Chemin De Fer

Alone on the railroad track
I walked with pounding heart.
The ties were too close together
or maybe too far apart.

The scenery was impoverished:
scrub-pine and oak; beyond
its mingled gray-green foliage
I saw the little pond

where the dirty old hermit lives,
lie like an old tear
holding onto its injuries
lucidly year after year.

The hermit shot off his shot-gun
and the tree by his cabin shook.
Over the pond went a ripple
The pet hen went chook-chook.

"Love should be put into action!"
screamed the old hermit.
Across the pond an echo
tried and tried to confirm it.

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Richard Brautigan

Your Catfish Friend

If I were to live my life
in catfish forms
in scaffolds of skin and whiskers
at the bottom of a pond
and you were to come by
one evening
when the moon was shining
down into my dark home
and stand there at the edge
of my affection
and think, "It's beautiful
here by this pond.I wish
somebody loved me,"
I'd love you and be your catfish
friend and drive such lonely
thoughts from your mind
and suddenly you would be
at peace,
and ask yourself, "I wonder
if there are any catfish
in this pond?It seems like
a perfect place for them."

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The Fishes' Message, Poet: Sohrab Sepehri

I went to the pond
Hoping to see the reflection of my loneliness in the water

There was no water in the pond.
The fishes were saying:
'"It is not the trees' fault at all.
It was a sultry summer noon,
The bright son of water, sat by the pond's edge
And the eagle of the sun dived down and lifted him up & up in the air.

To hell with our not reaching any oxygen from water.
And the glitter has left our scales all together.
Instead, that big light,
The reflection of that red carnation in the water
Whose heart, if the wind was blowing, would beat behind the layers of neglect,
was our eyes.
It was a window to the confession of paradise.

If you see God in the palpitations of the garden,
Make an effort and tell him that the fishes'' pond is dry.'"

The wind was going to visit the plane tree,
I was going to visit God.

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Narcissus

The whispering trees draw him
and much deeper he goes into them
until a while later he is lost
and walks up and down as if in a spider's web.
"Is anybody here! Is anybody here, " he calls
and he listens for an answer.
"Here" echoes loudly back to him
while he feels lost and unhappy
and shouts at the top of his voice "come"
while lingering he turns round and around
and he hears "come, come" echoing loudly
he sees a pond, Echo with her palm
stretched out to him, wants to declare her love
but he is caught in the image of himself.

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Fergus Falling

He climbed to the top
of one of those million white pines
set out across the emptying pastures
of the fifties - some program to enrich the rich
and rebuke the forefathers
who cleared it all at once with ox and axe -
climbed to the top, probably to get out
of the shadow
not of those forefathers but of this father
and saw for the first time
down in its valley, Bruce Pond, giving off
its little steam in the afternoon,

pond where Clarence Akley came on Sunday mornings to cut down
the cedars around the shore, I'd sometimes hear the slow spondees
of his work, he's gone,
where Milton Norway came up behind me while I was fishing and
stood awhile before I knew he was there, he's the one who put the
cedar shingles on the house, some have curled or split, a few have
blown off, he's gone,
where Gus Newland logged in the cold snap of '58, the only man will-
ing to go into those woods that never got warmer than ten below,
he's gone,
pond where two wards of hte state wandered on Halloween, the Na-
tional Guard searched for them in November, in vain, the next fall a
hunter found their skeletons huddled together, in vain, they're
gone,
pond where an old fisherman in a rowboat sits, drowning hooked
worms, when he goes he's replaced and is never gone,

and when Fergus
saw the pond for the first time
in the clear evening, saw its oldness down there
in its old place in the valley, he became heavier suddenly
in his bones
the way fledglings do just before they fly,
and the soft pine cracked.

I would not have heard his cry
if my electric saw had been working,
its carbide teeth speeding through the bland spruce of our time, or
burning
black arcs into some scavenged hemlock plank,
like dark circles under eyes
when the brain thinks too close to the skin,
but I was sawing by hand and I heard that cry
as though he were attacked; we ran out,
when we bent over him he said, "Galway, Inés, I saw a pond!"
His face went gray, his eyes fluttered close a frightening
moment.

Yes - a pond
that lets off its mist
on clear afternoons of August, in that valley
to which many have come, for their reasons,
from which many have gone, a few for their reasons, most not,
where even now and old fisherman only the pinetops can see
sits in the dry gray wood of his rowboat, waiting for pickerel.

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Water so Deep and Profound

Water so sinuous and devious,
And as mystifying as you.
Water is always hiding its true self,
Never in one form.
Water can be the shimmer,
Reflecting off the light of the pond,
Making the pond seem magnificent.
Water can be the rushing sound,
As it escapes the secretive pond,
And runes down into the vast ocean,
Seeking adventure and unfound dreams.
Water can be the feeling of calmness,
As it sits there, overlooking the pond,
With wonder and seeing how it made it what it is.
Water so supple and wondrous,
The pond is born from the water.
Water so deep and profound,
Just like you,
The pond so incomplete without water,
Just like your family.

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The Village Pond

Here, there, women, children and men
Talk animatedly, little water waves disrupted by scooping
Water vessels, the faded green water lilies, shoved aside.

Cows moo, the goats bleat,
School children scramble for a spill,
The edges, slippery and muddy, non of a bother.

The gold, liquid of life, simmers under the hot sun,
Though, shrinking in size, by every draw,
The earth is bare, the pond tags their hope.

Here in the pond, they see, sigh and fall
The feminine and masculine bodies attract
The gossip, filters, confirmed, a new life sees dawn.

Wild tree fruits, like monsters surround the village pond
I'm told the fruits, purify the village pond
Lives ruled, made to see day, Honor to the village pond.

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

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Khalil Gibran

The Two Hermits

Upon a lonely mountain, there lived two hermits who worshipped God
and loved one another.

Now these two hermits had one earthen bowl, and this was their only
possession.

One day an evil spirit entered into the heart of the older hermit
and he came to the younger and said, 'It is long that we have
lived together. The time has come for us to part. Let us divide
our possessions.'

Then the younger hermit was saddened and he said, 'It grieves
me, Brother, that thou shouldst leave me. But if thou must needs
go, so be it,' and he brought the earthen bowl and gave it to him
saying, 'We cannot divide it, Brother, let it be thine.'

Then the older hermit said, 'Charity I will not accept. I will
take nothing but mine own. It must be divided.'

And the younger one said, 'If the bowl be broken, of what use would
it be to thee or to me? If it be thy pleasure let us rather cast
a lot.'

But the older hermit said again, 'I will have but justice and mine
own, and I will not trust justice and mine own to vain chance. The
bowl must be divided.'

Then the younger hermit could reason no further and he said, 'If
it be indeed thy will, and if even so thou wouldst have it let us
now break the bowl.'

But the face of the older hermit grew exceedingly dark, and he
cried, 'O thou cursed coward, thou wouldst not fight.'

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Don't Tell the World that You're Waiting for Me

THREE summers have gone since the first time we met, love,
And still 'tis in vain that I ask thee to wed ;
I hear no reply but a gentle " Not yet, love,"
With a smile of your lip, and a shake of your head.
Ah ! how oft have I whispered, how oft have I sued thee,
And breathed my soul's question of " When shall it be ?"
You know, dear, how long and how truly I've wooed thee,
So don't tell the world that you're waiting for me.

I have fashioned a home, where the fairies might dwell, love,
I've planted the myrtle, the rose, and the vine ;
But the cottage to me is a mere hermit's cell, love,
And the bloom will be dull till the flowers are thine.
I've a ring of bright gold, which I gaze on when lonely,
And sigh with Hope's eloquence, " When will it be ?"
There needs but thy " Yes," love--one little word only,
So don't tell the world that you're waiting for me.

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The Force of Argument

Lord B. was a nobleman bold
Who came of illustrious stocks,
He was thirty or forty years old,
And several feet in his socks.

To Turniptopville-by-the-Sea
This elegant nobleman went,
For that was a borough that he
Was anxious to rep-per-re-sent.

At local assemblies he danced
Until he felt thoroughly ill;
He waltzed, and he galoped, and lanced,
And threaded the mazy quadrille.

The maidens of Turniptopville
Were simple - ingenuous - pure -
And they all worked away with a will
The nobleman's heart to secure.

Two maidens all others beyond
Endeavoured his cares to dispel -
The one was the lively ANN POND,
The other sad MARY MORELL.

ANN POND had determined to try
And carry the Earl with a rush;
Her principal feature was eye,
Her greatest accomplishment - gush.

And MARY chose this for her play:
Whenever he looked in her eye
She'd blush and turn quickly away,
And flitter, and flutter, and sigh.

It was noticed he constantly sighed
As she worked out the scheme she had planned,
A fact he endeavoured to hide
With his aristocratical hand.

Old POND was a farmer, they say,
And so was old TOMMY MORELL.
In a humble and pottering way
They were doing exceedingly well.

They both of them carried by vote
The Earl was a dangerous man;
So nervously clearing his throat,
One morning old TOMMY began:

"My darter's no pratty young doll -
I'm a plain-spoken Zommerzet man -
Now what do 'ee mean by my POLL,
And what do 'ee mean by his ANN?

Said B., "I will give you my bond
I mean them uncommonly well,
Believe me, my excellent POND,
And credit me, worthy MORELL.

"It's quite indisputable, for
I'll prove it with singular ease, -
You shall have it in 'Barbara' or
'Celarent' - whichever you please.

'You see, when an anchorite bows
To the yoke of intentional sin,
If the state of the country allows,
Homogeny always steps in -

"It's a highly aesthetical bond,
As any mere ploughboy can tell - "
"Of course," replied puzzled old POND.
"I see," said old TOMMY MORELL.

"Very good, then," continued the lord;
"When it's fooled to the top of its bent,
With a sweep of a Damocles sword
The web of intention is rent.

"That's patent to all of us here,
As any mere schoolboy can tell."
POND answered, "Of course it's quite clear";
And so did that humbug MORELL.

"Its tone's esoteric in force -
I trust that I make myself clear?"
MORELL only answered, "Of course,"
While POND slowly muttered, "Hear, hear."

"Volition - celestial prize,
Pellucid as porphyry cell -
Is based on a principle wise."
"Quite so," exclaimed POND and MORELL.

"From what I have said you will see
That I couldn't wed either - in fine,
By Nature's unchanging decree
YOUR daughters could never be MINE.

"Go home to your pigs and your ricks,
My hands of the matter I've rinsed."
So they take up their hats and their sticks, .
And EXEUNT AMBO, convinced.

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Hero Worship

Said he: "You saw the Master clear;
By Rushy Pond alone he sat,
Serene and silent as a seer,
in tweedy coat and seedy hat.
you tell me you did not intrude,
(Although his book was in your hand,)
Upon his melancholy mood . . .
I do not understand.

"You did not tell him: 'I have come
From o'er the sea to speak to you.'
You did not dare, your lips were dumb . . .
You thought a little zephyr blew
From Rushy Pond a touch of him
You'll cherish to your dying day,
Perhaps with tears your eyes were dim . . .
And then - you went away.

"And down the years you will proclaim:
'O call me dullard, dub me dunce!
But let this be my meed of fame:
I looked on Thomas Hardy once.
Aye, by a stile I stood a span
And with these eyes did plainly see
A little, shrinking, shabby man . . .
But Oh a god to me!'"

Said I: "'Tis true, I scarce dared look,
yet he would have been kind, I'm sure;
But though I clutched his precious book
I feared to beg his signature.
Ah yes, my friend, I merit mirth.
You're bold, you have the right to laugh,
And if Christ came again to earth
You'd cadge his autograph."

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The Hermit Crab

The hermit crabs life is all but exciting live all alone
and in the sahdows in the bottom of the teary sea
feelings no comfort and no love this crab is all alone
no friends and allways hurting everyone
he use to have friends till the day he found him self this shell of dark sleeping alone
and being alone this crab used that bad to fell worse
we the other crabs of life the ones that live a full happy life
need to find him/her and bring this hermit out of it's shell
show to the hermit that talking isn't all bad
but being alone is talk about your problems dont hide in a shell

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Daddy Fell into the Pond.

Everyone grumbled. The sky was grey.

We had nothing to do and nothing to say.

We were nearing the end of a dismal day,

And there seemed to be nothing beyond,

THEN

Daddy fell into the pond!

And everyone's face grew merry and bright,

And Timothy danced for sheer delight.

"Give me the camera, quick, oh quick!

He's crawling out of the duckweed."

Click!

Then the gardener suddenly slapped his knee,

And doubled up, shaking silently,

And the ducks all quacked as if they were daft

And is sounded as if the old drake laughed.

O, there wasn't a thing that didn't respond

WHEN

Daddy fell into the pond!

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A Kingfisher On A Dead Tree

on a glass pond
a dead tree stands
perched is a kingfisher
on one of its weak twigs

i sit alone on a
rock thinking about nothing
i must have been lost
this day

blue wings and some
white feathers on the neck
black sharp beak
the kingfisher looks at me

a leaf falls on the glass pond
the eyes of the kingfisher
and my eyes ride on the ripple
like small paper boats
going nowhere

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I Keep A Place Where Everything Is Neither Sacred Nor Mundane

it is a place where
what i touch i can touch
where what i smell i can smell
with all freedom
where i can undress and look at my body
and see for myself the innermost chamber of my heart
where my soul sings for me the real songs of my life

there is a pond there
where i lay myself down where i can stare at myself
through the eyes of my being
at peace

the pond is a mirror where i can view the whole of my world
its face without any wrinkle its body without any ripple

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The Dramatists

A string of shiny days we had,
A spotless sky, a yellow sun;
And neither you nor I was sad
When that was through and done.

But when, one day, a boy comes by
And pleads me with your happiest vow,
"There was a lad I knew--" I'll sigh,
"I do not know him now."

And when another girl shall pass
And speak a little name I said,
Then you will say, "There was a lass-
I wonder is she dead."

And each of us will sigh, and start
A-talking of a faded year,
And lay a hand above a heart,
And dry a pretty tear.

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Rudyard Kipling

A Ripple Song

Once red ripple came to land
In the golden sunset burning--
Lapped against a maiden's hand,
By the ford returning.

Dainty foot and gentle breast--
Here, across, be glad and rest.
"Maiden, wait," the ripple saith;
"Wait awhile, for I am Death!"

"Where my lover calls I go--
Shame it were to treat him coldly--
'Twas a fish that circled so,
Turning over boldly."

Dainty foot and tender heart,
Wait the loaded ferry-raft.
"Wait, ah, wait!" the ripple saith;
"Maiden, wait, for I am Death!"

"When my lover calls I haste--
Dame Disdain was never wedded!"
Ripple-ripple round her waist,
Clear the current eddied.

Foolish heart and faithful hand,
Little feet that touched no land.
Far away the ripple sped,
Ripple-ripple running red!

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At a koi pond in a nursery

When her fingers
lightly ripple the water,
a row of fishes
dart to come to investigate.

Fins cut through the water
and big eyes,
come to look
near to the surface.

Big and small bright coloured koi’s
dash past through the water,
while dark fresh water crayfish
crawl on the bottom of the pond.

The ripple on the water
rings out wider and wider,
till where it disappears in to eternity.
.
In my hart the sound
of the beautiful day resounds,
while I stand fascinated
at the fish pond.

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Coyote and Frog (Native American)

Coyote and his friends walked to a pond
But found Frog and his clan now living there.
“This pond is small for all of us, ” Frog said.
“ Find water of your own. We cannot share.”

“If you will let us drink our fill and bathe,
I’ll get you a warm blanket and a blue stone
That’s bigger than your fist, ” Coyote offered.
When Frog agreed, Coyote went for them alone.

Frog took the gifts and led them to the pond.
Later as they left Frog laughed, “Good trade! ”
In fact, Coyote stole the gifts from Thunderbird,
Now furiously tracking prints the thief had made.

Coyote returned next day to find the Frog clan dead.
He took his people to the pond. “Good trade, ” he said.

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Soldier, Maiden, and Flower

"Sweetheart, take this," a soldier said,
"And bid me brave good-by;
It may befall we ne'er shall wed,
But love can never die.
Be steadfast in thy troth to me,
And then, whate'er my lot,
'My soul to God, my heart to thee,'--
Sweetheart, forget me not!"

The maiden took the tiny flower
And nursed it with her tears:
Lo! he who left her in that hour
Came not in after years.
Unto a hero's death he rode
'Mid shower of fire and shot;
But in the maiden's heart abode
The flower, forget-me-not.

And when he came not with the rest
From out the years of blood,
Closely unto her widowed breast
She pressed a faded bud;
Oh, there is love and there is pain,
And there is peace, God wot,--
And these dear three do live again
In sweet forget-me-not.

'T is to an unmarked grave to-day
That I should love to go,--
Whether he wore the blue or gray,
What need that we should know?
"He loved a woman," let us say,
And on that sacred spot,
To woman's love, that lives for aye,
We'll strew forget-me-not.

1887.

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