Worked-Out Mine
On summer nights when moonbeams flow
And glisten o’er the high, white tips,
And winds make lamentation low,
As through the ribs of shattered ships,
And steal about the broken brace
Where pendant timbers swing and moan,
And flitting bats give aimless chase,
Who dares to seek the mine alone?
The shrinking bush with sable rims
A skeleton forlorn and bowed,
With pipe-clay white about its limbs
And at its feet a tattered shroud;
And ghostly figures lurk and groan,
Shrill whispers sound from ghostly lips,
And ghostly footsteps start the stone
That clatters sharply down the tips.
The engine-house is dark and still,
The life that raged within has fled;
Like open graves the boilers chill
That once with glowing fires were red;
Above the shaft in measured space
A rotted rope swings to and fro,
Whilst o’er the plat and on the brace
The silent shadows come and go.
And there below, in chambers dread
Where darkness like a fungus clings,
Are lingering still the old mine’s dead—
Bend o’er and hear their whisperings!
Up from the blackness sobs and sighs
Are flung with moans and muttered fears,
A low lament that never dies,
And ceaseless sound of falling tears.
My ears intent have heard their grief—
The fitful tones of Carter’s tongue,
The strong man crushed beneath the reef,
The groans of Panton, Praer, and Young,
And ‘Trucker Bill’ of Number Five,
Along the ruined workings roll;
For deep in every shoot and drive
This mine secretes a shackled soul.
Ah! woful mine, where wives have wept,
And mothers prayed in anxious pain,
And long, distracting vigil kept,
You yawn for victims now in vain!
Still to that god, whose shrine you were,
Is homage done in wild device;
Men hate you as the sepulchre
That stores their bloody sacrifice.
poem by Edward George Dyson
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The Old Whim Horse
He's an old grey horse, with his head bowed sadly,
And with dim old eyes and a queer roll aft,
With the off-fore sprung and the hind screwed badly,
And he bears all over the brands of graft;
And he lifts his head from the grass to wonder
Why by night and day the whim is still,
Why the silence is, and the stampers' thunder
Sounds forth no more from the shattered mill.
In that whim he worked when the night winds bellowed
On the riven summit of Giant's Hand,
And by day when prodigal Spring had yellowed
All the wide, long sweep of enchanted land;
And he knew his shift, and the whistle's warning,
And he knew the calls of the boys below;
Through the years, unbidden, at night or morning,
He had taken his stand by the old whim bow.
But the whim stands still, and the wheeling swallow
In the silent shaft hangs her home of clay,
And the lizards flirt and the swift snakes follow
O'er the grass-grown brace in the summer day;
And the corn springs high in the cracks and corners
Of the forge, and down where the timber lies;
And the crows are perched like a band of mourners
On the broken hut on the Hermit's Rise.
All the hands have gone, for the rich reef paid out,
And the company waits till the calls come in;
But the old grey horse, like the claim, is played out,
And no market's near for his bones and skin.
So they let him live, and they left him grazing
By the creek, and oft in the evening dim
I have seen him stand on the rises, gazing
At the ruined brace and the rotting whim.
The floods rush high in the gully under,
And the lightnings lash at the shrinking trees,
Or the cattle down from the ranges blunder
As the fires drive by on the summer breeze.
Still the feeble horse at the right hour wanders
To the lonely ring, though the whistle's dumb,
And with hanging head by the bow he ponders
Where the whim boy's gone -- why the shifts don't come.
But there comes a night when he sees lights glowing
In the roofless huts and the ravaged mill,
When he hears again all the stampers going --
Though the huts are dark and the stampers still:
When he sees the steam to the black roof clinging
As its shadows roll on the silver sands,
And he knows the voice of his driver singing,
And the knocker's clang where the braceman stands.
See the old horse take, like a creature dreaming,
On the ring once more his accustomed place;
But the moonbeams full on the ruins streaming
Show the scattered timbers and grass-grown brace.
Yet HE hears the sled in the smithy falling,
And the empty truck as it rattles back,
And the boy who stands by the anvil, calling;
And he turns and backs, and he "takes up slack".
While the old drum creaks, and the shadows shiver
As the wind sweeps by, and the hut doors close,
And the bats dip down in the shaft or quiver
In the ghostly light, round the grey horse goes;
And he feels the strain on his untouched shoulder,
Hears again the voice that was dear to him,
Sees the form he knew -- and his heart grows bolder
As he works his shift by the broken whim.
He hears in the sluices the water rushing
As the buckets drain and the doors fall back;
When the early dawn in the east is blushing,
He is limping still round the old, old track.
Now he pricks his ears, with a neigh replying
To a call unspoken, with eyes aglow,
And he sways and sinks in the circle, dying;
From the ring no more will the grey horse go.
In a gully green, where a dam lies gleaming,
And the bush creeps back on a worked-out claim,
And the sleepy crows in the sun sit dreaming
On the timbers grey and a charred hut frame,
Where the legs slant down, and the hare is squatting
In the high rank grass by the dried-up course,
Nigh a shattered drum and a king-post rotting
Are the bleaching bones of the old grey horse.
poem by Edward George Dyson
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Midnight
From where I sit, I see the stars,
And down the chilly floor
The moon between the frozen bars
Is glimmering dim and hoar.
Without in many a peakèd mound
The glinting snowdrifts lie;
There is no voice or living sound;
The embers slowly die.
Yet some wild thing is in mine ear;
I hold my breath and hark;
Out of the depth I seem to hear
A crying in the dark;
No sound of man or wife or child,
No sound of beast that groans,
Or of the wind that whistles wild,
Or of the tree that moans:
I know not what it is I hear;
I bend my head and hark:
I cannot drive it from mine ear,
That crying in the dark.
poem by Archibald Lampman
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The Rescue
THERE’S a sudden, fierce clang of the knocker, then the sound of a voice in the shaft,
Shrieking words that drum hard on the centres, and the braceman goes suddenly daft:
‘Set the whistle a-blowing like blazes! Billy, run, give old Mackie a call—
Run, you fool! Number Two’s gone to pieces, and Fred Baker is caught in the fall!
Say, hello! there below—any hope, boys, any chances of saving his life?
‘Heave away!’ says the knocker. ‘They’ve started. God be praised, he’s no youngsters or wife!’
Screams the whistle in fearful entreaty, and the wild echo raves on the spur,
And the night, that was still as a sleeper in soft, charmed sleep, is astir
With the fluttering of wings in the wattles, and the vague frightened murmur of birds,
With far cooeys that carry the warning, running feet, inarticulate words.
From the black belt of bush come the miners, and they gather by Mack on the brace,
Out of breath, barely clad, and half-wakened, with a question in every face.
‘Who’s below?’ ‘Where’s the fall?’ Didn’t I tell you?—Didn’t I say that them sets wasn’t sound?’
‘Is it Fred? He was reckless was Baker; now he’s seen his last shift underground.’
‘And his mate? Where is Sandy M‘Fadyn?’ ’Sandy’s snoring at home on his bunk.’
‘Not at work! Name o’ God! a foreboding?’ ‘A foreboding be hanged! He is drunk!’
Take it steady there, lads!’ the boss orders. He is white to the roots of his hair.
We may get him alive before daybreak if he’s close to the face and has air.’
In the dim drive with ardour heroic two facemen are pegging away.
Long and Coots in the rise heard her thunder, and they fled without word or delay
Down the drive, and they rushed for the ladders, and they went up the shaft with a run,
For they knew the weak spot in the workings, and they guessed there was graft to be done.
Number Two was pitch dark, and they scrambled to the plat and they made for the face,
But the roof bad come down fifty yards in, and the reef was all over the place.
Fresher men from the surface replace them, and they’re hauled up on top for a blow;
When a life and death job is in doing there’s room only for workers below.
Bare-armed, and bare-chested, and brawny, with a grim, meaning set of the jaw,
The relay hurries in to the rescue, caring not for the danger a straw;
’Tis not toil, but a battle, they’re called to, and like Trojans the miners respond,
For a dead man lies crushed ’neath the timbers, or a live man is choking beyond.
By the faint, yellow glow of the candles, where the dank drive is hot with their breath,
On the verge of the Land of the Shadow, waging war breast to bosom with Death,
How they struggle, these giants! and slowly, as the trucks rattle into the gloom,
Inch by inch they advance to the conquest of a prison—or is it a tomb?
And the working’s re-echo a volley as the timbers are driven in place;
Then a whisper is borne to the toilers ‘Boys, his mother is there on the brace!’
Like veterans late into action, fierce with longing to hew and to hack,
Riordan’s shift rushes in to relieve them, and the toil-stricken men stagger back.
‘Stow the stuff, mates, wherever there’s stowage! Run the man on the brace till he drops!
There’s no time to think on this billet! Bark the heels of the trucker who stops!
Keep the props well in front, and be careful. He’s in there, and alive, never fret.’
But the grey dawn is softening the ridges, and the word has not come to us yet.
Still the knocker rings out, and the engine shrieks and strains like a creature in pain
As the cage rushes up to the surface and drops back into darkness again.
By the capstan a woman is crouching. In her eyes neither hope nor despair;
But a yearning that glowers like frenzy bids those who’d speak pity forbear.
Like a figure in stone she is seated till the labour of rescue be done.
For the father was killed in the Phoenix, and the son—Lord of pity! the son?
‘Hello! there on top!’ they are calling. ‘They are through! He is seen in the drive!’
‘They have got him—thank Heaven! they’ve got him, and oh, blessed be God, he’s alive!’
‘Man on! heave away!’ ‘Step aside, lads; let his mother be first when he lands.’
She was silent and strong in her anguish; now she babbles and weeps where she stands,
And the stern men, grown gentle, support her at the mouth of the shaft, till at last
With a rush the cage springs to the landing, and her son’s arms encircle her fast.
She has cursed the old mine for its murders, for the victims its drives have ensnared,
Now she cries a great blessing upon it for the one precious life it has spared.
poem by Edward George Dyson
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A Prayer
Often the western wind has sung to me,
There have been voices in the streams and meres,
And pitiful trees have told me, God, of Thee :
And I heard not. Oh ! open Thou mine ears.
The reeds have whispered low as I passed by,
' Be strong, O friend, be strong, put off vain fears,
Vex not they soul with doubts, God cannot lie ' :
And I heard not. Oh ! open Thou mine ears.
There have been many stars to guide my feet,
Often the delicate moon, hearing my sighs,
Has rent the clouds and shown a silver street;
And I saw not. Oh ! open Thou mine eyes.
Angels have beckoned me unceasingly,
And walked with me ; and from the sombre skies
Dear Christ Himself has stretched out hands to me ;
And I saw not. Oh ! open Thou mine eyes.
poem by Lord Alfred Douglas
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The Bunyip
Oh, came you up by the place of dread
(west red, and the moon low down)
where no winds blow and the birds have fled
and the gum stands dead and its arms gleam white,
and the tribe sneak by with a stealthy tread
in the ghostly light,in the ghostly light.
Brave Worraland went one grey nightfall
(A woi! woi!) where the grim rocks frown;
he came no more to the camps at all
(Skies dark, and the moon low down).
As we came up by the gully side
(Deep dusk, and the moon low down)
A Dingo whined and a Curlew cried
and the reeds replied as in hushed affright
where tall brae Worraland screamed and died
in the ghostly light, in the ghostly light.
For the Thing lurks there in the haunted place
(A woi! woi!) where the pool is brown,
where lost ones vanish and leave no trace
(Day dead, and the moon low down).
Of, go not by near the bunyip's lair
(Stars dim, and the moon low down)
or tip-toe past and beware, beware
the dark pool snare and be set for flight,
for things of terror have happened there
in the ghostly light, in the ghostly light
and in the gunyas we crouch and hark
(A woi! woi!) where the dead men drown
The monster's bellow across the dark
(Stars gone, and the moon low down).
poem by James Martin Devaney
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The Legend of Cooee Gully
The night came down thro’ Deadman’s Gap,
Where the ghostly saplings bent
Before a wind that tore the fly
From many a digger’s tent.
Dark as pitch, and the rain rushed past
On a wind that howled again;
And we crowded into the only but
That stood on the hillside then.
The strong pine rafters creaked and strained,
’Til we thought that the roof would go;
And we felt the box-bark walls bend in
And bulge like calico.
A flood had come from the gorges round:
Thro’ the gully’s bed it poured.
Down many a deep, deserted shaft
The yellow waters roared.
The scene leapt out when the lightning flashed
And shone with a ghastly grey;
And the night sprang back to the distant range
’Neath a sky as bright as day.
Then the darkness closed like a trap that was sprung,
And the night grew black as coals,
And we heard the ceaseless thunder
Of the water down the holes.
And now and then like a cannon’s note
That sounds in the battle din,
We heard the louder thunder spring
From a shaft, when the sides fell in.
We had gathered close to the broad but fire
To yarn of the by-gone years,
When a coo-ee that came from the flooded grounds
Fell sharp on our startled ears.
We sprang to our feet, for well we knew
That in speed lay the only hope;
One caught and over his shoulder threw
A coil of yellow rope.
Then, blinded oft by the lightning’s flash,
Down the steep hillside we sped,
And at times we slipped on the sodden path
That ran to the gully’s bed.
And on past many a broken shaft
All reckless of risk we ran,
For the wind still brought in spiteful gusts
The cry of the drowning man.
But the cooeying ceased when we reached the place;
And then, ere a man could think,
We heard the treacherous earth give way
And fall from a shaft’s black brink.
And deep and wide the rotten side
Slipped into the hungry hole,
And the phosphorus leapt and vanished
Like the flight of the stranger’s soul.
And still in the sound of the rushing rain,
When the night comes dark and drear,
From the pitch-black side of that gully wide
The coo-ee you’ll hear and hear.
Coo-ee — coo-e-e-e, low and eerily,
It whispers afar and drear —
And then to the heart like an icy dart
It strikes thro’ the startled ear!
Dreader than wrung from the human tongue
It shrieks o’er the sound of the rain,
And back on the hill when the wind is still
It whispers and dies again.
And on thro’ the night like the voice of a sprite
That tells of a dire mishap
It echoes around in the gully’s bound
And out thro’ Deadman’s Gap.
poem by Henry Lawson
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At Her Door
OPEN! Open! Open!
I am here at your door outside;
The sea's blue tide flows speedily,
And ebbs a thin red tide.'
The woman rose from her warm white bed,
Threw back her hair and smiled;
The ears of scorn heard the words of love,
And the wind and the words were wild.
'Wake! Awake! Awake!
And hearken the woe outside;
The moon is hid in cloudiness;
Calleth and calleth the tide.'
The woman stood in the silence still
As a thing men carve from stone.
Her eyes burned largely in the dark,
And the smile, like a stain, stayed on.
'Listen! Listen! Listen!
Hear you the rain to-night?
A warm dark rain is falling too,
And I grow ghostly-white.'
The woman took three steps and bowed;
The smile waned from her lip;
She heard the dripping of the rain
And a soft thick other drip.
'Open! Open! Open!
I die in the dark alone.
My voice goes up in weariness
Against your heart of stone.'
The moon to a cloud-cleft stealing
Gazed down on the yearning tide;
The woman opened the streaming door
And stood in the rain outside.
Silence! Stillness! She whispers,
'Ah, Love, that death should be!'
He sighed, 'Your lips are loveliness!'
And she sobbed, 'Woe is me!'
The woman pressed his dead white face
With her face as deadly white:
The moon drew in behind a cloud,
And the tide moaned through the night.
poem by Roderic Quinn
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War Babies
See the white clouds roll in
Spirits lying next to me
Catch the wildflower falling
Its the wound that never bleeds
Hear the sirens calling
Spinning out their show
Hold - the moment close to me
Take it down too slow
Be mine, be mine, war babies
Be mine, be mine, war babies
Can you still keep going?
Shattered pieces left inside
To face the final, knowing
That theres somethings you cant hide
Be mine, be mine, war babies
Be mine, be mine, war babies
So will the force let go?
Or will the phantoms stay?
Let the foreteller be your sight
- it feels like somethings happening today
Some shames like no other
And nothing feels the same
Nothing feels the same
War babies
Be mine, be mine, war babies
Nothing feels the same
War babies
War babies
Nothing feels the same
Be mine
Be mine
War babies
Written by : kerr/burchill reproduced without permission
song performed by by Simple Minds
Submitted by Lucian Velea
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The Deserted Homestead
PAST a dull, grey plain where a world-old grief seems to brood o’er the silent land,
When the orbéd moon turns her tense, white face on the ominous waste of sand,
And the wind that steals by the dreamer feels like the touch of a phantom hand,
Through the tall, still trees and the tangled scrub that has sprung on the old bush track,
In a clearing wide, where a willow broods and the cowering bush shrinks backs,
Stands a house alone that no dwellers own, yet unharmed by the storm’s attack.
’Tis a strange, sad place. On the shingle roof mosses gather and corn-blades spring,
And a stillness reigns in the air unstirred by the beat of a wild bird’s wing.
He who sees believes that the old house grieves with the grief of a sentient thing.
From the charmed gums that about the land in a reverent circle throng
Comes no parrot’s call, nor the wild cat’s cry, nor the magpie’s mellow song,
And their shadows chill with an icy thrill and the sense of an awful wrong.
And the creek winds by ’neath the twisted briar and the curling creepers here;
In the dusky depths of its bed it slips on it’s slime-green rocks in fear,
And it murmurs low to its stealthy flow in a monotone quaint and drear.
On a furrowed paddock that fronts the house grow the saplings straight and tall,
And noxious weeds in the garden ground on the desolate pathways crawl;
But the briar twists back with the supple-jack ’tween the rocks of the rubble wall.
On the rotting wall of the gloomy rooms bats gather with elfin wings,
And a snake is coiled by the shattered door where a giant lizard clings,
For this house of care is the fitting lair of a myriad voiceless things.
Once I camped alone on the clearing’s edge through the lapse of a livelong night,
When the wan moon flooded the house and land in a lake of her ghostly light,
And the silence dread of a world long dead filled my credulous soul with fright.
For no wind breathed by, but a nameless awe was abroad in the open there,
And the camp-fire burned with a pale, thin flame in the chill, translucent air,
And my dog lay prone, like a chiselled stone, with his opaline eyes a-stare.
In the trancéd air was an omen felt and the sway of a subtle spell,
And I waited long for I know not what, but the pale night augured well—
At a doleful hour, when the dead have power, lo! A hideous thing befell.
From the shadows flung by the far bush wall came a treacherous, phantom crew,
Like the smoke rack blown o’er the plain at morn when the bracken is wet with dew.
Not a sound they made, and their forms no shade on the moonlit surface threw.
And the night was changed to the quiet eve of a beautiful summer’s day,
And the old house warmed as with life and light, and was set in a garden gay,
And a babe that crawled by the doorway called to a kitten that leapt in play.
But the black fiends circled the peaceful home, and I fathomed their evil quest;
From the ground up-springing they hurled their spears, and danced with a demon zest,
And a girl lay dead ’neath the roses red with a wound in her fair, white breast.
Through the looped wall spat a rifle’s flame, and the devilish pack gave tongue,
For a lean form writhed in a torment dire, on the crimsoned stubble flung.
Many echoes spoke, and the sluggish smoke on the shingles rolled and clung.
Yet again and oft did the flame spring forth, and each shaft from the dwelling shore
Through a savage heart, but the band unawed at the walls of the homestead tore,
And a man and wife fought for love and life with the horde by the broken door.
Then ghostly and grey, from the dusky bush came a company riding fast.
Seven horses strode on the buoyant air, and I trembled and gazed aghast,
Such a deadly hate on the forehead sate of each rider racing past.
With a cry they leapt on the dusky crew, and swept them aside like corn
In the lusty stroke of the mower’s scythe, and distracted and overborne
Many demons fled, leaving many dead, by the hoofs of the horses torn.
Not in vain—not all—though a father lay with the light on his cold, grey face,
And a mother bled, with a murdered maid held close in a last embrace,
For the babe laughed back at a visage black death drawn to a foul grimace.
Came a soft wind swaying the pendent leaves, like the sigh of awakening day,
And the darkness fell on my tired eyes, for the phantoms had passed away;
And the breezes bore from a distant shore faint echoes of ocean’s play.
Past a dull, grey plain, through the tall, still trees, where the lingering days inspire
An unspoken woe in the heart of man, and the nights hold visions dire,
Stands a house alone that no dwellers own, yet unmarred by the storm or fire.
poem by Edward George Dyson
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The Red-Tressed Maiden
RED she is in a robe of sable,
Rosy with pictures and tales to tell:
She is a fairy, and yet no fable,
Weaving the dreams that we love so well.
Out in the dark where the night-winds hurry
And dead leaves carpet the silent bush,
She has a charm for minds that worry,
For the worn white face a fresh young blush.
Tell her a story of some love laid in
The grave long since with a maiden white —
She will not taunt you, the Red-Tressed Maiden
Dressed in her mantle of starless night.
With fingers potent as rich wine chosen
From dusty cellars where years lie dead,
She melts the ice in the veins long frozen,
The blood runs chainless, and young and red.
Her ears have hearkened the joyous laughter,
Man-made, maid-lifted through years and years
To frescoed dome and to smoky rafter,
And tears and tears and ceaseless tears.
Old as the world, and some say older,
Is she, and yet she is young and sweet:
She heard the story the Cave-man told her,
When hearts were bolder and ruder their beat.
No tale so trifling but she will listen,
The long day ended, the day's toil done;
Then wheresoever her great eyes glisten
An ancient battle is fought and won.
She is ready to hearken to some chance roamer,
A lyre on his shoulder, a lilt on his tongue,
As she was of old to the blind-eyed Homer
Who sang high strains when the world was young.
On winter nights, when the roads are cheerless
And west winds under a frosty moon,
She paints us Summer in colours peerless
And the broad gold charm of a tropic noon.
On summer evenings, in sylvan places
(The picnic over and stars in the skies),
She heightens the blush on sun-kissed faces
And deepens the dream in dear young eyes.
And who is the Maiden? When Night is about you,
Pile high dry leaves and dead wood, and so
Make a light for the darkness within and without you . . .
And now do you see her — and now do you know?
poem by Roderic Quinn
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Darness of My Heart
Quaint little house, oh, so spotless white,
So innocent, clean and pure, bathed in light.
Inside this house, so cosy and fine,
This house is my heart — this house is mine.
Wherever the sunlight touches, quite clean,
But in the dark shadows, demons unseen.
In here lives a tortured man — the real me.
Every day I fight myself — fight to be free.
In here are my thoughts, the gross and vile,
Things that make me sick, and hate bitter as bile.
I may seem alive, but I feel mostly dead;
I’m living in an atmosphere of pure lead.
A whited sepulchre, tomb for men deceased,
Filled with rotting bones on which worms feast.
Every second I’m waging a ruthless war,
A war unlike any war, a war not bound by law.
Tortured soul of mine, trapped in this abode,
Crushed and weighed down with a heavy load.
The darkness presses so hard around —
I scream yet no help seems to be found.
God, help me please, I’m stuck. I need You.
Come and do whatever it is that You must do.
Come and save me, make my sick heart whole.
Darkness of my heart! God! Save my soul!
poem by Joses Tirtabudi
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Sister Rosa: A Ballad
I.
The death-bell beats!--
The mountain repeats
The echoing sound of the knell;
And the dark Monk now
Wraps the cowl round his brow,
As he sits in his lonely cell.
II.
And the cold hand of death
Chills his shuddering breath,
As he lists to the fearful lay
Which the ghosts of the sky,
As they sweep wildly by,
Sing to departed day.
And they sing of the hour
When the stern fates had power
To resolve Rosa’s form to its clay.
III.
But that hour is past;
And that hour was the last
Of peace to the dark Monk’s brain.
Bitter tears, from his eyes, gushed silent and fast;
And he strove to suppress them in vain.
IV.
Then his fair cross of gold he dashed on the floor,
When the death-knell struck on his ear.--
'Delight is in store
For her evermore;
But for me is fate, horror, and fear.'
V.
Then his eyes wildly rolled,
When the death-bell tolled,
And he raged in terrific woe.
And he stamped on the ground,--
But when ceased the sound,
Tears again began to flow.
VI.
And the ice of despair
Chilled the wild throb of care,
And he sate in mute agony still;
Till the night-stars shone through the cloudless air,
And the pale moonbeam slept on the hill.
VII.
Then he knelt in his cell:--
And the horrors of hell
Were delights to his agonized pain,
And he prayed to God to dissolve the spell,
Which else must for ever remain.
VIII.
And in fervent pray'r he knelt on the ground,
Till the abbey bell struck One:
His feverish blood ran chill at the sound:
A voice hollow and horrible murmured around--
'The term of thy penance is done!'
IX.
Grew dark the night;
The moonbeam bright
Waxed faint on the mountain high;
And, from the black hill,
Went a voice cold and still,--
'Monk! thou art free to die.'
X.
Then he rose on his feet,
And his heart loud did beat,
And his limbs they were palsied with dread;
Whilst the grave's clammy dew
O'er his pale forehead grew;
And he shuddered to sleep with the dead.
XI.
And the wild midnight storm
Raved around his tall form,
As he sought the chapel's gloom:
And the sunk grass did sigh
To the wind, bleak and high,
As he searched for the new-made tomb.
XII.
And forms, dark and high,
Seemed around him to fly,
And mingle their yells with the blast:
And on the dark wall
Half-seen shadows did fall,
As enhorrored he onward passed.
XIII.
And the storm-fiends wild rave
O’er the new-made grave,
And dread shadows linger around.
The Monk called on God his soul to save,
And, in horror, sank on the ground.
XIV.
Then despair nerved his arm
To dispel the charm,
And he burst Rosa's coffin asunder.
And the fierce storm did swell
More terrific and fell,
And louder pealed the thunder.
XV.
And laughed, in joy, the fiendish throng,
Mixed with ghosts of the mouldering dead:
And their grisly wings, as they floated along,
Whistled in murmurs dread.
XVI.
And her skeleton form the dead Nun reared
Which dripped with the chill dew of hell.
In her half-eaten eyeballs two pale flames appeared,
And triumphant their gleam on the dark Monk glared,
As he stood within the cell.
XVII.
And her lank hand lay on his shuddering brain;
But each power was nerved by fear.--
'I never, henceforth, may breathe again;
Death now ends mine anguished pain.--
The grave yawns,--we meet there.'
XVIII.
And her skeleton lungs did utter the sound,
So deadly, so lone, and so fell,
That in long vibrations shuddered the ground;
And as the stern notes floated around,
A deep groan was answered from hell.
poem by Percy Bysshe Shelley
Submitted by Poetry Lover
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In Every Dawn
there is a moment just before darkness,
when every sound is amplified.
when the senses come alive,
and smell and taste take bodies.
when the eyes see, really see,
and there be no more need for words.
when memories like trees walk into stillness,
and the heart names every stone.
when the butterfly becomes the teacher,
and the dew is strong drink indeed.
when scars and bruises put on their jewelry,
and the soul becomes the earth.
when clouds come like ghostly chariots,
and the sun tips its hat in farewell.
when every battle is forgotten,
and every truth etched in time.
when nothing is left but love itself,
to wrap the night in eternity.
now timeless and without borders,
the simple man has but one request.
bury me beneath the willow,
and listen for my footsteps in every dawn!
poem by Eric Cockrell
Submitted by Poetry Lover
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I Me Mine
All thru' the day i me mine, i me mine, i me mine.
All thru' the night i me mine, i me mine, i me mine.
Now they're frightened of leaving it
Ev'ryone's weaving it,
Coming on strong all the time,
All thru' the day i me mine.
I-me-me mine, i-me-me mine,
I-me-me mine, i-me-me mine.
All i can hear i me mine, i me mine, i me mine.
Even those tears i me mine, i me mine, i me mine.
No-one's frightened of playing it
Ev'ryone's saying it,
Flowing more freely than wine,
All thru' the day i me mine.
I-me-me mine, i-me-me mine,
I-me-me mine, i-me-me mine.
All i can hear i me mine, i me mine, i me mine.
Even those tears i me mine, i me mine, i me mine.
No-one's frightened of playing it
Ev'ryone's saying it,
Flowing more freely than wine,
All thru' your life i me mine.
song performed by by Beatles
Submitted by Lucian Velea
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Broken Heart
The leaves rustled
In the cold breeze
Around the stillness
Of the old Haunted House
The moonlight shone down
Sending strays of shadows
Upon the ground
The silent footsteps
Of the distant past
Echoed through the night
And as I glanced up
At the shattered windows
There was a luminous
Pale light reflecting
Off the glass
Blinking once
Blinking twice
It just vanished
From my sight
I have heard story's of old
Of a long lost soul
Who awaits for
Her one true love
The story goes
Of a young girl blind
Raised in the house of old
And she meets
A boy who taught her love
And they vowed to be
Together as one
But a war was at hand
And a letter did come
Stating he must defend
His homeland
So with a heavy heart
He vowed to return
As soon as the
War was done
The day came around
When in uniform he wore
To give a token
To his one true love
He held in his hand
Two pieces of gold
Of a heart broken in two
This piece is mine
And this piece is yours
Once returned
Will be together as one
So softly he kissed
Upon her lips
A found farewell
To true love
So there she sat
Day after day
Waiting for lost
Love to return
But alas he died
In a foreign land
And grasped in his hand
Was his piece of gold?
That they pried from his hand
To send to his loved ones at home
But alas it never reached home
Upon the news
Of the young mans death
She cried in vain and clasps to her chest
The pendant of gold still around her neck
And dies of broken heart in two
Tears of sorrow
Cascade down my cheeks
And glancing up
At the old haunted house
I see her face
Glisten with tears
As she sits
And waits for
Her one true love
To return safely home
To her arms
Shaking my head
I move away in pain
When will this haunting
Ever end
poem by Kaila George
Submitted by Poetry Lover
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A Lamentation
I.
WHO hath known the ways of time
Or trodden behind his feet?
There is no such man among men.
For chance overcomes him, or crime
Changes; for all things sweet
In time wax bitter again.
Who shall give sorrow enough,
Or who the abundance of tears?
Mine eyes are heavy with love
And a sword gone thorough mine ears,
A sound like a sword and fire,
For pity, for great desire;
Who shall ensure me thereof,
Lest I die, being full of my fears?
Who hath known the ways and the wrath,
The sleepless spirit, the root
And blossom of evil will,
The divine device of a god?
Who shall behold it or hath?
The twice-tongued prophets are mute,
The many speakers are still;
No foot has travelled or trod,
No hand has meted, his path.
Man’s fate is a blood-red fruit,
And the mighty gods have their fill
And relax not the rein, or the rod.
Ye were mighty in heart from of old,
Ye slew with the spear, and are slain.
Keen after heat is the cold,
Sore after summer is rain,
And melteth man to the bone.
As water he weareth away,
As a flower, as an hour in a day,
Fallen from laughter to moan.
But my spirit is shaken with fear
Lest an evil thing begin,
New-born, a spear for a spear,
And one for another sin.
Or ever our tears began,
It was known from of old and said;
One law for a living man,
And another law for the dead.
For these are fearful and sad,
Vain, and things without breath;
While he lives let a man be glad,
For none hath joy of his death.
II.
Who hath known the pain, the old pain of earth,
Or all the travail of the sea,
The many ways and waves, the birth
Fruitless, the labour nothing worth?
Who hath known, who knoweth, O gods? not we.
There is none shall say he hath seen,
There is none he hath known.
Though he saith, Lo, a lord have I been,
I have reaped and sown;
I have seen the desire of mine eyes,
The beginning of love,
The season of kisses and sighs
And the end thereof.
I have known the ways of the sea,
All the perilous ways,
Strange winds have spoken with me,
And the tongues of strange days.
I have hewn the pine for ships;
Where steeds run arow,
I have seen from their bridled lips
Foam blown as the snow.
With snapping of chariot-poles
And with straining of oars
I have grazed in the race the goals,
In the storm the shores;
As a greave is cleft with an arrow
At the joint of the knee,
I have cleft through the sea-straits narrow
To the heart of the sea.
When air was smitten in sunder
I have watched on high
The ways of the stars and the thunder
In the night of the sky;
Where the dark brings forth light as a flower,
As from lips that dissever;
One abideth the space of an hour,
One endureth for ever.
Lo, what hath he seen or known,
Of the way and the wave
Unbeholden, unsailed-on, unsown,
From the breast to the grave?
Or ever the stars were made, or skies,
Grief was born, and the kinless night,
Mother of gods without form or name.
And light is born out of heaven and dies,
And one day knows not another’s light,
But night is one, and her shape the same.
But dumb the goddesses underground
Wait, and we hear not on earth if their feet
Rise, and the night wax loud with their wings;
Dumb, without word or shadow of sound;
And sift in scales and winnow as wheat
Men’s souls, and sorrow of manifold things.
III.
Nor less of grief than ours
The gods wrought long ago
To bruise men one by one;
But with the incessant hours
Fresh grief and greener woe
Spring, as the sudden sun
Year after year makes flowers;
And these die down and grow,
And the next year lacks none.
As these men sleep, have slept
The old heroes in time fled,
No dream-divided sleep;
And holier eyes have wept
Than ours, when on her dead
Gods have seen Thetis weep,
With heavenly hair far-swept
Back, heavenly hands outspread
Round what she could not keep,
Could not one day withhold,
One night; and like as these
White ashes of no weight,
Held not his urn the cold
Ashes of Heracles?
For all things born one gate
Opens, no gate of gold;
Opens; and no man sees
Beyond the gods and fate.
poem by Algernon Charles Swinburne
Submitted by Poetry Lover
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Song of Karen, the Dancing Child
(O little white feet of mine)
Out in the storm and the rain you fly;
(Red, red shoes the colour of wine)
Can the children hear my cry?
(O little white feet of mine)
Never a child in the whole great town;
(Red, red shoes the colour of wine)
Lights out and the blinds pulled down.
(O little white feet of mine)
Never a light on a window pane,
(Red, red shoes the colour of wine)
And the wild wet cry of the rain.
(O little white feet of mine)
Shall I never again be still?
(Red, red shoes the colour of wine)
And away over valley and hill.
(O little white feet of mine)
Children, children, open the door!
(Red, red shoes the colour of wine)
And the wind shrieks Nevermore.
poem by Katherine Mansfield
Submitted by Poetry Lover
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Juana
The night-wind shook the tapestry round an ancient palace-room,
And torches, as it rose and fell, waved thro' the gorgeous gloom,
And o'er a shadowy regal couch threw fitful gleams and red,
Where a woman with long raven hair sat watching by the dead.
Pale shone the features of the dead, yet glorious still to see,
Like a hunter or a chief struck down while his heart and step were free;
No shroud he wore, no robe of death, but there majestic lay,
Proudly and sadly glittering in royalty's array.
But she that with the dark hair watch'd by the cold slumberer's side,
On her wan cheek no beauty dwelt, and in her garb no pride;
Only her full impassion'd eyes as o'er that clay she bent,
A wildness and a tenderness in strange resplendence blent.
And as the swift thoughts cross'd her soul, like shadows of a cloud,
Amidst the silent room of death, the dreamer spoke aloud;
She spoke to him who could not hear, and cried, 'Thou yet wilt wake,
And learn my watchings and my tears, belov'd one! for thy sake.
'They told me this was death, but well I knew it could not be;
Fairest and stateliest of the earth! who spoke of death for thee?
They would have wrapp'd the funeral shroud thy gallant form around,
But I forbade–and there thou art, a monarch, robed and crown'd!
'With all thy bright locks gleaming still, their coronal beneath,
And thy brow so proudly beautiful–who said that this was death?
Silence hath been upon thy lips, and stillness round thee long,
But the hopeful spirit in my breast is all undimm'd and strong.
'I know thou hast not loved me yet; I am not fair like thee,
The very glance of whose clear eye threw round a light of glee!
A frail and drooping form is mine–a cold unsmiling cheek,–
Oh! I have but a woman's heart, wherewith thy heart to seek.
'But when thou wak'st, my prince, my lord! and hear'st how I have kept
A lonely vigil by thy side, and o'er thee pray'd and wept;
How in one long, deep dream of thee my nights and days have past,
Surely that humble, patient love must win back love at last!
'And thou wilt smile–my own, my own, shall be the sunny smile,
Which brightly fell, and joyously, on all but me erewhile!
No more in vain affection's thirst my weary soul shall pine–
Oh! years of hope deferr'd were paid by one fond glance of thine!
'Thou'lt meet me with that radiant look when thou com'st from the chase,
For me, for me, in festal halls it shall kindle o'er thy face!
Thou'lt reck no more tho' beauty's gift mine aspect may not bless;
In thy kind eyes this deep, deep love, shall give me loveliness.
'But wake! my heart within me burns, yet once more to rejoice
In the sound to which it ever leap'd, the music of thy voice:
Awake! I sit in solitude, that thy first look and tone,
And the gladness of thine opening eyes, may all be mine alone.'
In the still chambers of the dust, thus pour'd forth day by day,
The passion of that loving dream from a troubled soul found way,
Until the shadows of the grave had swept o'er every grace,
Left midst the awfulness of death on the princely form and face.
And slowly broke the fearful truth upon the watcher's breast,
And they bore away the royal dead with requiems to his rest,
With banners and with knightly plumes all waving in the wind,–
But a woman's broken heart was left in its lone despair behind.
poem by Felicia Dorothea Hemans
Submitted by Poetry Lover
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To Isa in Heaven
Early, bright, transient, chaste as morning dew,
She sparkled, was exhaled, and went to heaven! — Young.
Where is she now?
Oh! Isa! tell me where thou art?
If death has laid his hand upon thy brow,
Has he not touched my heart?
Has he not laid it in the grave with thine,
And buried all my joys?—Speak! thou art mine!
If thou were dead,
I would not ask thee to reply;
But thou art living—thy dear soul has fled
To heaven, where it can never die!
Then why not come to me? Return—return
And comfort me, for I have much to mourn!
I sigh all day!
I mourn for thee the livelong night!
And when the next night comes, thou art away,
And so is absent my delight!
Oh! as the lone dove for his absent mate,
So is my soul for thee disconsolate!
I long for death—
For any thing—to be with thee!
I did inhale, alas! thy dying breath,
That it might have some power on me
To make me what thou art!—but, thou art dead!
And I am here!—it strengthened me instead!
Joy there is none—
It went into the grave with thee!
And grief, because my spirit is alone,
Is all that comes to comfort me!
The very air I breathe is turned to sighs,
And all mine soul is melting from mine eyes!
I hear, at even,
The liquid carol of birds;
Their music makes me think of thee in heaven,
It is so much like thy sweet words.
The brooklet whispers, as it runs along,
Our first love-story with its liquid tongue.
Wake, Isa! wake!
And come back in this world again!
Oh! come down to me, for my soul's dear sake,
And cure me of this trying pain!
I would give all that earth to man can be,
If thou wert only in this world with me!
Day after day
I seek thee, but thou art not near!
I sit down on thy grave in the cold clay,
And listen for thy soul!—oh! dear!
And when some withered leaf falls from the tree,
I start as if thy soul had spoke to me!
And so it is,
And so it ever more must ever be
To him, who has been robbed of all the bliss
He ever knew, by loving thee!
For misery, in thine absence, is my wife!
What joy had been, hadst thou remained in life!
It is now even;
The birds have sung themselves to sleep;
And all the stars seem coming out of heaven,
As if to look upon me weep!—
Oh! let me not look up to thee in vain,
But come back to me in this world again!
poem by Thomas Holley Chivers (1842)
Submitted by Veronica Serbanoiu
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The Package
Clever got me this far
Then tricky got me in
Eye on what I'm after
I don't need another friend
Smile and drop the cliche
'Till you think I'm listening
I take just what I came for
Then I'm out the door again
Peripheral on the package
Don't care to settle in
Time to feed the monster
I don't need another friend
Comfort is a mystery
Crawling out of my own skin
Just give me what I came for, then I'm out the door again
Lie to get what I came for
Lie to get just what I need
Lie to get what I crave
Lie and smile to get what's mine
Eye on what I'm after
I don't need another friend
Nod and watch your lips move
If you need me to pretend
Because clever got me this far
Then tricky got me in
I'll take just what I came for
Then I'm out the door again
Lie to get what I came for
Lie to get what I need now
Lie to get what I'm craving
Lie and smile to get what's mine
Give this to me
Mine, mine, mine
Take what's mine
Mine, mine, mine
Take what's mine
Mine, mine, mine
Lie to get what I came for
Lie to get what I need now
Lie to get what I crave
Lie to smile and get what's mine
Give this to me
Take what's mine
Mine, mine, mine
Take what's mine
Give this to me
Take what's mine, take what's mine, mine...
Take what's mine, take what's mine, take what's mine,
This is mine, mine, mine, not mine
song performed by by A Perfect Circle
Submitted by Lucian Velea
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