The Death Of Autumn

When reeds are dead and a straw to thatch the marshes,
And feathered pampas-grass rides into the wind
Like aged warriors westward, tragic, thinned
Of half their tribe, and over the flattened rushes,
Stripped of its secret, open, stark and bleak,
Blackens afar the half-forgotten creek,—
Then leans on me the weight of the year, and crushes
My heart. I know that Beauty must ail and die,
And will be born again,—but ah, to see
Beauty stiffened, staring up at the sky!
Oh, Autumn! Autumn!—What is the Spring to me?

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Emily Dickinson

Fitter to see Him, I may be

968

Fitter to see Him, I may be
For the long Hindrance—Grace—to Me—
With Summers, and with Winters, grow,
Some passing Year—A trait bestow

To make Me fairest of the Earth—
The Waiting—then—will seem so worth
I shall impute with half a pain
The blame that I was chosen—then—

Time to anticipate His Gaze—
It's first—Delight—and then—Surprise—
The turning o'er and o'er my face
For Evidence it be the Grace—

He left behind One Day—So less
He seek Conviction, That—be This—

I only must not grow so new
That He'll mistake—and ask for me
Of me—when first unto the Door
I go—to Elsewhere go no more—

I only must not change so fair
He'll sigh—"The Other—She—is Where?"
The Love, tho', will array me right
I shall be perfect—in His sight—

If He perceive the other Truth—
Upon an Excellenter Youth—

How sweet I shall not lack in Vain—
But gain—thro' loss—Through Grief—obtain—
The Beauty that reward Him best—
The Beauty of Demand—at Rest—

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Emily Dickinson

The name—of it—is "Autumn"

656

The name—of it—is "Autumn"—
The hue—of it—is Blood—
An Artery—upon the Hill—
A Vein—along the Road—

Great Globules—in the Alleys—
And Oh, the Shower of Stain—
When Winds—upset the Basin—
And spill the Scarlet Rain—

It sprinkles Bonnets—far below—
It gathers ruddy Pools—
Then—eddies like a Rose—away—
Upon Vermilion Wheels—

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Emily Dickinson

Unit, like Death, for Whom?

408

Unit, like Death, for Whom?
True, like the Tomb,
Who tells no secret
Told to Him—
The Grave is strict—
Tickets admit
Just two—the Bearer—
And the Borne—
And seat—just One—
The Living—tell—
The Dying—but a Syllable—
The Coy Dead—None—
No Chatter—here—no tea—
So Babbler, and Bohea—stay there—
But Gravity—and Expectation—and Fear—
A tremor just, that All's not sure.

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Emily Dickinson

Autumn—overlooked my Knitting

748

Autumn—overlooked my Knitting—
Dyes—said He—have I—
Could disparage a Flamingo—
Show Me them—said I—

Cochineal—I chose—for deeming
It resemble Thee—
And the little Border—Dusker—
For resembling Me—

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Emily Dickinson

Tis so appalling—it exhilarates

281

'Tis so appalling—it exhilarates—
So over Horror, it half Captivates—
The Soul stares after it, secure—
A Sepulchre, fears frost, no more—

To scan a Ghost, is faint—
But grappling, conquers it—
How easy, Torment, now—
Suspense kept sawing so—

The Truth, is Bald, and Cold—
But that will hold—
If any are not sure—
We show them—prayer—
But we, who know,
Stop hoping, now—

Looking at Death, is Dying—
Just let go the Breath—
And not the pillow at your Cheek
So Slumbereth—

Others, Can wrestle—
Yours, is done—
And so of Woe, bleak dreaded—come,
It sets the Fright at liberty—
And Terror's free—
Gay, Ghastly, Holiday!

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Emily Dickinson

Some such Butterfly be seen

541

Some such Butterfly be seen
On Brazilian Pampas—
Just at noon—no later—Sweet—
Then—the License closes—

Some such Spice—express and pass—
Subject to Your Plucking—
As the Stars—You knew last Night—
Foreigners—This Morning—

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Emily Dickinson

A Mien to move a Queen

283

A Mien to move a Queen—
Half Child—Half Heroine—
An Orleans in the Eye
That puts its manner by
For humbler Company
When none are near
Even a Tear—
Its frequent Visitor—

A Bonnet like a Duke—
And yet a Wren's Peruke
Were not so shy
Of Goer by—
And Hands—so slight—
They would elate a Sprite
With Merriment—

A Voice that Alters—Low
And on the Ear can go
Like Let of Snow—
Or shift supreme—
As tone of Realm
On Subjects Diadem—

Too small—to fear—
Too distant—to endear—
And so Men Compromise
And just—revere—

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Emily Dickinson

Her—"last Poems"

312

Her—"last Poems"—
Poets—ended—
Silver—perished—with her Tongue—
Not on Record—bubbled other,
Flute—or Woman—
So divine—
Not unto its Summer—Morning
Robin—uttered Half the Tune—
Gushed too free for the Adoring—
From the Anglo-Florentine—
Late—the Praise—
'Tis dull—conferring
On the Head too High to Crown—
Diadem—or Ducal Showing—
Be its Grave—sufficient sign—
Nought—that We—No Poet's Kinsman—
Suffocate—with easy woe—
What, and if, Ourself a Bridegroom—
Put Her down—in Italy?

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Emily Dickinson

If I'm lost—now

256

If I'm lost—now
That I was found—
Shall still my transport be—
That once—on me—those Jasper Gates
Blazed open—suddenly—

That in my awkward—gazing—face—
The Angels—softly peered—
And touched me with their fleeces,
Almost as if they cared—
I'm banished—now—you know it—
How foreign that can be—
You'll know—Sir—when the Savior's face
Turns so—away from you—

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Emily Dickinson

The Winters are so short

403

The Winters are so short—
I'm hardly justified
In sending all the Birds away—
And moving into Pod—

Myself—for scarcely settled—
The Phoebes have begun—
And then—it's time to strike my Tent—
And open House—again—

It's mostly, interruptions—
My Summer—is despoiled—
Because there was a Winter—once—
And al the Cattle—starved—

And so there was a Deluge—
And swept the World away—
But Ararat's a Legend—now—
And no one credits Noah—

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Emily Dickinson

The Court is far away

235

The Court is far away—
No Umpire—have I—
My Sovereign is offended—
To gain his grace—I'd die!

I'll seek his royal feet—
I'll say—Remember—King—
Thou shalt—thyself—one day—a Child—
Implore a larger—thing—

That Empire—is of Czars—
As small—they say—as I—
Grant me—that day—the royalty—
To intercede—for Thee—

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Emily Dickinson

A House upon the Height

399

A House upon the Height—
That Wagon never reached—
No Dead, were ever carried down—
No Peddler's Cart—approached—

Whose Chimney never smoked—
Whose Windows—Night and Morn—
Caught Sunrise first—and Sunset—last—
Then—held an Empty Pane—

Whose fate—Conjecture knew—
No other neighbor—did—
And what it was—we never lisped—
Because He—never told—

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Emily Dickinson

She lay as if at play

369

She lay as if at play
Her life had leaped away—
Intending to return—
But not so soon—

Her merry Arms, half dropt—
As if for lull of sport—
An instant had forgot—
The Trick to start—

Her dancing Eyes—ajar—
As if their Owner were
Still sparkling through
For fun—at you—

Her Morning at the door—
Devising, I am sure—
To force her sleep—
So light—so deep—

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Emily Dickinson

A Murmur in the Trees—to note

416

A Murmur in the Trees—to note—
Not loud enough—for Wind—
A Star—not far enough to seek—
Nor near enough—to find—

A long—long Yellow—on the Lawn—
A Hubbub—as of feet—
Not audible—as Ours—to Us—
But dapperer—More Sweet—

A Hurrying Home of little Men
To Houses unperceived—
All this—and more—if I should tell—
Would never be believed—

Of Robins in the Trundle bed
How many I espy
Whose Nightgowns could not hide the Wings—
Although I heard them try—

But then I promised ne'er to tell—
How could I break My Word?
So go your Way—and I'll go Mine—
No fear you'll miss the Road.

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Emily Dickinson

The Robin's my Criterion for Tune

285

The Robin's my Criterion for Tune—
Because I grow—where Robins do—
But, were I Cuckoo born—
I'd swear by him—
The ode familiar—rules the Noon—
The Buttercup's, my Whim for Bloom—
Because, we're Orchard sprung—
But, were I Britain born,
I'd Daisies spurn—
None but the Nut—October fit—
Because, through dropping it,
The Seasons flit—I'm taught—
Without the Snow's Tableau
Winter, were lie—to me—
Because I see—New Englandly—
The Queen, discerns like me—
Provincially—

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Emily Dickinson

You know that Portrait in the Moon

504

You know that Portrait in the Moon—
So tell me who 'tis like—
The very Brow—the stooping eyes—
A fog for—Say—Whose Sake?

The very Pattern of the Cheek—
It varies—in the Chin—
But—Ishmael—since we met—'tis long—
And fashions—intervene—

When Moon's at full—'Tis Thou—I say—
My lips just hold the name—
When crescent—Thou art worn—I note—
But—there—the Golden Same—

And when—Some Night—Bold—slashing Clouds
Cut Thee away from Me—
That's easier—than the other film
That glazes Holiday—

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Emily Dickinson

The World—stands—solemner—to me

493

The World—stands—solemner—to me—
Since I was wed—to Him—
A modesty befits the soul
That bears another's—name—
A doubt—if it be fair—indeed—
To wear that perfect—pearl—
The Man—upon the Woman—binds—
To clasp her soul—for all—
A prayer, that it more angel—prove—
A whiter Gift—within—
To that munificence, that chose—
So unadorned—a Queen—
A Gratitude—that such be true—
It had esteemed the Dream—
Too beautiful—for Shape to prove—
Or posture—to redeem!

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Emily Dickinson

Tis Opposites—entice

355

'Tis Opposites—entice—
Deformed Men—ponder Grace—
Bright fires—the Blanketless—
The Lost—Day's face—

The Blind—esteem it be
Enough Estate—to see—
The Captive—strangles new—
For deeming—Beggars—play—

To lack—enamor Thee—
Tho' the Divinity—
Be only
Me—

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Emily Dickinson

Behind Me—dips Eternity

721

Behind Me—dips Eternity—
Before Me—Immortality—
Myself—the Term between—
Death but the Drift of Eastern Gray,
Dissolving into Dawn away,
Before the West begin—

'Tis Kingdoms—afterward—they say—
In perfect—pauseless Monarchy—
Whose Prince—is Son of None—
Himself—His Dateless Dynasty—
Himself—Himself diversify—
In Duplicate divine—

'Tis Miracle before Me—then—
'Tis Miracle behind—between—
A Crescent in the Sea—
With Midnight to the North of Her—
And Midnight to the South of Her—
And Maelstrom—in the Sky—

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Emily Dickinson

He gave away his Life

567

He gave away his Life—
To Us—Gigantic Sum—
A trifle—in his own esteem—
But magnified—by Fame—

Until it burst the Hearts
That fancied they could hold—
When swift it slipped its limit—
And on the Heavens—unrolled—

'Tis Ours—to wince—and weep—
And wonder—and decay
By Blossoms gradual process—
He chose—Maturity—

And quickening—as we sowed—
Just obviated Bud—
And when We turned to note the Growth—
Broke—perfect—from the Pod—

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