Emily Dickinson

A fuzzy fellow, without feet

173

A fuzzy fellow, without feet,
Yet doth exceeding run!
Of velvet, is his Countenance,
And his Complexion, dun!

Sometime, he dwelleth in the grass!
Sometime, upon a bough,
From which he doth descend in plush
Upon the Passer-by!

All this in summer.
But when winds alarm the Forest Folk,
He taketh Damask Residence—
And struts in sewing silk!

Then, finer than a Lady,
Emerges in the spring!
A Feather on each shoulder!
You'd scarce recognize him!

By Men, yclept Caterpillar!
By me! But who am I,
To tell the pretty secret
Of the Butterfly!

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Emily Dickinson

There is a flower that Bees prefer

380

There is a flower that Bees prefer—
And Butterflies—desire—
To gain the Purple Democrat
The Humming Bird—aspire—

And Whatsoever Insect pass—
A Honey bear away
Proportioned to his several dearth
And her—capacity—

Her face be rounder than the Moon
And ruddier than the Gown
Or Orchis in the Pasture—
Or Rhododendron—worn—

She doth not wait for June—
Before the World be Green—
Her sturdy little Countenance
Against the Wind—be seen—

Contending with the Grass—
Near Kinsman to Herself—
For Privilege of Sod and Sun—
Sweet Litigants for Life—

And when the Hills be full—
And newer fashions blow—
Doth not retract a single spice
For pang of jealousy—

Her Public—be the Noon—
Her Providence—the Sun—
Her Progress—by the Bee—proclaimed—
In sovereign—Swerveless Tune—

The Bravest—of the Host—
Surrendering—the last—
Nor even of Defeat—aware—
What cancelled by the Frost—

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Emily Dickinson

From Cocoon forth a Butterfly

354

From Cocoon forth a Butterfly
As Lady from her Door
Emerged—a Summer Afternoon—
Repairing Everywhere—

Without Design—that I could trace
Except to stray abroad
On Miscellaneous Enterprise
The Clovers—understood—

Her pretty Parasol be seen
Contracting in a Field
Where Men made Hay—
Then struggling hard
With an opposing Cloud—

Where Parties—Phantom as Herself—
To Nowhere—seemed to go
In purposeless Circumference—
As 'twere a Tropic Show—

And notwithstanding Bee—that worked—
And Flower—that zealous blew—
This Audience of Idleness
Disdained them, from the Sky—

Till Sundown crept—a steady Tide—
And Men that made the Hay—
And Afternoon—and Butterfly—
Extinguished—in the Sea—

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Emily Dickinson

The Skies can't keep their secret!

191

The Skies can't keep their secret!
They tell it to the Hills—
The Hills just tell the Orchards—
And they—the Daffodils!

A Bird—by chance—that goes that way—
Soft overhears the whole—
If I should bribe the little Bird—
Who knows but she would tell?

I think I won't—however—
It's finer—not to know—
If Summer were an Axiom—
What sorcery had Snow?

So keep your secret—Father!
I would not—if I could,
Know what the Sapphire Fellows, do,
In your new-fashioned world!

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Emily Dickinson

When Diamonds are a Legend

397

When Diamonds are a Legend,
And Diadems—a Tale—
I Brooch and Earrings for Myself,
Do sow, and Raise for sale—

And tho' I'm scarce accounted,
My Art, a Summer Day—had Patrons—
Once—it was a Queen—
And once—a Butterfly—

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Emily Dickinson

She hideth Her the last

557

She hideth Her the last—
And is the first, to rise—
Her Night doth hardly recompense
The Closing of Her eyes—

She doth Her Purple Work—
And putteth Her away
In low Apartments in the Sod -
As worthily as We.

To imitate her life
As impotent would be
As make of Our imperfect Mints,
The Julep—of the Bee—

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William Shakespeare

Sonnet 102: My love is strengthened, though more weak in seeming

My love is strengthened, though more weak in seeming;
I love not less, though less the show appear;
That love is merchandized, whose rich esteeming
The owner's tongue doth publish everywhere.
Our love was new, and then but in the spring
When I was wont to greet it with my lays,
As Philomel in summer's front doth sing,
And stops her pipe in growth of riper days—
Not that the summer is less pleasant now
Than when her mournful hymns did hush the night,
But that wild music burthens every bough,
And sweets grown common lose their dear delight.
Therefore like her I sometime hold my tongue,
Because I would not dull you with my song.

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Emily Dickinson

All the letters I can write

334

All the letters I can write
Are not fair as this—
Syllables of Velvet—
Sentences of Plush,
Depths of Ruby, undrained,
Hid, Lip, for Thee—
Play it were a Humming Bird—
And just sipped—me—

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The Long Love That in My Thought Doth Harbour

The long love that in my thought doth harbour
And in mine hert doth keep his residence,
Into my face presseth with bold pretence
And therein campeth, spreading his banner.
She that me learneth to love and suffer
And will that my trust and lustës negligence
Be rayned by reason, shame, and reverence,
With his hardiness taketh displeasure.
Wherewithall unto the hert's forest he fleeth,
Leaving his enterprise with pain and cry,
And there him hideth and not appeareth.
What may I do when my master feareth
But in the field with him to live and die?
For good is the life ending faithfully.

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The Long Love

The long love that in my thought doth harbour,
And in mine heart doth keep his residence,
Into my face presseth with bold pretence,
And therein campeth, spreading his banner.
She that me learneth to love and suffer,
And wills that my trust and lust's negligence
Be reined by reason, shame, and reverence,
With his hardiness taketh displeasure.
Wherewithal, unto the heart's forest he fleeth,
Leaving his enterprise with pain and cry;
And there him hideth, and not appeareth.
What may I do when my master feareth
But in the field with him to live or die?
For good is the life ending faithfully.

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The Long Love That in My Thought Doth Harbour

The longë love that in my thought doth harbour
And in mine hert doth keep his residence,
Into my face presseth with bold pretence
And therein campeth, spreading his banner.
She that me learneth to love and suffer
And will that my trust and lustës negligence
Be rayned by reason, shame, and reverence,
With his hardiness taketh displeasure.
Wherewithall unto the hert's forest he fleeth,
Leaving his enterprise with pain and cry,
And there him hideth and not appeareth.
What may I do when my master feareth
But in the field with him to live and die?
For good is the life ending faithfully.

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Emily Dickinson

Sweet—safe—Houses

457

Sweet—safe—Houses—Glad—gay—Houses—
Sealed so stately tight—
Lids of Steel—on Lids of Marble—
Locking Bare feet out—

Brooks of Plush—in Banks of Satin
Not so softly fall
As the laughter—and the whisper—
From their People Pearl—

No Bald Death—affront their Parlors—
No Bold Sickness come
To deface their Stately Treasures—
Anguish—and the Tomb—

Hum by—in Muffled Coaches—
Lest they—wonder Why—
Any—for the Press of Smiling—
Interrupt—to die—

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Emily Dickinson

Don't put up my Thread and Needle

617

Don't put up my Thread and Needle—
I'll begin to Sew
When the Birds begin to whistle—
Better Stitches—so—

These were bent—my sight got crooked—
When my mind—is plain
I'll do seams—a Queen's endeavor
Would not blush to own—

Hems—too fine for Lady's tracing
To the sightless Knot—
Tucks—of dainty interspersion—
Like a dotted Dot—

Leave my Needle in the furrow—
Where I put it down—
I can make the zigzag stitches
Straight—when I am strong—

Till then—dreaming I am sewing
Fetch the seam I missed—
Closer—so I—at my sleeping—
Still surmise I stitch—

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Emily Dickinson

Forget! The lady with the Amulet

438

Forget! The lady with the Amulet
Forget she wore it at her Heart
Because she breathed against
Was Treason twixt?

Deny! Did Rose her Bee—
For Privilege of Play
Or Wile of Butterfly
Or Opportunity—Her Lord away?

The lady with the Amulet—will face—
The Bee—in Mausoleum laid—
Discard his Bride—
But longer than the little Rill—
That cooled the Forehead of the Hill—
While Other—went the Sea to fill—
And Other—went to turn the Mill—
I'll do thy Will—

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Emily Dickinson

She dwelleth in the Ground

671

She dwelleth in the Ground—
Where Daffodils—abide—
Her Maker—Her Metropolis—
The Universe—Her Maid—

To fetch Her Grace—and Hue—
And Fairness—and Renown—
The Firmament's—To Pluck Her—
And fetch Her Thee—be mine—

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Emily Dickinson

The Murmur of a Bee

155

The Murmur of a Bee
A Witchcraft—yieldeth me—
If any ask me why—
'Twere easier to die—
Than tell—

The Red upon the Hill
Taketh away my will—
If anybody sneer—
Take care—for God is here—
That's all.

The Breaking of the Day
Addeth to my Degree—
If any ask me how—
Artist—who drew me so—
Must tell!

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Emily Dickinson

The Angle of a Landscape

375

The Angle of a Landscape—
That every time I wake—
Between my Curtain and the Wall
Upon an ample Crack—

Like a Venetian—waiting—
Accosts my open eye—
Is just a Bough of Apples—
Held slanting, in the Sky—

The Pattern of a Chimney—
The Forehead of a Hill—
Sometimes—a Vane's Forefinger—
But that's—Occasional—

The Seasons—shift—my Picture—
Upon my Emerald Bough,
I wake—to find no—Emeralds—
Then—Diamonds&m dash;which the Snow

From Polar Caskets—fetched me—
The Chimney—and the Hill—
And just the Steeple's finger—
These—never stir at all—

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Emily Dickinson

Conscious am I in my Chamber

679

Conscious am I in my Chamber,
Of a shapeless friend—
He doth not attest by Posture—
Nor Confirm—by Word—

Neither Place—need I present Him—
Fitter Courtesy
Hospitable intuition
Of His Company—

Presence—is His furthest license—
Neither He to Me
Nor Myself to Him—by Accent—
Forfeit Probity—

Weariness of Him, were quainter
Than Monotony
Knew a Particle—of Space's
Vast Society

Neither if He visit Other—
Do He dwell—or Nay—know I—
But Instinct esteem Him
Immortality—

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John Bunyan

Of The Boy and Butterfly

Behold, how eager this our little boy
Is for a butterfly, as if all joy,
All profits, honours, yea, and lasting pleasures,
Were wrapped up in her, or the richest treasures
Found in her would be bundled up together,
When all her all is lighter than a feather.

He halloos, runs, and cries out, 'Here, boys, here!'
Nor doth he brambles or the nettles fear:
He stumbles at the molehills, up he gets,
And runs again, as one bereft of wits;
And all his labour and his large outcry
Is only for a silly butterfly.

Comparison

This little boy an emblem is of those
Whose hearts are wholly at the world's dispose.
The butterfly doth represent to me
The world's best things at best but fading be.
All are but painted nothings and false joys,
Like this poor butterfly to these our boys.

His running through nettles, thorns, and briers,
To gratify his boyish fond desires,
His tumbling over molehills to attain
His end, namely, his butterfly to gain,
Doth plainly show what hazards some men run
To get what will be lost as soon as won.

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Emily Dickinson

The Night was wide, and furnished scant

589

The Night was wide, and furnished scant
With but a single Star—
That often as a Cloud it met—
Blew out itself—for fear—

The Wind pursued the little Bush—
And drove away the Leaves
November left—then clambered up
And fretted in the Eaves—

No Squirrel went abroad—
A Dog's belated feet
Like intermittent Plush, he heard
Adown the empty Street—

To feel if Blinds be fast—
And closer to the fire—
Her little Rocking Chair to draw—
And shiver for the Poor—

The Housewife's gentle Task—
How pleasanter—said she
Unto the Sofa opposite—
The Sleet—than May, no Thee—

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Emily Dickinson

But little Carmine hath her face

558

But little Carmine hath her face—
Of Emerald scant—her Gown—
Her Beauty—is the love she doth—
Itself—exhibit—Mine&md ash;

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