Emily Dickinson

As the Starved Maelstrom laps the Navies

872

As the Starved Maelstrom laps the Navies
As the Vulture teased
Forces the Broods in lonely Valleys
As the Tiger eased

By but a Crumb of Blood, fasts Scarlet
Till he meet a Man
Dainty adorned with Veins and Tissues
And partakes—his Tongue

Cooled by the Morsel for a moment
Grows a fiercer thing
Till he esteem his Dates and Cocoa
A Nutrition mean

I, of a finer Famine
Deem my Supper dry
For but a Berry of Domingo
And a Torrid Eye.

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Emily Dickinson

Deprived of other Banquet

773

Deprived of other Banquet,
I entertained Myself—
At first—a scant nutrition—
An insufficient Loaf—

But grown by slender addings
To so esteemed a size
'Tis sumptuous enough for me—
And almost to suffice

A Robin's famine able—
Red Pilgrim, He and I—
A Berry from our table
Reserve—for charity—

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Emily Dickinson

Most she touched me by her muteness

760

Most she touched me by her muteness—
Most she won me by the way
She presented her small figure—
Plea itself—for Charity—

Were a Crumb my whole possession—
Were there famine in the land—
Were it my resource from starving—
Could I such a plea withstand—

Not upon her knee to thank me
Sank this Beggar from the Sky—
But the Crumb partook—departed—
And returned On High—

I supposed—when sudden
Such a Praise began
'Twas as Space sat singing
To herself—and men—

'Twas the Winged Beggar—
Afterward I learned
To her Benefactor
Making Gratitude

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Emily Dickinson

Taking up the fair Ideal

428

Taking up the fair Ideal,
Just to cast her down
When a fracture—we discover—
Or a splintered Crown—
Makes the Heavens portable—
And the Gods—a lie—
Doubtless—"Adam"&md ash;scowled at Eden—
For his perjury!

Cherishing—our pool Ideal—
Till in purer dress—
We behold her—glorified—
Comforts—sear ch—like this—
Till the broken creatures—
We adored—for whole—
Stains—all washed—
Transfigured—mended—
Meet us—with a smile—

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Emily Dickinson

She bore it till the simple veins

144

She bore it till the simple veins
Traced azure on her hand—
Til pleading, round her quiet eyes
The purple Crayons stand.

Till Daffodils had come and gone
I cannot tell the sum,
And then she ceased to bear it—
And with the Saints sat down.

No more her patient figure
At twilight soft to meet—
No more her timid bonnet
Upon the village street—

But Crowns instead, and Courtiers—
And in the midst so fair,
Whose but her shy—immortal face
Of whom we're whispering here?

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Emily Dickinson

Tis not that Dying hurts us so

335

'Tis not that Dying hurts us so—
'Tis Living—hurts us more—
But Dying—is a different way—
A Kind behind the Door—

The Southern Custom—of the Bird—
That ere the Frosts are due—
Accepts a better Latitude—
We—are the Birds—that stay.

The Shrivers round Farmers' doors—
For whose reluctant Crumb—
We stipulate—till pitying Snows
Persuade our Feathers Home.

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Emily Dickinson

How the old Mountains drip with Sunset

291

How the old Mountains drip with Sunset
How the Hemlocks burn—
How the Dun Brake is draped in Cinder
By the Wizard Sun—

How the old Steeples hand the Scarlet
Till the Ball is full—
Have I the lip of the Flamingo
That I dare to tell?

Then, how the Fire ebbs like Billows—
Touching all the Grass
With a departing—Sapphire—feature—
As a Duchess passed—

How a small Dusk crawls on the Village
Till the Houses blot
And the odd Flambeau, no men carry
Glimmer on the Street—

How it is Night—in Nest and Kennel—
And where was the Wood—
Just a Dome of Abyss is Bowing
Into Solitude—

These are the Visions flitted Guido—
Titian—never told—
Domenichino dropped his pencil—
Paralyzed, with Gold—

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Emily Dickinson

It knew no lapse, nor Diminuation

560

It knew no lapse, nor Diminuation—
But large—serene—
Burned on—until through Dissolution—
It failed from Men—

I could not deem these Planetary forces
Annulled—
But suffered an Exchange of Territory—
Or World—

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Emily Dickinson

We see—Comparatively

534

We see—Comparatively—
The Thing so towering high
We could not grasp its segment
Unaided—Yesterday—

This Morning's finer Verdict—
Makes scarcely worth the toil—
A furrow—Our Cordillera—
Our Apennine—a Knoll—

Perhaps 'tis kindly—done us—
The Anguish—and the loss—
The wrenching—for His Firmament
The Thing belonged to us—

To spare these Striding Spirits
Some Morning of Chagrin—
The waking in a Gnat's—embrace—
Our Giants—further on—

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Emily Dickinson

The name—of it—is "Autumn"

656

The name—of it—is "Autumn"—
The hue—of it—is Blood—
An Artery—upon the Hill—
A Vein—along the Road—

Great Globules—in the Alleys—
And Oh, the Shower of Stain—
When Winds—upset the Basin—
And spill the Scarlet Rain—

It sprinkles Bonnets—far below—
It gathers ruddy Pools—
Then—eddies like a Rose—away—
Upon Vermilion Wheels—

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Emily Dickinson

Don't put up my Thread and Needle

617

Don't put up my Thread and Needle—
I'll begin to Sew
When the Birds begin to whistle—
Better Stitches—so—

These were bent—my sight got crooked—
When my mind—is plain
I'll do seams—a Queen's endeavor
Would not blush to own—

Hems—too fine for Lady's tracing
To the sightless Knot—
Tucks—of dainty interspersion—
Like a dotted Dot—

Leave my Needle in the furrow—
Where I put it down—
I can make the zigzag stitches
Straight—when I am strong—

Till then—dreaming I am sewing
Fetch the seam I missed—
Closer—so I—at my sleeping—
Still surmise I stitch—

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Emily Dickinson

The Sunrise runs for Both

710

The Sunrise runs for Both—
The East—Her Purple Troth
Keeps with the Hill—
The Noon unwinds Her Blue
Till One Breadth cover Two—
Remotest—still—

Nor does the Night forget
A Lamp for Each—to set—
Wicks wide away—
The North—Her blazing Sign
Erects in Iodine—
Till Both—can see—

The Midnight's Dusky Arms
Clasp Hemispheres, and Homes
And so
Upon Her Bosom—One—
And One upon Her Hem—
Both lie—

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Emily Dickinson

Behind Me—dips Eternity

721

Behind Me—dips Eternity—
Before Me—Immortality—
Myself—the Term between—
Death but the Drift of Eastern Gray,
Dissolving into Dawn away,
Before the West begin—

'Tis Kingdoms—afterward—they say—
In perfect—pauseless Monarchy—
Whose Prince—is Son of None—
Himself—His Dateless Dynasty—
Himself—Himself diversify—
In Duplicate divine—

'Tis Miracle before Me—then—
'Tis Miracle behind—between—
A Crescent in the Sea—
With Midnight to the North of Her—
And Midnight to the South of Her—
And Maelstrom—in the Sky—

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Emily Dickinson

To know just how He suffered—would be dear

622

To know just how He suffered—would be dear—
To know if any Human eyes were near
To whom He could entrust His wavering gaze—
Until it settle broad—on Paradise—

To know if He was patient—part content—
Was Dying as He thought—or different—
Was it a pleasant Day to die—
And did the Sunshine face his way—

What was His furthest mind—Of Home—or God—
Or what the Distant say—
At news that He ceased Human Nature
Such a Day—

And Wishes—Had He Any—
Just His Sigh—Accented—
Had been legible—to Me—
And was He Confident until
Ill fluttered out—in Everlasting Well—

And if He spoke—What name was Best—
What last
What One broke off with
At the Drowsiest—

Was He afraid—or tranquil—
Might He know
How Conscious Consciousness—could grow—
Till Love that was—and Love too best to be—
Meet—and the Junction be Eternity

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Emily Dickinson

I think just how my shape will rise

237

I think just how my shape will rise—
When I shall be "forgiven"—
Till Hair—and Eyes—and timid Head—
Are out of sight—in Heaven—

I think just how my lips will weigh—
With shapeless—quivering—prayer—
That you—so late—"Consider" me—
The "Sparrow" of your Care—

I mind me that of Anguish—sent—
Some drifts were moved away—
Before my simple bosom—broke—
And why not this—if they?

And so I con that thing—"forgiven"—
Until& mdash;delirious—borne—
By my long bright—and longer—trust—
I drop my Heart—unshriven!

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Emily Dickinson

Many a phrase has the English language

276

Many a phrase has the English language—
I have heard but one—
Low as the laughter of the Cricket,
Loud, as the Thunder's Tongue—

Murmuring, like old Caspian Choirs,
When the Tide's a' lull—
Saying itself in new infection—
Like a Whippoorwill—

Breaking in bright Orthography
On my simple sleep—
Thundering its Prospective—
Till I stir, and weep—

Not for the Sorrow, done me—
But the push of Joy—
Say it again, Saxton!
Hush—Only to me!

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Emily Dickinson

The morns are meeker than they were

12

The morns are meeker than they were—
The nuts are getting brown—
The berry's cheek is plumper—
The Rose is out of town.

The Maple wears a gayer scarf—
The field a scarlet gown—
Lest I should be old fashioned
I'll put a trinket on.

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Emily Dickinson

When I was small, a Woman died

596

When I was small, a Woman died—
Today—her Only Boy
Went up from the Potomac—
His face all Victory

To look at her—How slowly
The Seasons must have turned
Till Bullets clipt an Angle
And He passed quickly round—

If pride shall be in Paradise—
Ourself cannot decide—
Of their imperial Conduct—
No person testified—

But, proud in Apparition—
That Woman and her Boy
Pass back and forth, before my Brain
As even in the sky—

I'm confident that Bravoes—
Perpetual break abroad
For Braveries, remote as this
In Scarlet Maryland—

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Emily Dickinson

I cross till I am weary

550

I cross till I am weary
A Mountain—in my mind—
More Mountains—then a Sea—
More Seas—And then
A Desert—find—

And My Horizon blocks
With steady—drifting—Grains
Of unconjectured quantity—
As Asiatic Rains—

Nor this—defeat my Pace—
It hinder from the West
But as an Enemy's Salute
One hurrying to Rest—

What merit had the Goal—
Except there intervene
Faint Doubt—and far Competitor—
To jeopardize the Gain?

At last—the Grace in sight—
I shout unto my feet—
I offer them the Whole of Heaven
The instant that we meet—

They strive—and yet delay—
They perish—Do we die—
Or is this Death's Experiment—
Reversed—in Victory?

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Emily Dickinson

The Winters are so short

403

The Winters are so short—
I'm hardly justified
In sending all the Birds away—
And moving into Pod—

Myself—for scarcely settled—
The Phoebes have begun—
And then—it's time to strike my Tent—
And open House—again—

It's mostly, interruptions—
My Summer—is despoiled—
Because there was a Winter—once—
And al the Cattle—starved—

And so there was a Deluge—
And swept the World away—
But Ararat's a Legend—now—
And no one credits Noah—

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Emily Dickinson

Tis Opposites—entice

355

'Tis Opposites—entice—
Deformed Men—ponder Grace—
Bright fires—the Blanketless—
The Lost—Day's face—

The Blind—esteem it be
Enough Estate—to see—
The Captive—strangles new—
For deeming—Beggars—play—

To lack—enamor Thee—
Tho' the Divinity—
Be only
Me—

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