Discordants
I. (Bread and Music)
Music I heard with you was more than music,
And bread I broke with you was more than bread;
Now that I am without you, all is desolate;
All that was once so beautiful is dead.
Your hands once touched this table and this silver,
And I have seen your fingers hold this glass.
These things do not remember you, belovèd,
And yet your touch upon them will not pass.
For it was in my heart you moved among them,
And blessed them with your hands and with your eyes;
And in my heart they will remember always,--
They knew you once, O beautiful and wise.
II
My heart has become as hard as a city street,
The horses trample upon it, it sings like iron,
All day long and all night long they beat,
They ring like the hooves of time.
My heart has become as drab as a city park,
The grass is worn with the feet of shameless lovers,
A match is struck, there is kissing in the dark,
The moon comes, pale with sleep.
My heart is torn with the sound of raucous voices,
They shout from the slums, from the streets, from the crowded places,
And tunes from the hurdy-gurdy that coldly rejoices
Shoot arrows into my heart.
III
Dead Cleopatra lies in a crystal casket,
Wrapped and spiced by the cunningest of hands.
Around her neck they have put a golden necklace,
Her tatbebs, it is said, are worn with sands.
Dead Cleopatra was once revered in Egypt,
Warm-eyed she was, this princess of the South.
Now she is old and dry and faded,
With black bitumen they have sealed up her mouth.
O sweet clean earth, from whom the green blade cometh!
When we are dead, my best belovèd and I,
Close well above us, that we may rest forever,
Sending up grass and blossoms to the sky.
IV
In the noisy street,
Where the sifted sunlight yellows the pallid faces,
Sudden I close my eyes, and on my eyelids
Feel from the far-off sea a cool faint spray,--
A breath on my cheek,
From the tumbling breakers and foam, the hard sand shattered,
Gulls in the high wind whistling, flashing waters,
Smoke from the flashing waters blown on rocks;
--And I know once more,
O dearly belovèd! that all these seas are between us,
Tumult and madness, desolate save for the sea-gulls,
You on the farther shore, and I in this street.
poem by Conrad Potter Aiken

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Discordants
I
Music I heard with you was more than music,
And bread I broke with you was more than bread.
Now that I am without you, all is desolate,
All that was once so beautiful is dead.
Your hands once touched this table and this silver,
And I have seen your fingers hold this glass.
These things do not remember you, beloved:
And yet your touch upon them will not pass.
For it was in my heart you moved among them,
And blessed them with your hands and with your eyes.
And in my heart they will remember always:
They knew you once, O beautiful and wise!
II
My heart has become as hard as a city street:
The horses trample upon it, it sings like iron;
All day long and all night long they beat—
They ring like the hoofs of time.
My heart has become as drab as a city park:
The grass is worn with the feet of shameless lovers,
A match is struck, there is kissing in the dark,
The moon comes, pale with sleep.
My heart is torn with the sound of raucous voices,
They shout from the slums, from the streets, from the crowded places;
And tunes from a hurdy-gurdy that coldly rejoices
Shoot arrows into my heart …
O my belovèd, sleeping so far from me,
Walking alone in sunlight, or in blue moonlight,
Are you alive there, far across that sea?—
Or were you only a dream?
III
Vermilioned mouth, tired with many kisses,
Eyes, that have lighted for so many eyes,
Are you not wearied yet with countless lovers,
Desirous now to take even me for prize?
Draw not my glance, nor set my sick heart beating,
Body so stripped, for all your silks and lace!
Do not reach out pale hands to me, seductive,
Nor slant sly eyes, O subtly smiling face!
For I am drawn to you, like wind I follow,
Like a warm amorous wind; though I desire
Even in dream to keep one face before me—
One face like fire, and holier than fire.
.............................................
I walk beneath these trees, and in this darkness
Muse beyond seas of her from whom I came,
While you, with cat-like step, steal close beside me,
Spreading your perfume round me like soft flame.
Ah! should I once stoop face and forehead to you,
Into and through your sweetness, a night like this,
In the lime-blossomed darkness feel your bosom,
Warm and so soft, and find your lips to kiss,
And tear at your strange flesh with crazy fingers,
And drink with mouth gone mad your eyes’ wild wine,
And cleave to you, body with breathless body,
Till bestial were exalted to divine —
Would I again, O lamia silked and scented,
Out of the slumberous magic of your eyes,
And your narcotic perfume, soft and febrile,
Have the romantic hardihood to rise,
And set my heart across great seas of distance
With love unsullied for her from whom I came?…
With cat-like step you steal beside me, past me,
Leaving your perfume round me like soft flame.
IV
Dead Cleopatra lies in a crystal casket,
Wrapped and spiced by the cunningest of hands.
Around her neck they have put a golden necklace,
Her tatbebs, it is said, are worn with sands.
Dead Cleopatra was once revered in Egypt—
Warm-eyed she was, this princess of the south.
Now she is very old and dry and faded,
With black bitumen they have sealed up her mouth.
Grave-robbers pulled the gold rings from her fingers,
Despite the holy symbols across her breast;
They scared the bats that quietly whirled above her.
Poor lady! she would have been long since at rest
If she had not been wrapped and spiced so shrewdly,
Preserved, obscene, to mock black flights of years.
What would her lover have said, had he foreseen it?
Had he been moved to ecstasy, or tears?
O sweet clean earth from whom the green blade cometh!—
When we are dead, my best-beloved and I,
Close well above us that we may rest forever,
Sending up grass and blossoms to the sky.
V
In the noisy street,
Where the sifted sunlight yellows the pallid faces,
Sudden I close my eyes, and on my eyelids
Feel from the far-off sea a cool faint spray,
A breath on my cheek,
From the tumbling breakers and foam, the hard sand shattered;
Gulls in the high wind whistling, flashing waters,
Smoke from the flashing waters blown on rocks.
And I know once more,
O dearly belovèd, that all these seas are between us—
Tumult and madness, desolate save for the sea-gulls;
You on the farther shore, and I in this street.
poem by Conrad Aiken

Submitted by Veronica Serbanoiu
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Dead Cleopatra
Dead Cleopatra lies in a crystal casket,
Wrapped and spiced by the cunningest of hands.
Around her neck they have put a golden necklace
Her tatbebs, it is said, are worn with sands.
Dead Cleopatra was once revered in Egypt—
Warm-eyed she was, this princess of the south.
Now she is very old and dry and faded,
With black bitumen they have sealed up her mouth.
Grave-robbers pulled the gold rings from her fingers,
Despite the holy symbols across her breast;
They scared the bats that quietly whirled above her.
Poor lady! she would have been long since at rest
If she had not been wrapped and spiced so shrewdly,
Preserved, obscene, to mock black flights of years.
What would her lover have said, had he foreseen it?
Had he been moved to ecstasy, or tears?
O sweet clean earth from whom the green blade cometh!—
When we are dead, my best-beloved and I,
Close well above us that we may rest forever,
Sending up grass and blossoms to the sky.
poem by Conrad Potter Aiken

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Music I Heard
Music I heard with you was more than music,
And bread I broke with you was more than bread;
Now that I am without you, all is desolate;
All that was once so beautiful is dead.
Your hands once touched this table and this silver,
And I have seen your fingers hold this glass.
These things do not remember you, beloved,
And yet your touch upon them will not pass.
For it was in my heart that you moved among them,
And blessed them with your hands and with your eyes;
And in my heart they will remember always,
—They knew you once, O beautiful and wise.
poem by Conrad Potter Aiken

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The Skylark's Message
SWEET little upturned faces,
Poor little hands and feet,
Little eyes that are careworn and anxious
From hunger and want in the street,
Hear ye that skylark singing
5
Like an angel far away?
'Tis bringing to you a message
From the Golden Gates of day.
Ah, little know ye of the meadows,
Poor little blistered feet,
10
Down in the smoke of the city,
Down in the noise of the street!
But it sings of a better country,
Where tired little hearts can rest;
Of a sun that shines for ever,
15
And the love of a Father's breast.
O poor little weary spirits,
I would that ye knew its song,
For the world is very heartless,
And your journey may be long;
20
And ye need such heavenly music
To cheer you in the night,
Little hearts that are now so noble,
Little souls that are now so white.
I would that ye heard it always,
25
That sweet bird's voice within,
When the heart is sad and lonely
In the long, long struggle with sin;
Till a rest comes out of the sunset
For the labouring hands and feet,
30
And a silence has fallen for ever
On the noise and the dust of the street.
poem by Frederick George Scott

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Music I heard with you was more than music, and bread I broke with you was more than bread. Now that I am without you, all is desolate; all that was once so beautiful is dead.
quote by Conrad Aiken

Submitted by Lucian Velea
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Dead End Street
Theres a crack up in the ceiling,
And the kitchen sink is leaking.
Out of work and got no money,
A sunday joint of bread and honey.
What are we living for?
Two-roomed apartment on the second floor.
No money coming in,
The rent collectors knocking, trying to get in.
We are strictly second class,
We dont understand,
(dead end!)
Why we should be on dead end street.
(dead end!)
People are living on dead end street.
(dead end!)
Gonna die on dead end street.
Dead end street (yeah)
Dead end street (yeah)
On a cold and frosty morning,
Wipe my eyes and stop me yawning.
And my feet are nearly frozen,
Boil the tea and put some toast on.
What are we living for?
Two-roomed apartment on the second floor.
No chance to emigrate,
Im deep in debt and now its much too late.
We both want to work so hard,
We cant get the chance,
(dead end!)
People live on dead end street.
(dead end!)
People are dying on dead end street.
(dead end!)
Gonna die on dead end street.
Dead end street (yeah)
Dead end street (yeah)
(dead end!)
People live on dead end street.
(dead end!)
People are dying on dead end street.
(dead end!)
Gonna die on dead end street.
Dead end street (yeah)
Dead end street (yeah)
Dead end street (yeah)
Head to my feet (yeah)
Dead end street (yeah)
Dead end street (yeah)
Dead end street (yeah)
Hows it feel? (yeah)
Hows it feel? (yeah)
Dead end street (yeah)
Dead end street (yeah)
song performed by by Kinks

Submitted by Lucian Velea
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The House Of Dust: Part 03: 12: Witches' Sabbath
Now, when the moon slid under the cloud
And the cold clear dark of starlight fell,
He heard in his blood the well-known bell
Tolling slowly in heaves of sound,
Slowly beating, slowly beating,
Shaking its pulse on the stagnant air:
Sometimes it swung completely round,
Horribly gasping as if for breath;
Falling down with an anguished cry . . .
Now the red bat, he mused, will fly;
Something is marked, this night, for death . . .
And while he mused, along his blood
Flew ghostly voices, remote and thin,
They rose in the cavern of his brain,
Like ghosts they died away again;
And hands upon his heart were laid,
And music upon his flesh was played,
Until, as he was bidden to do,
He walked the wood he so well knew.
Through the cold dew he moved his feet,
And heard far off, as under the earth,
Discordant music in shuddering tones,
Screams of laughter, horrible mirth,
Clapping of hands, and thudding of drums,
And the long-drawn wail of one in pain.
To-night, he thought, I shall die again,
We shall die again in the red-eyed fire
To meet on the edge of the wood beyond
With the placid gaze of fed desire . . .
He walked; and behind the whisper of trees,
In and out, one walked with him:
She parted the branches and peered at him,
Through lowered lids her two eyes burned,
He heard her breath, he saw her hand,
Wherever he turned his way, she turned:
Kept pace with him, now fast, now slow;
Moving her white knees as he moved . . .
This is the one I have always loved;
This is the one whose bat-soul comes
To dance with me, flesh to flesh,
In the starlight dance of horns and drums . . .
The walls and roofs, the scarlet towers,
Sank down behind a rushing sky.
He heard a sweet song just begun
Abruptly shatter in tones and die.
It whirled away. Cold silence fell.
And again came tollings of a bell.
* * * * *
This air is alive with witches: the white witch rides
Swifter than smoke on the starlit wind.
In the clear darkness, while the moon hides,
They come like dreams, like something remembered . .
Let us hurry! beloved; take my hand,
Forget these things that trouble your eyes,
Forget, forget! Our flesh is changed,
Lighter than smoke we wreathe and rise . . .
The cold air hisses between us . . . Beloved, beloved,
What was the word you said?
Something about clear music that sang through water . . .
I cannot remember. The storm-drops break on the leaves.
Something was lost in the darkness. Someone is dead.
Someone lies in the garden and grieves.
Look how the branches are tossed in this air,
Flinging their green to the earth!
Black clouds rush to devour the stars in the sky,
The moon stares down like a half-closed eye.
The leaves are scattered, the birds are blown,
Oaks crash down in the darkness,
We run from our windy shadows; we are running alone.
* * * * *
The moon was darkened: across it flew
The swift grey tenebrous shape he knew,
Like a thing of smoke it crossed the sky,
The witch! he said. And he heard a cry,
And another came, and another came,
And one, grown duskily red with blood,
Floated an instant across the moon,
Hung like a dull fantastic flame . . .
The earth has veins: they throb to-night,
The earth swells warm beneath my feet,
The tips of the trees grow red and bright,
The leaves are swollen, I feel them beat,
They press together, they push and sigh,
They listen to hear the great bat cry,
The great red bat with the woman's face . . .
Hurry! he said. And pace for pace
That other, who trod the dark with him,
Crushed the live leaves, reached out white hands
And closed her eyes, the better to see
The priests with claws, the lovers with hooves,
The fire-lit rock, the sarabands.
I am here! she said. The bough he broke—
Was it the snapping bough that spoke?
I am here! she said. The white thigh gleamed
Cold in starlight among dark leaves,
The head thrown backward as he had dreamed,
The shadowy red deep jasper mouth;
And the lifted hands, and the virgin breasts,
Passed beside him, and vanished away.
I am here! she cried. He answered 'Stay!'
And laughter arose, and near and far
Answering laughter rose and died . . .
Who is there? in the dark? he cried.
He stood in terror, and heard a sound
Of terrible hooves on the hollow ground;
They rushed, were still; a silence fell;
And he heard deep tollings of a bell.
* * * * *
Look beloved! Why do you hide your face?
Look, in the centre there, above the fire,
They are bearing the boy who blasphemed love!
They are playing a piercing music upon him
With a bow of living wire! . . .
The virgin harlot sings,
She leans above the beautiful anguished body,
And draws slow music from those strings.
They dance around him, they fling red roses upon him,
They trample him with their naked feet,
His cries are lost in laughter,
Their feet grow dark with his blood, they beat and
beat,
They dance upon him, until he cries no more . . .
Have we not heard that cry before?
Somewhere, somewhere,
Beside a sea, in the green evening,
Beneath green clouds, in a copper sky . . .
Was it you? was it I?
They have quenched the fires, they dance in the darkness,
The satyrs have run among them to seize and tear,
Look! he has caught one by the hair,
She screams and falls, he bears her away with him,
And the night grows full of whistling wings.
Far off, one voice, serene and sweet,
Rises and sings . . .
'By the clear waters where once I died,
In the calm evening bright with stars. . . .'
Where have I heard these words? Was it you who sang them?
It was long ago.
Let us hurry, beloved! the hard hooves trample;
The treetops tremble and glow.
* * * * *
In the clear dark, on silent wings,
The red bat hovers beneath her moon;
She drops through the fragrant night, and clings
Fast in the shadow, with hands like claws,
With soft eyes closed and mouth that feeds,
To the young white flesh that warmly bleeds.
The maidens circle in dance, and raise
From lifting throats, a soft-sung praise;
Their knees and breasts are white and bare,
They have hung pale roses in their hair,
Each of them as she dances by
Peers at the blood with a narrowed eye.
See how the red wing wraps him round,
See how the white youth struggles in vain!
The weak arms writhe in a soundless pain;
He writhes in the soft red veiny wings,
But still she whispers upon him and clings. . . .
This is the secret feast of love,
Look well, look well, before it dies,
See how the red one trembles above,
See how quiet the white one lies! . . . .
Wind through the trees. . . .and a voice is heard
Singing far off. The dead leaves fall. . . .
'By the clear waters where once I died,
In the calm evening bright with stars,
One among numberless avatars,
I wedded a mortal, a mortal bride,
And lay on the stones and gave my flesh,
And entered the hunger of him I loved.
How shall I ever escape this mesh
Or be from my lover's body removed?'
Dead leaves stream through the hurrying air
And the maenads dance with flying hair.
* * * * *
The priests with hooves, the lovers with horns,
Rise in the starlight, one by one,
They draw their knives on the spurting throats,
They smear the column with blood of goats,
They dabble the blood on hair and lips
And wait like stones for the moon's eclipse.
They stand like stones and stare at the sky
Where the moon leers down like a half-closed eye. . .
In the green moonlight still they stand
While wind flows over the darkened sand
And brood on the soft forgotten things
That filled their shadowy yesterdays. . . .
Where are the breasts, the scarlet wings? . . . .
They gaze at each other with troubled gaze. . . .
And then, as the shadow closes the moon,
Shout, and strike with their hooves the ground,
And rush through the dark, and fill the night
With a slowly dying clamor of sound.
There, where the great walls crowd the stars,
There, by the black wind-riven walls,
In a grove of twisted leafless trees. . . .
Who are these pilgrims, who are these,
These three, the one of whom stands upright,
While one lies weeping and one of them crawls?
The face that he turned was a wounded face,
I heard the dripping of blood on stones. . . .
Hooves had trampled and torn this place,
And the leaves were strewn with blood and bones.
Sometimes, I think, beneath my feet,
The warm earth stretches herself and sighs. . . .
Listen! I heard the slow heart beat. . . .
I will lie on this grass as a lover lies
And reach to the north and reach to the south
And seek in the darkness for her mouth.
* * * * *
Beloved, beloved, where the slow waves of the wind
Shatter pale foam among great trees,
Under the hurrying stars, under the heaving arches,
Like one whirled down under shadowy seas,
I run to find you, I run and cry,
Where are you? Where are you? It is I. It is I.
It is your eyes I seek, it is your windy hair,
Your starlight body that breathes in the darkness there.
Under the darkness I feel you stirring. . . .
Is this you? Is this you?
Bats in this air go whirring. . . .
And this soft mouth that darkly meets my mouth,
Is this the soft mouth I knew?
Darkness, and wind in the tortured trees;
And the patter of dew.
* * * * *
Dance! Dance! Dance! Dance!
Dance till the brain is red with speed!
Dance till you fall! Lift your torches!
Kiss your lovers until they bleed!
Backward I draw your anguished hair
Until your eyes are stretched with pain;
Backward I press you until you cry,
Your lips grow white, I kiss you again,
I will take a torch and set you afire,
I will break your body and fling it away. . . .
Look, you are trembling. . . .Lie still, beloved!
Lock your hands in my hair, and say
Darling! darling! darling! darling!
All night long till the break of day.
Is it your heart I hear beneath me. . . .
Or the far tolling of that tower?
The voices are still that cried around us. . . .
The woods grow still for the sacred hour.
Rise, white lover! the day draws near.
The grey trees lean to the east in fear.
'By the clear waters where once I died . . . .'
Beloved, whose voice was this that cried?
'By the clear waters that reach the sun
By the clear waves that starward run. . . .
I found love's body and lost his soul,
And crumbled in flame that should have annealed. . .
How shall I ever again be whole,
By what dark waters shall I be healed?'
Silence. . . .the red leaves, one by one,
Fall. Far off, the maenads run.
Silence. Beneath my naked feet
The veins of the red earth swell and beat.
The dead leaves sigh on the troubled air,
Far off the maenads bind their hair. . . .
Hurry, beloved! the day comes soon.
The fire is drawn from the heart of the moon.
* * * * *
The great bell cracks and falls at last.
The moon whirls out. The sky grows still.
Look, how the white cloud crosses the stars
And suddenly drops behind the hill!
Your eyes are placid, you smile at me,
We sit in the room by candle-light.
We peer in each other's veins and see
No sign of the things we saw this night.
Only, a song is in your ears,
A song you have heard, you think, in dream:
The song which only the demon hears,
In the dark forest where maenads scream . . .
'By the clear waters where once I died . . .
In the calm evening bright with stars . . . '
What do the strange words mean? you say,—
And touch my hand, and turn away.
poem by Conrad Potter Aiken

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Over The Darkened City
Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.
The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.
Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .
. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .
Voices clear and silvery, voices of raindrops,-
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound. Each cries a secret.
I run among them, reach out vain hands, and drown.
'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'
'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'
'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead. It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again. And it was so.'
Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.
'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '
He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.
Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.
Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.
'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.
'I bound her to me in all soft ways,
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.
'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us. He yields us our desire.
'No, do not stare so-he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this. I know. It was long ago . . .
He closes his eyes and drowns in death again.'
The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.
poem by Conrad Potter Aiken

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The House Of Dust: Part 01: 06: Over the darkened city, the city of towers
Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.
The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.
Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .
. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .
Voices clear and silvery, voices of raindrops,—
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound. Each cries a secret.
I run among them, reach out vain hands, and drown.
'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'
'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'
'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead. It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again. And it was so.'
Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.
'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '
He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.
Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.
Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.
'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.
'I bound her to me in all soft ways,
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.
'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us. He yields us our desire.
'No, do not stare so—he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this. I know. It was long ago . . .
He closes his eyes and drowns in death again.'
The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.
poem by Conrad Potter Aiken

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At Nightfall
O little hands, long vanished in the night--
Sweet fairy hands that were my treasure here--
My heart is full of music from some sphere,
Where ye make melody for God's delight.
Though autumn clouds obscure the starry height,
And winds are noisy and the land is drear,
In this blank room I feel my lost love near,
And hear you playing--hands so small and white.
The shadowy organ sings its songs again,
The dead years turn to music at its voice,
And all the dreams come back my brain did store.
Once more, dear hands, ye soothe me in my pain,
Once more your music makes my heart rejoice--
God speed the day we clasp for evermore!
poem by Frederick George Scott

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Spring
Wake up again, sad heart, wake up again !
(I heard the birds this morning singing sweet.)
Wake up again ! The sky was crystal clear,
And washed quite clean with rain ;
And tar below my heart stirred with the year,
Stirred with the year and sighed. O pallid feet
Move now at last, O heart that sleeps with pain
Rise up and hear
The voices in the valleys, run to meet
The songs and shadows. O wake up again !
Put out green leaves, dead tree, put out green leaves t
(Last night the moon was soft and kissed the air.)
Put out green leaves ! The moon was in the skies,
All night she wakes and weaves.
The dew was on the grass like fairies' eyes,
Like fairies' eyes. O trees so black and bare,
Remember all the fruits, the full gold sheaves;
For nothing dies,
The songs that are, are silences that were,
Summer was Winter. O put but green leaves!
Break through the earth, pale flower, break through the earth !
(All day the lark has sung a madrigal.)
Break through the earth that lies not lightly yet
And waits thy patient birth,
Waits for the jonquil and the violet,
The violet. Full soon the heavy pall
Will be a bed, and in the noon of mirth
Some rivulet
Will bubble in my wilderness, some call
Will touch my silence. O break through the earth.
poem by Lord Alfred Douglas

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Lines written in the Belief that the Ancient Roman Festival of the Dead was called Ambarvalia
Swings the way still by hollow and hill,
And all the world's a song;
'She's far,' it sings me, 'but fair,' it rings me,
'Quiet,' it laughs, 'and strong!'
Oh! spite of the miles and years between us,
Spite of your chosen part,
I do remember; and I go
With laughter in my heart.
So above the little folk that know not,
Out of the white hill-town,
High up I clamber; and I remember;
And watch the day go down.
Gold is my heart, and the world's golden,
And one peak tipped with light;
And the air lies still about the hill
With the first fear of night;
Till mystery down the soundless valley
Thunders, and dark is here;
And the wind blows, and the light goes,
And the night is full of fear,
And I know, one night, on some far height,
In the tongue I never knew,
I yet shall hear the tidings clear
From them that were friends of you.
They'll call the news from hill to hill,
Dark and uncomforted,
Earth and sky and the winds; and I
Shall know that you are dead.
I shall not hear your trentals,
Nor eat your arval bread;
For the kin of you will surely do
Their duty by the dead.
Their little dull greasy eyes will water;
They'll paw you, and gulp afresh.
They'll sniffle and weep, and their thoughts will creep
Like flies on the cold flesh.
They will put pence on your grey eyes,
Bind up your fallen chin,
And lay you straight, the fools that loved you
Because they were your kin.
They will praise all the bad about you,
And hush the good away,
And wonder how they'll do without you,
And then they'll go away.
But quieter than one sleeping,
And stranger than of old,
You will not stir for weeping,
You will not mind the cold;
But through the night the lips will laugh not,
The hands will be in place,
And at length the hair be lying still
About the quiet face.
With snuffle and sniff and handkerchief,
And dim and decorous mirth,
With ham and sherry, they'll meet to bury
The lordliest lass of earth.
The little dead hearts will tramp ungrieving
Behind lone-riding you,
The heart so high, the heart so living,
Heart that they never knew.
I shall not hear your trentals,
Nor eat your arval bread,
Nor with smug breath tell lies of death
To the unanswering dead.
With snuffle and sniff and handkerchief,
The folk who loved you not
Will bury you, and go wondering
Back home. And you will rot.
But laughing and half-way up to heaven,
With wind and hill and star,
I yet shall keep, before I sleep,
Your Ambarvalia.
poem by Rupert Brooke

Submitted by Veronica Serbanoiu
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The Dead To The Living
Work while it is day: the night cometh, when no man can work.
IN the childhood of April, while purple woods
With the young year's blood in them smiled,
I passed through the lanes and the wakened fields,
And stood by the grave of the child.
And the pain awoke that is never dead
Though it sometimes sleeps, and again
It set its teeth in this heart of mine,
And fastened its claws in my brain:
For it seemed so hard that the little hands
And the little well-loved head
Should be out of reach of my living lips,
And be side by side with the dead--
Not side by side with us who had loved,
But with these who had never seen
The grace of the smile, the gold of the hair,
And the eyes of my baby-queen.
Yet with trees about where the brown birds build,
And with long green grass above,
She lies in the cold sweet breast of earth
Beyond the reach of our love;
Whatever befalls in the coarse loud world,
We know she will never wake.
When I thought of the sorrow she might have known,
I was almost glad for her sake. . . .
Tears might have tired those kiss-closed eyes,
Grief hardened the mouth I kissed;
I was almost glad that my dear was dead
Because of the pain she had missed.
Oh, if I could but have died a child
With a white child-soul like hers,
As pure as the wind-flowers down in the copse,
Where the soul of the spring's self stirs;
Or if I had only done with it all,
And might lie by her side unmoved!
I envied the very clods of earth
Their place near the child I loved!
And my soul rose up in revolt at life,
As I stood dry-eyed by her grave,
When sudden the grass of the churchyard sod
Rolled back like a green smooth wave;
The brown earth looked like the brown sea rocks,
The tombstones were white like spray,
And white like surf were the curling folds
Of the shrouds where the dead men lay;
For each in his place with his quiet face
I saw the dead lie low,
Who had worked and suffered and found life sad,
So many sad years ago.
Unchanged by time I saw them lie
As when first they were laid to rest,
The tired eyes closed, the sad lips still,
And the work-worn hands on the breast.
There were some who had found the green world so grey,
They had left it before their time,
And some were little ones like my dear,
And some had died in their prime;
And some were old, they had had their fill
Of bitter unfruitful hours,
And knew that none of them, none, had known
A flower of a hope like ours!
Through their shut eyelids the dead looked up,
And without a voice they said:
'We lived without hope, without hope we died,
And hopeless we lie here dead;
And death is better than life that draws
Pain in, as it draws in breath,
If life never dreams of a coming day
When life shall not envy death.
Through the dark of our hours and our times we lived,
Uncheered by a single ray
Of such hope as lightens the lives of you
Who are finding life hard to-day;
With our little lanterns of human love
We lighted our dark warm night--
But you in the chill of the dawn are set
With your face to the eastern light.
Freedom is waiting with hands held out
Till you tear the veil from her face--
And when once men have seen the light of her eyes,
And felt her divine embrace,
The light of the world will be risen indeed,
And will shine in the eyes of men,
And those who come after will find life fair,
And their lives worth living then!
Will you strive to the light in your loud rough world,
That these things may come to pass,
Or lie in the shadow beside the child,
And strive to the sun through the grass?'
'My world while I may,' I cried; 'but you
Whose lives were as dark as your grave?'
'We too are a part of the coming light,'
They called through the smooth green wave.
Their white shrouds gleamed as the flood of green
Rolled over and hid them from me--
Hid all but the little hands and the hair,
And the face that I always see.
poem by Edith Nesbit

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When I Need You
When I need you
I just close my eyes
And I'm with you
And all that I so want to give you
It's only a heart beat away
When I need love
I hold out my hands
And I touch love
I never knew there was so much love
Keeping me warm night and day
Miles and miles of empty space
In between us
A telephone can't take the place of your smile
But you know I won't be traveling forever
It's cold out, but hold out
And do like I do
When I need you
I just close my eyes
And I'm with you
And all that I so want to give you
It's only a heart beat away
It's not easy when
The road is your driver
Honey that's a heavy load that we bare
But you know I won't be
Traveling a life time
It's cold out but hold out
And do like I do
Oh I need you
When I need love
I hold out my hands
And I touch love
I never knew there was so much love
Keeping me warm night and day
When I need you
I just close my eyes
And you're right here by my side
Keeping me warm night and day
I just hold out my hands
I just hold out my hands
And I'm with you
And all that I want to give you
It's only a heart beat away
song performed by by Barry Manilow

Submitted by Lucian Velea
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The Tryst
I raised the veil, I loosed the bands,
I took the dead thing from its place.
Like a warm stream in frozen lands
My lips went wandering on her face,
My hands burnt in her hands.
She could not stay me, being dead;
Her body here was mine to hold.
What if her lips had lost their red?
To me they always tasted cold
With the cold words she said.
Did my breath run along her hair,
And free the pulse, and fire the brain,
My wild blood wake her wild blood there?
Here eyelids lifted wide again
In a blue, sudden stare.
Beneath my fierce, profane caress
The whole white length of body moved;
The drowsy bosom seemed to press
As if against a breast beloved,
Then fail for weariness.
No, not that anguish! Christ forbid
That I should raise such dead! I rose,
Stifled the mouth with lilies, hid
Those eyes, And drew the long hair close,
And shut the coffin lid.
My cold brow on the cold wood laid,
Quiet and close to-night we lie.
No cruel words her lips have said.
I shall not take nor she deny.
The dead is with the dead.
poem by Muriel Stuart

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Life Has A Great Customer!
Life is having one great customer,
The Lord in disguise in every life,
Blessed is the lotus, which blooms in mudfilled lake,
Golden petals lotus, in trifle suffered hearts,
May it be an Einstein,
or may a Gibran,
Such births take place in this pool,
Filled with so many problems!
Yet the love is so great,
I love my beloved more than my life,
This life is his,
This life is for him,
Every moment I die and reborn in him,
Every sound of rustling leaves,
My beloved's call,
With every wind the fragrance of beloved cometh,
Every moving cloud shows,
Different face of my beloved,
With every raise and fall of a wave,
My beloved shows up,
In every golden rays of the Morning Sun is my beloved's procession,
Rooster calling, wake up see the glories procession of beloved,
Birds singing praise of the beloved,
In dewdrops his world shineth,
Everyday if one rooster or bird gone,
It take the rebirth to sing his glory,
Every dew dropp evaporated appear next morning,
So am I to die every moment,
To this world I am dead,
Ever living and sleeping in beloved's heart,
Whenever I want my eyes to fill his glory,
I come out of his heart,
Stand aside, and look at my beloved's beautiful face!
poem by Ramdas Bhandarkar

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Sapphics
All the night sleep came not upon my eyelids,
Shed not dew, nor shook nor unclosed a feather,
Yet with lips shut close and with eyes of iron
Stood and beheld me.
Then to me so lying awake a vision
Came without sleep over the seas and touched me,
Softly touched mine eyelids and lips; and I too,
Full of the vision,
Saw the white implacable Aphrodite,
Saw the hair unbound and the feet unsandalled
Shine as fire of sunset on western waters;
Saw the reluctant
Feet, the straining plumes of the doves that drew her,
Looking always, looking with necks reverted,
Back to Lesbos, back to the hills whereunder
Shone Mitylene;
Heard the flying feet of the Loves behind her
Make a sudden thunder upon the waters,
As the thunder flung from the strong unclosing
Wings of a great wind.
So the goddess fled from her place, with awful
Sound of feet and thunder of wings around her;
While behind a clamour of singing women
Severed the twilight.
Ah the singing, ah the delight, the passion!
All the Loves wept, listening; sick with anguish,
Stood the crowned nine Muses about Apollo;
Fear was upon them,
While the tenth sang wonderful things they knew not.
Ah the tenth, the Lesbian! the nine were silent,
None endured the sound of her song for weeping;
Laurel by laurel,
Faded all their crowns; but about her forehead,
Round her woven tresses and ashen temples
White as dead snow, paler than grass in summer,
Ravaged with kisses,
Shone a light of fire as a crown for ever.
Yea, almost the implacable Aphrodite
Paused, and almost wept; such a song was that song.
Yea, by her name too
Called her, saying, 'Turn to me, O my Sappho;'
Yet she turned her face from the Loves, she saw not
Tears for laughter darken immortal eyelids,
Heard not about her
Fearful fitful wings of the doves departing,
Saw not how the bosom of Aphrodite
Shook with weeping, saw not her shaken raiment,
Saw not her hands wrung;
Saw the Lesbians kissing across their smitten
Lutes with lips more sweet than the sound of lute-strings,
Mouth to mouth and hand upon hand, her chosen,
Fairer than all men;
Only saw the beautiful lips and fingers,
Full of songs and kisses and little whispers,
Full of music; only beheld among them
Soar, as a bird soars
Newly fledged, her visible song, a marvel,
Made of perfect sound and exceeding passion,
Sweetly shapen, terrible, full of thunders,
Clothed with the wind's wings.
Then rejoiced she, laughing with love, and scattered
Roses, awful roses of holy blossom;
Then the Loves thronged sadly with hidden faces
Round Aphrodite,
Then the Muses, stricken at heart, were silent;
Yea, the gods waxed pale; such a song was that song.
All reluctant, all with a fresh repulsion,
Fled from before her.
All withdrew long since, and the land was barren,
Full of fruitless women and music only.
Now perchance, when winds are assuaged at sunset,
Lulled at the dewfall,
By the grey sea-side, unassuaged, unheard of,
Unbeloved, unseen in the ebb of twilight,
Ghosts of outcast women return lamenting,
Purged not in Lethe,
Clothed about with flame and with tears, and singing
Songs that move the heart of the shaken heaven,
Songs that break the heart of the earth with pity,
Hearing, to hear them.
poem by Algernon Charles Swinburne

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New Life, New Love
The breezes blow on the river below,
And the fleecy clouds float high,
And I mark how the dark green gum trees match
The bright blue dome of the sky.
The rain has been, and the grass is green
Where the slopes were bare and brown,
And I see the things that I used to see
In the days ere my head went down.
I have found a light in my long dark night,
Brighter than stars or moon;
I have lost the fear of the sunset drear,
And the sadness of afternoon.
Here let us stand while I hold your hand,
Where the light’s on your golden head—
Oh! I feel the thrill that I used to feel
In the days ere my heart was dead.
The storm’s gone by, but my lips are dry
And the old wrong rankles yet—
Sweetheart or wife, I must take new life
From your red lips warm and wet!
So let it be, you may cling to me,
There is nothing on earth to dread,
For I’ll be the man that I used to be
In the days ere my heart was dead!
poem by Henry Lawson

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In the spirit of Rumi - 24
‘O My Beloved,
Only when I am close to You
is the world in perfect order, and
contentment enfolds me in warm arms;
only then am I at peace;
only then is my heart at rest
and I am still within myself
and know that heart to be true constancy…’
O My Beloved,
You heard me speak this
from my heart, to You; and then
You smiled.
And in that smile I knew
all that I had written, to be but
the faintest, pale reflection
of Your love for me;
for me whose heart You made,
to be there as a mirror of Your love.
poem by Michael Shepherd

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All Souls
I
A THIN moon faints in the sky o'erhead,
And dumb in the churchyard lie the dead.
Walk we not, Sweet, by garden ways,
Where the late rose hangs and the phlox delays,
But forth of the gate and down the road,
Past the church and the yews, to their dim abode.
For it's turn of the year and All Souls' night,
When the dead can hear and the dead have sight.
II
Fear not that sound like wind in the trees:
It is only their call that comes on the breeze;
Fear not the shudder that seems to pass:
It is only the tread of their feet on the grass;
Fear not the drip of the bough as you stoop:
It is only the touch of their hands that grope -
For the year's on the turn, and it's All Souls' night,
When the dead can yearn and the dead can smite.
III
And where should a man bring his sweet to woo
But here, where such hundreds were lovers too?
Where lie the dead lips that thirst to kiss,
The empty hands that their fellows miss,
Where the maid and her lover, from sere to green,
Sleep bed by bed, with the worm between?
For it's turn of the year and All Souls' night,
When the dead can hear and the dead have sight.
IV
And now that they rise and walk in the cold,
Let us warm their blood and give youth to the old.
Let them see us and hear us, and say: 'Ah, thus
In the prime of the year it went with us!'
Till their lips drawn close, and so long unkist,
Forget they are mist that mingles with mist!
For the year's on the turn, and it's All Souls' night,
When the dead can burn and the dead can smite.
V
Till they say, as they hear us - poor dead, poor dead! -
'Just an hour of this, and our age-long bed -
Just a thrill of the old remembered pains
To kindle a flame in our frozen veins,
Just a touch, and a sight, and a floating apart,
As the chill of dawn strikes each phantom heart -
For it's turn of the year and All Souls' night,
When the dead can hear, and the dead have sight.'
VI
And where should the living feel alive
But here in this wan white humming hive,
As the moon wastes down, and the dawn turns cold,
And one by one they creep back to the fold?
And where should a man hold his mate and say:
'One more, one more, ere we go their way'?
For the year's on the turn, and it's All Souls' night,
When the living can learn by the churchyard light.
VII
And how should we break faith who have seen
Those dead lips plight with the mist between,
And how forget, who have seen how soon
They lie thus chambered and cold to the moon?
How scorn, how hate, how strive, we too,
Who must do so soon as those others do?
For it's All Souls' night, and break of the day,
And behold, with the light the dead are away. . . .
poem by Edith Wharton

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