Who'll shake his hand?
"I," said the Fever,
"And I'm no deceiver,
"I'll shake his hand."

Who brings him the wine?
"I," said Quinine,
"It's a habit of mine.
"I'11 come with his wine."

Who'll put him to proof?
"I," said All Earth.
"Whatever he's worth,
"I'll put to the proof."

Who'll choose him for Knight?
"I," said his Mother,
"Before any other,
"My very own Knight."

And after this fashion, adventure to seek,
Sir Galahad was made--as it might be last week!

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Thomas Hardy

At Lulworth Cove a Century Back

Had I but lived a hundred years ago
I might have gone, as I have gone this year,
By Warmwell Cross on to a Cove I know,
And Time have placed his finger on me there:

"You see that man?" -- I might have looked, and said,
"O yes: I see him. One that boat has brought
Which dropped down Channel round Saint Alban's Head.
So commonplace a youth calls not my thought."

"You see that man?" -- "Why yes; I told you; yes:
Of an idling town-sort; thin; hair brown in hue;
And as the evening light scants less and less
He looks up at a star, as many do."

"You see that man?" -- "Nay, leave me!" then I plead,
"I have fifteen miles to vamp across the lea,
And it grows dark, and I am weary-kneed:
I have said the third time; yes, that man I see!"

"Good. That man goes to Rome -- to death, despair;
And no one notes him now but you and I:
A hundred years, and the world will follow him there,
And bend with reverence where his ashes lie."

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The Blind And The Dead

She lay like a saint on her copper couch;
Like an angel asleep she lay,
In the stare of the ghoulish folks that slouch
Past the Dead and sneak away.

Then came old Jules of the sightless gaze,
Who begged in the streets for bread.
Each day he had come for a year of days,
And groped his way to the Dead.

"What's the Devil's Harvest to-day?" he cried;
"A wanton with eyes of blue!
I've known too many a such," he sighed;
"Maybe I know this . . . mon Dieu!"

He raised the head of the heedless Dead;
He fingered the frozen face. . . .
Then a deathly spell on the watchers fell --
God! it was still, that place!

He raised the head of the careless Dead;
He fumbled a vagrant curl;
And then with his sightless smile he said:
"It's only my little girl."

"Dear, my dear, did they hurt you so!
Come to your daddy's heart. . . ."
Aye, and he held so tight, you know,
They were hard to force apart.

No! Paris isn't always gay;
And the morgue has its stories too:
You are a writer of tales, you say --
Then there is a tale for you.

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Thomas Hardy

The Inconsistent

I say, "She was as good as fair,"
   When standing by her mound;
"Such passing sweetness," I declare,
   "No longer treads the ground."
I say, "What living Love can catch
   Her bloom and bonhomie,
And what in newer maidens match
   Her olden warmth to me!"

- There stands within yon vestry-nook
   Where bonded lovers sign,
Her name upon a faded book
   With one that is not mine.
To him she breathed the tender vow
   She once had breathed to me,
But yet I say, "O love, even now
   Would I had died for thee!"

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Song

I came to the door of the House of Love
And knocked as the starry night went by;
And my true love cried "Who knocks?" and I said
"It is I."

And Love looked down from a lattice above
Where the roses were dry as the lips of the dead:
"There is not room in the House of Love
For you both," he said.

I plucked a leaf from the porch and crept
Away through a desert of scoffs and scorns
To a lonely place where I prayed and wept
And wove me a crown of thorns.

I came once more to the House of Love
And knocked, ah, softly and wistfully,
And my true love cried "Who knocks?" and I said
"None now but thee."

And the great doors opened wide apart
And a voice rang out from a glory of light,
"Make room, make room for a faithful heart
In the House of Love, to-night."

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Don't Tell the World that You're Waiting for Me

THREE summers have gone since the first time we met, love,
And still 'tis in vain that I ask thee to wed ;
I hear no reply but a gentle " Not yet, love,"
With a smile of your lip, and a shake of your head.
Ah ! how oft have I whispered, how oft have I sued thee,
And breathed my soul's question of " When shall it be ?"
You know, dear, how long and how truly I've wooed thee,
So don't tell the world that you're waiting for me.

I have fashioned a home, where the fairies might dwell, love,
I've planted the myrtle, the rose, and the vine ;
But the cottage to me is a mere hermit's cell, love,
And the bloom will be dull till the flowers are thine.
I've a ring of bright gold, which I gaze on when lonely,
And sigh with Hope's eloquence, " When will it be ?"
There needs but thy " Yes," love--one little word only,
So don't tell the world that you're waiting for me.

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Emily Dickinson

You'll know it—as you know 'tis Noon

420

You'll know it—as you know 'tis Noon—
By Glory—
As you do the Sun—
By Glory—
As you will in Heaven—
Know God the Father—and the Son.

By intuition, Mightiest Things
Assert themselves—and not by terms—
"I'm Midnight"—need the Midnight say—
"I'm Sunrise"—Need the Majesty?

Omnipotence—had not a Tongue—
His listp—is Lightning—and the Sun—
His Conversation—with the Sea—
"How shall you know"?
Consult your Eye!

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A Domestic Tragedy

Clorinda met me on the way
As I came from the train;
Her face was anything but gay,
In fact, suggested pain.
"Oh hubby, hubby dear!" she cried,
"I've awful news to tell. . . ."
"What is it, darling?" I replied;
"Your mother -- is she well?"

"Oh no! oh no! it is not that,
It's something else," she wailed,
My heart was beating pit-a-pat,
My ruddy visage paled.
Like lightning flash in heaven's dome
The fear within me woke:
"Don't say," I cried, "our little home
Has all gone up in smoke!"

She shook her head. Oh, swift I clasped
And held her to my breast;
"The children! Tell me quick," I gasped,
"Believe me, it is best."
Then, then she spoke; 'mid sobs I caught
These words of woe divine:
"It's coo-coo-cook has gone and bought
A new hat just like mine."

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Rudyard Kipling

Soldier, Soldier

"Soldier, soldier come from the wars,
Why don't you march with my true love?"
"We're fresh from off the ship an' 'e's maybe give the slip,
An' you'd best go look for a new love."
New love! True love!
Best go look for a new love,
The dead they cannot rise, an' you'd better dry your eyes,
An' you'd best go look for a new love.

"Soldier, soldier come from the wars,
What did you see o' my true love?"
"I seed 'im serve the Queen in a suit o' rifle-green,
An' you'd best go look for a new love."

"Soldier, soldier come from the wars,
Did ye see no more o' my true love?"
"I seed 'im runnin' by when the shots begun to fly --
But you'd best go look for a new love."

"Soldier, soldier come from the wars,
Did aught take 'arm to my true love?"
"I couldn't see the fight, for the smoke it lay so white --
An' you'd best go look for a new love."

"Soldier, soldier come from the wars,
I'll up an' tend to my true love!"
"'E's lying on the dead with a bullet through 'is 'ead,
An' you'd best go look for a new love."

"Soldier, soldier come from the wars,
I'll down an' die with my true love!"
"The pit we dug'll 'ide 'im an' the twenty men beside 'im --
An' you'd best go look for a new love."

"Soldier, soldier come from the wars,
Do you bring no sign from my true love?"
"I bring a lock of 'air that 'e allus used to wear,
An' you'd best go look for a new love."

"Soldier, soldier come from the wars,
O then I know it's true I've lost my true love!"
"An' I tell you truth again -- when you've lost the feel o' pain
You'd best take me for your true love."
True love! New love!
Best take 'im for a new love,
The dead they cannot rise, an' you'd better dry your eyes,
An' you'd best take 'im for your true love.

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Sara Teasdale

Four Winds

"Four winds blowing through the sky,
You have seen poor maidens die,
Tell me then what I shall do
That my lover may be true."
Said the wind from out the south,
"Lay no kiss upon his mouth,"
And the wind from out the west,
"Wound the heart within his breast,"
And the wind from out the east,
"Send him empty from the feast,"
And the wind from out the north,
"In the tempest thrust him forth;
When thou art more cruel than he,
Then will Love be kind to thee."

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Us Two

Wherever I am, there's always Pooh,
There's always Pooh and Me.
Whatever I do, he wants to do,
"Where are you going today?" says Pooh:
"Well, that's very odd 'cos I was too.
Let's go together," says Pooh, says he.
"Let's go together," says Pooh.

"What's twice eleven?" I said to Pooh.
("Twice what?" said Pooh to Me.)
"I think it ought to be twenty-two."
"Just what I think myself," said Pooh.
"It wasn't an easy sum to do,
But that's what it is," said Pooh, said he.
"That's what it is," said Pooh.

"Let's look for dragons," I said to Pooh.
"Yes, let's," said Pooh to Me.
We crossed the river and found a few-
"Yes, those are dragons all right," said Pooh.
"As soon as I saw their beaks I knew.
That's what they are," said Pooh, said he.
"That's what they are," said Pooh.

"Let's frighten the dragons," I said to Pooh.
"That's right," said Pooh to Me.
"I'm not afraid," I said to Pooh,
And I held his paw and I shouted "Shoo!
Silly old dragons!"- and off they flew.

"I wasn't afraid," said Pooh, said he,
"I'm never afraid with you."

So wherever I am, there's always Pooh,
There's always Pooh and Me.
"What would I do?" I said to Pooh,
"If it wasn't for you," and Pooh said: "True,
It isn't much fun for One, but Two,
Can stick together, says Pooh, says he. "That's how it is," says Pooh.

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Parafake: The 'Word'.....[English language; 'new' word]

My wife used the "word" parafake, one evening in our bed.
Now don't get any nasty idea she was speaking of ME, in your nasty head.
In fact I don't believe either of us recall, of WHAT she was speaking,
and "parafake" isn't even a word in my dictionary. I know; I went peeking.

There is paraffin and paraformaldehyde, and parakeet of course,
but I could not find parafake; nor was there parahorse.
So I looked up "para", which turns out to be some sort of money.
Then I looked up the prefix "para- (or par-) ", with no definitions that were funny.
The prefix definitions range from "beside" and "beyond", to "incorrect",
to "a diatomic molecule" which, without super-eyes, I could NOT detect.
Well there was one definition of para-, the prefix, which I thought would fit.
"Para" can mean "assistant" (such as in paralegal) . On that definition I bit.

So then I looked up "fake" in my dictionary to try to pin down "parafake".
Guess what. There are widely varying definitions of "fake", for goodness sake!
Well I've chosen the definition of fake which is "one that is not genuine".
Therefore I say a "parafake" is an "assistant to one that is not genuine". If you don't agree, that is fine.
So a paralegal would be a parafake if her boss had no law degree, and
a vintner's assistant would be a parafake if his boss neither made NOR sold wine. You SEE?

(Nov.2012)

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Lewis Carroll

My Fairy

I have a fairy by my side
Which says I must not sleep,
When once in pain I loudly cried
It said "You must not weep"
If, full of mirth, I smile and grin,
It says "You must not laugh"
When once I wished to drink some gin
It said "You must not quaff".

When once a meal I wished to taste
It said "You must not bite"
When to the wars I went in haste
It said "You must not fight".

"What may I do?" at length I cried,
Tired of the painful task.
The fairy quietly replied,
And said "You must not ask".

Moral: "You mustn't."

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The Acorn

An acorn swung
On an oak-tree bough;
So long it had hung,
It would fain fall now
To the kindly earth,
That its germ within
Might burst into birth,
And its life begin.

And the autumn came
With its burning hand,
And each leaf grew a flame,
And each bough a brand.
And a worm came up
And began to eat
Though the hard, dry cup
To the acorn sweet.

And the acorn thought,
“I shall soon see now
The life I have sought,
When I fall from the bough;
For the worm gnaws through
Each tendon slight,
That about me grew,
And bound me tight.”

And with dying day
Came the zephyr’s sound;
And the acorn lay
Next morn on the ground;
But its germ was gone
By the worm’s sharp teeth;
And the ground it had won
Was its grave in death.

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