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My Letters! all dead paper. . . (Sonnet XXVIII)

My letters! all dead paper, mute and white!
And yet they seem alive and quivering
Against my tremulous hands which loose the string
And let them drop down on my knee tonight.
This said—he wished to have me in his sight
Once, as a friend: this fixed a day in spring
To come and touch my hand. . . a simple thing,
Yes I wept for it—this . . . the paper's light. . .
Said, Dear, I love thee; and I sank and quailed
As if God's future thundered on my past.
This said, I am thine—and so its ink has paled
With lying at my heart that beat too fast.
And this . . . 0 Love, thy words have ill availed
If, what this said, I dared repeat at last!

poem by Elizabeth Barrett Browning
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Sonnet XXVIII: My Letters

My letters-- all dead paper, mute and white!
And yet they seem alive and quivering
Against my tremulous hands which loose the string
And let them drop down on my knee to-night,
This said,--he wished to have me in his sight
Once, as a friend: this fixed a day in spring
To come and touch my hand...a simple thing,
Yet I wept for it!--this...the paper's light...
Said, Dear, I love thee; and I sank and quailed
As if God's future thundered on my past.
This said, I am thine--and so its ink has paled
With lying at my heart that beat too fast.
And this...O Love, thy words have ill availed
If, what this said, I dared repeat at last!

poem by Elizabeth Barrett Browning
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Sonnet XXVIII

My letters ! all dead paper, mute and white !
And yet they seem alive and quivering
Against my tremulous hands which loose the string
And let them drop down on my knee to-night.
This said,--he wished to have me in his sight
Once, as a friend: this fixed a day in spring
To come and touch my hand . . . a simple thing,
Yet I wept for it !--this, . . . the paper's light . . .
Said, Dear, I love thee; and I sank and quailed
As if God's future thundered on my past.
This said, I am thine--and so its ink has paled
With Iying at my heart that beat too fast.
And this . . . O Love, thy words have ill availed
If, what this said, I dared repeat at last !

poem by Elizabeth Barrett Browning
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Xxviii

My letters ! all dead paper, mute and white !
And yet they seem alive and quivering
Against my tremulous hands which loose the string
And let them drop down on my knee to-night.
This said,--he wished to have me in his sight
Once, as a friend: this fixed a day in spring
To come and touch my hand . . . a simple thing,
Yet I wept for it !--this, . . . the paper's light . . .
Said, Dear, I love thee; and I sank and quailed
As if God's future thundered on my past.
This said, I am thine--and so its ink has paled
With Iying at my heart that beat too fast.
And this . . . O Love, thy words have ill availed
If, what this said, I dared repeat at last !

poem by Elizabeth Barrett Browning
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Sonnet 28 - My letters! all dead paper, mute and white!

XXVIII

My letters! all dead paper, mute and white!
And yet they seem alive and quivering
Against my tremulous hands which loose the string
And let them drop down on my knee to-night.
This said,—he wished to have me in his sight
Once, as a friend: this fixed a day in spring
To come and touch my hand . . . a simple thing,
Yet I wept for it!—this, . . . the paper's light . . .
Said, Dear, I love thee; and I sank and quailed
As if God's future thundered on my past.
This said, I am thine—and so its ink has paled
With Iying at my heart that beat too fast.
And this . . . O Love, thy words have ill availed
If, what this said, I dared repeat at last!

poem by Elizabeth Barrett Browning
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1954

Then dirt scared me, because of the dirt
he had put on her face. And her training bra
scared me—the newspapers, morning and evening,
kept saying it, training bra,
as if the cups of it had been calling
the breasts up—he buried her in it,
perhaps he had never bothered to take it
off. They found her underpants
in a garbage can. And I feared the word
eczema, like my acne and like
the X in the paper which marked her body,
as if he had killed her for not being flawless.
I feared his name, Burton Abbott,
the first name that was a last name,
as if he were not someone specific.
It was nothing one could learn from his face.
His face was dull and ordinary,
it took away what I’d thought I could count on
about evil. He looked thin and lonely,
it was horrifying, he looked almost humble.
I felt awe that dirt was so impersonal,
and pity for the training bra,
pity and terror of eczema.
And I could not sit on my mother’s electric
blanket anymore, I began to have a
fear of electricity—
the good people, the parents, were going to
fry him to death. This was what
his parents had been telling us:
Burton Abbott, Burton Abbott,
death to the person, death to the home planet.
The worst thing was to think of her,
of what it had been to be her, alive,
to be walked, alive, into that cabin,
to look into those eyes, and see the human

Anonymous submission.

poem by Sharon Olds
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The Borders

To say that she came into me,
from another world, is not true.
Nothing comes into the universe
and nothing leaves it.
My mother—I mean my daughter did not
enter me. She began to exist
inside me—she appeared within me.
And my mother did not enter me.
When she lay down, to pray, on me,
she was always ferociously courteous,
fastidious with Puritan fastidiousness,
but the barrier of my skin failed, the barrier of my
body fell, the barrier of my spirit.
She aroused and magnetized my skin, I wanted
ardently to please her, I would say to her
what she wanted to hear, as if I were hers.
I served her willingly, and then
became very much like her, fiercely
out for myself.
When my daughter was in me, I felt I had
a soul in me. But it was born with her.
But when she cried, one night, such pure crying,
I said I will take care of you, I will
put you first. I will not ever
have a daughter the way she had me,
I will not ever swim in you
the way my mother swam in me and I
felt myself swum in. I will never know anyone
again the way I knew my mother,
the gates of the human fallen.

Anonymous submission.

poem by Sharon Olds
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June Light

Your voice, with clear location of June days,
Called me outside the window.You were there,
Light yet composed, as in the just soft stare
Of uncontested summer all things raise
Plainly their seeming into seamless air.

Then your love looked as simple and entire
As that picked pear you tossed me, and your face
As legible as pearskin's fleck and trace,
Which promise always wine, by mottled fire
More fatal fleshed than ever human grace.

And your gay gift—Oh when I saw it fall
Into my hands, through all that naïve light,
It seemed as blessed with truth and new delight
As must have been the first great gift of all.

poem by Richard Wilbur
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The Daughter Goes To Camp

In the taxi alone, home from the airport,
I could not believe you were gone. My palm kept
creeping over the smooth plastic
to find your strong meaty little hand and
squeeze it, find your narrow thigh in the
noble ribbing of the corduroy,
straight and regular as anything in nature, to
find the slack cool cheek of a
child in the heat of a summer morning—
nothing, nothing, waves of bawling
hitting me in hot flashes like some
change of life, some boiling wave
rising in me toward your body, toward
where it should have been on the seat, your
brow curved like a cereal bowl, your
eyes dark with massed crystals like the
magnified scales of a butterfly's wing, the
delicate feelers of your limp hair,
floods of blood rising in my face as I
tried to reassemble the hot
gritty molecules in the car, to
make you appear like a holograph
on the back seat, pull you out of nothing
as I once did—but you were really gone,
the cab glossy as a slit caul out of
which you had slipped, the air glittering
electric with escape as it does in the room at a birth.

Anonymous submission.

poem by Sharon Olds
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The White Of The Paper

i like the white screen
i like the white paper
because they ask such
a simple task from me

write as you wish
think as you want to
or dont want to
I feel a white dove
flying amongst wondrous
cumulus clouds

meditate as much as i wish
so that the white becomes
a mere plane of zen,
a vibration of existence

i like the white screen
i like the white paper
because they ask just
such a simple thing of me
to swing myself and exercise
my thoughts so that i let loose
clouds, birds, stars and moon
in the minds of men

i like the white screen
i like the white paper
because they always
are my best friends,
open an infinite plane
for me to act out my antics
for the good of men,
exercise their minds and
let their humours flow

i like the white of the
screen and the paper
because they are always
there to accommodate me
to let the gift from heaven flow

poem by John Tiong Chunghoo
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The Mortal One

Three months after he lies dead, that
long yellow narrow body,
not like Christ but like one of his saints,
the naked ones in the paintings whose bodies are
done in gilt, all knees and raw ribs,
the ones who died of nettles, bile, the
one who died roasted over a slow fire—
three months later I take the pot of
tulip bulbs out of the closet
and set it on the table and take off the foil hood.
The shoots stand up like young green pencils,
and there in the room is the comfortable smell of rot,
the bulb that did not make it, marked with
ridges like an elephant's notched foot,
I walk down the hall as if I were moving through the
long stem of the tulip toward the closed sheath.
In the kitchen I throw a palmful of peppercorns into the
saucepan
as if I would grow a black tree from the soup,
I throw out the rotten chicken part,
glad again that we burned my father
before one single bloom of mold could
grow up
out of him,
maybe it had begun in his bowels but we burned his
bowels
the way you burn the long blue
scarf of the dead, and all their clothing,
cleansing with fire. How fast time goes
now that I'm happy, now that I know how to
think of his dead body every day
without shock, almost without grief,
to take it into each part of the day the
way a loom parts the vertical threads,
half to the left half to the right like the Red Sea and you
throw the shuttle through with the warp-thread
attached to the feet, that small gold figure of my father—
how often I saw him in paintings and did not know him,
the tiny naked dead one in the corner,
the mortal one.

Anonymous submission.

poem by Sharon Olds
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The Sash

The first ones were attached to my dress
at the waist, one on either side,
right at the point where hands could clasp you and
pick you up, as if you were a hot
squeeze bottle of tree syrup, and the
sashes that emerged like axil buds from the
angles of the waist were used to play horses, that
racing across the cement while someone
held your reins and you could feel your flesh
itself in your body wildly streaming.
You would come home, a torn-off sash
dangling from either hand, a snake-charmer—
each time, she sewed them back on with
thicker thread, until the seams of
sash and dress bulged like little
knots of gristle at your waist as you walked, you could
feel them like thumbs pressing into your body.
The next sash was the one Thee, Hannah!
borrowed from her be-ribboned friend
and hid in a drawer and got salve on it,
salve on a sash, like bacon grease on a snake,
God's lard on the ribbon a Quaker girl
should not want, Satan's jism on
silk delicate as the skin of a young girl's genital.
When Hannah gave up satin her father
told her she was beautiful
just as God made her. But all sashes
lead to the sash, very sash of
very sash, begotten, not made, that my
aunt sent from Switzerland—
cobalt ripple of Swiss cotton with
clean boys and girls dancing on it.
I don't know why my mother chose it to
tie me to the chair with, her eye just
fell on it, but the whole day I
felt those blue children dance
around my wrists. Later someone
told me they had found out
the universe is a kind of strip that
twists around and joins itself, and I believe it,
sometimes I can feel it, the way we are
pouring slowly toward a curve and around it
through something dark and soft, and we are bound to
each other.

Anonymous submission.

poem by Sharon Olds
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Letters and Words.

I´m feeling so alone without the letters!
Without the words.
The paper which i write impose to myself limitations.
I don't like border lines.
Shorts spaces twisted my hands. Distracts me from such needed affection.
Always the paper, the space and words! My love!
forget my cliché!
My fragility or my weak to deal with.Can be?
Words fail me again? lacks to me again?
What can i do if they don't meet each other?
Re-invent the past?
You suffer. I know.
And how many times that happens
More still hurts me too.

Please, baby, turn over the page.

poem by Mirna Morgan
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Recent instructions from Noel

Always make your future bigger than your past
Always make your contribution bigger than your reward
Always make your performance greater than the applause
Always make your gratitude greater than you success

On the premise:

That there is a future
That there is a contribution
That there is performance
That there is gratitude

There is no future, no contribution, no performance, no gratitude

The past shall be erased, the reward does not matter
The applause unnecessary and the success a surplusage

I do not need a reward, an applause,
And I do not need any success

Finding a soul in paper clip
Finding a frog croaking in my throat

There is simply no brain on this bond paper

Air in a vacuum

A grand future in today’s little happy faces

A red rose tattoo inside my ailing heart

The best talk in my silence as mute as
A dead ant that cannot climb
The coconut tree

Of the elephant in my palm
Or that little bird in my hand
And we were guessing
Whether it is alive or dead

The little child always laughs at everything
And we simply do not know
His logic
We forget once our childlikeness

We simply forget
The reason of the heart

It is simple

There is no future in my books
There is only today

God bless you, Noel

I always Live for today
The moment
The second
I always see my life in the fresh leaves of lettuce
My future in that in the red rose dewy in the flower vase of transparent glass

And what IS that?

Yes, eternity in the grain of sand
Today in the glowing dew.

poem by Ric S. Bastasa
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Give to Love

Love came knocking on thy door
With you in sight to love and adore
But thine did give
All that thou have and
need to live?
You gave thine lips for love to speak
You gave thine heart for love's heart's weak
You gave thine face, to love to trace
its tears across thee a sorrowful place
thou give to thy loss when it comes to love!
You gave thine soul to love's control
You gave love thy hand to hold
You gave thy feet for love to kiss
You gave thy happiness to love's bliss
You gave thy breast for love to touch
You gave thine body for love to clutch.
But what did love give thee?
Love took and took and left thee with nothing!
With nothing now you are at peace, thou art free!
This is what love did to me!

poem by Kevin Michael Murphy
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To

Mine is a wayward lay;
And, if its echoing rhymes I try to string,
Proveth a truant thing,
Whenso some names I love, send it away!

For then, eyes swimming o'er,
And clasped hands, and smiles in fondness meant,
Are much more eloquent --
So it had fain begone, and speak no more!

Yet shall it come again,
Ah, friend belov'd! if so thy wishes be,
And, with wild melody,
I will, upon thine ear, cadence my strain --

Cadence my simple line,
Unfashion'd by the cunning hand of Art,
But coming from my heart,
To tell the message of its love to thine!

As ocean shells, when taken
From Ocean's bed, will faithfully repeat
Her ancient music sweet --
Ev'n so these words, true to my heart, shall waken!

Oh! while our bark is seen,
Our little bark of kindly, social love,
Down life's clear stream to move
Toward the summer shores, where all is green --

So long thy name shall bring,
Echoes of joy unto the grateful gales,
And thousand tender tales,
To freshen the fond hearts that round thee cling!

Hast thou not look'd upon
The flowerets of the field in lowly dress?
Blame not my simpleness --
Think only of my love! -- my song is gone.

poem by Elizabeth Barrett Browning
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Before the Birth of One of Her Children

All things within this fading world hath end,
Adversity doth still our joys attend;
No ties so strong, no friends so dear and sweet,
But with death's parting blow is sure to meet.
The sentence past is most irrevocable,
A common thing, yet oh, inevitable.
How soon, my Dear, death may my steps attend.
How soon't may be thy lot to lose thy friend,
We both are ignorant, yet love bids me
These farewell lines to recommend to thee,
That when that knot's untied that made us one,
I may seem thine, who in effect am none.
And if I see not half my days that's due,
What nature would, God grant to yours and you;
The many faults that well you know
I have Let be interred in my oblivious grave;
If any worth or virtue were in me,
Let that live freshly in thy memory
And when thou feel'st no grief, as I no harms,
Yet love thy dead, who long lay in thine arms.
And when thy loss shall be repaid with gains
Look to my little babes, my dear remains.
And if thou love thyself, or loved'st me,
These O protect from step-dame's injury.
And if chance to thine eyes shall bring this verse,
With some sad sighs honour my absent hearse;
And kiss this paper for thy love's dear sake,
Who with salt tears this last farewell did take.

poem by Anne Bradstreet
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Crab

When I eat crab, slide the rosy
rubbery claw across my tongue
I think of my mother. She'd drive down
to the edge of the Bay, tiny woman in a
huge car, she'd ask the crab-man to
crack it for her. She'd stand and wait as the
pliers broke those chalky homes, wild-
red and knobby, those cartilage wrists, the
thin orange roof of the back.
I'd come home, and find her at the table
crisply unhousing the parts, laying the
fierce shell on one side, the
soft body on the other. She gave us
lots, because we loved it so much,
so there was always enough, a mound of crab like a
cross between breast-milk and meat. The back
even had the shape of a perfect
ruined breast, upright flakes
white as the flesh of a chrysanthemum, but the
best part was the claw, she'd slide it
out so slowly the tip was unbroken,
scarlet bulb of the feeler—it was such a
kick to easily eat that weapon,
wreck its delicate hooked pulp between
palate and tongue. She loved to feed us
and all she gave us was fresh, she was willing to
grasp shell, membrane, stem, to go
close to dirt and salt to feed us,
the way she had gone near our father himself
to give us life. I look back and
see us dripping at the table, feeding, her
row of pink eaters, the platter of flawless
limp claws, I look back further and
see her in the kitchen, shelling flesh, her
small hands curled—she is like a
fish-hawk, wild, tearing the meat
deftly, living out her life of fear and desire.

Anonymous submission.

poem by Sharon Olds
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A Paper Boat On A Murky River

on your hand is a paper boat
you made last night

on a rainy day like this
you put on a gray rain coat

the river rises
perfect for your scheme

you put the boat gently
on the brown water

white paper boat
carried by this murkiness

your hands push
the paper boat leaves

tonight you sleep on
the wooden floor

it is mahogany brown and you
become the paper boat

sailing inside your dream
the floor becomes the big river

your thoughts become the wind
your eyes become two moons

the room is as dark as the night
the dream is so alive like a mother's song.

poem by Ric S. Bastasa
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Words on paper

Words on paper
~
Just words on paper
Where a story is told
An emotion revealed
Or a love laid to rest
Where a dream begins
An ambition is spoken
Perhaps a whim of fancy
Takes charge of the pen
To write what is written
Letters forming words
Shapley and beautiful
Expressions of a soul
Or a mind at play
There across the page
Words on paper
Written to have their say

poem by Matthew Holloway
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Paper

Paper promises, Dunstead said,
paper cups, wallpaper being stuck

up on the wall for the next to last
time, paper tigers, paper to wipe

the ass and best of all paper to
create art, to have it from the heart,

to see it out there, being gazed at,
studied by some bearded guy with

glasses and paper money to buy
the next paper to create and then

if I’m lucky the muse turning up on
time and giving me the big nudge

in the right direction or some paper
picture of some nude dame giving

the long time wished for erection.

poem by Terry Collett
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