The House Of Dust: Part 04: 03: Palimpsest: A Deceitful Portrait
Well, as you say, we live for small horizons:
We move in crowds, we flow and talk together,
Seeing so many eyes and hands and faces,
So many mouths, and all with secret meanings,—
Yet know so little of them; only seeing
The small bright circle of our consciousness,
Beyond which lies the dark. Some few we know—
Or think we know. . . Once, on a sun-bright morning,
I walked in a certain hallway, trying to find
A certain door: I found one, tried it, opened,
And there in a spacious chamber, brightly lighted,
A hundred men played music, loudly, swiftly,
While one tall woman sent her voice above them
In powerful sweetness. . . .Closing then the door
I heard it die behind me, fade to whisper,—
And walked in a quiet hallway as before.
Just such a glimpse, as through that opened door,
Is all we know of those we call our friends. . . .
We hear a sudden music, see a playing
Of ordered thoughts—and all again is silence.
The music, we suppose, (as in ourselves)
Goes on forever there, behind shut doors,—
As it continues after our departure,
So, we divine, it played before we came . . .
What do you know of me, or I of you? . . .
Little enough. . . .We set these doors ajar
Only for chosen movements of the music:
This passage, (so I think—yet this is guesswork)
Will please him,—it is in a strain he fancies,—
More brilliant, though, than his; and while he likes it
He will be piqued . . . He looks at me bewildered
And thinks (to judge from self—this too is guesswork)
The music strangely subtle, deep in meaning,
Perplexed with implications; he suspects me
Of hidden riches, unexpected wisdom. . . .
Or else I let him hear a lyric passage,—
Simple and clear; and all the while he listens
I make pretence to think my doors are closed.
This too bewilders him. He eyes me sidelong
Wondering 'Is he such a fool as this?
Or only mocking?'—There I let it end. . . .
Sometimes, of course, and when we least suspect it—
When we pursue our thoughts with too much passion,
Talking with too great zeal—our doors fly open
Without intention; and the hungry watcher
Stares at the feast, carries away our secrets,
And laughs. . . .but this, for many counts, is seldom.
And for the most part we vouchsafe our friends,
Our lovers too, only such few clear notes
As we shall deem them likely to admire:
'Praise me for this' we say, or 'laugh at this,'
Or 'marvel at my candor'. . . .all the while
Withholding what's most precious to ourselves,—
Some sinister depth of lust or fear or hatred,
The sombre note that gives the chord its power;
Or a white loveliness—if such we know—
Too much like fire to speak of without shame.
Well, this being so, and we who know it being
So curious about those well-locked houses,
The minds of those we know,—to enter softly,
And steal from floor to floor up shadowy stairways,
From room to quiet room, from wall to wall,
Breathing deliberately the very air,
Pressing our hands and nerves against warm darkness
To learn what ghosts are there,—
Suppose for once I set my doors wide open
And bid you in. . . .Suppose I try to tell you
The secrets of this house, and how I live here;
Suppose I tell you who I am, in fact. . . .
Deceiving you—as far as I may know it—
Only so much as I deceive myself.
If you are clever you already see me
As one who moves forever in a cloud
Of warm bright vanity: a luminous cloud
Which falls on all things with a quivering magic,
Changing such outlines as a light may change,
Brightening what lies dark to me, concealing
Those things that will not change . . . I walk sustained
In a world of things that flatter me: a sky
Just as I would have had it; trees and grass
Just as I would have shaped and colored them;
Pigeons and clouds and sun and whirling shadows,
And stars that brightening climb through mist at nightfall,—
In some deep way I am aware these praise me:
Where they are beautiful, or hint of beauty,
They point, somehow, to me. . . .This water says,—
Shimmering at the sky, or undulating
In broken gleaming parodies of clouds,
Rippled in blue, or sending from cool depths
To meet the falling leaf the leaf's clear image,—
This water says, there is some secret in you
Akin to my clear beauty, silently responsive
To all that circles you. This bare tree says,—
Austere and stark and leafless, split with frost,
Resonant in the wind, with rigid branches
Flung out against the sky,—this tall tree says,
There is some cold austerity in you,
A frozen strength, with long roots gnarled on rocks,
Fertile and deep; you bide your time, are patient,
Serene in silence, bare to outward seeming,
Concealing what reserves of power and beauty!
What teeming Aprils!—chorus of leaves on leaves!
These houses say, such walls in walls as ours,
Such streets of walls, solid and smooth of surface,
Such hills and cities of walls, walls upon walls;
Motionless in the sun, or dark with rain;
Walls pierced with windows, where the light may enter;
Walls windowless where darkness is desired;
Towers and labyrinths and domes and chambers,—
Amazing deep recesses, dark on dark,—
All these are like the walls which shape your spirit:
You move, are warm, within them, laugh within them,
Proud of their depth and strength; or sally from them,
When you are bold, to blow great horns at the world. .
This deep cool room, with shadowed walls and ceiling,
Tranquil and cloistral, fragrant of my mind,
This cool room says,—just such a room have you,
It waits you always at the tops of stairways,
Withdrawn, remote, familiar to your uses,
Where you may cease pretence and be yourself. . . .
And this embroidery, hanging on this wall,
Hung there forever,—these so soundless glidings
Of dragons golden-scaled, sheer birds of azure,
Coilings of leaves in pale vermilion, griffins
Drawing their rainbow wings through involutions
Of mauve chrysanthemums and lotus flowers,—
This goblin wood where someone cries enchantment,—
This says, just such an involuted beauty
Of thought and coiling thought, dream linked with dream,
Image to image gliding, wreathing fires,
Soundlessly cries enchantment in your mind:
You need but sit and close your eyes a moment
To see these deep designs unfold themselves.
And so, all things discern me, name me, praise me—
I walk in a world of silent voices, praising;
And in this world you see me like a wraith
Blown softly here and there, on silent winds.
'Praise me'—I say; and look, not in a glass,
But in your eyes, to see my image there—
Or in your mind; you smile, I am contented;
You look at me, with interest unfeigned,
And listen—I am pleased; or else, alone,
I watch thin bubbles veering brightly upward
From unknown depths,—my silver thoughts ascending;
Saying now this, now that, hinting of all things,—
Dreams, and desires, velleities, regrets,
Faint ghosts of memory, strange recognitions,—
But all with one deep meaning: this is I,
This is the glistening secret holy I,
This silver-winged wonder, insubstantial,
This singing ghost. . . .And hearing, I am warmed.
* * * * *
You see me moving, then, as one who moves
Forever at the centre of his circle:
A circle filled with light. And into it
Come bulging shapes from darkness, loom gigantic,
Or huddle in dark again. . . .A clock ticks clearly,
A gas-jet steadily whirs, light streams across me;
Two church bells, with alternate beat, strike nine;
And through these things my pencil pushes softly
To weave grey webs of lines on this clear page.
Snow falls and melts; the eaves make liquid music;
Black wheel-tracks line the snow-touched street; I turn
And look one instant at the half-dark gardens,
Where skeleton elm-trees reach with frozen gesture
Above unsteady lamps,—with black boughs flung
Against a luminous snow-filled grey-gold sky.
'Beauty!' I cry. . . .My feet move on, and take me
Between dark walls, with orange squares for windows.
Beauty; beheld like someone half-forgotten,
Remembered, with slow pang, as one neglected . . .
Well, I am frustrate; life has beaten me,
The thing I strongly seized has turned to darkness,
And darkness rides my heart. . . .These skeleton elm-trees—
Leaning against that grey-gold snow filled sky—
Beauty! they say, and at the edge of darkness
Extend vain arms in a frozen gesture of protest . . .
A clock ticks softly; a gas-jet steadily whirs:
The pencil meets its shadow upon clear paper,
Voices are raised, a door is slammed. The lovers,
Murmuring in an adjacent room, grow silent,
The eaves make liquid music. . . .Hours have passed,
And nothing changes, and everything is changed.
Exultation is dead, Beauty is harlot,—
And walks the streets. The thing I strongly seized
Has turned to darkness, and darkness rides my heart.
If you could solve this darkness you would have me.
This causeless melancholy that comes with rain,
Or on such days as this when large wet snowflakes
Drop heavily, with rain . . . whence rises this?
Well, so-and-so, this morning when I saw him,
Seemed much preoccupied, and would not smile;
And you, I saw too much; and you, too little;
And the word I chose for you, the golden word,
The word that should have struck so deep in purpose,
And set so many doors of wish wide open,
You let it fall, and would not stoop for it,
And smiled at me, and would not let me guess
Whether you saw it fall. . . These things, together,
With other things, still slighter, wove to music,
And this in time drew up dark memories;
And there I stand. This music breaks and bleeds me,
Turning all frustrate dreams to chords and discords,
Faces and griefs, and words, and sunlit evenings,
And chains self-forged that will not break nor lengthen,
And cries that none can answer, few will hear.
Have these things meaning? Or would you see more clearly
If I should say 'My second wife grows tedious,
Or, like gay tulip, keeps no perfumed secret'?
Or 'one day dies eventless as another,
Leaving the seeker still unsatisfied,
And more convinced life yields no satisfaction'?
Or 'seek too hard, the sight at length grows callous,
And beauty shines in vain'?—
These things you ask for,
These you shall have. . . So, talking with my first wife,
At the dark end of evening, when she leaned
And smiled at me, with blue eyes weaving webs
Of finest fire, revolving me in scarlet,—
Calling to mind remote and small successions
Of countless other evenings ending so,—
I smiled, and met her kiss, and wished her dead;
Dead of a sudden sickness, or by my hands
Savagely killed; I saw her in her coffin,
I saw her coffin borne downstairs with trouble,
I saw myself alone there, palely watching,
Wearing a masque of grief so deeply acted
That grief itself possessed me. Time would pass,
And I should meet this girl,—my second wife—
And drop the masque of grief for one of passion.
Forward we move to meet, half hesitating,
We drown in each others' eyes, we laugh, we talk,
Looking now here, now there, faintly pretending
We do not hear the powerful pulsing prelude
Roaring beneath our words . . . The time approaches.
We lean unbalanced. The mute last glance between us,
Profoundly searching, opening, asking, yielding,
Is steadily met: our two lives draw together . . .
. . . .'What are you thinking of?'. . . .My first wife's voice
Scattered these ghosts. 'Oh nothing—nothing much—
Just wondering where we'd be two years from now,
And what we might be doing . . . ' And then remorse
Turned sharply in my mind to sudden pity,
And pity to echoed love. And one more evening
Drew to the usual end of sleep and silence.
And, as it is with this, so too with all things.
The pages of our lives are blurred palimpsest:
New lines are wreathed on old lines half-erased,
And those on older still; and so forever.
The old shines through the new, and colors it.
What's new? What's old? All things have double meanings,—
All things return. I write a line with passion
(Or touch a woman's hand, or plumb a doctrine)
Only to find the same thing, done before,—
Only to know the same thing comes to-morrow. . . .
This curious riddled dream I dreamed last night,—
Six years ago I dreamed it just as now;
The same man stooped to me; we rose from darkness,
And broke the accustomed order of our days,
And struck for the morning world, and warmth, and freedom. . . .
What does it mean? Why is this hint repeated?
What darkness does it spring from, seek to end?
You see me, then, pass up and down these stairways,
Now through a beam of light, and now through shadow,—
Pursuing silent ends. No rest there is,—
No more for me than you. I move here always,
From quiet room to room, from wall to wall,
Searching and plotting, weaving a web of days.
This is my house, and now, perhaps, you know me. . .
Yet I confess, for all my best intentions,
Once more I have deceived you. . . .I withhold
The one thing precious, the one dark thing that guides me;
And I have spread two snares for you, of lies.
poem by Conrad Potter Aiken
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Again—his voice is at the door
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Again—his voice is at the door—
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I hear him ask the servant
For such an one—as me—
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My face to justify—
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We talk in careless—and it toss—
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Each—sounding—shyly& mdash;
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Alone—if Angels are "alone"—
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You know that Portrait in the Moon
504
You know that Portrait in the Moon—
So tell me who 'tis like—
The very Brow—the stooping eyes—
A fog for—Say—Whose Sake?
The very Pattern of the Cheek—
It varies—in the Chin—
But—Ishmael—since we met—'tis long—
And fashions—intervene—
When Moon's at full—'Tis Thou—I say—
My lips just hold the name—
When crescent—Thou art worn—I note—
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That's easier—than the other film
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A Murmur in the Trees—to note
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A Murmur in the Trees—to note—
Not loud enough—for Wind—
A Star—not far enough to seek—
Nor near enough—to find—
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A Hubbub—as of feet—
Not audible—as Ours—to Us—
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A Hurrying Home of little Men
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All this—and more—if I should tell—
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It might be lonelier
405
It might be lonelier
Without the Loneliness—
I'm so accustomed to my Fate—
Perhaps the Other—Peace—
Would interrupt the Dark—
And crowd the little Room—
Too scant—by Cubits—to contain
The Sacrament—of Him—
I am not used to Hope—
It might intrude upon—
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Ordained to Suffering—
It might be easier
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The World—stands—solemner—to me
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The World—stands—solemner—to me—
Since I was wed—to Him—
A modesty befits the soul
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The Man—upon the Woman—binds—
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Too beautiful—for Shape to prove—
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The Winters are so short
403
The Winters are so short—
I'm hardly justified
In sending all the Birds away—
And moving into Pod—
Myself—for scarcely settled—
The Phoebes have begun—
And then—it's time to strike my Tent—
And open House—again—
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My Summer—is despoiled—
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But Ararat's a Legend—now—
And no one credits Noah—
poem by Emily Dickinson
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In falling Timbers buried
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In falling Timbers buried—
There breathed a Man—
Outside—the spades—were plying—
The Lungs—within—
Could He—know—they sought Him—
Could They—know—He breathed—
Horrid Sand Partition—
Neither—could be heard—
Never slacked the Diggers—
But when Spades had done—
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He gave away his Life
567
He gave away his Life—
To Us—Gigantic Sum—
A trifle—in his own esteem—
But magnified—by Fame—
Until it burst the Hearts
That fancied they could hold—
When swift it slipped its limit—
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Just obviated Bud—
And when We turned to note the Growth—
Broke—perfect—from the Pod—
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If I'm lost—now
256
If I'm lost—now
That I was found—
Shall still my transport be—
That once—on me—those Jasper Gates
Blazed open—suddenly—
That in my awkward—gazing—face—
The Angels—softly peered—
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Unit, like Death, for Whom?
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Unit, like Death, for Whom?
True, like the Tomb,
Who tells no secret
Told to Him—
The Grave is strict—
Tickets admit
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And the Borne—
And seat—just One—
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The Dying—but a Syllable—
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A tremor just, that All's not sure.
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I was the slightest in the House
486
I was the slightest in the House—
I took the smallest Room—
At night, my little Lamp, and Book—
And one Geranium—
So stationed I could catch the Mint
That never ceased to fall—
And just my Basket—
Let me think—I'm sure—
That this was all—
I never spoke—unless addressed—
And then, 'twas brief and low—
I could not bear to live—aloud—
The Racket shamed me so—
And if it had not been so far—
And any one I knew
Were going—I had often thought
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A solemn thing—it was—I said
271
A solemn thing—it was—I said—
A woman—white—to be—
And wear—if God should count me fit—
Her blameless mystery—
A hallowed thing—to drop a life
Into the purple well—
Too plummetless—that it return—
Eternity—until—
I pondered how the bliss would look—
And would it feel as big—
When I could take it in my hand—
As hovering—seen—through fog—
And then—the size of this "small" life—
The Sages—call it small—
Swelled—like Horizons—in my vest—
And I sneered—softly—"small"!
poem by Emily Dickinson
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She lay as if at play
369
She lay as if at play
Her life had leaped away—
Intending to return—
But not so soon—
Her merry Arms, half dropt—
As if for lull of sport—
An instant had forgot—
The Trick to start—
Her dancing Eyes—ajar—
As if their Owner were
Still sparkling through
For fun—at you—
Her Morning at the door—
Devising, I am sure—
To force her sleep—
So light—so deep—
poem by Emily Dickinson
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Tis Opposites—entice
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'Tis Opposites—entice—
Deformed Men—ponder Grace—
Bright fires—the Blanketless—
The Lost—Day's face—
The Blind—esteem it be
Enough Estate—to see—
The Captive—strangles new—
For deeming—Beggars—play—
To lack—enamor Thee—
Tho' the Divinity—
Be only
Me—
poem by Emily Dickinson
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A House upon the Height
399
A House upon the Height—
That Wagon never reached—
No Dead, were ever carried down—
No Peddler's Cart—approached—
Whose Chimney never smoked—
Whose Windows—Night and Morn—
Caught Sunrise first—and Sunset—last—
Then—held an Empty Pane—
Whose fate—Conjecture knew—
No other neighbor—did—
And what it was—we never lisped—
Because He—never told—
poem by Emily Dickinson
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The name—of it—is "Autumn"
656
The name—of it—is "Autumn"—
The hue—of it—is Blood—
An Artery—upon the Hill—
A Vein—along the Road—
Great Globules—in the Alleys—
And Oh, the Shower of Stain—
When Winds—upset the Basin—
And spill the Scarlet Rain—
It sprinkles Bonnets—far below—
It gathers ruddy Pools—
Then—eddies like a Rose—away—
Upon Vermilion Wheels—
poem by Emily Dickinson
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I think just how my shape will rise
237
I think just how my shape will rise—
When I shall be "forgiven"—
Till Hair—and Eyes—and timid Head—
Are out of sight—in Heaven—
I think just how my lips will weigh—
With shapeless—quivering—prayer—
That you—so late—"Consider" me—
The "Sparrow" of your Care—
I mind me that of Anguish—sent—
Some drifts were moved away—
Before my simple bosom—broke—
And why not this—if they?
And so I con that thing—"forgiven"—
Until& mdash;delirious—borne—
By my long bright—and longer—trust—
I drop my Heart—unshriven!
poem by Emily Dickinson
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It troubled me as once I was
600
It troubled me as once I was—
For I was once a Child—
Concluding how an Atom—fell—
And yet the Heavens—held—
The Heavens weighed the most—by far—
Yet Blue—and solid—stood—
Without a Bolt—that I could prove—
Would Giants—understand?
Life set me larger—problems—
Some I shall keep—to solve
Till Algebra is easier—
Or simpler proved—above—
Then—too&m dash;be comprehended—
What sorer—puzzled me—
Why Heaven did not break away—
And tumble—Blue—on me—
poem by Emily Dickinson
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The first Day's Night had come
410
The first Day's Night had come—
And grateful that a thing
So terrible—had been endured—
I told my Soul to sing—
She said her Strings were snapt—
Her Bow—to Atoms blown—
And so to mend her—gave me work
Until another Morn—
And then—a Day as huge
As Yesterdays in pairs,
Unrolled its horror in my face—
Until it blocked my eyes—
My Brain—begun to laugh—
I mumbled—like a fool—
And tho' 'tis Years ago—that Day—
My Brain keeps giggling—still.
And Something's odd—within—
That person that I was—
And this One—do not feel the same—
Could it be Madness—this?
poem by Emily Dickinson
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