Elegy Before Death

There will be rose and rhododendron
When you are dead and under ground;
Still will be heard from white syringas
Heavy with bees, a sunny sound;

Still will the tamaracks be raining
After the rain has ceased, and still
Will there be robins in the stubble,
Brown sheep upon the warm green hill.

Spring will not ail nor autumn falter;
Nothing will know that you are gone,
Saving alone some sullen plough-land
None but yourself sets foot upon;

Saving the may-weed and the pig-weed
Nothing will know that you are dead,—
These, and perhaps a useless wagon
Standing beside some tumbled shed.

Oh, there will pass with your great passing
Little of beauty not your own,—
Only the light from common water,
Only the grace from simple stone!

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Emily Dickinson

The name—of it—is "Autumn"

656

The name—of it—is "Autumn"—
The hue—of it—is Blood—
An Artery—upon the Hill—
A Vein—along the Road—

Great Globules—in the Alleys—
And Oh, the Shower of Stain—
When Winds—upset the Basin—
And spill the Scarlet Rain—

It sprinkles Bonnets—far below—
It gathers ruddy Pools—
Then—eddies like a Rose—away—
Upon Vermilion Wheels—

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Emily Dickinson

A House upon the Height

399

A House upon the Height—
That Wagon never reached—
No Dead, were ever carried down—
No Peddler's Cart—approached—

Whose Chimney never smoked—
Whose Windows—Night and Morn—
Caught Sunrise first—and Sunset—last—
Then—held an Empty Pane—

Whose fate—Conjecture knew—
No other neighbor—did—
And what it was—we never lisped—
Because He—never told—

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Emily Dickinson

The Color of the Grave is Green

411

The Color of the Grave is Green—
The Outer Grave—I mean—
You would not know it from the Field—
Except it own a Stone—

To help the fond—to find it—
Too infinite asleep
To stop and tell them where it is—
But just a Daisy—deep—

The Color of the Grave is white—
The outer Grave—I mean—
You would not know it from the Drifts—
In Winter—till the Sun—

Has furrowed out the Aisles—
Then—higher than the Land
The little Dwelling Houses rise
Where each—has left a friend—

The Color of the Grave within—
The Duplicate—I mean—
Not all the Snows could make it white—
Not all the Summers—Green—

You've seen the Color—maybe—
Upon a Bonnet bound—
When that you met it with before—
The Ferret—cannot find—

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Emily Dickinson

There is a flower that Bees prefer

380

There is a flower that Bees prefer—
And Butterflies—desire—
To gain the Purple Democrat
The Humming Bird—aspire—

And Whatsoever Insect pass—
A Honey bear away
Proportioned to his several dearth
And her—capacity—

Her face be rounder than the Moon
And ruddier than the Gown
Or Orchis in the Pasture—
Or Rhododendron—worn—

She doth not wait for June—
Before the World be Green—
Her sturdy little Countenance
Against the Wind—be seen—

Contending with the Grass—
Near Kinsman to Herself—
For Privilege of Sod and Sun—
Sweet Litigants for Life—

And when the Hills be full—
And newer fashions blow—
Doth not retract a single spice
For pang of jealousy—

Her Public—be the Noon—
Her Providence—the Sun—
Her Progress—by the Bee—proclaimed—
In sovereign—Swerveless Tune—

The Bravest—of the Host—
Surrendering—the last—
Nor even of Defeat—aware—
What cancelled by the Frost—

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Emily Dickinson

What care the Dead, for Chanticleer

592

What care the Dead, for Chanticleer—
What care the Dead for Day?
'Tis late your Sunrise vex their face—
And Purple Ribaldry—of Morning

Pour as blank on them
As on the Tier of Wall
The Mason builded, yesterday,
And equally as cool—

What care the Dead for Summer?
The Solstice had no Sun
Could waste the Snow before their Gate—
And knew One Bird a Tune—

Could thrill their Mortised Ear
Of all the Birds that be—
This One—beloved of Mankind
Henceforward cherished be—

What care the Dead for Winter?
Themselves as easy freeze—
June Noon—as January Night—
As soon the South—her Breeze

Of Sycamore—or Cinnamon—
Deposit in a Stone
And put a Stone to keep it Warm—
Give Spices—unto Men—

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Emily Dickinson

A Murmur in the Trees—to note

416

A Murmur in the Trees—to note—
Not loud enough—for Wind—
A Star—not far enough to seek—
Nor near enough—to find—

A long—long Yellow—on the Lawn—
A Hubbub—as of feet—
Not audible—as Ours—to Us—
But dapperer—More Sweet—

A Hurrying Home of little Men
To Houses unperceived—
All this—and more—if I should tell—
Would never be believed—

Of Robins in the Trundle bed
How many I espy
Whose Nightgowns could not hide the Wings—
Although I heard them try—

But then I promised ne'er to tell—
How could I break My Word?
So go your Way—and I'll go Mine—
No fear you'll miss the Road.

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Emily Dickinson

The Birds reported from the South

743

The Birds reported from the South—
A News express to Me—
A spicy Charge, My little Posts—
But I am deaf—Today—

The Flowers—appealed—a timid Throng—
I reinforced the Door—
Go blossom for the Bees—I said—
And trouble Me—no More—

The Summer Grace, for Notice strove—
Remote—Her best Array—
The Heart—to stimulate the Eye
Refused too utterly—

At length, a Mourner, like Myself,
She drew away austere—
Her frosts to ponder—then it was
I recollected Her—

She suffered Me, for I had mourned—
I offered Her no word—
My Witness—was the Crape I bore—
Her—Witness—was Her Dead—

Thenceforward—We—t ogether dwelt—
I never questioned Her—
Our Contract
A Wiser Sympathy

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Emily Dickinson

It feels a shame to be Alive

444

It feels a shame to be Alive—
When Men so brave—are dead—
One envies the Distinguished Dust—
Permitted—such a Head—

The Stone—that tells defending Whom
This Spartan put away
What little of Him we—possessed
In Pawn for Liberty—

The price is great—Sublimely paid—
Do we deserve—a Thing—
That lives—like Dollars—must be piled
Before we may obtain?

Are we that wait—sufficient worth—
That such Enormous Pearl
As life—dissolved be—for Us—
In Battle's—horrid Bowl?

It may be—a Renown to live—
I think the Man who die—
Those unsustained—Saviors—
Present Divinity—

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Emily Dickinson

Fitter to see Him, I may be

968

Fitter to see Him, I may be
For the long Hindrance—Grace—to Me—
With Summers, and with Winters, grow,
Some passing Year—A trait bestow

To make Me fairest of the Earth—
The Waiting—then—will seem so worth
I shall impute with half a pain
The blame that I was chosen—then—

Time to anticipate His Gaze—
It's first—Delight—and then—Surprise—
The turning o'er and o'er my face
For Evidence it be the Grace—

He left behind One Day—So less
He seek Conviction, That—be This—

I only must not grow so new
That He'll mistake—and ask for me
Of me—when first unto the Door
I go—to Elsewhere go no more—

I only must not change so fair
He'll sigh—"The Other—She—is Where?"
The Love, tho', will array me right
I shall be perfect—in His sight—

If He perceive the other Truth—
Upon an Excellenter Youth—

How sweet I shall not lack in Vain—
But gain—thro' loss—Through Grief—obtain—
The Beauty that reward Him best—
The Beauty of Demand—at Rest—

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Emily Dickinson

In falling Timbers buried

614

In falling Timbers buried—
There breathed a Man—
Outside—the spades—were plying—
The Lungs—within—

Could He—know—they sought Him—
Could They—know—He breathed—
Horrid Sand Partition—
Neither—could be heard—

Never slacked the Diggers—
But when Spades had done—
Oh, Reward of Anguish,
It was dying—Then—

Many Things—are fruitless—
'Tis a Baffling Earth—
But there is no Gratitude
Like the Grace—of Death—

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Emily Dickinson

Must be a Woe

571

Must be a Woe—
A loss or so—
To bend the eye
Best Beauty's way—

But—once aslant
It notes Delight
As difficult
As Stalactite

A Common Bliss
Were had for less—
The price—is
Even as the Grace—

Our lord—thought no
Extravagance
To pay—a Cross—

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Emily Dickinson

Unit, like Death, for Whom?

408

Unit, like Death, for Whom?
True, like the Tomb,
Who tells no secret
Told to Him—
The Grave is strict—
Tickets admit
Just two—the Bearer—
And the Borne—
And seat—just One—
The Living—tell—
The Dying—but a Syllable—
The Coy Dead—None—
No Chatter—here—no tea—
So Babbler, and Bohea—stay there—
But Gravity—and Expectation—and Fear—
A tremor just, that All's not sure.

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Emily Dickinson

She rose to His Requirement

732

She rose to His Requirement—dropt
The Playthings of Her Life
To take the honorable Work
Of Woman, and of Wife—

If ought She missed in Her new Day,
Of Amplitude, or Awe—
Or first Prospective—Or the Gold
In using, wear away,

It lay unmentioned—as the Sea
Develop Pearl, and Weed,
But only to Himself—be known
The Fathoms they abide—

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Emily Dickinson

God made a little Gentian

442

God made a little Gentian—
It tried—to be a Rose—
And failed—and all the Summer laughed—
But just before the Snows

There rose a Purple Creature—
That ravished all the Hill—
And Summer hid her Forehead—
And Mockery—was still—

The Frosts were her condition—
The Tyrian would not come
Until the North—invoke it—
Creator—Shall I—bloom?

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Emily Dickinson

The Court is far away

235

The Court is far away—
No Umpire—have I—
My Sovereign is offended—
To gain his grace—I'd die!

I'll seek his royal feet—
I'll say—Remember—King—
Thou shalt—thyself—one day—a Child—
Implore a larger—thing—

That Empire—is of Czars—
As small—they say—as I—
Grant me—that day—the royalty—
To intercede—for Thee—

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Emily Dickinson

It makes no difference abroad

620

It makes no difference abroad—
The Seasons—fit—the same—
The Mornings blossom into Noons—
And split their Pods of Flame—

Wild flowers—kindle in the Woods—
The Brooks slam—all the Day—
No Black bird bates his Banjo—
For passing Calvary—

Auto da Fe—and Judgment—
Are nothing to the Bee—
His separation from His Rose—
To Him—sums Misery—

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Emily Dickinson

Do People moulder equally

432

Do People moulder equally,
They bury, in the Grave?
I do believe a Species
As positively live

As I, who testify it
Deny that I—am dead—
And fill my Lungs, for Witness—
From Tanks—above my Head—

I say to you, said Jesus—
That there be standing here—
A Sort, that shall not taste of Death—
If Jesus was sincere—

I need no further Argue—
That statement of the Lord
Is not a controvertible—
He told me, Death was dead—

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Emily Dickinson

I was the slightest in the House

486

I was the slightest in the House—
I took the smallest Room—
At night, my little Lamp, and Book—
And one Geranium—

So stationed I could catch the Mint
That never ceased to fall—
And just my Basket—
Let me think—I'm sure—
That this was all—

I never spoke—unless addressed—
And then, 'twas brief and low—
I could not bear to live—aloud—
The Racket shamed me so—

And if it had not been so far—
And any one I knew
Were going—I had often thought
How noteless—I could die—

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The House Of Dust: Part 03: 06: Portrait Of One Dead

This is the house. On one side there is darkness,
On one side there is light.
Into the darkness you may lift your lanterns—
O, any number—it will still be night.
And here are echoing stairs to lead you downward
To long sonorous halls.
And here is spring forever at these windows,
With roses on the walls.

This is her room. On one side there is music—
On one side not a sound.
At one step she could move from love to silence,
Feel myriad darkness coiling round.
And here are balconies from which she heard you,
Your steady footsteps on the stair.
And here the glass in which she saw your shadow
As she unbound her hair.

Here is the room—with ghostly walls dissolving—
The twilight room in which she called you 'lover';
And the floorless room in which she called you 'friend.'
So many times, in doubt, she ran between them!—
Through windy corridors of darkening end.

Here she could stand with one dim light above her
And hear far music, like a sea in caverns,
Murmur away at hollowed walls of stone.
And here, in a roofless room where it was raining,
She bore the patient sorrow of rain alone.

Your words were walls which suddenly froze around her.
Your words were windows,—large enough for moonlight,
Too small to let her through.
Your letters—fragrant cloisters faint with music.
The music that assuaged her there was you.

How many times she heard your step ascending
Yet never saw your face!
She heard them turn again, ring slowly fainter,
Till silence swept the place.
Why had you gone? . . . The door, perhaps, mistaken . . .
You would go elsewhere. The deep walls were shaken.

A certain rose-leaf—sent without intention—
Became, with time, a woven web of fire—
She wore it, and was warm.
A certain hurried glance, let fall at parting,
Became, with time, the flashings of a storm.

Yet, there was nothing asked, no hint to tell you
Of secret idols carved in secret chambers
From all you did and said.
Nothing was done, until at last she knew you.
Nothing was known, till, somehow, she was dead.

How did she die?—You say, she died of poison.
Simple and swift. And much to be regretted.
You did not see her pass
So many thousand times from light to darkness,
Pausing so many times before her glass;

You did not see how many times she hurried
To lean from certain windows, vainly hoping,
Passionate still for beauty, remembered spring.
You did not know how long she clung to music,
You did not hear her sing.

Did she, then, make the choice, and step out bravely
From sound to silence—close, herself, those windows?
Or was it true, instead,
That darkness moved,—for once,—and so possessed her? . . .
We'll never know, you say, for she is dead.

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Emily Dickinson

She dwelleth in the Ground

671

She dwelleth in the Ground—
Where Daffodils—abide—
Her Maker—Her Metropolis—
The Universe—Her Maid—

To fetch Her Grace—and Hue—
And Fairness—and Renown—
The Firmament's—To Pluck Her—
And fetch Her Thee—be mine—

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