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The Garden-Chair

TWO PORTRAITS.

A PLEASANT picture, full of meanings deep,
Old age, calm sitting in the July sun,
On withered hands half-leaning--feeble hands,
That after their life-labors, light or hard,
Their girlish broideries, their marriage-ringed
Domestic duties, their sweet cradle cares,
Have dropped into the quiet-folded ease
Of fourscore years. How peacefully the eyes
Face us! Contented, unregretful eyes,
That carry in them the whole tale of life
With its one moral--'Thus all was--thus best.'
Eyes now so near unto their closing mild
They seem to pierce direct through all that maze,
As eyes immortal do.

Here--Youth. She stands
Under the roses, with elastic foot
Poised to step forward; eager-eyed, yet grave
Beneath the mystery of the unknown To-come,
Though longing for its coming. Firm prepared
(So say the lifted head and close, sweet mouth)
For any future: though the dreamy hope
Throned on her girlish forehead, whispers fond,
'Surely they err who say that life is hard;
Surely it shall not be with me as these.'

God knows: He only. And so best, dear child,
Thou woman-statured, sixteen-year-old child,
Meet bravely the impenetrable Dark
Under thy roses. Bud and blossom thou
Fearless as they--if thou art planted safe,
Whether for gathering or for withering, safe
In the King's garden.

poem by Dinah Maria Mulock Craik
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Choriambics

Love, what ailed thee to leave life that was made lovely, we thought, with love?
What sweet visions of sleep lured thee away, down from the light above?

What strange faces of dreams, voices that called, hands that were raised to wave,
Lured or led thee, alas, out of the sun, down to the sunless grave?

Ah, thy luminous eyes! once was their light fed with the fire of day;
Now their shadowy lids cover them close, hush them and hide away.

Ah, thy snow-coloured hands! once were they chains, mighty to bind me fast;
Now no blood in them burns, mindless of love, senseless of passion past.

Ah, thy beautiful hair! so was it once braided for me, for me;
Now for death is it crowned, only for death, lover and lord of thee.

Sweet, the kisses of death set on thy lips, colder are they than mine;
Colder surely than past kisses that love poured for thy lips as wine.

Lov'st thou death? is his face fairer than love's, brighter to look upon?
Seest thou light in his eyes, light by which love's pales and is overshone?

Lo the roses of death, grey as the dust, chiller of leaf than snow!
Why let fall from thy hand love's that were thine, roses that loved thee so?

Large red lilies of love, sceptral and tall, lovely for eyes to see;
Thornless blossom of love, full of the sun, fruits that were reared for thee.

Now death's poppies alone circle thy hair, girdle thy breasts as white;
Bloodless blossoms of death, leaves that have sprung never against the light.

Nay then, sleep if thou wilt; love is content; what should he do to weep?
Sweet was love to thee once; now in thine eyes sweeter than love is sleep.

poem by Algernon Charles Swinburne
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To A Portrait Of

IN THE ATHENIEUM GALLERY

IT may be so,--perhaps thou hast
A warm and loving heart;
I will not blame thee for thy face,
Poor devil as thou art.

That thing thou fondly deem'st a nose,
Unsightly though it be,--
In spite of all the cold world's scorn,
It may be much to thee.

Those eyes,--among thine elder friends
Perhaps they pass for blue,--
No matter,--if a man can see,
What more have eyes to do?

Thy mouth,--that fissure in thy face,
By something like a chin,--
May be a very useful place
To put thy victual in.

I know thou hast a wife at home,
I know thou hast a child,
By that subdued, domestic smile
Upon thy features mild.

That wife sits fearless by thy side,
That cherub on thy knee;
They do not shudder at thy looks,
They do not shrink from thee.

Above thy mantel is a hook,--
A portrait once was there;
It was thine only ornament,--
Alas! that hook is bare.

She begged thee not to let it go,
She begged thee all in vain;
She wept,--and breathed a trembling prayer
To meet it safe again.

It was a bitter sight to see
That picture torn away;
It was a solemn thought to think
What all her friends would say!

And often in her calmer hours,
And in her happy dreams,
Upon its long-deserted hook
The absent portrait seems.

Thy wretched infant turns his head
In melancholy wise,
And looks to meet the placid stare
Of those unbending eyes.

I never saw thee, lovely one,--
Perchance I never may;
It is not often that we cross
Such people in our way;

But if we meet in distant years,
Or on some foreign shore,
Sure I can take my Bible oath,
I've seen that face before.

poem by Oliver Wendell Holmes
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The Dead Child

ALL silent is the room,
There is no stir of breath,
Save mine, as in the gloom
I sit alone with Death.
Short life it had, the sweet,
Small babe here lying dead,
With tapers at its feet
And tapers at its head.

Dear little hands, too frail
Their grasp on life to hold;
Dear little mouth so pale,
So solemn, and so cold;

Small feet that nevermore
About the house shall run;
Thy little life is o’er!
Thy little journey done!

Sweet infant, dead too soon,
Thou shalt no more behold
The face of sun or moon,
Or starlight clear and cold;

Nor know, where thou art gone,
The mournfulness and mirth
We know who dwell upon
This sad, glad, mad, old earth.

The foolish hopes and fond
That cheat us to the last
Thou shalt not feel; beyond
All these things thou hast passed.

The struggles that upraise
The soul by slow degrees
To God, through weary days—
Thou hast no part in these.

And at thy childish play
Shall we, O little one,
No more behold thee? Nay,
No more beneath the sun.

Death’s sword may well be bared
’Gainst those grown old in strife,
But, ah! it might have spared
Thy little unlived life.

Why talk as in despair?
Just God, whose rod I kiss,
Did not make thee so fair
To end thy life at this.

There is some pleasant shore—
Far from His Heaven of Pride,
Where those strong souls who bore
His Cross in bliss abide—

Some place where feeble things,
For Life’s long war too weak,
Young birds with unfledged wings,
Buds nipped by storm-winds bleak,

Young lambs left all forlorn
Beneath a bitter sky,
Meek souls to sorrow born,
Find refuge when they die.

There day is one long dawn,
And from the cups of flowers
Light dew-filled clouds updrawn
Rain soft and perfumed showers.

Child Jesus walketh there
Amidst child-angel bands,
With smiling lips, and fair
White roses in His hands.

I kiss thee on the brow,
I kiss thee on the eyes—
Farewell! Thy home is now
The Children’s Paradise.

poem by Victor James Daley
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To emma abbott

There--let thy hands be folded
Awhile in sleep's repose;
The patient hands that wearied not,
But earnestly and nobly wrought
In charity and faith;
And let thy dear eyes close--
The eyes that looked alway to God,
Nor quailed beneath the chastening rod
Of sorrow;
Fold thou thy hands and eyes
For just a little while,
And with a smile
Dream of the morrow.

And, O white voiceless flower,
The dream which thou shalt dream
Should be a glimpse of heavenly things,
For yonder like a seraph sings
The sweetness of a life
With faith alway its theme;
While speedeth from those realms above
The messenger of that dear love
That healeth sorrow.
So sleep a little while,
For thou shalt wake and sing
Before thy King
When cometh the morrow.

poem by Eugene Field
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To His Mistress

Why dost thou shade thy lovely face? O why
Does that eclipsing hand of thine deny
The sunshine of the Sun's enlivening eye?

Without thy light what light remains in me?
Thou art my life; my way, my light's in thee;
I live, I move, and by thy beams I see.

Thou art my life-if thou but turn away
My life's a thousand deaths. Thou art my way-
Without.thee, Love, I travel not but stray.

My light thou art-without thy glorious sight
My eyes are darken'd with eternal night.
My Love, thou art my way, my life, my light.

Thou art my way; I wander if thou fly.
Thou art my light; if hid, how blind am I!
Thou art my life; if thou withdraw'st, I die.

My eyes are dark and blind, I cannot see:
To whom or whither should my darkness flee,
But to that light?-and who's that light but thee?

If I have lost my path, dear lover, say,
Shall I still wander in a doubtful way?
Love, shall a lamb of Israel's sheepfold stray?

My path is lost, my wandering steps do stray;
I cannot go, nor can I safely stay;
Whom should I seek but thee, my path, my way?

And yet thou turn'st thy face away and fly'st me!
And yet I sue for grace and thou deny'st me!
Speak, art thou angry, Love, or only try'st me?

Thou art the pilgrim's path, the blind man's eye,
The dead man's life. On thee my hopes rely:
If I but them remove, I surely die.

Dissolve thy sunbeams, close thy wings and stay!
See, see how I am blind, and dead, and stray!
-O thou art my life, my light, my way!

Then work thy will! If passion bid me flee,
My reason shall obey, my wings shall be
Stretch'd out no farther than from me to thee!

poem by Lord John Wilmot
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The Story Of Nevermore

now I cast a hypnotic spell
to free a child from her hell
surrender now child fall deep in my spell
just come to me child and all will be well

rise now child in sleep you now come
walk now child thought your scenes stay numb
fall now child in to a peaceful dream
but nothing there is as it seems

even thought child in you dream all is right
really your body walks still throw the night
relax now child let that dream ease your mind
follow now child let my voice be your guild

don’t worry child my intentions are pure
you’ll be happy with me of that I am sure
I’m just so tired of being alone
I want a child all of my own

so sleepwalk now child to the pull of my charm
sleepwalk to me child you’ll be safe in my arms
nevermore child shall you cry out in pain
your old life will be lost but a new one will be gained

sleepwalk to me child you’ll be my daughter soon
find your way to me child by the light of the moon
sleepwalk to me child and I’ll show you my ways
all the things I can show you; you’ll be amazed

sleepwalk to me child your almost here
come to me child soon all will be clear
sleepwalk to me child come meet your new mom
soon the whole world will rest in your palm

I see you now child I have you in sight
I run to you child now all is right
your eyes are dazed child unseeing and blank
I can see you now child what a great daughter you’ll make

come to me child collapse in my arms
come to me child you’re safe now from harm
I hold you now child and cradle you close to my heart
I hum to you child as I carry you throw the dark

were home now dear child far from all you ones knew
were home now dear child only one thing left to do
I made this child a special potion just for you
and with it your life begins anew

drink this now child and let your past slip away
remember not one second not one moment or one day
your eyes close child as I release you from my spell
in conciseness you do not dwell

back in to slumber you fall ever so deep
I love how innocent you look in sleep
a new name you need child to mark your new life
you need a new name as you exist the light

your name is Nevermore My child Raven Nevermore
a name like none ever heard before
you are Raven Nevermore
a young witch of great power to explore

you are Raven Nevermore
my daughter now and evermore

poem by Raven Nevermore
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The Ideal found

I've met thee, whom I dared not hope to meet,
Save in the enchanted land of my day-dreams:
Yes, in this common world, this waking state,
Thy living presence on my vision beams --
Life's dream embodied in reality,
And in thine eyes I read indifference to me!

Yes, in those star-like eyes I read my fate,
My horoscope is written in their gaze;
My "house of life," henceforth is desolate:
But the dark aspect my firm heart surveys,
Nor faints, nor falters even for thy sake:
'Tis calm, and nerved, and strong: no, no, it shall not break!

For I am of that mood that will defy --
That does not cower before the gathering storm;
That face to face will meet its destiny,
And undismayed confront its darkest form.
Wild energies awaken in this strife,
This conflict of the soul with the grim phantom Life.

But ah! if thou hadst loved me -- had I been
All to thy dreams that to mine own thou art --
Had those dark eyes beamed eloquent on mine,
Pressed for one moment to that noble heart,
In the full consciousness of faith unspoken,
Life could have given no more -- then had my proud heart broken!

The Alpine glacier from its height may mock
The clouds and lightnings of the winter sky,
And from the tempest and the thunder's shock,
Gather new strength to lift its summit high;
But kissed by sunbeams of the summer day,
It bows its icy crest and weeps itself away.

Thou know'st the fable of the Grecian mind,
Wooed by the veiled immortal from the skies, --
How, in his full perfection, once she prayed,
That he would stand before her longing eyes;
And how that brightness, too intense to bless,
Consumed her o'erwrought heart with its divine excess.

To me there is a meaning in the tale.
I have not prayed to meet thee: I can brook
That thou should'st wear to me that icy veil;
I can give back thy cold and careless look:
Yet, shrined within my heart, still thou shalt seem,
What there thou ever wert, a beautiful, bright dream!

poem by Anne Lynch Botta from Poems (1848)
Submitted by Veronica Serbanoiu
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A Psalm For New Year’s Eve

A FRIEND stands at the door;
In either tight-closed hand
Hiding rich gifts, three hundred and three score:
Waiting to strew them daily o'er the land
Even as seed the sower.
Each drops he, treads it in and passes by:
It cannot be made fruitful till it die.

O good New Year, we clasp
This warm shut hand of thine,
Loosing forever, with half sigh, half gasp,
That which from ours falls like dead fingers' twine:
Ay, whether fierce its grasp
Has been, or gentle, having been, we know
That it was blessed: let the Old Year go.

O New Year, teach us faith!
The road of life is hard:
When our feet bleed and scourging winds us scathe,
Point thou to Him whose visage was more marred
Than any man's: who saith
'Make straight paths for your feet'--and to the opprest--
'Come ye to Me, and I will give you rest.'

Yet hang some lamp-like hope
Above this unknown way,
Kind year, to give our spirits freer scope
And our hands strength to work while it is day.
But if that way must slope
Tombward, O bring before our fading eyes
The lamp of life, the Hope that never dies.

Comfort our souls with love,--
Love of all human kind;
Love special, close--in which like sheltered dove
Each weary heart its own safe nest may find;
And love that turns above
Adoringly; contented to resign
All loves, if need be, for the Love Divine.

Friend, come thou like a friend,
And whether bright thy face,
Or dim with clouds we cannot comprehend,--
We'll hold out patient hands, each in his place,
And trust thee to the end.
Knowing thou leadest onwards to those spheres
Where there are neither days nor months nor years.

poem by Dinah Maria Mulock Craik
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Only A Dream

METHOUGHT I saw thee yesternight
Sit by me in the olden guise,
The white robes and the pain foregone,
Weaving instead of amaranth crown
A web of mortal dyes.

I cried, 'Where hast thou been so long?'
(The mild eyes turned and mutely smiled
'Why dwellest thou in far-off lands?
What is that web within thy hands?'
--'I work for thee, my child.'

I clasped thee in my arms and wept;
I kissed thee oft with passion wild:
I poured fond questions, tender blame;
Still thy sole answer was the same,--
'I work for thee, my child.'

'Come and walk with me as of old.'
Then camest thou, silent as before;
We passed along that churchyard way
We used to tread each Sabbath day,
Till one trod earth no more.

I felt thy hand upon my arm,
Beside me thy meek face I saw,
Yet through the sweet familiar grace
A something spiritual could trace
That left a nameless awe.

Trembling I said, 'Long years have passed
Since thou wert from my side beguiled;
Now thou'rt returned and all shall be
As was before.'--Half-pensively
Thou answered'st--'Nay, my child.'

I pleaded sore: 'Hadst thou forgot
The love wherewith we loved of old,--
The long sweet days of converse blest,
The nights of slumber on thy breast,--
Wert thou to me grown cold?'

There beamed on me those eyes of heaven
That wept no more, but ever smiled;
'Love only is love in that Home
Where I abide--where, till thou come,
I work for thee, my child.'

If from my sight thou passedst then,
Or if my sobs the dream exiled,
I know not: but in memory clear
I seem these strange words still to hear,
'I work for thee, my child.'

poem by Dinah Maria Mulock Craik
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To Mary Wollstonecraft Godwin

I.
Mine eyes were dim with tears unshed;
Yes, I was firm -- thus wert not thou;--
My baffled looks did fear yet dread
To meet thy looks -- I could not know
How anxiously they sought to shine
With soothing pity upon mine.

II.
To sit and curb the soul's mute rage
Which preys upon itself alone;
To curse the life which is the cage
Of fettered grief that dares not groan,
Hiding from many a careless eye
The scornèd load of agony.

III.
Whilst thou alone, then not regarded,
The thou alone should be,
To spend years thus, and be rewarded,
As thou, sweet love, requited me
When none were near -- Oh! I did wake
From torture for that moment's sake.

IV.
Upon my heart thy accents sweet
Of peace and pity fell like dew
On flowers half dead;-- thy lips did meet
Mine tremblingly; thy dark eyes threw
Their soft persuasion on my brain,
Charming away its dream of pain.

V.
We are not happy, sweet! our state
Is strange and full of doubt and fear;
More need of words that ills abate;--
Reserve or censure come not near
Our sacred friendship, lest there be
No solace left for thee and me.

VI.
Gentle and good and mild thou art,
Nor can I live if thou appear
Aught but thyself, or turn thine heart
Away from me, or stoop to wear
The mask of scorn, although it be
To hide the love thou feel'st for me.

poem by Percy Bysshe Shelley
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Virtue

Sweet day, so cool, so calm, so bright
The bridal of the earth and sky:
The dew shall weep thy fall tonight,
For thou must die.

Sweet rose, whose hue, angry and brave,
Bids the rash gazer wipe his eyes:
Thy root is ever in its grave,
And thou must die.

Sweet spring, full of sweet days and roses,
A box where sweets compacted lie:
My music shows ye have your closes,
And all must die.

Only a sweet and virtuous soul,
LIke seasoned timber, never gives;
But though the whole world turn to coal.
Then chiefly lives.

poem by George Herbert
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The Guardian-Angel

A PICTURE AT FANO.

I.

Dear and great Angel, wouldst thou only leave
That child, when thou hast done with him, for me!
Let me sit all the day here, that when eve
Shall find performed thy special ministry,
And time come for departure, thou, suspending
Thy flight, mayst see another child for tending,
Another still, to quiet and retrieve.

II.

Then I shall feel thee step one step, no more,
From where thou standest now, to where I gaze,
---And suddenly my head is covered o'er
With those wings, white above the child who prays
Now on that tomb---and I shall feel thee guarding
Me, out of all the world; for me, discarding
Yon heaven thy home, that waits and opes its door.

III.

I would not look up thither past thy head
Because the door opes, like that child, I know,
For I should have thy gracious face instead,
Thou bird of God! And wilt thou bend me low
Like him, and lay, like his, my hands together,
And lift them up to pray, and gently tether
Me, as thy lamb there, with thy garment's spread?

IV.

If this was ever granted, I would rest
My bead beneath thine, while thy healing hands
Close-covered both my eyes beside thy breast,
Pressing the brain, which too much thought expands,
Back to its proper size again, and smoothing
Distortion down till every nerve had soothing,
And all lay quiet, happy and suppressed.

V.

How soon all worldly wrong would be repaired!
I think how I should view the earth and skies
And sea, when once again my brow was bared
After thy healing, with such different eyes.
O world, as God has made it! All is beauty:
And knowing this, is love, and love is duty.
What further may be sought for or declared?

VI.

Guercino drew this angel I saw teach
(Alfred, dear friend!)---that little child to pray,
Holding the little hands up, each to each
Pressed gently,---with his own head turned away
Over the earth where so much lay before him
Of work to do, though heaven was opening o'er him,
And he was left at Fano by the beach.

VII.

We were at Fano, and three times we went
To sit and see him in his chapel there,
And drink his beauty to our soul's content
---My angel with me too: and since I care
For dear Guercino's fame (to which in power
And glory comes this picture for a dower,
Fraught with a pathos so magnificent)---

VIII.

And since he did not work thus earnestly
At all times, and has else endured some wrong---
I took one thought his picture struck from me,
And spread it out, translating it to song.
My love is here. Where are you, dear old friend?
How rolls the Wairoa at your world's far end?
This is Ancona, yonder is the sea.

poem by Robert Browning
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Guardian-Angel, The

A PICTURE AT FANO.

I.

Dear and great Angel, wouldst thou only leave
That child, when thou hast done with him, for me!
Let me sit all the day here, that when eve
Shall find performed thy special ministry,
And time come for departure, thou, suspending
Thy flight, mayst see another child for tending,
Another still, to quiet and retrieve.

II.

Then I shall feel thee step one step, no more,
From where thou standest now, to where I gaze,
---And suddenly my head is covered o'er
With those wings, white above the child who prays
Now on that tomb---and I shall feel thee guarding
Me, out of all the world; for me, discarding
Yon heaven thy home, that waits and opes its door.

III.

I would not look up thither past thy head
Because the door opes, like that child, I know,
For I should have thy gracious face instead,
Thou bird of God! And wilt thou bend me low
Like him, and lay, like his, my hands together,
And lift them up to pray, and gently tether
Me, as thy lamb there, with thy garment's spread?

IV.

If this was ever granted, I would rest
My bead beneath thine, while thy healing hands
Close-covered both my eyes beside thy breast,
Pressing the brain, which too much thought expands,
Back to its proper size again, and smoothing
Distortion down till every nerve had soothing,
And all lay quiet, happy and suppressed.

V.

How soon all worldly wrong would be repaired!
I think how I should view the earth and skies
And sea, when once again my brow was bared
After thy healing, with such different eyes.
O world, as God has made it! All is beauty:
And knowing this, is love, and love is duty.
What further may be sought for or declared?

VI.

Guercino drew this angel I saw teach
(Alfred, dear friend!)---that little child to pray,
Holding the little hands up, each to each
Pressed gently,---with his own head turned away
Over the earth where so much lay before him
Of work to do, though heaven was opening o'er him,
And he was left at Fano by the beach.

VII.

We were at Fano, and three times we went
To sit and see him in his chapel there,
And drink his beauty to our soul's content
---My angel with me too: and since I care
For dear Guercino's fame (to which in power
And glory comes this picture for a dower,
Fraught with a pathos so magnificent)---

VIII.

And since he did not work thus earnestly
At all times, and has else endured some wrong---
I took one thought his picture struck from me,
And spread it out, translating it to song.
My love is here. Where are you, dear old friend?
How rolls the Wairoa at your world's far end?
This is Ancona, yonder is the sea.

poem by Robert Browning
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To Sylvia

O Sylvia, dost thou remember still
That period of thy mortal life,
When beauty so bewildering
Shone in thy laughing, glancing eyes,
As thou, so merry, yet so wise,
Youth's threshold then wast entering?

How did the quiet rooms,
And all the paths around,
With thy perpetual song resound,
As thou didst sit, on woman's work intent,
Abundantly content
With the vague future, floating on thy mind!
Thy custom thus to spend the day
In that sweet time of youth and May!

How could I, then, at times,
In those fair days of youth,
The only happy days I ever knew,
My hard tasks dropping, or my careless rhymes,
My station take, on father's balcony,
And listen to thy voice's melody,
And watch thy hands, as they would deftly fly
O'er thy embroidery!
I gazed upon the heaven serene,
The sun-lit paths, the orchards green,
The distant mountain here,
And there, the far-off sea.
Ah, mortal tongue cannot express
What then I felt of happiness!

What gentle thoughts, what hopes divine,
What loving hearts, O Sylvia mine!
In what bright colors then portrayed
Were human life and fate!
Oh, when I think of such fond hopes betrayed,
A feeling seizes me
Of bitterness and misery,
And tenfold is my grief renewed!
O Nature, why this treachery?
Why thus, with broken promises,
Thy children's hearts delude?

Thou, ere the grass was touched with winter's frost,
By fell disease attacked and overcome,
O tender plant, didst die!
The flower of thy days thou ne'er didst see;
Nor did thy soft heart move
Now of thy raven locks the tender praise,
Now of thy eyes, so loving and so shy;
Nor with thee, on the holidays,
Did thy companions talk of love.

So perished, too, erelong,
My own sweet hope;
So too, unto my years
Did Fate their youth deny.
Alas, alas the day,
Lamented hope, companion dear,
How hast thou passed away!
Is _this_ that world? These the delights,
The love, the labors, the events,
Of which we once so fondly spoke?
And must _all_ mortals wear this weary yoke?
Ah, when the truth appeared,
It better seemed to die!
Cold death, the barren tomb, didst thou prefer
To harsh reality.

poem by Count Giacomo Leopardi
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My Light Thou Art

My light thou art, without thy glorious sight
My eyes are darkened with eternal night;
My Love, thou art my way, my life, my light.

Thou art my way, I wander if thou fly;
Thou art my light, if hid, how blind am I!
Thou art my life, if thou withdraw'st I die.

Thou art my life; if thou but turn away,
My life's a thousand deaths. Thou art my way;
Without thee, Love, I travel not, but stray.

poem by Lord John Wilmot
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The Dead To The Living

Work while it is day: the night cometh, when no man can work.

IN the childhood of April, while purple woods
With the young year's blood in them smiled,
I passed through the lanes and the wakened fields,
And stood by the grave of the child.
And the pain awoke that is never dead
Though it sometimes sleeps, and again
It set its teeth in this heart of mine,
And fastened its claws in my brain:
For it seemed so hard that the little hands
And the little well-loved head
Should be out of reach of my living lips,
And be side by side with the dead--
Not side by side with us who had loved,
But with these who had never seen
The grace of the smile, the gold of the hair,
And the eyes of my baby-queen.
Yet with trees about where the brown birds build,
And with long green grass above,

She lies in the cold sweet breast of earth
Beyond the reach of our love;
Whatever befalls in the coarse loud world,
We know she will never wake.
When I thought of the sorrow she might have known,
I was almost glad for her sake. . . .
Tears might have tired those kiss-closed eyes,
Grief hardened the mouth I kissed;
I was almost glad that my dear was dead
Because of the pain she had missed.
Oh, if I could but have died a child
With a white child-soul like hers,
As pure as the wind-flowers down in the copse,
Where the soul of the spring's self stirs;
Or if I had only done with it all,
And might lie by her side unmoved!
I envied the very clods of earth
Their place near the child I loved!

And my soul rose up in revolt at life,
As I stood dry-eyed by her grave,
When sudden the grass of the churchyard sod
Rolled back like a green smooth wave;
The brown earth looked like the brown sea rocks,
The tombstones were white like spray,
And white like surf were the curling folds
Of the shrouds where the dead men lay;
For each in his place with his quiet face
I saw the dead lie low,
Who had worked and suffered and found life sad,
So many sad years ago.
Unchanged by time I saw them lie
As when first they were laid to rest,
The tired eyes closed, the sad lips still,
And the work-worn hands on the breast.
There were some who had found the green world so grey,
They had left it before their time,
And some were little ones like my dear,
And some had died in their prime;
And some were old, they had had their fill
Of bitter unfruitful hours,
And knew that none of them, none, had known
A flower of a hope like ours!

Through their shut eyelids the dead looked up,
And without a voice they said:
'We lived without hope, without hope we died,
And hopeless we lie here dead;
And death is better than life that draws
Pain in, as it draws in breath,
If life never dreams of a coming day
When life shall not envy death.
Through the dark of our hours and our times we lived,
Uncheered by a single ray
Of such hope as lightens the lives of you
Who are finding life hard to-day;
With our little lanterns of human love
We lighted our dark warm night--
But you in the chill of the dawn are set
With your face to the eastern light.
Freedom is waiting with hands held out
Till you tear the veil from her face--
And when once men have seen the light of her eyes,
And felt her divine embrace,
The light of the world will be risen indeed,
And will shine in the eyes of men,
And those who come after will find life fair,
And their lives worth living then!
Will you strive to the light in your loud rough world,
That these things may come to pass,
Or lie in the shadow beside the child,
And strive to the sun through the grass?'

'My world while I may,' I cried; 'but you
Whose lives were as dark as your grave?'
'We too are a part of the coming light,'
They called through the smooth green wave.
Their white shrouds gleamed as the flood of green
Rolled over and hid them from me--
Hid all but the little hands and the hair,
And the face that I always see.

poem by Edith Nesbit
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Hast Thou Forgotten Me?

HAST thou forgotten me? the days are dark—
Light ebbs from heaven, and songless soars the lark—
Vexed like my heart, loud moans the unquiet sea—
Hast thou forgotten me?

Hast thou forgotten me? O dead delight
Whose dreams and memories torture me to-night—
O love—my life! O sweet—so fair to see—
Hast thou forgotten me?

Hast thou forgotten? Lo, if one should say—
Noontide were night, or night were flaming day—
Grief blinds mine eyes, I know not which it be!
Hast thou forgotten me?

Hast thou forgotten? Ah, if Death should come,
Close my sad eyes, and charm my song-bird dumb—
Tired of strange woes—my fate were hailed with glee—
Hast thou forgotten me?

Hast thou forgotten me? What joy have I?
A dim blown bird beneath an alien sky,—
O that on mighty pinions I could flee—
Hast thou forgotten me?

Hast thou forgotten? Yea, Love’s horoscope
Is blurred with tears and suffering beyond Hope—
Ah, like dead leaves forsaken of the tree,
Thou hast forgotten me.

poem by Philip Joseph Holdsworth
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Label of a Child

When I first met him, he was just a small little child,
He was so sweet and innocent, meek, and mild.
His future was shining through his brilliant little eyes,
Unaware of the coming troubles, conflicts and lies.

As he watched me with eyes full of curiosity,
He stayed back alittle, just evaluating me.
He was now labed, as a child of divorce,
He didn't know the term 'divorce' of course.

His dad stood by him with deep passion and love,
The kind of love that comes from heaven above.
No one could touch him, if not through his dad,
It's a story of love, we all wish we had

As time crawled on, he was still unsure,
He watched and waited for love that was pure.
Not the forced love, just because of birth
The type of love that shows a child's worth.

One day, the child dropped his defenses
And asked, Will you be my mom? , in a complete sentence.
I offered my heart, my world, and my life,
to this little boy who was riddled with strife.

As the years passed, a strong family grew,
A 'divorced' family? Nobody knew.
We over came much trouble and strive,
But we have a strong family and a terrific live.

So, when you come into a relationship, where's there a child,
Go slowly and patiently, gently and mild.
Remember, a 'step' is something under your feet,
It should never been used on a child, please be discreet.

The only thing that child should ever hear,
Is, I love you deeply and I need you near.
Don't label that child as step or divorced
That causes deep sadness and total remorse!

Just say I love you to your child every day,
Then the love of that child will never go away.

poem by Donna Kay Patterson
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Sacred To the Memory of Algernon R. G. Stanhope

“THE silver cord is loosed,” he said,
“The golden bowl is broken;
A few more prayers having been prayed,
A few more love-words spoken,
I shall turn my face unto the wall,
And sleeping, not be woken.”
“Is it a better place, my child,
That thou art gone unto?
Upon this earth that thou hast left
Hadst thou not much to do?
Would not thy joys have been a crowd
And thy troubles small and few?
“Beauty and rank and friends and wealth,
Genius and excellence,—
Could not all these, thy heritage,
Win thee from hastening hence?
Was the soul so much more unto thee
Than joys of mind and sense?
“And, bending with an English grace,
The ladies of our isle,
With their soft curls and their virgin eyes
Which look so sweet the while,
Had given thee for thy nobleness
A precious golden smile.
“These will not now be thine: thy life's
Appointed period
Being past o'er, thou liest on
The folded pinions broad
Of the Seraph who is bearing thee
Up through the sun to God.
“It has a solemn sound—‘to God’;
And strange high thoughts it weaves
Of a garden where the Tree of Life
Its mystic shadow gives,
And the music of the rapid worlds
Is the wind that stirs the leaves.
“Surely, it is a better place:
Wealth shuts not there his ken
From woes his heart yearns to assuage;
Nor noble origin
Wounds him by lessening trust betwixt
Him and his fellow-men.
“Nor friends die from him, but instead
Come to him where he is;
Nor Passion, rank with evil joys
And worse satieties,
Pouting her crimson lips at him
Layeth her cheek to his.
“Nor priests be there, like a bad dream
That at your bed's foot stands
All night (and yet it goes at last);
Nor moans of king-curst lands
Make his breast heave and his pale brow
To drop into his hands.
“But Love walks always with him now;
And Faith, not chained but free;
And Hope, bent forward, and with hair
Held back continually
To hear the distant chariot-wheels;
And wise calm Charity.”

poem by Dante Gabriel Rossetti
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A Ghost At The Dancing

A WIND-SWEPT tulip-bed--a colored cloud
Of butterflies careering in the air--
A many-figured arras stirred to life,
And merry unto midnight music dumb--
So the dance whirls. Do any think of thee,
Amiel, Amiel?
Friends greet each other--countless rills of talk
Meander round, scattering a spray of smiles.
Surely--the news was false. One minute more
And thou wilt stand here, tall and quiet-eyed,
Shakespearian beauty in they pensive face,
Amiel, Amiel.

Many here knew and loved thee--I nor loved,
Scarce knew--yet in thy place a shadow glides,
And a face shapes itself from empty air,
Watching the dancers, grave and quiet-eyed--
Eyes that now see the angels evermore,
Amiel, Amiel.

On just such night as this, 'midst dance and song,
I bade thee carelessly a light good by--
'Good by'--saidst thou; 'A happy journey home!'
Was the unseen death-angel at thy side,
Mocking those words--('A happy journey home,'
Amiel, Amiel?

Ay, we play fool's play still; thou hast gone home.
While these dance here, a mile hence o'er thy grave
Drifts the deep New Year snow. The wondrous gate
We spoke of, thou hast entered; I without
Grope ignorant still--thou dost its secrets know,
Amiel, Amiel.

What if, thus sitting where we sat last year,
Thou camest, took'st up our broken thread of talk,
And told'st of that new Home, which far I view,
As children, wandering on through wintry fields,
Mark on the hill the father's window shine,
Amiel, Amiel?

No. We shall see thy pleasant face no more;
Thy words on earth are ended. Yet thou livest;
'T is we who die.--I too, one day shall come,
And, unseen, watch these shadows, quiet-eyed--
Then flit back to thy land, the living land,
Amiel, Amiel.

poem by Dinah Maria Mulock Craik
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