The Way Of The Wood
WHERE baby oaks play in the breeze
Among wood-sorrel and fringed fern,
Through the green garments of the trees
The quivering shafts of sunlight burn,
And all along the wet green ride
The dripping hazel-boughs between,
The spotted orchis, stiff with pride,
Stands guard before the eglantine.
Sweet chestnuts droop their long, sharp leaves
By knotted tree roots, mossed and brown,
Round which the honeysuckle weaves
Its scented golden wild-wood crown.
O wood, last year you saw us meet,
For her your leaves and buds were gay,
Your moss spread velvet for her feet.
Your flowers upon her bosom lay.
This year you wear your raiment bright,
As fair as ever yet you wore.
And, none the less, the world's delight
Walks in your ways no more, no more.
poem by Edith Nesbit

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Through The Wood
THROUGH the wood, the green wood, the wet wood, the light wood,
Love and I went maying a thousand lives ago;
Shafts of golden sunlight had made a golden bright wood
In my heart reflected, because I loved you so.
Through the wood, the chill wood, the brown wood, the bare wood,
I alone went lonely no later than last year,
What had thinned the branches, and wrecked my dear and fair wood,
Killed the pale wild roses and left the rose-thorns sere?
Through the wood, the dead wood, the sad wood, the lone wood,
Winds of winter shiver through lichens old and grey,
You ride past forgetting the wood that was our own wood
All our own--and withered as ever a flower of May.
poem by Edith Nesbit

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In The Shade Of The Green Wood
In the shade of the green wood
The holly does grow,
While in soft rays of sunlight
The wild roses glow,
And I smell their sweet perfume
That gently floats by,
Past trees strong and mighty
That reach to the sky,
The pathway of gold autumn
Leaves still remain,
As I walk through the green wood again.
In the shade of the green wood
This bright sunny morn,
That's so cool in the shadows
A new day is born,
All the birds in the treetops
Are singing for me,
Sweet songs of the summer
Which fill me with glee,
And know from its beauty
I never shall part,
For the green wood does live in my heart.
In the shade of the green wood
A soft gentle breeze,
Now caresses the branches
And whispers through trees,
A sound reassuring
Shall carry me to,
All the scenes that exist
In each marvellous view,
It's here that my spirit
Shall always now stay,
And the green wood is guiding my way.
poem by Andrew Blakemore

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A Whirl-Blast from Behind The Hill
A Whirl-Blast from behind the hill
Rushed o'er the wood with startling sound;
Then--all at once the air was still,
And showers of hailstones pattered round.
Where leafless oaks towered high above,
I sat within an undergrove
Of tallest hollies, tall and green;
A fairer bower was never seen.
From year to year the spacious floor
With withered leaves is covered o'er,
And all the year the bower is green.
But see! where'er the hailstones drop
The withered leaves all skip and hop;
There's not a breeze--no breath of air--
Yet here, and there, and everywhere
Along the floor, beneath the shade
By those embowering hollies made,
The leaves in myriads jump and spring,
As if with pipes and music rare
Some Robin Good-fellow were there,
And all those leaves, in festive glee,
Were dancing to the minstrelsy.
poem by William Wordsworth

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New Year
WHITE year, white year,
Muffled soft in snow,
A diamond spray whose gems are gone
Before their grace we know,
A crystal-coated spray whose hours
Melt when looked upon,
Hoarfrost stars and hoarfrost flowers,
White year!
Green year, green year,
Sweet with sun and showers,
A windblown spray whose blossoms bright
Are the seven-colored hours,
A dancing spray whose leaves are days,
A spray whose leaves delight
In azure gleam and silver haze,
Green year!
New Year, new year
From rosy leaf to gold,
A shining spray on the Tree of Time
Where myriad sprays unfold,
A spray so fair that God may see
And gather it, bloom and rime,
To deck the doors of Eternity,
New Year!
poem by Katharine Lee Bates

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Who Goes Amid the Green Wood
Who goes amid the green wood
With springtide all adorning her?
Who goes amid the merry green wood
To make it merrier?
Who passes in the sunlight
By ways that know the light footfall?
Who passes in the sweet sunlight
With mien so virginal?
The ways of all the woodland
Gleam with a soft and golden fire -- -
For whom does all the sunny woodland
Carry so brave attire?
O, it is for my true love
The woods their rich apparel wear -- -
O, it is for my own true love,
That is so young and fair.
poem by James Joyce

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In Sanctuary
THE young Spring air was strong like wine,
The sky reflected in your eyes
Was of a blue as deep-divine
As ever glowed in southern skies.
We passed from out the sunny lane
Into the green wood's shadowing;
And, sudden, all Love's words seemed vain
In that calm temple of the Spring.
Our god hears fair and tuneful words,
And splendid flowers his altars bear;
With choric song of leaves and birds,
Another god was worshipped there.
Silent, we passed the woodland, through
The coloured maze that Springtime weaves--
The light leaves dancing to the blue,
The sunlight dancing to the leaves;
I could not speak. I touched your hand
At the green arch that ends the wood:
'Ah--if she should not understand!'
Ah--if you had not understood!
poem by Edith Nesbit

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The Primrose
Welcome, pale primrose! starting up between
Dead matted leaves of ash and oak that strew
The every lawn, the wood, and spinney through,
'Mid creeping moss and ivy's darker green;
How much thy presence beautifies the ground!
How sweet thy modest unaffected pride
Glows on the sunny bank and wood's warm side
And where thy fairy flowers in groups are found,
The schoolboy roams enchantedly along,
Plucking the fairest with a rude delight:
While the meek shepherd stops his simple song,
To gaze a moment on the pleasing sight;
O'erjoyed to see the flowers that truly bring
The welcome news of sweet returning spring.
poem by John Clare

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The Easter Decorations
O take away your dried and painted garlands!
The snow-cloth's fallen from each quicken'd brow,
The stone's rolled off the sepulchre of winter,
And risen leaves and flowers are wanted now.
Send out the little ones, that they may gather
With their pure hands the firstlings of the birth,—
Green-golden tufts and delicate half-blown blossoms,
Sweet with the fragrance of the Easter earth;
Great primrose bunches, with soft, damp moss clinging
To their brown fibres, nursed in hazel roots;
And violets from the shady banks and copses,
And wood-anemones, and white hawthorn shoots;
And tender curling fronds of fern, and grasses
And crumpled leaves from brink of babbling rills,
With cottage-garden treasures—pale narcissi
And lilac plumes and yellow daffodils.
Open the doors, and let the Easter sunshine
Flow warmly in and out, in amber waves,
And let the perfume floating round our altar
Meet the new perfume from the outer graves.
And let the Easter “Alleluia!” mingle
With the sweet silver rain-notes of the lark;
Let us all sing together!—Lent is over,
Captivity and winter, death and dark
poem by Ada Cambridge

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Now Is Past
_Now_ is past--the happy _now_
When we together roved
Beneath the wildwood's oak-tree bough
And Nature said we loved.
Winter's blast
The _now_ since then has crept between,
And left us both apart.
Winters that withered all the green
Have froze the beating heart.
Now is past.
_Now_ is past since last we met
Beneath the hazel bough;
Before the evening sun was set
Her shadow stretched below.
Autumn's blast
Has stained and blighted every bough;
Wild strawberries like her lips
Have left the mosses green below,
Her bloom's upon the hips.
Now is past.
_Now_ is past, is changed agen,
The woods and fields are painted new.
Wild strawberries which both gathered then,
None know now where they grew.
The skys oercast.
Wood strawberries faded from wood sides,
Green leaves have all turned yellow;
No Adelaide walks the wood rides,
True love has no bed-fellow.
Now is past.
poem by John Clare

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In Tempreate Forest
In Temperate Forest,
Neither cold nor warm.
You can take serene rest,
Expanding your arm.
Humming with lively life,
Birds call from the trees.
In their delight and strife;
Insects rustle like breeze.
The thick leaves of forest,
Cut sunlight in drops.
Seeing the peaceful nest,
Heart happily throbs.
Honey-suckle, blue-bell,
Bloom and laugh in gay.
Hazel, dog-wood, sorrel,
Enjoying the day!
poem by Nilakshi Das

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The Path
RUNNING along a bank, a parapet
That saves from the precipitous wood below
The level road, there is a path. It serves
Children for looking down the long smooth steep,
Between the legs of beech and yew, to where
A fallen tree checks the sight: while men and women
Content themselves with the road and what they see
Over the bank, and what the children tell.
The path, winding like silver, trickles on,
Bordered and even invaded by thinnest moss
That tries to cover roots and crumbling chalk
With gold, olive, and emerald, but in vain.
The children wear it. They have flattened the bank
On top, and silvered it between the moss
With the current of their feet, year after year.
But the road is houseless, and leads not to school.
To see a child is rare there, and the eye
Has but the road, the wood that overhangs
And underyawns it, and the path that looks
As if it led on to some legendary
Or fancied place where men have wished to go
And stay; till, sudden, it ends where the wood ends.
poem by Edward Thomas

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Vies Manquees
A YEAR ago we walked the wood--
A year ago to-day;
A blackbird fluttered round her brood
Deep in the white-flowered may.
We trod the happy woodland ways,
Where sunset streamed between
The hazel stems in long dusk rays,
And turned to gold the green.
A thrush sang where the ferns uncurled,
And clouds of wind-flowers grew:
I missed the meaning of the world
From lack of love for you.
You missed the beauty of the year,
And failed its self to see,
Through too much doubt and too much fear,
And too much love of me.
This year we hear the birds' glad strain,
Again the sunset glows,
We walk the wild wet woods again,
Again the wind-flower blows.
In cloudy white the falling may
Drifts down the scented wind,
And so the secret drifts away
Which we shall never find.
Our drifted spirits are not free
Spring's secret springs to touch,
For now you do not care for me,
And I love you too much.
poem by Edith Nesbit

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The Maple Tree
The Maple with its tassell flowers of green
That turns to red, a stag horn shapèd seed
Just spreading out its scallopped leaves is seen,
Of yellowish hue yet beautifully green.
Bark ribb'd like corderoy in seamy screed
That farther up the stem is smoother seen,
Where the white hemlock with white umbel flowers
Up each spread stoven to the branches towers
And mossy round the stoven spread dark green
And blotched leaved orchis and the blue-bell flowers -
Thickly they grow and neath the leaves are seen.
I love to see them gemm'd with morning hours.
I love the lone green places where they be
And the sweet clothing of the Maple tree.
poem by John Clare

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North Wind in October
In the golden glade the chestnuts are fallen all;
From the sered boughs of the oak the acorns fall:
The beech scatters her ruddy fire;
The lime hath stripped to the cold,
And standeth naked above her yellow attire:
The larch thinneth her spire
To lay the ways of the wood with cloth of gold.
Out of the golden-green and white Of the brake the fir-trees stand upright
In the forest of flame, and wave aloft
To the blue of heaven their blue-green tuftings soft.
But swiftly in shuddering gloom the splendours fail,
As the harrying North-wind beareth
A cloud of skirmishing hail
The grieved woodland to smite:
In a hurricane through the trees he teareth,
Raking the boughs and the leaves rending,
And whistleth to the descending
Blows of his icy flail.
Gold and snow he mixeth in spite,
And whirleth afar; as away on his winnowing flight
He passeth, and all again for ahile is bright.
poem by Robert Seymour Bridges

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The Nightingale's Nest
UP this green woodland-ride let's softly rove,
And list the nightingale — she dwells just here.
Hush ! let the wood-gate softly clap, for fear
The noise might drive her from her home of love;
For here I've heard her many a merry year—
At morn, at eve, nay, all the live-long day,
As though she lived on song. This very spot,
Just where that old-man's-beard all wildly trails
Rude arbours o'er the road, and stops the way —
And where that child its hlue-bell flowers hath got,
Laughing and creeping through the mossy rails—
There have I hunted like a very boy,
Creeping on hands and knees through matted thorn
To find her nest, and see her feed her young.
And vainly did I many hours employ:
All seemed as hidden as a thought unborn.
And where those crimping fern-leaves ramp among
The hazel's under boughs, I've nestled down,
And watched her while she sung ; and her renown
Hath made me marvel that so famed a bird
Should have no better dress than russet brown.
Her wings would tremble in her ecstasy,
And feathers stand on end, as 'twere with joy,
And mouth wide open to release her heart
Of its out-sobbing songs. The happiest part
Of summer's fame she shared, for so to me
Did happy fancies shapen her employ;
But if I touched a bush, or scarcely stirred,
All in a moment stopt. I watched in vain:
The timid bird had left the hazel bush,
And at a distance hid to sing again.
Lost in a wilderness of listening leaves,
Rich Ecstasy would pour its luscious strain,
Till envy spurred the emulating thrush
To start less wild and scarce inferior songs;
For while of half the year Care him bereaves,
To damp the ardour of his speckled breast;
The nightingale to summer's life belongs,
And naked trees, and winter's nipping wrongs,
Are strangers to her music and her rest.
Her joys are evergreen, her world is wide—
Hark ! there she is as usual— let's be hush—
For in this black-thorn clump, if rightly guest,
Her curious house is hidden. Part aside
These hazel branches in a gentle way,
And stoop right cautious 'neath the rustling boughs,
For we will have another search to day,
And hunt this fern-strewn thorn-clump round and round;
And where this reeded wood-grass idly bows,
We'll wade right through, it is a likely nook:
In such like spots, and often on the ground,
They'll build, where rude boys never think to look—
Aye, as I live! her secret nest is here,
Upon this white-thorn stump! I've searched about
For hours in vain. There! put that bramble by—
Nay, trample on its branches and get near.
How subtle is the bird! she started out,
And raised a plaintive note of danger nigh,
Ere we were past the brambles; and now, near
Her nest, she sudden stops — as choking fear,
That might betray her home. So even now
We'll leave it as we found it: safety's guard
Of pathless solitudes shall keep it still.
See there! she's sitting on the old oak bough,
Mute in her fears; our presence doth retard
Her joys, and doubt turns every rapture chill.
Sing on, sweet bird! may no worse hap befall
Thy visions, than the fear that now deceives.
We will not plunder music of its dower,
Nor turn this spot of happiness to thrall;
For melody seems hid in every flower,
That blossoms near thy home. These harebells all
Seem bowing with the beautiful in song;
And gaping cuckoo-flower, with spotted leaves,
Seems blushing of the singing it has heard.
How curious is the nest; no other bird
Uses such loose materials, or weaves
Its dwelling in such spots: dead oaken leaves
Are placed without, and velvet moss within,
And little scraps of grass, and, scant and spare,
What scarcely seem materials, down and hair;
For from men's haunts she nothing seems to win.
Yet Nature is the builder, and contrives
Homes for her children's comfort, even here;
Where Solitude's disciples spend their lives
Unseen, save when a wanderer passes near
That loves such pleasant places. Deep adown,
The nest is made a hermit's mossy cell.
Snug lie her curious eggs in number five,
Of deadened green, or rather olive brown;
And the old prickly thorn-bush guards them well.
So here we'll leave them, still unknown to wrong,
As the old woodland's legacy of song.
poem by John Clare

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My Playmate
The pines were dark on Ramoth hill,
Their song was soft and low;
The blossoms in the sweet May wind
Were falling like the snow.
The blossoms drifted at our feet,
The orchard birds sang clear;
The sweetest and the saddest day
It seemed of all the year.
For, more to me than birds or flowers,
My playmate left her home,
And took with her the laughing spring,
The music and the bloom.
She kissed the lips of kith and kin,
She laid her hand in mine
What more could ask the bashful boy
Who fed her father's kine?
She left us in the bloom of May
The constant years told o'er
Their seasons with as sweet May morns,
But she came back no more.
I walk, with noiseless feet, the round
Of uneventful years;
Still o'er and o'er I sow the spring
And reap the autumn ears.
She lives where all the golden year
Her summer roses blow;
The dusky children of the sun
Before her come and go.
There haply with her jewelled hands
She smooths her silken gown,-
No more the homespun lap wherein
I shook the walnuts down.
The wild grapes wait us by the brook,
The brown nuts on the hill,
And still the May-day flowers make sweet
The woods of Follymill.
The lilies blossom in the pond,
The bird builds in the tree,
The dark pines sing on Ramoth hill
The slow song of the sea.
I wonder if she thinks of them,
And how the old time seems,-
If ever the pines of Ramoth wood
Are sounding in her dreams.
I see her face, I hear her voice;
Does she remember mine?
And what to her is now the boy
Who fed her father's kine?
What cares she that the orioles build
For other eyes than ours,-
That other hands with nuts are filled,
And other laps with flowers?
O playmate in the golden time!
Our mossy seat is green,
Its fringing violets blossom yet,
The old trees o'er it lean.
The winds so sweet with birch and fern
A sweeter memory blow;
And there in spring the veeries sing
The song of long ago.
And still the pines of Ramoth wood
Are moaning like the sea,-
The moaning of the sea of change
Between myself and thee!
poem by John Greenleaf Whittier

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Leaves Compared with Flowers
A tree's leaves may be ever so good,
So may its bar, so may its wood;
But unless you put the right thing to its root
It never will show much flower or fruit.
But I may be one who does not care
Ever to have tree bloom or bear.
Leaves for smooth and bark for rough,
Leaves and bark may be tree enough.
Some giant trees have bloom so small
They might as well have none at all.
Late in life I have come on fern.
Now lichens are due to have their turn.
I bade men tell me which in brief,
Which is fairer, flower or leaf.
They did not have the wit to say,
Leaves by night and flowers by day.
Leaves and bar, leaves and bark,
To lean against and hear in the dark.
Petals I may have once pursued.
Leaves are all my darker mood.
poem by Robert Frost

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The Helmsman
O be swift—
we have always known you wanted us.
We fled inland with our flocks.
we pastured them in hollows,
cut off from the wind
and the salt track of the marsh.
We worshipped inland—
we stepped past wood-flowers,
we forgot your tang,
we brushed wood-grass.
We wandered from pine-hills
through oak and scrub-oak tangles,
we broke hyssop and bramble,
we caught flower and new bramble-fruit
in our hair: we laughed
as each branch whipped back,
we tore our feet in half-buried rocks
and knotted roots and acorn-cups.
We forgot—we worshipped,
we parted green from green,
we sought further thickets,
we dipped our ankles
through leaf-mould and earth,
and wood and wood-bank enchanted us—
and the feel of the clefts in the bark,
and the slope between tree and tree—
and a slender path strung field to field
and wood to wood
and hill to hill
and the forest after it.
We forgot—for a moment
tree-resin, tree-bark,
sweat of a torn branch
were sweet to taste.
We were enchanted with the fields,
the tufts of coarse grass—
in the shorter grass—
we loved all this.
But now, our boat climbs—hesitates—drops—
climbs—hesitates—crawls back—
climbs—hesitates—
O, be swift—
we have always known you wanted us.
poem by Hilda Doolittle

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Adonis
1.
Each of us like you
has died once,
has passed through drift of wood-leaves,
cracked and bent
and tortured and unbent
in the winter-frost,
the burnt into gold points,
lighted afresh,
crisp amber, scales of gold-leaf,
gold turned and re-welded
in the sun;
each of us like you
has died once,
each of us has crossed an old wood-path
and found the winter-leaves
so golden in the sun-fire
that even the live wood-flowers
were dark.
2.
Not the gold on the temple-front
where you stand
is as gold as this,
not the gold that fastens your sandals,
nor thee gold reft
through your chiselled locks,
is as gold as this last year's leaf,
not all the gold hammered and wrought
and beaten
on your lover's face.
brow and bare breast
is as golden as this:
each of us like you
has died once,
each of us like you
stands apart, like you
fit to be worshipped.
poem by Hilda Doolittle

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How He Saw Angus, The God
I heard the swallow sing in the eaves and rose
All in a strange delight while others slept,
And down the creaking stair, alone, tip-toes,
So carefully I crept.
The house was dark with silly blinds yet drawn,
But outside the clean air was filled with light,
And underneath my feet the cold, wet lawn
With dew was twinkling bright.
The cobwebs hung from every branch and spray
Gleaming with pearly strands of laden thread,
And long and still the morning shadows lay
Across the meadows spread.
At that pure hour when yet no sound of man,
Stirs in the whiteness of the wakening earth,
Alone through innocent solitudes I ran
Singing aloud for mirth.
Till I had found the open mountain heath
Yellow with gorse, and rested there and stood
To gaze upon the misty sea beneath,
Or on the neighbouring wood,
—That little wood of hazel and tall pine
And youngling fir, where oft we have loved to see
The level beams of early morning shine
Freshly from tree to tree.
Through the denser wood there's many a pool
Of deep and night-born shadow lingers yet
Where the new-wakened flowers are damp and cool
And the long grass is wet.
In the sweet heather long I rested there
Looking upon the dappled, early sky,
When suddenly, from out the shining air
A god came flashing by.
Swift, naked, eager, pitilessly fair,
With a live crown of birds about his head,
Singing and fluttering, and his fiery hair,
Far out behind him spread,
Streamed like a rippling torch upon the breeze
Of his own glorious swiftness: in the grass
He bruised no feathery stalk, and through the trees
I saw his whiteness pass.
But when I followed him beyond the wood,
Lo! He was changed into a solemn bull
That there upon the open pasture stood
And browsed his lazy full.
poem by Clive Staples Lewis

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