Transformation
She waited in a rose-hued room;
A wanton-hearted creature she,
But beautiful and bright to see
As some great orchid just in bloom.
Upon wide cushions stretched at ease
She lolled in garments filmy fine,
Which but enhanced each rounded line;
A living picture, framed to please.
A bold electric eye of light
Leered through its ruddy screen of lace
And feasted on her form and face
As some wine-crimsoned roue might.
From wall and niche, nude nymph beguiled
Fair goddess of world-wide fame,
But Psyche’s self was put to shame
By one who from the cushions smiled.
Exotic blossoms from a vase
Their sweet narcotic breath exhaled;
The lights, the objects round her paled –
She lost the sense of time and place.
She seemed to float upon the air,
Untrammeled, unrestricted, free;
And rising from a vapory sea
She saw a form divinely fair.
A beauteous being in whose face
Shone all the things sweet and true and good.
The innocence of maidenhood,
The motherhood of the race.
The warmth which comes from heavenly fire,
The strength which leads the weaker man
To climb to God’s Eternal plan
And conquer and control desire.
She shook as with a mighty awe,
For, gazing on this shape which stood
Embodying all true womanhood,
She knew it was herself she saw.
She wake as from a dream. But when
The laughter lover, light and bold
Came with his talk of wine and gold
He gazed, grew silent, gazed again;
Then turned abashed from those calm eyes
Where lurked no more the lure to sin.
Her higher self had entered in,
Her path now led to Paradise.
poem by Ella Wheeler Wilcox
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On The Death Of A Favourite Cat, Drowned In A Tub Of Gold Fishes
'Twas on a lofty vase's side,
Where China's gayest art had dyed
The azure flowers that blow,
Demurest of the tabby kind,
The pensive Selima, reclined,
Gazed on the lake below.
Her conscious tail her joy declared;
The fair round face, the snowy beard,
The velvet of her paws,
Her coat, that with the tortoise vies,
Her ears of jet, and emerald eyes,
She saw; and purred applause.
Still had she gazed; but 'midst the tide
Two angel forms were seen to glide,
The genii of the stream:
Their scaly armour's Tyrian hue
Through richest purple to the view
Betrayed a golden gleam.
The hapless nymph with wonder saw:
A whisker first, and then a claw,
With many an ardent wish,
She stretched, in vain, to reach the prize.
What female heart can gold despise?
What cat's averse to fish?
Presumptuous maid! with looks intent
Again she stretched, again she bent,
Nor knew the gulf between:
(Malignant Fate sat by, and smiled)
The slippery verge her feet beguiled,
She tumbled headlong in.
Eight times emerging from the flood
She mewed to ev'ry wat'ry god
Some speedy aid to send.
No dolphin came, no nereid stirred;
Nor cruel Tom, nor Susan heard.
A fav'rite has no friend!
From hence, ye beauties undeceived,
Know, one false step is ne'er retrieved,
And be with caution bold.
Not all that tempts your wand'ring eyes
And heedless hearts is lawful prize;
Nor all that glisters, gold.
poem by Thomas Gray
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Raphael
I shall not soon forget that sight
The glow of Autumn's westering day,
A hazy warmth, a dreamy light,
On Raphael's picture lay.
It was a simple print I saw,
The fair face of a musing boy;
Yet, while I gazed, a sense of awe
Seemed blending with my joy.
A simple print,--the graceful flow
Of boyhood's soft and wavy hair,
And fresh young lip and cheek, and brow
Unmarked and clear, were there.
Yet through its sweet and calm repose
I saw the inward spirit shine;
It was as if before me rose
The white veil of a shrine.
As if, as Gothland's sage has told,
The hidden life, the man within,
Dissevered from its frame and mould,
By mortal eye were seen.
Was it the lifting of that eye,
The waving of that pictured hand?
Loose as a cloud-wreath on the sky,
I saw the walls expand.
The narrow room had vanished,--space,
Broad, luminous, remained alone,
Through which all hues and shapes of grace
And beauty looked or shone.
Around the mighty master came
The marvels which his pencil wrought,
Those miracles of power whose fame
Is wide as human thought.
There drooped thy more than mortal face,
O Mother, beautiful and mild
Enfolding in one dear embrace
Thy Saviour and thy Child!
The rapt brow of the Desert John;
The awful glory of that day
When all the Father's brightness shone
Through manhood's veil of clay.
And, midst gray prophet forms, and wild
Dark visions of the days of old,
How sweetly woman's beauty smiled
Through locks of brown and gold!
There Fornarina's fair young face
Once more upon her lover shone,
Whose model of an angel's grace
He borrowed from her own.
Slow passed that vision from my view,
But not the lesson which it taught;
The soft, calm shadows which it threw
Still rested on my thought:
The truth, that painter, bard, and sage,
Even in Earth's cold and changeful clime,
Plant for their deathless heritage
The fruits and flowers of time.
We shape ourselves the joy or fear
Of which the coming life is made,
And fill our Future's atmosphere
With sunshine or with shade.
The tissue of the Life to be
We weave with colors all our own,
And in the field of Destiny
We reap as we have sown.
Still shall the soul around it call
The shadows which it gathered here,
And, painted on the eternal wall,
The Past shall reappear.
Think ye the notes of holy song
On Milton's tuneful ear have died?
Think ye that Raphael's angel throng
Has vanished from his side?
Oh no!--We live our life again;
Or warmly touched, or coldly dim,
The pictures of the Past remain,---
Man's works shall follow him!
poem by John Greenleaf Whittier
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Trehill Well
There stood a low and ivied roof,
As gazing rustics tell,
In times of chivalry and song
'Yclept the holy well.
Above the ivies' branchlets gray
In glistening clusters shone;
While round the base the grass-blades bright
And spiry foxglove sprung.
The brambles clung in graceful bands,
Chequering the old gray stone
With shining leaflets, whose bright face
In autumn's tinting shone.
Around the fountain's eastern base
A babbling brooklet sped,
With sleepy murmur purling soft
Adown its gravelly bed.
Within the cell the filmy ferns
To woo the clear wave bent;
And cushioned mosses to the stone
Their quaint embroidery lent.
The fountain's face lay still as glass-
Save where the streamlet free
Across the basin's gnarled lip
Flowed ever silently.
Above the well a little nook
Once held, as rustics tell,
All garland-decked, an image of
The Lady of the Well.
They tell of tales of mystery,
Of darkling deeds of woe;
But no! such doings might not brook
The holy streamlet's flow.
Oh tell me not of bitter thoughts,
Of melancholy dreams,
By that fair fount whose sunny wall
Basks in the western beams.
When last I saw that little stream,
A form of light there stood,
That seemed like a precious gem,
Beneath that archway rude:
And as I gazed with love and awe
Upon that sylph-like thing,
Methought that airy form must be
The fairy of the spring.
Helston, 1835.
poem by Charles Kingsley
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The First of May ( A Memory)
THE WATERS make a music low:
The river reeds
Are trembling to the tunes of long ago—
Dead days and deeds
Become alive again, as on
I float, and float,
Through shadows of the golden summers gone
And springs remote.
Above my head the trees bloom out
In white and red
Great blossoms, that make glad the air about;
And old suns shed
Their rays athwart them. Ah, the light
Is bright and fair!
No suns that shine upon me now are bright
As those suns were.
And, gazing down into the stream,
I see a face,
As sweet as buds that blossom in a dream,
Ere sorrows chase
Fair dreams from men, and send in lieu
Sad thoughts. A wreath
Of blue-bells binds the head—a bluer blue
The eyes beneath.
This is my little Annie’s face;
My child-sweetheart
Whom long ago I lost in that dark place
Where all lives part.
Beside me still I see her stand,
Who is no more.
She walked with me through childhood, hand in hand,
But at the door
Of youth departed from me. Fain
Was I that day
To go with her. Ah, sweetheart, come again
This First of May!
poem by Victor James Daley
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0068 The Connoisseur (2)
Is there a god
sleeping in this room?
even the doorhandle, gently turned,
seems to speak a message
before the room entered, the first breath taken
of the room’s own air
and on the table, the grey-green vase seems
to be the host; the silent messenger: the furniture
somehow eternal in its order; every line and curve
within the room speaking of some
divine geometry; the shaded sunlight seems
to fall on tiptoe, touch in silent praise;
the air, to be refined; and the silence –
what does the silence say unspoken
as if it holds some god-smiled word,
some solemn laughter, about what
is there and is not there, has made
of this room, this ordinary room,
a shrine where one can worship without form
oneself?
the vase too holds itself both
open and reserved; its perfect curves
the subtle decisions of a history
of centuries, of generations
of human hands; of things made
for oneself, for others, for all else
where all else is known;
silent the vase; the room full of its sound.
Is there a god
sleeping in this room?
you; moving forward with respectful quiet step
to touch this grey-green
Chinese vase
poem by Michael Shepherd
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The House Of Dust: Part 03: 02: The Screen Maiden
You read—what is it, then that you are reading?
What music moves so silently in your mind?
Your bright hand turns the page.
I watch you from my window, unsuspected:
You move in an alien land, a silent age . . .
. . . The poet—what was his name—? Tokkei—Tokkei—
The poet walked alone in a cold late rain,
And thought his grief was like the crying of sea-birds;
For his lover was dead, he never would love again.
Rain in the dreams of the mind—rain forever—
Rain in the sky of the heart—rain in the willows—
But then he saw this face, this face like flame,
This quiet lady, this portrait by Hiroshigi;
And took it home with him; and with it came
What unexpected changes, subtle as weather!
The dark room, cold as rain,
Grew faintly fragrant, stirred with a stir of April,
Warmed its corners with light again,
And smoke of incense whirled about this portrait,
And the quiet lady there,
So young, so quietly smiling, with calm hands,
Seemed ready to loose her hair,
And smile, and lean from the picture, or say one word,
The word already clear,
Which seemed to rise like light between her eyelids . .
He held his breath to hear,
And smiled for shame, and drank a cup of wine,
And held a candle, and searched her face
Through all the little shadows, to see what secret
Might give so warm a grace . . .
Was it the quiet mouth, restrained a little?
The eyes, half-turned aside?
The jade ring on her wrist, still almost swinging? . . .
The secret was denied,
He chose his favorite pen and drew these verses,
And slept; and as he slept
A dream came into his heart, his lover entered,
And chided him, and wept.
And in the morning, waking, he remembered,
And thought the dream was strange.
Why did his darkened lover rise from the garden?
He turned, and felt a change,
As if a someone hidden smiled and watched him . . .
Yet there was only sunlight there.
Until he saw those young eyes, quietly smiling,
And held his breath to stare,
And could have sworn her cheek had turned—a little . . .
Had slightly turned away . . .
Sunlight dozed on the floor . . . He sat and wondered,
Nor left his room that day.
And that day, and for many days thereafter,
He sat alone, and thought
No lady had ever lived so beautiful
As Hiroshigi wrought . . .
Or if she lived, no matter in what country,
By what far river or hill or lonely sea,
He would look in every face until he found her . . .
There was no other as fair as she.
And before her quiet face he burned soft incense,
And brought her every day
Boughs of the peach, or almond, or snow-white cherry,
And somehow, she seemed to say,
That silent lady, young, and quietly smiling,
That she was happy there;
And sometimes, seeing this, he started to tremble,
And desired to touch her hair,
To lay his palm along her hand, touch faintly
With delicate finger-tips
The ghostly smile that seemed to hover and vanish
Upon her lips . . .
Until he knew he loved this quiet lady;
And night by night a dread
Leered at his dreams, for he knew that Hiroshigi
Was many centuries dead,—
And the lady, too, was dead, and all who knew her . .
Dead, and long turned to dust . . .
The thin moon waxed and waned, and left him paler,
The peach leaves flew in a gust,
And he would surely have died; but there one day
A wise man, white with age,
Stared at the portrait, and said, 'This Hiroshigi
Knew more than archimage,—
Cunningly drew the body, and called the spirit,
Till partly it entered there . . .
Sometimes, at death, it entered the portrait wholly . .
Do all I say with care,
And she you love may come to you when you call her . . . '
So then this ghost, Tokkei,
Ran in the sun, bought wine of a hundred merchants,
And alone at the end of day
Entered the darkening room, and faced the portrait,
And saw the quiet eyes
Gleaming and young in the dusk, and held the wine-cup,
And knelt, and did not rise,
And said, aloud, 'Lo-san, will you drink this wine?'
Said it three times aloud.
And at the third the faint blue smoke of incense
Rose to the walls in a cloud,
And the lips moved faintly, and the eyes, and the calm hands stirred;
And suddenly, with a sigh,
The quiet lady came slowly down from the portrait,
And stood, while worlds went by,
And lifted her young white hands and took the wine cup;
And the poet trembled, and said,
'Lo-san, will you stay forever?'—'Yes, I will stay.'—
'But what when I am dead?'
'When you are dead your spirit will find my spirit,
And then we shall die no more.'
Music came down upon them, and spring returning,
They remembered worlds before,
And years went over the earth, and over the sea,
And lovers were born and spoke and died,
But forever in sunlight went these two immortal,
Tokkei and the quiet bride . . .
poem by Conrad Potter Aiken
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Life's Hebe
IN the early morning-shine
Of a certain day divine,
I beheld a Maiden stand
With a pitcher in her hand;
Whence she poured into a cup
Until it was half filled up
Nectar that was golden light
In the cup of crystal bright.
And the first who took the cup
With pure water filled it up;
As he drank then, it was more
Ruddy golden than before:
And he leapt and danced and sang
As to Bacchic cymbals’ clang.
But the next who took the cup
With the red wine filled it up;
What he drank then was in hue
Of a heavy sombre blue:
First he reeled and then he crept,
Then lay faint but never slept.
And the next who took the cup
With the white milk filled it up;
What he drank at first seemed blood,
Then turned thick and brown as mud:
And he moved away as slow
As a weary ox may go.
But the next who took the cup
With sweet honey filled it up;
Nathless that which he did drink
Was thin fluid black as ink:
As he went he stumbled, soon,
And lay still in deathlike swoon.
She the while without a word
Unto all the cup preferred;
Blandly smiled and sweetly laughed
As each mingled his own draught.
And the next who took the cup
To the sunshine held it up,
Gave it back and did not taste;
It was empty when replaced:
First he bowed a reverent bow,
Then he kissed her on the brow.
But the next who took the cup
Without mixture drank it up;
When she took it back from him
It was full unto the brim:
He with a right bold embrace
Kissed her sweet lips face to face.
Then she sang with blithest cheer:
Who has thirst, come here, come here!
Nectar that is golden light
In the cup of crystal bright,
Nectar that is sunny fire
Warm as warmest heart’s desire:
Pitcher never lacketh more,
Arm is never tired to pour:
Honey, water, milk, or wine
Mingle with the draught divine,
Drink it pure, or drink it not;
Each is free to choose his lot:
Am I old? or am I cold?
Only two have kissed me bold!
She was young and fair and gay
As that young and glorious day.
poem by James Thomson
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The Reaper And The Flowers
There is a Reaper whose name is Death,
And, with his sickle keen,
He reaps the bearded grain at a breath,
And the flowers that grow between.
``Shall I have nought that is fair?'' saith he;
``Have nought but the bearded grain?
Though the breath of these flowers is sweet to me,
I will give them all back again.''
He gazed at the flowers with tearful eyes,
He kissed their drooping leaves;
It was for the Lord of Paradise
He bound them in his sheaves.
``My Lord has need of these flowerets gay,''
The Reaper said, and smiled;
``Dear tokens of the earth are they,
Where he was once a child.
``They shall all bloom in fields of light,
Transplanted by my care,
And saints, upon their garments white,
These sacred blossoms wear.''
And the mother gave, in tears and pain,
The flowers she most did love;
She knew she should find them all again
In the fields of light above.
O, not in cruelty, not in wrath,
The Reaper came that day;
'Twas an angel visited the green earth,
And took the flowers away.
poem by Henry Wadsworth Longfellow
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Voices Of The Night : The Reaper And The Flowers
There is a Reaper whose name is Death,
And, with his sickle keen,
He reaps the bearded grain at a breath,
And the flowers that grow between.
'Shall I have nought that is fair?' saith he;
'Have nought but the bearded grain?
Though the breath of these flowers is sweet to me,
I will give them all back again.'
He gazed at the flowers with tearful eyes,
He kissed their drooping leaves;
It was for the Lord of Paradise
He bound them in his sheaves.
'My Lord has need of these flowerets gay,'
The Reaper said, and smiled;
'Dear tokens of the earth are they,
Where he was once a child.
'They shall all bloom in fields of light,
Transplanted by my care,
And saints, upon their garments white,
These sacred blossoms wear.'
And the mother gave, in tears and pain,
The flowers she most did love;
She knew she should find them all again
In the fields of light above.
O, not in cruelty, not in wrath,
The Reaper came that day;
'Twas an angel visited the green earth,
And took the flowers away.
poem by Henry Wadsworth Longfellow
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Long Ago
I loved a maiden, long ago,
She held within her hand my fate;
And in the ruddy sunset glow
We lingered at the garden gate.
The splendor of the western skies
Lay in a halo on her hair.
I gazed with worship in her eyes,
And deemed her true and knew her fair.
'Good night,' I said, and turned away;
She held me with her subtle smile.
I saw her red lips whisper 'stay,'
And so I lingered yet awhile.
'I love you, love you, sweet!' I said,
She laughed, and whispered, 'I love you.'
I kissed her small mouth, ripe and red,
And knew her fair, and deemed her true.
'Twas very, very long ago,
And I was young, and so was she;
My faith as love was strong, for oh!
The maid was all the world to me.
But as the sunset died away
And left the heavens cold and blue,
So died my dream of love one day.
The maid was only fair,
not
true.
poem by Ella Wheeler Wilcox
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The Young Greek Odalisque
’Mid silken cushions, richly wrought, a young Greek girl reclined,
And fairer form the harem’s walls had ne’er before enshrined;
’Mid all the young and lovely ones who round her clustered there,
With glowing cheeks and sparkling eyes, she shone supremely fair.
’Tis true that orbs as dark as hers in melting softness shone,
And lips whose coral hue might vie in brightness with her own;
And forms as light as ever might in Moslem’s heaven be found,
So full of beauty’s witching grace, were lightly hovering round.
Yet, oh, how paled their brilliant charms before that beauteous one
Who, ’mid their gay mirth, silent sat, from all apart—alone,
Outshining all, not by the spells of lovely face or form,
But by the soul that shone through all, her peerless, priceless charm.
But, say, what were the visions sweet that filled that gentle heart?
Surely to Azof, her liege lord, was given the greatest part,—
To him who prized her smiles beyond the power his sceptre gave,
And, mighty sultan though he was, to her was as a slave.
No, not of crowned heads thought she then, of hall or gilded dome,
But of fair Greece, that classic land, her loved, her early home.
She yearns to see again its skies, proud temples, woodland flowers,
Less bright, but dearer far, than those that bloom in harem bowers.
She glanced upon the jewels rich that gemmed her shining hair,
And wreathed her sculptured, snowy arms, her neck and brow so fair.
Their lustre softened not the pangs that filled that lonely hour,
More happy was she when her braids were decked with simple flower.
But, Azof, did not thought of him some passing joy impart;
Did not the memory of his love bring gladness to her heart?
Alas, that long and heavy sigh, the glitt’ring tear that fell
From ’neath her dark and drooping lids, told more than words could tell.
Awhile she weeps, and then a change steals o’er her mournful dream,
Her gloomy thoughts are chased away, and all things brighter seem,
A timid and yet blissful smile lights up her beauteous brow,
Her soft cheek crimsons, but, oh’ not of Azof thinks she now.
Perchance of some gallant Greek she knew in life’s young hour,
Some childish love as guileless as her love for bird or flower,
But which, looked back on through the mist of absence or of time,
Seemed sad and sweet as are the words—of some old childish rhyme.
Could he, her royal lover, now but look into her heart,
And read its depths, how sharp the pang that knowledge would impart,
But no, secure in certain bliss, he deems her all his own,
And prides himself that girlish heart loves him and him alone.
The sadness which might have awaked suspicion or mistrust,
Was of the spells she swayed him by, the dearest and the first,—
He deemed it but the token of a timid gentle heart,
That ever kept from needless show or noisy mirth apart.
He knew not that the voice which now sang but some mournful lay
Breathed once the soul of joyousness, was gayest of the gay,
That the soft laugh whose magic power his very heart strings stirred,
Though now so rare, in girlhood’s home had oftentimes been heard!
Th’ averted head, the timid look the half unwilling ear,
With which she met his vows of love, he deemed but girlish fear,
Nor ever dreamed that she whom all considered as thrice blessed,
Whose life was like a summer day loved, honored and caressed;
Who held, a captive to her charms, a most accomplished knight
And monarch brave that ever yet had bowed to woman’s might
Was but a poor and joyless slave, compelled to wear a smile
And act a part for which she loathed her wretched self the while.
But, like some fair exotic brought unto a foreign strand,
She lost her bloom and pined to see once more her native land,
And only when from earthly scenes death summoned her to part
A blissful smile played round her lips, and peace was in her heart.
poem by Rosanna Eleanor Leprohon
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Failure
THE BOY went out from the ranges grim,
And the breath of the mountains went with him;
With a song in his heart and a smile on his face,
And a light in his eyes for a foremost place:
And the good green earth, and the salt sea spray,
And the soft blue skies, they were his that day;
And, like Eden, ringed with a golden fire—
Afar rose the Land of His Heart’s Desire.
The boy went down to the city’s strife,
And his face was lost in the surge of life;
But a Power that he did not understand
Had nerved his brain and his fighting hand.
And he strove and failed, and he rose and won—
And he failed again ere the fight was done;
But he battled on when the days were dire
To win to the Land of His Heart’s Desire.
And there, in the heart of the stress and din,
’Mid want and labour and wealth and sin,
The strong man struggled with shining eyes,
And forced a passage, and grasped the prize.
And he cried to the Power who had lent the fire:
“Lo! Fame is the Land of My Heart’s Desire!
Give the cup to me with a beaded brim.”
And the Power that he knew not gave it him.
But the air is keen on the Cliffs of Fame,
And the shafts that fly have a deadly aim!
With a foothold scarce, and a sleepless dread
For the gulfs below and the heights o’erhead,
He cried to the Power who had steeled his hand:
“I am outcast yet from my Fairyland!
For Fame is a land where no strength may tire,
But Love is the Land of My Heart’s Desire!”
Then there came to the man all his dream of Love,
With the brow of snow and the eyes of a dove,
With the glint of the sun on her wavy hair,
And her soul as pure as her face was fair.
Like a living lily to him she came,
Till his eyes were wet and his soul was flame,
And she called to him, with an outstretched hand,
And they entered into the Promised Land.
But there came a day when he asked his soul,
“Is this the land, and is this the goal?”
In his heart there lay what his lips denied—
The pang of a hunger unsatisfied.
“For Fame,” he said, “and for Love I wrought;
They are not the things that I should have sought:
’Tis to boundless power that my dreams aspire—
And Wealth is the Land of My Heart’s Desire!”
Then the Power that he did not understand
Gave him ships and houses and gold and land,
And the man’s power grew with each passing year;
But his thoughts were vexed with a sleepless fear,
And his hair grew gray with the iron strain
Of the dread of loss and the lust of gain,
And he bowed his head on his hands and said.
“All things are mine, but my heart is dead!”
And he thought of the boy from the ranges grim
With the breath of the mountains over him,
With a song in his heart and a smile on his face,
And a light in his eyes for a foremost place,
And the good green earth and the salt sea spray,
And the soft blue skies that were his that day,
When, like Eden, ringed with a golden fire,
Afar rose the Land of His Heart’s Desire.
Then clear on his startled ear there fell
A voice like the sound of a silver bell:
“To each is the work that he best can do,
But you turned from the work when it called to you.
And you sought instead for the vulgar praise,
For the lips of love, and for prosperous days.
And with all that the world can give you here,
You have lost the thing that you hold most dear.
For who hears the word that the Gods inspire—
In his work finds the Land of His Heart’s Desire.”
poem by George Essex Evans
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Little White Rose
Little white rose that I loved, I loved,
Roisin ban, Roisin ban!
Fair my bud as the morning's dawn.
I kissed my beautiful flower to bloom,
My heart grew glad for its rich perfume—
Little white rose that I loved!
Little white rose that I loved grew red,
Roisin rua, Roisin rua!
Passionate tears I wept for you.
Love is more sweet than the world's fame—
I dream you back in my heart the same,
Little white rose that I loved!
Little white rose that I loved grew black,
Roisin duv, Roisin duv!
So I knew not the heart of you.
Lost in the world's alluring fire,
I cry in the night for my heart's desire,
Little white rose that I loved!
poem by Dora Sigerson Shorter
Submitted by Poetry Lover
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It Was an English Ladye Bright
It was an English ladye bright,
(The sun shines fair on Carlisle wall,)
And she would marry a Scottish knight,
For Love will still be lord of all.
Blithely they saw the rising sun
When he shone fair on Carlisle wall;
But they were sad ere day was done,
Though Love was still the lord of all.
Her sire gave brooch and jewel fine,
Where the sun shines fair on Carlisle wall;
Her brother gave but a flask of wine,
For ire that Love was lord of all.
For she had lands both meadow and lea,
Where the sun shines fair on Carlisle wall,
And he swore her death, ere he would see
A Scottish knight the lord of all.
That wine she had not tasted well
(The sun shines fair on Carlisle wall,)
When dead, in her true love's arms, she fell,
For Love was still the lord of all!
He pierced her brother to the heart,
Where the sun shines fair on Carlisle wall:--
So perish all would true love part
That Love may still be lord of all!
And then he took the cross divine,
Where the sun shines fair on Carlisle wall,
And died for her sake in Palestine;
So Love was still the lord of all.
Now all ye lovers, that faithful prove,
(The sun shines fair on Carlisle wall,)
Pray for their souls who died for love,
For Love shall still be lord of all!
poem by Sir Walter Scott
Submitted by Poetry Lover
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Fair Rose
Fair rose, fair rose, so sweet and soft,
Just as the skin of a new born babe,
Thy beauty grows as day goes by,
The danger wakes in thy razor thorns.
How, oh how can a creature so beauteous,
Hold such dire treacherousness?
Thou hast drawn me in so close,
Just outside thy painful touch,
When desire outgrows sense,
And thy thorn doth bring red stain.
Fair rose, fair rose, so sweet and soft,
How can thy beauty hold such great pain?
poem by Joseph Cross
Submitted by Poetry Lover
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A Voice From the Dungeon
I'm buried now; I've done with life;
I've done with hate, revenge and strife;
I've done with joy, and hope and love
And all the bustling world above.
Long have I dwelt forgotten here
In pining woe and dull despair;
This place of solitude and gloom
Must be my dungeon and my tomb.
No hope, no pleasure can I find:
I am grown weary of my mind;
Often in balmy sleep I try
To gain a rest from misery,
And in one hour of calm repose
To find a respite from my woes,
But dreamless sleep is not for me
And I am still in misery.
I dream of liberty, 'tis true,
But then I dream of sorrow too,
Of blood and guilt and horrid woes,
Of tortured friends and happy foes;
I dream about the world, but then
I dream of fiends instead of men;
Each smiling hope so quickly fades
And such a lurid gloom pervades
That world - that when I wake and see
Those dreary phantoms fade and flee,
Even in my dungeon I can smile,
And taste of joy a little while.
And yet it is not always so;
I dreamt a little while ago
That all was as it used to be:
A fresh free wind passed over me;
It was a pleasant summer's day,
The sun shone forth with cheering ray,
Methought a little lovely child
Looked up into my face and smiled.
My heart was full, I wept for joy,
It was my own, my darling boy;
I clasped him to my breast and he
Kissed me and laughed in childish glee.
Just them I heard in whisper sweet
A well known voice my name repeat.
His father stood before my eyes;
I gazed at him in mute surprise,
I thought he smiled and spoke to me,
But still in silent ecstasy
I gazed at him; I could not speak;
I uttered one long piercing shriek.
Alas! Alas! That cursed scream
Aroused me from my heavenly dream;
I looked around in wild despair,
I called them, but they were not there;
The father and the child are gone,
And I must live and die alone.
poem by Anne Brontë
Submitted by Veronica Serbanoiu
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The Man Who Sold The World (live, 1979-12-15: Saturday Night Live)
We passed upon the stair, we spoke of was and when
Although I wasn't there, he said I was his friend
Which came as some surprise I spoke into his eyes
I thought you died alone, a long long time ago
Oh no, not me
I never lost control
You're face to face
With The Man Who Sold The World
I laughed and shook his hand, and made my way back home
I searched for form and land, for years and years I roamed
I gazed a gazely stare at all the millions here
We must have died along, a long long time ago
Who knows? not me
We never lost control
You're face to face
With the Man who Sold the World
Who knows? not me
We never lost control
You're face to face
With the Man who Sold the World
song performed by by David Bowie
Submitted by Lucian Velea
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Adonis
The gods did love Adonis, and for this
He died, ere time had furrowed his young cheek.
For Aphrodité slew him with a kiss.
He sighed one sigh, as though he fain would speak
The name he loved, but that his breath grown weak
Died on his lips. So died the summer breeze;
And all the wood was hushed a minute's space,
Where I stood listening underneath the trees,
Until a wood--chat from her secret place
Chirped in an undertone, ``He is not dead,
Not dead, for lo! the bloom upon his face
Is ruddy as the newly--blossomed rose
Which even yet is woven round his head.
But sleep, more sweet than waking dream, doth close
The laughter of his eyes. He is not dead.''
Alone in that fair wood the livelong day
And through the silent night I watched him near.
But in the morning he was fled away,
When broke the dawn upon me cold and clear.
I looked within the thicket where he lay;
And lo! the sod, which he had pressed in death,
Was white with blossoms, scattered from the may,
Which made the thick air sweet with their sweet breath.
But he was gone; and I went o'er the heath,
Clutching, like one distraught, the dim air grey
With dawning,--for a voice encompassed me,
Crying, ``Fair boy, thy youth was but a span,
Yet did it circle in eternity.
Thy epic was accomplishèd. A man
Fills but the measure of his destiny,
And thine was all complete. Ere age began
To mar the royal palace of thy youth
With upper storeys of less perfect plan,
Death, kindly Death, filled with immortal ruth,
Took back the trowel from the builder's hand,
And wrote his `fecit' on thy work of truth.''
poem by Wilfrid Scawen Blunt
Submitted by Poetry Lover
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In The Cup
There is grief in the cup!
I saw a proud mother set wine on the board;
The eyes of her son sparkled bright as she poured
The ruddy stream into the glass in his hand.
The cup was of silver; the lady was grand
In her satins and laces; her proud heart was glad
In the love of her fair, noble son; but, oh! sad,
Oh! so sad ere a year had passed by,
And the soft light had gone from her beautiful eye.
For the boy that she loved, with a love strong as death,
In the chill hours of morn with a drunkard's foul breath
And a drunkard's fierce oath, reeled and staggered his way
To his home, a dark blot on the face of the day.
There is shame in the cup!
The tempter said, 'Drink,' and a fair maiden quaffed
Till her cheeks glowed the hue of the dangerous draught.
The voice of the tempter spoke low in her ear
Words that once would have started the quick, angry tear,
But wine blunts the conscience, and wine dulls the brain,
She listened and smiled, and he whispered again.
He lifted the goblet: 'Once more,' he said, 'drink,'
And the soul of the maiden was lost in the brink.
There is death in the cup!
A man in God's image, strong, noble, and grand,
With talents that crowned him a prince of the land,
Sipped the ruddy red wine!-sipped it lightly at first,
Until from its chains broke the demon of thirst.
And thirst became master, and man became slave,
And he ended his life in the drunkard's poor grave.
Wealth, fame, talents, beauty, and life swallowed up,
Grief, shame, death, destruction, are all in the cup.
poem by Ella Wheeler Wilcox
Submitted by Poetry Lover
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A Fatal Impress
A little leaf just in the forest's edge,
All summer long, had listened to the wooing
Of amorous brids that flew across the hedge,
Singing their blithe sweet songs for her undoing.
So many were the flattering things they told her,
The parent tree seemed quite too small to hold her.
At last one lonesome day she saw them fly
Across the fields behind the coquette summer,
They passed her with a laughing light good-bye,
When from the north, there strode a strange new comer;
Bold was his mien, as he gazed on her, crying,
'How comes it, then, that thou art left here sighing! '
'Now by my faith though art a lovely leaf-
May I not kiss that cheek so fair and tender? '
Her slighted heart welled full of bitter grief,
The rudeness of his words did not offend her,
She felt so sad, so desolate, so deserted,
Oh, if her lonely fate might be averted.
'One little kiss, ' he sighed, 'I ask no more-'
His face was cold, his lips too pale for passion.
She smiled assent; and then bold Frost leaned lower,
And clasped her close, and kissed in lover's fashion.
Her smooth cheek flushed to sudden guilty splendour,
Another kiss, and then sweet surrender.
Just for a day she was a beauteous sight,
The world looked on to pity and admire
This modest little leaf, that in a night
Had seemed to set the forest all on fire.
And then - this victim of a broken trust,
A withered thing, was trodden in the dust.
poem by Ella Wheeler Wilcox
Submitted by Poetry Lover
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