Emily Dickinson

A light exists in spring

A light exists in spring
Not present on the year
At any other period.
When March is scarcely here

A color stands abroad
On solitary hills
That science cannot overtake,
But human naturefeels.

It waits upon the lawn;
It shows the furthest tree
Upon the furthest slope we know;
It almost speaks to me.

Then, as horizons step,
Or noons report away,
Without the formula of sound,
It passes, and we stay:

A quality of loss
Affecting our content,
As trade had suddenly encroached
Upon a sacrament.

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Spheral Change

IN this new shade of Death, the show
Passes me still of form and face;
Some bent, some gazing as they go,
Some swiftly, some at a dull pace,
Not one that speaks in any case.
If only one might speak!—the one
Who never waits till I come near;
But always seated all alone
As listening to the sunken air,
Is gone before I come to her.
O dearest! while we lived and died
A living death in every day,
Some hours we still were side by side,
When where I was you too might stay
And rest and need not go away.
O nearest, furthest! Can there be
At length some hard-earned heart-won home,
Where,—exile changed for sanctuary,—
Our lot may fill indeed its sum,
And you may wait and I may come?

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Louis Pasteur

Science knows no country, because knowledge belongs to humanity, and is the torch which illuminates the world. Science is the highest personification of the nation because that nation will remain the first which carries the furthest the works of thought and intelligence.

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Emily Dickinson

Spring is the Period

844

Spring is the Period
Express from God.
Among the other seasons
Himself abide,

But during March and April
None stir abroad
Without a cordial interview
With God.

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Emily Dickinson

I fear a Man of frugal Speech

I fear a Man of frugal Speech —
I fear a Silent Man —
Haranguer — I can overtake —
Or Babbler — entertain —

But He who weigheth — While the Rest —
Expend their furthest pound —
Of this Man — I am wary —
I fear that He is Grand —

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Naturally Superior

An ancient Cypress tree still stands
Beside a ruined monument.
Outlasts the works of human hands.
Nothing man made is permanent.

The tree is self sufficient.
It needs no other maintenance.
Apart from the nourishment.
The soil provides and rains enhance.

The builders of the monument.
Erected by them to impress
Are long since dead that's evident.
Outlasted by this grand Cypress.

The ancient tree's content to be.
Just what it is a simple tree.

Saturday,03 March 2012

poem by Ivor Or Ivor.e HoggReport problemRelated quotes
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A Season's Closing

A wind that passes in the night,
came unexpectedly
and gone without a trace.
But your face it did touch,
running through your hair
as they float while it dances,
and patiently listening
to your unspoken emotions
before carrying them away
to the horizon's furthest edges...

Our encounter was brief
a mere season in a year
that quickly passes by
in the stream of running Time
but a fated one, indeed
a precious one, nevertheless
So, here is my blessing to you
before we part our ways:
This one last and final Song
to a friend I find so dear.

Thank you for your friendship.
I had fun,
and it's truly nice knowing you...
Take care,
for the days and days to come.

Wilson Khor W.H. @ Seymour Nightweaver

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Intermix

Intermix the polishing of a forgotten summer,
The parson cools me after the furthest colour.
Furtive numerals are held in the mind when furthest,
Novelties of an oaf nurse on nothing.
Numerous designs matter on the shelf,
Gory oaths are honourable and gouging strength.
Let colours intermix and let the parson mix with us,
The length of numbers are called equations for us.
Gormandize the food once you steal,
The parson refuses to renovate your reality.

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Love and Pain are the Same | Poetry / Lyrics

Four letters deep, they penetrate
Divided in to equal parts in a human brain
Feeling the same inside a heart
Love and pain

Blinding like the sun heat
Hurting like a sun burn
Bright like the sun shine
Furthest thing from planet earth

Around ball of fire
The hottest thing I’ve ever seen
Love and pain seems to be the same damn thing

You stained my heart with your love
And left a scare on my soul with your name Mr. Pain

It makes no sense, you can’t see the different
Pain is hope, it will pull you threw
Pain’s the thing that proves you
That love exists too

Blinding like the sun heat
Hurting like a sun burn
Bright like the sun shine
Furthest thing from planet earth
Around ball of fire

The hottest thing I’ve ever seen
Love and pain seems to be the same damn thing

Can you feel the love in my pain
I haven’t given up on our sun shine
It just clouded up, and left me in the rain
I’m soaking wet, and waiting for the sun to shine again

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Home Train Improvisation 04 02 2004

HOME TRAIN:
Improvisation Number 01 24 04


From city light horizons she is going to become my day-lady
rising too soon sprung spouting with tulips and the early spring
on the home train my heart beats fiddle bass tones and sings
desperate reasoning in the heart: why her whole body stands on
my soul softly resting upon that generation of secret separate trusts
intended in the passing smile for the joy of being alive being alive
for just one more day from distant light horizons on the home train
from distant city light horizons my city leaves me with my lady
my joy on the home train to soon sprung early tulips crocus in
the rain in the solar fun my lady to soon sprung in the early spring
all rise to spread the joy and join the fun on the home train for just
one more day from distant light horizons my city leaves me with
my lady on the home train to soon my heartbeats fiddle bass tones
and sings she is too soon sprung joyously into spring my heart beat
sings for her whole body stands on my soul softly resting in my joy
time is passing rapaciously through the night passing city after city
the home train races out of light horizons sucking my city away
fading into the rhythm of the blues quietly my lady to soon sprung
begins to make her midnight move joyously leaping into spring
blooming with the rising sun with tulips and the joy of passing time
rapaciously through the night I will hold her softly for nothing more
than the repetitious passing of time while she will hold me too; city
after city the home train races out of light horizons onto spirit lifted
tracks with my lady to soon sprung from city light horizons on
the home train from distant light horizons the city leaves a mellow
glowing cinder each time I leave her she is the love that draws me
back; city after city now nearer home where my love to soon sprung
in springs come and gone she is my wife my mistress my platonic
friend city after city wherever she lets me in; she’s with me every day
she sits with me on the home train she sits a seat away at the cinema
on the benches in the park in the lobby the dining and the sleeping car
the lounge and café I sleep where the memories stay -on the home train.


Lee Mack copyright 2009. ISBN # 0615318347. Do not reproduce without permission.

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Emily Dickinson

An altered look about the hills

140

An altered look about the hills—
A Tyrian light the village fills—
A wider sunrise in the morn—
A deeper twilight on the lawn—
A print of a vermillion foot—
A purple finger on the slope—
A flippant fly upon the pane—
A spider at his trade again—
An added strut in Chanticleer—
A flower expected everywhere—
An axe shrill singing in the woods—
Fern odors on untravelled roads—
All this and more I cannot tell—
A furtive look you know as well—
And Nicodemus' Mystery
Receives its annual reply!

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The quality of mercy (conditions apply)

The quality of mercy,
Portia declared,

the quality of mercy is
suspended during the present conflict

the quality of mercy is
not the business of a Minister of Justice

the quality of mercy is
not a matter of individual conscience

the quality of mercy is
too subtle for public discussion
or law

the quality of mercy is
only for Shakespeare and stuff

the quality of mercy is
less stimulating than revenge

the quality of mercy is
no business of yours

the quality of mercy is
no concern of religious authorities
who should stay silent

the quality of mercy is
an outdated concept

the quality of mercy is
nothing to do with forgiveness
or circumstantial evidence
or the remission of sins

the quality of mercy is
no longer a matter of pride

the quality of mercy is
no longer a mark of humanity

the quality of mercy
would be OK if Obama said so

the quality of mercy
is one hell of a hot potato
cooked in oil

the quality of mercy
droppeth as the gentle
dew from heaven
upon a broken fuselage

and it is too much
or too little
for our understanding.

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This

This is what I most want
unpursued, alone
to reach beyond the light
that I am furthest from.

And for you to shine there-
no other happiness-
and learn, from starlight,
what its fire might suggest.

A star burns as a star,
light becomes light,
because our murmuring
strengthens us, and warms the night.

And I want to say to you
my little one, whispering,
I can only lift you towards the light
by means of this babbling.

poem by Osip Emilevich MandelstamReport problemRelated quotes
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Castle Walls

She ventured out from her castle walls
In hopes of meeting me,
I said: ‘we’ll flee to the furthest shores,
We’ll run to the far countree,
We’ll sit in bliss on a grassy slope
To see our love returned; ’
I looked again at the moat and saw
That all the boats were burned.

‘How shall I leave my castle walls
And all that keeps me free,
I fear the step that you wish to take
Could spell the end for me,
I wish to come, if I only dared, ’
She said in a sad reply,
The moat was still and the air was chill
And the moon was riding high.

I stood alone by the castle moat
As she turned to seek the warm;
‘The roads of life are a trap, ’ I cried,
‘But so is a thunderstorm,
So are the walls of a castle when
The mortar turns to dust,
So are the bolts on a castle gate
When the hinges start to rust.’

‘You weary me, I must be free, ’
The tower echoed, black,
‘As free as the castle walls allow, ’
I called in sadness back.
‘It’s not too late for the grassy slope
To see our love returned -’
I looked again at the moat and saw
That all the boats were burned.

12 July 1973

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Emily Dickinson

To know just how He suffered—would be dear

622

To know just how He suffered—would be dear—
To know if any Human eyes were near
To whom He could entrust His wavering gaze—
Until it settle broad—on Paradise—

To know if He was patient—part content—
Was Dying as He thought—or different—
Was it a pleasant Day to die—
And did the Sunshine face his way—

What was His furthest mind—Of Home—or God—
Or what the Distant say—
At news that He ceased Human Nature
Such a Day—

And Wishes—Had He Any—
Just His Sigh—Accented—
Had been legible—to Me—
And was He Confident until
Ill fluttered out—in Everlasting Well—

And if He spoke—What name was Best—
What last
What One broke off with
At the Drowsiest—

Was He afraid—or tranquil—
Might He know
How Conscious Consciousness—could grow—
Till Love that was—and Love too best to be—
Meet—and the Junction be Eternity

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Tolstoy may not be showing that much of Russia at that time even. It's hard to tell. You tend to associate the quality of the period with what's lasted - what's still good. And that quality becomes the whole period.

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A Corner Streetlight

Dark corner in the night
Illuminated by only the moon's light
Unitl the street light
Floods the scene with a glowing light

Nothing stands on the corner
Yet stories, stories of this light
Are told in the night
Stories are told of this corner

A murder, a rape
A suicide, a drug overdose
The street light shows
What the world has to display.

A child troubled, deeply hurt
By a girl who he loved
With all his heart and soul.
She left him torn apart.

The street light, like a stage
Gives him a place to stay
The light shows his sorry tears
Then shows the gun next to his head.

A woman, small
Stands in the light
Screams for help
As the man she sees is doing her unkindly

A man left laying, needle in hand
He got his fix, his final fix.
Theat saved him
From this wretched land.

A woman left bloody
On the post
A knife in her chest
The broken heart bleeds

The street light shows us
Life's evil on display
But when the light turns off, like now
Does it all go away?

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Color Me

I wish that they would color me
The color of the rose
The color of the spring
Or the color of the snow.
If again they’d color me
The color that I would be
Would be the color I could see
As long as I am free.
As I wish that they would color me
The color of the trees
Or the color of the leaves
And then that color I would be.
I wish that I was a rainbow
With the many colors of the sky
Or the single color of a star
Shimmering in the night.
And if again they would color me
The color that I would be
Would be the color that is me
Is the color that I could see.

Randy L. McClave

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Bjørnstjerne Bjørnson

Per bo

Once I knew a noble peasant
From a line of men large-hearted.
Light and strength were in his mind,
Lifted like a peak clear-lined
O'er the valley in spring sunshine,
First to feel the morning's beam,
First refreshed by cloud-born stream.

Wide the springtime spread its banner,
Waving in his will illumined,
Bright with promise, color-sound;
Heritage of toil its ground.
Round that mountain music floated,
Songsters sweet of faith and hope
Nestled on its tree-clad slope.

Sometime, sometime all the valley
Like him shall with light be flooded;
Sometime all his faith and truth
Sunward grow in dewy youth,
And the dreams he dreamt too early
Live and make him leader be
For a race as true as he.

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If love be holy, if that mystery

If love be holy, if that mystery
O co-united hearts be sacrament;
If the unbounded goodness have infused
A sacred ardour of a mutual love
Into our species; if those amorous joys,
Those sweets of life, those comforts even in death,
Spring from a cause above our reason's reach;
If that clear flame deduce its heat from heaven,
'Tis, like its cause, eternal; always one,
As in th' instiller of divinest love,
Unchanged by time, immortal, maugre death.
But, oh! 'tis grown a figment; love, a jest:
A comic poesy: the soul of man is rotten,
Even to the core, no sound affection.
Our love is hollow, vaulted, stands on props
Of circumstance, profit, or ambitious passes.

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Westward Ho!

We should not sit us down and sigh,
My girl, whose brow a fane appears,
Whose steadfast eyes look royally
Backwards and forwards o'er the years--

The long, long years of conquered time,
The possible years unwon, that slope
Before us in the pale sublime
Of lives that have more faith than hope.

We dare not sit us down and dream
Fond dreams, as idle children do:
My forehead owns too many a seam,
And tears have worn their channels through

Your poor thin cheeks, which now I take
Twixt my two hands, caressing. Dear,
A little sunshine for my sake!
Although we're far on in the year.

Though all our violets, sweet! are dead,
The primrose lost from fields we knew,
Who knows that harvests may be spread
For reapers brave like me and you?

Who knows what bright October suns
May light up distant valleys mild,
Where as our pathway downward runs
We see Joy meet us, like a child

Who, sudden, by the roadside stands,
To kiss the travellers' weary brows,
And lead them through the twilight lands
Safely unto their Father's house.

So, we'll not dream, nor look back, dear!
But march right on, content and bold,
To where our life sets, heavenly clear,
Westward, behind the hills of gold.

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