Sir Peter Paul Rubens (Antwerp)
“Messieurs, le Dieu des peintres”: We felt odd:
'Twas Rubens, sculptured. A mean florid church
Was the next thing we saw,—from vane to porch
His drivel. The museum: as we trod
Its steps, his bust held us at bay. The clod
Has slosh by miles along the wall within.
(“I say, I somehow feel my gorge begin
To rise.”)—His chair in a glass case, by God!
. . . To the Cathedral. Here too the vile snob
Has fouled in every corner. (“Wherefore brave
Our fate? Let's go.”) There is a monument
We pass. “Messieurs, you tread upon the grave
Of the great Rubens.” “Well, that's one good job!
What time this evening is the train for Ghent?”
poem by Dante Gabriel Rossetti
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Rubens' Hell
VENUS with rosy-cloven rump
And rings of straw-bright flying hair
Looks in the glass that slaves are plying
Not for her own face floating there,
But for the sly and curious gaze
Of Rubens, through the keyhole prying.
Warm flesh of gods, by light embayed,
And drifting daemon-bones within
That sweep like music up and down
To pouts and cups of ivory skin,
Firm-valleyed croup, and swagging arm
In whose embankment bracelets drown—
Do you remain, you strokes of paint,
With Venus mocked and Rubens dead
And Beauty sold for an antique
And microscopes raised up instead?
Still are your old adherents true;
Rubens is there, if he could speak.
Rubens is there in your high room,
Rubens it is who blows his breath
To fix you laughing in the glass,
Who keeps a castle here from death
While schools go out and fashions fall
And microscopes and movements pass.
This castle-keep of joys conceived
But never sucked is Rubens' hell,
Is Rubens' limbo, cut and won
From darkness. Here he comes to dwell.
Man's heaven is the place he builds
By thoughts imagined and things done.
Some choose a paradise of gas,
And some, by pious deeds below,
The heavenly butter-hatch for flunkeys;
Who dream of nought to nothing go.
Therefore I'd sooner Rubens' hell
Than go to heaven with the donkeys.
poem by Kenneth Slessor
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L’Envoi: Brussels, Hotel Du Midi
IT'S copied out at last: very poor stuff
Writ in the cold, with pauses of the cramp.
Direct, dear William, to the Poste Restante
At Ghent—here written Gand—Gong, Hunticè.
We go to Antwerp first, but shall not stay;
After, to Ghent and Bruges; and after that
To Ostend, and thence home. To Waterloo
Was yesterday. Thither, and there, and back,
I managed to scrawl something,—most of it
Bad, and the sonnet at the close mere slosh.
'Twas only made because I was knocked up,
And it helped yawning. Take it, and the rest.
poem by Dante Gabriel Rossetti
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Twist Of Fate
They sat together in the park
As the evening sky grew dark
She looked at him and he felt a spark tingle to his bones
'twas then he felt alone and wished that he'd gone straight
And watched out for a simple twist of fate.
They walked along by the old canal
A little confused, I remember well
And stopped into a strange hotel with a neon burning bright
He felt the heat of the night hit him like a freight train
Moving with a simple twist of fate.
A saxophone someplace far off played
As she was walking by the arcade
As the light bust through the beat-up shade where he was wakin up
She dropped a coin into the cup of a blind man at the gate
And forgot about a simple twist of fate.
He woke up, the room was bare
He didn't see her anywhere.
He told himself he didn't care, pushed the window open wide
Felt an emptiness inside to which he just could not relate
Brought on by a simple twist of fate.
He hears the ticking of the clocks
And walks along with a parrot that talks.
Hunts her down by the waterfront docks where the sailors all come in.
Maybe she'll pick him out again, how long must he wait
Once more for a simple twist of fate.
People tell me it's a sin
to know and feel too much within
I still believe she was my twin, but I lost the ring
She was born in spring, but I was born too late
Blame it on a simple twist of fate.
poem by Rat de kwl
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Simple Twist Of Fate
They sat together in the park
As the evening sky grew dark,
She looked at him and he felt a spark tingle to his bones.
twas then he felt alone and wished that hed gone straight
And watched out for a simple twist of fate.
They walked along by the old canal
A little confused, I remember well
And stopped into a strange hotel with a neon burnin bright.
He felt the heat of the night hit him like a freight train
Moving with a simple twist of fate.
A saxophone someplace far off played
As she was walkin by the arcade.
As the light bust through a beat-up shade where he was wakin up,
She dropped a coin into the cup of a blind man at the gate
And forgot about a simple twist of fate.
He woke up, the room was bare
He didnt see her anywhere.
He told himself he didnt care, pushed the window open wide,
Felt an emptiness inside to which he just could not relate
Brought on by a simple twist of fate.
He hears the ticking of the clocks
And walks along with a parrot that talks,
Hunts her down by the waterfront docks where the sailers all come in.
Maybe shell pick him out again, how long must he wait
Once more for a simple twist of fate.
People tell me its a sin
To know and feel too much within.
I still believe she was my twin, but I lost the ring.
She was born in spring, but I was born too late
Blame it on a simple twist of fate.
song performed by by Bob Dylan
Submitted by Lucian Velea
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Sequel to Grandfather's Clock
Once again have I roamed thro' the old-fashioned house,
Where my grandfather spent his ninety years.
There are strangers in charge, and the change they have wrought--
Oh! it saddens me, even to tears.
Dear old clock! when they found you were speechless from grief,
Then they went and swapped you off, case and all.
For that vain, stuck-up thing
(tick, tick, tick, tick, tick, tick, tick, tick),
For that vain, stuck-up thing on the wall.
Grandfather sleeps in his grave;
Strange steps resound in the hall!
And there's that vain, stuck-up thing
(tick, tick, tick, tick, tick, tick, tick, tick),
There's that vain, stuck-up thing on the wall.
While we talked of the old clock they all ran it down.
Tho' they claimed that it couldn't be made to run.
It was useless they said-- it was quite out of style;
Built, no doubt, just about the year One.
And the words echoed round, with a faint, mocking sound,
As if some one gave assent to it all;
'Twas that vain, stuck-up thing
(tick, tick, tick, tick, tick, tick, tick, tick),
'Twas that vain, stuck-up thing on the wall.
From the clock-peddler's cart in the junk-shop it went,
Where its cog-wheels were sundered one be one;
And the brass-founder joked as they writhed in the flames--
"Melt'em up," says he; "then they will run."
There is grief in my heart, there are tears in my eyes.
Yet indignantly the sight I recall
Of that vain, stuck-up thing
(tick, tick, tick, tick, tick, tick, tick, tick),
For that vain, stuck-up thing on the wall.
"An extremely hard case!" said the junk-dealer's wife,
As she carried it for kindling wood and sighed--
That mahogany case, with its quaint, figured face,
Which so long was my grandfather's pride.
"There is hope for the small; there's a change for us all;
For the mighty ones of Time, they must fall!"
Says that vain, stuck-up thing
(tick, tick, tick, tick, tick, tick, tick, tick),
Says that vain, stuck-up thing on the wall.
poem by Henry Clay Work
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After last night's debate, the reputation of Messieurs Lincoln and Douglas is secure.
quote by Edward R. Murrow
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My talent is such that no undertaking, however vast in size... has ever surpassed my courage.
quote by Peter Paul Rubens
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If I had been around when Rubens was painting, I would have been revered as a fabulous model. Kate Moss? Well, she would have been the paintbrush.
quote by Dawn French
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What Is Your Favorite Work Of Art?
WHAT IS YOUR FAVORITE WORK OF ART?
What is you favorite work of art?
The answer that I'd like to hear is "You! "
You've been my favorite still the start
of our relationship, and when I view
you even in a reproduction
made by a camera I want to touch
the source of this work's great seduction,
the work of art I love so very much.
Even if you don't say "You! "
and your answer doesn't correspond
to mine, please do not look askew
at me while you are looking far beyond.
Kate Murphy interviews the director of the Metropolitan Museum of Art in New York.in the NYT,4/29/12. He tells her:
I first heard Rufus Wainwright by accident about five years ago. I was doing research at Hampton Court in England and I came out one summer afternoon and he was doing a sound check. I heard him sing a song called "The Art Teacher, " which just happens to be about a girl falling in love with an art teacher at the Metropolitan Museum and looking back on this experience in her middle age. It's such an evocative and brilliant song, and I've loved his music ever since.
There are the song's lyrics:
THE ART TEACHER
There I was in uniform
Looking at the art teacher
I was just a girl then;
Never have I loved since then
He was not that much older than I was
He had taken our class to the Metropolitan Museum
He asked us what our favorite work of art was,
But never could I tell it was him
Oh, I wish I could tell him -
Oh, I wish I could have told him
I looked at the Rubens and Rembrandts
I liked the John Singer Sargents
He told me he liked Turner
Never have I turned since then
No, never have I turned to any other man
All this having been said,
I married an executive company head
All this having been done, a Turner - I own one
Here I am in this uniformish, pant-suit sort of thing,
Thinking of the art teacher
I was just a girl then;
Never have I loved since then
No, never have I loved any other man
4/29/12 #10,032
poem by Gershon Hepner
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Cathedral Spires
They have blown away the daylight hours we had
Left a leagcy, a deadly aftermath
We cannot exist in godforsaken lands
As we spiral down into oblivion
Breathing the fumes of fires that they ignite
Losing ground and we are all just losing sight
We shall never see another setting sun
Time to rise up and ascend, the end has come
No more willpower
Choked by hell fire
Darkness above
Blackening out the sun
Gripped by steel claws
Corrosion eating us
So before were all devoured
Time to rise up and retire
In cathedral spires
Watching as the world expires
From up amongst the clouds
In cathedral spires
No names
No graves
No prayers
Can save us
Ashes to dust
Doomsdays upon us now
It cannot be stopped
Genocide all is lost
Oh! were so tired
Time to rise up and conspire
In cathedral spires
Watching as our world expires
From up above the clouds
In cathedral spires
Jaws of corruption
Swallow us as one
Consuming every nation
Evoke resistance getting none
Complete disintegration
No good to defend
There can be but one outcome
We are no more - ascend
Vaporized fury
Offers no sanctuary
Oh! were so tired
Time to rise up and retire
In cathedral spires
Watching as the world expires
From up amongst the clouds
In cathedral
In cathedral spires
Oh! were so tired
Watching the world expire
Time that we retire
Up in cathedral spires
Oh! were so tired
Watching the world expire
Time that we retire
Up in cathedral spires
Oh! were so tired
Watching the world expire
Time that we retire
Up in cathedral spires
Oh! were so tired
Watching the world expire
Time that we retire
Up in cathedral spires
song performed by by Judas Priest
Submitted by Lucian Velea
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Mexican Home
It got so hot, last night, I swear
You couldnt hardly breathe
Heat lightning burnt the sky like alcohol
I sat on the porch without my shoes
And I watched the cars roll by
As the headlights raced
To the corner of the kitchen wall.
Chorus:
Mama dear
Your boy is here
Far across the sea
Waiting for
That sacred core
That burns inside of me
And I feel a storm
All wet and warm
Not ten miles away
Approaching
My mexican home.
My god! I cried, its so hot inside
You could die in the living room
Take the fan from the window
Prop the door back with a broom
The cuckoo clock has died of shock
And the windows feel no pane
The airs as still
As the throttle on a funeral train.
Chorus:
My father died on the porch outside
On an august afternoon
I sipped bourbon and cried
With a friend by the light of the moon
So its hurry! hurry! step right up
Its a matter of life or death
The sun is going down
And the moon is just holding its breath.
Chorus:
song performed by by John Prine
Submitted by Lucian Velea
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Coming Of Spring
Coming of spring over the fields
she sitting there in the tall grass
talking of the effects of art on the
human mind and fragile heart and
you sitting there beside her your
hand near hers as it lay there and
you half listening to her words while
taking in a glimpse of thigh showing
where her skirt rides high out of the
corner of your eye and she saying
without the essence art life would be
a mistake and you lean forward and
kiss her neck sensing the softness of
skin the smell of sweet scent wishing
Rubens or Renoir could capture her
with brush and oils and by stretched
canvas held with the coming of spring
in this green field where songbirds sing.
poem by Terry Collett
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Gethsemane
1914-18
The Garden called Gethsemane
In Picardy it was,
And there the people came to see
The English soldiers pass.
We used to pass -- we used to pass
Or halt, as it might be,
And ship our masks in case of gas
Beyond Gethsemane.
The Garden called Gethsemane,
It held a pretty lass,
But all the time she talked to me
I prayed my cup might pass.
The officer sat on the chair,
The men lay on the grass,
And all the time we halted there
I prayed my cup might pass.
It didn't pass -- it didn't pass --
It didn't pass from me.
I drank it when we met the gas
Beyond Gethsemane.
poem by Rudyard Kipling
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Feel Good Time
do do do do do
do do do do do
we go where we like
we got overtime
we get paid to rattle our chains
we go in the back
paint our money black
spend it on the enemy
sleepin in the church
ridin in the dirt
put a banner over my grave
make your body work
make it bigger hurt
sell me somthin big and untamed
now our time
feel good time
now our time
feel good time
now our time
i said now our time
feel good time
its a realy good time
yeaahhh be our man
we know how to play
party every day
make our destinasion look plain
ridin on the road
till our powers gone
we dont even have a good name
sleepin in the church
ridin in the dirt
put a banner over my grave
make your body work
make it bigger hurt
sell me somthin big and untamed
now our time
feel good time
now our time
feel good time
now our time
i said now our time
feel good time
yeaahhh be our man
do do do do do
do do do do do
do do do do do
do do do do do
sell me somthin big and untamed
now our time
feel good time
now our time
feel good time
now our time
i said now our time
feel good time
its a realy good time
real good feel good
its the same old same
feel good real good
i dont got no brain
real good feel good
its the same old same
feel good real good
i dont got no brain
yeahhhhh be our man
song performed by by Pink
Submitted by Lucian Velea
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English Eclogues I - The Old Mansion-House
STRANGER.
Old friend! why you seem bent on parish duty,
Breaking the highway stones,--and 'tis a task
Somewhat too hard methinks for age like yours.
OLD MAN.
Why yes! for one with such a weight of years
Upon his back. I've lived here, man and boy,
In this same parish, near the age of man
For I am hard upon threescore and ten.
I can remember sixty years ago
The beautifying of this mansion here
When my late Lady's father, the old Squire
Came to the estate.
STRANGER.
Why then you have outlasted
All his improvements, for you see they're making
Great alterations here.
OLD MAN.
Aye-great indeed!
And if my poor old Lady could rise up--
God rest her soul! 'twould grieve her to behold
The wicked work is here.
STRANGER.
They've set about it
In right good earnest. All the front is gone,
Here's to be turf they tell me, and a road
Round to the door. There were some yew trees too
Stood in the court.
OLD MAN.
Aye Master! fine old trees!
My grandfather could just remember back
When they were planted there. It was my task
To keep them trimm'd, and 'twas a pleasure to me!
All strait and smooth, and like a great green wall!
My poor old Lady many a time would come
And tell me where to shear, for she had played
In childhood under them, and 'twas her pride
To keep them in their beauty. Plague I say
On their new-fangled whimsies! we shall have
A modern shrubbery here stuck full of firs
And your pert poplar trees;--I could as soon
Have plough'd my father's grave as cut them down!
STRANGER.
But 'twill be lighter and more chearful now,
A fine smooth turf, and with a gravel road
Round for the carriage,--now it suits my taste.
I like a shrubbery too, it looks so fresh,
And then there's some variety about it.
In spring the lilac and the gueldres rose,
And the laburnum with its golden flowers
Waving in the wind. And when the autumn comes
The bright red berries of the mountain ash,
With firs enough in winter to look green,
And show that something lives. Sure this is better
Than a great hedge of yew that makes it look
All the year round like winter, and for ever
Dropping its poisonous leaves from the under boughs
So dry and bare!
OLD MAN.
Ah! so the new Squire thinks
And pretty work he makes of it! what 'tis
To have a stranger come to an old house!
STRANGER.
It seems you know him not?
OLD MAN.
No Sir, not I.
They tell me he's expected daily now,
But in my Lady's time he never came
But once, for they were very distant kin.
If he had played about here when a child
In that fore court, and eat the yew-berries,
And sat in the porch threading the jessamine flowers,
That fell so thick, he had not had the heart
To mar all thus.
STRANGER.
Come--come! all a not wrong.
Those old dark windows--
OLD MAN.
They're demolish'd too--
As if he could not see thro' casement glass!
The very red-breasts that so regular
Came to my Lady for her morning crumbs,
Won't know the window now!
STRANGER.
Nay they were high
And then so darken'd up with jessamine,
Harbouring the vermine;--that was a fine tree
However. Did it not grow in and line
The porch?
OLD MAN.
All over it: it did one good
To pass within ten yards when 'twas in blossom.
There was a sweet-briar too that grew beside.
My Lady loved at evening to sit there
And knit; and her old dog lay at her feet
And slept in the sun; 'twas an old favourite dog
She did not love him less that he was old
And feeble, and he always had a place
By the fire-side, and when he died at last
She made me dig a grave in the garden for him.
Ah I she was good to all! a woful day
'Twas for the poor when to her grave she went!
STRANGER.
They lost a friend then?
OLD MAN.
You're a stranger here
Or would not ask that question. Were they sick?
She had rare cordial waters, and for herbs
She could have taught the Doctors. Then at winter
When weekly she distributed the bread
In the poor old porch, to see her and to hear
The blessings on her! and I warrant them
They were a blessing to her when her wealth
Had been no comfort else. At Christmas, Sir!
It would have warm'd your heart if you had seen
Her Christmas kitchen,--how the blazing fire
Made her fine pewter shine, and holly boughs
So chearful red,--and as for misseltoe,
The finest bough that grew in the country round
Was mark'd for Madam. Then her old ale went
So bountiful about! a Christmas cask,
And 'twas a noble one! God help me Sir!
But I shall never see such days again.
STRANGER.
Things may be better yet than you suppose
And you should hope the best.
OLD MAN.
It don't look well
These alterations Sir! I'm an old man
And love the good old fashions; we don't find
Old bounty in new houses. They've destroyed
All that my Lady loved; her favourite walk
Grubb'd up, and they do say that the great row
Of elms behind the house, that meet a-top
They must fall too. Well! well! I did not think
To live to see all this, and 'tis perhaps
A comfort I shan't live to see it long.
STRANGER.
But sure all changes are not needs for the worse
My friend.
OLD MAN.
May-hap they mayn't Sir;--for all that
I like what I've been us'd to. I remember
All this from a child up, and now to lose it,
'Tis losing an old friend. There's nothing left
As 'twas;--I go abroad and only meet
With men whose fathers I remember boys;
The brook that used to run before my door
That's gone to the great pond; the trees I learnt
To climb are down; and I see nothing now
That tells me of old times, except the stones
In the church-yard. You are young Sir and I hope
Have many years in store,--but pray to God
You mayn't be left the last of all your friends.
STRANGER.
Well! well! you've one friend more than you're aware of.
If the Squire's taste don't suit with your's, I warrant
That's all you'll quarrel with: walk in and taste
His beer, old friend! and see if your old Lady
E'er broached a better cask. You did not know me,
But we're acquainted now. 'Twould not be easy
To make you like the outside; but within--
That is not changed my friend! you'll always find
The same old bounty and old welcome there.
poem by Robert Southey
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Rubens' Innocents
IF all those tumbling babes of heaven,
Plump cherubim with blown cheeks,
Could vault in these warm skies, or leaven
Our starry silent mountain-peaks—
O painter of chub-faced, shining-thighed
Fat Ganymedes of God—what noise
Would churn between the clouds and stride
Far downward from those rose-mouthed boys!
Down to our spires their lusty whooping,
Fanfares of Paradise, would speed,
Far down to dark-faced clergy stooping
Round altars of their doleful creed;
And God, whose wings of silver sweep
Like metal afire on heaven's rim,
Would daze them with a twinkling peep
Of those young moon-stained cherubim—
Then, for a trice, their skies might sparkle,
And some gold ichor splash amid
Those most respectable, patriarchal
Purveyors of stale pardons, hid
Behind their old cathedral closes
From this unguessed, unguessable God,
Shining before their learned noses
Down roads that Peter Rubens trod.
poem by Kenneth Slessor
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The Whip
The doubt you fought so long
The cynic net you cast,
The tyranny, the wrong,
The ruin, they are past;
And here you are at last,
Your blood no longer vexed.
The coffin has you fast,
The clod will have you next.
But fear you not the clod,
Nor ever doubt the grave:
The roses and the sod
Will not forswear the wave.
The gift the river gave
Is now but theirs to cover:
The mistress and the slave
Are gone now, and the lover.
You left the two to find
Their own way to the brink
Then—shall I call you blind?—
You chose to plunge and sink.
God knows the gall we drink
Is not the mead we cry for,
Nor was it, I should think—
For you—a thing to die for.
Could we have done the same,
Had we been in your place?—
This funeral of your name
Throws no light on the case.
Could we have made the chase,
And felt then as you felt?—
But what’s this on your face,
Blue, curious, like a welt?
There were some ropes of sand
Recorded long ago,
But none, I understand,
Of water. Is it so?
And she—she struck the blow,
You but a neck behind …
You saw the river flow—
Still, shall I call you blind?
poem by Edwin Arlington Robinson
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If I Could Walk a Million Miles
If I could walk a million miles where would I begin my journey?
I would probably begin my Journey with a talk With God.
I would ask him why he made my legs unable to walk.
Then after my talk with God I’d walk a few more miles until I came upon my mother.
I stop and ask her is it because of my disability you treated me like I’m not one of your children.
Now after my mother denies that she doesn’t do such a thing; I’d continue my journey of a million miles.
Now at the end of my journey when I have walked a million miles before I rest I hope that while walking
these million miles that in some of the steps I took my footprints left an impression behind.
If I could walk a million miles
Home-sick
O time, great Healer! canst thou still
The crying hearts that feel the knife?
O great Restorer, canst thou fill
The wide gaps broken out of life
By love and duty's bitter strife?
O Friend, and canst thou, as they say,
Soothe all our troubles on thy breast,
Till, calm in death, they pass away,
And, one by one, are laid to rest
In unknown graves, beyond our quest?
Nay, there's a wound thou canst not ease;
Nay, there's a sickness past thine art.
Ah me! while I'm beyond the seas,
There'll be a sore place in my heart
That, at a touch, will throb and smart.
Nay, nay, with all thy skill—with all
The care and cunning thou mayst spend,
Thou canst but weakly patch the wall
That wrench of parting came to rend,
That gap no mason's hand can mend.
And as for buried sorrows—one
Hears every sound above its head;
Joys and prosperities may run
With happy footsteps o'er the dead,—
This grief of absence feels the tread.
O Time, thy graveyard is a street—
Thy graves no sculptured records crown;
Yet this one, trod of many feet,
Still shows the heap'd earth, fresh and brown,—
No foot of joy can press it down.
There velvet mosses soon will creep,
And grey and golden lichens grow;
There sweet white snowdrops soon will peep,
And purple violets bud and blow,
From winter's bosom, cloak'd in snow;
There summer lights and shades will fall,
And soft rains patter through the trees;
There slender grasses, frail and tall,
Will weave and whisper in the breeze—
'Twill be a grave in spite of these.
poem by Ada Cambridge
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The Ballad Of Jesse James
Jesse james was a man
And he killed many men
He robbed the glendale train
And he took from the richer
And he gave that to the poorer
Hed a hand and a heart and a brain
Oh jesse had a wife to mourn for his life
Three children they were so brave
But that dirty little coward
That shot mr. howard
Has laid jesse james in his grave
(instrumental)
On wednesday night
When the moon was shining bright
They robbed that glendale train
And the folks from miles about (yeah they can)
They all said without a doubt
It was done by her frankie and jesse james (yes it was)
Oh jessie had a wife, to mourn for his life
Three children they were so brave
But that dirty little coward
That shot mr. howard
Has laid (poor) jesse james in his grave
(instrumental)
Well the people held their breath
When they heard about jesses death (yeah)
And they wondered how poor jesse came to die (how did he die? )
It was one of his guys, called little robert ford
And he shot jessie james on the sly
Oh jessie had a wife to mourn for his life
Three children they were so brave
But that dirty little coward
That shot mr. howard
Has laid jesse james in his grave
Has laid poor jesse in his grave
He laid jesse james in his grave
song performed by by Van Morrison
Submitted by Lucian Velea
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