
Aurora Leigh (excerpts)
[Book 1]
I am like,
They tell me, my dear father. Broader brows
Howbeit, upon a slenderer undergrowth
Of delicate features, -- paler, near as grave ;
But then my mother's smile breaks up the whole,
And makes it better sometimes than itself.
So, nine full years, our days were hid with God
Among his mountains : I was just thirteen,
Still growing like the plants from unseen roots
In tongue-tied Springs, -- and suddenly awoke
To full life and life 's needs and agonies,
With an intense, strong, struggling heart beside
A stone-dead father. Life, struck sharp on death,
Makes awful lightning. His last word was, `Love --'
`Love, my child, love, love !' -- (then he had done with grief)
`Love, my child.' Ere I answered he was gone,
And none was left to love in all the world.
There, ended childhood. What succeeded next
I recollect as, after fevers, men
Thread back the passage of delirium,
Missing the turn still, baffled by the door ;
Smooth endless days, notched here and there with knives ;
A weary, wormy darkness, spurr'd i' the flank
With flame, that it should eat and end itself
Like some tormented scorpion. Then at last
I do remember clearly, how there came
A stranger with authority, not right,
(I thought not) who commanded, caught me up
From old Assunta's neck ; how, with a shriek,
She let me go, -- while I, with ears too full
Of my father's silence, to shriek back a word,
In all a child's astonishment at grief
Stared at the wharf-edge where she stood and moaned,
My poor Assunta, where she stood and moaned !
The white walls, the blue hills, my Italy,
Drawn backward from the shuddering steamer-deck,
Like one in anger drawing back her skirts
Which supplicants catch at. Then the bitter sea
Inexorably pushed between us both,
And sweeping up the ship with my despair
Threw us out as a pasture to the stars.
Ten nights and days we voyaged on the deep ;
Ten nights and days, without the common face
Of any day or night ; the moon and sun
Cut off from the green reconciling earth,
To starve into a blind ferocity
And glare unnatural ; the very sky
(Dropping its bell-net down upon the sea
As if no human heart should 'scape alive,)
Bedraggled with the desolating salt,
Until it seemed no more that holy heaven
To which my father went. All new and strange
The universe turned stranger, for a child.
Then, land ! -- then, England ! oh, the frosty cliffs
Looked cold upon me. Could I find a home
Among those mean red houses through the fog ?
And when I heard my father's language first
From alien lips which had no kiss for mine
I wept aloud, then laughed, then wept, then wept,
And some one near me said the child was mad
Through much sea-sickness. The train swept us on.
Was this my father's England ? the great isle ?
The ground seemed cut up from the fellowship
Of verdure, field from field, as man from man ;
The skies themselves looked low and positive,
As almost you could touch them with a hand,
And dared to do it they were so far off
From God's celestial crystals ; all things blurred
And dull and vague. Did Shakspeare and his mates
Absorb the light here ? -- not a hill or stone
With heart to strike a radiant colour up
Or active outline on the indifferent air.
I think I see my father's sister stand
Upon the hall-step of her country-house
To give me welcome. She stood straight and calm,
Her somewhat narrow forehead braided tight
As if for taming accidental thoughts
From possible pulses ; brown hair pricked with grey
By frigid use of life, (she was not old
Although my father's elder by a year)
A nose drawn sharply yet in delicate lines ;
A close mild mouth, a little soured about
The ends, through speaking unrequited loves
Or peradventure niggardly half-truths ;
Eyes of no colour, -- once they might have smiled,
But never, never have forgot themselves
In smiling ; cheeks, in which was yet a rose
Of perished summers, like a rose in a book,
Kept more for ruth than pleasure, -- if past bloom,
Past fading also.
She had lived, we'll say,
A harmless life, she called a virtuous life,
A quiet life, which was not life at all,
(But that, she had not lived enough to know)
Between the vicar and the country squires,
The lord-lieutenant looking down sometimes
From the empyrean to assure their souls
Against chance-vulgarisms, and, in the abyss
The apothecary, looked on once a year
To prove their soundness of humility.
The poor-club exercised her Christian gifts
Of knitting stockings, stitching petticoats,
Because we are of one flesh after all
And need one flannel (with a proper sense
Of difference in the quality) -- and still
The book-club, guarded from your modern trick
Of shaking dangerous questions from the crease,
Preserved her intellectual. She had lived
A sort of cage-bird life, born in a cage,
Accounting that to leap from perch to perch
Was act and joy enough for any bird.
Dear heaven, how silly are the things that live
In thickets, and eat berries !
I, alas,
A wild bird scarcely fledged, was brought to her cage,
And she was there to meet me. Very kind.
Bring the clean water, give out the fresh seed.
She stood upon the steps to welcome me,
Calm, in black garb. I clung about her neck, --
Young babes, who catch at every shred of wool
To draw the new light closer, catch and cling
Less blindly. In my ears, my father's word
Hummed ignorantly, as the sea in shells,
`Love, love, my child.' She, black there with my grief,
Might feel my love -- she was his sister once,
I clung to her. A moment, she seemed moved,
Kissed me with cold lips, suffered me to cling,
And drew me feebly through the hall into
The room she sate in.
There, with some strange spasm
Of pain and passion, she wrung loose my hands
Imperiously, and held me at arm's length,
And with two grey-steel naked-bladed eyes
Searched through my face, -- ay, stabbed it through and through,
Through brows and cheeks and chin, as if to find
A wicked murderer in my innocent face,
If not here, there perhaps. Then, drawing breath,
She struggled for her ordinary calm
And missed it rather, -- told me not to shrink,
As if she had told me not to lie or swear, --
`She loved my father, and would love me too
As long as I deserved it.' Very kind.
[Book 5]
AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature ? -- with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God
In still new worlds ? -- with summer-days in this ?
That scarce dare breathe they are so beautiful ?--
With spring's delicious trouble in the ground,
Tormented by the quickened blood of roots,
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers ?--
With winters and with autumns, -- and beyond,
With the human heart's large seasons, when it hopes
And fears, joys, grieves, and loves ? -- with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls ? with mother's breasts
Which, round the new-made creatures hanging there,
Throb luminous and harmonious like pure spheres ? --
With multitudinous life, and finally
With the great escapings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world,
Beyond our mortal ? -- can I speak my verse
Sp plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature ? I must fail,
Who fail at the beginning to hold and move
One man, -- and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions ; yet, obtuse to me,
Of me, incurious ! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion, -- ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness, --
Too light a book for a grave man's reading ! Go,
Aurora Leigh : be humble.
There it is,
We women are too apt to look to One,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it 's something great to do,
Than haply that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators
Betwixt our highest conscience and the judge ;
Some sweet saint's blood must quicken in our palms
Or all the life in heaven seems slow and cold :
Good only being perceived as the end of good,
And God alone pleased, -- that's too poor, we think,
And not enough for us by any means.
Ay, Romney, I remember, told me once
We miss the abstract when we comprehend.
We miss it most when we aspire, -- and fail.
Yet, so, I will not. -- This vile woman's way
Of trailing garments, shall not trip me up :
I 'll have no traffic with the personal thought
In art's pure temple. Must I work in vain,
Without the approbation of a man ?
It cannot be ; it shall not. Fame itself,
That approbation of the general race,
Presents a poor end, (though the arrow speed,
Shot straight with vigorous finger to the white,)
And the highest fame was never reached except
By what was aimed above it. Art for art,
And good for God Himself, the essential Good !
We 'll keep our aims sublime, our eyes erect,
Although our woman-hands should shake and fail ;
And if we fail .. But must we ? --
Shall I fail ?
The Greeks said grandly in their tragic phrase,
`Let no one be called happy till his death.'
To which I add, -- Let no one till his death
Be called unhappy. Measure not the work
Until the day 's out and the labour done,
Then bring your gauges. If the day's work 's scant,
Why, call it scant ; affect no compromise ;
And, in that we have nobly striven at least,
Deal with us nobly, women though we be.
And honour us with truth if not with praise.
poem by Elizabeth Barrett Browning

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Related quotes
Dear Father
Anderson / squire
(originally released in 1970 as a single, not included on time and a word)
Here are the books
Of luke
You*ll need them
To open the seed
To see what goes on in the world
You*re in my mind
Catch the wind and hold on tight
To what we*ll find
And hear what goes on in the world
Here is all you see
Everything is made for you
From me
If there*s anything you*d like to say
That could help me in any way
Cause i*ve been waiting for so long for you to come along
Help me on that day
When you*d take over all the things heaven has made for you
Is there anything you think you should know?
Is there anything before I go?
Dear father, i*m hungry, i*m cold
Dear father, feeling terribly old
Dear father, I don*t think I can see
I*m not feeling good like I think I should
They*re on their own
Needing their face, a place
Hope....home
To see what goes on in the world
They*re who you need
To show them why they*re wrong
Oh why indeed
We need to go on in the world
Here is all you see
Everything is made for you
From me
If there*s any complication
That you*d like to talk over with me about
Cause i*ve been waiting for so long
For you to come along
We can work it all out
When you take over all the things heaven has made for you
Is there anything you think you should know
Is there anything before I go
Dear father, you must be putting me on
Dear father, cause most of their minds are gone
Dear father, they will not understand me
I*m not feeling good like I think I should
Dear father, can I give it a miss
Dear father, cause i*m not ready for this
Dear father, I don*t think I can see
I*m not feeling good like I think I should
Dear father, won*t you leave me alone
Dear father, won*t you to let me go home
Dear father, I don*t think I can see
Dear father, won*t they crucify me
Dear father, I just couldn*t do that
Dear father, cause that*s not where it*s at now (hey)
song performed by by Yes

Submitted by Lucian Velea
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Dear Father
Anderson / squire
(originally released in 1970 as a single, not included on time and a word)
Here are the books
Of luke
You*ll need them
To open the seed
To see what goes on in the world
You*re in my mind
Catch the wind and hold on tight
To what we*ll find
And hear what goes on in the world
Here is all you see
Everything is made for you
From me
If there*s anything you*d like to say
That could help me in any way
Cause i*ve been waiting for so long for you to come along
Help me on that day
When you*d take over all the things heaven has made for you
Is there anything you think you should know?
Is there anything before I go?
Dear father, i*m hungry, i*m cold
Dear father, feeling terribly old
Dear father, I don*t think I can see
I*m not feeling good like I think I should
They*re on their own
Needing their face, a place
Hope....home
To see what goes on in the world
They*re who you need
To show them why they*re wrong
Oh why indeed
We need to go on in the world
Here is all you see
Everything is made for you
From me
If there*s any complication
That you*d like to talk over with me about
Cause i*ve been waiting for so long
For you to come along
We can work it all out
When you take over all the things heaven has made for you
Is there anything you think you should know
Is there anything before I go
Dear father, you must be putting me on
Dear father, cause most of their minds are gone
Dear father, they will not understand me
I*m not feeling good like I think I should
Dear father, can I give it a miss
Dear father, cause i*m not ready for this
Dear father, I don*t think I can see
I*m not feeling good like I think I should
Dear father, won*t you leave me alone
Dear father, won*t you to let me go home
Dear father, I don*t think I can see
Dear father, won*t they crucify me
Dear father, I just couldn*t do that
Dear father, cause that*s not where it*s at now (hey)
song performed by by Yes

Submitted by Lucian Velea
Vote! | Copy!

First Book
OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.
I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.
I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)
They know a simple, merry, tender knack
Of tying sashes, fitting baby-shoes,
And stringing pretty words that make no sense,
And kissing full sense into empty words;
Which things are corals to cut life upon,
Although such trifles: children learn by such,
Love's holy earnest in a pretty play,
And get not over-early solemnised,–
But seeing, as in a rose-bush, Love's Divine,
Which burns and hurts not,–not a single bloom,–
Become aware and unafraid of Love.
Such good do mothers. Fathers love as well
–Mine did, I know,–but still with heavier brains,
And wills more consciously responsible,
And not as wisely, since less foolishly;
So mothers have God's licence to be missed.
My father was an austere Englishman,
Who, after a dry life-time spent at home
In college-learning, law, and parish talk,
Was flooded with a passion unaware,
His whole provisioned and complacent past
Drowned out from him that moment. As he stood
In Florence, where he had come to spend a month
And note the secret of Da Vinci's drains,
He musing somewhat absently perhaps
Some English question . . whether men should pay
The unpopular but necessary tax
With left or right hand–in the alien sun
In that great square of the Santissima,
There drifted past him (scarcely marked enough
To move his comfortable island-scorn,)
A train of priestly banners, cross and psalm,–
The white-veiled rose-crowned maidens holding up
Tall tapers, weighty for such wrists, aslant
To the blue luminous tremor of the air,
And letting drop the white wax as they went
To eat the bishop's wafer at the church;
From which long trail of chanting priests and girls,
A face flashed like a cymbal on his face,
And shook with silent clangour brain and heart,
Transfiguring him to music. Thus, even thus,
He too received his sacramental gift
With eucharistic meanings; for he loved.
And thus beloved, she died. I've heard it said
That but to see him in the first surprise
Of widower and father, nursing me,
Unmothered little child of four years old,
His large man's hands afraid to touch my curls,
As if the gold would tarnish,–his grave lips
Contriving such a miserable smile,
As if he knew needs must, or I should die,
And yet 'twas hard,–would almost make the stones
Cry out for pity. There's a verse he set
In Santa Croce to her memory,
'Weep for an infant too young to weep much
When death removed this mother'–stops the mirth
To-day, on women's faces when they walk
With rosy children hanging on their gowns,
Under the cloister, to escape the sun
That scorches in the piazza. After which,
He left our Florence, and made haste to hide
Himself, his prattling child, and silent grief,
Among the mountains above Pelago;
Because unmothered babes, he thought, had need
Of mother nature more than others use,
And Pan's white goats, with udders warm and full
Of mystic contemplations, come to feed
Poor milkless lips of orphans like his own–
Such scholar-scraps he talked, I've heard from friends,
For even prosaic men, who wear grief long,
Will get to wear it as a hat aside
With a flower stuck in't. Father, then, and child,
We lived among the mountains many years,
God's silence on the outside of the house,
And we, who did not speak too loud, within;
And old Assunta to make up the fire,
Crossing herself whene'er a sudden flame
Which lightened from the firewood, made alive
That picture of my mother on the wall.
The painter drew it after she was dead;
And when the face was finished, throat and hands,
Her cameriera carried him, in hate
Of the English-fashioned shroud, the last brocade
She dressed in at the Pitti. 'He should paint
No sadder thing than that,' she swore, 'to wrong
Her poor signora.' Therefore, very strange
The effect was. I, a little child, would crouch
For hours upon the floor, with knees drawn up
And gaze across them, half in terror, half
In adoration, at the picture there,–
That swan-like supernatural white life,
Just sailing upward from the red stiff silk
Which seemed to have no part in it, nor power
To keep it from quite breaking out of bounds:
For hours I sate and stared. Asssunta's awe
And my poor father's melancholy eyes
Still pointed that way. That way, went my thoughts
When wandering beyond sight. And as I grew
In years, I mixed, confused, unconsciously,
Whatever I last read or heard or dreamed,
Abhorrent, admirable, beautiful,
Pathetical, or ghastly, or grotesque,
With still that face . . . which did not therefore change,
But kept the mystic level of all forms
And fears and admirations; was by turn
Ghost, fiend, and angel, fairy, witch, and sprite,–
A dauntless Muse who eyes a dreadful Fate,
A loving Psyche who loses sight of Love,
A still Medusa, with mild milky brows
All curdled and all clothed upon with snakes
Whose slime falls fast as sweat will; or, anon,
Our Lady of the Passion, stabbed with swords
Where the Babe sucked; or, Lamia in her first
Moonlighted pallor, ere she shrunk and blinked,
And, shuddering, wriggled down to the unclean;
Or, my own mother, leaving her last smile
In her last kiss, upon the baby-mouth
My father pushed down on the bed for that,–
Or, my dead mother, without smile or kiss,
Buried at Florence. All which images,
Concentred on the picture, glassed themselves
Before my meditative childhood, . . as
The incoherencies of change and death
Are represented fully, mixed and merged,
In the smooth fair mystery of perpetual Life.
And while I stared away my childish wits
Upon my mother's picture, (ah, poor child!)
My father, who through love had suddenly
Thrown off the old conventions, broken loose
From chin-bands of the soul, like Lazarus,
Yet had no time to learn to talk and walk
Or grow anew familiar with the sun,–
Who had reached to freedom, not to action, lived,
But lived as one entranced, with thoughts, not aims,–
Whom love had unmade from a common man
But not completed to an uncommon man,–
My father taught me what he had learnt the best
Before he died and left me,–grief and love.
And, seeing we had books among the hills,
Strong words of counselling souls, confederate
With vocal pines and waters,–out of books
He taught me all the ignorance of men,
And how God laughs in heaven when any man
Says, 'Here I'm learned; this, I understand;
In that, I am never caught at fault or doubt.'
He sent the schools to school, demonstrating
A fool will pass for such through one mistake,
While a philosopher will pass for such,
Through said mistakes being ventured in the gross
And heaped up to a system.
I am like,
They tell me, my dear father. Broader brows
Howbeit, upon a slenderer undergrowth
Of delicate features,–paler, near as grave;
But then my mother's smile breaks up the whole,
And makes it better sometimes than itself.
So, nine full years, our days were hid with God
Among his mountains. I was just thirteen,
Still growing like the plants from unseen roots
In tongue-tied Springs,–and suddenly awoke
To full life and its needs and agonies,
With an intense, strong, struggling heart beside
A stone-dead father. Life, struck sharp on death,
Makes awful lightning. His last word was, 'Love–'
'Love, my child, love, love!'–(then he had done with grief)
'Love, my child.' Ere I answered he was gone,
And none was left to love in all the world.
There, ended childhood: what succeeded next
I recollect as, after fevers, men
Thread back the passage of delirium,
Missing the turn still, baffled by the door;
Smooth endless days, notched here and there with knives;
A weary, wormy darkness, spurred i' the flank
With flame, that it should eat and end itself
Like some tormented scorpion. Then, at last,
I do remember clearly, how there came
A stranger with authority, not right,
(I thought not) who commanded, caught me up
From old Assunta's neck; how, with a shriek,
She let me go,–while I, with ears too full
Of my father's silence, to shriek back a word,
In all a child's astonishment at grief
Stared at the wharfage where she stood and moaned,
My poor Assunta, where she stood and moaned!
The white walls, the blue hills, my Italy,
Drawn backward from the shuddering steamer-deck,
Like one in anger drawing back her skirts
Which suppliants catch at. Then the bitter sea
Inexorably pushed between us both,
And sweeping up the ship with my despair
Threw us out as a pasture to the stars.
Ten nights and days we voyaged on the deep;
Ten nights and days, without the common face
Of any day or night; the moon and sun
Cut off from the green reconciling earth,
To starve into a blind ferocity
And glare unnatural; the very sky
(Dropping its bell-net down upon the sea
As if no human heart should 'scape alive,)
Bedraggled with the desolating salt,
Until it seemed no more than holy heaven
To which my father went. All new, and strange–
The universe turned stranger, for a child.
Then, land!–then, England! oh, the frosty cliffs
Looked cold upon me. Could I find a home
Among those mean red houses through the fog?
And when I heard my father's language first
From alien lips which had no kiss for mine,
I wept aloud, then laughed, then wept, then wept,–
And some one near me said the child was mad
Through much sea-sickness. The train swept us on.
Was this my father's England? the great isle?
The ground seemed cut up from the fellowship
Or verdure, field from field, as man from man;
The skies themselves looked low and positive,
As almost you could touch them with a hand,
And dared to do it, they were so far off
From God's celestial crystals; all things, blurred
And dull and vague. Did Shakspeare and his mates
Absorb the light here?–not a hill or stone
With heart to strike a radiant colour up
Or active outline on the indifferent air!
I think I see my father's sister stand
Upon the hall-step of her country-house
To give me welcome. She stood straight and calm,
Her somewhat narrow forehead braided tight
As if for taming accidental thoughts
From possible pulses; brown hair pricked with grey
By frigid use of life, (she was not old,
Although my father's elder by a year)
A nose drawn sharply, yet in delicate lines;
A close mild mouth, a little soured about
The ends, through speaking unrequited loves,
Or peradventure niggardly half-truths;
Eyes of no colour,–once they might have smiled,
But never, never have forgot themselves
In smiling; cheeks in which was yet a rose
Of perished summers, like a rose in a book,
Kept more for ruth than pleasure,–if past bloom,
Past fading also.
She had lived we'll say,
A harmless life, she called a virtuous life,
A quiet life, which was not life at all,
(But that, she had not lived enough to know)
Between the vicar and the county squires,
The lord-lieutenant looking down sometimes
From the empyreal, to assure their souls
Against chance vulgarisms, and, in the abyss,
The apothecary looked on once a year,
To prove their soundness of humility.
The poor-club exercised her Christian gifts
Of knitting stockings, stitching petticoats,
Because we are of one flesh after all
And need one flannel, (with a proper sense
Of difference in the quality)–and still
The book-club guarded from your modern trick
Of shaking dangerous questions from the crease,
Preserved her intellectual. She had lived
A sort of cage-bird life, born in a cage,
Accounting that to leap from perch to perch
Was act and joy enough for any bird.
Dear heaven, how silly are the things that live
In thickets and eat berries!
I, alas,
A wild bird scarcely fledged, was brought to her cage,
And she was there to meet me. Very kind.
Bring the clean water; give out the fresh seed.
She stood upon the steps to welcome me,
Calm, in black garb. I clung about her neck,–
Young babes, who catch at every shred of wool
To draw the new light closer, catch and cling
Less blindly. In my ears, my father's word
Hummed ignorantly, as the sea in shells,
'Love, love, my child,' She, black there with my grief,
Might feel my love–she was his sister once–
I clung to her. A moment, she seemed moved.
Kissed me with cold lips, suffered me to cling,
And drew me feebly through the hall, into
The room she sate in.
There, with some strange spasm
Of pain and passion, she wrung loose my hands
Imperiously, and held me at arm's length,
And with two grey-steel naked-bladed eyes
Searched through my face,–ay, stabbed it through and through,
Through brows and cheeks and chin, as if to find
A wicked murderer in my innocent face,
If not here, there perhaps. Then, drawing breath,
She struggled for her ordinary calm,
And missed it rather,–told me not to shrink,
As if she had told me not to lie or swear,–
'She loved my father, and would love me too
As long as I deserved it.' Very kind.
I understood her meaning afterward;
She thought to find my mother in my face,
And questioned it for that. For she, my aunt,
Had loved my father truly, as she could,
And hated, with the gall of gentle souls,
My Tuscan mother, who had fooled away
A wise man from wise courses, a good man
From obvious duties, and, depriving her,
His sister, of the household precedence,
Had wronged his tenants, robbed his native land,
And made him mad, alike by life and death,
In love and sorrow. She had pored for years
What sort of woman could be suitable
To her sort of hate, to entertain it with;
And so, her very curiosity
Became hate too, and all the idealism
She ever used in life, was used for hate,
Till hate, so nourished, did exceed at last
The love from which it grew, in strength and heat,
And wrinkled her smooth conscience with a sense
Of disputable virtue (say not, sin)
When Christian doctrine was enforced at church.
And thus my father's sister was to me
My mother's hater. From that day, she did
Her duty to me, (I appreciate it
In her own word as spoken to herself)
Her duty, in large measure, well-pressed out,
But measured always. She was generous, bland,
More courteous than was tender, gave me still
The first place,–as if fearful that God's saints
Would look down suddenly and say, 'Herein
You missed a point, I think, through lack of love.'
Alas, a mother never is afraid
Of speaking angrily to any child,
Since love, she knows, is justified of love.
And I, I was a good child on the whole,
A meek and manageable child. Why not?
I did not live, to have the faults of life:
There seemed more true life in my father's grave
Than in all England. Since that threw me off
Who fain would cleave, (his latest will, they say,
Consigned me to his land) I only thought
Of lying quiet there where I was thrown
Like sea-weed on the rocks, and suffer her
To prick me to a pattern with her pin,
Fibre from fibre, delicate leaf from leaf,
And dry out from my drowned anatomy
The last sea-salt left in me.
So it was.
I broke the copious curls upon my head
In braids, because she liked smooth ordered hair.
I left off saying my sweet Tuscan words
Which still at any stirring of the heart
Came up to float across the English phrase,
As lilies, (Bene . . or che ch'è ) because
She liked my father's child to speak his tongue.
I learnt the collects and the catechism,
The creeds, from Athanasius back to Nice,
The Articles . . the Tracts against the times,
(By no means Buonaventure's 'Prick of Love,')
And various popular synopses of
Inhuman doctrines never taught by John,
Because she liked instructed piety.
I learnt my complement of classic French
(Kept pure of Balzac and neologism,)
And German also, since she liked a range
Of liberal education,–tongues, not books.
I learnt a little algebra, a little
Of the mathematics,–brushed with extreme flounce
The circle of the sciences, because
She misliked women who are frivolous.
I learnt the royal genealogies
Of Oviedo, the internal laws
Of the Burmese Empire, . . by how many feet
Mount Chimborazo outsoars Himmeleh,
What navigable river joins itself
To Lara, and what census of the year five
Was taken at Klagenfurt,–because she liked
A general insight into useful facts.
I learnt much music,–such as would have been
As quite impossible in Johnson's day
As still it might be wished–fine sleights of hand
And unimagined fingering, shuffling off
The hearer's soul through hurricanes of notes
To a noisy Tophet; and I drew . . costumes
From French engravings, nereids neatly draped,
With smirks of simmering godship,–I washed in
From nature, landscapes, (rather say, washed out.)
I danced the polka and Cellarius,
Spun glass, stuffed birds, and modelled flowers in wax,
Because she liked accomplishments in girls.
I read a score of books on womanhood
To prove, if women do not think at all,
They may teach thinking, (to a maiden aunt
Or else the author)–books demonstrating
Their right of comprehending husband's talk
When not too deep, and even of answering
With pretty 'may it please you,' or 'so it is,'–
Their rapid insight and fine aptitude,
Particular worth and general missionariness,
As long as they keep quiet by the fire
And never say 'no' when the world says 'ay,'
For that is fatal,–their angelic reach
Of virtue, chiefly used to sit and darn,
And fatten household sinners–their, in brief,
Potential faculty in everything
Of abdicating power in it: she owned
She liked a woman to be womanly,
And English women, she thanked God and sighed,
(Some people always sigh in thanking God)
Were models to the universe. And last
I learnt cross-stitch, because she did not like
To see me wear the night with empty hands,
A-doing nothing. So, my shepherdess
Was something after all, (the pastoral saints
Be praised for't) leaning lovelorn with pink eyes
To match her shoes, when I mistook the silks;
Her head uncrushed by that round weight of hat
So strangely similar to the tortoise-shell
Which slew the tragic poet.
By the way,
The works of women are symbolical.
We sew, sew, prick our fingers, dull our sight,
Producing what? A pair of slippers, sir,
To put on when you're weary–or a stool
To tumble over and vex you . . 'curse that stool!'
Or else at best, a cushion where you lean
And sleep, and dream of something we are not,
But would be for your sake. Alas, alas!
This hurts most, this . . that, after all, we are paid
The worth of our work, perhaps.
In looking down
Those years of education, (to return)
I wondered if Brinvilliers suffered more
In the water torture, . . flood succeeding flood
To drench the incapable throat and split the veins . .
Than I did. Certain of your feebler souls
Go out in such a process; many pine
To a sick, inodorous light; my own endured:
I had relations in the Unseen, and drew
The elemental nutriment and heat
From nature, as earth feels the sun at nights,
Or as a babe sucks surely in the dark,
I kept the life, thrust on me, on the outside
Of the inner life, with all its ample room
For heart and lungs, for will and intellect,
Inviolable by conventions. God,
I thank thee for that grace of thine!
At first,
I felt no life which was not patience,–did
The thing she bade me, without heed to a thing
Beyond it, sate in just the chair she placed,
With back against the window, to exclude
The sight of the great lime-tree on the lawn,
Which seemed to have come on purpose from the woods
To bring the house a message,–ay, and walked
Demurely in her carpeted low rooms,
As if I should not, harkening my own steps,
Misdoubt I was alive. I read her books,
Was civil to her cousin, Romney Leigh,
Gave ear to her vicar, tea to her visitors,
And heard them whisper, when I changed a cup,
(I blushed for joy at that!)–'The Italian child,
For all her blue eyes and her quiet ways,
Thrives ill in England; she is paler yet
Than when we came the last time; she will die.'
'Will die.' My cousin, Romney Leigh, blushed too,
With sudden anger, and approaching me
Said low between his teeth–'You're wicked now?
You wish to die and leave the world a-dusk
For others, with your naughty light blown out?'
I looked into his face defyingly.
He might have known, that, being what I was,
'Twas natural to like to get away
As far as dead folk can; and then indeed
Some people make no trouble when they die.
He turned and went abruptly, slammed the door
And shut his dog out.
Romney, Romney Leigh.
I have not named my cousin hitherto,
And yet I used him as a sort of friend;
My elder by few years, but cold and shy
And absent . . tender when he thought of it,
Which scarcely was imperative, grave betimes,
As well as early master of Leigh Hall,
Whereof the nightmare sate upon his youth
Repressing all its seasonable delights,
And agonising with a ghastly sense
Of universal hideous want and wrong
To incriminate possession. When he came
From college to the country, very oft
He crossed the hills on visits to my aunt,
With gifts of blue grapes from the hothouses,
A book in one hand,–mere statistics, (if
I chanced to lift the cover) count of all
The goats whose beards are sprouting down toward hell.
Against God's separating judgment-hour.
And she, she almost loved him,–even allowed
That sometimes he should seem to sigh my way;
It made him easier to be pitiful,
And sighing was his gift. So, undisturbed
At whiles she let him shut my music up
And push my needles down, and lead me out
To see in that south angle of the house
The figs grow black as if by a Tuscan rock.
On some light pretext. She would turn her head
At other moments, go to fetch a thing,
And leave me breath enough to speak with him,
For his sake; it was simple.
Sometimes too
He would have saved me utterly, it seemed,
He stood and looked so.
Once, he stood so near
He dropped a sudden hand upon my head
Bent down on woman's work, as soft as rain–
But then I rose and shook it off as fire,
The stranger's touch that took my father's place,
Yet dared seem soft.
I used him for a friend
Before I ever knew him for a friend.
'Twas better, 'twas worse also, afterward:
We came so close, we saw our differences
Too intimately. Always Romney Leigh
Was looking for the worms, I for the gods.
A godlike nature his; the gods look down,
Incurious of themselves; and certainly
'Tis well I should remember, how, those days
I was a worm too, and he looked on me.
A little by his act perhaps, yet more
By something in me, surely not my will,
I did not die. But slowly, as one in swoon,
To whom life creeps back in the form of death
With a sense of separation, a blind pain
Of blank obstruction, and a roar i' the ears
Of visionary chariots which retreat
As earth grows clearer . . slowly, by degrees,
I woke, rose up . . where was I? in the world:
For uses, therefore, I must count worth while.
I had a little chamber in the house,
As green as any privet-hedge a bird
Might choose to build in, though the nest itself
Could show but dead-brown sticks and straws; the walls
Were green, the carpet was pure green, the straight
Small bed was curtained greenly, and the folds
Hung green about the window, which let in
The out-door world with all its greenery.
You could not push your head out and escape
A dash of dawn-dew from the honeysuckle,
But so you were baptised into the grace
And privilege of seeing. . .
First, the lime,
(I had enough, there, of the lime, be sure,–
My morning-dream was often hummed away
By the bees in it;) past the lime, the lawn,
Which, after sweeping broadly round the house,
Went trickling through the shrubberies in a stream
Of tender turf, and wore and lost itself
Among the acacias, over which, you saw
The irregular line of elms by the deep lane
Which stopt the grounds and dammed the overflow
Of arbutus and laurel. Out of sight
The lane was; sunk so deep, no foreign tramp
Nor drover of wild ponies out of Wales
Could guess if lady's hall or tenant's lodge
Ddispensed such odours,–though his stick well -crooked
Might reach the lowest trail of blossoming briar
Which dipped upon the wall. Behind the elms,
And through their tops, you saw the folded hills
Striped up and down with hedges, (burley oaks
Projecting from the lines to show themselves)
Thro' which my cousin Romney's chimneys smoked
As still as when a silent mouth in frost
Breathes–showing where the woodlands hid Leigh Hall;
While far above, a jut of table-land,
A promontory without water, stretched,–
You could not catch it if the days were thick,
Or took it for a cloud; but, otherwise
The vigorous sun would catch it up at eve
And use it for an anvil till he had filled
The shelves of heaven with burning thunderbolts,
And proved he need not rest so early;–then
When all his setting trouble was resolved
Toa trance of passive glory, you might see
In apparition on the golden sky
(Alas, my Giotto's background!) the sheep run
Along the fine clear outline, small as mice
That run along a witch's scarlet thread.
Not a grand nature. Not my chestnut-woods
Of Vallombrosa, cleaving by the spurs
To the precipices. Not my headlong leaps
Of waters, that cry out for joy or fear
In leaping through the palpitating pines,
Like a white soul tossed out to eternity
With thrills of time upon it. Not indeed
My multitudinous mountains, sitting in
The magic circle, with the mutual touch
Electric, panting from their full deep hearts
Beneath the influent heavens, and waiting for
Communion and commission. Italy
Is one thing, England one.
On English ground
You understand the letter . . ere the fall,
How Adam lived in a garden. All the fields
Are tied up fast with hedges, nosegay-like;
The hills are crumpled plains–the plains, parterres–
The trees, round, woolly, ready to be clipped;
And if you seek for any wilderness
You find, at best, a park. A nature tamed
And grown domestic like a barn-door fowl,
Which does not awe you with its claws and beak,
Nor tempt you to an eyrie too high up,
But which, in cackling, sets you thinking of
Your eggs to-morrow at breakfast, in the pause
Of finer meditation.
Rather say
A sweet familiar nature, stealing in
As a dog might, or child, to touch your hand
Or pluck your gown, and humbly mind you so
Of presence and affection, excellent
For inner uses, from the things without.
I could not be unthankful, I who was
Entreated thus and holpen. In the room
I speak of, ere the house was well awake,
And also after it was well asleep,
I sat alone, and drew the blessing in
Of all that nature. With a gradual step,
A stir among the leaves, a breath, a ray,
It came in softly, while the angels made
A place for it beside me. The moon came,
And swept my chamber clean of foolish thoughts
The sun came, saying, 'Shall I lift this light
Against the lime-tree, and you will not look?
I make the birds sing–listen! . . but, for you.
God never hears your voice, excepting when
You lie upon the bed at nights and weep.'
Then, something moved me. Then, I wakened up
More slowly than I verily write now,
But wholly, at last, I wakened, opened wide
The window and my soul, and let the airs .
And out-door sights sweep gradual gospels in,
Regenerating what I was. O Life,
How oft we throw it off and think,–'Enough,
Enough of life in so much!–here's a cause
For rupture; herein we must break with Life,
Or be ourselves unworthy; here we are wronged,
Maimed, spoiled for aspiration; farewell Life!'
–And so, as froward babes, we hide our eyes
And think all ended.–Then, Life calls to us,
In some transformed, apocryphal, new voice,
Above us, or below us, or around . .
Perhaps we name it Nature's voice, or Love's,
Tricking ourselves, because we are more ashamed
So own our compensations than our griefs:
Still, Life's voice!–still, we make our peace with Life.
And I, so young then, was not sullen. Soon
I used to get up early, just to sit
And watch the morning quicken in the grey,
And hear the silence open like a flower,
Leaf after leaf,–and stroke with listless hand
The woodbine through the window, till at last
I came to do it with a sort of love,
At foolish unaware: whereat I smiled,–
A melancholy smile, to catch myself
Smiling for joy.
Capacity for joy
Admits temptation. It seemed, next, worth while
To dodge the sharp sword set against my life;
To slip down stairs through all the sleepy house,
As mute as any dream there, and escape
As a soul from the body, out of doors,–
Glide through the shrubberies, drop into the lane,
And wander on the hills an hour or two,
Then back again before the house should stir.
Or else I sat on in my chamber green,
And lived my life, and thought my thoughts, and prayed
My prayers without the vicar; read my books,
Without considering whether they were fit
To do me good. Mark, there. We get no good
By being ungenerous, even to a book,
And calculating profits . . so much help
By so much rending. It is rather when
We gloriously forget ourselves, and plunge
Soul-forward, headlong, into a book's profound,
Impassioned for its beauty and salt of truth–
'Tis then we get the right good from a book.
I read much. What my father taught before
From many a volume, Love re-emphasised
Upon the self-same pages: Theophrast
Grew tender with the memory of his eyes,
And Ælian made mine wet. The trick of Greek
And Latin, he had taught me, as he would
Have taught me wrestling or the game of fives
If such he had known.–most like a shipwrecked man
Who heaps his single platter with goats' cheese
And scarlet berries; or like any man
Who loves but one, and so gives all at once,
Because he has it, rather than because
He counts it worthy. Thus, my father gave;
And thus, as did the women formerly
By young Achilles, when they pinned the veil
Across the boy's audacious front, and swept
With tuneful laughs the silver-fretted rocks,
He wrapt his little daughter in his large
Man's doublet, careless did it fit or no.
But, after I had read for memory,
I read for hope. The path my father's foot
Had trod me out, which suddenly broke off,
(What time he dropped the wallet of the flesh
And passed) alone I carried on, and set
My child-heart 'gainst the thorny underwood,
To reach the grassy shelter of the trees.
Ah, babe i' the wood, without a brother-babe!
My own self-pity, like the red-breast bird,
Flies back to cover all that past with leaves.
Sublimest danger, over which none weeps,
When any young wayfaring soul goes forth
Alone, unconscious of the perilous road,
The day-sun dazzling in his limpid eyes,
To thrust his own way, he an alien, through
The world of books! Ah, you!–you think it fine,
You clap hands–'A fair day!'–you cheer him on,
As if the worst, could happen, were to rest
Too long beside a fountain. Yet, behold,
Behold!–the world of books is still the world;
And worldlings in it are less merciful
And more puissant. For the wicked there
Are winged like angels. Every knife that strikes,
Is edged from elemental fire to assail
A spiritual life. The beautiful seems right
By force of beauty, and the feeble wrong
Because of weakness. Power is justified,
Though armed against St. Michael. Many a crown
Covers bald foreheads. In the book-world, true,
There's no lack, neither, of God's saints and kings,
That shake the ashes of the grave aside
From their calm locks, and undiscomfited
Look stedfast truths against Time's changing mask.
True, many a prophet teaches in the roads;
True, many a seer pulls down the flaming heavens
Upon his own head in strong martyrdom,
In order to light men a moment's space.
But stay!–who judges?–who distinguishes
'Twixt Saul and Nahash justly, at first sight,
And leaves king Saul precisely at the sin,
To serve king David? who discerns at once
The sound of the trumpets, when the trumpets blow
For Alaric as well as Charlemagne?
Who judges prophets, and can tell true seers
From conjurors? The child, there? Would you leave
That child to wander in a battle-field
And push his innocent smile against the guns?
Or even in the catacombs, . . his torch
Grown ragged in the fluttering air, and all
The dark a-mutter round him? not a child!
I read books bad and good–some bad and good
At once: good aims not always make good books;
Well-tempered spades turn up ill-smelling soils
In digging vineyards, even: books, that prove
God's being so definitely, that man's doubt
Grows self-defined the other side the line,
Made Atheist by suggestion; moral books,
Exasperating to license; genial books,
Discounting from the human dignity;
And merry books, which set you weeping when
The sun shines,–ay, and melancholy books,
Which make you laugh that any one should weep
In this disjointed life, for one wrong more.
The world of books is still the world, I write,
And both worlds have God's providence, thank God,
To keep and hearten: with some struggle, indeed,
Among the breakers, some hard swimming through
The deeps–I lost breath in my soul sometimes
And cried 'God save me if there's any God.'
But even so, God save me; and, being dashed
From error on to error, every turn
Still brought me nearer to the central truth.
I thought so. All this anguish in the thick
Of men's opinions . . press and counterpress
Now up, now down, now underfoot, and now
Emergent . . all the best of it perhaps,
But throws you back upon a noble trust
And use of your own instinct,–merely proves
Pure reason stronger than bare inference
At strongest. Try it,–fix against heaven's wall
Your scaling ladders of high logic–mount
Step by step!–Sight goes faster; that still ray
Which strikes out from you, how, you cannot tell,
And why, you know not–(did you eliminate,
That such as you, indeed, should analyse?)
Goes straight and fast as light, and high as God.
The cygnet finds the water: but the man
Is born in ignorance of his element,
And feels out blind at first, disorganised
By sin i' the blood,–his spirit-insight dulled
And crossed by his sensations. Presently
We feel it quicken in the dark sometimes;
Then mark, be reverent, be obedient,–
For those dumb motions of imperfect life
Are oracles of vital Deity
Attesting the Hereafter. Let who says
'The soul's a clean white paper,' rather say,
A palimpsest, a prophets holograph
Defiled, erased and covered by a monk's,–
The apocalypse, by a Longus! poring on
Which obscene text, we may discern perhaps
Some fair, fine trace of what was written once,
Some upstroke of an alpha and omega
Expressing the old scripture.
Books, books, books!
I had found the secret of a garret-room
Piled high with cases in my father's name;
Piled high, packed large,–where, creeping in and out
Among the giant fossils of my past,
Like some small nimble mouse between the ribs
Of a mastodon, I nibbled here and there
At this or that box, pulling through the gap,
In heats of terror, haste, victorious joy,
The first book first. And how I felt it beat
Under my pillow, in the morning's dark,
An hour before the sun would let me read!
My books!
At last, because the time was ripe,
I chanced upon the poets.
As the earth
Plunges in fury, when the internal fires
Have reached and pricked her heart, and, throwing flat
The marts and temples, the triumphal gates
And towers of observation, clears herself
To elemental freedom–thus, my soul,
At poetry's divine first finger touch,
Let go conventions and sprang up surprised,
Convicted of the great eternities
Before two worlds.
What's this, Aurora Leigh,
You write so of the poets, and not laugh?
Those virtuous liars, dreamers after dark,
Exaggerators of the sun and moon,
And soothsayers in a tea-cup?
I write so
Of the only truth-tellers, now left to God,–
The only speakers of essential truth,
Posed to relative, comparative,
And temporal truths; the only holders by
His sun-skirts, through conventional grey glooms;
The only teachers who instruct mankind,
From just a shadow on a charnel wall,
To find man's veritable stature out,
Erect, sublime,–the measure of a man,
And that's the measure of an angel, says
The apostle. Ay, and while your common men
Build pyramids, gauge railroads, reign, reap, dine,
And dust the flaunty carpets of the world
For kings to walk on, or our senators,
The poet suddenly will catch them up
With his voice like a thunder. . 'This is soul,
This is life, this word is being said in heaven,
Here's God down on us! what are you about?
How all those workers start amid their work,
Look round, look up, and feel, a moment's space,
That carpet-dusting, though a pretty trade,
Is not the imperative labour after all.
My own best poets, am I one with you,
That thus I love you,–or but one through love?
Does all this smell of thyme about my feet
Conclude my visit to your holy hill
In personal presence, or but testify
The rustling of your vesture through my dreams
With influent odours? When my joy and pain,
My thought and aspiration, like the stops
Of pipe or flute, are absolutely dumb
If not melodious, do you play on me,
My pipers,–and if, sooth, you did not blow,
Would not sound come? or is the music mine,
As a man's voice or breath is called his own,
In breathed by the Life-breather? There's a doubt
For cloudy seasons!
But the sun was high
When first I felt my pulses set themselves
For concords; when the rhythmic turbulence
Of blood and brain swept outward upon words,
As wind upon the alders blanching them
By turning up their under-natures till
They trembled in dilation. O delight
And triumph of the poet,–who would say
A man's mere 'yes,' a woman's common 'no,'
A little human hope of that or this,
And says the word so that it burns you through
With a special revelation, shakes the heart
Of all the men and women in the world,
As if one came back from the dead and spoke,
With eyes too happy, a familiar thing
Become divine i' the utterance! while for him
The poet, the speaker, he expands with joy;
The palpitating angel in his flesh
Thrills inly with consenting fellowship
To those innumerous spirits who sun themselves
Outside of time.
O life, O poetry,
Which means life in life! cognisant of life
Beyond this blood-beat,–passionate for truth
Beyond these senses, –poetry, my life,–
My eagle, with both grappling feet still hot
From Zeus's thunder, who has ravished me
Away from all the shepherds, sheep, and dogs,
And set me in the Olympian roar and round
Of luminous faces, for a cup-bearer,
To keep the mouths of all the godheads moist
For everlasting laughters,–I, myself,
Half drunk across the beaker, with their eyes!
How those gods look!
Enough so, Ganymede.
We shall not bear above a round or two–
We drop the golden cup at Heré's foot
And swoon back to the earth,–and find ourselves
Face-down among the pine-cones, cold with dew,
While the dogs bark, and many a shepherd scoffs,
'What's come now to the youth?' Such ups and downs
Have poets.
Am I such indeed? The name
Is royal, and to sign it like a queen,
Is what I dare not,–though some royal blood
Would seem to tingle in me now and then,
With sense of power and ache,–with imposthumes
And manias usual to the race. Howbeit
I dare not: 'tis too easy to go mad,
And ape a Bourbon in a crown of straws;
The thing's too common.
Many fervent souls
Strike rhyme on rhyme, who would strike steel on steel
If steel had offered, in a restless heat
Of doing something. Many tender souls
Have strung their losses on a rhyming thread.
As children, cowslips:–the more pains they take,
The work more withers. Young men, ay, and maids,
Too often sow their wild oats in tame verse.
Before they sit down under their own vine
And live for use. Alas, near all the birds
Will sing at dawn,–and yet we do not take
The chaffering swallow for the holy lark.
In those days, though, I never analysed
Myself even. All analysis comes late.
You catch a sight of Nature, earliest,
In full front sun-face, and your eyelids wink
And drop before the wonder of 't; you miss
The form, through seeing the light. I lived, those days,
And wrote because I lived–unlicensed else:
My heart beat in my brain. Life's violent flood
Abolished bounds,–and, which my neighbour's field,
Which mine, what mattered? It is so in youth.
We play at leap-frog over the god Term;
The love within us and the love without
Are mixed, confounded; if we are loved or love,
We scarce distinguish. So, with other power.
Being acted on and acting seem the same:
In that first onrush of life's chariot-wheels,
We know not if the forests move or we.
And so, like most young poets, in a flush
Of individual life, I poured myself
Along the veins of others, and achieved
Mere lifeless imitations of life verse,
And made the living answer for the dead,
Profaning nature. 'Touch not, do not taste,
Nor handle,'–we're too legal, who write young:
We beat the phorminx till we hurt our thumbs,
As if still ignorant of counterpoint;
We call the Muse . . 'O Muse, benignant Muse!'–
As if we had seen her purple-braided head .
With the eyes in it start between the boughs
As often as a stag's. What make-believe,
With so much earnest! what effete results,
From virile efforts! what cold wire-drawn odes
From such white heats!–bucolics, where the cows
Would scare the writer if they splashed the mud
In lashing off the flies,–didactics, driven
Against the heels of what the master said;
And counterfeiting epics, shrill with trumps
A babe might blow between two straining cheeks
Of bubbled rose, to make his mother laugh;
And elegiac griefs, and songs of love,
Like cast-off nosegays picked up on the road,
The worse for being warm: all these things, writ
On happy mornings, with a morning heart,
That leaps for love, is active for resolve,
Weak for art only. Oft, the ancient forms
Will thrill, indeed, in carrying the young blood.
The wine-skins, now and then, a little warped,
Will crack even, as the new wine gurgles in.
Spare the old bottles!–spill not the new wine.
By Keats's soul, the man who never stepped
In gradual progress like another man,
But, turning grandly on his central self,
Ensphered himself in twenty perfect years
And died, not young,–(the life of a long life,
Distilled to a mere drop, falling like a tear
Upon the world's cold cheek to make it burn
For ever;) by that strong excepted soul,
I count it strange, and hard to understand,
That nearly all young poets should write old;
That Pope was sexagenarian at sixteen,
And beardless Byron academical,
And so with others. It may be, perhaps,
Such have not settled long and deep enough
In trance, to attain to clairvoyance,–and still
The memory mixes with the vision, spoils,
And works it turbid.
Or perhaps, again,
In order to discover the Muse-Sphinx,
The melancholy desert must sweep round,
Behind you, as before.–
For me, I wrote
False poems, like the rest, and thought them true.
Because myself was true in writing them.
I, peradventure, have writ true ones since
With less complacence.
But I could not hide
My quickening inner life from those at watch.
They saw a light at a window now and then,
They had not set there. Who had set it there?
My father's sister started when she caught
My soul agaze in my eyes. She could not say
I had no business with a sort of soul,
But plainly she objected,–and demurred,
That souls were dangerous things to carry straight
Through all the spilt saltpetre of the world.
She said sometimes, 'Aurora, have you done
Your task this morning?–have you read that book?
And are you ready for the crochet here?'–
As if she said, 'I know there's something wrong,
I know I have not ground you down enough
To flatten and bake you to a wholesome crust
For household uses and proprieties,
Before the rain has got into my barn
And set the grains a-sprouting. What, you're green
With out-door impudence? you almost grow?'
To which I answered, 'Would she hear my task,
And verify my abstract of the book?
And should I sit down to the crochet work?
Was such her pleasure?' . . Then I sate and teased
The patient needle til it split the thread,
Which oozed off from it in meandering lace
From hour to hour. I was not, therefore, sad;
My soul was singing at a work apart
Behind the wall of sense, as safe from harm
As sings the lark when sucked up out of sight,
In vortices of glory and blue air.
And so, through forced work and spontaneous work,
The inner life informed the outer life,
Reduced the irregular blood to settled rhythms,
Made cool the forehead with fresh-sprinkling dreams,
And, rounding to the spheric soul the thin
Pined body, struck a colour up the cheeks,
Though somewhat faint. I clenched my brows across
My blue eyes greatening in the looking-glass,
And said, 'We'll live, Aurora! we'll be strong.
The dogs are on us–but we will not die.'
Whoever lives true life, will love true love.
I learnt to love that England. Very oft,
Before the day was born, or otherwise
Through secret windings of the afternoons,
I threw my hunters off and plunged myself
Among the deep hills, as a hunted stag
Will take the waters, shivering with the fear
And passion of the course. And when, at last
Escaped,–so many a green slope built on slope
Betwixt me and the enemy's house behind,
I dared to rest, or wander,–like a rest
Made sweeter for the step upon the grass,–
And view the ground's most gentle dimplement,
(As if God's finger touched but did not press
In making England!) such an up and down
Of verdure,–nothing too much up or down,
A ripple of land; such little hills, the sky
Can stoop to tenderly and the wheatfields climb;
Such nooks of valleys, lined with orchises,
Fed full of noises by invisible streams;
And open pastures, where you scarcely tell
White daisies from white dew,–at intervals
The mythic oaks and elm-trees standing out
Self-poised upon their prodigy of shade,–
I thought my father's land was worthy too
Of being my Shakspeare's.
Very oft alone,
Unlicensed; not unfrequently with leave
To walk the third with Romney and his friend
The rising painter, Vincent Carrington,
Whom men judge hardly, as bee-bonneted,
Because he holds that, paint a body well,
You paint a soul by implication, like
The grand first Master. Pleasant walks! for if
He said . . 'When I was last in Italy' . .
It sounded as an instrument that's played
Too far off for the tune–and yet it's fine
To listen.
Often we walked only two,
If cousin Romney pleased to walk with me.
We read, or talked, or quarrelled, as it chanced;
We were not lovers, nor even friends well-matched–
Say rather, scholars upon different tracks,
And thinkers disagreed; he, overfull
Of what is, and I, haply, overbold
For what might be.
But then the thrushes sang,
And shook my pulses and the elms' new leaves,–
And then I turned, and held my finger up,
And bade him mark that, howsoe'er the world
Went ill, as he related, certainly
The thrushes still sang in it.–At which word
His brow would soften,–and he bore with me
In melancholy patience, not unkind,
While, breaking into voluble ecstasy,
I flattered all the beauteous country round,
As poets use . . .the skies, the clouds, the fields,
The happy violets hiding from the roads
The primroses run down to, carrying gold,–
The tangled hedgerows, where the cows push out
Impatient horns and tolerant churning mouths
'Twixt dripping ash-boughs,–hedgerows all alive
With birds and gnats and large white butterflies
Which look as if the May-flower had sought life
And palpitated forth upon the wind,–
Hills, vales, woods, netted in a silver mist,
Farms, granges, doubled up among the hills,
And cattle grazing in the watered vales,
And cottage-chimneys smoking from the woods,
And cottage-gardens smelling everywhere,
Confused with smell of orchards. 'See,' I said,
'And see! is God not with us on the earth?
And shall we put Him down by aught we do?
Who says there's nothing for the poor and vile
Save poverty and wickedness? behold!'
And ankle-deep in English grass I leaped,
And clapped my hands, and called all very fair.
In the beginning when God called all good,
Even then, was evil near us, it is writ.
But we, indeed, who call things good and fair,
The evil is upon us while we speak;
Deliver us from evil, let us pray.
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)

Submitted by Veronica Serbanoiu
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The Dead To The Living
Work while it is day: the night cometh, when no man can work.
IN the childhood of April, while purple woods
With the young year's blood in them smiled,
I passed through the lanes and the wakened fields,
And stood by the grave of the child.
And the pain awoke that is never dead
Though it sometimes sleeps, and again
It set its teeth in this heart of mine,
And fastened its claws in my brain:
For it seemed so hard that the little hands
And the little well-loved head
Should be out of reach of my living lips,
And be side by side with the dead--
Not side by side with us who had loved,
But with these who had never seen
The grace of the smile, the gold of the hair,
And the eyes of my baby-queen.
Yet with trees about where the brown birds build,
And with long green grass above,
She lies in the cold sweet breast of earth
Beyond the reach of our love;
Whatever befalls in the coarse loud world,
We know she will never wake.
When I thought of the sorrow she might have known,
I was almost glad for her sake. . . .
Tears might have tired those kiss-closed eyes,
Grief hardened the mouth I kissed;
I was almost glad that my dear was dead
Because of the pain she had missed.
Oh, if I could but have died a child
With a white child-soul like hers,
As pure as the wind-flowers down in the copse,
Where the soul of the spring's self stirs;
Or if I had only done with it all,
And might lie by her side unmoved!
I envied the very clods of earth
Their place near the child I loved!
And my soul rose up in revolt at life,
As I stood dry-eyed by her grave,
When sudden the grass of the churchyard sod
Rolled back like a green smooth wave;
The brown earth looked like the brown sea rocks,
The tombstones were white like spray,
And white like surf were the curling folds
Of the shrouds where the dead men lay;
For each in his place with his quiet face
I saw the dead lie low,
Who had worked and suffered and found life sad,
So many sad years ago.
Unchanged by time I saw them lie
As when first they were laid to rest,
The tired eyes closed, the sad lips still,
And the work-worn hands on the breast.
There were some who had found the green world so grey,
They had left it before their time,
And some were little ones like my dear,
And some had died in their prime;
And some were old, they had had their fill
Of bitter unfruitful hours,
And knew that none of them, none, had known
A flower of a hope like ours!
Through their shut eyelids the dead looked up,
And without a voice they said:
'We lived without hope, without hope we died,
And hopeless we lie here dead;
And death is better than life that draws
Pain in, as it draws in breath,
If life never dreams of a coming day
When life shall not envy death.
Through the dark of our hours and our times we lived,
Uncheered by a single ray
Of such hope as lightens the lives of you
Who are finding life hard to-day;
With our little lanterns of human love
We lighted our dark warm night--
But you in the chill of the dawn are set
With your face to the eastern light.
Freedom is waiting with hands held out
Till you tear the veil from her face--
And when once men have seen the light of her eyes,
And felt her divine embrace,
The light of the world will be risen indeed,
And will shine in the eyes of men,
And those who come after will find life fair,
And their lives worth living then!
Will you strive to the light in your loud rough world,
That these things may come to pass,
Or lie in the shadow beside the child,
And strive to the sun through the grass?'
'My world while I may,' I cried; 'but you
Whose lives were as dark as your grave?'
'We too are a part of the coming light,'
They called through the smooth green wave.
Their white shrouds gleamed as the flood of green
Rolled over and hid them from me--
Hid all but the little hands and the hair,
And the face that I always see.
poem by Edith Nesbit

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Born To Be Ransomed
Born to be ransomed,
Born for a reason,
On one side Love,
On the other side Security,
Mabey,
Taken to be placed elsewhere,
Or,
Mabey,
Taken to be placed with them,
Born to be ransomed,
Held ransomed by those,
For security measures of the father and mother,
So,
They are called on by the beckoning,
Of,
Those holding child held by ransomed,
Is what people do when child means,
A lot to mother and father,
Love and security in family keepings,
Born to be ransomed,
With intent to use child,
By the takers of child,
To profit and gain,
For themselves in lifes times,
When child born is then used,
Till,
Mother and father is killed,
And,
Child is then raised in a racket,
For,
What mother and father were,
And,
Left for the child when child grown,
In giving is receiving,
All that has good intentions,
Gives for good reasons,
Yet,
Why one is born to be ransomed,
Is,
The what see's and pre-desires,
The placement and life,
Of,
What two in love have made,
The unborn child then becomes,
The ransom of what wants,
What,
The two have in love and wealth,
When this goes on and child is grown,
The eyes that see and yet do not understand,
Is,
The child raised seeing all,
From,
The good ways,
To the bad ways,
To the cruel ways,
To,
The crimes committed and seen,
Is,
The eyes of seeing,
From,
Been born in a world disrupted,
Is,
A child born and ransomed,
What is of matter,
Mattering to two,
Two in love,
That,
Choose to be one,
One as in a couple,
To matter and be,
For,
What matters to them,
Is,
What brings matter of two,
To,
Become a matter of one,
A,
Child born of two,
Yet,
Now matter's to none,
But,
What ransoms the child out,
Till,
The child grew to be,
And,
Left them all behind,
Knowing,
Mother and father are dead,
Living,
Life knowing too much,
Just,
From been the ransom,
The ransom,
Of,
All,
That,
Is,
Of,
Mother and father,
Till,
All,
Of,
Mother and father's,
Income and places,
Was,
Spent and giving to others,
Tis,
Then,
Ransomed child grown,
Can,
Leave,
With noting,
But themselve,
To have some kind,
Of life,
Somewhere else,
Faraway!
poem by Ellen Ni Bheachain

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Oh, FATHER! - FEEL MY Untold LOVE! (Part-2)
When I think of all the things you GAVE me:
Your sacrifices in food; love and affection are some to name,
The list goes endless and I fail to count what you gave to me;
With your heart, your mind, your energy and your soul of fame!
Mother, oh mother, I am still your little son!
Father, Oh father, I love thee till I am done!
You burnt yourself like a CANDLE to give me light....
Your deeds are never dull; your love is never pale;
I count endless things you, an endless tale
All these you spent on me throughout the years.
Mother, oh mother, I am still your little son!
Father, Oh father, I love thee till I am done!
Now I am in foreign land tormented like an alien, I'm hurt!
I am sad yet I remember Rudyard Kipling's poem, 'If' –
There a father suggest 180 things to his son; What if?
I am not with you; yet your advices ring in heart!
Mother, oh mother, I am still your little son!
Father, Oh father, I love thee till I am done!
I cherish our relationship forever and a day,
Till earth exists and sun sparkles in every way,
Till Stars twinkle and moon delights I carry your name,
Till death may do us apart yet I carry all the same
Mother, oh mother, I am still your little son!
Father, Oh father, I love thee till I am done!
We are separated by boundaries narrow.....
Yet in my memories, I'm with as your shadow;
I may carry your fortunes for while.....
Yet I carry your hope for a mile;
Mother, oh mother, I am still your little son!
Father, Oh father, I love thee till I am done! ................................................. .......................
A BIG NOTICE BOARD:
*Your attention please: Just take a break! Now READ part 1 to make your reading wholesome. PART 2 of the poem
Oh, FATHER! - FEEL MY Untold LOVE! (Part-1)
poem by Harindhar Reddy

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The Forsaken
Holy Mother of God, Merciful Mary. Hear me! I am very weary. I have come
from a village miles away, all day I have been coming, and I ache for such
far roaming. I cannot walk as light as I used, and my thoughts grow confused.
I am heavier than I was. Mary Mother, you know the cause!
Beautiful Holy Lady, take my shame away from me! Let this fear
be only seeming, let it be that I am dreaming. For months I have hoped
it was so, now I am afraid I know. Lady, why should this be shame,
just because I haven't got his name. He loved me, yes, Lady, he did,
and he couldn't keep it hid. We meant to marry. Why did he die?
That day when they told me he had gone down in the avalanche, and could not
be found until the snow melted in Spring, I did nothing. I could not cry.
Why should he die? Why should he die and his child live? His little child
alive in me, for my comfort. No, Good God, for my misery! I cannot face
the shame, to be a mother, and not married, and the poor child to be reviled
for having no father. Merciful Mother, Holy Virgin, take away this sin I did.
Let the baby not be. Only take the stigma off of me!
I have told no one but you, Holy Mary. My mother would call me 'whore',
and spit upon me; the priest would have me repent, and have
the rest of my life spent in a convent. I am no whore, no bad woman,
he loved me, and we were to be married. I carried him always in my heart,
what did it matter if I gave him the least part of me too? You were a virgin,
Holy Mother, but you had a son, you know there are times when a woman
must give all. There is some call to give and hold back nothing.
I swear I obeyed God then, and this child who lives in me is the sign.
What am I saying? He is dead, my beautiful, strong man! I shall never
feel him caress me again. This is the only baby I shall have.
Oh, Holy Virgin, protect my baby! My little, helpless baby!
He will look like his father, and he will be as fast a runner and as good
a shot. Not that he shall be no scholar neither. He shall go to school
in winter, and learn to read and write, and my father will teach him to carve,
so that he can make the little horses, and cows, and chamois,
out of white wood. Oh, No! No! No! How can I think such things,
I am not good. My father will have nothing to do with my boy,
I shall be an outcast thing. Oh, Mother of our Lord God, be merciful,
take away my shame! Let my body be as it was before he came.
No little baby for me to keep underneath my heart for those long months.
To live for and to get comfort from. I cannot go home and tell my mother.
She is so hard and righteous. She never loved my father, and we were born
for duty, not for love. I cannot face it. Holy Mother, take my baby away!
Take away my little baby! I don't want it, I can't bear it!
And I shall have nothing, nothing! Just be known as a good girl.
Have other men want to marry me, whom I could not touch, after having known
my man. Known the length and breadth of his beautiful white body,
and the depth of his love, on the high Summer Alp, with the moon above,
and the pine-needles all shiny in the light of it. He is gone, my man,
I shall never hear him or feel him again, but I could not touch another.
I would rather lie under the snow with my own man in my arms!
So I shall live on and on. Just a good woman. With nothing to warm my heart
where he lay, and where he left his baby for me to care for. I shall not be
quite human, I think. Merely a stone-dead creature. They will respect me.
What do I care for respect! You didn't care for people's tongues
when you were carrying our Lord Jesus. God had my man give me my baby,
when He knew that He was going to take him away. His lips will comfort me,
his hands will soothe me. All day I will work at my lace-making,
and all night I will keep him warm by my side and pray the blessed Angels
to cover him with their wings. Dear Mother, what is it that sings?
I hear voices singing, and lovely silver trumpets through it all. They seem
just on the other side of the wall. Let me keep my baby, Holy Mother.
He is only a poor lace-maker's baby, with a stain upon him,
but give me strength to bring him up to be a man.
poem by Amy Lowell

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The Pilgrims
Who is your lady of love, O ye that pass
Singing? and is it for sorrow of that which was
That ye sing sadly, or dream of what shall be?
For gladly at once and sadly it seems ye sing.
--Our lady of love by you is unbeholden;
For hands she hath none, nor eyes, nor lips, nor golden
Treasure of hair, nor face nor form; but we
That love, we know her more fair than anything.
--Is she a queen, having great gifts to give?
--Yea, these; that whoso hath seen her shall not live
Except he serve her sorrowing, with strange pain,
Travail and bloodshedding and bitterer tears;
And when she bids die he shall surely die.
And he shall leave all things under the sky
And go forth naked under sun and rain
And work and wait and watch out all his years.
--Hath she on earth no place of habitation?
--Age to age calling, nation answering nation,
Cries out, Where is she? and there is none to say;
For if she be not in the spirit of men,
For if in the inward soul she hath no place,
In vain they cry unto her, seeking her face,
In vain their mouths make much of her; for they
Cry with vain tongues, till the heart lives again.
--O ye that follow, and have ye no repentance?
For on your brows is written a mortal sentence,
An hieroglyph of sorrow, a fiery sign,
That in your lives ye shall not pause or rest,
Nor have the sure sweet common love, nor keep
Friends and safe days, nor joy of life nor sleep.
--These have we not, who have one thing, the divine
Face and clear eyes of faith and fruitful breast.
--And ye shall die before your thrones be won.
--Yea, and the changed world and the liberal sun
Shall move and shine without us, and we lie
Dead; but if she too move on earth and live,
But if the old world with all the old irons rent
Laugh and give thanks, shall we be not content?
Nay, we shall rather live, we shall not die,
Life being so little and death so good to give.
--And these men shall forget you.--Yea, but we
Shall be a part of the earth and the ancient sea,
And heaven-high air august, and awful fire,
And all things good; and no man's heart shall beat
But somewhat in it of our blood once shed
Shall quiver and quicken, as now in us the dead
Blood of men slain and the old same life's desire
Plants in their fiery footprints our fresh feet.
--But ye that might be clothed with all things pleasant,
Ye are foolish that put off the fair soft present,
That clothe yourselves with the cold future air;
When mother and father and tender sister and brother
And the old live love that was shall be as ye,
Dust, and no fruit of loving life shall be.
--She shall be yet who is more than all these were,
Than sister or wife or father unto us or mother.
--Is this worth life, is this, to win for wages?
Lo, the dead mouths of the awful grey-grown ages,
The venerable, in the past that is their prison,
In the outer darkness, in the unopening grave,
Laugh, knowing how many as ye now say have said,
How many, and all are fallen, are fallen and dead:
Shall ye dead rise, and these dead have not risen?
--Not we but she, who is tender and swift to save.
--Are ye not weary and faint not by the way,
Seeing night by night devoured of day by day,
Seeing hour by hour consumed in sleepless fire?
Sleepless: and ye too, when shall ye too sleep?
--We are weary in heart and head, in hands and feet,
And surely more than all things sleep were sweet,
Than all things save the inexorable desire
Which whoso knoweth shall neither faint nor weep.
--Is this so sweet that one were fain to follow?
Is this so sure where all men's hopes are hollow.
Even this your dream, that by much tribulation
Ye shall make whole flawed hearts, and bowed necks straight?
--Nay, though our life were blind, our death were fruitless,
Not therefore were the whole world's high hope rootless;
But man to man, nation would turn to nation,
And the old life live, and the old great world be great.
--Pass on then and pass by us and let us be,
For what light think ye after life to see?
And if the world fare better will ye know?
And if man triumph who shall seek you and say?
--Enough of light is this for one life's span,
That all men born are mortal, but not man:
And we men bring death lives by night to sow,
That man may reap and eat and live by day.
poem by Algernon Charles Swinburne

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Oh, FATHER! - FEEL MY Untold LOVE! (Part-1)
At schooltime, my father left me at house gringo!
Yet I Kept my tender heart at home of lingo!
When I quested, for fate “he is right as rain.”
Tender tears exploded like MISSILES yet in vein;
Mother, oh mother, I am still your little son!
Father, Oh father, I love thee till I am done!
While I missed mother’s love and father’s stories
All the night I stood without sleep with many worries
I asked the god, why two legs and hands!
Why not two bodies and two souls for errands!
Mother, oh mother, I am still your little son!
Father, Oh father, I love thee till I am done!
Sugarcane Juice, peanuts and berries!
Our green fields, summer holidays and holy tours!
When thousand memories flashes in mind, now,
How much I miss mom's care! How much I miss dad’s love!
Mother, oh mother, I am still your little son!
Father, Oh father, I love thee till I am done!
The small buns you bought for me still smell good,
The grapes brought, coming from city is still my favorite food;
The fruits you brought me with roots; are they heaven sent?
Yet I didn’t pay any rent pay as you are my parent!
Mother, oh mother, I am still your little son!
Father, Oh father, I love thee till I am done!
Do you know who my MAHATMA is? Oh, my brother!
He is not Mandela, nor Gandhi but my father
Who taught me A to Z rather?
What to do and what not to do, I gather!
Mother, oh mother, I am still your little son!
Father, Oh father, I love thee till I am done!
When I think of all the things you gave to me:
Your sacrifices in food; love and affection are some to name,
............................................. ................................................. .....
*A big NOTICE BOARD: Oops! Sorry the poem is NOT completed. This is just break time! Now continue Your reading in part 2 the poem.
Oh, FATHER! - FEEL MY Untold LOVE! (Part-2) contin'd in part 2.. Read it.
poem by Harindhar Reddy

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Little Popeet - the Lost Child
Near by the silent waters of the Mediterranean,
And at the door of an old hut stood a coloured man,
Whose dress was oriental in style and poor with wear,
While adown his furrowed cheeks ran many a tear.
And the poor coloured man seemed very discontent,
And his grief overcame him at this moment;
And he wrung his hands in agony wild,
And he cried, "Oh! help me, great God, to find my child."
"And Ada, my dear wife, but now she is dead,
Which fills my poor heart with sorrow and dread;
She was a very loving wife, but of her I'm bereft,
And I and my lost child are only left.
And, alas! I know not where to find my boy,
Who is dear to me and my only joy;
But with the help of God I will find him,
And this day in search of him I will begin."
So Medoo leaves Turkey and goes to France,
Expecting to find his boy there perhaps by chance;
And while there in Paris he was told
His boy by an Arab had been sold
To a company of French players that performed in the street,
Which was sad news to hear about his boy Popeet;
And while searching for him and making great moan,
He was told he was ill and in Madame Mercy's Home.
Then away went Medoo with his heart full of joy,
To gaze upon the face of his long-lost boy;
Who had been treated by the players mercilessly,
But was taken to the home of Madame Celeste.
She was a member of the players and the leader's wife,
And she loved the boy Popeet as dear as her life,
Because she had no children of her own;
And for the poor ill-treated boy often she did moan.
And when Popeet's father visited the Home,
He was shown into a room where Popeet lay alone,
Pale and emaciated, in his little bed;
And when his father saw him he thought he was dead.
And when Popeet saw his father he lept out of bed,
And only that his father caught him he'd been killed dead;
And his father cried, " Popeet, my own darling boy,
Thank God I've found you, and my heart's full of joy."
Then Madame Mercy's tears fell thick and fast,
When she saw that Popeet had found his father at last;
Then poor Popeet was taken home without delay,
And lived happy with his father for many a day.
poem by William Topaz McGonagall

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Honor Our Father! ! !
I remember when I was young,
My New Life with Christ, Just begun,
I became Born-again!
I'll Never forget that day,
When Jesus came in my heart, To Stay!
He's been guiding me all this way,
One day I asked Him'Father, What should I do?
My earthly Dad, wants to be called father too
I know Your Word says, Call No man Father
On Earth, But Only Our Father in Heaven,
You're The Father -of us all, This is True! ! !
Father replied'My Child, You don't understand
'I AM' 'Your Holy Father'
Your earthly father is a Human, man
But You are to Honor Your Father and Mother,
Because that's one of My Commands,
By Honoring them, You also Honor Me!
I appointed Your Parents, to guide You to see,
Jesus! Through Him, You've come to me,
'I AM' The Holy Father, I give Eternal Life!
poem by Patricia Martin

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O, mother
O mother except you no other,
No one can fill place either,
No brother, sister or father,
Only you mother and no other,
On this earth unique place you find,
So important and no one would mind,
As moon and stars always shine,
You hold position as that of power divine,
You hold all of us close to the chest,
Take great care and keep us in nest,
Worry you more and feed us best,
You make all of us happy and then rest,
You sleet in wet cloths and kept us dry
Awoke at night and stopped our cry,
Always we fell down when tried to fly
Gave us shield and cover when felt shy
You did not eat full but little saved
Faced problems more but never caved,
We were kept neat and always clean,
But you didn’t think it was mean,
I remember once mom you wept,
Havoc played by flood and house nearly swept,
You struggled very hard and together kept,
Neither you created bogey nor did you weep
Taught us lessons how to stand fast,
Hurdles to face many but not to last,
Essence of life not to be washed away,
Neither to be carried away nor to miss the way,
Such stand fast in life you always stood,
Otherwise would have starved for the want of food,
You stood like rock and done work good,
Made us so humble and taken out of wood,
What I am today all because of you,
I consider you always next to 'THOU'
He is everywhere but not in race
I see His reflection on your face
Whole world exists and so do I,
Had you not been here what could see my eye?
All flash, bones and body wants to reveal something
As it is seen today would have been nothing
Words may be less and find no place
No object on earth can take place or replace
No amount of praise can do a better
Ink may not do good so as to write letter,
Even in leisure, happiness I measure,
Never get an answer and am also not sure,
Even for little pain you had simple cure,
Even at home you made us fully secured,
Even if put body and life at service,
Will do neither good and nor it suffice,
Mom I wept so much at your demise,
I found no one to console and to promise,
I may dare not and not even think,
Word of dishonor and even blink,
I may even think all mothers alike,
Whether all agree or have dislike,
With a word 'mother” heart is filled,
Life becomes sweeter and doesn't matter,
Even with the age I am still child,
Remember your beating when I grew wild,
You are laid to rest
But still you offer best,
I stand firm and loose no test,
Your good advices firmly to chest
poem by Hasmukh Amathalal

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She Sat Alone Beside Her Hearth
SHE sat alone beside her hearth—
For many nights alone;
She slept not on the pleasant couch
Where fragrant herbs were strewn.
At first she bound her raven hair
With feather and with shell;
But then she hoped; at length, like night,
Around her neck it fell.
They saw her wandering mid the woods,
Lone, with rite cheerless dawn,
And then they said, 'Can this be her
We called 'The Startled Fawn?' '
Her heart was in her large sad eyes,
Half sunshine and half shade;
And love, as love first springs to life,
Of every thing afraid.
The red leaf far more heavily
Fell down to autumn earth,
Than her light feet, which seemed to move
To music and to mirth.
With the light feet of early youth,
What hopes and joys depart,
Ah! nothing like the heavy step
Betrays the heavy heart.
It is a usual history
That Indian girl could tell;
Fate sets apart one common doom
For all who love too well.
The proud—the shy—the sensitive,—
Life has not many such;
They dearly buy their happiness,
By feeling it too much.
A stranger to her forest home,
That fair young stranger came;
They raised for him the funeral song—
For him the funeral flame.
Love sprang from pity,—and her arms
Around his arms she threw;
She told her father, 'If he dies,
Your daughter dieth too.'
For her sweet sake they set him free—
He lingered at her side;
And many a native song yet tells
Of that pale stranger's bride.
Two years have passed—how much two years
Have taken in their flight!
They've taken from the lip its smile,
And from the eye its light.
Poor child! she was a child in years—
So timid and so young;
With what a fond and earnest faith
To desperate hope she clung!
His eyes grew cold—his voice grew strange—
They only grew more dear.
She served him meekly, anxiously,
With love—half faith—half fear.
And can a fond and faithful heart
Be worthless in those eyes
For which it beats?—Ah! wo to those
Who such a heart despise.
Poor child! what lonely days she passed,
With nothing to recall
But bitter taunts, and careless words,
And looks more cold than all.
Alas! for love, that sits at home,
Forsaken, and yet fond;
The grief that sits beside the hearth—
Life has no grief beyond.
He left her, but she followed him—
She thought he could not bear,
When she had left her home for him,
To look on her despair.
Adown the strange and mighty stream
She took her lonely way;
The stars at night her pilots were,
As was the sun by day.
Yet mournfully—how mournfully!—
The Indian looked behind,
When the last sound of voice or step
Died on the midnight wind,
Yet still adown the gloomy stream
She plied her weary oar;
Her husband—he had left their home,
And it was home no more.
She found him—but she found in vain—
He spurned her from his side;
He said, her brow was all too dark,
For her to be his bride.
She grasped his hands,—her own were cold,—
And silent turned away,
As she had not a tear to shed,
And not a word to say.
And pale as death she reached her boat,
And guided it along;
With broken voice she strove to raise
A melancholy song.
None watched the lonely Indian girl,—
She passed unmarked of all,
Until they saw her slight canoe
Approach the mighty Fall!
Upright, within that slender boat
They saw the pale girl stand,
Her dark hair streaming far behind—
Upraised her desperate hand.
The air is filled with shriek and shout—
They call, but call in vain;
The boat amid the waters dash'd—
'Twas never seen again!
poem by Letitia Elizabeth Landon

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Persia
I am writing this song at the close
Of a beautiful day of the spring
In a dell where the daffodil grows
By a grove of the glimmering wing;
From glades where a musical word
Comes ever from luminous fall,
I send you the song of a bird
That I wish to be dear to you all.
I have given my darling the name
Of a land at the gates of the day,
Where morning is always the same,
And spring never passes away.
With a prayer for a lifetime of light,
I christened her Persia, you see;
And I hope that some fathers to-night
Will kneel in the spirit with me.
She is only commencing to look
At the beauty in which she is set;
And forest and flower and brook,
To her are all mysteries yet.
I know that to many my words
Will seem insignificant things;
But you who are mothers of birds
Will feel for the father who sings.
For all of you doubtless have been
Where sorrows are many and wild;
And you know what a beautiful scene
Of this world can be made by a child:
I am sure, if they listen to this,
Sweet women will quiver, and long
To tenderly stoop to and kiss
The Persia I’ve put in a song.
And I’m certain the critic will pause,
And excuse, for the sake of my bird,
My sins against critical laws—
The slips in the thought and the word.
And haply some dear little face
Of his own to his mind will occur—
Some Persia who brightens his place—
And I’ll be forgiven for her.
A life that is turning to grey
Has hardly been happy, you see;
But the rose that has dropped on my way
Is morning and music to me.
Yea, she that I hold by the hand
Is changing white winter to green,
And making a light of the land—
All fathers will know what I mean:
All women and men who have known
The sickness of sorrow and sin,
Will feel—having babes of their own—
My verse and the pathos therein.
For that must be touching which shows
How a life has been led from the wild
To a garden of glitter and rose,
By the flower-like hand of a child.
She is strange to this wonderful sphere;
One summer and winter have set
Since God left her radiance here—
Her sweet second year is not yet.
The world is so lovely and new
To eyes full of eloquent light,
And, sisters, I’m hoping that you
Will pray for my Persia to-night.
For I, who have suffered so much,
And know what the bitterness is,
Am sad to think sorrow must touch
Some day even darlings like this!
But sorrow is part of this life,
And, therefore, a father doth long
For the blessing of mother and wife
On the bird he has put in a song.
poem by Henry Kendall

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Today... 'Father To The Fatherless
The Father of the Fatherless has fathered me.
No more a destitute orphan am I to be
now I've been born again into God's family
for Jesus sacrificed His life and has saved me.
Psalm 68: 5—5 A father to the fatherless, a defender of widows,
is God in his holy dwelling.
All quotations ©NIV
The Bible calls You by many names
each one giving a glimpse of Your glory.
Like a cut diamond radiating in the sun
with every facet depicting an aspect
of Your Divine Nature.
Today I have thought of You as
'The Carpenters Son'
Matthew 13: 53-58
O Father of the fatherless
in whom all families are blessed
I love the way You father me
You gave me life, forgave the past
now in Your arms I'm safe at last
I love the way You father me
Father me, for ever You'll father me
and in Your embrace I'll be forever secure
I love the way You father me
I love the way You father me
When bruised and broken I draw near
You hold me close and dry my tears
I love the way You father me
At last my fearful heart is still
surrendered to Your perfect will
I love the way You father me
If in my foolishness I stray
returning empty and ashamed
I love the way You father me
Exchanging for my wretchedness
Your radiant robes of righteousness
I love the way You father me
And when I look into Your eyes
from deep within my spirit cries
I love the way You father me
Before such love I stand amazed
and ever will through endless days
I love the way You father me
Graham Kendrick
Bid McCrae
The church was wrapped in darkness save for the alter-light,
And save where near the marble rail six tapers glimmered bright
O’er waxen heavy-scented flowers and coffin plated deep,
Where the good wife, Mary Halloran lay in her last long sleep.
Her life, calm, pure and prosperous, had scarcely known a care;
Four sons, three daughters, she had reared – all sturdy, strong and fair,
All like their parents, kindly, plain and practical-save one
That rare soul, marked for graces high, the young priest - Father John.
His beautiful young face was lit by spirit-light within
A new St. Michael armed against the powers of wrath and sin-
And now he knelt and prayed alone, amid the church’s gloom,
And heard his mother’s well loved voice come from beyond the tomb:
“Oh help me dearest son of mine to-night my soul has known
Our neighbours’ life is twined with ours; we cannot live alone;
My sins, our dear Lord has forgiven, their guilt is purged away,
But yet I cannot enter Heaven, because of Bid McCrae.”
Young Father John thought hard and long, till memory came again,
Of the poor, shiftless outcast, Bid, who dwelt in Padgett’s Lane,
A stone’s throw from his Mother’s yard, the by-word of the street,
Good women turned away in scorn at passing of her feet.
The gentle sisters often strove, with fond solicitude,
To bring to paths of light and peace bid’s wild and reckless brood;
And so, at Constance Halloran’s side, on first communion day,
Knelt little bright eyes Delia, the child of Bid McCrae.
Both pure souls, wrapt in loving awe, before the children’s King,
But ah, the coming, crowding years that swift temptations bring!
While Constance, safe and sheltered bloomed to happy girlhood bright.
Poor erring Delia’s wayward path knew sin’s un-holy blight.
“Blind in my selfish virtue wrapped I passed her all my days,
And god, He judgeth not as we – His ways are not our ways-“
Again his Mothers’ voice he heard, and read its message plain,
And Father John arose and sought the depths of Padgett’s Lane.
There by the dying sinner’s bed, he fought the powers of Hell-
Fought for the storm –tossed mother’s soul, the erring child as well
For kneeling by her mothers’ bed, the lamplight on her hair,
Poor broken-hearted Delia knelt in sorrow and despair.
And strange deep thoughts had Father John-how full of charity!
How rich in golden gleams of good a sinner’s heart can be!
And ere the dawnlight flushed the sky, both had been reconciled-
Shriven and at rest the happy dead, and saved the wayward child.
Next night there came to father John a vision glad and bright:
He saw his gentle mother stand at Heaven’s portal bright,
And as the young priest raised his heart in humble fervent praise
To God, who judgeth not as we - whose ways are not our ways-
The storm-tossed outcast, bid McCrae, all shriven from her sin,
Stood at this saintly woman’s side, and smiled, and led her in.
poem by Alice Guerin Crist

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A Colloquy: (For M. W.)
'When you get to Heaven, seek and find my boy.
Mother him!' 'Until you come?' 'I shall never come.
Earth was good enough for me who had all my joy
In my Love, my Light of home.
'But to him be given, in overflowing measure,
All the joys your Heaven can give if your God be just!
He, my boy slain in his youth to serve some mad king's pleasure
And his dreams and hopes in dust.'
'How shall I know him where so many boys are?
Multitudes and multitudes ever they increase.'
'Oh, my boy is young and tall, with bird-russet hair
And quiet eyes of peace.
'He who was killed in a quarrel not his own!
All his days he had good-will to his fellow-men.
Oh, your God is kind and just, shall He not atone
And the dark ways be made plain?
'Seek my son and find him, so he shall not miss
Me, his mother-comrade, through his length of days.'
'Oh, but he would turn from a strange woman's kiss
And ask where his mother delays.
'So be up and going for the way's not long!
God who kissed His Mother dear, a Babe in Nazareth,
Knows how they need mother-love, the dear and precious young,
In the new Life where is no Death.'
poem by Katharine Tynan

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A Soldier's Reprieve
'Twas in the United States of America some years ago
An aged father sat at his fireside with his heart full of woe,
And talking to his neighbour, Mr Allan, about his boy Bennie
That was to be shot because found asleep doing sentinel duty.
"Inside of twenty-four hours, the telegram said,
And, oh! Mr Allan, he's dead, I am afraid.
Where is my brave Bennie now to me is a mystery."
"We will hope with his heavenly Father," said Mr Allen, soothingly.
"Yes, let us hope God is very merciful," said Mr Allan.
"Yes, yes," said Bennie's father, "my Bennie was a good man.
He said, 'Father, I'll go and fight for my country.
Go, then, Bennie,' I said, 'and God be with ye.' "
Little Blossom, Bennie's sister, sat listening with a blanched cheek,
Poor soul, but she didn't speak,
Until a gentle tap was heard at the kitchen door,
Then she arose quickly and tripped across the floor.
And opening the door, she received a letter from a neighbour's hand,
And as she looked upon it in amazement she did stand.
Then she cried aloud, "It is from my brother Bennie.
Yes, it is, dear father, as you can see."
And as his father gazed upon it he thought Bennie was dead,
Then he handed the letter to Mr Allan and by him it was read,
And the minister read as follows: "Dear father, when this you see
I shall be dead and in eternity.
"And, dear father, at first it seemed awful to me
The thought of being launched into eternity.
But, dear father, I'm resolved to die like a man,
And keep up my courage and do the best I can.
"You know I promised Jemmie Carr's mother to look after her boy,
Who was his mother's pet and only joy.
But one night while on march Jemmie turned sick,
And if I hadn't lent him my arm he'd have dropped very quick.
"And that night it was Jemmie's turn to be sentry,
And take poor Jemmie's place I did agree,
But I couldn't keep awake, father, I'm sorry to relate,
And I didn't know it, well, until it was too late.
"Good-bye, dear father, God seems near me,
But I'm not afraid now to be launched into eternity.
No, dear father, I'm going to a world free from strife,
And see my Saviour there in a better, better life."
That night, softly, little Blossom, Bennie's sister, stole out
And glided down the footpath without any doubt.
She was on her way to Washington, with her heart full of woe,
To try and save her brother's life, blow high, blow low.
And when Blossom appeared before President Lincoln,
Poor child, she was looking very woebegone.
Then the President said, "My child, what do you want with me?"
"Please, Bennie's life, sir," she answered timidly.
"Jemmie was sick, sir, and my brother took his place."
"What is this you say, child? Come here and let me see your face."
Then she handed him Bennie's letter, and he read if carefully,
And taking up his pen he wrote a few lines hastily.
Then he said to Blossom, "To-morrow, Bennie will go with you."
And two days after this interview
Bennie and Blossom took their way to their green mountain home,
And poor little Blossom was footsore, but she didn't moan.
And a crowd gathered at the mill depot to welcome them back,
And to grasp the hand of his boy, Farmer Owen wasn't slack,
And tears flowed down his cheeks as he said fervently,
"The Lord be praised for setting my dear boy free."
poem by William Topaz McGonagall

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Christmas, 1880
Great-hearted child, thy very being
The Son
,
Who know'st the hearts of all us prodigals;-
For who is prodigal but he who has gone
Far from the true to heart it with the false?-
Who, who but thou, that, from the animals',
Know'st all the hearts, up to the Father's own,
Can tell what it would be to be alone!
Alone! No father!-At the very thought
Thou, the eternal light, wast once aghast;
A death in death for thee it almost wrought!
But thou didst haste, about to breathe thy last,
And call'dst out
Father
ere thy spirit passed,
Exhausted in fulfilling not any vow,
But doing his will who greater is than thou.
That we might know him, thou didst come and live;
That we might find him, thou didst come and die;
The son-heart, brother, thy son-being give-
We too would love the father perfectly,
And to his bosom go back with the cry,
Father, into thy hands I give the heart
Which left thee but to learn how good thou art!
There are but two in all the universe-
The father and his children-not a third;
Nor, all the weary time, fell any curse!
Not once dropped from its nest an unfledged bird
But thou wast with it! Never sorrow stirred
But a love-pull it was upon the chain
That draws the children to the father again!
O Jesus Christ, babe, man, eternal son,
Take pity! we are poor where thou art rich:
Our hearts are small; and yet there is not one
In all thy father's noisy nursery which,
Merry, or mourning in its narrow niche,
Needs not thy father's heart, this very now,
With all his being's being, even as thou!
poem by George MacDonald

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Margaret's Bridal Eve
I
The old grey mother she thrummed on her knee:
There is a rose that's ready;
And which of the handsome young men shall it be?
There's a rose that's ready for clipping.
My daughter, come hither, come hither to me:
There is a rose that's ready;
Come, point me your finger on him that you see:
There's a rose that's ready for clipping.
O mother, my mother, it never can be:
There is a rose that's ready;
For I shall bring shame on the man marries me:
There's a rose that's ready for clipping.
Now let your tongue be deep as the sea:
There is a rose that's ready;
And the man'll jump for you, right briskly will he:
There's a rose that's ready for clipping.
Tall Margaret wept bitterly:
There is a rose that's ready;
And as her parent bade did she:
There's a rose that's ready for clipping.
O the handsome young man dropped down on his knee:
There is a rose that's ready;
Pale Margaret gave him her hand, woe's me!
There's a rose that's ready for clipping.
II
O mother, my mother, this thing I must say:
There is a rose in the garden;
Ere he lies on the breast where that other lay:
And the bird sings over the roses.
Now, folly, my daughter, for men are men:
There is a rose in the garden;
You marry them blindfold, I tell you again:
And the bird sings over the roses.
O mother, but when he kisses me!
There is a rose in the garden;
My child, 'tis which shall sweetest be!
And the bird sings over the roses.
O mother, but when I awake in the morn!
There is a rose in the garden;
My child, you are his, and the ring is worn:
And the bird sings over the roses.
Tall Margaret sighed and loosened a tress:
There is a rose in the garden;
Poor comfort she had of her comeliness
And the bird sings over the roses.
My mother will sink if this thing be said:
There is a rose in the garden;
That my first betrothed came thrice to my bed;
And the bird sings over the roses.
He died on my shoulder the third cold night:
There is a rose in the garden;
I dragged his body all through the moonlight:
And the bird sings over the roses.
But when I came by my father's door:
There is a rose in the garden;
I fell in a lump on the stiff dead floor:
And the bird sings over the roses.
O neither to heaven, nor yet to hell:
There is a rose in the garden;
Could I follow the lover I loved so well!
And the bird sings over the roses.
III
The bridesmaids slept in their chambers apart:
There is a rose that's ready;
Tall Margaret walked with her thumping heart:
There's a rose that's ready for clipping.
The frill of her nightgown below the left breast:
There is a rose that's ready;
Had fall'n like a cloud of the moonlighted West:
There's a rose that's ready for clipping.
But where the West-cloud breaks to a star:
There is a rose that's ready;
Pale Margaret's breast showed a winding scar:
There's a rose that's ready for clipping.
O few are the brides with such a sign!
There is a rose that's ready;
Though I went mad the fault was mine:
There's a rose that's ready for clipping.
I must speak to him under this roof to-night:
There is a rose that's ready;
I shall burn to death if I speak in the light:
There's a rose that's ready for clipping.
O my breast! I must strike you a bloodier wound:
There is a rose that's ready;
Than when I scored you red and swooned:
There's a rose that's ready for clipping.
I will stab my honour under his eye:
There is a rose that's ready;
Though I bleed to the death, I shall let out the lie:
There's a rose that's ready for clipping.
O happy my bridesmaids! white sleep is with you!
There is a rose that's ready;
Had he chosen among you he might sleep too!
There's a rose that's ready for clipping.
O happy my bridesmaids! your breasts are clean:
There is a rose that's ready;
You carry no mark of what has been!
There's a rose that's ready for clipping.
IV
An hour before the chilly beam:
Red rose and white in the garden;
The bridegroom started out of a dream:
And the bird sings over the roses.
He went to the door, and there espied:
Red rose and white in the garden;
The figure of his silent bride:
And the bird sings over the roses.
He went to the door, and let her in:
Red rose and white in the garden;
Whiter looked she than a child of sin:
And the bird sings over the roses.
She looked so white, she looked so sweet:
Red rose and white in the garden;
She looked so pure he fell at her feet:
And the bird sings over the roses.
He fell at her feet with love and awe:
Red rose and white in the garden;
A stainless body of light he saw:
And the bird sings over the roses.
O Margaret, say you are not of the dead!
Red rose and white in the garden;
My bride! by the angels at night are you led?
And the bird sings over the roses.
I am not led by the angels about:
Red rose and white in the garden;
But I have a devil within to let out:
And the bird sings over the roses.
O Margaret! my bride and saint!
Red rose and white in the garden;
There is on you no earthly taint:
And the bird sings over the roses.
I am no saint, and no bride can I be:
Red rose and while in the garden;
Until I have opened my bosom to thee:
And the bird sings over the roses.
To catch at her heart she laid one hand:
Red rose and white in the garden;
She told the tale where she did stand:
And the bird sings over the roses.
She stood before him pale and tall:
Red rose and white in the garden;
Her eyes between his, she told him all:
And the bird sings over the roses.
She saw how her body grow freckled and foul:
Red rose and white in the garden;
She heard from the woods the hooting owl:
And the bird sings over the roses.
With never a quiver her mouth did speak:
Red rose and white in the garden;
O when she had done she stood so meek!
And the bird sings over the roses.
The bridegroom stamped and called her vile:
Red rose and white in the garden;
He did but waken a little smile:
And the bird sings over the roses.
The bridegroom raged and called her foul:
Red rose and white in the garden;
She heard from the woods the hooting owl:
And the bird sings over the roses.
He muttered a name full bitter and sore:
Red rose and white in the garden;
She fell in a lump on the still dead floor:
And the bird sings over the roses.
O great was the wonder, and loud the wail:
Red rose and white in the garden;
When through the household flew the tale:
And the bird sings over the roses.
The old grey mother she dressed the bier:
Red rose and white in the garden;
With a shivering chin and never a tear:
And the bird sings over the roses.
O had you but done as I bade you, my child!
Red rose and white in the garden;
You would not have died and been reviled:
And the bird sings over the roses.
The bridegroom he hung at midnight by the bier:
Red rose and white in the garden;
He eyed the white girl thro' a dazzling tear:
And the bird sings over the roses.
O had you been false as the women who stray:
Red rose and white in the garden;
You would not be now with the Angels of Day!
And the bird sings over the roses.
poem by George Meredith

Submitted by Poetry Lover
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