Emily Dickinson

I have a Bird in spring

5

I have a Bird in spring
Which for myself doth sing—
The spring decoys.
And as the summer nears—
And as the Rose appears,
Robin is gone.

Yet do I not repine
Knowing that Bird of mine
Though flown—
Learneth beyond the sea
Melody new for me
And will return.

Fast is a safer hand
Held in a truer Land
Are mine—
And though they now depart,
Tell I my doubting heart
They're thine.

In a serener Bright,
In a more golden light
I see
Each little doubt and fear,
Each little discord here
Removed.

Then will I not repine,
Knowing that Bird of mine
Though flown
Shall in a distant tree
Bright melody for me
Return.

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Emily Dickinson

Before I got my eye put out

327

Before I got my eye put out
I liked as well to see—
As other Creatures, that have Eyes
And know no other way—

But were it told to me—Today—
That I might have the sky
For mine—I tell you that my Heart
Would split, for size of me—

The Meadows—mine—
The Mountains—mine—
All Forests—Stintless Stars—
As much of Noon as I could take
Between my finite eyes—

The Motions of the Dipping Birds—
The Morning's Amber Road—
For mine—to look at when I liked—
The News would strike me dead—

So safer—guess—with just my soul
Upon the Window pane—
Where other Creatures put their eyes—
Incautious—of the Sun—

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Emily Dickinson

The Skies can't keep their secret!

191

The Skies can't keep their secret!
They tell it to the Hills—
The Hills just tell the Orchards—
And they—the Daffodils!

A Bird—by chance—that goes that way—
Soft overhears the whole—
If I should bribe the little Bird—
Who knows but she would tell?

I think I won't—however—
It's finer—not to know—
If Summer were an Axiom—
What sorcery had Snow?

So keep your secret—Father!
I would not—if I could,
Know what the Sapphire Fellows, do,
In your new-fashioned world!

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Emily Dickinson

It makes no difference abroad

620

It makes no difference abroad—
The Seasons—fit—the same—
The Mornings blossom into Noons—
And split their Pods of Flame—

Wild flowers—kindle in the Woods—
The Brooks slam—all the Day—
No Black bird bates his Banjo—
For passing Calvary—

Auto da Fe—and Judgment—
Are nothing to the Bee—
His separation from His Rose—
To Him—sums Misery—

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Emily Dickinson

A Murmur in the Trees—to note

416

A Murmur in the Trees—to note—
Not loud enough—for Wind—
A Star—not far enough to seek—
Nor near enough—to find—

A long—long Yellow—on the Lawn—
A Hubbub—as of feet—
Not audible—as Ours—to Us—
But dapperer—More Sweet—

A Hurrying Home of little Men
To Houses unperceived—
All this—and more—if I should tell—
Would never be believed—

Of Robins in the Trundle bed
How many I espy
Whose Nightgowns could not hide the Wings—
Although I heard them try—

But then I promised ne'er to tell—
How could I break My Word?
So go your Way—and I'll go Mine—
No fear you'll miss the Road.

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Emily Dickinson

Why—do they shut Me out of Heaven?

248

Why—do they shut Me out of Heaven?
Did I sing—too loud?
But—I can say a little "Minor"
Timid as a Bird!

Wouldn't the Angels try me—
Just—once—more—
Just—see—if I troubled them—
But don't—shut the door!

Oh, if I—were the Gentleman
In the "White Robe"—
And they—were the little Hand—that knocked—
Could—I—forbid?

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Emily Dickinson

Struck, was I, not yet by Lightning

925

Struck, was I, not yet by Lightning—
Lightning—lets away
Power to perceive His Process
With Vitality.

Maimed—was I—yet not by Venture—
Stone of stolid Boy—
Nor a Sportsman's Peradventure—
Who mine Enemy?

Robbed—was I—intact to Bandit—
All my Mansion torn—
Sun—withdrawn to Recognition—
Furthest shining—done—

Yet was not the foe—of any—
Not the smallest Bird
In the nearest Orchard dwelling
Be of Me—afraid.

Most—I love the Cause that slew Me.
Often as I die
Its beloved Recognition
Holds a Sun on Me—

Best—at Setting—as is Nature's—
Neither witnessed Rise
Till the infinite Aurora
In the other's eyes.

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Emily Dickinson

Tis Opposites—entice

355

'Tis Opposites—entice—
Deformed Men—ponder Grace—
Bright fires—the Blanketless—
The Lost—Day's face—

The Blind—esteem it be
Enough Estate—to see—
The Captive—strangles new—
For deeming—Beggars—play—

To lack—enamor Thee—
Tho' the Divinity—
Be only
Me—

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Emily Dickinson

By my Window have I for Scenery

797

By my Window have I for Scenery
Just a Sea—with a Stem—
If the Bird and the Farmer—deem it a "Pine"—
The Opinion will serve—for them—

It has no Port, nor a "Line"—but the Jays—
That split their route to the Sky—
Or a Squirrel, whose giddy Peninsula
May be easier reached—this way—

For Inlands—the Earth is the under side—
And the upper side—is the Sun—
And its Commerce—if Commerce it have—
Of Spice—I infer from the Odors borne—

Of its Voice—to affirm—when the Wind is within—
Can the Dumb—define the Divine?
The Definition of Melody—is—
That Definition is none—

It—suggests to our Faith—
They—suggest to our Sight—
When the latter—is put away
I shall meet with Conviction I somewhere met
That Immortality—

Was the Pine at my Window a "Fellow
Of the Royal" Infinity?
Apprehensions—are God's introductions—
To be hallowed—accordingly—

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Emily Dickinson

Musicians wrestle everywhere

157

Musicians wrestle everywhere—
All day—among the crowded air
I hear the silver strife—
And—walking—long before the morn—
Such transport breaks upon the town
I think it that "New Life"!

If is not Bird—it has no nest—
Nor "Band"—in brass and scarlet—drest—
Nor Tamborin—nor Man—
It is not Hymn from pulpit read—
The "Morning Stars" the Treble led
On Time's first Afternoon!

Some—say—it is "the Spheres"—at play!
Some say that bright Majority
Of vanished Dames—and Men!
Some—think it service in the place
Where we—with late—celestial face—
Please God—shall Ascertain!

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Emily Dickinson

The World—feels Dusty

715

The World—feels Dusty
When We stop to Die—
We want the Dew—then—
Honors—taste dry—

Flags—vex a Dying face—
But the least Fan
Stirred by a friend's Hand—
Cools—like the Rain—

Mine be the Ministry
When they Thirst comes—
And Hybla Balms—
Dews of Thessaly, to fetch—

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Emily Dickinson

Some—Work for Immortality

406

Some—Work for Immortality—
The Chiefer part, for Time—
He—Compensates—immedia tely—
The former—Checks—on Fame—

Slow Gold—but Everlasting—
The Bullion of Today—
Contrasted with the Currency
Of Immortality—

A Beggar—Here and There—
Is gifted to discern
Beyond the Broker's insight—
One's—Money—One's&m dash;the Mine—

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Emily Dickinson

You know that Portrait in the Moon

504

You know that Portrait in the Moon—
So tell me who 'tis like—
The very Brow—the stooping eyes—
A fog for—Say—Whose Sake?

The very Pattern of the Cheek—
It varies—in the Chin—
But—Ishmael—since we met—'tis long—
And fashions—intervene—

When Moon's at full—'Tis Thou—I say—
My lips just hold the name—
When crescent—Thou art worn—I note—
But—there—the Golden Same—

And when—Some Night—Bold—slashing Clouds
Cut Thee away from Me—
That's easier—than the other film
That glazes Holiday—

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Emily Dickinson

The World—stands—solemner—to me

493

The World—stands—solemner—to me—
Since I was wed—to Him—
A modesty befits the soul
That bears another's—name—
A doubt—if it be fair—indeed—
To wear that perfect—pearl—
The Man—upon the Woman—binds—
To clasp her soul—for all—
A prayer, that it more angel—prove—
A whiter Gift—within—
To that munificence, that chose—
So unadorned—a Queen—
A Gratitude—that such be true—
It had esteemed the Dream—
Too beautiful—for Shape to prove—
Or posture—to redeem!

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Emily Dickinson

A solemn thing—it was—I said

271

A solemn thing—it was—I said—
A woman—white—to be—
And wear—if God should count me fit—
Her blameless mystery—

A hallowed thing—to drop a life
Into the purple well—
Too plummetless—that it return—
Eternity—until—

I pondered how the bliss would look—
And would it feel as big—
When I could take it in my hand—
As hovering—seen—through fog—

And then—the size of this "small" life—
The Sages—call it small—
Swelled—like Horizons—in my vest—
And I sneered—softly—"small"!

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Emily Dickinson

I send Two Sunsets

308

I send Two Sunsets—
Day and I—in competition ran—
I finished Two—and several Stars—
While He—was making One—

His own was ampler—but as I
Was saying to a friend—
Mine—is the more convenient
To Carry in the Hand—

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Emily Dickinson

Like eyes that looked on Wastes

458

Like eyes that looked on Wastes—
Incredulous of Ought
But Blank—and steady Wilderness—
Diversified by Night—

Just Infinites of Nought—
As far as it could see—
So looked the face I looked upon—
So looked itself—on Me—

I offered it no Help—
Because the Cause was Mine—
The Misery a Compact
As hopeless—as divine—

Neither—would be absolved—
Neither would be a Queen
Without the Other—Therefore—
We perish—tho' We reign—

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Emily Dickinson

Like Flowers, that heard the news of Dews

513

Like Flowers, that heard the news of Dews,
But never deemed the dripping prize
Awaited their—low Brows—
Or Bees—that thought the Summer's name
Some rumor of Delirium,
No Summer—could—for Them—

Or Arctic Creatures, dimly stirred—
By Tropic Hint—some Travelled Bird
Imported to the Wood—

Or Wind's bright signal to the Ear—
Making that homely, and severe,
Contented, known, before—

The Heaven—unexpected come,
To Lives that thought the Worshipping
A too presumptuous Psalm—

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Emily Dickinson

She lay as if at play

369

She lay as if at play
Her life had leaped away—
Intending to return—
But not so soon—

Her merry Arms, half dropt—
As if for lull of sport—
An instant had forgot—
The Trick to start—

Her dancing Eyes—ajar—
As if their Owner were
Still sparkling through
For fun—at you—

Her Morning at the door—
Devising, I am sure—
To force her sleep—
So light—so deep—

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Emily Dickinson

The Court is far away

235

The Court is far away—
No Umpire—have I—
My Sovereign is offended—
To gain his grace—I'd die!

I'll seek his royal feet—
I'll say—Remember—King—
Thou shalt—thyself—one day—a Child—
Implore a larger—thing—

That Empire—is of Czars—
As small—they say—as I—
Grant me—that day—the royalty—
To intercede—for Thee—

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Emily Dickinson

Her—"last Poems"

312

Her—"last Poems"—
Poets—ended—
Silver—perished—with her Tongue—
Not on Record—bubbled other,
Flute—or Woman—
So divine—
Not unto its Summer—Morning
Robin—uttered Half the Tune—
Gushed too free for the Adoring—
From the Anglo-Florentine—
Late—the Praise—
'Tis dull—conferring
On the Head too High to Crown—
Diadem—or Ducal Showing—
Be its Grave—sufficient sign—
Nought—that We—No Poet's Kinsman—
Suffocate—with easy woe—
What, and if, Ourself a Bridegroom—
Put Her down—in Italy?

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