Elizabeth Barrett Browning

Sonnet 31 - Thou comest! all is said without a word

XXXI

Thou comest! all is said without a word.
I sit beneath thy looks, as children do
In the noon-sun, with souls that tremble through
Their happy eyelids from an unaverred
Yet prodigal inward joy. Behold, I erred
In that last doubt! and yet I cannot rue
The sin most, but the occasion—that we two
Should for a moment stand unministered
By a mutual presence. Ah, keep near and close,
Thou dovelike help! and, when my fears would rise,
With thy broad heart serenely interpose:
Brood down with thy divine sufficiencies
These thoughts which tremble when bereft of those,
Like callow birds left desert to the skies.

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Elizabeth Barrett Browning

Xxxi

Thou comest ! all is said without a word.
I sit beneath thy looks, as children do
In the noon-sun, with souls that tremble through
Their happy eyelids from an unaverred
Yet prodigal inward joy. Behold, I erred
In that last doubt ! and yet I cannot rue
The sin most, but the occasion--that we two
Should for a moment stand unministered
By a mutual presence. Ah, keep near and close,
Thou dovelike help ! and, when my fears would rise,
With thy broad heart serenely interpose:
Brood down with thy divine sufficiencies
These thoughts which tremble when bereft of those,
Like callow birds left desert to the skies.

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Elizabeth Barrett Browning

Sonnet XXXI: Thou Comest!

Thou comest! all is said without a word.
I sit beneath thy looks, as children do
In the noon-sun, with souls that tremble through
Their happy eyelids from an unaverred
Yet prodigal inward joy. Behold, I erred
In that last doubt! and yet I cannot rue
The sin most, but the occasion--that we two
Should for a moment stand unministered
By a mutual presence. Ah, keep near and close,
Thou dovelike help! and, when my fears would rise,
With thy broad heart serenely interpose:
Brood down with thy divine sufficiencies
These thoughts which tremble when bereft of those,
Like callow birds left desert to the skies.

poem by Elizabeth Barrett BrowningReport problemRelated quotes
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Elizabeth Barrett Browning

Sonnet XXXI

Thou comest ! all is said without a word.
I sit beneath thy looks, as children do
In the noon-sun, with souls that tremble through
Their happy eyelids from an unaverred
Yet prodigal inward joy. Behold, I erred
In that last doubt ! and yet I cannot rue
The sin most, but the occasion--that we two
Should for a moment stand unministered
By a mutual presence. Ah, keep near and close,
Thou dovelike help ! and, when my fears would rise,
With thy broad heart serenely interpose:
Brood down with thy divine sufficiencies
These thoughts which tremble when bereft of those,
Like callow birds left desert to the skies.

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Emily Dickinson

Love—thou art high

453

Love—thou art high—
I cannot climb thee—
But, were it Two—
Who know but we—
Taking turns—at the Chimborazo—
Ducal—at last—stand up by thee—

Love—thou are deep—
I cannot cross thee—
But, were there Two
Instead of One—
Rower, and Yacht—some sovereign Summer—
Who knows—but we'd reach the Sun?

Love—thou are Veiled—
A few—behold thee—
Smile—and alter—and prattle—and die—
Bliss—were an Oddity—without thee—
Nicknamed by God—
Eternity—

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Emily Dickinson

Had I not This, or This, I said

904

Had I not This, or This, I said,
Appealing to Myself,
In moment of prosperity—
Inadequate—were Life—

"Thou hast not Me, nor Me"—it said,
In Moment of Reverse—
"And yet Thou art industrious—
No need—hadst Thou—of us"?

My need—was all I had—I said—
The need did not reduce—
Because the food—exterminate—
The hunger—does not cease—

But diligence—is sharper—
Proportioned to the Chance—
To feed upon the Retrograde—
Enfeebles—the Advance—

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Emily Dickinson

Tis Sunrise—Little Maid—Hast Thou

908

'Tis Sunrise—Little Maid—Hast Thou
No Station in the Day?
'Twas not thy wont, to hinder so—
Retrieve thine industry—

'Tis Noon—My little Maid—
Alas—and art thou sleeping yet?
The Lily—waiting to be Wed—
The Bee—Hast thou forgot?

My little Maid—'Tis Night—Alas
That Night should be to thee
Instead of Morning—Had'st thou broached
Thy little Plan to Die—
Dissuade thee, if I could not, Sweet,
I might have aided—thee—

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Emily Dickinson

I gave myself to Him

580

I gave myself to Him—
And took Himself, for Pay,
The solemn contract of a Life
Was ratified, this way—

The Wealth might disappoint—
Myself a poorer prove
Than this great Purchaser suspect,
The Daily Own—of Love

Depreciate the Vision—
But till the Merchant buy—
Still Fable—in the Isles of Spice—
The subtle Cargoes—lie—

At least—'tis Mutual—Risk—
Some—found it—Mutual Gain—
Sweet Debt of Life—Each Night to owe—
Insolvent—every Noon—

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Emily Dickinson

You know that Portrait in the Moon

504

You know that Portrait in the Moon—
So tell me who 'tis like—
The very Brow—the stooping eyes—
A fog for—Say—Whose Sake?

The very Pattern of the Cheek—
It varies—in the Chin—
But—Ishmael—since we met—'tis long—
And fashions—intervene—

When Moon's at full—'Tis Thou—I say—
My lips just hold the name—
When crescent—Thou art worn—I note—
But—there—the Golden Same—

And when—Some Night—Bold—slashing Clouds
Cut Thee away from Me—
That's easier—than the other film
That glazes Holiday—

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Emily Dickinson

Sweet—You forgot—but I remembered

523

Sweet—You forgot—but I remembered
Every time—for Two—
So that the Sum be never hindered
Through Decay of You—

Say if I erred? Accuse my Farthings—
Blame the little Hand
Happy it be for You—a Beggar's—
Seeking More—to spend—

Just to be Rich—to waste my Guineas
On so Best a Heart—
Just to be Poor—for Barefoot Vision
You—Sweet—Shut me out—

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Emily Dickinson

Have you got a Brook in your little heart

136

Have you got a Brook in your little heart,
Where bashful flowers blow,
And blushing birds go down to drink,
And shadows tremble so—

And nobody knows, so still it flows,
That any brook is there,
And yet your little draught of life
Is daily drunken there—

Why, look out for the little brook in March,
When the rivers overflow,
And the snows come hurrying from the fills,
And the bridges often go—

And later, in August it may be—
When the meadows parching lie,
Beware, lest this little brook of life,
Some burning noon go dry!

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Emily Dickinson

I think the Hemlock likes to stand

525

I think the Hemlock likes to stand
Upon a Marge of Snow—
It suits his own Austerity—
And satisfies an awe

That men, must slake in Wilderness—
And in the Desert—cloy—
An instinct for the Hoar, the Bald—
Lapland's—necessity—
The Hemlock's nature thrives—on cold—
The Gnash of Northern winds
Is sweetest nutriment—to him—
His best Norwegian Wines—

To satin Races—he is nought—
But Children on the Don,
Beneath his Tabernacles, play,
And Dnieper Wrestlers, run.

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Emily Dickinson

Only a Shrine, but Mine

918

Only a Shrine, but Mine—
I made the Taper shine—
Madonna dim, to whom all Feet may come,
Regard a Nun—

Thou knowest every Woe—
Needless to tell thee—so—
But can'st thou do
The Grace next to it—heal?
That looks a harder skill to us—
Still—just as easy, if it be thy Will
To thee—Grant me—
Thou knowest, though, so Why tell thee?

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Emily Dickinson

I envy Seas, whereon He rides

498

I envy Seas, whereon He rides—
I envy Spokes of Wheels
Of Chariots, that Him convey—
I envy Crooked Hills

That gaze upon His journey—
How easy All can see
What is forbidden utterly
As Heaven—unto me!

I envy Nests of Sparrows—
That dot His distant Eaves—
The wealthy Fly, upon His Pane—
The happy—happy Leaves—

That just abroad His Window
Have Summer's leave to play—
The Ear Rings of Pizarro
Could not obtain for me—

I envy Light—that wakes Him—
And Bells—that boldly ring
To tell Him it is Noon, abroad—
Myself—be Noon to Him—

Yet interdict—my Blossom—
And abrogate—my Bee—
Lest Noon in Everlasting Night—
Drop Gabriel—and Me—

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Emily Dickinson

What shall I do when the Summer troubles

956

What shall I do when the Summer troubles—
What, when the Rose is ripe—
What when the Eggs fly off in Music
From the Maple Keep?

What shall I do when the Skies a'chirrup
Drop a Tune on me—
When the Bee hangs all Noon in the Buttercup
What will become of me?

Oh, when the Squirrel fills His Pockets
And the Berries stare
How can I bear their jocund Faces
Thou from Here, so far?

'Twouldn't afflict a Robin—
All His Goods have Wings—
I—do not fly, so wherefore
My Perennial Things?

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John Keats

To Ailsa Rock

Hearken, thou craggy ocean-pyramid,
Give answer by thy voice—the sea-fowls' screams!
When were thy shoulders mantled in huge streams?
When from the sun was thy broad forehead hid?
How long is't since the mighty Power bid
Thee heave to airy sleep from fathom dreams—
Sleep in the lap of thunder or sunbeams—
Or when grey clouds are thy cold coverlid!
Thou answer'st not; for thou art dead asleep.
Thy life is but two dead eternities,
The last in air, the former in the deep!
First with the whales, last with the eagle-skies!
Drowned wast thou till an earthquake made thee steep,
Another cannot wake thy giant-size!

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Ch 05 On Love And Youth Story 07

One who had for a considerable time not seen his friend asked him where he had been and said he had been longing. He replied: ‘To be longing is better than to be satisfied.’

Thou hast come late, O intoxicated idol,
We shall not soon let go thy skirt from the hand.
He who sees his sweetheart at long intervals
Is after all better off than if he sees too much of her.
When thou comest with friends to visit me
Although thou comest in peace thou art attacking.
If my sweetheart associates one moment with strangers
It wants but little and I die of jealousy.
She said smiling: ‘I am the lamp of the assembly, O Sa’di,
What is it to me if a moth kills itself?’

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Butterflies

O child of Joy! What idle life is thine!
Thou, in these meadows, while thy skies are blue,
And while thy joys are new to thee like wine,
Chasest mad butterflies as children do.
And lo, thou turnest from them to repine,
Because it was not love thou didst pursue.

O child of Hope! Thou sighest thy sad sighs,
Mourning for that which is not nor can be.
Where is the noon can match with thy sunrise?
Whose is the heart shall win thy constancy?
Thou, with thy foolish loves, mad butterflies,
What dost thou ask of my sad heart and me?

O child of Love, begotten for man's bliss!
O child of Pleasure, nursed for thy own pain!
Needs must I weep the day of thy distress,
The fate that brushes at thy arm in vain,
Thy skies of blue, thy broken happiness,
The hopes thou chasest never to attain.

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Emily Dickinson

The Daisy follows soft the Sun

106

The Daisy follows soft the Sun—
And when his golden walk is done—
Sits shyly at his feet—
He—waking—finds the flower there—
Wherefore—Marauder—art thou here?
Because, Sir, love is sweet!

We are the Flower—Thou the Sun!
Forgive us, if as days decline—
We nearer steal to Thee!
Enamored of the parting West—
The peace—the flight—the Amethyst—
Night's possibility!

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Emily Dickinson

The Court is far away

235

The Court is far away—
No Umpire—have I—
My Sovereign is offended—
To gain his grace—I'd die!

I'll seek his royal feet—
I'll say—Remember—King—
Thou shalt—thyself—one day—a Child—
Implore a larger—thing—

That Empire—is of Czars—
As small—they say—as I—
Grant me—that day—the royalty—
To intercede—for Thee—

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Emily Dickinson

Joy to have merited the Pain

788

Joy to have merited the Pain—
To merit the Release—
Joy to have perished every step—
To Compass Paradise—

Pardon—to look upon thy face—
With these old fashioned Eyes—
Better than new—could be—for that—
Though bought in Paradise—

Because they looked on thee before—
And thou hast looked on them—
Prove Me—My Hazel Witnesses
The features are the same—

So fleet thou wert, when present—
So infinite—when gone—
An Orient's Apparition—
Remanded of the Morn—

The Height I recollect—
'Twas even with the Hills—
The Depth upon my Soul was notched—
As Floods—on Whites of Wheels—

To Haunt—till Time have dropped
His last Decade away,
And Haunting actualize—to last
At least—Eternity—

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