Anaphora

Each day with so much ceremony
begins, with birds, with bells,
with whistles from a factory;
such white-gold skies our eyes
first open on, such brilliant walls
that for a moment we wonder
"Where is the music coming from, the energy?
The day was meant for what ineffable creature
we must have missed?" Oh promptly he
appears and takes his earthly nature
   instantly, instantly falls
   victim of long intrigue,
   assuming memory and mortal
   mortal fatigue.

More slowly falling into sight
and showering into stippled faces,
darkening, condensing all his light;
in spite of all the dreaming
squandered upon him with that look,
suffers our uses and abuses,
sinks through the drift of bodies,
sinks through the drift of vlasses
to evening to the beggar in the park
who, weary, without lamp or book
   prepares stupendous studies:
   the fiery event
   of every day in endless
   endless assent.

poem by Elizabeth BishopReport problemRelated quotes
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Plainte Eternelle

The sun sinks down, the tremulous daylight dies.
(Down their long shafts the weary sunbeams glide.)
The white-winged ships drift with the falling tide,
Come back, my love, with pity in your eyes!

The tall white ships drift with the falling tide.
(Far, far away I hear the seamews' cries.)
Come back, my love, with pity in your eyes !
There is no room now in my heart for pride.

Come back, come back ! with pity in your eyes.
(The night is dark, the sea is fierce and wide.)
There is no room now in my heart for pride,
Though I become the scorn of all the wise.

I have no place now in my heart for pride.
(The moon and stars have fallen from the skies.)
Though I become the scorn of all the wise,
Thrust, if you will, sharp arrows in my side.

Let me become the scorn of all the wise.
(Out of the East I see the morning ride.)
Thrust, if you will, sharp arrows in my side,
Play with my tears and feed upon my sighs.

Wound me with swords, put arrows in my side.
(On the white sea the haze of noon-day lies.)
Play with my tears and feed upon my sighs,
But come, my love, before my heart has died.

Drink my salt tears and feed upon my sighs.
(Westward the evening goes with one red stride.)
Come back, my love, before my heart has died,
Down sinks the sun, the tremulous daylight dies.

Come back ! my love, before my heart has died.
(Out of the South I see the pale moon rise.)
Down sinks the sun, the tremulous daylight dies,
The white-winged ships drift with the falling tide.

poem by Lord Alfred DouglasReport problemRelated quotes
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The Song Of Shadows

"Sweep thy faint strings, Musician,
With thy long lean hand;
Downward the starry tapers burn,
Sinks soft the waning sand;
The old hound whimpers couched in sleep,
The embers smoulder low;
Across the walls the shadows
Come, and go.

Sweep softly thy strings, Musician,
The minutes mount to hours;
Frost on the windless casement weaves
A labyrinth of flowers;
Ghosts linger in the darkening air,
Hearken at the open door;
Music hath called them, dreaming,
Home once more."

poem by Walter de la MareReport problemRelated quotes
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A Game of Lawn Tennis

What wonder that I should be dreaming
Out here in the garden to-day?
The light through the leaves is streaming,--
Paulina cries, "Play!"

The birds to each other are calling,
The freshly-cut grasses smell sweet;
To Teddy's dismay, comes falling
The ball at my feet.

"Your stroke should be over, not under!"
"But that's such a difficult way!"
The place is a springtide wonder
Of lilac and may;

Of lilac, and may, and laburnum,
Of blossom,--We're losing the set!
"Those volleys of Jenny's,--return them;
"Stand close to the net!"


* * * * * * *

You are so fond of the Maytime,
My friend, far away;
Small wonder that I should be dreaming
Of you in the garden to-day.

poem by Amy LevyReport problemRelated quotes
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When Someone Says: "Alexandria"

When someone says: "Alexandria,"
I see the white walls of a house,
a small garden row of gillyflowers,
an autumn evening's pale sunlight
and hear the music of distant flutes.

When someone says: "Alexandria,"
I see stars above the hushed city,
drunken sailors in dark quarters,
a dancing girl performing the "wasp,"
and hear tambourines and the noise of fights.

When someone says "Alexandria,"
I see a pale purple sunset above the green sea,
the flickering of furry stars
and the light grey eyes beneath thick brows
that I see even when
no one says: "Alexandria!"

poem by Mikhail Alekseevich KuzminReport problemRelated quotes
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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

poem by Michael DraytonReport problemRelated quotes
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Let the Light Enter

"The dying words of Goethe."


"Light! more light! the shadows deepen,
And my life is ebbing low,
Throw the windows widely open:
Light! more light! before I go.

"Softly let the balmy sunshine
Play around my dying bed,
E'er the dimly lighted valley
I with lonely feet must tread.

"Light! more light! for Death is weaving
Shadows 'round my waning sight,
And I fain would gaze upon him
Through a stream of earthly light."

Not for greater gifts of genius;
Not for thoughts more grandly bright,
All the dying poet whispers
Is a prayer for light, more light.

Heeds he not the gathered laurels,
Fading slowly from his sight;
All the poet's aspirations
Centre in that prayer for light.

Gracious Saviour, when life's day-dreams
Melt and vanish from the sight,
May our dim and longing vision
Then be blessed with light, more light.

poem by Frances Ellen Watkins HarperReport problemRelated quotes
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Sweet Echo Dell

"Three there were that left my cot;
Two are here, and one is not;
Why does Willie linger? Say, can you tell?"

"He was weary by the way;
When we came he could but stay
In the shady grove at Sweet Echo Dell."

Echo Dell! (Echo Dell!) Echo Dell! (Echo Dell!)
It was there we softly said "Farewell!" ("Farewell!")
And the towering granite crest
Nobly guards his place rest,
Near the lovely lake of Sweet Echo Dell.

"Is he laden well with gold?
Does he bring me wealth untold?
Why then does he linger? Say can you tell?"

"All his treasures are above;
All he sent you was his love,
With a whispered prayer from Sweet Echo Dell."

Coming homeward, does he sing
Like a lark upon the wing?
Why then does he linger? Say, can you tell?"

Naught is heard but rippling waves,
Warbling birds, and shouting braves;
Silent is his voice in Sweet Echo Dell."

"Is he coming by-and-by?
May I bless him ere I die?
Why then does he linger? Say, can you tell?"

"Mirrored in that mountain lake,
Heaven is near, and he will wake
Never elsewhere than in Sweet Echo Dell."

"Would you crush my only joy?
Surely I shall meet my boy;
When then does he linger? Say, can you tell?"

"Never will his weary feet
Travel more, yet may soon meet
When your soul floats over Sweet Echo Dell."

poem by Henry Clay WorkReport problemRelated quotes
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After

"How fared you when you mortal were?
What did you see on my peopled star?"
"Oh well enough," I answered her,
"It went for me where mortals are!

"I saw blue flowers and the merlin's flight
And the rime on the wintry tree,
Blue doves I saw and summer light
On the wings of the cinnamon bee."

poem by Ralph HodgsonReport problemRelated quotes
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What Goes Around . . .

In position and out of sight,
hiding until the time was right,
the cat crawled forward with such skill,
the bird could not escape the "kill." It happened almost every day.
The cat would never miss its prey.
So many kills against its name,
it loved to play that "pouncing" game. But then one day, the cat outside,
not chasing birds, no need to hide,
just lying in the grass to rest,
and dreaming of that new found nest. But suddenly, an angry cry,
the sound of many birds nearby.
Like bombers on a bombing run,
they started "swooping" one by one. The battle on, surprise attack,
the cat "pinned down," could not fight back.
The "message" on that battleground,
what goes around does come around.

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The End

After the blast of lightning from the east,
The flourish of loud clouds, the Chariot throne,
After the drums of time have rolled and ceased
And from the bronze west long retreat is blown,

Shall Life renew these bodies? Of a truth
All death will he annul, all tears assuage?
Or fill these void veins full again with youth
And wash with an immortal water age?

When I do ask white Age, he saith not so, --
"My head hangs weighed with snow."
And when I hearken to the Earth she saith
My fiery heart sinks aching. It is death.
Mine ancient scars shall not be glorified
Nor my titanic tears the seas be dried."

poem by Wilfred OwenReport problemRelated quotes
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Sympathy

She's rubbing his shoulder
and he's reading about
Western birds. There's a scoop
of light just above my knee

it resembles the world, the one I know
a layer of smoke spread thin, a shelf

my mind returns again &
again to the picture
you gave me. In pain.
I'm holding the receiver
in Denver some woman making
human eyes at me from her
blue seat, but I later
conclude she's crazy

I'm helpless, rushing back to fix the
"h," how can I help you

I think we tried this long enough
our cure
we would save us from everybody
else, we "got" it,
us

and now we're another falling down car
complaining animal
empty house

you bleeding & expanding
until

the red night itself
is your endless disappointment
in me
who promised so much
on that hill

O Glory to everybody & everything
that we will fish again & again
& get lucky


Anonymous submission.

poem by Eileen MylesReport problemRelated quotes
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I Stood Musing in a Black World

I stood musing in a black world,
Not knowing where to direct my feet.
And I saw the quick stream of men
Pouring ceaselessly,
Filled with eager faces,
A torrent of desire.
I called to them,
"Where do you go? What do you see?"
A thousand voices called to me.
A thousand fingers pointed.
"Look! look! There!"

I know not of it.
But, lo! In the far sky shone a radiance
Ineffable, divine --
A vision painted upon a pall;
And sometimes it was,
And sometimes it was not.
I hesitated.
Then from the stream
Came roaring voices,
Impatient:
"Look! look! There!"

So again I saw,
And leaped, unhesitant,
And struggled and fumed
With outspread clutching fingers.
The hard hills tore my flesh;
The ways bit my feet.
At last I looked again.
No radiance in the far sky,
Ineffable, divine;
No vision painted upon a pall;
And always my eyes ached for the light.
Then I cried in despair,
"I see nothing! Oh, where do I go?"
The torrent turned again its faces:
"Look! look! There!"

And at the blindness of my spirit
They screamed,
"Fool! fool! fool!"

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Katherine Mansfield

Night-Scented Stock

White, white in the milky night
The moon danced over a tree.
"Wouldn't it be lovely to swim in the lake!"
Someone whispered to me.

"Oh, do-do-do!" cooed someone else,
And clasped her hands to her chin.
"I should so love to see the white bodies--
All the white bodies jump in!"

The big dark house hid secretly
Behind the magnolia and the spreading pear-tree;
But there was a sound of music--music rippled and ran
Like a lady laughing behind her fan,
Laughing and mocking and running away...
"Come into the garden--it's as light as day!"

"I can't dance to that Hungarian stuff,
The rhythm in it is not passionate enough,"
Said somebody. "I absolutely refuse...."
But he took off his socks and his shoes
And round he spun. "It's like Hungarian fruit dishes
Hard and bright--a mechanical blue!"
His white feet flicked in the grass like fishes...
Someone cried: "I want to dance, too!"

But one with a queer Russian ballet head
Curled up on a blue wooden bench instead.
And another, shadowy--shadowy and tall--
Walked in the shadow of the dark house wall,
Someone beside her. It shone in the gloom,
His round grey hat, like a wet mushroom.

"Don't you think perhaps..." piped someone's flute.
"How sweet the flowers smell!" I heard the other say.
Somebody picked a wet, wet pink,
Smelled it and threw it away.
"Is the moon a virgin or is she a harlot?"
Asked somebody. Nobody would tell.
The faces and the hands moved in a pattern
As the music rose and fell,
In a dancing, mysterious, moon-bright pattern
Like flowers nodding under the sea...

The music stopped and there was nothing left of them
But the moon dancing over the tree.

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Lewis Carroll

Phantasmagoria CANTO II ( Hys Fyve Rules )

"MY First - but don't suppose," he said,
"I'm setting you a riddle -
Is - if your Victim be in bed,
Don't touch the curtains at his head,
But take them in the middle,

"And wave them slowly in and out,
While drawing them asunder;
And in a minute's time, no doubt,
He'll raise his head and look about
With eyes of wrath and wonder.

"And here you must on no pretence
Make the first observation.
Wait for the Victim to commence:
No Ghost of any common sense
Begins a conversation.

"If he should say 'HOW CAME YOU HERE?'
(The way that YOU began, Sir,)
In such a case your course is clear -
'ON THE BAT'S BACK, MY LITTLE DEAR!'
Is the appropriate answer.

"If after this he says no more,
You'd best perhaps curtail your
Exertions - go and shake the door,
And then, if he begins to snore,
You'll know the thing's a failure.

"By day, if he should be alone -
At home or on a walk -
You merely give a hollow groan,
To indicate the kind of tone
In which you mean to talk.

"But if you find him with his friends,
The thing is rather harder.
In such a case success depends
On picking up some candle-ends,
Or butter, in the larder.

"With this you make a kind of slide
(It answers best with suet),
On which you must contrive to glide,
And swing yourself from side to side -
One soon learns how to do it.

"The Second tells us what is right
In ceremonious calls:-
'FIRST BURN A BLUE OR CRIMSON LIGHT'
(A thing I quite forgot to-night),
'THEN SCRATCH THE DOOR OR WALLS.'"

I said "You'll visit HERE no more,
If you attempt the Guy.
I'll have no bonfires on MY floor -
And, as for scratching at the door,
I'd like to see you try!"

"The Third was written to protect
The interests of the Victim,
And tells us, as I recollect,
TO TREAT HIM WITH A GRAVE RESPECT,
AND NOT TO CONTRADICT HIM."

"That's plain," said I, "as Tare and Tret,
To any comprehension:
I only wish SOME Ghosts I've met
Would not so CONSTANTLY forget
The maxim that you mention!"

"Perhaps," he said, "YOU first transgressed
The laws of hospitality:
All Ghosts instinctively detest
The Man that fails to treat his guest
With proper cordiality.

"If you address a Ghost as 'Thing!'
Or strike him with a hatchet,
He is permitted by the King
To drop all FORMAL parleying -
And then you're SURE to catch it!

"The Fourth prohibits trespassing
Where other Ghosts are quartered:
And those convicted of the thing
(Unless when pardoned by the King)
Must instantly be slaughtered.

"That simply means 'be cut up small':
Ghosts soon unite anew.
The process scarcely hurts at all -
Not more than when YOU're what you call
'Cut up' by a Review.

"The Fifth is one you may prefer
That I should quote entire:-
THE KING MUST BE ADDRESSED AS 'SIR.'
THIS, FROM A SIMPLE COURTIER,
IS ALL THE LAWS REQUIRE:

"BUT, SHOULD YOU WISH TO DO THE THING
WITH OUT-AND-OUT POLITENESS,
ACCOST HIM AS 'MY GOBLIN KING!
AND ALWAYS USE, IN ANSWERING,
THE PHRASE 'YOUR ROYAL WHITENESS!'

"I'm getting rather hoarse, I fear,
After so much reciting :
So, if you don't object, my dear,
We'll try a glass of bitter beer -
I think it looks inviting."

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Ella Wheeler Wilcox

The Unattained

A vision beauteous as the morn,
With heavenly eyes and tresses streaming,
Slow glided o'er a field late shorn
Where walked a poet idly dreaming.
He saw her, and joy lit his face.
"Oh, vanish not at human speaking,"
He cried, "thou form of magic grace,
Thou art the poem I am seeking.

"I've sought thee long! I claim thee now---
My thought embodied, living, real."
She shook the tresses from her brow.
"Nay, nay!" she said, "I am ideal.
I am the phantom of desire---
The spirit of all great endeavour,
I am the voice that says, 'Come higher.'
That calls men up and up for ever.

"'Tis not alone the thought supreme
That here upon thy path has risen;
I am the artist's highest dream,
The ray of light he cannot prison.
I am the sweet ecstatic note
Than all glad music gladder, clearer,
That trembles in the singer's throat,
And dies without a human hearer.

"I am the greater, better yield,
That leads and cheers thy farmer neighbour,
For me he bravely tills the field
And whistles gaily at his labour.
Not thou alone, O poet soul,
Dost seek me through an endless morrow,
But to the toiling, hoping whole
I am at once the hope and sorrow.
The spirit of the unattained,
I am to those who seek to name me,
A good desired but never gained.
All shall pursue, but none shall claim me."

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The Chord

Courageous lair "might prevail"
Waking up to her your "yellow coal"

Steals a its way

harm's imbrogliatic murmur
to concatenate

has been "said"
a mortal habitation or cut in air

that air leaks through

here too

***

Tricked again out of
hope's chord

The oscillatory hum in the head, or
amygdala

continual reaction in the wet mouth to
old oranges, or

mistakes in form
"I retain a clear memory of afternoon light."

A vertebra unfolds its wing, its smallest
wing, the pleasure particulate of such a wing

(harp's corde)

a our mycelium


Anonymous submission.

poem by Erin MouréReport problemRelated quotes
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The House Of Dust: Part 01: 02: One, from his high bright window in a tower

One, from his high bright window in a tower,
Leans out, as evening falls,
And sees the advancing curtain of the shower
Splashing its silver on roofs and walls:
Sees how, swift as a shadow, it crosses the city,
And murmurs beyond far walls to the sea,
Leaving a glimmer of water in the dark canyons,
And silver falling from eave and tree.

One, from his high bright window, looking down,
Peers like a dreamer over the rain-bright town,
And thinks its towers are like a dream.
The western windows flame in the sun's last flare,
Pale roofs begin to gleam.

Looking down from a window high in a wall
He sees us all;
Lifting our pallid faces towards the rain,
Searching the sky, and going our ways again,
Standing in doorways, waiting under the trees . . .
There, in the high bright window he dreams, and sees
What we are blind to,—we who mass and crowd
From wall to wall in the darkening of a cloud.

The gulls drift slowly above the city of towers,
Over the roofs to the darkening sea they fly;
Night falls swiftly on an evening of rain.
The yellow lamps wink one by one again.
The towers reach higher and blacker against the sky.

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The Tower

One, from his high bright window in a tower,
Leans out, as evening falls,
And sees the advancing curtain of the shower
Splashing its silver on roofs and walls:
Sees how, swift as a shadow, it crosses the city,
And murmurs beyond far walls to the sea,
Leaving a glimmer of water in the dark canyons,
And silver falling from eave and tree.

One, from his high bright window, looking down,
Peers like a dreamer over the rain-bright town,
And thinks its towers are like a dream.
The western windows flame in the sun's last flare,
Pale roofs begin to gleam.

Looking down from a window high in a wall
He sees us all;
Lifting our pallid faces towards the rain,
Searching the sky, and going our ways again,
Standing in doorways, waiting under the trees . . .
There, in the high bright window he dreams, and sees
What we are blind to,-we who mass and crowd
From wall to wall in the darkening of a cloud.

The gulls drift slowly above the city of towers,
Over the roofs to the darkening sea they fly;
Night falls swiftly on an evening of rain.
The yellow lamps wink one by one again.
The towers reach higher and blacker against the sky.

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Thomas Hardy

Middle-Age Enthusiasms

To M. H.

WE passed where flag and flower
Signalled a jocund throng;
We said: "Go to, the hour
Is apt!"--and joined the song;
And, kindling, laughed at life and care,
Although we knew no laugh lay there.

We walked where shy birds stood
Watching us, wonder-dumb;
Their friendship met our mood;
We cried: "We'll often come:
We'll come morn, noon, eve, everywhen!"
--We doubted we should come again.

We joyed to see strange sheens
Leap from quaint leaves in shade;
A secret light of greens
They'd for their pleasure made.
We said: "We'll set such sorts as these!"
--We knew with night the wish would cease.

"So sweet the place," we said,
"Its tacit tales so dear,
Our thoughts, when breath has sped,
Will meet and mingle here!"...
"Words!" mused we. "Passed the mortal door,
Our thoughts will reach this nook no more."

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Legacy Of Addiction

Let me tell you of the legacy I've been left,
Though an addict I am no longer,
Not practising at least, I say
For my self respect is stronger,
But in a flash, a moment fleet
The paranoia it overtakes me,
And for that blinding flash of time,
I'm an addict for all to see.
For addiction is a pattern
Regardless of use short or long.
When the "cogs" kick in" for just that time,
My fear is oh so strong.
Fear that is not logic based,
Which has a mind so wayward.
Upon the circle of pain and fear,
Suddenly I'm heading "seaward"
But when the sun it's face appears
Shining light into corners dark.
When I can't remember the anger and hate,
For now, my addiction I "park"

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