The House Of Dust: Part 03: 04: Illicit
Of what she said to me that night—no matter.
The strange thing came next day.
My brain was full of music—something she played me—;
I couldn't remember it all, but phrases of it
Wreathed and wreathed among faint memories,
Seeking for something, trying to tell me something,
Urging to restlessness: verging on grief.
I tried to play the tune, from memory,—
But memory failed: the chords and discords climbed
And found no resolution—only hung there,
And left me morbid . . . Where, then, had I heard it? . . .
What secret dusty chamber was it hinting?
'Dust', it said, 'dust . . . and dust . . . and sunlight . .
A cold clear April evening . . . snow, bedraggled,
Rain-worn snow, dappling the hideous grass . . .
And someone walking alone; and someone saying
That all must end, for the time had come to go . . . '
These were the phrases . . . but behind, beneath them
A greater shadow moved: and in this shadow
I stood and guessed . . . Was it the blue-eyed lady?
The one who always danced in golden slippers—
And had I danced with her,—upon this music?
Or was it further back—the unplumbed twilight
Of childhood?—No—much recenter than that.
You know, without my telling you, how sometimes
A word or name eludes you, and you seek it
Through running ghosts of shadow,—leaping at it,
Lying in wait for it to spring upon it,
Spreading faint snares for it of sense or sound:
Until, of a sudden, as if in a phantom forest,
You hear it, see it flash among the branches,
And scarcely knowing how, suddenly have it—
Well, it was so I followed down this music,
Glimpsing a face in darkness, hearing a cry,
Remembering days forgotten, moods exhausted,
Corners in sunlight, puddles reflecting stars—;
Until, of a sudden, and least of all suspected,
The thing resolved itself: and I remembered
An April afternoon, eight years ago—
Or was it nine?—no matter—call it nine—
A room in which the last of sunlight faded;
A vase of violets, fragrance in white curtains;
And, she who played the same thing later, playing.
She played this tune. And in the middle of it
Abruptly broke it off, letting her hands
Fall in her lap. She sat there so a moment,
With shoulders drooped, then lifted up a rose,
One great white rose, wide opened like a lotos,
And pressed it to her cheek, and closed her eyes.
'You know—we've got to end this—Miriam loves you . . .
If she should ever know, or even guess it,—
What would she do?—Listen!—I'm not absurd . . .
I'm sure of it. If you had eyes, for women—
To understand them—which you've never had—
You'd know it too . . . ' So went this colloquy,
Half humorous, with undertones of pathos,
Half grave, half flippant . . . while her fingers, softly,
Felt for this tune, played it and let it fall,
Now note by singing note, now chord by chord,
Repeating phrases with a kind of pleasure . . .
Was it symbolic of the woman's weakness
That she could neither break it—nor conclude?
It paused . . . and wandered . . . paused again; while she,
Perplexed and tired, half told me I must go,—
Half asked me if I thought I ought to go . . .
Well, April passed with many other evenings,
Evenings like this, with later suns and warmer,
With violets always there, and fragrant curtains . . .
And she was right: and Miriam found it out . . .
And after that, when eight deep years had passed—
Or nine—we met once more,—by accident . . .
But was it just by accident, I wonder,
She played this tune?—Or what, then, was intended? . . .
poem by Conrad Potter Aiken

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The Court is far away
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The Court is far away—
No Umpire—have I—
My Sovereign is offended—
To gain his grace—I'd die!
I'll seek his royal feet—
I'll say—Remember—King—
Thou shalt—thyself—one day—a Child—
Implore a larger—thing—
That Empire—is of Czars—
As small—they say—as I—
Grant me—that day—the royalty—
To intercede—for Thee—
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You know that Portrait in the Moon
504
You know that Portrait in the Moon—
So tell me who 'tis like—
The very Brow—the stooping eyes—
A fog for—Say—Whose Sake?
The very Pattern of the Cheek—
It varies—in the Chin—
But—Ishmael—since we met—'tis long—
And fashions—intervene—
When Moon's at full—'Tis Thou—I say—
My lips just hold the name—
When crescent—Thou art worn—I note—
But—there—the Golden Same—
And when—Some Night—Bold—slashing Clouds
Cut Thee away from Me—
That's easier—than the other film
That glazes Holiday—
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If I'm lost—now
256
If I'm lost—now
That I was found—
Shall still my transport be—
That once—on me—those Jasper Gates
Blazed open—suddenly—
That in my awkward—gazing—face—
The Angels—softly peered—
And touched me with their fleeces,
Almost as if they cared—
I'm banished—now—you know it—
How foreign that can be—
You'll know—Sir—when the Savior's face
Turns so—away from you—
poem by Emily Dickinson

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A Murmur in the Trees—to note
416
A Murmur in the Trees—to note—
Not loud enough—for Wind—
A Star—not far enough to seek—
Nor near enough—to find—
A long—long Yellow—on the Lawn—
A Hubbub—as of feet—
Not audible—as Ours—to Us—
But dapperer—More Sweet—
A Hurrying Home of little Men
To Houses unperceived—
All this—and more—if I should tell—
Would never be believed—
Of Robins in the Trundle bed
How many I espy
Whose Nightgowns could not hide the Wings—
Although I heard them try—
But then I promised ne'er to tell—
How could I break My Word?
So go your Way—and I'll go Mine—
No fear you'll miss the Road.
poem by Emily Dickinson

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He gave away his Life
567
He gave away his Life—
To Us—Gigantic Sum—
A trifle—in his own esteem—
But magnified—by Fame—
Until it burst the Hearts
That fancied they could hold—
When swift it slipped its limit—
And on the Heavens—unrolled—
'Tis Ours—to wince—and weep—
And wonder—and decay
By Blossoms gradual process—
He chose—Maturity—
And quickening—as we sowed—
Just obviated Bud—
And when We turned to note the Growth—
Broke—perfect—from the Pod—
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Tis Opposites—entice
355
'Tis Opposites—entice—
Deformed Men—ponder Grace—
Bright fires—the Blanketless—
The Lost—Day's face—
The Blind—esteem it be
Enough Estate—to see—
The Captive—strangles new—
For deeming—Beggars—play—
To lack—enamor Thee—
Tho' the Divinity—
Be only
Me—
poem by Emily Dickinson

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The first Day's Night had come
410
The first Day's Night had come—
And grateful that a thing
So terrible—had been endured—
I told my Soul to sing—
She said her Strings were snapt—
Her Bow—to Atoms blown—
And so to mend her—gave me work
Until another Morn—
And then—a Day as huge
As Yesterdays in pairs,
Unrolled its horror in my face—
Until it blocked my eyes—
My Brain—begun to laugh—
I mumbled—like a fool—
And tho' 'tis Years ago—that Day—
My Brain keeps giggling—still.
And Something's odd—within—
That person that I was—
And this One—do not feel the same—
Could it be Madness—this?
poem by Emily Dickinson

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It troubled me as once I was
600
It troubled me as once I was—
For I was once a Child—
Concluding how an Atom—fell—
And yet the Heavens—held—
The Heavens weighed the most—by far—
Yet Blue—and solid—stood—
Without a Bolt—that I could prove—
Would Giants—understand?
Life set me larger—problems—
Some I shall keep—to solve
Till Algebra is easier—
Or simpler proved—above—
Then—too&m dash;be comprehended—
What sorer—puzzled me—
Why Heaven did not break away—
And tumble—Blue—on me—
poem by Emily Dickinson

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The World—stands—solemner—to me
493
The World—stands—solemner—to me—
Since I was wed—to Him—
A modesty befits the soul
That bears another's—name—
A doubt—if it be fair—indeed—
To wear that perfect—pearl—
The Man—upon the Woman—binds—
To clasp her soul—for all—
A prayer, that it more angel—prove—
A whiter Gift—within—
To that munificence, that chose—
So unadorned—a Queen—
A Gratitude—that such be true—
It had esteemed the Dream—
Too beautiful—for Shape to prove—
Or posture—to redeem!
poem by Emily Dickinson

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Her—"last Poems"
312
Her—"last Poems"—
Poets—ended—
Silver—perished—with her Tongue—
Not on Record—bubbled other,
Flute—or Woman—
So divine—
Not unto its Summer—Morning
Robin—uttered Half the Tune—
Gushed too free for the Adoring—
From the Anglo-Florentine—
Late—the Praise—
'Tis dull—conferring
On the Head too High to Crown—
Diadem—or Ducal Showing—
Be its Grave—sufficient sign—
Nought—that We—No Poet's Kinsman—
Suffocate—with easy woe—
What, and if, Ourself a Bridegroom—
Put Her down—in Italy?
poem by Emily Dickinson

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Unit, like Death, for Whom?
408
Unit, like Death, for Whom?
True, like the Tomb,
Who tells no secret
Told to Him—
The Grave is strict—
Tickets admit
Just two—the Bearer—
And the Borne—
And seat—just One—
The Living—tell—
The Dying—but a Syllable—
The Coy Dead—None—
No Chatter—here—no tea—
So Babbler, and Bohea—stay there—
But Gravity—and Expectation—and Fear—
A tremor just, that All's not sure.
poem by Emily Dickinson

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The name—of it—is "Autumn"
656
The name—of it—is "Autumn"—
The hue—of it—is Blood—
An Artery—upon the Hill—
A Vein—along the Road—
Great Globules—in the Alleys—
And Oh, the Shower of Stain—
When Winds—upset the Basin—
And spill the Scarlet Rain—
It sprinkles Bonnets—far below—
It gathers ruddy Pools—
Then—eddies like a Rose—away—
Upon Vermilion Wheels—
poem by Emily Dickinson

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I had no Cause to be awake
542
I had no Cause to be awake—
My Best—was gone to sleep—
And Morn a new politeness took—
And failed to wake them up—
But called the others—clear—
And passed their Curtains by—
Sweet Morning—when I oversleep—
Knock—Recollect—to Me—
I looked at Sunrise—Once—
And then I looked at Them—
And wishfulness in me arose—
For Circumstance the same—
'Twas such an Ample Peace—
It could not hold a Sigh—
'Twas Sabbath—with the Bells divorced—
'Twas Sunset—all the Day—
So choosing but a Gown—
And taking but a Prayer—
The only Raiment I should need—
I struggled—and was There—
poem by Emily Dickinson

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The Winters are so short
403
The Winters are so short—
I'm hardly justified
In sending all the Birds away—
And moving into Pod—
Myself—for scarcely settled—
The Phoebes have begun—
And then—it's time to strike my Tent—
And open House—again—
It's mostly, interruptions—
My Summer—is despoiled—
Because there was a Winter—once—
And al the Cattle—starved—
And so there was a Deluge—
And swept the World away—
But Ararat's a Legend—now—
And no one credits Noah—
poem by Emily Dickinson

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A House upon the Height
399
A House upon the Height—
That Wagon never reached—
No Dead, were ever carried down—
No Peddler's Cart—approached—
Whose Chimney never smoked—
Whose Windows—Night and Morn—
Caught Sunrise first—and Sunset—last—
Then—held an Empty Pane—
Whose fate—Conjecture knew—
No other neighbor—did—
And what it was—we never lisped—
Because He—never told—
poem by Emily Dickinson

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In falling Timbers buried
614
In falling Timbers buried—
There breathed a Man—
Outside—the spades—were plying—
The Lungs—within—
Could He—know—they sought Him—
Could They—know—He breathed—
Horrid Sand Partition—
Neither—could be heard—
Never slacked the Diggers—
But when Spades had done—
Oh, Reward of Anguish,
It was dying—Then—
Many Things—are fruitless—
'Tis a Baffling Earth—
But there is no Gratitude
Like the Grace—of Death—
poem by Emily Dickinson

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Behind Me—dips Eternity
721
Behind Me—dips Eternity—
Before Me—Immortality—
Myself—the Term between—
Death but the Drift of Eastern Gray,
Dissolving into Dawn away,
Before the West begin—
'Tis Kingdoms—afterward—they say—
In perfect—pauseless Monarchy—
Whose Prince—is Son of None—
Himself—His Dateless Dynasty—
Himself—Himself diversify—
In Duplicate divine—
'Tis Miracle before Me—then—
'Tis Miracle behind—between—
A Crescent in the Sea—
With Midnight to the North of Her—
And Midnight to the South of Her—
And Maelstrom—in the Sky—
poem by Emily Dickinson

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I was the slightest in the House
486
I was the slightest in the House—
I took the smallest Room—
At night, my little Lamp, and Book—
And one Geranium—
So stationed I could catch the Mint
That never ceased to fall—
And just my Basket—
Let me think—I'm sure—
That this was all—
I never spoke—unless addressed—
And then, 'twas brief and low—
I could not bear to live—aloud—
The Racket shamed me so—
And if it had not been so far—
And any one I knew
Were going—I had often thought
How noteless—I could die—
poem by Emily Dickinson

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Civilization—spurns—the Leopard!
492
Civilization—spurns—the Leopard!
Was the Leopard—bold?
Deserts—never rebuked her Satin—
Ethiop—her Gold—
Tawny—her Customs—
She was Conscious—
Spotted—her Dun Gown—
This was the Leopard's nature—Signor—
Need—a keeper—frown?
Pity—the Pard—that left her Asia—
Memories—of Palm—
Cannot be stifled—with Narcotic—
Nor suppressed—with Balm—
poem by Emily Dickinson

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Through the strait pass of suffering
792
Through the strait pass of suffering—
The Martyrs—even—trod.
Their feet—upon Temptations—
Their faces—upon God—
A stately—shriven—Company—
Con vulsion—playing round—
Harmless—as streaks of Meteor—
Upon a Planet's Bond—
Their faith—the everlasting troth—
Their Expectation—fair—
The Needle—to the North Degree—
Wades—so—thro' polar Air!
poem by Emily Dickinson

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