The Moat House

PART I

I

UNDER the shade of convent towers,
Where fast and vigil mark the hours,
From childhood into youth there grew
A maid as fresh as April dew,
And sweet as May's ideal flowers,

Brighter than dawn in wind-swept skies,
Like children's dreams most pure, unwise,
Yet with a slumbering soul-fire too,
That sometimes shone a moment through
Her wondrous unawakened eyes.


The nuns, who loved her coldly, meant
The twig should grow as it was bent;
That she, like them, should watch youth's bier,
Should watch her day-dreams disappear,
And go the loveless way they went.


The convent walls were high and grey;
How could Love hope to find a way
Into that citadel forlorn,
Where his dear name was put to scorn,
Or called a sinful thing to say?


Yet Love did come; what need to tell
Of flowers downcast, that sometimes fell
Across her feet when dreamily
She paced, with unused breviary,
Down paths made still with August's spell--


Of looks cast through the chapel grate,
Of letters helped by Love and Fate,
That to cold fingers did not come
But lay within a warmer home,
Upon her heart inviolate?


Somehow he loved her--she loved him:
Then filled her soul's cup to the brim,
And all her daily life grew bright
With such a flood of rosy light
As turned the altar candles dim.


But love that lights is love that leads,
And lives upon the heart it feeds;
Soon grew she pale though not less fair,
And sighed his name instead of prayer,
And told her heart-throbs, not her beads.


How could she find the sunlight fair,
A sunlight that he did not share?
How could a rose smell sweet within
The cruel bars that shut her in,
And shut him out while she was there?


He vowed her fealty firm and fast,
Then to the winds her fears she cast;
They found a way to cheat the bars,
And in free air, beneath free stars,
Free, and with him, she stood at last.


'Now to some priest,' he said, 'that he
May give thee--blessing us--to me.'
'No priest,' she cried in doubt and fear,
'He would divide, not join us, dear.
I am mine--I give myself to thee.


'Since thou and I are mine and thine,
What need to swear it at a shrine?
Would love last longer if we swore
That we would love for evermore?
God gives me thee--and thou art mine.'


'God weds us now,' he said, 'yet still
Some day shall we all forms fulfil.
Eternal truth affords to smile
At laws wherewith man marks his guile,
Yet law shall join us--when you will.


'So look your last, my love, on these
Forbidding walls and wooing trees.
Farewell to grief and gloom,' said he;
'Farewell to childhood's joy,' said she;
But neither said, 'Farewell to peace.'

Song.

My sweet, my sweet,
She is complete
From dainty head to darling feet;
So warm and white,
So brown and bright,
So made for love and love's delight.


God could but spare
One flower so fair,
There is none like her anywhere;
Beneath wide skies
The whole earth lies,
But not two other such brown eyes.


The world we're in,
If one might win?
Not worth that dimple in her chin
A heaven to know?
I'll let that go
But once to see her lids droop low


Over her eyes,
By love made wise:
To see her bosom fall and rise
Is more than worth
The angels' mirth,
And all the heaven-joys of earth.


This is the hour
Which gives me power
To win and wear earth's whitest flower.
Oh, Love, give grace,
Through all life's ways
Keep pure this heart, her dwelling place.


II

The fields were reaped and the pastures bare,
And the nights grown windy and chill,
When the lovers passed through the beech woods fair,
And climbed the brow of the hill.
In the hill's spread arm the Moat House lies
With elm and willow tree;
'And is that your home at last?' she sighs.
'Our home at last,' laughs he.


Across the bridge and into the hall
Where the waiting housefolk were.
'This is my lady,' he said to them all,
And she looked so sweet and fair
That every maid and serving-boy
God-blessed them then and there,
And wished them luck, and gave them joy,
For a happy, handsome pair.


And only the old nurse shook her head:
'Too young,' she said, 'too young.'
She noted that no prayers were read,
No marriage bells were rung;
No guests were called, no feast was spread,
As was meet for a marriage tide;
The young lord in the banquet hall broke bread
Alone with his little bride.


Yet her old heart warmed to the two, and blessed,
They were both so glad and gay,
By to-morrow and yesterday unoppressed,
Fulfilled of the joy of to-day;
Like two young birds in that dull old nest,
So careless of coming care,
So rapt in the other that each possessed,
The two young lovers were.


He was heir to a stern hard-natured race,
That had held the Moat House long,
But the gloom of his formal dwelling place
Dissolved at her voice and song;
So bright, so sweet, to the house she came,
So winning of way and word,
The household knew her by one pet name,
'My Lady Ladybird.'


First love so rarely gets leave to bring,
In our world where money is might,
Its tender buds to blossoming
With the sun of its own delight.
We love at rose or at vintage prime,
In the glare and heat of the day,
Forgetting the dawn and the violet time,
And the wild sweet scent of the may.


These loved like children, like children played,
The old house laughed with delight
At her song of a voice, at the radiance made
By her dress's flashing flight.
Up the dark oak stair, through the gallery's gloom,
She ran like a fairy fleet,
And ever her lover from room to room
Fast followed her flying feet.


They gathered the buds of the late-lived rose
In the ordered garden ways,
They walked through the sombre yew-walled close
And threaded the pine woods maze,
They rode through woods where their horses came
Knee-deep through the rustling leaves,
Through fields forlorn of the poppies' flame
And bereft of their golden sheaves.


In the mellow hush of October noon
They rowed in the flat broad boat,
Through the lily leaves so thickly strewn
On the sunny side of the moat.
They were glad of the fire of the beech-crowned hill,
And glad of the pale deep sky,
And the shifting shade that the willows made
On the boat as she glided by.


They roamed each room of the Moat House through
And questioned the wraiths of the past,
What legends rare the old dresses knew,
And the swords, what had wet them last?
What faces had looked through the lozenge panes,
What shadows darkened the door,
What feet had walked in the jewelled stains
That the rich glass cast on the floor?


She dressed her beauty in old brocade
That breathed of loss and regret,
In laces that broken hearts had swayed,
In the days when the swords were wet;
And the rubies and pearls laughed out and said,
'Though the lovers for whom we were set,
And the women who loved us, have long been dead,
Yet beauty and we live yet.'


When the wild white winter's spectral hand
Effaced the green and the red,
And crushed the fingers brown of the land
Till they grew death-white instead,
The two found cheer in their dark oak room,
And their dreams of a coming spring,
For a brighter sun shone through winter's gloom
Than ever a summer could bring.


They sat where the great fires blazed in the hall,
Where the wolf-skins lay outspread,
The pictured faces looked down from the wall
To hear his praise of the dead.
He told her ghostly tales of the past,
And legends rare of his house,
Till she held her breath at the shade fire-cast,
And the scamper-rush of the mouse,


Till she dared not turn her head to see
What shape might stand by her chair--
Till she cried his name, and fled to his knee,
And safely nestled there.
Then they talked of their journey, the city's crowd,
Of the convent's faint joy and pain,
Till the ghosts of the past were laid in the shroud
Of commonplace things again.


So the winter died, and the baby spring,
With hardly voice for a cry,
And hands too weak the signs to bring
That all men might know her by,
Yet woke, and breathed through the soft wet air
The promise of all things dear,
And poets and lovers knew she was there,
And sang to their hearts, 'She is here.'

Song.

Soft is the ground underfoot,
Soft are the skies overhead,
Green is the ivy round brown hedge root,
Green is the moss where we tread.


Purple the woods are, and brown;
The blackbird is glossy and sleek,
He knows that the worms are no more kept down
By frost out of reach of his beak.


Grey are the sheep in the fold,
Tired of their turnip and beet,
Dreaming of meadow and pasture and wold,
And turf the warm rain will make sweet.


Leaves sleep, no bud wakens yet,
But we know by the song of the sun,
And the happy way that the world smiles, wet,
That the spring--oh, be glad!--is begun.


What stirs the heart of the tree?
What stirs the seed the earth bears?
What is it stirring in you and in me
Longing for summer, like theirs?--

Longing you cannot explain,
Yearning that baffles me still!
Ah! that each spring should bring longings again
No summer can ever fulfil!


III

When all the world had echoed the song
That the poet and lover sang,
When 'Glory to spring,' sweet, soft, and strong,
From the ferny woods outrang,
In wet green meadow, in hollow green,
The primrose stars outshone,
And the bluebells balanced their drooping sheen
In copses lovely and lone.


The green earth laughed, full of leaf and flower,
The sky laughed too, full of sun;
Was this the hour for a parting hour,
With the heaven of spring just won?
The woods and fields were echoing
To a chorus of life and bliss.
Oh, hard to sting the face of the spring
With the smart of a parting kiss!


A kinsman ailing, a summons sent
To haste to his dying bed.
'Oh, cruel sentence of banishment!
For my heart says 'Go'!' he said.
'So now good-bye to my home, my dear,
To the spring we watched from its birth;
There is no spring, oh, my sweet, but here,
'Tis winter all over the earth.


'But I come again, oh, spring of my life,
You hold the cord in your hand
That will draw me back, oh, my sweetheart wife,
To the place where your dear feet stand;
But a few short days, and my arms shall be
Once more round your little head,
And you will be weeping glad tears with me
On the grave of our parting, dead!


'I leave you my heart for a short short while,
It will ache if 'tis wrapped in fears;
Keep it safe and warm in the sun of your smile,
Not wet with the rain of your tears.


Be glad of the joy that shall soon be won,
Be glad to-day, though we part;
You shall weep for our parting when parting is done,
And drop your tears on my heart.'

Song.

Good-bye, my love, my only dear, I know your heart is true
And that it lingers here with me while mine fares forth with you.
We part? Our hearts are almost one, and are so closely tied
'Tis yours that stirs my bosom-lace, mine beats against your side.


So not at losing you I grieve, since heart and soul stay here,
But all the gladness of my life, I cry to lose it, dear;
Warmth of the sun, sweet of the rose, night's rest and light of day,
I mourn for these, for if you go, you take them all away.


You are sad too--not at leaving me, whose heart must with you go,
But at the heaven you leave behind--ah, yes--you told me so,
You said wherever you might go you could not ever find
A spring so sweet, love so complete, as these you leave behind.


No future joy will ever pay this moment's bitter ache,
Yet I am glad to be so sad, since it is for your sake.
You take so much, I do but wish that you could take the whole,
Could take me, since you take my rest, my light, my joy, my soul.

Song.

Oh, love, I leave
This springtide eve,
When woods in sunset shine blood-red;
The long road lies
Before my eyes,
My horse goes on with even tread.


I dare not turn
These eyes that burn
Back to the terrace where you lean;
If I should see
Your tears for me,
I must turn back to dry them, O my queen!


Yet I must go,
Fate has it so,
Duty spoke once, and I obey;
Sadly I rise,
Leave paradise,
And turn my face the other way.


Nothing is dear
On earth but here,
There is no joy away from you;
What though there be
New things to see,
New friends, new faces, and adventures new?


Yet since I may
Not with you stay,
Hey for the outer world of life!
Brace limbs, shake rein,
And seek again
The hurry, jostle, jar and strife.


Hey for the new!
Yet, love, for you--
I have loved you so--the last hand-kiss.
How vast a world
Lies here unfurled!
How small, if sweet, home's inner round of bliss!


The road bends right,
Leads out of sight,
Here I may turn, nor fear to see;
So far away,
One could not say
If you are weeping now for me.


Behind this eve
My love I leave,
The big bright world spreads out before;
Yet will I come,
To you and home,
Oh, love, and rest beneath your yoke once more.


IV

She stood upon the terrace, gazing still
Down the long road to watch him out of sight,
Dry-eyed at first, until the swelling hill
Hid him. Then turned she to the garden bright,
Whose ways held memories of lover's laughter,
And lover's sadness that had followed after,
Both born of passion's too intense delight.


The garden knew her secrets, and its bowers
Threw her her secrets back in mocking wise;
''Twas here he buried you in lilac flowers.
Here while he slept you covered up his eyes
With primroses. They died; and by that token
Love, like a flower whose stalk has once been broken,
Will live no more for all your tears and sighs.'


The sundial that had marked their happy hours
Cried out to her, 'I know that he is gone;
So many twos have wreathed me round with flowers,
And always one came afterwards alone,
And always wept--even as you are weeping.
The flowers while they lived were cold, shade keeping,
But always through the tears the sun still shone.'


She left the garden; but the house still more
Whispered, 'You love him--he has gone away.'
Where fell her single footstep sighed the floor,
'Another foot than yours fell here to-day.'
The very hound she stroked looked round and past her,
Then in her face, and whined, 'Where is our master?'
The whole house had the same one thing to say.


Empty, without its soul, disconsolate,
The great house was: through all the rooms went she,
And every room was dark and desolate,
Nothing seemed good to do or good to see.
At last, upon the wolf-skins, worn with weeping,
The old nurse found her, like a tired child, sleeping
With face tear-stained, and sobbing brokenly.


Wearily went the days, all sad the same,
Yet each brought its own added heaviness.
Why was it that no letter from him came
To ease the burden of her loneliness?
Why did he send no message, word, or greeting,
To help her forward to their day of meeting,
No written love--no black and white caress?


At last there came a letter, sweet but brief,
'He was so busy--had no time for more.'
No time! She had had time enough for grief,
There never had been so much time before;
And yet the letter lay within her bosom,
Pressed closely to her breathing beauty's blossom,
Worn for a balm, because her heart was sore.


She knew not where he stayed, and so could send,
Of all the letters that she wrote, not one;
Hour after soft spring hour the child would spend
In pouring out her soul, for, once begun,
The tale of all her love and grief flowed over
Upon the letters that she wrote her lover,
And that the fire read when the tale was done.


And yet she never doubted he would come,
If not before, yet when a baby's eyes
Should look for him, when his deserted home
Should waken to a baby's laughs and cries.
'He judges best--perhaps he comes to-morrow,
But come he will, and we shall laugh at sorrow
When in my arms our little baby lies.'


And in the August days a soft hush fell
Upon the house--the old nurse kept her place
Beside the little wife--and all was well;
After rapt anguish came a breathing space,
And she, mid tears and smiles, white-faced, glad-eyed,
Felt her wee baby move against her side,
Kissed its small hands, worshipped its tiny face.

Song.

Oh, baby, baby, baby dear,
We lie alone together here;
The snowy gown and cap and sheet
With lavender are fresh and sweet;
Through half-closed blinds the roses peer
To see and love you, baby dear.


We are so tired, we like to lie
Just doing nothing, you and I,
Within the darkened quiet room.
The sun sends dusk rays through the gloom,
Which is no gloom since you are here,
My little life, my baby dear.


Soft sleepy mouth so vaguely pressed
Against your new-made mother's breast,
Soft little hands in mine I fold,
Soft little feet I kiss and hold,
Round soft smooth head and tiny ear,
All mine, my own, my baby dear.


And he we love is far away!
But he will come some happy day.
You need but me, and I can rest
At peace with you beside me pressed.
There are no questions, longings vain,
No murmuring, nor doubt, nor pain,
Only content and we are here,
My baby dear.

PART II

I

While winged Love his pinions folded in the Moat House by the hill,
In the city there was anger, doubt, distrust, and thoughts of ill;
For his kinsmen, hearing rumours of the life the lovers led,
Wept, and wrung their hands, and sorrowed--'Better that the lad were dead
Than to live thus--he, the son of proudest man and noblest earl--
Thus in open sin with her, a nameless, shameless, foreign girl.'
(Ever when they thus lamented, 'twas the open sin they named,
Till one wondered whether sinning, if less frank, had been less blamed.)
''Tis our duty to reclaim him--mate him to a noble bride
Who shall fitly grace his station, and walk stately by his side--
Gently loose him from the fetters of this siren fair and frail
(In such cases time and absence nearly always will prevail).
He shall meet the Duke's fair daughter--perfect, saintly Lady May--
Beauty is the surest beacon to a young man gone astray!
Not at all precipitately, but with judgment sure and fine,
We will rescue and redeem him from his shameful husks and swine.


So--his uncle's long been ailing (gout and dropsy for his sins)--
Let that serve for pretext; hither bring the youth--his cure begins.'
So they summoned him and welcomed, and their utmost efforts bent
To snatch back a brand from burning and a soul from punishment--
Sought to charm him with their feastings, each more sumptuous than the last,
From his yearning recollections of his very sinful past--
Strove to wipe his wicked doings from his memory's blotted
By the chaster, purer interests of the ball-room and the stage.
And for Lady May--they hinted to the girl, child-innocent,
That her hand to save the sinner by her Saviour had been sent,
That her voice might bring his voice her Master's triumph choir to swell,
And might save a man from sorrow and a human soul from hell.


So she used her maiden graces, maiden glances, maiden smiles,
To protect the erring pilgrim from the devil's subtle wiles--
Saw him daily, sent him letters, pious verses by the score,
Every angel's trap she baited with her sweet religious lore--
Ventured all she knew, not knowing that her beauty and her youth
Were far better to bait traps with than her odds and ends of truth.
First he listened, vain and flattered that a girl as fair as she
Should be so distinctly anxious for his lost humanity,
Yet determined no attentions, even from the Lady May,
Should delay his home-returning one unnecessary day.
But as she--heart-wrung with pity for his erring soul--grew kind,
Fainter, fainter grew the image of his sweetheart left behind;
Till one day May spoke of sorrow--prayed him to reform--repent,
Urged the festival in heaven over every penitent;
Bold in ignorance, spoke vaguely and low-toned of sin and shame,


And at last her voice, half breathless, faltered, broke upon his name,
And two tears fell from her lashes on the roses at her breast,
Far more potent in their silence than her preaching at its best.
And his weak soul thrilled and trembled at her beauty, and he cried,
'Not for me those priceless tears: I am your slave--you shall decide.'
'Save your soul,' she sighed. 'Was ever man so tempted, tried, before?
It is yours!' and at the word his soul was lost for evermore.
Never woman pure and saintly did the devil's work so well!
Never soul ensnared for heaven took a surer road to hell!
Lady May had gained her convert, loved him, and was satisfied,
And before the last leaves yellowed she would kneel down as his bride.
She was happy, and he struggled to believe that perfidy
Was repentance--reformation was not one with cruelty,


Yet through all congratulations, friends' smiles, lovers' flatteries,
Lived a gnawing recollection of the lost love harmonies.
In the day he crushed it fiercely, kept it covered out of sight,
But it held him by the heart-strings and came boldly out at night:
In the solemn truthful night his soul shrank shuddering from its lies,
And his base self knew its baseness, and looked full in its false eyes.
In the August nights, when all the sky was deep and toneless blue,
And the gold star-points seemed letting the remembered sunlight through,
When the world was hushed and peaceful in the moonlight's searching white,
He would toss and cast his arms out through the silence and the night
To those eyes that through the night and through the silence came again,
Haunting him with the persistence and the passion of their pain.


'Oh, my little love--my sweetheart--oh, our past--our sweet love-day--
Oh, if I were only true--or you were only Lady May!'
But the sunshine scared the vision, and he rose once more love-warm
To the Lady May's perfections and his own proposed reform.
Coward that he was! he could not write and break that loving heart:
To the worn-out gouty kinsman was assigned that pleasing part.
'Say it kindly,' said her lover, 'always friends--I can't forget--
We must meet no more--but give her tenderest thought and all regret;
Bid her go back to the convent--she and I can't meet as friends--
Offer her a good allowance--any terms to make amends
For what nought could make amends for--for my baseness and my sin.
Oh, I know which side the scale this deed of mine will figure in!
Curse reform!--she may forget me--'tis on me the burdens fall,


For I love her only, solely--not the Lady May at all!'
'Patience,' said the uncle, 'patience, this is but the natural pain
When a young man turns from sinning to the paths of grace again.
Your wild oats are sown--you're plighted to the noble Lady May
(Whose estates adjoin your manor in a providential way).
Do your duty, sir, for surely pangs like these are such as win
Pardon and the heavenly blessing on the sinner weaned from sin.'

Song.

Day is fair, and so is she
Whom so soon I wed;
But the night, when memory
Guards my sleepless bed,
And with cold hands brings once more
Thorns from rose-sweet days of yore--
Night I curse and dread.


Day is sweet, as sweet as her
Girlish tenderness;
But the night, when near me stir
Rustlings of a dress,
Echoes of a loving tone
Now renounced, forsworn, foregone,
Night is bitterness.


Day can stir my blood like wine
Or her beauty's fire,
But at night I burn and pine,
Torture, turn and tire,
With a longing that is pain,
Just to kiss and clasp again
Love's one lost desire.


Day is glad and pure and bright,
Pure, glad, bright as she;
But the sad and guilty night
Outlives day--for me.
Oh, for days when day and night
Equal balance of delight
Were alike to me!


In the day I see my feet
Walk in steadfast wise,
Following my lady sweet
To her Paradise,
Like some stray-recovered lamb;
But I see the beast I am
When the night stars rise.


Yet in wedding day there lies
Magic--so they say;
Ghosts will have no chance to rise
Near my Lady May.
Vain the hope! In good or ill
Those lost eyes will haunt me still
Till my dying day.


II

Quickly died the August roses, and the kin of Lady May
Dowered her richly, blessed her freely, and announced her wedding day;
And his yearnings and remorses fainter grew as days went on
'Neath the magic of the beauty of the woman he had won;
And less often and less strongly was his fancy caught and crossed
By remembrance of the dearness of the woman he had lost.
Long sweet mornings in the boudoir where the flowers stood about,
Whisperings in the balcony when stars and London lamps came out,

Concerts, flower shows, garden parties, balls and dinners, rides and drives,
All the time-killing distractions of these fashionable lives;
Dreary, joyless as a desert, pleasure's everlasting way,
But enchantment can make lovely even deserts, so they say,
Sandy waste, or waste of London season, where no green leaf grows,
Shone on but by love or passion, each will blossom like the rose!
Came no answer to the letter that announced his marriage day;
But his people wrote that Lady Ladybird had gone away.
So he sent to bid get ready to receive his noble wife.
Two such loving women granted to one man, and in one life!
Though he shuddered to remember with what ghosts the Moat House swarmed--
Ghosts of lovely days and dreamings ere the time when he reformed--
Yet he said, 'She cannot surely greatly care, or I had heard

Some impulsive, passionate pleading, had some sorrowing written word;
She has journeyed to her convent--will be glad as ere I came,
Through her beauty's dear enchantment, to a life of shameless shame;
And the memories of her dearness passion's flaming sword shall slay,
When the Moat House sees the bridal of myself and Lady May!'

III

Bright the mellow autumn sunshine glows upon the wedding day;
Lawns are swept from leaves, and doorways are wreathed round with garlands gay,
Flowery arches span the carriage drive from grass again to grass,
Flowers are ready for the flinging when the wedded pair shall pass;
Bells are ringing, clanging, clamouring from the belfry 'mid the trees,
And the sound rings out o'er woodlands, parks and gardens, lawns and leas;

All the village gay with banners waits the signal, 'Here they come!'
To strew flowers, wave hats, drop curtseys, and hurra its 'Welcome home!'
At the gates the very griffins on the posts are wreathed with green.
In their ordered lines wait servants for the pair to pass between;
But among them there is missing more than one familiar face,
And new faces, blank expectant, fill up each vacated place,
And the other servants whisper, 'Nurse would wail to see this day,
It was well she left the service when 'my Lady' ran away.'
Louder, clearer ring the joy-bells through the shaken, shattered air,
Till the echoes of them waken in the hillside far and fair;
Level shine the golden sunbeams in the golden afternoon.
In the east the wan ghost rises of the silver harvest moon.

Hark! wheels was it? No, but fancy. Listen! No--yes--can you hear?
Yes, it is the coming carriage rolling nearer and more near!
Till the horse-hoofs strike the roadway, unmistakable and clear!
They are coming! shout your welcome to my lord and lady fair:
May God shower his choicest blessings on the happy wedded pair!
Here they are! the open carriage and surrounding dusty cloud,
Whence he smiles his proud acceptance of the homage of the crowd;
And my lady's sweet face! Bless her! there's a one will help the poor,
Eyes like those could never turn a beggar helpless from her door!
Welcome, welcome! scatter flowers: see, they smile--bow left and right,
Reach the lodge gates--God of heaven! what was that, the flash of white?
Shehas sprung out from the ambush of the smiling, cheering crowd:


'Fling your flowers--here's my welcome!' sharp the cry rings out and loud.
Sudden sight of wild white face, and haggard eyes, and outstretched hands--
Just one heart-beat's space before the bridal pair that figure stands,
Then the horses, past controlling, forward bound, their hoofs down thrust--
And the carriage wheels jolt over something bloody in the dust.
'Stop her! Stop her! Stop the horses!' cry the people all too late,
For my lord and Lady May have had their welcome at their gate.


'Twas the old nurse who sprang to her, raised the brown-haired, dust-soiled head,
Looked a moment, closed the eyelids--then turned to my lord and said,
Kneeling still upon the roadway, with her arm flung round the dead,
While the carriage waited near her, blood and dust upon its wheels
(Ask my lord within to tell you how a happy bridegroom feels):
'Now, my lord, you are contented; you have chosen for your bride
This same fine and dainty lady who is sitting by your side.
Did ye tell her ere this bridal of the girl who bore your shame,
Bore your love-vows--bore your baby--everything except your name?
When they strewed the flowers to greet you, and the banners were unfurled,
She has flung before your feet the sweetest flower in all the world!
Woe's the day I ever nursed you--loved your lisping baby word,
For you grew to name of manhood, and to title of my lord;
Woe's the day you ever saw her, brought her home to wreck her life,
Throwing by your human plaything, to seek out another wife.
God will judge, and I would rather be the lost child lying there,


With your babe's milk in her bosom, your horse-hoof marks on her hair,
Than be you when God shall thunder, when your days on earth are filled,
'Where is she I gave, who loved you, whom you ruined, left and killed?'
Murderer, liar, coward, traitor, look upon your work and say
That your heart is glad within you on your happy wedding day!
And for you, my noble lady, take my blessing on your head,
Though it is not like the blessing maidens look for when they wed.
Never bride had such a welcome, such a flower laid on her way,
As was given you when your carriage crushed her out of life to-day.
Take my blessing--see her body, see what you and he have done--
And I wish you joy, my lady, of the bridegroom you have won.'


Like a beaten cur, that trembles at the whistling of the lash,
He stands listening, hands a-tremble, face as pale as white wood ash;
But the Lady May springs down, her soul shines glorious in her eyes,
Moving through the angry silence comes to where the other lies,
Gazes long upon her silent, but at last she turns her gaze
On the nurse, and lips a-tremble, hands outstretched, she slowly says,
'She is dead--but, but her baby--' all her woman's heart is wild
With an infinite compassion for the little helpless child.
Then she turns to snatch the baby from the arms of one near by,
Holds it fast and looks towards him with a voiceless bitter cry,
As imploring him to loose her from some nightmare's deadly bands.
Dogged looks he down and past her, and she sees and understands,
Then she speaks--'I keep your baby--that's my right in sight of men,
But by God I vow I'll never see your dastard face again.'
So she turned with no word further towards the purple-clouded west,
And passed thither with his baby clasped against her maiden breast.


Little Ladybird was buried in the old ancestral tomb.
From that grave there streams a shadow that wraps up his life in gloom,
And he drags the withered life on, longs for death that will not come,
The interminable night hours riven by that 'Welcome home!'
And he dares not leave this earthly hell of sharp remorse behind,
Lest through death not rest but hotter fire of anguish he should find.
Coward to the last, he will not risk so little for so much,
So he burns, convicted traitor, in the hell self-made of such:
And at night he wakes and shivers with unvanquishable dread
At the ghosts that press each other for a place beside his bed,
And he shudders to remember all the dearness that is dead.


Song.

I had a soul,
Not strong, but following good if good but led.
I might have kept it clean and pure and whole,
And given it up at last, grown strong with days
Of steadfast striving in truth's stern sweet ways;
Instead, I soiled and smutched and smothered it
With poison-flowers it valued not one whit--
Now it is dead.


I had a heart
Most true, most sweet, that on my loving fed.
I might have kept her all my life, a part
Of all my life--I let her starve and pine,
Ruined her life and desolated mine.
Sin brushed my lips--I yielded at a touch,
Tempted so little, and I sinned so much,
And she is dead.


There was a life
That in my sin I took and chained and wed,
And made--perpetual remorse!--my wife.
In my sin's harvest she must reap her share,
That makes its sheaves less light for me to bear.
Oh, life I might have left to bloom and grow!
I struck its root of happiness one blow,
And it is dead.


Once joy I had,
Now I have only agony instead,
That maddens, yet will never send me mad.
The best that comes is numbed half-sick despair,
Remembering how sweet the dear dead were.
My whole life might have been one clear joy song!
Now--oh, my heart, how still life is, how long,
For joy is dead.


Yet there is this:
I chose the thorns not grapes, the stones not bread;
I had my chance, they say, to gain or miss.
And yet I feel it was predestinate
From the first hour, from the first dawn of fate,
That I, thus placed, when that hour should arise,
Must act thus, and could not act otherwise.
This is the worst of all that can be said;
For hope is dead.

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Madrigal.

When morn is wandering on the seas,
And birds are singing in the trees,
And all the time is flushed with flowers,
And youth is in these hearts of ours —
How sweet then 'tis to love!
How sweet then 'tis to prove
How much a man can be to a maid
In the greenwood shade!

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Spring in New Hampshire

Too green the springing April grass,
Too blue the silver-speckled sky,
For me to linger here, alas,
While happy winds go laughing by,
Wasting the golden hours indoors,
Washing windows and scrubbing floors.

Too wonderful the April night,
Too faintly sweet the first May flowers,
The stars too gloriously bright,
For me to spend the evening hours,
When fields are fresh and streams are leaping,
Wearied, exhausted, dully sleeping.

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April, Dear April

April, dear April, I beg you come soon –
And bring your sweet primroses too.
Let them join in with the daffodils’ play,
As skies offer sunshine anew.

April, dear April, my blessed spring child,
Ornate in your yellow and white,
Teasing the birds into trilling their songs
And dancing to music of flight.

April, dear April, come enter my dreams
And rid me from cold winter chills.
Banish the rain and those blustery winds
And warm up our countryside hills.

April, dear April, I know you can’t stay -
You have to move on ‘till next year.
And though I shall cherish the glory of summer,
You’ll always be my month most dear.

From: Succumbed to Thinking by Mark Raymond Slaughter, lulu.com
Copyright © Mark Raymond Slaughter 2009
All rights reserved


April April April April
April April April April
April April April April

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One thing that is almost always said to me is, I grew up with you. They are meeting me and feel that they actually grew up with me. I was with them during their play hours and thinking hours. I was a part of their childhoods. That's one of the most amazing things.

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April

April, pride of woodland ways,
Of glad days,
April, bringing hope of prime,
To the young flowers that beneath
Their bud sheath
Are guarded in their tender time;

April, pride of fields that be
Green and free,
That in fashion glad and gay,
Stud with flowers red and blue,
Every hue,
Their jewelled spring array;

April, pride of murmuring
Winds of spring,
That beneath the winnowed air,
Trap with subtle nets and sweet
Flora’s feet,
Flora’s feet, the fleet and fair;

April, by thy hand caressed,
From her breast
Nature scatters everywhere
Handfuls of all sweet perfumes,
Buds and blooms,
Making faint the earth and air.

April, joy of the green hours,
Clothes with flowers
Over all her locks of gold
My sweet Lady; and her breast
With the blest
Birds of summer manifold.

April, with thy gracious wiles,
Like the smiles,
Smiles of Venus; and thy breath
Like her breath, the Gods’ delight,
(From their height
They take the happy air beneath)

It is thou that, of thy grace,
From their place
In the far-oft isles dost bring
Swallows over earth and sea,
Glad to be
Messengers of thee, and Spring.

Daffodil and eglantine,
And woodbine,
Lily, violet, and rose
Plentiful in April fair,
To the air,
Their pretty petals do unclose.

Nightingales ye now may hear,
Piercing clear,
Singing in the deepest shade;
Many and many a babbled note
Chime and float,
Woodland music through the glade.

April, all to welcome thee,
Spring sets free
Ancient flames, and with low breath
Wakes the ashes grey and old
That the cold
Chilled within our hearts to death.

Thou beholdest in the warm
Hours, the swarm
Of the thievish bees, that flies
Evermore from bloom to bloom
For perfume,
Hid away in tiny thighs.

Her cool shadows May can boast,
Fruits almost
Ripe, and gifts of fertile dew,
Manna-sweet and honey-sweet,
That complete
Her flower garland fresh and new.

Nay, but I will give my praise,
To these days,
Named with the glad name of Her
That from out the foam o’ the sea
Came to be
Sudden light on earth and air.

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Sweet Wild April

O sweet wild April
Came over the hills,
He skipped with the winds
And he tripped with the rills;
His raiment was all
Of the daffodils.
Sing hi,
Sing hey,
Sing ho!

O sweet wild April
Came down the lea,
Dancing along
With his sisters three:
Carnation, and Rose,
And tall Lily.
Sing hi,
Sing hey,
Sing ho!

O sweet wild April,
On pastoral quill
Came piping in moonlight
By hollow and hill,
In starlight at midnight,
By dingle and rill.
Sing hi,
Sing hey,
Sing ho!

Where sweet wild April
His melody played,
Trooped cowslip, and primrose,
And iris, the maid,
And silver narcissus,
A star in the shade.
Sing hi,
Sing hey,
Sing ho!

When sweet wild April
Dipped down the dale,
Pale cuckoopint brightened,
And windflower trail,
And white-thorn, the wood-bride,
In virginal veil.
Sing hi,
Sing hey,
Sing ho!

When sweet wild April
Through deep woods pressed,
Sang cuckoo above him,
And lark on his crest,
And Philomel fluttered
Close under his breast.
Sing hi,
Sing hey,
Sing ho!

O sweet wild April,
Wherever you went
The bondage of winter
Was broken and rent,
Sank elfin ice-city
And frost-goblin's tent.
Sing hi,
Sing hey,
Sing ho!

Yet sweet wild April,
The blithe, the brave,
Fell asleep in the fields
By a windless wave
And Jack-in-the-Pulpit
Preached over his grave.
Sing hi,
Sing hey,
Sing ho!

O sweet wild April,
Farewell to thee!
And a deep sweet sleep
To thy sisters three, -
Carnation, and Rose,
And tall Lily.
Sing hi,
Sing hey,
Sing ho!

poem by William Force SteadReport problemRelated quotes
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Eclogue the Third Abra

SCENE, a forest TIME, the Evening

In Georgia's land, where Tefflis' towers are seen,
In distant view along the level green,
While evening dews enrich the glittering glade,
And the tall forests cast a longer shade,
Amidst the maids of Zagen's peaceful grove,
Emyra sung the pleasing cares of love.
Of Abra first began the tender strain,
Who led her youth with flocks upon the plain.
At morn she came those willing flocks to lead,
Where lilies rear them in the watery mead;

From early dawn the livelong hours she told,
Till late at silent ev'n she penned the fold.
Deep in the grove beneath the secret shade,
A various wreath of odorous flowers she made.
Gay-motleyed pinks and sweet jonquils she chose,
The violet-blue that on the moss-bank grows;
All-sweet to sense, the flaunting rose was there;
The finished chaplet well-adorned her hair.
Great Abbas chanced that fated morn to stray,
By love conducted from the chase away;

Among the vocal vales he heard her song,
And sought the vales and echoing groves among.
At length he found and wooed the rural maid:
She knew the monarch, and with fear obeyed.
Be every youth like royal Abbas moved,
And every Georgian maid like Abra loved.
The royal lover bore her from the plain,
Yet still her crook and bleating flock remain:
Oft as she went, she backward turned her view,
And bade that crook and bleating flock adieu.

Fair happy maid! to other scenes remove,
To richer scenes of golden power and love!
Go leave the simple pipe and shepherd's strain,
With love delight thee, and with Abbas reign.
Be every youth like royal Abbas moved,
And every Georgian maid like Abra loved.
Yet midst the blaze of courts she fixed her love
On the cool fountain or the shady grove;
Still with the shepherd's innocence her mind
To the sweet vale and flowery mead inclined,

And oft as spring renewed the plains with flowers,
Breathed his soft gales and led the fragrant hours,
With sure return she sought the sylvan scene,
The breezy mountains and the forests green.
Her maids around her moved, a duteous band!
Each bore a crook all-rural in her hand.
Some simple lay of flocks and herds they sung;
With joy the mountain and the forest rung.
Be every youth like royal Abbas moved,
And every Georgian maid like Abra loved.
And oft the royal lover left the care
And thorns of state, attendant on the fair:
Oft to the shades and low-roofed cots retired,
Or sought the vale where first his heart was fired;
A russet mantle, like a swain, he wore,
And thought of crowns and busy courts no more.
Be every youth like royal Abbas moved,
And every Georgian maid like Abra loved.
Blest was the life that royal Abbas led:
Sweet was his love and innocent his bed.

What if in wealth the noble maid excel;
The simple shepherd girl can love as well.
Let those who rule on Persia's jewelled throne,
Be famed for love and gentlest love alone:
Or wreathe, like Abbas, full of fair renown,
The lover's myrtle with the warrior's crown.
Oh happy days! the maids around her say,
Oh haste, profuse of blessings, haste away!

Be every youth like royal Abbas moved,
And every Georgian maid like Abra loved.

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William Shakespeare

From you have I been absent in the spring... (Sonnet 98)

From you have I been absent in the spring,
When proud-pied April, dressed in all his trim,
Hath put a spirit of youth in everything,
That heavy Saturn laughed and leaped with him,
Yet nor the lays of birds, nor the sweet smell
Of different flowers in odor and in hue,
Could make me any summer's story tell,
Or from their proud lap pluck them where they grew.
Nor did I wonder at the lily's white,
Nor praise the deep vermilion in the rose;
They were but sweet, but figures of delight,
Drawn after you, you pattern of all those.
Yet seemed it winter still, and, you away,
As with your shadow I with these did play.

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Young William And Young April

Young William and young April
Met in the park one day.
Young William said to April,
'Why did you come this way? '

Young April said to William,
'I thought I might see you.'
Young William, then to April,
'It's funny, what you do.'

Young April gave to William
A sweet, young childhood kiss.
Young William said to April,
'Don't bother me like this.'

Young April stood in silence,
Not knowing what to do.
Then young William turned away.
Young April, torn in two.

Young William said, 'Don't follow me.'
Away from her he fled.
April then, sat down and cried,
And wished that she was dead.

William never came again.
At least, for many years.
Fearful that young April still,
Might be there shedding tears.

William walked the park again.
It seemed just like before.
Wondering if he might see her.
Young April, there once more.

Young William never noticed.
The roses hid it well.
The place they found Young April.
The place she used to dwell.

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Bring Flowers

Bring flowers, young flowers, for the festal board,
To wreathe the cup ere the wine is pour'd;
Bring flowers! they are springing in wood and vale,
Their breath floats out on the southern gale,
And the touch of the sunbeam hath waked the rose,
To deck the hall where the bright wine flows.

Bring flowers to strew in the conqueror's path-
He hath shaken thrones with his stormy wrath!
He comes with the spoils of nations back,
The vines lie crush'd in his chariot's track,
The turf looks red where he won the day-
Bring flowers to die in the conqueror's way!

Bring flowers to the captive's lonely cell,
They have tales of the joyous woods to tell;
Of the free blue streams, and the glowing sky,
And the bright world shut from his languid eye;
They will bear him a thought of the sunny hours,
And a dream of his youth-bring him flowers, wild flowers!

Bring flowers, fresh flowers, for the bride to wear!
They were born to blush in her shining hair.
She is leaving the home of her childhood's mirth,
She hath bid farewell to her father's hearth,
Her place is now by another's side-
Bring flowers for the locks of the fair young bride!

Bring flowers, pale flowers, o'er the bier to shed,
A crown for the brow of the early dead!
For this through its leaves hath the white-rose burst,
For this in the woods was the violet nurs'd.
Though they smile in vain for what once was ours,
They are love's last gift-bring ye flowers, pale flowers!

Bring flowers to the shrine where we kneel in prayer,
They are nature's offering, their place is there!
They speak of hope to the fainting heart,
With a voice of promise they come and part,
They sleep in dust through the wintry hours,
They break forth in glory-bring flowers, bright flowers!

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Childhood Is...

Childhood is hanging your pictures on the refrigerator, and tea parties you always have to cater.
Childhood is chasing butterflies and picking flowers,
playing with blocks and making towers.
Childhood is hating nap time,
and thinking everything is always MINE
Childhood is crayons and coloring books,
Playing hide and go seek in all the right nooks.
Childhood is falling asleep to your favorite lullaby,
wishing you had wings so you could soar into the sky.
Childhood is only crying over a scrapped knee,
or being stung by a bumble bee
Childhood is thinking boys have cooties,
or your mom making you wear itchy booties.
Childhood is ruining mommy's new leather,
and making friends and keeping them forever.
Childhood finally ends,
When you start to grow up,
And not having to drink out of a sippy cup

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April's Away.

All too soon the countryside,
Now fresh greened and sprouting more
Than spring, looks out for wider
Room, shakes it's newborn blossoms
Then ushers April to the door.
And April's away.

No longer teenage, Flora's
Grown maturer now, slightly
Deeper hued, flowers adorning
Every late spring bough, while
April, already pale, turns white,
Then April's away.

Heated by more ardent sun,
Hedgerows must have stronger feed.
Palid from work early done
April leaves, - makes way for May
To ensure Flora has her needs
Now April's away.

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Solatium

Comes the broken flower -
Comes the cheated maid -
Though the tempest lower,
Rain and cloud will fade!
Take, O maid, these posies:
Though thy beauty rare
Shame the blushing roses,
They are passing fair!
Wear the flowers till they fade;
Happy be thy life, O maid!

O'er the season vernal,
Time may cast a shade;
Sunshine, if eternal,
Makes the roses fade:
Time may do his duty;
Let the thief alone -
Winter hath a beauty
That is all his own.
Fairest days are sun and shade:
Happy be thy life, O maid!

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On The Barrier

ON the Barrier Ranges,
Grim, and grey and old,
Spring, the Maid of Wonder,
Spreads her cloth-of-gold;
Every hill and hollow
Carpeting with flowers —
O for feet to follow
Through the shining hours!
Once I saw the damsel —
Watched her at her task,
Basking in her glamour
As the lizards bask:
And, if I remember
Aught of gleam and glow,
'Tis that sweet September
Twenty years ago.
Twenty golden springtides —
Much — and yet how slight
Measured with that region,
Hollow-land and height;
Biding through Earth's changes,
Steadfast to its shocks,
Oldest of the Ranges,
Ancientest of Rocks!
If with sweet recurrence
Youth renews the Earth,
Shall there come no glory —
Light and song and mirth —
Unto us who ponder
Much on banished joys?
Spring, thou Maid of Wonder.
Make us girls and boys!

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Grew Up Fast

We grew up fast
And no one seemed to notice
We grew up fast
And we grew up alone
Mom and dad
Were never what we wanted
We grew up fast
And we grew up alone
We grew up along
Well you know who I am
So dont treat me like Im someone else
Well you know what I am
So dont treat me like Im someone else
You never act like that with no one else
We grew up fast
When lies were just a fact of life
We grew up mad
Cause we never had a home
We faced the past
And forgave the revolution
We grew up smashed
And we grew up alone
We grew up alone
Hey my brother
I got no fight with you
I just cant lie down
Hey my brother
I got no fight with you
I just cant lie down
No, I just cant ride down
I just cant ride down
Well you know who I am
So dont treat me like Im someone else
Well you know what I am
So dont act like Im something else
Well you know who I am
So dont treat me like Im someone else
You know where I am
So dont act like Im somwhere else
You never talk like that to no one else
You never scream like that for no one else
You never suck like that for no one else

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That was my childhood. I grew up with the monks, studying Sanskrit and meditating for hours in the morning and hours in the evening, and going once a day to beg for food.

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Sonnet IV. Out, palsied soul, that dost but tremble ever

Out, palsied soul, that dost but tremble ever
In sight of the bright sunshine;--mine be joy,
And the full heart, and eye that faileth never
In the glad morning:--I am yet a boy;--
I have not wandered from the crystal river
That flowed by me in childhood: my employ
Hath been to take the gift and praise the Giver;
To love the flowers thy heedless steps destroy.
I wonder if the bliss that flows to me
In youth, shall be exhaled and scorched up dry
By the noonday glare of life; I must not lie
For ever in the shade of childhood's tree;
But I must venture forth and make advance
Along the toilèd path of human circumstance.

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He and She

[HE.] I know a youth who loves a little maid -
(Hey, but his face is a sight for to see!)
Silent is he, for he's modest and afraid -
(Hey, but he's timid as a youth can be!)
[SHE.] I know a maid who loves a gallant youth -
(Hey, but she sickens as the days go by!)
SHE cannot tell him all the sad, sad truth -
(Hey, but I think that little maid will die!)
[BOTH.] Now tell me pray, and tell me true,
What in the world should the poor soul do?

[HE.] He cannot eat and he cannot sleep -
(Hey, but his face is a sight for to see!)
Daily he goes for to wail - for to weep -
(Hey, but he's wretched as a youth can be!)
[SHE.] She's very thin and she's very pale -
(Hey, but she sickens as the days go by!)
Daily she goes for to weep - for to wail -
(Hey, but I think that little maid will die!)
[BOTH.] Now tell me pray, and tell me true,
What in the world should the poor soul do?

[SHE.] If I were the youth I should offer her my name -
(Hey, but her face is a sight for to see!)
[HE.] If I were the maid I should fan his honest flame -
(Hey, but he's bashful as a youth can be!)
[SHE.] If I were the youth I should speak to her to-day -
(Hey, but she sickens as the days go by!)
[HE.] If I were the maid I should meet the lad half way -
(For I really do believe that timid youth will die!)
[BOTH.] I thank you much for your counsel true;
I've learnt what that poor soul ought to do!

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Walt Whitman

Virgil Strange I Kept On The Field

VIGIL strange I kept on the field one night:
When you, my son and my comrade, dropt at my side that day,
One look I but gave, which your dear eyes return'd, with a look I
shall never forget;
One touch of your hand to mine, O boy, reach'd up as you lay on the
ground;
Then onward I sped in the battle, the even-contested battle;
Till late in the night reliev'd, to the place at last again I made my
way;
Found you in death so cold, dear comrade--found your body, son of
responding kisses, (never again on earth responding;)
Bared your face in the starlight--curious the scene--cool blew the
moderate night-wind;
Long there and then in vigil I stood, dimly around me the battlefield
spreading;
Vigil wondrous and vigil sweet, there in the fragrant silent
night; 10
But not a tear fell, not even a long-drawn sigh--Long, long I gazed;
Then on the earth partially reclining, sat by your side, leaning my
chin in my hands;
Passing sweet hours, immortal and mystic hours with you, dearest
comrade--Not a tear, not a word;
Vigil of silence, love and death--vigil for you my son and my
soldier,
As onward silently stars aloft, eastward new ones upward stole;
Vigil final for you, brave boy, (I could not save you, swift was your
death,
I faithfully loved you and cared for you living--I think we shall
surely meet again;)
Till at latest lingering of the night, indeed just as the dawn
appear'd,
My comrade I wrapt in his blanket, envelop'd well his form,
Folded the blanket well, tucking it carefully over head, and
carefully under feet; 20
And there and then, and bathed by the rising sun, my son in his
grave, in his rude-dug grave I deposited;
Ending my vigil strange with that--vigil of night and battlefield
dim;
Vigil for boy of responding kisses, (never again on earth
responding;)
Vigil for comrade swiftly slain--vigil I never forget, how as day
brighten'd,
I rose from the chill ground, and folded my soldier well in his
blanket,
And buried him where he fell.

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West Wind, The

Beneath the forest's skirts I rest,
Whose branching pines rise dark and high,
And hear the breezes of the West
Among the threaded foliage sigh.

Sweet Zephyr! why that sound of wo?
Is not thy home among the flowers?
Do not the bright June roses blow,
To meet thy kiss at morning hours?

And lo! thy glorious realm outspread--
Yon stretching valleys, green and gay,
And yon free hilltops, o'er whose head
The loose white clouds are borne away.

And there the full broad river runs,
And many a fount wells fresh and sweet,
To cool thee when the mid-day suns
Have made thee faint beneath their heat.

Thou wind of joy, and youth, and love;
Spirit of the new wakened year!
The sun in his blue realm above
Smooths a bright path when thou art here.

In lawns the murmuring bee is heard,
The wooing ring-dove in the shade;
On thy soft breath, the new-fledged bird
Takes wing, half happy, half afraid.

Ah! thou art like our wayward race;--
When not a shade of pain or ill
Dims the bright smile of Nature's face,
Thou lov'st to sigh and murmur still.

poem by William Cullen BryantReport problemRelated quotes
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