Ceremony After A Fire Raid
I
Myselves
The grievers
Grieve
Among the street burned to tireless death
A child of a few hours
With its kneading mouth
Charred on the black breast of the grave
The mother dug, and its arms full of fires.
Begin
With singing
Sing
Darkness kindled back into beginning
When the caught tongue nodded blind,
A star was broken
Into the centuries of the child
Myselves grieve now, and miracles cannot atone.
Forgive
Us forgive
Us your death that myselves the believers
May hold it in a great flood
Till the blood shall spurt,
And the dust shall sing like a bird
As the grains blow, as your death grows, through our heart.
Crying
Your dying
Cry,
Child beyond cockcrow, by the fire-dwarfed
Street we chant the flying sea
In the body bereft.
Love is the last light spoken. Oh
Seed of sons in the loin of the black husk left.
II
I know not whether
Adam or Eve, the adorned holy bullock
Or the white ewe lamb
Or the chosen virgin
Laid in her snow
On the altar of London,
Was the first to die
In the cinder of the little skull,
O bride and bride groom
O Adam and Eve together
Lying in the lull
Under the sad breast of the head stone
White as the skeleton
Of the garden of Eden.
I know the legend
Of Adam and Eve is never for a second
Silent in my service
Over the dead infants
Over the one
Child who was priest and servants,
Word, singers, and tongue
In the cinder of the little skull,
Who was the serpent's
Night fall and the fruit like a sun,
Man and woman undone,
Beginning crumbled back to darkness
Bare as nurseries
Of the garden of wilderness.
III
Into the organpipes and steeples
Of the luminous cathedrals,
Into the weathercocks' molten mouths
Rippling in twelve-winded circles,
Into the dead clock burning the hour
Over the urn of sabbaths
Over the whirling ditch of daybreak
Over the sun's hovel and the slum of fire
And the golden pavements laid in requiems,
Into the bread in a wheatfield of flames,
Into the wine burning like brandy,
The masses of the sea
The masses of the sea under
The masses of the infant-bearing sea
Erupt, fountain, and enter to utter for ever
Glory glory glory
The sundering ultimate kingdom of genesis' thunder.
poem by Dylan Thomas
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Related quotes
Margaret's Bridal Eve
I
The old grey mother she thrummed on her knee:
There is a rose that's ready;
And which of the handsome young men shall it be?
There's a rose that's ready for clipping.
My daughter, come hither, come hither to me:
There is a rose that's ready;
Come, point me your finger on him that you see:
There's a rose that's ready for clipping.
O mother, my mother, it never can be:
There is a rose that's ready;
For I shall bring shame on the man marries me:
There's a rose that's ready for clipping.
Now let your tongue be deep as the sea:
There is a rose that's ready;
And the man'll jump for you, right briskly will he:
There's a rose that's ready for clipping.
Tall Margaret wept bitterly:
There is a rose that's ready;
And as her parent bade did she:
There's a rose that's ready for clipping.
O the handsome young man dropped down on his knee:
There is a rose that's ready;
Pale Margaret gave him her hand, woe's me!
There's a rose that's ready for clipping.
II
O mother, my mother, this thing I must say:
There is a rose in the garden;
Ere he lies on the breast where that other lay:
And the bird sings over the roses.
Now, folly, my daughter, for men are men:
There is a rose in the garden;
You marry them blindfold, I tell you again:
And the bird sings over the roses.
O mother, but when he kisses me!
There is a rose in the garden;
My child, 'tis which shall sweetest be!
And the bird sings over the roses.
O mother, but when I awake in the morn!
There is a rose in the garden;
My child, you are his, and the ring is worn:
And the bird sings over the roses.
Tall Margaret sighed and loosened a tress:
There is a rose in the garden;
Poor comfort she had of her comeliness
And the bird sings over the roses.
My mother will sink if this thing be said:
There is a rose in the garden;
That my first betrothed came thrice to my bed;
And the bird sings over the roses.
He died on my shoulder the third cold night:
There is a rose in the garden;
I dragged his body all through the moonlight:
And the bird sings over the roses.
But when I came by my father's door:
There is a rose in the garden;
I fell in a lump on the stiff dead floor:
And the bird sings over the roses.
O neither to heaven, nor yet to hell:
There is a rose in the garden;
Could I follow the lover I loved so well!
And the bird sings over the roses.
III
The bridesmaids slept in their chambers apart:
There is a rose that's ready;
Tall Margaret walked with her thumping heart:
There's a rose that's ready for clipping.
The frill of her nightgown below the left breast:
There is a rose that's ready;
Had fall'n like a cloud of the moonlighted West:
There's a rose that's ready for clipping.
But where the West-cloud breaks to a star:
There is a rose that's ready;
Pale Margaret's breast showed a winding scar:
There's a rose that's ready for clipping.
O few are the brides with such a sign!
There is a rose that's ready;
Though I went mad the fault was mine:
There's a rose that's ready for clipping.
I must speak to him under this roof to-night:
There is a rose that's ready;
I shall burn to death if I speak in the light:
There's a rose that's ready for clipping.
O my breast! I must strike you a bloodier wound:
There is a rose that's ready;
Than when I scored you red and swooned:
There's a rose that's ready for clipping.
I will stab my honour under his eye:
There is a rose that's ready;
Though I bleed to the death, I shall let out the lie:
There's a rose that's ready for clipping.
O happy my bridesmaids! white sleep is with you!
There is a rose that's ready;
Had he chosen among you he might sleep too!
There's a rose that's ready for clipping.
O happy my bridesmaids! your breasts are clean:
There is a rose that's ready;
You carry no mark of what has been!
There's a rose that's ready for clipping.
IV
An hour before the chilly beam:
Red rose and white in the garden;
The bridegroom started out of a dream:
And the bird sings over the roses.
He went to the door, and there espied:
Red rose and white in the garden;
The figure of his silent bride:
And the bird sings over the roses.
He went to the door, and let her in:
Red rose and white in the garden;
Whiter looked she than a child of sin:
And the bird sings over the roses.
She looked so white, she looked so sweet:
Red rose and white in the garden;
She looked so pure he fell at her feet:
And the bird sings over the roses.
He fell at her feet with love and awe:
Red rose and white in the garden;
A stainless body of light he saw:
And the bird sings over the roses.
O Margaret, say you are not of the dead!
Red rose and white in the garden;
My bride! by the angels at night are you led?
And the bird sings over the roses.
I am not led by the angels about:
Red rose and white in the garden;
But I have a devil within to let out:
And the bird sings over the roses.
O Margaret! my bride and saint!
Red rose and white in the garden;
There is on you no earthly taint:
And the bird sings over the roses.
I am no saint, and no bride can I be:
Red rose and while in the garden;
Until I have opened my bosom to thee:
And the bird sings over the roses.
To catch at her heart she laid one hand:
Red rose and white in the garden;
She told the tale where she did stand:
And the bird sings over the roses.
She stood before him pale and tall:
Red rose and white in the garden;
Her eyes between his, she told him all:
And the bird sings over the roses.
She saw how her body grow freckled and foul:
Red rose and white in the garden;
She heard from the woods the hooting owl:
And the bird sings over the roses.
With never a quiver her mouth did speak:
Red rose and white in the garden;
O when she had done she stood so meek!
And the bird sings over the roses.
The bridegroom stamped and called her vile:
Red rose and white in the garden;
He did but waken a little smile:
And the bird sings over the roses.
The bridegroom raged and called her foul:
Red rose and white in the garden;
She heard from the woods the hooting owl:
And the bird sings over the roses.
He muttered a name full bitter and sore:
Red rose and white in the garden;
She fell in a lump on the still dead floor:
And the bird sings over the roses.
O great was the wonder, and loud the wail:
Red rose and white in the garden;
When through the household flew the tale:
And the bird sings over the roses.
The old grey mother she dressed the bier:
Red rose and white in the garden;
With a shivering chin and never a tear:
And the bird sings over the roses.
O had you but done as I bade you, my child!
Red rose and white in the garden;
You would not have died and been reviled:
And the bird sings over the roses.
The bridegroom he hung at midnight by the bier:
Red rose and white in the garden;
He eyed the white girl thro' a dazzling tear:
And the bird sings over the roses.
O had you been false as the women who stray:
Red rose and white in the garden;
You would not be now with the Angels of Day!
And the bird sings over the roses.
poem by George Meredith
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Eden bower
It was Lilith the wife of Adam:
(Sing Eden Bower!)
Not a drop of her blood was human,
But she was made like a soft sweet woman.
Lilith stood on the skirts of Eden;
(Alas the hour!)
She was the first that thence was driven;
With her was hell and with Eve was heaven.
In the ear of the Snake said Lilith:—
(Sing Eden Bower!)
“To thee I come when the rest is over;
A snake was I when thou wast my lover.
“I was the fairest snake in Eden:
(Alas the hour!)
By the earth's will, new form and feature
Made me a wife for the earth's new creature.
“Take me thou as I come from Adam:
(Sing Eden Bower!)
Once again shall my love subdue thee;
The past is past and I am come to thee.
“O but Adam was thrall to Lilith!
(Alas the hour!)
All the threads of my hair are golden,
And there in a net his heart was holden.
“O and Lilith was queen of Adam!
(Sing Eden Bower!)
All the day and the night together
My breath could shake his soul like a feather.
“What great joys had Adam and Lilith!—
(Alas the hour!)
Sweet close rings of the serpent's twining,
As heart in heart lay sighing and pining.
“What bright babes had Lilith and Adam!
(Sing Eden Bower!)
Shapes that coiled in the woods and waters,
Glittering sons and radiant daughters.
“O thou God, the Lord God of Eden!
(Alas the hour!)
Say, was this fair body for no man,
That of Adam's flesh thou mak'st him a woman?
“O thou Snake, the King-snake of Eden!
(Sing Eden Bower!)
God's strong will our necks are under,
But thou and I may cleave it in sunder.
“Help, sweet Snake, sweet lover of Lilith!
(Alas the hour!)
And let God learn how I loved and hated
Man in the image of God created.
“Help me once against Eve and Adam!
(Sing Eden Bower!)
Help me once for this one endeavour,
And then my love shall be thine for ever!
“Strong is God, the fell foe of Lilith:
(Alas the hour!)
Nought in heaven or earth may affright Him;
But join thou with me and we will smite Him.
“Strong is God, the great God of Eden:
(Sing Eden Bower!)
Over all He made He hath power;
But lend me thou thy shape for an hour!
“Lend thy shape for the love of Lilith!
(Alas the hour!)
Look, my mouth and my cheek are ruddy,
And thou art cold, and fire is my body.
“Lend thy shape for the hate of Adam!
(Sing Eden Bower!)
That he may wail my joy that forsook him,
And curse the day when the bride-sleep took him.
“Lend thy shape for the shame of Eden!
(Alas the hour!)
Is not the foe-God weak as the foeman
When love grows hate in the heart of a woman?
“Wouldst thou know the heart's hope of Lilith?
(Sing Eden Bower!)
Then bring thou close thine head till it glisten
Along my breast, and lip me and listen.
“Am I sweet, O sweet Snake of Eden?
(Alas the hour!)
Then ope thine ear to my warm mouth's cooing
And learn what deed remains for our doing.
“Thou didst hear when God said to Adam:—
(Sing Eden Bower!)
‘Of all this wealth I have made thee warden;
Thou'rt free to eat of the trees of the garden:
“‘Only of one tree eat not in Eden:
(Alas the hour!)
All save one I give to thy freewill,—
The Tree of the Knowledge of Good and Evil.’
“O my love, come nearer to Lilith!
(Sing Eden Bower!)
In thy sweet folds bind me and bend me,
And let me feel the shape thou shalt lend me.
“In thy shape I'll go back to Eden;
(Alas the hour!)
In these coils that Tree will I grapple,
And stretch this crowned head forth by the apple.
“Lo, Eve bends to the breath of Lilith!
(Sing Eden Bower!)
O how then shall my heart desire
All her blood as food to its fire!
“Lo, Eve bends to the words of Lilith!—
(Alas the hour!)
‘Nay, this Tree's fruit,—why should ye hate it,
Or Death be born the day that ye ate it?
“‘Nay, but on that great day in Eden,
(Sing Eden Bower!)
By the help that in this wise Tree is,
God knows well ye shall be as He is.’
“Then Eve shall eat and give unto Adam;
(Alas the hour!)
And then they both shall know they are naked,
And their hearts ache as my heart hath achèd.
“Ay, let them hide `mid the trees of Eden,
(Sing Eden Bower!)
As in the cool of the day in the garden
God shall walk without pity or pardon.
“Hear, thou Eve, the man's heart in Adam!
(Alas the hour!)
Of his brave words hark to the bravest:—
‘This the woman gave that thou gavest.’
“Hear Eve speak, yea list to her, Lilith!
(Sing Eden Bower!)
Feast thine heart with words that shall sate it—
‘This the serpent gave and I ate it.’
“O proud Eve, cling close to thine Adam,
(Alas the hour!)
Driven forth as the beasts of his naming
By the sword that for ever is flaming.
“Know, thy path is known unto Lilith!
(Sing Eden Bower!)
While the blithe birds sang at thy wedding,
There her tears grew thorns for thy treading.
“O my love, thou Love-snake of Eden!
(Alas the hour!)
O to-day and the day to come after!
Loose me, love,—give breath to my laughter.
“O bright Snake, the Death-worm of Adam!
(Sing Eden Bower!)
Wreathe thy neck with my hair's bright tether,
And wear my gold and thy gold together!
“On that day on the skirts of Eden,
(Alas the hour!)
In thy shape shall I glide back to thee,
And in my shape for an instant view thee.
“But when thou'rt thou and Lilith is Lilith,
(Sing Eden Bower!)
In what bliss past hearing or seeing
Shall each one drink of the other's being!
“With cries of ‘Eve!’ and ‘Eden!’ and ‘Adam!’
(Alas the hour!)
How shall we mingle our love's caresses,
I in thy coils, and thou in my tresses!
“With those names, ye echoes of Eden,
(Sing Eden Bower!)
Fire shall cry from my heart that burneth,—
‘Dust he is and to dust returneth!’
“Yet to-day, thou master of Lilith,—
(Alas the hour!)
Wrap me round in the form I'll borrow
And let me tell thee of sweet to-morrow.
“In the planted garden eastward in Eden,
(Sing Eden Bower!)
Where the river goes forth to water the garden,
The springs shall dry and the soil shall harden.
“Yea, where the bride-sleep fell upon Adam,
(Alas the hour!)
None shall hear when the storm-wind whistles
Through roses choked among thorns and thistles.
“Yea, beside the east-gate of Eden,
(Sing Eden Bower!)
Where God joined them and none might sever,
The sword turns this way and that for ever.
“What of Adam cast out of Eden?
(Alas the hour!)
Lo! with care like a shadow shaken,
He tills the hard earth whence he was taken.
“What of Eve too, cast out of Eden?
(Sing Eden Bower!)
Nay, but she, the bride of God's giving,
Must yet be mother of all men living.
“Lo, God's grace, by the grace of Lilith!
(Alas the hour!)
To Eve's womb, from our sweet to-morrow,
God shall greatly multiply sorrow.
“Fold me fast, O God-snake of Eden!
(Sing Eden Bower!)
What more prize than love to impel thee?
Grip and lip my limbs as I tell thee!
“Lo! two babes for Eve and for Adam!
(Alas the hour!)
Lo! sweet Snake, the travail and treasure,—
Two men-children born for their pleasure!
“The first is Cain and the second Abel:
(Sing Eden Bower!)
The soul of one shall be made thy brother,
And thy tongue shall lap the blood of the other.”
(Alas the hour!)
poem by Dante Gabriel Rossetti
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War Pigs
Witches gather at black masses
Bodies burning in red ashes
On the hill the chruch in ruin
Is the scene of evin doin
Is the place for all bad sinners
Watch them eating dead rat cinder
I guess its the same
Where ever you may go
Oh, lord yeah
Carrying banners which denounce the lord
See me rocking in my grave
See devil annoint my head with their black blood
See them stick the stake through me
Dont hold me back cause I just gotta go
Satans got a hold on my soul now
Look in my brain and there was blood and seed
Look in my eyes and there I go
Yeah
On the scene a priest appears
Sinners falling at his knees
Satan sends out funeral pyres
Casts the priest into the fire
Its the place for all bad sinners
Watch them eating dead rat cinder
I guess its the same
Where ever you may go
Oh, lord yeah
song performed by by Ozzy Osbourne
Submitted by Lucian Velea
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The Death Penalty
Bring back the death penalty screamed a lady as the blood ran, dripping from the cold concrete as her sons blood fled from its body. Bring back, bring back the death penalty screamed a mother as her child dies slowly watching the pools of life fade away from his eyes.
Bring back, bring back the death penalty screamed a mother while she watched her child being killed by the hands of another man, bring back the death penalty.
Bring back the death penalty as she screamed holding her dying child while he laid his last words and breath upon her chest. Bring back the death penalty she screamed in mercy so that she will so that she will no longer have to hold any more of her dying sons and lay them in graves before she lays in her own.
Bring back the death penalty she screamed as her sons soul left his body and he became another victim to a violent society. Bring back the death penalty, bring back our sons.
poem by Melvyn Mohan
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Song from Aella
O SING unto my roundelay,
O drop the briny tear with me;
Dance no more at holyday,
Like a running river be:
My love is dead,
Gone to his death-bed
All under the willow-tree.
Black his cryne as the winter night,
White his rode as the summer snow,
Red his face as the morning light,
Cole he lies in the grave below:
My love is dead,
Gone to his death-bed
All under the willow-tree.
Sweet his tongue as the throstle's note,
Quick in dance as thought can be,
Deft his tabor, cudgel stout;
O he lies by the willow-tree!
My love is dead,
Gone to his death-bed
All under the willow-tree.
Hark! the raven flaps his wing
In the brier'd dell below;
Hark! the death-owl loud doth sing
To the nightmares, as they go:
My love is dead,
Gone to his death-bed
All under the willow-tree.
See! the white moon shines on high;
Whiter is my true-love's shroud:
Whiter than the morning sky,
Whiter than the evening cloud:
My love is dead,
Gone to his death-bed
All under the willow-tree.
Here upon my true-love's grave
Shall the barren flowers be laid;
Not one holy saint to save
All the coldness of a maid:
My love is dead,
Gone to his death-bed
All under the willow-tree.
With my hands I'll dent the briers
Round his holy corse to gre:
Ouph and fairy, light your fires,
Here my body still shall be:
My love is dead,
Gone to his death-bed
All under the willow-tree.
Come, with acorn-cup and thorn,
Drain my heartès blood away;
Life and all its good I scorn,
Dance by night, or feast by day:
My love is dead,
Gone to his death-bed
All under the willow-tree.
poem by Thomas Chatterton
Submitted by Veronica Serbanoiu
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Adam And Eve
God created the first man, Adam,
out of the dust of the ground
He breathed into his nostrils the breath of life,
but for Adam there was no helpmate found
So God put Adam into a deep sleep
and made a woman out of a rib of the man
In The Garden of Eden everything was perfect
until they ate the fruit which God had banned
God told Adam and Eve they could eat
from every tree of the garden except one
Then came along the serpent and tempted Eve
and the first sin to enter the world was done
Ever since that day that sin entered the world
everyone has sinned and needs a savior
That is the reason God sent his son to die for us
and only through faith in Christ is salvation's door
Romans 5: 12 Wherefore, as by one man sin entered into the world and death by sin, and so death passed upon all men, for that all have sinned.
Romans 5: 8 But God commendeth his love toward us, in that while we were yet sinners, Christ died for us.
John 10: 9 I am the door, by me if any man enter in, he shall be saved, and shall go in and out and find pasture.
www.cavaliersonly.com
poem by Cindy Wyatt
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Ears Of Corn
In the synagogues they pray with ears
of corn, and listen to the shadows’ sound,
because no still and silent voice for years
has whispered, and no glory is around.
Yet it is not blaspheming with the breath
to try recapturing was has been lost,
refusing to acknowledge that famed death
of God a great unglaublich scholar glossed.
The evidence that He once lived is soft,
but those who pray don’t care it isn’t hard,
or that a great philosopher has scoffed
about what can’t be found by Scotland Yard,
for by their prayers they choose to shame the dark,
dark places where the doubting mind would mourn,
providing an occasion for their spark
to find an Alien hiding in the corn.
Inspired by Dylan Thomas’s “A Refusal to Mourn the Death, by Fire, of a Child in London”
Never until the mankind making
Bird beast and flower
Fathering and all humbling darkness
Tells with silence the last light breaking
And the still hour
Is come of the sea tumbling in harness
And I must enter again the round
Zion of the water bead
And the synagogue of the ear of corn
Shall I let pray the shadow of a sound
Or sow my salt seed
In the least valley of sackcloth to mourn
The majesty and burning of the child's death.
I shall not murder
The mankind of her going with a grave truth
Nor blaspheme down the stations of the breath
With any further
Elegy of innocence and youth.
Deep with the first dead lies London's daughter,
Robed in the long friends,
The grains beyond age, the dark veins of her mother,
Secret by the unmourning water
Of the riding Thames.
After the first death, there is no other.
poem by Gershon Hepner
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Hymn 124
The first and second Adam.
Rom. 5:12,etc.
Deep in the dust before thy throne
Our guilt and our disgrace we own;
Great God! we own th' unhappy name
Whence sprang our nature and our shame;
Adam the sinner: at his fall,
Death like a conqueror seized us
A thousand new-born babes are dead
By fatal union to their head.
But whilst our spirits, filled with awe,
Behold the terrors of thy law,
We sing the honors of thy grace,
That sent to save our ruined race.
We sing thine everlasting Son,
Who joined our nature to his own:
Adam the second from the dust
Raises the ruins of the first.
[By the rebellion of one man
Through all his seed the mischief ran;
And by one man's obedience now
Are all his seed made righteous too.]
Where sin did reign, and death abound,
There have the sons of Adam found
Abounding life; there glorious grace
Reigns through the Lord our righteousness.
poem by Isaac Watts
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Altarwise by Owl-Light
Altarwise by owl-light in the half-way house
The gentleman lay graveward with his furies;
Abaddon in the hangnail cracked from Adam,
And, from his fork, a dog among the fairies,
The atlas-eater with a jaw for news,
Bit out the mandrake with to-morrows scream.
Then, penny-eyed, that gentlemen of wounds,
Old cock from nowheres and the heaven's egg,
With bones unbuttoned to the half-way winds,
Hatched from the windy salvage on one leg,
Scraped at my cradle in a walking word
That night of time under the Christward shelter:
I am the long world's gentlemen, he said,
And share my bed with Capricorn and Cancer.
Death is all metaphors, shape in one history;
The child that sucketh long is shooting up,
The planet-ducted pelican of circles
Weans on an artery the genders strip;
Child of the short spark in a shapeless country
Soon sets alight a long stick from the cradle;
The horizontal cross-bones of Abaddon,
You by the cavern over the black stairs,
Rung bone and blade, the verticals of Adam,
And, manned by midnight, Jacob to the stars.
Hairs of your head, then said the hollow agent,
Are but the roots of nettles and feathers
Over the groundowrks thrusting through a pavement
And hemlock-headed in the wood of weathers.
First there was the lamb on knocking knees
And three dead seasons on a climbing grave
That Adam's wether in the flock of horns,
Butt of the tree-tailed worm that mounted Eve,
Horned down with skullfoot and the skull of toes
On thunderous pavements in the garden of time;
Rip of the vaults, I took my marrow-ladle
Out of the wrinkled undertaker's van,
And, Rip Van Winkle from a timeless cradle,
Dipped me breast-deep in the descending bone;
The black ram, shuffling of the year, old winter,
Alone alive among his mutton fold,
We rung our weathering changes on the ladder,
Said the antipodes, and twice spring chimed.
What is the metre of the dictionary?
The size of genesis? the short spark's gender?
Shade without shape? the shape of the Pharaohs echo?
(My shape of age nagging the wounded whisper.)
Which sixth of wind blew out the burning gentry?
(Questions are hunchbacks to the poker marrow.)
What of a bamboo man amomg your acres?
Corset the boneyards for a crooked boy?
Button your bodice on a hump of splinters,
My camel's eyes will needle through the shroud.
Loves reflection of the mushroom features,
Still snapped by night in the bread-sided field,
Once close-up smiling in the wall of pictures,
Arc-lamped thrown back upon the cutting flood.
poem by Dylan Thomas
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Ain't Gonna Grieve
by Bob Dylan
Well, I ain't a-gonna grieve no more, no more
Ain't a-gonna grieve no more, no more
Ain't a-gonna grieve no more, no more
And ain't a-gonna grieve no more.
Come on brother, join the band,
Come on sisters, clap your hands,
Tell everybody that's in the land,
You ain't a-gonna grieve no more.
Well, I ain't a-gonna grieve no more, no more
Ain't a-gonna grieve no more, no more
Ain't a-gonna grieve no more, no more
And ain't a-gonna grieve no more.
Brown and blue and white and black,
All one color on the one-way track,
We got this far and ain't a-goin' back
And ain't a-gonna grieve no more.
Well, I ain't a-gonna grieve no more, no more
Ain't a-gonna grieve no more, no more
Ain't a-gonna grieve no more, no more
I ain't a-gonna grieve no more.
We're gonna notify your next of kin,
You're gonna raise the roof until the house falls in.
If you get knocked down get up again,
We ain't a-gonna grieve no more.
Well, I ain't a-gonna grieve no more, no more
Ain't a-gonna grieve no more, no more
Ain't a-gonna grieve no more, no more
I ain't a-gonna grieve no more.
We'll sing this song all night long,
Sing it to my baby from midnight on.
She'll sing it to you when I'm dead and gone,
Ain't a-gonna grieve no more.
Well, I ain't a-gonna grieve no more, no more
Ain't a-gonna grieve no more, no more
Ain't a-gonna grieve no more, no more
I ain't a-gonna grieve no more
song performed by by Bob Dylan
Submitted by Lucian Velea
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The Gift Of The Sea
The dead child lay in the shroud,
And the widow watched beside;
And her mother slept, and the Channel swept
The gale in the teeth of the tide.
But the mother laughed at all.
"I have lost my man in the sea,
And the child is dead. Be still," she said,
"What more can ye do to me?"
The widow watched the dead,
And the candle guttered low,
And she tried to sing the Passing Song
That bids the poor soul go.
And "Mary take you now," she sang,
"That lay against my heart."
And "Mary smooth your crib to-night,"
But she could not say "Depart."
Then came a cry from the sea,
But the sea-rime blinded the glass,
And "Heard ye nothing, mother?" she said,
"'Tis the child that waits to pass."
And the nodding mother sighed.
"'Tis a lambing ewe in the whin,
For why should the christened soul cry out
That never knew of sin?"
"O feet I have held in my hand,
O hands at my heart to catch,
How should they know the road to go,
And how should they lift the latch?"
They laid a sheet to the door,
With the little quilt atop,
That it might not hurt from the cold or the dirt,
But the crying would not stop.
The widow lifted the latch
And strained her eyes to see,
And opened the door on the bitter shore
To let the soul go free.
There was neither glimmer nor ghost,
There was neither spirit nor spark,
And "Heard ye nothing, mother?" she said,
"'Tis crying for me in the dark."
And the nodding mother sighed:
"'Tis sorrow makes ye dull;
Have ye yet to learn the cry of the tern,
Or the wail of the wind-blown gull?"
"The terns are blown inland,
The gray gull follows the plough.
'Twas never a bird, the voice I heard,
O mother, I hear it now!"
"Lie still, dear lamb, lie still;
The child is passed from harm,
'Tis the ache in your breast that broke your rest,
And the feel of an empty arm."
She put her mother aside,
"In Mary's name let be!
For the peace of my soul I must go," she said,
And she went to the calling sea.
In the heel of the wind-bit pier,
Where the twisted weed was piled,
She came to the life she had missed by an hour,
For she came to a little child.
She laid it into her breast,
And back to her mother she came,
But it would not feed and it would not heed,
Though she gave it her own child's name.
And the dead child dripped on her breast,
And her own in the shroud lay stark;
And "God forgive us, mother," she said,
"We let it die in the dark!"
poem by Rudyard Kipling
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The Feud
I hear a cry from the Sansard cave,
O mother, will no one hearken?
A cry of the lost, will no one save?
A cry of the dead, though the oceans rave,
And the scream of a gull as he wheels o'er a grave,
While the shadows darken and darken.'
'Oh, hush thee, child, for the night is wet,
And the cloud-caves split asunder,
With lightning in a jagged fret,
Like the gleam of a salmon in the net,
When the rocks are rich in the red sunset,
And the stream rolls down in thunder.'
'Mother, O mother, a pain at my heart,
A pang like the pang of dying.'
'Oh, hush thee, child, for the wild birds dart
Up and down, and close and part,
Wheeling round where the black cliffs start,
And the foam at their feet is flying.'
'O mother, a strife like the black clouds'
And a peace that cometh after.'
'Hush, child, for peace is the end of life,
And the heart of a maiden finds peace as a wife,
But the sky and the cliffs and the ocean are rife
With the storm and thunder's laughter.'
'Come in, my sons, come in and rest,
For the shadows darken and darken,
And your sister is pale as the white swan's breast,
And her eyes are fixed and her lips are pressed
In the death of a name ye might have guessed,
Had ye twain been here to hearken.'
'Hush, mother, a corpse lies on the sand,
And the spray is round it driven,
It lies on its face, and one white hand
Points through the mist on the belt of strand
To where the cliffs of Sansard stand,
And the ocean's strength is riven.'
'Was it God, my sons, who laid him there?
Or the sea that left him sleeping?'
'Nay, mother, our dirks where his heart was bare,
As swift as the rain through the teeth of the air;
And the foam-fingers play in the Saxon's hair,
While the tides are round him creeping.'
'Oh, curses on you, hand and head,
Like the rains in this wild weather
The guilt of blood is swift and dread,
Your sister's face is cold and dead,
Ye may not part whom God would wed
And love hath knit together.'
poem by Frederick George Scott
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A Refusal to Mourn the Death, by Fire, of a Child in London
Never until the mankind making
Bird beast and flower
Fathering and all humbling darkness
Tells with silence the last light breaking
And the still hour
Is come of the sea tumbling in harness
And I must enter again the round
Zion of the water bead
And the synagogue of the ear of corn
Shall I let pray the shadow of a sound
Or sow my salt seed
In the least valley of sackcloth to mourn
The majesty and burning of the child's death.
I shall not murder
The mankind of her going with a grave truth
Nor blaspheme down the stations of the breath
With any further
Elegy of innocence and youth.
Deep with the first dead lies London's daughter,
Robed in the long friends,
The grains beyond age, the dark veins of her mother,
Secret by the unmourning water
Of the riding Thames.
After the first death, there is no other.
poem by Dylan Thomas
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The Four Angels
As Adam lay a-dreaming beneath the Apple Tree
The Angel of the Earth came down, and offered Earth in fee;
But Adam did not need it,
Nor the plough he would not speed it,
Singing: --"Earth and Water, Air and Fire,
What more can mortal man desire?"
(The Apple Tree's in bud)
As Adam lay a-dreaming beneath the Apple Tree
The Angel of the Waters offered all the Seas in fee;
But Adam would not take 'em,
Nor the ships he wouldn't make 'em,
Singing:--"Water, Earth and Air and Fire,
What more can mortal man desire? "
(The Apple Tree's in leaf.)
As Adam lay a-dreaming beneath the Apple Tree
The Angel of the Air he offered all the Air in fee;
But Adam did not crave it,
Nor the flight he wouldn't brave it,
Singing: --"Air and Water, Earth and Fire,
What more can mortal man desire:"
(The Apple Tree's in bloom.)
As Adam lay a-dreaming beneath the Apple Tree
The Angel of the Fire rose up and not a word said he;
But he wished a flame and made it,
And in Adam's heart he laid it,
Singing: --"Fire, Fire, burning Fire!
Stand up, and reach your heart's desire!"
(The Apple Blossom's set.)
As Adam was a-working outside of Eden-Wall,
He used the Earth, he used the Seas, he used the Air and all;
Till out of black disaster
He arose to be a master
Of Earth and Water, Air and Fire,
But never reached his heart's desire!
(The Apple Tree's cut down!)
poem by Rudyard Kipling
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After Death
IF we must part, this parting is the best:
How would you bear to lay
Your head on some warm pillow far away--
Your head, so used to lying on my breast?
But now your pillow is cold;
Your hands have flowers, and not my hands, to hold;
Upon our bed the worn bride-linen lies.
I have put the death-money upon your eyes,
So that you should not wake up in the night.
I have bound your face with white;
I have washed you, yes, with water and not with tears,--
Those arms wherein I have slept so many years,
Those feet that hastened when they came to me,
And all your body that belonged to me.
I have smoothed your dear dull hair,
And there is nothing left to say for you
And nothing left to fear or pray for you;
And I have got the rest of life to bear:
Thank God it is you, not I, who are lying there.
If I had died
And you had stood beside
This still white bed
Where the white, scented, horrible flowers are spread,--
I know the thing it is,
And I thank God that He has spared you this.
If one must bear it, thank God it was I
Who had to live and bear to see you die,
Who have to live, and bear to see you dead.
You will have nothing of it all to bear:
You will not even know that in your bed
You lie alone. You will not miss my head
Beside you on the pillow: you will rest
So soft in the grave you will not miss my breast.
But I--but I--Your pillow and your place--
And only the darkness laid against my face,
And only my anguish pressed against my side--
Thank God, thank God, that it was you who died!
poem by Edith Nesbit
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Lament for Ignacio Sánchez Mejías
1. Cogida and death
At five in the afternoon.
It was exactly five in the afternoon.
A boy brought the white sheet
at five in the afternoon.
A frail of lime ready prepared
at five in the afternoon.
The rest was death, and death alone.
The wind carried away the cottonwool
at five in the afternoon.
And the oxide scattered crystal and nickel
at five in the afternoon.
Now the dove and the leopard wrestle
at five in the afternoon.
And a thigh with a desolated horn
at five in the afternoon.
The bass-string struck up
at five in the afternoon.
Arsenic bells and smoke
at five in the afternoon.
Groups of silence in the corners
at five in the afternoon.
And the bull alone with a high heart!
At five in the afternoon.
When the sweat of snow was coming
at five in the afternoon,
when the bull ring was covered with iodine
at five in the afternoon.
Death laid eggs in the wound
at five in the afternoon.
At five in the afternoon.
At five o'clock in the afternoon.
A coffin on wheels is his bed
at five in the afternoon.
Bones and flutes resound in his ears
at five in the afternoon.
Now the bull was bellowing through his forehead
at five in the afternoon.
The room was iridiscent with agony
at five in the afternoon.
In the distance the gangrene now comes
at five in the afternoon.
Horn of the lily through green groins
at five in the afternoon.
The wounds were burning like suns
at five in the afternoon.
At five in the afternoon.
Ah, that fatal five in the afternoon!
It was five by all the clocks!
It was five in the shade of the afternoon!
2. The Spilled Blood
I will not see it!
Tell the moon to come,
for I do not want to see the blood
of Ignacio on the sand.
I will not see it!
The moon wide open.
Horse of still clouds,
and the grey bull ring of dreams
with willows in the barreras.
I will not see it!
Let my memory kindle!
Warm the jasmines
of such minute whiteness!
I will not see it!
The cow of the ancient world
passed har sad tongue
over a snout of blood
spilled on the sand,
and the bulls of Guisando,
partly death and partly stone,
bellowed like two centuries
sated with threading the earth.
No.
I will not see it!
Ignacio goes up the tiers
with all his death on his shoulders.
He sought for the dawn
but the dawn was no more.
He seeks for his confident profile
and the dream bewilders him
He sought for his beautiful body
and encountered his opened blood
Do not ask me to see it!
I do not want to hear it spurt
each time with less strength:
that spurt that illuminates
the tiers of seats, and spills
over the cordury and the leather
of a thirsty multiude.
Who shouts that I should come near!
Do not ask me to see it!
His eyes did not close
when he saw the horns near,
but the terrible mothers
lifted their heads.
And across the ranches,
an air of secret voices rose,
shouting to celestial bulls,
herdsmen of pale mist.
There was no prince in Sevilla
who could compare to him,
nor sword like his sword
nor heart so true.
Like a river of lions
was his marvellous strength,
and like a marble toroso
his firm drawn moderation.
The air of Andalusian Rome
gilded his head
where his smile was a spikenard
of wit and intelligence.
What a great torero in the ring!
What a good peasant in the sierra!
How gentle with the sheaves!
How hard with the spurs!
How tender with the dew!
How dazzling the fiesta!
How tremendous with the final
banderillas of darkness!
But now he sleeps without end.
Now the moss and the grass
open with sure fingers
the flower of his skull.
And now his blood comes out singing;
singing along marshes and meadows,
sliden on frozen horns,
faltering soulles in the mist
stoumbling over a thousand hoofs
like a long, dark, sad tongue,
to form a pool of agony
close to the starry Guadalquivir.
Oh, white wall of Spain!
Oh, black bull of sorrow!
Oh, hard blood of Ignacio!
Oh, nightingale of his veins!
No.
I will not see it!
No chalice can contain it,
no swallows can drink it,
no frost of light can cool it,
nor song nor deluge og white lilies,
no glass can cover mit with silver.
No.
I will not see it!
3. The Laid Out Body
Stone is a forehead where dreames grieve
without curving waters and frozen cypresses.
Stone is a shoulder on which to bear Time
with trees formed of tears and ribbons and planets.
I have seen grey showers move towards the waves
raising their tender riddle arms,
to avoid being caught by lying stone
which loosens their limbs without soaking their blood.
For stone gathers seed and clouds,
skeleton larks and wolves of penumbra:
but yields not sounds nor crystals nor fire,
only bull rings and bull rings and more bull rings without walls.
Now, Ignacio the well born lies on the stone.
All is finished. What is happening! Contemplate his face:
death has covered him with pale sulphur
and has place on him the head of dark minotaur.
All is finished. The rain penetrates his mouth.
The air, as if mad, leaves his sunken chest,
and Love, soaked through with tears of snow,
warms itself on the peak of the herd.
What is they saying? A stenching silence settles down.
We are here with a body laid out which fades away,
with a pure shape which had nightingales
and we see it being filled with depthless holes.
Who creases the shroud? What he says is not true!
Nobody sings here, nobody weeps in the corner,
nobody pricks the spurs, nor terrifies the serpent.
Here I want nothing else but the round eyes
to see his body without a chance of rest.
Here I want to see those men of hard voice.
Those that break horses and dominate rivers;
those men of sonorous skeleton who sing
with a mouth full of sun and flint.
Here I want to see them. Before the stone.
Before this body with broken reins.
I want to know from them the way out
for this captain stripped down by death.
I want them to show me a lament like a river
wich will have sweet mists and deep shores,
to take the body of Ignacio where it looses itself
without hearing the double planting of the bulls.
Loses itself in the round bull ring of the moon
which feigns in its youth a sad quiet bull,
loses itself in the night without song of fishes
and in the white thicket of frozen smoke.
I don't want to cover his face with handkerchiefs
that he may get used to the death he carries.
Go, Ignacio, feel not the hot bellowing
Sleep, fly, rest: even the sea dies!
4. Absent Soul
The bull does not know you, nor the fig tree,
nor the horses, nor the ants in your own house.
The child and the afternoon do not know you
because you have dead forever.
The shoulder of the stone does not know you
nor the black silk, where you are shuttered.
Your silent memory does not know you
because you have died forever
The autumn will come with small white snails,
misty grapes and clustered hills,
but no one will look into your eyes
because you have died forever.
Because you have died for ever,
like all the dead of the earth,
like all the dead who are forgotten
in a heap of lifeless dogs.
Nobady knows you. No. But I sing of you.
For posterity I sing of your profile and grace.
Of the signal maturity of your understanding.
Of your appetite for death and the taste of its mouth.
Of the sadness of your once valiant gaiety.
It will be a long time, if ever, before there is born
an Andalusian so true, so rich in adventure.
I sing of his elegance with words that groan,
and I remember a sad breeze through the olive trees.
poem by Federico García Lorca
Submitted by Poetry Lover
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Fever Rising
What is the thing of poverty,
of frozen pain,
fury under the snow,
between fire and rain?
You come on the surface
to breathe, douse with petrol
and show off a flame. A slum of emotions
burns with rage.
The masses in the garden
play with a fountain. The screams
bloom into a scam. A dead blue peace,
except the tears obscene.
I am in fear. The pillow was used
to choke the enemy.The ripples were
spreading. Wheels were broken. A child
in a womb cries.
poem by Satish Verma
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The Mother's Soul
When the moon was horned the mother died,
And the child pulled at her hand and knee,
And he rubbed her cheek and loudly cried:
'O mother, arise, give bread to me!'
But the pine tree bent its head,
And the wind at the door-post said:
'O child, thy mother is dead !'
The sun set his loom to weave the day;
The frost bit sharp like a silent cur;
The child by her pillow paused in his play:
'Mother, build up the sweet fire of fir !'
But the fir tree shook its cones,
And loud cried the pitiful stones:
'Wolf Death has thy mother's bones!'
They bore the mother out on her bier;
Their tears made warm her breast and shroud;
The smiling child at her head stood near;
And the long, white tapers shook and bowed,
And said with their tongues of gold,
To the ice lumps of the grave mold:
'How heavy are ye and cold!'
They buried the mother; to the feast
They flocked with the beaks of unclean crows.
The wind came up from the red-eyed east
And bore in its arms the chill, soft snows.
They said to each other: 'Sere
Are the hearts the mother held dear;
Forgotten, her babe plays here!'
The child with the tender snowflakes played,
And the wind on its fingers twined his hair;
And still by the tall, brown grave he stayed,
Alone in the churchyard lean and bare.
The sods on the high grave cried
To the mother's white breast inside:
'Lie still; in thy deep rest bide!'
Her breast lay still like a long-chilled stone,
Her soul was out on the bleak, grey day;
She saw her child by the grave alone,
With the sods and snow and wind at play.
Said the sharp lips of the rush,
'Red as thy roses,O bush,
With anger the dead can blush !'
A butterfly to the child's breast flew,*
Fluttered its wings on his sweet, round cheek,
Danced by his fingers, small, cold and blue.
The sun strode down past the mountain peak.
The butterfly whispered low
To the child: 'Babe, follow me; know,
Cold is the earth here below.'
The butterfly flew; followed the child,
Lured by the snowy torch of its wings;
The wind sighed after them soft and wild
Till the stars wedded night with golden rings
Till the frost upreared its head,
And the ground to it groaned and said:
'The feet of the child are lead!'
The child's head drooped to the brown, sere mold,
On the crackling cones his white breast lay;
The butterfly touched the locks of gold,
The soul of the child sprang from its clay.
The moon to the pine tree stole,
And silver-lipped, said to its bole:
'How strong is the mother's soul !'
The wings of the butterfly grew out
To the mother's arms, long, soft and white;
She folded them warm her babe about,
She kissed his lips into berries bright,
She warmed his soul on her breast;
And the east called out to the west:
'Now the mother's soul will rest!'
Under the roof where the burial feast
Was heavy with meat and red with wine,
Each crossed himself as out of the east
A strange wind swept over oak and pine.
The trees to the home-roof said:
' 'Tis but the airy rush and tread
Of angels greeting thy dead.'
poem by Isabella Valancy Crawford
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Silent Night
(arranged by reba mcentire)
(whats written in sentences and not verse at the beginning is what
Reba
Explains at the beginning, the rest is the song)
On christmas eve in 1818
A blizzard stranded the tiny village of ogledorf
Nestled in the austrian mountains
That same day the people of st. nicholas church found their organ
Broken
So the priest and organist began composing a song that could be sung
Without
An organ yet beautiful enough to express their christmas joy
All day and all night long they worked
And at midnight the gentle carol silent night was born
The pure clear tones echoed through the hills
And the world has been captured by the beauty of that simple song ever
Since.
Silent night
Holy night
All is calm
All is bright
Round yon virgin
Mother and child
Holy infant so tender and mild
Sleep in heavenly peace
Sleep in heavenly peace
Silent night
Holy night
Shepeards pray at the sight
Glory streams from heaven afar
Heavenly ? sing hallelujah
Christ the savior is born
Christ the savior is born
Silent night
Holy night
All is calm
And all is bright
Round yon virgin
Mother and child
Holy infant so tender and mild
Sleep in heavenly peace
Sleep in heavenly peace
Silent night
Holy night
Sleep in heavenly peace
song performed by by Reba Mcentire
Submitted by Lucian Velea
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Genesis
In the outer world that was before this earth,
That was before all shape or space was born,
Before the blind first hour of time had birth,
Before night knew the moonlight or the morn;
Yea, before any world had any light,
Or anything called God or man drew breath,
Slowly the strong sides of the heaving night
Moved, and brought forth the strength of life and death.
And the sad shapeless horror increate
That was all things and one thing, without fruit,
Limit, or law; where love was none, nor hate,
Where no leaf came to blossom from no root;
The very darkness that time knew not of,
Nor God laid hand on, nor was man found there,
Ceased, and was cloven in several shapes; above
Light, and night under, and fire, earth, water, and air.
Sunbeams and starbeams, and all coloured things,
All forms and all similitudes began;
And death, the shadow cast by life's wide wings,
And God, the shade cast by the soul of man.
Then between shadow and substance, night and light,
Then between birth and death, and deeds and days,
The illimitable embrace and the amorous fight
That of itself begets, bears, rears, and slays,
The immortal war of mortal things that is
Labour and life and growth and good and ill,
The mild antiphonies that melt and kiss,
The violent symphonies that meet and kill,
All nature of all things began to be.
But chiefliest in the spirit (beast or man,
Planet of heaven or blossom of earth or sea)
The divine contraries of life began.
For the great labour of growth, being many, is one;
One thing the white death and the ruddy birth;
The invisible air and the all-beholden sun,
And barren water and many-childed earth.
And these things are made manifest in men
From the beginning forth unto this day:
Time writes and life records them, and again
Death seals them lest the record pass away.
For if death were not, then should growth not be,
Change, nor the life of good nor evil things;
Nor were there night at all nor light to see,
Nor water of sweet nor water of bitter springs.
For in each man and each year that is born
Are sown the twin seeds of the strong twin powers;
The white seed of the fruitful helpful morn,
The black seed of the barren hurtful hours.
And he that of the black seed eateth fruit,
To him the savour as honey shall be sweet;
And he in whom the white seed hath struck root,
He shall have sorrow and trouble and tears for meat.
And him whose lips the sweet fruit hath made red
In the end men loathe and make his name a rod;
And him whose mouth on the unsweet fruit hath fed
In the end men follow and know for very God.
And of these twain, the black seed and the white,
All things come forth, endured of men and done;
And still the day is great with child of night,
And still the black night labours with the sun.
And each man and each year that lives on earth
Turns hither or thither, and hence or thence is fed;
And as a man before was from his birth,
So shall a man be after among the dead.
poem by Algernon Charles Swinburne
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