Tombstones in the Starlight
I. The Minor Poet
His little trills and chirpings were his best.
No music like the nightingale's was born
Within his throat; but he, too, laid his breast
Upon a thorn.
II. The Pretty Lady
She hated bleak and wintry things alone.
All that was warm and quick, she loved too well-
A light, a flame, a heart against her own;
It is forever bitter cold, in Hell.
III. The Very Rich Man
He'd have the best, and that was none too good;
No barrier could hold, before his terms.
He lies below, correct in cypress wood,
And entertains the most exclusive worms.
IV. The Fisherwoman
The man she had was kind and clean
And well enough for every day,
But, oh, dear friends, you should have seen
The one that got away!
V. The Crusader
Arrived in Heaven, when his sands were run,
He seized a quill, and sat him down to tell
The local press that something should be done
About that noisy nuisance, Gabriel.
VI. The Actress
Her name, cut clear upon this marble cross,
Shines, as it shone when she was still on earth;
While tenderly the mild, agreeable moss
Obscures the figures of her date of birth.
poem by Dorothy Parker
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Related quotes
In the strips of woods [În arcane de pădure]
In the strips of woods, the darkness in a scary way is clinging.
Both the crowded leaves are silent and the slender trees, so high;
Night is dumb, and sad, and dying, sheltered by the opaque sky,
But the nightingale is singing, but the nightingale is singing.
In the strips of woods, the tempest in a scary way is spinning,
Sending down a flood of water and a crimson bolt of flame;
Why is harmony a nuisance and a fury without aim,
But the nightingale is singing, but the nightingale is singing.
In the strips of woods, the terror with the quietness is mingling,
Late aurora under foliage cannot come to light the moss,
For in front of it the darkness blocks the way and lies across –
But the nightingale is singing, but the nightingale is singing.
poem by Alexandru Macedonski, translated by Octavian Cocoş
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My Heart and I
I.
ENOUGH ! we're tired, my heart and I.
We sit beside the headstone thus,
And wish that name were carved for us.
The moss reprints more tenderly
The hard types of the mason's knife,
As heaven's sweet life renews earth's life
With which we're tired, my heart and I.
II.
You see we're tired, my heart and I.
We dealt with books, we trusted men,
And in our own blood drenched the pen,
As if such colours could not fly.
We walked too straight for fortune's end,
We loved too true to keep a friend ;
At last we're tired, my heart and I.
III.
How tired we feel, my heart and I !
We seem of no use in the world ;
Our fancies hang grey and uncurled
About men's eyes indifferently ;
Our voice which thrilled you so, will let
You sleep; our tears are only wet :
What do we here, my heart and I ?
IV.
So tired, so tired, my heart and I !
It was not thus in that old time
When Ralph sat with me 'neath the lime
To watch the sunset from the sky.
`Dear love, you're looking tired,' he said;
I, smiling at him, shook my head :
'Tis now we're tired, my heart and I.
V.
So tired, so tired, my heart and I !
Though now none takes me on his arm
To fold me close and kiss me warm
Till each quick breath end in a sigh
Of happy languor. Now, alone,
We lean upon this graveyard stone,
Uncheered, unkissed, my heart and I.
VI.
Tired out we are, my heart and I.
Suppose the world brought diadems
To tempt us, crusted with loose gems
Of powers and pleasures ? Let it try.
We scarcely care to look at even
A pretty child, or God's blue heaven,
We feel so tired, my heart and I.
VII.
Yet who complains ? My heart and I ?
In this abundant earth no doubt
Is little room for things worn out :
Disdain them, break them, throw them by
And if before the days grew rough
We once were loved, used, -- well enough,
I think, we've fared, my heart and I.
poem by Elizabeth Barrett Browning
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Orfeo
Orfeo shone.
He shone as music shines.
His shining, not the beauty of his radiant body;
it was the shining beauty of his humility.
And his humility – sometimes like gold,
sometimes like purest, deepest Maryblue -
the colour where the sky meets with infinity,
meets with eternity.
His humility, like hers, drew all things good:
and as you walked with him, all things were good:
the mountains, trees, and rocks and stones –
all things that do not move and cannot smile,
sang music to the heart, which smiled;
all moving things were drawn to him:
the wildest and most murderous beasts,
and beasts that look like men, or men like beasts;
some like vegetables that move…
all came to him, rubbed their heads against his legs,
licked his hands (were there the scars of wounds?) :
licked his feet (there too, the scars?) :
it was his fragrance that they recognised:
in the memory of these wildest beasts
deep in ancestral bones, the memory
of Adam’s fragrance, when he named each beast.
That fragrance is humility: that draws
the music of all things in heaven and earth:
draws heavenly space, and mountain air,
and fire of Sun itself, and water sparkling
as it springs from rocks;
the fragrance of fresh-turned, rich earth;
Orfeo shines.
he shines – as music shines.
*
{ from the treatise on the humble man
by Isaac of Nineveh, c.620-680 AD/CE }
poem by Michael Shepherd
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A Dead Friend
I.
Gone, O gentle heart and true,
Friend of hopes foregone,
Hopes and hopeful days with you
Gone?
Days of old that shone
Saw what none shall see anew,
When we gazed thereon.
Soul as clear as sunlit dew,
Why so soon pass on,
Forth from all we loved and knew
Gone?
II.
Friend of many a season fled,
What may sorrow send
Toward thee now from lips that said
'Friend'?
Sighs and songs to blend
Praise with pain uncomforted
Though the praise ascend?
Darkness hides no dearer head:
Why should darkness end
Day so soon, O dear and dead
Friend?
III.
Dear in death, thou hast thy part
Yet in life, to cheer
Hearts that held thy gentle heart
Dear.
Time and chance may sear
Hope with grief, and death may part
Hand from hand's clasp here:
Memory, blind with tears that start,
Sees through every tear
All that made thee, as thou art,
Dear.
IV.
True and tender, single-souled,
What should memory do
Weeping o'er the trust we hold
True?
Known and loved of few,
But of these, though small their fold,
Loved how well were you!
Change, that makes of new things old,
Leaves one old thing new;
Love which promised truth, and told
True.
V.
Kind as heaven, while earth's control
Still had leave to bind
Thee, thy heart was toward man's whole
Kind.
Thee no shadows blind
Now: the change of hours that roll
Leaves thy sleep behind.
Love, that hears thy death-bell toll
Yet, may call to mind
Scarce a soul as thy sweet soul
Kind.
VI.
How should life, O friend, forget
Death, whose guest art thou?
Faith responds to love's regret,
How?
Still, for us that bow
Sorrowing, still, though life be set,
Shines thy bright mild brow.
Yea, though death and thou be met,
Love may find thee now
Still, albeit we know not yet
How.
VII.
Past as music fades, that shone
While its life might last;
As a song-bird's shadow flown
Past!
Death's reverberate blast
Now for music's lord has blown
Whom thy love held fast.
Dead thy king, and void his throne:
Yet for grief at last
Love makes music of his own
Past.
poem by Algernon Charles Swinburne
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Lines: The cold earth slept below
The cold earth slept below;
Above the cold sky shone;
And all around,
With a chilling sound,
From caves of ice and fields of snow
The breath of night like death did flow
Beneath the sinking moon.
The wintry hedge was black;
The green grass was not seen;
The birds did rest
On the bare thorn's breast,
Whose roots, beside the pathway track,
Had bound their folds o'er many a crack
Which the frost had made between.
Thine eyes glow'd in the glare
Of the moon's dying light;
As a fen-fire's beam
On a sluggish stream
Gleams dimly--so the moon shone there,
And it yellow'd the strings of thy tangled hair,
That shook in the wind of night.
The moon made thy lips pale, belov{`e}d;
The wind made thy bosom chill;
The night did shed
On thy dear head
Its frozen dew, and thou didst lie
Where the bitter breath of the naked sky
Might visit thee at will.
poem by Percy Bysshe Shelley
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Warmth Again
Icy heart
Warm heart.
The icy-hearted person feels nothing,
The warm-hearted person feels too much.
And most of the time, that person doesn't want to feel anymore.
I've an ice-cold heart, but I'm warm-hearted.
Why do I feel so cold?
I'm fifteen years old, but I feel like an old lady.
Why do I feel so old?
Cold heart,
Old heart,
Why can't I feel warm again?
Cold heart,
Old heart,
Why can't someone warm me up again?
Fifteen.
Back problems, foot problems, heart problems and more!
Asthma problems, leg problems, chest pain galore!
Help me out of this wreck of a body, kind sir...
Help me out of this wreck of a body, kind
Sir!
I'm fifteen years old, but I feel like an old lady.
Why do I feel so old?
Cold heart,
Old heart,
Why can't I feel young again?
Cold heart,
Old heart,
Can you make me feel myself again?
Dear Great One, please help me
Down here on Earth, sitting here I wait
to feel like myself again.
I've an ice-cold heart, but I'm warm-hearted.
Why do I feel so cold?
I'm fifteen years old, but I feel like an old lady.
Why do I feel so old?
Cold heart,
Old heart,
Why can't I feel warm again?
Why can't I feel young again?
Cold heart,
Old heart,
Why can't someone warm me up again?
Can you make me myself again?
Maybe someday...I'll feel myself again.
poem by Raven Lightner
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Popularity needs no vanity
A popular actress in plain clothes
with a local lady rich in costumes
appeared on the stage.
All the eyes were on the actress.
Rich costume took back seat.
Who she is matters.
23.12.2000, Pmdi
poem by Rm. Shanmugam Chettiar
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An Open Boat
O, what is that whimpering there in the darkness?
'Let him lie in my arms. He is breathing, I know.
Look. I'll wrap all my hair round his neck' - 'The sea's rising,
The boat must be lightened. He's dead. He must go.'
See - quick - by that flash, where the bitter foam tosses,
The cloud of white faces, in the black open boat,
And the wild pleading woman that clasps her dead lover
And wraps her loose hair round his breast and his throat.
'Come, lady, he's dead.' - 'No, I feel his heart beating,
He's living, I know. But he's numbed with the cold.
See, I'm wrapping my hair all around him to warm him.' -
- 'No. We can't keep the dead, dear. Come, loosen your hold.
'Come. Loosen your fingers.' - ' O God, let me keep him!' -
O, hide it, black night! Let the winds have their way!
And there are no voices or ghosts from that darkness,
To fret the bare seas at the breaking of day.
poem by Alfred Noyes
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A young Fir-Wood
THESE little firs to-day are things
To clasp into a giant's cap,
Or fans to suit his lady's lap.
From many winters many springs
Shall cherish them in strength and sap
Till they be marked upon the map,
A wood for the wind's wanderings.
All seed is in the sower's hands:
And what at first was trained to spread
Its shelter for some single head,—
Yea, even such fellowship of wands,—
May hide the sunset, and the shade
Of its great multitude be laid
Upon the earth and elder sands.
poem by Dante Gabriel Rossetti
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Elegy Upon Tiger
Her dead lady's joy and comfort,
Who departed this life
The last day of March, 1727:
To the great joy of Bryan
That his antagonist is gone.
And is poor Tiger laid at last so low?
O day of sorrow! -Day of dismal woe!
Bloodhounds, or spaniels, lap-dogs, 'tis all one,
When Death once whistles -snap! -away they're gone.
See how she lies, and hangs her lifeless ears,
Bathed in her mournful lady's tears!
Dumb is her throat, and wagless is her tail,
Doomed to the grave, to Death's eternal jail!
In a few days this lovely creature must
First turn to clay, and then be changed to dust.
That mouth which used its lady's mouth to lick
Must yield its jaw-bones to the worms to pick.
That mouth which used the partridge-wing to eat
Must give its palate to the worms to eat.
Methinks I see her now in Charon's boat
Bark at the Stygian fish which round it float;
While Cerberus, alarmed to hear the sound,
Makes Hell's wide concave bellow all around.
She sees him not, but hears him through the dark,
And valiantly returns him bark for bark.
But now she trembles -though a ghost, she dreads
To see a dog with three large yawning heads.
Spare her, you hell-hounds, case your frightful paws,
And let poor Tiger 'scape your furious jaws.
Let her go safe to the Elysian plains,
Where Hylax barks among the Mantuan swains;
There let her frisk about her new-found love:
She loved a dog when she was here above.
The Epitaph
Here lies beneath this marble
An animal could bark, or warble:
Sometimes a bitch, sometimes a bird,
Could eat a tart, or eat a t -.
poem by Jonathan Swift
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Sonnet IX: Passion And Worship
One flame-winged brought a white-winged harp-player
Even where my lady and I lay all alone;
Saying: “Behold, this minstrel is unknown;
Bid him depart, for I am minstrel here:
Only my strains are to Love's dear ones dear.”
Then said I: “Through thine hautboy's rapturous tone
Unto my lady still this harp makes moan,
And still she deems the cadence deep and clear.”
Then said my lady: “Thou art Passion of Love,
And this Love's Worship: both he plights to me.
Thy mastering music walks the sunlit sea:
But where wan water trembles in the grove
And the wan moon is all the light thereof,
This harp still makes my name its voluntary.”
poem by Dante Gabriel Rossetti
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I Miss You
Whatever heaven it is in your eyes,
I saw it promising beneath the lies.
Although it still is heaven, or hell
or whatever it is...your smile confirmed it all;
that whatever befalls my heart will fall.
So tell me what lies within your pretty lips
that caught me off guard-
tell me what lies within your pretty smile
that captured my soul apart.
Whatever paradise it is in your eyes,
I saw it glorious inspite the lies.
Although it might be heaven, or hell
or whatever it is...your tender look confirmed;
that when I looked back at my heart...
it spoke the words untold.
I miss you.
I miss the heaven I found in your eyes,
in that extraordinary night.
I miss the paradise in your eyes
in that simply glorious night:
A night I'll keep forever...
keeps me haunting forever without end.
poem by Jessel Jane Tevar
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Premonition
DEAR heart, good-night!
Nay, list awhile that sweet voice singing
When the world is all so bright,
And the sound of song sets the heart a-ringing,
Oh, love, it is not right—
Not then to say, 'Good-night.'
Dear heart, good-night!
The late winds in the lake weeds shiver,
And the spray flies cold and white.
And the voice that sings gives a telltale quiver —
'Ah, yes, the world is bright,
But, dearest heart, good-night!'
Dear heart, good-night!
And do not longer seek to hold me!
For my soul is in affright
As the fearful glooms in their pall enfold me.
See him who sang how white
And still; so, dear, good-night.
Dear heart, good-night!
Thy hand I'll press no more forever,
And mine eyes shall lose the light;
For the great white wraith by the winding river
Shall check my steps with might.
So, dear, good-night, good-night!
poem by Paul Laurence Dunbar
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Said The Thistle-Down
'If thou wilt hold my silver hair,
O Lady sweet and bright;
I'll bring thee, maiden darling, where
Thy lover is to-night.
Lay down thy robe of cloth of gold--
Gold, weigheth heavily,
Thy necklace wound in jewell'd fold,
And hie thee forth with me.'
'O Thistle-down, dear Thistle-down,
I've laid my robe aside;
My necklace and my jewell'd crown,
And yet I cannot glide
Along the silver crests of night
With thee, light thing, with thee.
Rain would I try the airy flight,
What sayest thou to me?'
'If thou wilt hold my silver hair,
O maiden fair and proud;
We'll float upon the purple air
High as yon lilied cloud.
There is a jewel weighs thy heart;
If thou with me wouldst glide
That cold, cold jewel place apart--
The jewel of thy pride!'
'O Thistle-down, dear Thistle-down
That jewel part I've set;
With golden robe and shining crown
And cannot follow yet!
Fain would I clasp thy silver tress
And float on high with thee;
Yet somewhat me to earth doth press--
What sayest thou to me?
'If thou wilt hold my silver hair
O lady, sweet and chaste;
We'll dance upon the sparkling air
And to thy lover haste.
A lily lies upon thy breast
Snow-white as it can be--
It holds thee strong--sweet, with the rest
Yield lilied chastity.'
'O Thistle-down, false Thistle-down
I've parted Pride and Gold;
Laid past my jewels and my crown--
My golden robings' fold.
I will not lay my lily past--
Love's light as vanity
When to the mocking wind is cast
The lily, Chastity.'
poem by Isabella Valancy Crawford
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Poet without Proper Words
Sad salutations,
Funerals that precede death,
Dashed expectations,
Warm moonlight glow
That vanishes in wintry cold.
Some friends depart
When their smile and laughter
Are appreciated most,
Some friends never arrive
And one can only imagine
The unique pleasure
Their presence would impart.
A dark-haired girl
Breaks my heart
As the music in the city
Fails to start,
But of course,
It is all my fault:
I’m a poet without the proper words
To calm anticipated fears
And instill a magical trust
In the compassionate harmony
Of a kind and considerate universe.
poem by Uriah Hamilton
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Day that I have Loved
Tenderly, day that I have loved, I close your eyes,
And smooth your quiet brow, and fold your thin dead hands.
The grey veils of the half-light deepen; colour dies.
I bear you, a light burden, to the shrouded sands,
Where lies your waiting boat, by wreaths of the sea's making
Mist-garlanded, with all grey weeds of the water crowned.
There you'll be laid, past fear of sleep or hope of waking;
And over the unmoving sea, without a sound,
Faint hands will row you outward, out beyond our sight,
Us with stretched arms and empty eyes on the far-gleaming
And marble sand. . . .
Beyond the shifting cold twilight,
Further than laughter goes, or tears, further than dreaming,
There'll be no port, no dawn-lit islands! But the drear
Waste darkening, and, at length, flame ultimate on the deep.
Oh, the last fire - and you, unkissed, unfriended there!
Oh, the lone way's red ending, and we not there to weep!
(We found you pale and quiet, and strangely crowned with flowers,
Lovely and secret as a child. You came with us,
Came happily, hand in hand with the young dancing hours,
High on the downs at dawn!) Void now and tenebrous,
The grey sands curve before me. . . .
From the inland meadows,
Fragrant of June and clover, floats the dark, and fills
The hollow sea's dead face with little creeping shadows,
And the white silence brims the hollow of the hills.
Close in the nest is folded every weary wing,
Hushed all the joyful voices; and we, who held you dear,
Eastward we turn and homeward, alone, remembering . . .
Day that I loved, day that I loved, the Night is here!
poem by Rupert Brooke
Submitted by Veronica Serbanoiu
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The Poet And The Bird
Said a people to a poet---' Go out from among us straightway!
While we are thinking earthly things, thou singest of divine.
There's a little fair brown nightingale, who, sitting in the gateways
Makes fitter music to our ears than any song of thine!'
The poet went out weeping---the nightingale ceased chanting;
'Now, wherefore, O thou nightingale, is all thy sweetness done?'
I cannot sing my earthly things, the heavenly poet wanting,
Whose highest harmony includes the lowest under sun.'
The poet went out weeping,---and died abroad, bereft there---
The bird flew to his grave and died, amid a thousand wails:---
And, when I last came by the place, I swear the music left there
Was only of the poet's song, and not the nightingale's.
poem by Elizabeth Barrett Browning
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Sonnet: "I said I splendidly loved you"
I said I splendidly loved you; it's not true.
Such long swift tides stir not a land-locked sea.
On gods or fools the high risk falls -- on you --
The clean clear bitter-sweet that's not for me.
Love soars from earth to ecstasies unwist.
Love is flung Lucifer-like from Heaven to Hell.
But- there are wanderers in the middle mist,
Who cry for shadows, clutch, and cannot tell
Whether they love at all, or, loving, whom:
An old song's lady, a fool in fancy dress,
Or phantoms, or their own face on the gloom;
For love of Love, or from heart's loneliness.
Pleasure's not theirs, nor pain. They doubt, and sigh,
And do not love at all. Of these am I.
poem by Rupert Brooke (1910)
Submitted by Veronica Serbanoiu
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Sonnet: I said I splendidly loved you; it's not true
I said I splendidly loved you; it's not true.
Such long swift tides stir not a land-locked sea.
On gods or fools the high risk falls -- on you --
The clean clear bitter-sweet that's not for me.
Love soars from earth to ecstasies unwist.
Love is flung Lucifer-like from Heaven to Hell.
But -- there are wanderers in the middle mist,
Who cry for shadows, clutch, and cannot tell
Whether they love at all, or, loving, whom:
An old song's lady, a fool in fancy dress,
Or phantoms, or their own face on the gloom;
For love of Love, or from heart's loneliness.
Pleasure's not theirs, nor pain. They doubt, and sigh,
And do not love at all. Of these am I.
poem by Rupert Brooke
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Courtesy
Of Courtesy, it is much less
Than Courage of Heart or Holiness,
Yet in my Walks it seems to me
That the Grace of God is in Courtesy.
On Monks I did in Storrington fall,
They took me straight into their Hall;
I saw Three Pictures on a wall,
And Courtesy was in them all.
The first the Annunciation;
The second the Visitation;
The third the Consolation,
Of God that was Our Lady's Son.
The first was of St. Gabriel;
On Wings a-flame from Heaven he fell;
And as he went upon one knee
He shone with Heavenly Courtesy.
Our Lady out of Nazareth rode -
It was Her month of heavy load;
Yet was her face both great and kind,
For Courtesy was in Her Mind.
The third it was our Little Lord,
Whom all the Kings in arms adored;
He was so small you could not see
His large intent of Courtesy.
Our Lord, that was Our Lady's Son,
Go bless you, People, one by one;
My Rhyme is written, my work is done.
poem by Hilaire Belloc
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