Daphne

Why do you follow me?—
Any moment I can be
Nothing but a laurel-tree.

Any moment of the chase
I can leave you in my place
A pink bough for your embrace.

Yet if over hill and hollow
Still it is your will to follow,
I am off;—to heel, Apollo!

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Emily Dickinson

The Angle of a Landscape

375

The Angle of a Landscape—
That every time I wake—
Between my Curtain and the Wall
Upon an ample Crack—

Like a Venetian—waiting—
Accosts my open eye—
Is just a Bough of Apples—
Held slanting, in the Sky—

The Pattern of a Chimney—
The Forehead of a Hill—
Sometimes—a Vane's Forefinger—
But that's—Occasional—

The Seasons—shift—my Picture—
Upon my Emerald Bough,
I wake—to find no—Emeralds—
Then—Diamonds&m dash;which the Snow

From Polar Caskets—fetched me—
The Chimney—and the Hill—
And just the Steeple's finger—
These—never stir at all—

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Emily Dickinson

Had I not This, or This, I said

904

Had I not This, or This, I said,
Appealing to Myself,
In moment of prosperity—
Inadequate—were Life—

"Thou hast not Me, nor Me"—it said,
In Moment of Reverse—
"And yet Thou art industrious—
No need—hadst Thou—of us"?

My need—was all I had—I said—
The need did not reduce—
Because the food—exterminate—
The hunger—does not cease—

But diligence—is sharper—
Proportioned to the Chance—
To feed upon the Retrograde—
Enfeebles—the Advance—

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Emily Dickinson

Did Our Best Moment last

393

Did Our Best Moment last—
'Twould supersede the Heaven—
A few—and they by Risk—procure—
So this Sort—are not given—

Except as stimulants—in
Cases of Despair—
Or Stupor—The Reserve—
These Heavenly Moments are—

A Grant of the Divine—
That Certain as it Comes—
Withdraws—and leaves the dazzled Soul
In her unfurnished Rooms

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Emily Dickinson

The name—of it—is "Autumn"

656

The name—of it—is "Autumn"—
The hue—of it—is Blood—
An Artery—upon the Hill—
A Vein—along the Road—

Great Globules—in the Alleys—
And Oh, the Shower of Stain—
When Winds—upset the Basin—
And spill the Scarlet Rain—

It sprinkles Bonnets—far below—
It gathers ruddy Pools—
Then—eddies like a Rose—away—
Upon Vermilion Wheels—

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Emily Dickinson

We pray—to Heaven

489

We pray—to Heaven—
We prate—of Heaven—
Relate—when Neighbors die—
At what o'clock to heaven—they fled—
Who saw them—Wherefore fly?

Is Heaven a Place—a Sky—a Tree?
Location's narrow way is for Ourselves—
Unto the Dead
There's no Geography—

But State—Endowal—Focus—
Where&m dash;Omnipresence—fly?

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Emily Dickinson

We can but follow to the Sun

920

We can but follow to the Sun—
As oft as He go down
He leave Ourselves a Sphere behind—
'Tis mostly—following—

We go no further with the Dust
Than to the Earthen Door—
And then the Panels are reversed—
And we behold—no more.

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Emily Dickinson

The Court is far away

235

The Court is far away—
No Umpire—have I—
My Sovereign is offended—
To gain his grace—I'd die!

I'll seek his royal feet—
I'll say—Remember—King—
Thou shalt—thyself—one day—a Child—
Implore a larger—thing—

That Empire—is of Czars—
As small—they say—as I—
Grant me—that day—the royalty—
To intercede—for Thee—

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Emily Dickinson

It might be lonelier

405

It might be lonelier
Without the Loneliness—
I'm so accustomed to my Fate—
Perhaps the Other—Peace—

Would interrupt the Dark—
And crowd the little Room—
Too scant—by Cubits—to contain
The Sacrament—of Him—

I am not used to Hope—
It might intrude upon—
Its sweet parade—blaspheme the place—
Ordained to Suffering—

It might be easier
To fail—with Land in Sight—
Than gain—My Blue Peninsula—
To perish—of Delight—

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Emily Dickinson

The Murmur of a Bee

155

The Murmur of a Bee
A Witchcraft—yieldeth me—
If any ask me why—
'Twere easier to die—
Than tell—

The Red upon the Hill
Taketh away my will—
If anybody sneer—
Take care—for God is here—
That's all.

The Breaking of the Day
Addeth to my Degree—
If any ask me how—
Artist—who drew me so—
Must tell!

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Emily Dickinson

Again—his voice is at the door

663

Again—his voice is at the door—
I feel the old Degree—
I hear him ask the servant
For such an one—as me—

I take a flower—as I go—
My face to justify—
He never saw me—in this life—
I might surprise his eye!

I cross the Hall with mingled steps—
I—silent—pass the door—
I look on all this world contains—
Just his face—nothing more!

We talk in careless—and it toss—
A kind of plummet strain—
Each—sounding—shyly& mdash;
Just—how—deep—
The other's one—had been—

We walk—I leave my Dog—at home—
A tender—thoughtful Moon—
Goes with us—just a little way—
And—then—we are alone—

Alone—if Angels are "alone"—
First time they try the sky!
Alone—if those "veiled faces"—be—
We cannot count—on High!

I'd give—to live that hour—again—
The purple—in my Vein—
But He must count the drops—himself—
My price for every stain!

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Emily Dickinson

You know that Portrait in the Moon

504

You know that Portrait in the Moon—
So tell me who 'tis like—
The very Brow—the stooping eyes—
A fog for—Say—Whose Sake?

The very Pattern of the Cheek—
It varies—in the Chin—
But—Ishmael—since we met—'tis long—
And fashions—intervene—

When Moon's at full—'Tis Thou—I say—
My lips just hold the name—
When crescent—Thou art worn—I note—
But—there—the Golden Same—

And when—Some Night—Bold—slashing Clouds
Cut Thee away from Me—
That's easier—than the other film
That glazes Holiday—

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Emily Dickinson

Empty my Heart, of Thee

587

Empty my Heart, of Thee—
Its single Artery—
Begin, and leave Thee out—
Simply Extinction's Date—

Much Billow hath the Sea—
One Baltic—They—
Subtract Thyself, in play,
And not enough of me
Is left—to put away—
"Myself" meanth Thee—

Erase the Root—no Tree—
Thee—then—no me—
The Heavens stripped—
Eternity's vast pocket, picked—

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Emily Dickinson

We see—Comparatively

534

We see—Comparatively—
The Thing so towering high
We could not grasp its segment
Unaided—Yesterday—

This Morning's finer Verdict—
Makes scarcely worth the toil—
A furrow—Our Cordillera—
Our Apennine—a Knoll—

Perhaps 'tis kindly—done us—
The Anguish—and the loss—
The wrenching—for His Firmament
The Thing belonged to us—

To spare these Striding Spirits
Some Morning of Chagrin—
The waking in a Gnat's—embrace—
Our Giants—further on—

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Emily Dickinson

The World—stands—solemner—to me

493

The World—stands—solemner—to me—
Since I was wed—to Him—
A modesty befits the soul
That bears another's—name—
A doubt—if it be fair—indeed—
To wear that perfect—pearl—
The Man—upon the Woman—binds—
To clasp her soul—for all—
A prayer, that it more angel—prove—
A whiter Gift—within—
To that munificence, that chose—
So unadorned—a Queen—
A Gratitude—that such be true—
It had esteemed the Dream—
Too beautiful—for Shape to prove—
Or posture—to redeem!

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Emily Dickinson

Tis Opposites—entice

355

'Tis Opposites—entice—
Deformed Men—ponder Grace—
Bright fires—the Blanketless—
The Lost—Day's face—

The Blind—esteem it be
Enough Estate—to see—
The Captive—strangles new—
For deeming—Beggars—play—

To lack—enamor Thee—
Tho' the Divinity—
Be only
Me—

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Emily Dickinson

Behind Me—dips Eternity

721

Behind Me—dips Eternity—
Before Me—Immortality—
Myself—the Term between—
Death but the Drift of Eastern Gray,
Dissolving into Dawn away,
Before the West begin—

'Tis Kingdoms—afterward—they say—
In perfect—pauseless Monarchy—
Whose Prince—is Son of None—
Himself—His Dateless Dynasty—
Himself—Himself diversify—
In Duplicate divine—

'Tis Miracle before Me—then—
'Tis Miracle behind—between—
A Crescent in the Sea—
With Midnight to the North of Her—
And Midnight to the South of Her—
And Maelstrom—in the Sky—

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Emily Dickinson

I shall keep singing!

250

I shall keep singing!
Birds will pass me
On their way to Yellower Climes—
Each—with a Robin's expectation—
I—with my Redbreast—
And my Rhymes—

Late—when I take my place in summer—
But—I shall bring a fuller tune—
Vespers—are sweeter than Matins—Signor—
Morning—only the seed of Noon—

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Emily Dickinson

He gave away his Life

567

He gave away his Life—
To Us—Gigantic Sum—
A trifle—in his own esteem—
But magnified—by Fame—

Until it burst the Hearts
That fancied they could hold—
When swift it slipped its limit—
And on the Heavens—unrolled—

'Tis Ours—to wince—and weep—
And wonder—and decay
By Blossoms gradual process—
He chose—Maturity—

And quickening—as we sowed—
Just obviated Bud—
And when We turned to note the Growth—
Broke—perfect—from the Pod—

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Emily Dickinson

In falling Timbers buried

614

In falling Timbers buried—
There breathed a Man—
Outside—the spades—were plying—
The Lungs—within—

Could He—know—they sought Him—
Could They—know—He breathed—
Horrid Sand Partition—
Neither—could be heard—

Never slacked the Diggers—
But when Spades had done—
Oh, Reward of Anguish,
It was dying—Then—

Many Things—are fruitless—
'Tis a Baffling Earth—
But there is no Gratitude
Like the Grace—of Death—

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Emily Dickinson

It knew no Medicine

559

It knew no Medicine—
It was not Sickness—then—
Nor any need of Surgery—
And therefore—'twas not Pain—

It moved away the Cheeks—
A Dimple at a time—
And left the Profile—plainer—
And in the place of Bloom

It left the little Tint
That never had a Name—
You've seen it on a Cast's face—
Was Paradise—to blame—

If momently ajar—
Temerity—drew near—
And sickened—ever afterward
For Somewhat that it saw?

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