Memory's River
In Nature's bright blossoms not always reposes
That strange subtle essence more rare than their bloom,
Which lies in the hearts of carnations and roses,
That unexplained something by men called perfume.
Though modest the flower, yet great is its power
And pregnant with meaning each pistil and leaf,
If only it hides there, if only abides there,
The fragrance suggestive of love, joy and grief.
Not always the air that a master composes
Can stir human heart-strings with pleasure or pain.
But strange, subtle chords, like the scent of the roses,
Breathe out of some measures, though simple the strain.
And lo! when you hear them, you love them and fear them,
You tremble with anguish, you thrill with delight,
For back of them slumber old dreams without number,
And faces long vanished peer out into sight.
Those dear foolish days when the earth seemed all beauty,
Before you had knowledge enough to be sad;
When youth held no higher ideal of duty
Than just to lilt on through the world and be glad.
On harmony's river they seemed to float hither
With all the sweet fancies that hung round that time-
Life's burdens and troubles turn into air-bubbles
And break on the music's swift current of rhyme.
Fair Folly comes back with her spell while you listen
And points to the paths where she led you of old.
You gaze on past sunsets, you see dead stars glisten,
You bathe in life's glory, you swoon in death's cold.
All pains and all pleasures surge up through those measures,
Your heart is wrenched open with earthquakes of sound;
From ashes and embers rise Junes and Decembers,
Lost islands in fathoms of feeling refound.
Some airs are like outlets of memory's oceans,
They rise in the past and flow into the heart;
And down them float shipwrecks of mighty emotions,
All sea-soaked and storm-tossed and drifting apart:
Their fair timbers battered, their lordly sails tattered,
Their skeleton crew of dead days on their decks;
Then a crash of chords blending, a crisis, an ending-
The music is over, and vanished the wrecks.
poem by Ella Wheeler Wilcox
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Hymns to the Night 6: Longing for Death
Into the bosom of the earth,
Out of the Light's dominion,
Death's pains are but a bursting forth,
Sign of glad departure.
Swift in the narrow little boat,
Swift to the heavenly shore we float.
Blessed be the everlasting Night,
And blessed the endless slumber.
We are heated by the day too bright,
And withered up with care.
We're weary of a life abroad,
And we now want our Father's home.
What in this world should we all
Do with love and with faith?
That which is old is set aside,
And the new may perish also.
Alone he stands and sore downcast
Who loves with pious warmth the Past.
The Past where the light of the senses
In lofty flames did rise;
Where the Father's face and hand
All men did recognize;
And, with high sense, in simplicity
Many still fit the original pattern.
The Past wherein, still rich in bloom,
Man's strain did burgeon glorious,
And children, for the world to come,
Sought pain and death victorious,
And, through both life and pleasure spake,
Yet many a heart for love did break.
The Past, where to the flow of youth
God still showed himself,
And truly to an early death
Did commit his sweet life.
Fear and torture patiently he bore
So that he would be loved forever.
With anxious yearning now we see
That Past in darkness drenched,
With this world's water never we
Shall find our hot thirst quenched.
To our old home we have to go
That blessed time again to know.
What yet doth hinder our return
To loved ones long reposed?
Their grave limits our lives.
We are all sad and afraid.
We can search for nothing more --
The heart is full, the world is void.
Infinite and mysterious,
Thrills through us a sweet trembling --
As if from far there echoed thus
A sigh, our grief resembling.
Our loved ones yearn as well as we,
And sent to us this longing breeze.
Down to the sweet bride, and away
To the beloved Jesus.
Have courage, evening shades grow gray
To those who love and grieve.
A dream will dash our chains apart,
And lay us in the Father's lap.
The Lady And The Dame
So thou hast the art, good dame, thou swearest,
To keep Time's perishing touch at bay
From the roseate splendor of the cheek so tender,
And the silver threads from the gold away;
And the tell-tale years that have hurried by us
Shall tiptoe back, and, with kind good-will,
They shall take their traces from off our faces,
If we will trust to thy magic skill.
Thou speakest fairly; but if I listen
And buy thy secret and prove its truth,
Hast thou the potion and magic lotion
To give me also the heart of youth?
With the cheek of rose and the eye of beauty,
And the lustrous locks of life's lost prime,
Wilt thou bring thronging each hope and longing
That made the glory of that dead Time?
When the sap in the trees sets young buds bursting,
And the song of the birds fills the air like spray,
Will rivers of feeling come once more stealing
From the beautiful hills of the far-away?
Wilt thou demolish the tower of reason
And fling forever down into the dust,
The caution time brought me, the lessons life taught me,
And put in their places my old sweet trust?
If Time's footprint from my brow is driven,
Canst thou, too, take with thy subtle powers
The burden of thinking, and let me go drinking
The careless pleasures of youth's bright hours?
If silver threads from my tresses vanish,
If a glow once more in my pale cheek gleams,
Wilt thou slay duty and give back the beauty
Of days untroubled by aught but dreams?
When the soft, fair arms of the siren Summer
Encircle the earth in their languorous fold,
Will vast, deep oceans of sweet emotions
Surge through my veins as they surged of old?
Canst thou bring back from a day long vanished
The leaping pulse and the boundless aim?
I will pay thee double for all thy trouble,
If thou wilt restore all these, good dame.
poem by Ella Wheeler Wilcox
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Flower-De-Luce: Palingenesis
I lay upon the headland-height, and listened
To the incessant sobbing of the sea
In caverns under me,
And watched the waves, that tossed and fled and glistened,
Until the rolling meadows of amethyst
Melted away in mist.
Then suddenly, as one from sleep, I started;
For round about me all the sunny capes
Seemed peopled with the shapes
Of those whom I had known in days departed,
Apparelled in the loveliness which gleams
On faces seen in dreams.
A moment only, and the light and glory
Faded away, and the disconsolate shore
Stood lonely as before;
And the wild-roses of the promontory
Around me shuddered in the wind, and shed
Their petals of pale red.
There was an old belief that in the embers
Of all things their primordial form exists,
And cunning alchemists
Could re-create the rose with all its members
From its own ashes, but without the bloom,
Without the lost perfume.
Ah me! what wonder-working, occult science
Can from the ashes in our hearts once more
The rose of youth restore?
What craft of alchemy can bid defiance
To time and change, and for a single hour
Renew this phantom-flower?
'O, give me back,' I cried, 'the vanished splendors,
The breath of morn, and the exultant strife,
When the swift stream of life
Bounds o'er its rocky channel, and surrenders
The pond, with all its lilies, for the leap
Into the unknown deep!'
And the sea answered, with a lamentation,
Like some old prophet wailing, and it said,
'Alas! thy youth is dead!
It breathes no more, its heart has no pulsation;
In the dark places with the dead of old
It lies forever cold!'
Then said I, 'From its consecrated cerements
I will not drag this sacred dust again,
Only to give me pain;
But, still remembering all the lost endearments,
Go on my way, like one who looks before,
And turns to weep no more.'
Into what land of harvests, what plantations
Bright with autumnal foliage and the glow
Of sunsets burning low;
Beneath what midnight skies, whose constellations
Light up the spacious avenues between
This world and the unseen!
Amid what friendly greetings and caresses,
What households, though not alien, yet not mine,
What bowers of rest divine;
To what temptations in lone wildernesses,
What famine of the heart, what pain and loss,
The bearing of what cross!
I do not know; nor will I vainly question
Those pages of the mystic book which hold
The story still untold,
But without rash conjecture or suggestion
Turn its last leaves in reverence and good heed,
Until 'The End' I read.
poem by Henry Wadsworth Longfellow
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Not Quite The Same
Not quite the same the springtime seems to me,
Since that sad season when in separate ways
Our paths diverged. There are no more such days
As dawned for us in that last time when we
Dwelt in the realm of dreams, illusive dreams;
Spring may be just as fair now, but it seems
Not quite the same.
Not quite the same in life, since we two parted,
Knowing it best to go our ways alone.
Fair measures of success we both have known,
And pleasant hours; and yet something departed
Which gold, nor fame, nor anything we win,
Can all replace. And either life has been
Not quite the same.
Love is not quite the same, although each heart
Has formed new ties, that are both sweet and true;
But that wild rapture, which of old we knew,
Seems to have been a something set apart
With that lost dream. There is no passion, now,
Mixed with this later love, which seems, somehow,
Not quite the same.
Not quite the same am I. My inner being
Reasons and knows that all is for the best.
Yet vague regrets stir always in my breast,
As my souls eyes turn sadly backward, seeing
The vanished self, that evermore must be,
This side of what we call eternity,
Not quite the same.
poem by Ella Wheeler Wilcox
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Change
Changed? Yes, I will confess it – I have changed.
I do not love you in the old fond way.
I am your friend still – time has not estranged
One kindly feeling of that vanished day.
But the bright glamour which made life a dream,
The rapture of that time, its sweet content,
Like visions of a sleeper’s brain they seem –
And yet I cannot tell you how they went.
Why do you gaze with such accusing eyes
Upon me, dear? It is so very strange
That hearts, like all things underneath God’s skies,
Should sometimes feel the influence of change?
The birds, the flowers, the foliage of the trees,
The stars which seem so fixed, and so sublime,
Vast continents, and the eternal seas, -
All these do change, with ever-changing time.
The face our mirror shows us year on year
Is not the same; our dearest aim, or need,
Our lightest thought, or feeling hope, or fear,
All, all the law of alternation heed.
How can we ask the human heart to stay,
Content with fancies of Youth’s earliest hours?
The year outgrows the violets of May,
Although, maybe, there are no fairer flowers.
And life may hold no sweeter love than this,
Which lies so cold, so voiceless, and so dumb,
And will I miss it, dear? Why, yes, we miss
The violets always – till the roses come!
poem by Ella Wheeler Wilcox
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The Silent Melody
"BRING me my broken harp," he said;
"We both are wrecks,-- but as ye will,--
Though all its ringing tones have fled,
Their echoes linger round it still;
It had some golden strings, I know,
But that was long-- how long!-- ago.
"I cannot see its tarnished gold,
I cannot hear its vanished tone,
Scarce can my trembling fingers hold
The pillared frame so long their own;
We both are wrecks,-- awhile ago
It had some silver strings, I know,
"But on them Time too long has played
The solemn strain that knows no change,
And where of old my fingers strayed
The chords they find are new and strange,--
Yes! iron strings,-- I know,-- I know,--
We both are wrecks of long ago.
"We both are wrecks,-- a shattered pair,
Strange to ourselves in time's disguise
What say ye to the lovesick air
That brought the tears from Marian's eyes?
Ay! trust me,-- under breasts of snow
Hearts could be melted long ago!
"Or will ye hear the storm-song's crash
That from his dreams the soldier woke,
And bade him face the lightning flash
When battle's cloud in thunder broke?
Wrecks,-- nought but wrecks!-- the time was when
We two were worth a thousand men!"
And so the broken harp they bring
With pitying smiles that none could blame;
Alas there's not a single string
Of all that filled the tarnished frame!
But see! like children overjoyed,
His fingers rambling through the void!
"I clasp thee! Ay . . . mine ancient lyre. . .
Nay, guide my wandering fingers. . . There!
They love to dally with the wire
As Isaac played with Esan's hair. . . .
Hush! ye shall hear the famous tune
That Marina called the Breath of June!"
And so they softly gather round:
Rapt in his tuneful trance he seems:
His fingers move: but not a sound!
A silence like the song of dreams. . . .
"There! ye have heard the air," he cries,
"That brought the tears from Marina's eyes!"
Ah, smile not at his fond conceit,
Nor deem his fancy wrought in vain;
To him the unreal sounds are sweet,--
No discord mars the silent strain
Scored on life's latest, starlit page--
The voiceless melody of age.
Sweet are the lips of all that sing,
When Nature's music breathes unsought,
But never yet could voice or string
So truly shape our tenderest thought
As when by life's decaying fire
Our fingers sweep the stringless lyre!
poem by Oliver Wendell Holmes
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As When From Dreams Awaking
AS when from dreams awaking
The dim forms float away
Whose visioned smiles were making
Our darkness bright as day;
We vainly strive, while weeping,
From their shining spirit track,
(Where they fled while we were sleeping,)
To call those dear ones back!
Like the stars, some power divides them
From a world of want and pain;
They are there, but daylight hides them,
And we look for them in vain.
For a while we dwell with sadness,
On the beauty of that dream,
Then turn, and hail with gladness
The light of morning's beam.
So, when memory's power is wringing
Our lonely hearts to tears,
Dim forms around us bringing
That brightened former years:
Fond looks and low words spoken,
Which those dreamy days could boast,
Rise; till the spell be broken,
We forget that they are lost!
But when the hour of darkness rolls
Like heavy night away;
And peace is stealing o'er our souls,
Like the dawn of summer day:
The dim sweet forms that used to bless,
Seem stealing from us too;
We loved them-but joy's sunniness
Hath hid them from our view!
Oh could day beam eternally,
And Memory's power cease,
This world, a world of light would be,
Our hearts were worlds of peace:
But dreams of joy return with night,
And dwell upon the past-
And every grief that clouds our light,
Reminds us of the last!
poem by Caroline Elizabeth Sarah Norton
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Music At The Villa Marina
FOR some abiding central source of power,
Strong-smitten steady chords, ye seem to flow
And, flowing, carry virtue. Far below,
The vain tumultuous passions of the hour
Fleet fast and disappear; and as the sun
Shines on the wake of tempests, there is cast
O'er all the shattered ruins of my past
A strong contentment as of battles won.
And yet I cry in anguish, as I hear
The long drawn pageant of your passage roll
Magnificently forth into the night.
To yon fair land ye come from, to yon sphere
Of strength and love where now ye shape your flight,
O even wings of music, bear my soul!
Ye have the power, if but ye had the will,
Strong-smitten steady chords in sequence grand,
To bear me forth into that tranquil land
Where good is no more ravelled up with ill;
Where she and I, remote upon some hill
Or by some quiet river's windless strand,
May live, and love, and wander hand in hand,
And follow nature simply, and be still.
From this grim world, where, sadly, prisoned, we
Sit bound with others' heart-strings as with chains,
And, if one moves, all suffer, - to that Goal,
If such a land, if such a sphere, there be,
Thither, from life and all life's joys and pains,
O even wings of music, bear my soul!
poem by Robert Louis Stevenson
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The Musicians
The strings of my heart were strung by Pleasure,
And I laughed when the music fell on my ear,
For he and Mirth played a joyful measure,
And they played so loud that I could not hear
The wailing and mourning of souls a-weary -
The strains of sorrow that floated around,
For my heart's notes rang out loud and cheery,
And I heard no other sound.
Mirth and Pleasure, the music brothers,
Played louder and louder in joyful glee;
But sometimes a discord was heard by others -
Though only the rhythm was heard by me.
Louder and louder, faster and faster
The hands of the brothers played strain on strain,
When all of a sudden a Mighty Master
Swept them aside; and Pain,
Pain, the musician, the soul-refiner,
Restrung the strings of my quivering heart,
And the air that he played was a plaintive minor,
So sad that the tear-drops were forced to start;
Each note was an echo of awful anguish,
As shrill as solemn, as sharp as slow,
And my soul for a reason seemed to languish
And faint with its weight of woe.
With skilful hands that were never weary,
This Master of Music played strain on strain,
And between the bars of the miserere,
He drew up the strings of my heart again,
And I was filled with a vague, strange wonder,
To see that they did not snap in two.
'They are drawn so tight, they will break assunder, '
I thought, but instead, they grew,
In the hands of the Master, firmer and stronger;
And I could hear on the stilly air -
Now my ears were deafened by Mirth no longer -
The sound of sorrow, and grief, and despair;
And my soul grew kinder and tender to others,
My nature grew sweeter, my mind grew broad,
And I held all men to be my brothers,
Linked by the chastening rod.
My soul was lifted to God and heaven,
And when on my heart-strings fell again
The hands of Mirth, and Pleasure, even,
There was never a discord to mar the strain.
For Pain, the musician, and soul-refiner,
Attuned the strings with a master hand,
And whether the music be major or minor,
It is always sweet and grand.
poem by Ella Wheeler Wilcox
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Midsummer
After the May time and after the June time
Rare with blossoms and perfume sweet,
Cometh the round world's royal noon time,
The red midsummer of blazing heat,
When the sun, like an eye that never closes,
Bends on the earth its fervid gaze,
And the winds are still, and the crimson roses
Droop and wither and die in its rays.
Unto my heart has come this season,
O, my lady, my worshiped one,
When, over the stars of Pride and Reason,
Sails Love's cloudless, noonday sun.
Like a great red ball in my bosom burning
With fires that nothing can quench or tame,
It glows till my heart itself seems turning
Into a liquid lake of flame.
The hopes half shy and the sighs all tender,
The dreams and fears of an earlier day,
Under the noontide's royal splendor,
Droop like roses, and wither away.
From the hills of Doubt no winds are blowing,
From the isles of Pain no breeze is sent, -
Only the sun in a white heat glowing
Over an ocean of great content.
Sink, O my soul, in this golden glory!
Die, O my heart, in thy rapture-swoon!
For the Autumn must come with its mournful story.
And Love's midsummer will fade too soon.
poem by Ella Wheeler Wilcox
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On Some Rose Leaves Brought From The Vale Of Cashmere
Faded and pale their beauty, vanished their early bloom,
Their folded leaves emit alone a sweet though faint perfume,
But, oh! than brightest bud or flower to me are they more dear,
They come from that rose-haunted land, the bright Vale of Cashmere.
Cashmere! a spell is in that name! what dreams its sound awakes
Of roses sweet as Eden’s flowers, of minarets and lakes,
Of scenes as vaguely, strangely bright as those of fairy land,
Springing to life and loveliness ’neath some enchanter’s wand!
Cashmere! poetic in its name, its clear and brilliant skies
That seem to clothe earth, flower and wave in their own lovely dyes;
Poetic in its legend lore, and spell more dear than all,
Enshrined in poet’s inmost heart, the home of “Nourmahal.”
Yes, there oft fell her fairy feet, there shone the glances bright,
That won for her the glorious name of harem’s queen and light;
There, as she wandered ’mid its bowers, her royal love beside,
She taught him to forget all else save her, his beauteous, bride.
Cashmere! what would this heart not give to see thy favored earth,
So rich in nature’s peerless gifts, in beauty’s dazzling worth,
Rich in a name that in mine ear from childhood’s hour hath rung,
The land of which impassioned Moore with such sweet power hath sung.
Yet, were I there, oh! well I know the time would surely come
When my yearning heart would turn again to my far Canadian home,
Longing to look once more upon its wintry wastes of snow,
And the friends whose hearts throb like mine own, with friendship’s changeless glow.
poem by Rosanna Eleanor Leprohon
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The First of May ( A Memory)
THE WATERS make a music low:
The river reeds
Are trembling to the tunes of long ago—
Dead days and deeds
Become alive again, as on
I float, and float,
Through shadows of the golden summers gone
And springs remote.
Above my head the trees bloom out
In white and red
Great blossoms, that make glad the air about;
And old suns shed
Their rays athwart them. Ah, the light
Is bright and fair!
No suns that shine upon me now are bright
As those suns were.
And, gazing down into the stream,
I see a face,
As sweet as buds that blossom in a dream,
Ere sorrows chase
Fair dreams from men, and send in lieu
Sad thoughts. A wreath
Of blue-bells binds the head—a bluer blue
The eyes beneath.
This is my little Annie’s face;
My child-sweetheart
Whom long ago I lost in that dark place
Where all lives part.
Beside me still I see her stand,
Who is no more.
She walked with me through childhood, hand in hand,
But at the door
Of youth departed from me. Fain
Was I that day
To go with her. Ah, sweetheart, come again
This First of May!
poem by Victor James Daley
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Euterpe
CHILD of Light, the bright, the bird-like! wilt thou float and float to me,
Facing winds and sleets and waters, flying glimpses of the sea?
Down amongst the hills of tempest, where the elves of tumult roam—
Blown wet shadows of the summits, dim sonorous sprites of foam?
Here and here my days are wasted, shorn of leaf and stript of fruit:
Vexed because of speech half spoken, maiden with the marvellous lute!
Vexed because of songs half-shapen, smit with fire and mixed with pain:
Part of thee, and part of Sorrow, like a sunset pale with rain.
Child of Light, the bright, the bird-like! wilt thou float and float to me
Facing winds and sleets and waters, flying glimpses of the sea?
All night long, in fluent pauses, falling far, but full, but fine,
Faultless friend of flowers and fountains, do I hear that voice of thine—
All night long, amidst the burden of the lordly storm, that sings
High above the tumbled forelands, fleet and fierce with thunderings!
Then and then, my love, Euterpe, lips of life replete with dreams
Murmur for thy sweet, sharp fragments dying down Lethean streams:
Murmur for thy mouth’s marred music, splendid hints that burn and break,
Heavy with excess of beauty: murmur for thy music’s sake.
All night long, in fluent pauses, falling far, but full, but fine,
Faultless friend of flowers and fountains, do I hear that voice of thine.
In the yellow flame of evening sound of thee doth come and go
Through the noises of the river, and the drifting of the snow:
In the yellow flame of evening—at the setting of the day—
Sound that lightens, falls and lightens, flickers, faints and fades away.
I am famished of thy silence—broken for the tender note
Caught with its surpassing passion—caught and strangled in thy throat!
We have nought to help thy trouble—nought for that which lieth mute
On the harpstring and the lutestring and the spirit of the lute.
In the yellow flame of evening sound of thee doth come and go
Through the noises of the river, and the drifting of the snow.
Daughter of the dead red summers! Men that laugh and men that weep
Call thee Music—shall I follow, choose their name, and turn and sleep?
What thou art, behold, I know not; but thy honey slakes and slays
Half the want which whitens manhood in the stress of alien days!
Even as a wondrous woman, struck with love and great desire,
Hast thou been to me, Euterpe! half of tears and half of fire.
But thy joy is swift and fitful; and a subtle sense of pain
Sighs through thy melodious breathing, takes the rapture from thy strain,
Daughter of the dead red summers! Men that laugh and men that weep
Call thee Music—shall I follow, choose their name, and turn and sleep?
poem by Henry Kendall
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Motherhood
Mary,the Christ long slain,passed silently,
Following the children joyous astir
Under the cedrus and the olive tree,
Pausing to let their laughter float to her--
Each voice an echo of a voice more dear,
She saw a little Christ in every face.
Then came another woman gliding near
To watch the tender life which filled the place.
And Mary sought the woman's hand and spoke:
' I know thee not, yet know thy memory tossed
With all a thousand dreams their eyes evoke
Who bring to thee a child beloved and lost.
' I ,too, have rocked my Little One.
And He was fair !
Oh, fairer than the fairest sun
And , like its rays through amber spun,
His sun-bright hair.
Still I can see it shine and shine.'
Even so, the woman said, 'was mine.'
' His ways were ever darling ways'-
And Mary smiled -
So soft, so clinging ! Glad relays
Of love were all His precious days.
My Little Child !
My vanished star ! My music fled ! '
' Even so was mine,' the woman said.
And Mary whispered : Tell me, thou
Of thine.' And she :
' Oh, mine was rosy as a bough
Blooming with roses, sent, somehow,
To bloom for me !
His balmy fingers left a thrill
Deep in my breast that warms me still. '
Then she gazed down some wilder,darker hour,
And said -when Mary questioned, not knowing :
Who art thou, mother of so sweet a flower?'--
' I am the mother of Iscariot.'
poem by Eleanor Agnes Lee
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Years Ago
THE old dead flowers of bygone summers,
The old sweet songs that are no more sung,
The rose-red dawns that were welcome comers
When you and I and the world were young,
Are lost, O love, to the light for ever,
And seen no more of the moon or sun,
For seas divide, and the seasons sever,
And twain are we that of old were one.
O fair lost love, when the ship went sailing
Across the seas in the years agone,
And seaward-set were the eyes unquailing,
And landward-looking the faces wan,
My heart went back as a dove goes homeward
With wings aweary to seek its nest,
While fierce sea-eagles are flying foamward
And storm-winds whiten the surge’s crest;
And far inland for a farewell pardon
Flew on and on, while the ship went South—
The rose was red in the red-rose garden,
And red the rose of your laughing mouth.
But no word came on the wind in token
Of love that lasts till the end; and so
My heart returned to me bruised and broken,
From you, my love, of the long ago.
The green fields seemed in the distance growing
To silken squares on a weaver’s loom,
As oversea came the land-wind blowing
The faint sweet scent of the clover bloom.
A rarer odour to me it carried,
In subtle delicate way to tell
Of you, ere you and the world were married—
The lilac-odour you loved so well.
Again, I saw you beneath the blooms of
Those lilac-trees in the garden old.
Ah me! each tree is a mark for tombs of
Dead dreams and memories still and cold.
And Death comes there with his breath scent-laden,
And gathering gently the blossoms shed
(In guise of Autumn, the brown-browed maiden)
With your and my dead buries his dead.
O, fairer far than the fair ideal
Of him who imaged the foam-born Queen
In foam-white marble—a dream made real—
To me were you in those years, I ween.
Your lips were redder than night-shade berries
That burn in borders of hedgerowed lanes,
And sweeter far than the sweet wild cherries
The June sun flushes with crimson stains.
And gray your eyes as a gray dove’s wings were—
A gray soft-shadowing deeps profound,
Where thoughts that reached to the heart of things were,
And love lay dreaming though seeming drowned.
Twin-tulip-breasted like her the tread of
Whose feet made music in Paphos fair,
The world to me was not worth a thread of
Your brown, ambrosial, braided hair.
Mayhap you loved me at one time truly,
And I was jealous, and you were proud;
But mine the love of the king in Thule,
Till death; and yours—sleeps well in shroud.
So night came down like a sombre raven,
And southward ever the ship was borne,
Till glad green fields and lessening haven
Grew faint and faded like ghosts at morn.
As fields of Heaven eternal blooming,
Those flowerful fields of my mother-land
In midnight visions are still perfuming
All wild waste places and seas of sand.
And still in seasons of storm and thunder,
In strange lands under your land and mine,
And though our ways have been wide asunder,
In calm and tempest and shade and shine
Your face I see as I saw the last time—
As one borne space-ward on wings of light,
With eyes turned back to a sight of past time,
Beholds for ever that self-same sight.
But scorn has died on your lips, and through you
Shines out star-bright an immortal grace,
As though God then to His heaven drew you,
And sent an angel to take your place.
I plucked one rose from the tree you cherished,
My heart’s blood ebbing has kept it red,
And all my hopes with its scent have perished;
Why mourn them now—are the dead not dead?
And yet, God knows, as this rose I kiss, you
May feel the kisses across the sea;
And soul to soul for the larger issue
Your soul may stand with the soul of me,
Unknown to you—for the strings of Being
Are not so easily snapped or torn;
And we may journey with eyes unseeing
On paths that meet in the years unborn.
Farewell, dear heart. Warm sighs may sever
Ripe lips of love like a rose-leaf curled,
But you remain unto me for ever
The one fair woman in all the world.
poem by Victor James Daley
Submitted by Poetry Lover
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Who Created This Beautiful World?
Who created this beautiful world?
What a harmony and perfection!
Who thought this beauty, who brought it out?
Who is he that perfected it?
What matching patterns spawn the wonder?
What concinnous rhythms create this charm?
What is that grand invisible hand
That weaves this beauty with rhythms and patterns
That makes beauty, beauty; a divine music?
What a match of place, time and form
That makes this world a joyous feeling!
Beauty infuses life to the world,
Beauty makes the world to speak and sing,
To awaken soul to the creator’s skills
Who gave his rare gifts in abundance.
What brings those hues to youthful glows,
What brings those shapes to enchanting slopes,
What brings gentleness to graceful love,
What brings those grace to ripening age,
What brings brooding beauty to day-break’s freshness,
What brings that beauty to the width of the sky,
To the height of hills and depth of seas,
To the shapes of clouds, to the moods of men
In liquid ease and endless abundance
That no more the world is what it is made of,
But a celestial charm of unknown depth.
A subtle music in joyous rhythms,
A pregnant pattern in brilliant colours,
In human forms, in nature’s moods,
In fast changing life’s variegated hues,
In tides of sea, in tides of life,
Surface to those inner ears and eyes
That keep itself wide open always;
A living rhythm is at work in womb
In hide and seek of light and shadow,
In fall and rise of hills and vales,
In love and hate, in war and peace;
The twinkles of eyes, the gentle smiles,
The blue of the sky, the warm sunshine,
Each is a rich work of a master craftsman.
Day is beauty, night is beauty;
Youth is beauty, old age is beauty;
Desire is beauty, contentment, beauty;
Heart-break is beauty, fulfilment, beauty;
Perfection is beauty, ugliness, beauty;
All are beautiful deep ’neath bones
Like sunrise and sunset or sunshine or rain,
In the magical hands of the master craftsman.
Is this world his own image,
A reflection of his model perfection
Like the pleasures of pleasure and the pleasures of pain
Make the world a divine charm;
Work and leisure, pain and pleasure,
Penury and wealth, life and death
Hand in hand bring harmony to the world;
Mongoose kills snakes; snake, rats,
In living rhythms of life and death;
Beauty, the world breathes, is beyond cause,
Beyond source, beyond course,
That surfaces itself to the joy of all
On the will of the great divine artist.
A speck of dirt, dark spots on the moon
Have the same charm and perfect rhythms;
Tears of pain and tears of pleasure
Have the same simple grace hidden in them;
Like silk-worms that weave soft sheath around,
He builds the world with his own inner charm,
It be a mole or a mountain;
And this we have,
The wonderous world of perfect beauty;
Beauty within and beauty outside,
Beauty between and beauty a’where,
In gentle flesh and youthful forms,
In fall and rise, in rage and patience,
In nature’s arts and man’s crafts,
In old and new or foul garbage;
For, the creator sits in all of them
And builds a bridge to all hearts and souls.
poem by Praveen Kumar
Submitted by Poetry Lover
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A Dead Friend
I.
Gone, O gentle heart and true,
Friend of hopes foregone,
Hopes and hopeful days with you
Gone?
Days of old that shone
Saw what none shall see anew,
When we gazed thereon.
Soul as clear as sunlit dew,
Why so soon pass on,
Forth from all we loved and knew
Gone?
II.
Friend of many a season fled,
What may sorrow send
Toward thee now from lips that said
'Friend'?
Sighs and songs to blend
Praise with pain uncomforted
Though the praise ascend?
Darkness hides no dearer head:
Why should darkness end
Day so soon, O dear and dead
Friend?
III.
Dear in death, thou hast thy part
Yet in life, to cheer
Hearts that held thy gentle heart
Dear.
Time and chance may sear
Hope with grief, and death may part
Hand from hand's clasp here:
Memory, blind with tears that start,
Sees through every tear
All that made thee, as thou art,
Dear.
IV.
True and tender, single-souled,
What should memory do
Weeping o'er the trust we hold
True?
Known and loved of few,
But of these, though small their fold,
Loved how well were you!
Change, that makes of new things old,
Leaves one old thing new;
Love which promised truth, and told
True.
V.
Kind as heaven, while earth's control
Still had leave to bind
Thee, thy heart was toward man's whole
Kind.
Thee no shadows blind
Now: the change of hours that roll
Leaves thy sleep behind.
Love, that hears thy death-bell toll
Yet, may call to mind
Scarce a soul as thy sweet soul
Kind.
VI.
How should life, O friend, forget
Death, whose guest art thou?
Faith responds to love's regret,
How?
Still, for us that bow
Sorrowing, still, though life be set,
Shines thy bright mild brow.
Yea, though death and thou be met,
Love may find thee now
Still, albeit we know not yet
How.
VII.
Past as music fades, that shone
While its life might last;
As a song-bird's shadow flown
Past!
Death's reverberate blast
Now for music's lord has blown
Whom thy love held fast.
Dead thy king, and void his throne:
Yet for grief at last
Love makes music of his own
Past.
poem by Algernon Charles Swinburne
Submitted by Poetry Lover
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Memory
Brightly the sun of summer shone,
Green fields and waving woods upon,
And soft winds wandered by;
Above, a sky of purest blue,
Around, bright flowers of loveliest hue,
Allured the gazer's eye.
But what were all these charms to me,
When one sweet breath of memory
Came gently wafting by?
I closed my eyes against the day,
And called my willing soul away,
From earth, and air, and sky;
That I might simply fancy there
One little flower - a primrose fair,
Just opening into sight;
As in the days of infancy,
An opening primrose seemed to me
A source of strange delight.
Sweet Memory! ever smile on me;
Nature's chief beauties spring from thee,
Oh, still thy tribute bring!
Still make the golden crocus shine
Among the flowers the most divine,
The glory of the spring.
Still in the wall-flower's fragrance dwell;
And hover round the slight blue bell,
My childhood's darling flower.
Smile on the little daisy still,
The buttercup's bright goblet fill
With all thy former power.
For ever hang thy dreamy spell
Round mountain star and heather bell,
And do not pass away
From sparkling frost, or wreathed snow,
And whisper when the wild winds blow,
Or rippling waters play.
Is childhood, then, so all divine?
Or Memory, is the glory thine,
That haloes thus the past?
Not all divine; its pangs of grief,
(Although, perchance, their stay be brief,)
Are bitter while they last.
Nor is the glory all thine own,
For on our earliest joys alone
That holy light is cast.
With such a ray, no spell of thine
Can make our later pleasures shine,
Though long ago they passed.
poem by Anne Brontë from Poems by Currer, Ellis, and Acton Bell (1846)
Submitted by Veronica Serbanoiu
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Second Best
Here in the dark, O heart;
Alone with the enduring Earth, and Night,
And Silence, and the warm strange smell of clover;
Clear-visioned, though it break you; far apart
From the dead best, the dear and old delight;
Throw down your dreams of immortality,
O faithful, O foolish lover!
Here's peace for you, and surety; here the one
Wisdom - the truth! - 'All day the good glad sun
Showers love and labour on you, wine and song;
The greenwood laughs, the wind blows, all day long
Till night.' And night ends all things.
Then shall be
No lamp relumed in heaven, no voices crying,
Or changing lights, or dreams and forms that hover!
(And, heart, for all your sighing,
That gladness and those tears are over, over. . . .)
And has the truth brought no new hope at all,
Heart, that you're weeping yet for Paradise?
Do they still whisper, the old weary cries?
‘’Mid youth and song, feasting and carnival,
Through laughter, through the roses,as of old
Comes Death, on shadowy and relentless feet,
Death, unappeaseable by prayer or gold;
Death is the end, the end!’
Proud, then, clear-eyed and laughing, go to greet
Death as a friend!
Exile of immortality, strongly wise,
Strain through the dark with undesirous eyes
To what may lie beyond it. Sets your star,
O heart, for ever! Yet, behind the night,
Waits for the great unborn, somewhere afar,
Some white tremendous daybreak. And the light,
Returning, shall give back the golden hours,
Ocean a windless level, Earth a lawn
Spacious and full of sunlit dancing-places,
And laughter, and music, and, among the flowers,
The gay child-hearts of men, and the child-faces
O heart, in the great dawn!
poem by Rupert Brooke (1908)
Submitted by Veronica Serbanoiu
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My Annual
How long will this harp which you once loved to hear
Cheat your lips of a smile or your eyes of a tear?
How long stir the echoes it wakened of old,
While its strings were unbroken, untarnished its gold?
Dear friends of my boyhood, my words do you wrong;
The heart, the heart only, shall throb in my song;
It reads the kind answer that looks from your eyes,--
'We will bid our old harper play on till he dies.'
Though Youth, the fair angel that looked o'er the strings,
Has lost the bright glory that gleamed on his wings,
Though the freshness of morning has passed from its tone
It is still the old harp that was always your own.
I claim not its music,--each note it affords
I strike from your heart-strings, that lend me its chords;
I know you will listen and love to the last,
For it trembles and thrills with the voice of your past.
Ah, brothers! dear brothers! the harp that I hold
No craftsman could string and no artisan mould;
He shaped it, He strung it, who fashioned the lyres
That ring with the hymns of the seraphim choirs.
Not mine are the visions of beauty it brings,
Not mine the faint fragrance around it that clings;
Those shapes are the phantoms of years that are fled,
Those sweets breathe from roses your summers have shed.
Each hour of the past lends its tribute to this,
Till it blooms like a bower in the Garden of Bliss;
The thorn and the thistle may grow as they will,
Where Friendship unfolds there is Paradise still.
The bird wanders careless while summer is green,
The leaf-hidden cradle that rocked him unseen;
When Autumn's rude fingers the woods have undressed,
The boughs may look bare, but they show him his nest.
Too precious these moments! the lustre they fling
Is the light of our year, is the gem of its ring,
So brimming with sunshine, we almost forget
The rays it has lost, and its border of jet.
While round us the many-hued halo is shed,
How dear are the living, how near are the dead!
One circle, scarce broken, these waiting below,
Those walking the shores where the asphodels blow!
Not life shall enlarge it nor death shall divide,--
No brother new-born finds his place at my side;
No titles shall freeze us, no grandeurs infest,
His Honor, His Worship, are boys like the rest.
Some won the world's homage, their names we hold dear,--
But Friendship, not Fame, is the countersign here;
Make room by the conqueror crowned in the strife
For the comrade that limps from the battle of life!
What tongue talks of battle? Too long we have heard
In sorrow, in anguish, that terrible word;
It reddened the sunshine, it crimsoned the wave,
It sprinkled our doors with the blood of our brave.
Peace, Peace comes at last, with her garland of white;
Peace broods in all hearts as we gather to-night;
The blazon of Union spreads full in the sun;
We echo its words,--We are one! We are one!
poem by Oliver Wendell Holmes
Submitted by Poetry Lover
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