The Shanty
THERE ARE tracks through the scrub, there’s a track down the hill,
And a track round the bend from M‘Courteney’s mill,
Where they slyly emerge from the bush and converge,
You’ll discover the humpy—the theme of this dirge—
That is used for the sale of O’Sullivan’s ‘purge.’
And if curses and cries,
And a blasting of eyes,
And a series of blasphemies fearful arise,
And a lunatic din,
And a racket like sin,
You can bet all you own the O’Sullivan’s in.
It’s a bark and slab hut, with a bar and a bunk,
And a man propped before it disgustingly drunk,
And a nameless galoot in a hand-me-down suit,
Straddling out on the grass, grim as death, and as mute,
Trapping millions of rabbits that run from his boot.
When eleven lie round
In all shapes on the mound,
And two navvies are fighting like fiends on the ground,
’Tisn’t needful to say
It’s the sweet Sabbath day,
And that trade at the shanty’s uncommonly gay.
Mrs. O’. makes the drinks, and O’Sullivan’s dart
Is to drink all he can to keep others in heart.
Though he’s old in the hoof, and he reckons he’s proof
’Gainst infernalest liquors, in warp and in woof,
He’s quite frequently seen howling out on the roof.
For from fungus or fruits,
From old rags or from roots,
Grass, cabbages, pickles, old bedding or boots,
Or the leaves of the gum,
Or whatever may come,
Mrs. O’. can extract the most illigant’ rum.
They’ve no peace in the hut and no peace on the hill,
Mrs. O’. never sleeps and her hand’s never still;
And old constable Mack cannot hit on the track
As a man of the law. As a stranger in black
When he finds his way there he can’t find his way back.
There’s no signboard to see,
But those fools on the spree,
Or a man in his shirt shrieking prayers to a tree.
As for licenses—yar!
They don’t know what they are,
For they drink without license at Sullivan’s bar.
poem by Edward George Dyson
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Related quotes
The Ballad of Cockatoo Dock
Of all the docks upon the blue
There was no dockyard, old or new,
To touch the dock at Cockatoo.
Of all the ministerial clan
There was no nicer, worthier man
Than Admiral O'Sullivan.
Of course, we mean E. W.
O'Sullivan, the hero who
Controlled the dock at Cockatoo.
To workmen he explained his views --
"You need not toil unless you choose,
Your only work is drawing screws."
And sometimes to their great surprise
When votes of censure filled the skies
He used to give them all a rise.
"What odds about a pound or two?"
Exclaimed the great E. W.
O'Sullivan at Cockatoo.
The dockyard superintendent, he
Was not at all what he should be --
He sneered at all this sympathy.
So when he gave a man the sack
O'Sullivan got on his track
And straightway went and fetched him back.
And with a sympathetic tear
He'd say, "How dare you interfere,
You most misguided engineer?
"Your sordid manners please amend --
No man can possibly offend
Who has a Member for a friend.
"With euchre, or a friendly rub,
And whisky, from the nearest 'pub',
We'll make the dockyard like a club.
"Heave ho, my hearties, play away,
We'll do no weary work today.
What odds -- the public has to pay!
"And if the public should complain
I'll go to Broken Hill by train
To watch McCarthy making rain."
And there, with nothing else to do
No doubt the great E. W.
Will straightway raise McCarthy's screw.
poem by Andrew Barton Paterson
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Sullivan Street
Take the way home that leads back to Sullivan Street
Cross the water and home through the town
Past the shadows that fall down wherever we meet
Pretty soon now I won't come around
I'm almost drowning in her sea
She's nearly fallen to her knees
Take the way home
Take the way home that leads back to Sullivan Street
Where all the bodies hang on the air
If she remembers
song performed by by Counting Crows from August And Everything After
Submitted by Lucian Velea
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The Helmsman
O be swift—
we have always known you wanted us.
We fled inland with our flocks.
we pastured them in hollows,
cut off from the wind
and the salt track of the marsh.
We worshipped inland—
we stepped past wood-flowers,
we forgot your tang,
we brushed wood-grass.
We wandered from pine-hills
through oak and scrub-oak tangles,
we broke hyssop and bramble,
we caught flower and new bramble-fruit
in our hair: we laughed
as each branch whipped back,
we tore our feet in half-buried rocks
and knotted roots and acorn-cups.
We forgot—we worshipped,
we parted green from green,
we sought further thickets,
we dipped our ankles
through leaf-mould and earth,
and wood and wood-bank enchanted us—
and the feel of the clefts in the bark,
and the slope between tree and tree—
and a slender path strung field to field
and wood to wood
and hill to hill
and the forest after it.
We forgot—for a moment
tree-resin, tree-bark,
sweat of a torn branch
were sweet to taste.
We were enchanted with the fields,
the tufts of coarse grass—
in the shorter grass—
we loved all this.
But now, our boat climbs—hesitates—drops—
climbs—hesitates—crawls back—
climbs—hesitates—
O, be swift—
we have always known you wanted us.
poem by Hilda Doolittle
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A Wave From Jimmy Sullivan
A wave from Jimmy Sullivan in Millstreet far away
A nice and spontaneous gesture that did help to make my day
From Clara road one must presume in view of Clara hill
It brought back the old memories as if time had stood still.
When we played Soccer and Gaelic football some twenty years ago
Though our old legs ageing back then nowadays are far more slow
But Jimmy looking fit and well despite the march of time
He was a quick and elusive player when he was in his prime.
One of those lucky people who has a sense of place
In Millstreet Town and Parish his is a well known face
He never will leave Millstreet in Millstreet he will stay
And in his beloved Town of Millstreet he will grow old and gray.
From life i do feel hardened and i feel too old for tears
But that wave from Jimmy Sullivan it took me back the years
To when we were young and fitter and we chased the ball around
In the Inch field at Claraghatlea back then our football ground.
poem by Francis Duggan
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The Coolun
Come with me, under my coat,
And we will drink our fill
Of the milk of the white goat,
Or wine, if it be thy will;
And we will talk until
Talk is a truble, too,
Out in the side of the hill,
And nothing is left to do,
But an eye to look into an eye
And a hand in a hand to slip,
And a sigh to answer a sigh,
And a lip to find out a lip:
What if the night be black
And the air on the mountain chill,
Where the goat lies down in her track
And all but the fern is still!
Stay with me under my coat,
And we will drink our fill
Of the milk of the white goat
Out on the side of the hill.
poem by James Stephens
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These newspaper reporters... ever since Sullivan versus New York Times... have got a license to lie.
quote by Edward Bennett Williams
Submitted by Lucian Velea
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The Road to Hogan's Gap
Now look, you see, it’s this way like,
You cross the broken bridge
And run the crick down till you strike
The second right-hand ridge.
The track is hard to see in parts,
But still it’s pretty clear;
There’s been two Injin hawkers’ carts
Along that road this year.
Well, run that right-hand ridge along—
It ain’t, to say, too steep—
There’s two fresh tracks might put you wrong
Where blokes went out with sheep.
But keep the crick upon your right,
And follow pretty straight
Along the spur, until you sight
A wire and sapling gate.
Well, that’s where Hogan’s old grey mare
Fell off and broke her back;
You’ll see her carcase layin’ there,
Jist down below the track.
And then you drop two mile, or three,
It’s pretty steep and blind;
You want to go and fall a tree
And tie it on behind.
And then you pass a broken cart
Below a granite bluff;
And that is where you strike the part
They reckon pretty rough.
But by the time you’ve got that far
It’s either cure or kill,
So turn your horses round the spur
And face ’em up the hill.
For look, if you should miss the slope
And get below the track,
You haven’t got the whitest hope
Of ever gettin’ back.
An’ half way up you’ll see the hide
Of Hogan’s brindled bull;
Well, mind and keep the right-hand side,
The left’s too steep a pull.
And both the banks is full of cracks;
An’ just about at dark
You’ll see the last year’s bullock tracks
Where Hogan drew the bark.
The marks is old and pretty faint—
And grown with scrub and such;
Of course the track to Hogan’s ain’t
A road that’s travelled much.
But turn and run the tracks along
For half a mile or more,
And then, of course, you can’t go wrong—
You’re right at Hogan’s door.
When first you come to Hogan’s gate
He mightn’t show, perhaps;
He’s pretty sure to plant and wait
To see it ain’t the traps.
I wouldn’t call it good enough
To let your horses out;
There’s some that’s pretty extra rough
Is livin’ round about.
It’s likely if your horses did
Get feedin’ near the track,
It’s goin’ to cost at least a quid
Or more to get them back.
So, if you find they’re off the place,
It’s up to you to go
And flash a quid in Hogan’s face—
He’ll know the blokes that know.
But listen—if you’re feelin’ dry,
Just see there’s no one near,
And go and wink the other eye
And ask for ginger beer.
The blokes come in from near and far
To sample Hogan’s pop;
They reckon once they breast the bar
They stay there till they drop.
On Sundays you can see them spread
Like flies around the tap.
It’s like that song “The Livin’ Dead”
Up there at Hogan’s Gap.
They like to make it pretty strong
Whenever there’s a charnce;
So when a stranger comes along
They always holds a dance.
There’s recitations, songs, and fights—
A willin’ lot you’ll meet.
There’s one long bloke up there recites,
I tell you—he’s a treat.
They’re lively blokes all right up there,
It’s never dull a day.
I’d go meself if I could spare
The time to get away.
. . . . .
The stranger turned his horses quick.
He didn’t cross the bridge;
He didn’t go along the crick
To strike the second ridge;
He didn’t make the trip, because
He wasn’t feeling fit.
His business up at Hogan’s was
To serve him with a writ.
He reckoned if he faced the pull
And climbed the rocky stair,
The next to come might find his hide
A land-mark on the mountain side,
Along with Hogan’s brindled bull
And Hogan’s old grey mare!
poem by Andrew Barton Paterson
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Memories Of Connie Tarrant's Wedding
If there's a hell then I am doomed and for hell I am heading
For I drove my car when I was drunk from Connie Tarrant's wedding,
I drove my car when I was drunk and lived to tell the story
Though I don't find no pride in that and that won't bring me glory.
Brian Sullivan in front passenger seat he wore the look of worry
As one mile west of Barraduff I swerved clear of a lorry
He shouted 'watch you driving man' and what's the point in hurry
And we'll reach Millstreet in time enough and better late than sorry.
But that apart we had good day we laughed drank and made merry
At Connie's wedding to Noreen in Killarney County Kerry,
The rock and roll the twist and shout, the reels and siege of Ennis,
The paddy and the brandy and the smithwicks and the guinness.
Curly haired Tadgh Sullivan from Kiskeam and Johnny Fox O Connor
And by four o clock the liquor told Jim Greaney seemed a gonner
And Brian Sullivan was talking much of Clint Eastwood and soccer
And I not one to handle drink felt like one off his rocker.
And Johnny Sheehan talking of gaelic football and his times
with Slanan Rovers,
A football club founded by Neil Lehane in happy days since over
From Cloghoula close to Millstreet Town and a team we used to follow
When they were playing in tournaments in parks throughout Duhallow.
And Brendan Tarrant he was there Connie's best man and brother
And Con's wife Noreen from Boherbue and her brothers sister and mother
And many of Jack Tarrant's descendants there and they were there in plenty
And though I felt far too drunk to count there must have been more than twenty.
Yes I'll remember for long years my last trip into Kerry
To Connie Tarrant's wedding where we laughed drank and made merry
But I've learnt one lesson from this a lesson in safe living
Get into the back seat when drunk and let others do the driving.
poem by Francis Duggan
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I cannot explain it; but when difficulties arise, I am not perplexed or doubtful. I know how to meet them.
quote by Anne Sullivan Macy
Submitted by Lucian Velea
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The truth is not wonderful enough to suit the newspapers; so they enlarge upon it, and invent ridiculous embellishments.
quote by Anne Sullivan
Submitted by Lucian Velea
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When i lost my track
when lights are not guiding
and the words unspoken and hiding
feeling stuck no forwards no back
that's when i lost my track
when meanings are not felt
and feelings not spelled
and spellings stay on rack
that's when i lost my track
when attraction is gone
can't find the caring one
and emotions are stacked
that's when i lost my track
when actions are fixative
feeling so much negative
and no one seem ready to hack
that's when i lost my track
when colors turn to black
can't find my way back
lonely heart with a little crack
that's when i lost my track
poem by Kareem Hany
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Western Camps
THREE men stood with their glasses lifted,
Night was around them and flaring lamps:
'Here's to the tried and true and sifted;
Here's to the flotsam tossed and drifted;
Here's to the men in the Outcast-camps,
'Stars that fall are their lot for ever;
Lights that perish and stars that fall;
Fighting Fate with a brave heart ever —
Drifting leaves on a wayward river —
Men for ever in spite of all.
'Here's to the gallant souls defeated;
Here's to the strong souls under-trod,
Hope-abandoned and mirage-cheated —
And yet, by right of their failure, seated
Somewhere close to the feet of God.
'Here's to the heart that braves undaunted
Toil and trouble for home and wife;
Here's to the spirit mocked and taunted;
Here's to the memory, sorrow-haunted;
Here's to the soul grown sick of life.
'Drink to the man at the camp-fire sitting;
Drink to his mistress of long ago;
Well — 'twere well — and the time were fitting,
If, in the shades of the firelight flitting,
She should come with her eyes aglow.
'Drink to the purpose, iron, oaken,
Brought to nought by a wanton's guile;
Drink to men with an old love-token
Somewhere close to their brave hearts broken;
Drink to the martyred souls that smile.
'Drink to courage and all fine daring —
Spirit trampling the flesh beneath;
Drink to the reckless heart uncaring;
Drink to mates at the last pinch sharing
Their little all in the face of death.
'Last toast this . . . may their hearts discover,
On every track that the outcast tramps,
A friend in need, and at need a lover,
Green grass around them and kind stars over,
And dreams of peace in their Western Camps.'
poem by Roderic Quinn
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Sweeney
It was somewhere in September, and the sun was going down,
When I came, in search of `copy', to a Darling-River town;
`Come-and-have-a-drink' we'll call it -- 'tis a fitting name, I think --
And 'twas raining, for a wonder, up at Come-and-have-a-drink.
'Neath the public-house verandah I was resting on a bunk
When a stranger rose before me, and he said that he was drunk;
He apologised for speaking; there was no offence, he swore;
But he somehow seemed to fancy that he'd seen my face before.
`No erfence,' he said. I told him that he needn't mention it,
For I might have met him somewhere; I had travelled round a bit,
And I knew a lot of fellows in the bush and in the streets --
But a fellow can't remember all the fellows that he meets.
Very old and thin and dirty were the garments that he wore,
Just a shirt and pair of trousers, and a boot, and nothing more;
He was wringing-wet, and really in a sad and sinful plight,
And his hat was in his left hand, and a bottle in his right.
His brow was broad and roomy, but its lines were somewhat harsh,
And a sensual mouth was hidden by a drooping, fair moustache;
(His hairy chest was open to what poets call the `wined',
And I would have bet a thousand that his pants were gone behind).
He agreed: `Yer can't remember all the chaps yer chance to meet,'
And he said his name was Sweeney -- people lived in Sussex-street.
He was campin' in a stable, but he swore that he was right,
`Only for the blanky horses walkin' over him all night.'
He'd apparently been fighting, for his face was black-and-blue,
And he looked as though the horses had been treading on him, too;
But an honest, genial twinkle in the eye that wasn't hurt
Seemed to hint of something better, spite of drink and rags and dirt.
It appeared that he mistook me for a long-lost mate of his --
One of whom I was the image, both in figure and in phiz --
(He'd have had a letter from him if the chap were living still,
For they'd carried swags together from the Gulf to Broken Hill.)
Sweeney yarned awhile and hinted that his folks were doing well,
And he told me that his father kept the Southern Cross Hotel;
And I wondered if his absence was regarded as a loss
When he left the elder Sweeney -- landlord of the Southern Cross.
He was born in Parramatta, and he said, with humour grim,
That he'd like to see the city ere the liquor finished him,
But he couldn't raise the money. He was damned if he could think
What the Government was doing. Here he offered me a drink.
I declined -- 'TWAS self-denial -- and I lectured him on booze,
Using all the hackneyed arguments that preachers mostly use;
Things I'd heard in temperance lectures (I was young and rather green),
And I ended by referring to the man he might have been.
Then a wise expression struggled with the bruises on his face,
Though his argument had scarcely any bearing on the case:
`What's the good o' keepin' sober? Fellers rise and fellers fall;
What I might have been and wasn't doesn't trouble me at all.'
But he couldn't stay to argue, for his beer was nearly gone.
He was glad, he said, to meet me, and he'd see me later on;
He guessed he'd have to go and get his bottle filled again,
And he gave a lurch and vanished in the darkness and the rain.
. . . . .
And of afternoons in cities, when the rain is on the land,
Visions come to me of Sweeney with his bottle in his hand,
With the stormy night behind him, and the pub verandah-post --
And I wonder why he haunts me more than any other ghost.
Still I see the shearers drinking at the township in the scrub,
And the army praying nightly at the door of every pub,
And the girls who flirt and giggle with the bushmen from the west --
But the memory of Sweeney overshadows all the rest.
Well, perhaps, it isn't funny; there were links between us two --
He had memories of cities, he had been a jackeroo;
And, perhaps, his face forewarned me of a face that I might see
From a bitter cup reflected in the wretched days to be.
. . . . .
I suppose he's tramping somewhere where the bushmen carry swags,
Cadging round the wretched stations with his empty tucker-bags;
And I fancy that of evenings, when the track is growing dim,
What he `might have been and wasn't' comes along and troubles him.
poem by Henry Lawson
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I grew up in the 1950s and '60s, when it was almost a holiday when a black act would go on Ed Sullivan.
quote by Al Sharpton
Submitted by Lucian Velea
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Dan And Nora Sullivan
They lived in the cottage by the gate to Tubrid Well the Sullivans Nora and Dan
For at least three score and ten years in time a lengthy span
Till failing health and the wear of age on them both did take toll
And the turning back of the hands of time is beyond human control.
The brother and sister Dan and Nora Sullivan I never more will see
They were claimed by the reaper the one who will claim me
But memories of them till my end with me I will retain
And each time I look back on my past they come to life again
I do recall at Christmas time Nora always remembered me
A greeting card from a dear old friend beyond the northern sea
She outlived Dan by six or seven years and news of her death reduced me to tears
For a mentor and role model of my long gone childhod years.
I knew them in my younger years from the same Townland as I
Two people I looked up to when I was a school going boy,
Dan and Nora Sullivan they could not live with a lie
And it truly could be said of them that they would not harm a fly.
poem by Francis Duggan
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Off the Track
Oh where the deuce is the track, the track?
Round an' round, an' forrard, an' back!
“Keep the sun on yer right,” they said—
But, hang it, he's gone an' got over my head!
“Make for a belt of apple trees;”—
Jist so. But where's yer belt, if ye please?
By gum, it's hot! This child'll melt,
An' there ain't no apples, nor ain't no belt.
“Keep clear o' the timber-getters' tracks,”
But wich is wich, I'd beg to ax?
They forks and jines, the devil knows how—
I wish I'd a sight o' either now!
“Leave the track,” sez they, “when you sees
Some yards to the right two big grass trees.”
Two! It's dozens on dozens I pass—
Most on 'em big, an' all on 'em grass.
Oh where the deuce is the track, the track?
I'm fairly taken aback, aback.
“Keep tow'rd the river. You can't go wrong.”
Whew? Can't I, though! That was rayther strong.
“Follow the lay o' the land,” sez they;
But, Lord, this flat ain't got no lay!
Whew! Ain't it hot on the pint o' the nose?
An' the more I mops the hotter I grows.
“An' when you comes to the foot o' the range”—
WHEN! That's the pint. But ain't it strange,
That the further I goes, to left or right,
The more there ain't no range in sight.
Gum trees, gum trees, slim an' high,
Timber green an' timber dry.
Blackened stumps an' fallen logs—
Lively work as on we jogs!
Oh the devil an' all take the flat, the flat!
I'm one myself for the matter o' that.
I'm mazed, an' so is the brute I rides,
An' the sun's getting over the left besides.
Dash it, I'll follow my nose, my nose!
Step out, straight forrard, here goes, here goes!
Let the sun be left, or the sun be right,
Summat or other must come in sight.
* * * * *
Well, well! If this ain't too bad by half!
Lor', how the beggars 'll laugh an' chaff!
Back to my startin' point? Yes; tis so.
I put up them slip-rails six hours ago.
poem by James Brunton Stephens
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Food In Heaven
Food In Heaven
Food In Heaven
He made the cows to want the rain to fall he made the grass that they use to eat to fill the want inside a cow he makes grass as bread for cows they just continue there to graze in some places in the desert spaces there is grass for cows to eat this is called heaven sweet to cows they drink water when they have it in a drink flavored pouch oh no see eh ewe caught me making lies no listen while eye smile and tell ewe this poem is so nice there is grass for all the cows there is grass on every hill and every cow can eat in heaven they still have grass for every cow there is food in heaven there is food there in a drink flavored pouch.
poem by Charles Hice
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The Stranger's Friend
The strangest things and the maddest things, that a man can do or say,
To the chaps and fellers and coves Out Back are matters of every day;
Maybe on account of the lives they lead, or the life that their hearts discard—
But never a fool can be too mad or a ‘hard case’ be too hard.
I met him in Bourke in the Union days—with which we have nought to do
(Their creed was narrow, their methods crude, but they stuck to ‘the cause’ like glue).
He came into town from the Lost Soul Run for his grim half-yearly ‘bend,’
And because of a curious hobby he had, he was known as ‘The Stranger’s Friend.’
It is true to the region of adjectives when I say that the spree was ‘grim,’
For to go on the spree was a sacred rite, or a heathen rite, to him,
To shout for the travellers passing through to the land where the lost soul bakes—
Till they all seemed devils of different breeds, and his pockets were filled with snakes.
In the joyful mood, in the solemn mood—in his cynical stages too—
In the maudlin stage, in the fighting stage, in the stage when all was blue—
From the joyful hour when his spree commenced, right through to the awful end,
He never lost grip of his ‘fixed idee’ that he was the Stranger’s Friend.
‘The feller as knows, he can battle around for his bloomin’ self,’ he’d say—
‘I don’t give a curse for the “blanks” I know the hard-up bloke this way;
‘Send the stranger round, and I’ll see him through,’ and, e’en as the bushman spoke,
The chaps and fellers would tip the wink to a casual, ‘hard-up bloke.’
And it wasn’t only a bushman’s ‘bluff’ to the fame of the Friend they scored,
For he’d shout the stranger a suit of clothes, and he’d pay for the stranger’s board—
The worst of it was that he’d skite all night on the edge of the stranger’s bunk,
And never got helplessly drunk himself till he’d got the stranger drunk.
And the chaps and the fellers would speculate—by way of a ghastly joke—
As to who’d be caught by the ‘jim-jams’ first—the Friend or the hard-up bloke?
And the ‘Joker’ would say that there wasn’t a doubt as to who’d be damned in the end,
When the Devil got hold of a hard-up bloke in the shape of the Stranger’s Friend.
It mattered not to the Stranger’s Friend what the rest might say or think,
He always held that the hard-up state was due to the curse of drink,
To the evils of cards, and of company: ‘But a young cove’s built that way,
‘And I was a bloomin’ fool meself when I started out,’ he’d say.
At the end of the spree, in clean white ‘moles,’ clean-shaven, and cool as ice,
He’d give the stranger a ‘bob’ or two, and some straight Out Back advice;
Then he’d tramp away for the Lost Soul Run, where the hot dust rose like smoke,
Having done his duty to all mankind, for he’d ‘stuck to a hard-up bloke.’
They’ll say ’tis a ‘song of a sot,’ perhaps, but the Song of a Sot is true.
I have ‘battled’ myself, and you know, you chaps, what a man in the bush goes through:
Let us hope when the last of his sprees is past, and his cheques and his strength are done,
That, amongst the sober and thrifty mates, the Stranger’s Friend has one.
poem by Henry Lawson
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Listen To The Eight Track
(mick, Ive got a...)
There must be one million stories in new york city, the naked city, and this is one of em
I live out on the island, and I got problems
My mom dont like me, cause she says I know sultan(? )
Sitting in the cark park, in my old buick skylark
Getting high, getting high,
Getting high on the eight track
Oh, listen to the eight track
Oh, listen to the eight track
Oh, listen to the eight track
Oh, listen to the eight track
Oh it aint easy, when you gotta survive
Keep on giving death, just to survive
Oh get out into the car park, sitting in my own buick skylark in the dark
Oh, n Ill listen to the eight track
Oh, Ill listen to the eight track
Oh, listen to the eight track
Oh, listen to the eight track
Yeah, cant wind it back
Listen to the eight track
In between the seats, in the cracks
Listen to the eight track
Oh sometimes I get a woman in here
And I put on bruce springsteens new double album
And then, just when everythings getting hot
I start turning the volume right down low
Baby, let me snuggle right next to you
You turned to me sweetly, you know what she said,
She said, turn up the eight track
Oh listen to the eight track
Oh listen to the eight track, aint no winding it back
Listen to the eight track
Listen to the eight track
Listen to the eight track
There must have been about a million stories in new york city, the naked city, and this has been one of them!
song performed by by Ian Hunter
Submitted by Lucian Velea
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Under the Violets
HER hands are cold; her face is white;
No more her pulses come and go;
Her eyes are shut to life and light;--
Fold the white vesture, snow on snow,
And lay her where the violets blow.
But not beneath a graven stone,
To plead for tears with alien eyes;
A slender cross of wood alone
Shall say, that here a maiden lies
In peace beneath the peaceful skies.
And gray old trees of hugest limb
Shall wheel their circling shadows round
To make the scorching sunlight dim
That drinks the greenness from the ground,
And drop their dead leaves on her mound.
When o'er their boughs the squirrels run,
And through their leaves the robins call,
And, ripening in the autumn sun,
The acorns and the chestnuts fall,
Doubt not that she will heed them all.
For her the morning choir shall sing
Its matins from the branches high,
And every minstrel-voice of Spring,
That trills beneath the April sky,
Shall greet her with its earliest cry.
When, turning round their dial-track,
Eastward the lengthening shadows pass,
Her little mourners, clad in black,
The crickets, sliding through the grass,
Shall pipe for her an evening mass.
At last the rootlets of the trees
Shall find the prison where she lies,
And bear the buried dust they seize
In leaves and blossoms to the skies.
So may the soul that warmed it rise!
If any, born of kindlier blood,
Should ask, What maiden lies below?
Say only this: A tender bud,
That tried to blossom in the snow,
Lies withered where the violets blow.
poem by Oliver Wendell Holmes
Submitted by Poetry Lover
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