En.Citatepedia^®.ro

The Wooer

I nearly fell fair in my tracks.
I'm trudgin' homeward with my axe
When I come on her suddenly.
'I wonder if I'm lost?' says she.
'It's risky on such roads as this.'
I lifts my hat an' says, 'Yes, miss.'
I knew 'twas rude for me to stare,
But, oh, that sunlight in her hair!

'I wonder if I'm lost? says she,
An' gives a smile that staggers me.
'An' yet, it wouldn't matter much
Supposing that I was, with such
A glorious green world about,
With bits of blue sky peepin' out.
Do you think there will be a fog?'
'No, miss,' says I, an' pats my dog.

'Oh, what a dear old dog!' says she.
'Most dogs are pretty fond of me.'
She calls him to her, an' he goes.
(He didn't find it hard, I s'pose;
I know I wouldn't if she called.)
'It's wondrous how the tracks are walled
With these great trees that touch the sky
On either side.' 'Yes, miss,' says I.

She fondles my old dog a bit;
I wait to make a bolt for it.
(There ain't no call to stand an' talk
With one who'd be too proud to walk
A half-a-yard with such as me.)
'The wind keeps workin' up,' says she.
'Yes, miss,' says I, an' lifts me hat.
An' she just let's it go at that.

She let me reach the dribblin' ford -
That day to me it fairly roared.
(At least, that's how the thing appears;
But blood was poundin' in my ears.)
She waits till I ahve fairly crossed:
'I thought I told I was lost?'
She cries. 'An' you go walkin' off,
Quite scornful, like some proud bush toff!'

She got me thinkin' hard with that.
'Yes, miss,' I says, an' lifts my hat.
But she just waits there on the track,
An' lets me walk the whole way back.
'An' are you reely lost?' says I.
'Yes, sir,' says she an' drops her eye. . .
I wait, an' wait for what seems days;
But not another word she says.

I pats my dog, an' lifts my hat;
But she don't seem to notice that.
I looks up trees an' stares at logs,
An' long for twenty hats an' dogs.
'The weather's kept reel good to-day,'
I blurts at last. Say she, 'Hurray!'
'Hurray!' she says, an' then, 'Encore!'
An' gets me wonderin' what for.

'Is this the right road to 'The Height?''
I tell her it's the road, all right,
But that the way she's walkin' ain't.
At that she looked like she would faint.
'Then I was lost if I had gone
Along this road an' walked right on
An unfrequented bush track, too!
How fortunate that I met you!'

'Yes, miss,' I says. 'Yes - what?' says she.
Says I, 'Most fortunate . . . for me.'
I don't know where I found the pluck
To blurt that out an' chance my luck.
'You'll walk,' she says, 'a short way back,
So you can put me on the track?'
'I'll take you all the way,' says I,
An' looks her fair bang in the eye.

Later, I let myself right out,
An' talked: an' told her all about
The things I've done, an' what I do,
An' nearly all I'm hopin' to.
Told why I chose the game I'm at
Because my folks were poor, an' that.
She seemed reel pleased to hear me talk,
An' sort of steadied up the walk.

An' when I'd spoke my little bit,
She just takes up the thread of it;
An' later on, near knocks me down
By tellin' me she works - in town.
Works? her? I thought, the way she dressed,
She was quite rich; but she confessed
That makin' dresses was her game,
An' she was dead sick of the same.

When Good bye came, I lifts my hat;
But she holds out her hand at that.
I looked at mine, all stained with sap,
An' told her I'm a reel rough chap.
'A worker's hand,' says she, reel fine,
'An' marked with toil; but so is mine.
We're just two toilers; let us shake,
An' be good friends - for labour's sake.'

I didn't care to say no more,
For fear of what she'd take me for
But just Good bye, an' turns away,
Bustin' with things I had to say.
I don't know how I got right home.
The wonder was I didn't roam
Off in the scrub, an' dream out there
Of her with sunlight in her hair.

At home I looks around the place,
An' sees the dirt a fair disgrace;
So takes an' tidies up a bit,
An' has a shave; an' then I sit
Beside my fire to have a think.
But my old dog won't sleep a wink;
He fools, an' whines, an' nudges me,
Then all at once I thinks of tea.

I beg his pardon wiht a smile,
An'. talkin' to him all the while,
I get it ready, tellin' him
About that girl; but, 'Shut up, Jim!'
he says to me as plain as plain.
'First have some food, an' then explain.'
(I don't know how she came to tell,
But I found out her name is Nell.)

We gets our bit to eat at last.
(An', just for spite, he et his fast) . . .
I think that Nell's a reel nice name . . .
'All right, old dog, I ain't to blame
If you' . . . Just as I go to sup
My tea I stop dead, with my cup
Half up, an' . . . By the Holy Frost!
I wonder was Nell reely lost?

poem by Clarence Michael James Stanislaus Dennis
Submitted by Poetry Lover
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Grey Thrush

Grey thrush was in the wattle tree, an', 'Oh, you pretty dear!'
He says in his allurin' way; an' I remarks, 'Hear, hear!
That does me nicely for a start; but what do I say next?'
But then the Jacks take up the song, an' I get very vexed.

The thrush was in the wattle tree, an' I was underneath.
I'd put a clean white collar on, I'd picked a bunch of heath;
For I was cleaned an' clobbered up to meet my Nell that day.
But now my awful trouble comes: What is a man to say?

I mean to tell her all I've thought since first I saw her there,
On the bark-heap by the mill-shed, with the sunlight in her hair.
I mean to tell her all I've done an' what I'll do with life;
An', when I've said all that an' more, I'll ask her for my wife.

I mean to tell her she's too good, by far, for such as me,
An' how with lonely forest life she never may agree.
I mean to tell her lots of things, an' be reel straight an' fine;
And, after she's considered that, I'll ask her to be mine.

I seen her by the sassafras, the sun was on her hair;
An' I don't know what come to me to see her standin' there.
I never even lifts my hat, I never says 'Good day'
To her that should be treated in a reel respectful way.

I only know the girl I want is standin' smilin' there
Right underneath the sassafras. I never thought I'd dare,
But I holds out my arms to her, an' says, as I come near
Not one word of that speech of mine—but, 'Oh, you pretty dear !'

It was enough. Lord save a man! It's simple if he knew,
There's one way with a woman if she loves you good an' true.
Next moment she is in my arms; an' me? I don't know where.
If Heaven can compare with it I won't fret much up there.

'Why, Mister Jim,' she says to me. 'You're very bold,' says she.
'Yes, miss,' I says. Then she looks up—an' that's the end of me….
'O man !' she cries. 'O modest man, if you go on like this—'
But I interrupt a lady, an' I do it with a kiss.

'Jim, do you know what heroes are?' says she, when I'd 'behaved.'
'Why, yes,' says I. 'They're blokes that save fair maids that won't be saved.'
'You're mine,' says she, an' smiles at me, 'an' will be all my life
That is, if it occurs to you to ask me for your wife.'

Grey thrush is in the wattle tree when I get home that day
Back to my silent, lonely house—an' still he sings away.
There is no other voice about, no step upon the floor;
An' none to come an' welcome me as I get to the door.

Yet in the happy heart of me I play at make-believe:
I hear one singin' in the room where once I used to grieve;
I hear a light step on the path, an', as I reach the gate,
A happy voice, that makes me glad, tells me I'm awful late.

Now what's a man to think of that, an' what's a man to say,
Who's been out workin' in the bush, tree-fallin', all the day?
An' how's a man to greet his wife, if she should meet him here ?
But Grey Thrush in the wattle tree says, 'Oh, you pretty dear !'

poem by Clarence Michael James Stanislaus Dennis
Submitted by Poetry Lover
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The Vision

Of things that roam about the bush I ain't got many fears,
For I knows their ways an' habits, and I've chummed with them for years.
For man or beast or gully ghost I've pluck enough to spare;
But I draws the line at visions with the sunlight in their hair.

When a man has fought an' conquered it is good in many ways:
There's the pride in having done it, an' the other fellows' praise;
There's the glory an' the standin' that you get among the men
All their looks are more respectful since I socked it into Ben.

I was feelin' fine this mornin' when I started out to work;
An' I caught myself high-steppin' with a boastful sort of jerk;
With my head a trifle higher an' my eye a little stern.
I thought the world was mine for keeps; but I'd a lot to learn.

Young Dick, the Dusty, wasn't half as cheeky as of old;
The men were actin' friendly-like, but I kept kind of cold
An' distant, as becomes a bloke who's scored a knock-out thump
Till just approachin' dinner time; an' then I got my bump.

It's fine to see your cobbers lookin' at you like the know
You're not a man to trifle with; at least, I found it so.
Ben Murray was quite affable, an' once he whispered me
There's a certain somethin' doin', an' he'll see me privately.

I was workin' at the rip saw, cursin' at my achin' back,
When I saw the blessed vision comin' down the log-year track.
There were others in the party, but the one that got my stare
Was her with two brown, laughin' eyes an' sunlight in her hair.

'More visitors!' growled old man Pike. 'Another city push.
I'll bet a quid they ask us why we 'spoil the lovely bush.'
I hardly heard him saying it, for like a fool I stand,
My eyes full of the vision an' a batten in my hand.

'You gone to sleep?' the sawyer said. 'What's got you mesmerized?'
I start to work like fury, but my thoughts can't be disguised.
'Oh, Jim's gone dippy with the Spring'; replies old Pike an' grins.
I turn to answer dignified; but trip, an' bark my shins.

Next thing I know the boss is there, an' talkin' fine an' good.
Explaining' to the visitors how trees are made of wood.
They murmur things like 'Marvellous!' an' 'What a monster tree!'
An' then the one with sunlit hair comes right bang up to me.

'I saw you fall,' she sort of sung: you couldn't say she talked,
For her voice had springtime in it, like the way she looked an' walked.
'I saw you fall,' she sung at me. 'I hope you were not hurt.'
An' suddenly I was aware I wore my oldest shirt.

'It never hurt me half as much as your two smilin' eyes.'
That's how I could have answered her - and watched old Pike's surprise
'It never harmed me half as much as standin' here like this
With tattered shirt an' grimy hands' . . . But I just says, 'No, Miss.'

'Oh, no,' I says. 'We're pretty hard, an' have to take them cracks.'
(But just to see her sudden smile, made me as soft as wax.)
'You're strong,' she smiles. I answers, 'Oh, I'm pretty strong, all right.'
An' close behind I heard old Pike observin', 'Hear 'im skite!'

That finished me. I lost what little nerve I had, an' grew
Dead certain that I looked a fool, an' that she thought so, too.
She talked some more; but I can't tell what other things she said.
I went all cold, except my ears, an' thye were burnin' red.

I only knew her eyes were soft, her voice was kind an' low.
I never spoke another word exceptin' 'Yes' an' 'No.'
I never felt a bigger chump in all my livin' days,
Well knowin' I was gettin' worse at every word she says.

An' when she went off with the rest I stood there, lookin' sick.
Until I caught a chance remark of little Dirty Dick.
'What price the widders now?' says he. I answer fierce an' low:
'Were you addressin' me?' I says; an' Dick was prompt with 'No!'

I don't know how I finished up; my thoughts were far from clear;
For, in between me an' the bench, that vision would appear.
No other man chucke doff at me, but by their looks 'twas plain
I'd lost a bit of that respect it took a fight to gain.

An', when the knock-off whistle blew, Ben Murray he came by,
An' says he'd like that private talk, but, 'Pickle it,' says I.
''Twill have to keep til later on.' He answers, 'As you like.'
Soon after that I saw him talkin' earnest with old Pike.

If I'd been right, I might have known there's somehting in the air
By the way the blokes were actin'; but a fat lot did I care.
Swell visions an' the deadly pip was what was wrong with me.
I slung a word to my old dog, an' we trudged home to tea.

An' after, in the same old way, we sits beside the fire,
To have a talk, my dog an' me, on fools an' vain desire.
I tell him I'm a silly chump to thnk the things to do.
An', with a waggle of his tail, he says he thinks so too.

I tell him I suppose she's rich, or so she seems to be;
Most likely some reel city swell - an' he don't disagree.
I says to him the chances are I'll not see her no more.
Then he gives me a funny look, an' curls up on the floor.

But I was slow to take the tip, an' went on talkin' rot
About injustice in the world, an' boiled up good an' hot.
I spouts of wrongs of workin' men an' how our rulers fail.
His eyes are shut, but he just seconds motions with his tail.

All beuaty's only for the rich, all times, an' every way.
The toilers just take what is left, as I've heard Murray say
When he's bene talkin' to the boys about the workers' rights,
An' spoutin' of equality, down at the huts, of nights.

I turned the social system inside-out for my old dog.
Tho' he don't seem much entertained, but lies there like a log.
I spoke of common people's wrongs - especially of mine;
But when I came to mention love I thought I heard him whine.

But I went on, an' said straight out that, tho' I seemed above
Such nonsense once, I'd changed a bit, an' I believed in love.
I said love was a splendid thing! . . . Then, true as I am born,
He rose, an' yawned, an' shut me up with one crook glance of scorn.

It's bad enough to be a bloke without one reel close friend;
But when your dog gives you the bird it's pretty near the end.
Ashamed, I sneaked away to bunk; an' fell to dreamin' there
Of a little brown-eyed vision with the sunlight in her hair.

poem by Clarence Michael James Stanislaus Dennis
Submitted by Poetry Lover
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Miss That Girl

(kenny mims/jeff pennig)
(track 2 - time 3:00)
Cold gray dawn, steel blue day sunset rust tonight
Its the same old picture to a love struck man
Whos suddenly seen the light
And I miss that girl
Yeah I miss that girl
I guess I moved too slow and thought too fast
And lost what might have been
Now I face the pain of a wounded heart
Dyin to try again
But I missed my chance and now shes gone
Lifes too short and the odds too long to miss that girl
Well I miss that kiss and I miss that smile
A miss like this is a million miles
And I miss that girl
Yeah I miss that girl
Sometimes I hear that voice and see those eyes
And I remember when those arms were open wide
Its like I missed the phone by half a ring
I missed the point of this whole dang thing
And I miss that girl
Yeah I miss that kiss and I miss that smile
A miss like this is a million miles
And I miss that girl
Oh I miss that girl
Yeah I miss that kiss and I miss that smile
A miss like this is a million miles
And I miss that girl
Oh I miss that girl
Oh I miss that girl

song performed by by Diamond Rio
Submitted by Lucian Velea
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Things I Miss The Most

I swear I gave up drinkin';
Sometimes I have no choice,
After singin' hard, six nights straight,
A little sip sure helps my voice.
Don't get me wrong, I love these songs,
An' I know I've got it made.
Sometimes my mind starts driftin',
When I'm up here on the stage.
To that last half-mile of dirt road,
An' that oak tree on the hill.
To those dogs out, barkin' in the yard,
An' that tractor in the field.
An' them kids up on the front porch,
Screamin': "Mamma, Daddy's home!"
When I'm out here, I'm just thinkin',
About the things I miss the most.
Yeah, the hardest bthing I have to do,
Is hang up this telephone.
There's so much left to talk about,
An' I been gone so long.
So put them kids on one more time,
Before they go to sleep.
And, baby, no, no matter where I go,
All that I can see,
Is that last half-mile of dirt road,
An' that oak tree on the hill.
To those dogs out, barkin' in the yard,
An' that tractor in the field.
An' them kids up on the front porch,
Screamin': "Mamma, Daddy's home!"
When I'm out here, I'm just thinkin',
About the things I miss the most.
The things I miss the most.
The things I miss the most.
An' it's killin'me:
I hate to leave this family that you've given me,
God only knows, I hate to go,
So hold me close and let me let you know,
About the things I miss the most.
Instrumental Break.
People always ask me,
After every show,
"Of all the places that you've ever been,
"What's your favorite place to go?"
It's that last half-mile of dirt road,
An' that oak tree on the hill.
An' those dogs out, barkin' in the yard,
An' that ol' tractor in the field.
An' them kids up on the front porch,
Screamin': "Mamma, Daddy's home!"
When I'm out here, I'm just thinkin',
'Bout the things I miss the most.
While I'm out here, I'm just thinkin',
About the things I miss the most.
Oh, ooh.

song performed by by Van Zant
Submitted by Lucian Velea
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Flames

It's human nature for a bashful bloke
To bottle up, an' hesitate, an' doubt
Till grinnin' Fate plays him some low-down joke;
Then, in excitement, he goes blurtin' out
The tale his sane mind never would impart,
So all the near-by world knows it by heart.

Good luck for me, the near-by world that day,
When I ran sobbin' thro' the scorchin' fern,
Held few to hear the foolish things I say;
No one was there my secret thought to learn,
As I went shoutin' down the mountain spur,
Only the scared birds, an' the trees, an' Her.

In fancy, many men have been thro' Hell,
Tortured by fear, when hope has amost died;
But few have gone thro' that, an' fire as well
To come on Heaven on the other side
With just one angel in it, safe an' well -
A cool, calm angel by the name of Nell.

The day the fire came sweepin' down the hill,
Lickin' the forest up like some mad beast,
We had our work cut out to save the mill;
An', when the wind swung round into the East,
An' blew the roarin' flames along the spur,
Straight for 'The Height,' I gets quick fear for Her.

Flat out I was fightin' all day long
(We saved the mill-shed, but the huts were done)
When some bloke, weak with sprintin' comes along
Comic, it seemed, to me the way he run)
Shoutin' that someone's missin' from 'The Height,'
An' all the forest at the back's alight.

I don't what he thought, an' never cared,
When I grabs at his coat an' starts to yell.
I only know that I was dreadful scared. . . .
In half a minute more, I guessed 'twas Nell.
He tell me when an' where they thought she went,
An' of the useless searchers they had sent.

I never waits for more; but turned an' ran
Straight for the spur, along the scorchin' track.
Behind me, as I went, I hear some man
I think it's Pike - bawlin', 'You fool! Come back!'
What plan was in my mind I cannot tell;
I only know I want to find my Nell.

Next thing I mind, I've left the track, an' turned
Into the blackened scrub - my eyes feel bad -
Above my head the messmate trees still burned.
An' Lord, them awful fancies that I had!
I seen her lyin' there - her face - her hair. . . .
Why, even now, them thoughts give me a scare.

I stumble on. Against a red-hot butt
I burn my hand, but never even swear;
But keep on sayin', 'Make the splitter's hut,
The splitter's hut! Get to the clearin' there.
She's at the splitter's hut; an' if she ain't . . .'
My heart turns over, an' I feel dead faint.

An' as I plug along, I hear some fool
Repeatin' words till they sound like a spell.
'I'm goin' mad,' I thinks. 'Keep cool! Keep cool!'
But still the voice goes on' 'My Nell! My Nell!'
I whips round quick to see who he can be,
This yappin' fool - then realize it's me.

They say I must have gone thro' blazin' ferns.
Perhaps I did; but I don't recollect.
My mind was blank, but, judgin' by my burns,
There's something got to me that took effect.
But once, I know, I saw a flamin' tree
Fall just behind me; but that don't trouble me.

I don't know how the reached the splitter's hut,
I only saw the ragin' fire - an' Nell.
My clothes were torn, my face an' hands were cut,
An' half a dozen times, at least, I fell.
I burst into the clearin' . . . an' I look. . . .
She's sittin' on a log there - with a book!

I seem to cross that clearin' in a stride,
Still sobbin' like a kid: 'My Nell! My nell!'
I was clean mad. But, as I reach her side,
I sort of wake, an' give that song a spell.
But, by her eyes, for all she seemed so cool,
I know she must have heard, an' feel a fool.

'Why, Mister Jim? You do look hot,' says she.
(But still her eyes says oceans more than that).
'Did you come all the way up here for me?'
Coolness? I tell you straight, it knocked me flat.
By rights, she should fall sobbin' in my arms;
But no; there weren't no shrieks an' no alarms.

I pulls myself together with a jerk.
'Oh, just a stroll,' I says. 'Don't mention it.
The mill's half burnt, an' I am out of work;
They missed you so I looked around a bit.'
'Now, that was good of you,' says she, reel bright.
'Wasn't the bush-fire such a splendid sight?'

She looks me up and down. 'Why, Mister Jim,'
She says to me, 'you do look hot, indeed.
If you go strollin' that way for a whim
Whatever would you do in case of need?'
That's what she said. But with her eyes she sent
More than her thanks; an' I was quite content.

I seen her home; or, rather, she seen me,
For I was weak, an' fumbled in my stride.
But, when we reached 'The Height,' I seen that she
Was just in breakin'; an' she went inside. . . .
I stumbles home. 'Well, Jim, lad, anyway,'
I tells myself, 'you've had a fine, full day.

poem by Clarence Michael James Stanislaus Dennis
Submitted by Poetry Lover
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Locked Down

[Chrous]
I will miss all the things I have,
I will miss making love to my girl,
I will miss all my kids,
my loot, and my friends,
I will miss all good times I've had
Can't believe I'm locked down
[Verse 1]
Where did things go wrong for me?
Now I'm in the cell,
sitting by my self,
wondering what the hell has happened,
My freedom has been taking from me,
now I'm liars, shysters and killers rapist, and robbers even drug dealers,
I don't want my life ending here,
I got 5 minutes on the phone with my girl and I'm lonely,
and niggas already screaming phone check homie,
how ill I make up in here,
I want to go home, I ain't down with this,
I can't start to tell you all the things I will miss.
[Chorus]
[Verse 2]
Damn God, I've shouldn't had lost my head, why didn't someone stop me, why did I lose my cool, now I'm the yard will all
these other fools,
now I got a learn a whole new life, cause this is where I'll be counting down my days, rotten in my cell, til' I'm let
free, How did my life end up here, and here is not a game, every man for self, you can't trust no one else, I'm ready for
whatever goes down, but what type of life is this to live, for an R&B singer now
[Chorus]
[Bridge]
I can't believe I got sent up for this,
Doing a ten year bid for self-defense,
My life is lost and it's no longer mine,
I'm here, I'm stuck, now all I got is time, ooh,
(I will miss)
my kids
(I will miss)
making love to my girl
(I will miss)
my firends , my loot, my crib
[Repeat 2x]
[(Chorus) until fade]
[Thanks to [email protected] for these lyrics]

song performed by by Ginuwine
Submitted by Lucian Velea
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Lost And Found

You know the question, find the answer
Stirring deep within your mind
Don't Have to Promise, You have a reason
For what it is you need to find
I was searching, until I found it
And I saw it in you
It seems so real, but I can feel me
Getting closer to you
If clocks could stop, time wouldn't waste
And I could tell you once more
That we are running, without eachother
There's not much to live for
I tried to find, the side you hide,
The side that pushes me away,
You're standing close so, I can tell you
That I wish you would stay
I wouldn't know myself
I'm lost without you here
If you could see my side
I will wait for you, no matter what you do
Cause you're a part of me now
We will see this through
Go on to something new
We were lost but now we're found
As days go by, you're fading faster
Looking for something new
It's hard to notice, you're looking past me
When I'm right within your view
I wouldn't know myself
I'm lost without you here
If you could see my side
I will wait for you, no matter what you do
Cause you're a part of me now
We will see this through
Go on to something new
We were lost but now we're found
It's been a bumpy road
I'll try to carry your load
I'll try to understand
Your fate is in your hands
If you could see my side
I wouldn't know myself
I'm lost without you here
If you could see my side
I will wait for you no matter what you do
Cause you're a part of me now
We will see this through
Go on to something new
We were lost but now we're found
We were lost and now we're found

song performed by by 1208
Submitted by Lucian Velea
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A'Yo Kato (feat. Magic & Val)

*cell phone rings*
DMX-yo
FRIEND-yo X we got sum bad news...katos dead man
DMX-what???
FRIEND-yeah katos dead man
DMX-YOU CANT BE SERIOUS MAN
[DMX]
Uh, this go out to my dog Kato
Rest in peace baby, it's a K thing
Dogs that I call my friends
Prayin for all my friends
Things I do for my friends
We miss you! Aiyyo Kato!
We started off, two dogs with the same goals (uh)
Nothin but two dogs walkin the same roads (uh)
Two different cultures, but had the same heart (yeah)
Enjoyed seeing the light, but lived in the dark
Dipped out and bumped heads in the parking lot (aight)
It was a quiet brother, didn't like to bark a lot
Came through wreck (uh), when he came, gained respect
So I gave respect (uh), we shared, the same respect
Two names to rep in our own circles (what)
Two brothers with good hearts
But if you start, two bothers that'll hurt you (yeah)
Know how that dirt do, hittin for quarters
Arf arf arf arf! Right back on orders
Guys tried to warn us, but sometimes we don't wanna see
When I first heard, I'm like, this can't be!
Y'all niggaz is buggin, got the wrong information or somethin
Please tell me that these niggaz is frontin! God, no
Dogs that I call my friends, prayin for all my friends
Things I do for my friends, we miss you! Aiyyo Kato! (We miss you Kato)
Dogs that I call my friends, prayin for all my friends (We miss you Kato)
Things I do for my friends, we miss you! Aiyyo Kato! (We miss you Kato)
Yo K, let me kick it with you for a minute
It was things left unsaid, dog, we wasn't finished
Never got to say thank you for being a friend
Dogs for life, and you, rolled til the end
Held dog down, didn't let a day go by
Every time dog came to the shy (what) - I was good
Trips out to fendis, with the scramblin squad
If I come back to Phoenix, like, damn it's hard
To accept the fact (uh) that you won't be comin back (uh)
But I hope he comin back (uh), cause I won't accept the fact (uh)
When you came to New York, you had to come to the crib
And vice versa (yeah), that's just how we did
Remote-control cars, what! We would race all day
It was adventure we would chase all day (yeah)
So I'm not gonna say goodbye, my nigga (uh-uh)
Instead I would rather (rather)
Focus on the time we spent together, dat's what matters (for real)
Dogs that I call my friends, prayin for all my friends
Things I do for my friends, we miss you! Aiyyo Kato! (We miss you Kato)
Dogs that I call my friends, prayin for all my friends (We miss you Kato)
Things I do for my friends, we miss you! Aiyyo Kato! (We miss you Kato)
I need you save me a spot, nigga, next to you and the Lord (aight)
I don't know when I'm comin, but keep checkin the door (aight)
But while I'm here, knock on wood
I'll make sure your kids remember who their father was, and thou is good
(Aigh) Understood how real niggaz move, we don't talk
But you always gonna have family in New York, believe that (yeah)
And where you at, you can see that
We dogs for life and in death, and I mean that, vato
Dogs that I call my friends, prayin for all my friends
Things I do for my friends, we miss you! Aiyyo Kato! (We miss you Kato)
Dogs that I call my friends, prayin for all my friends (We miss you Kato)
Things I do for my friends, we miss you! Aiyyo Kato! (We miss you Kato)
Yo, Where The Hood At is bangin right now man
That was your favorite joint, knahmean (We miss you Kato)
It's goin just like we thought it would baby
(We miss you Kato) Yeah (We miss you Kato)
[Val]
I'll always love you K

song performed by by DMX
Submitted by Lucian Velea
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Old Bob Blair

I got so down to it last night,
With longin' for what could not be,
That nothin' in the world seemed right
Or everything was wrong with me.
My house was just a lonely hole,
An' I had blisters on my soul.

Top of my other worries now
The boys are talkin' strike, an' say
If we put up a sudden row
We're sure of forcin' up our pay.
I'm right enough with what I get;
But some wants more, an' then more yet.

Ben Murray's put it up to me:
He says I got some influence
Amongst them, if I agree
'Which I will do if I have sense'
We'll make the boss cough up a bit.
That's how Ben Murray looks at it.

I don't know that the old boss can.
I've heard he's pushed to make ends meet.
To me he's been a fair, straight man
That pays up well an' works a treat.
But if I don't get in this game,
Well, 'blackleg' ain't a pretty name.

This thing has got me thinkin' hard,
But there is worse upon my mind.
What sort of luck has broke my guard
That I should be the man to find
A girl like that? . . . The whole world's wrong!
Why was I born to live and long?

I get so down to it last night
With broodin' over things like this,
I said 'There's not a thing in sight
Worth havin' but I seem to miss.'
So I go out and get some air
An' have a word with old Bob Blair.

Bob's livin' lonely, same as me;
But he don't take to frettin' so
An' gettin' megrims after tea.
He reads a lot at night, I know;
His hut has books half up the wall
That I don't tumble to at all.

Books all about them ancient blokes
That lived a thousand years ago:
Philosophers an' funny folk
What he sees in them I don't know.
There ain't much fun, when all is said,
In chap that is so awful dead.

He put his book down when I came,
He took his specs off, patient-like.
He's been in Rome; an' who can blame
The old man if he gets the spike
To be jerked back so suddenly
By some glum-lookin' coot like me.

At first he looks at me quite dazed,
As tho' 'twas hard to recognize
The silly fool at which he gazed;
An' then a smile come in his eyes:
'Why, Jim,' he says. 'Still feelin' blue?
Kiss her, an' laugh!' . . . But I says, 'Who?'

'Why, who, if not the widow, lad?'
But I says, 'Widows ain't no go.'
'What woman, then, makes you so sad?'
I coughs a bit an' says, 'Dunno.'
He looked at me, then old Bob Blair
He ran his fingers through his hair.

'God help us, but the case is bad!
An' men below, an; saints above
Look with mixed feelin's, sour an' sad,
Upon a fool in love with love.
Go, find her, lad, an' be again,
Fit to associate with men.

'Don't leave yourself upon the shelf:
It's bad for man to live alone.'
'Hold on,' says I. 'What ails yourself?
What are you doin' on your own?'
Quickly he turned away his head.
'That's neither here nor there,' he said.

I saw I'd made a clumsy break;
An' tied to cover it with talk
Of anything, for old Blair's sake.
He don't reply; but when I'd walk
Outside he says, 'What's this I hear
About the mill boys actin' queer?'

So then we yarns about the strike,
An' old Bob Brown frowns an' shakes his head.
'There's something there I hardly like;
The boss has acted fair,' he said.
'Eight years I've toiled here constantly,
An' boss an' friend he's been to me.

'I know he's up against it bad;
Stintin' himself to pay the men.
Don't listen to this tattle, lad,
An' leave that dirty work to Ben.
He tries to play on others need;
It's partly devil, partly greed.

'Ben's not a reel bad lot at heart,
But ignorant an' dull of sight,
An' crazed by these new creeds that start
An' grow like mushrooms, overnight;
An' this strange greed that's spread the more
Since the great sacrifice of war.

'Greed everywhere!' sighed old man Blair.
'Master an' man have caught the craze;
An' those who yesterday would share
Like brothers, now spend all their days
Snatchin' for gain - the great, the small.
And, of, folly of it all!'

He tapped the small book by his hand.
'Two thousand years ago they knew
That those who think an' understand
Can make their wants but very few.
Two thousand years they taught
That happiness can not be bought.'

'Progress?' he shouted. 'Bah! A Fig!
Where are the things that count or last
In buildin' something very big
Or goin' somewhere very fast?
We put the horse behind the cart;
For where's your progress of the heart?

'Great wisdom lived long years ago,
An' yet we say that we progress.
The paint an' tinsel of our show
Are men more generous, or kind?
Then where's your progress of the mind?'

(I think Bob Blair's a trifle mad;
They say so, too, around these parts;
An' he can be, when he's reel bad,
A holy terror once he starts.
dare say it's readin' books an' such.
Thank God I never read too much!)

I says I'm sure I don't know
Where all this progress gets to now.
He smiles a bit an' answers low,
'Maybe you'll find out, lad, somehow.
But talkin' makes my old head whirl;
So you be off, an' - find that girl.'

I says Good night, an' out I goes;
But I was hardly at the door
When his old specs is on his nose,
An' his book in his hand once more;
An', as I take the track for home,
Bob Blair goes back to Ancient Rome.

poem by Clarence Michael James Stanislaus Dennis
Submitted by Poetry Lover
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A Sorta Fairytale

on my way up north
up on the ventura
i pulled back the hood
and i was talking to you
and i knew then it would be
a life long thing
but i didn't know that we
we could break a silver lining

and i'm so sad
like a good book
i can't put this day back
a sorta fairytale
with you
a sorta fairytale
with you

things you said that day
up on the 101
the girl had come undone
i tried to downplay it
with a bet about us
you said that-
you'd take it
as long as i could
i could not erase it

and i'm so sad
like a good book
i can't put this day back
a sorta fairytale
with you
a sorta fairytale
with you

and i ride along side
and i rode along side
you then
and i rode along side
till you lost me there
in the open road
and i rode along side
till the honey spread
itself so thin
for me to break your bread
for me to take your word
i had to steal it

and i'm so sad
like a good book
i can't put this day back
a sorta fairytale
with you
a sorta fairytale
with you

i could pick back up
whenever i feel

down new mexico way
something about
the open road
i knew that he was
looking for some indian blood and
find a little in you find a little
in me we may be
on this road but
we're just
impostors
in this country you know
so we go along and we said
we'd fake it
feel better with
oliver stone
till i
almost smacked him -
seemed right that night and
i don't know what
takes hold
out there in the
desert cold
these guys think they must
try and just get over on us

and i'm so sad
like a good book
i can't put this
day back
a sorta fairytale
with you
a sorta fairytale
with you

and i was ridin' by
ridin' along side
for a while till you lost me
and i was ridin' by
ridin' along till you lost me
till you lost
me in
the rear
view
you lost me
i said

way up north i took my day
all in all was a pretty nice
day and i put the hood
right back where
you could taste heaven
perfectly
feel out the summer breeze
didn't know when we'd be back
and i

song performed by by Tori Amos from Scarlet's Walk
Submitted by Lucian Velea
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Logic and Spotted Dog

'Unless you 'ide that axe,' she sez, ''E'll 'urt 'imself reel bad.
An' after all - Now, Bill, don't cry! - that trouble that I've 'ad,
Wiv 'im thro' croop an' whoopin' corf, 'e goes an' cuts 'imself!
Why don't you 'ang it on the wall, or 'ide it on a shelf?
But there it wus, jist thrown about. You ort to take more care!
You left it there!

'You left it there,' she sez, 'an' now . . .' I sez, ''Old on a jiff.
Let's git the fac's all sorted out before we 'as a tiff
I'm mighty careful wiv that axe, an' never leaves it out.
An' I'd be mad if that young imp got knockin' it about.'
'Ole axe!' she sez. Look at 'is thumb! A precious lot you care!
You left it there!'

I am marri'd to a woman; which is nacheral an' right.
I sez that over to meself, fer safety, day an' night.
Most times I sez it fond an' proud wiv gladness in me mind;
But sometimes philosophic-like an' wot yeh'd call resigned.
'An axe as sharp as that,' she sez. 'It reely isn't fair!
You left it there!

'The way you pet that axe,' she sez - 'the way it's ground an' filed,
The way you fairly fondle it, you'd think it wus a child!
An' when I pick the ole thing up to cut a bit uv stri
Yeh rave an' shout ...' 'Wait on,' I sez. 'But ir'n's a different thing.
An' you wus choppin' fencin' wire!' She sez, 'Well, I don't care.
You left it there!'

I 'elps meself to spotted dog, an' chews, an' thinks a while.
'I'm reely sorry,' I begins. Then, as I seen 'er smile
I plays 'er fer the fun uv it, an' sez, 'But, all the same,
If he gits foolin' wiv that axe 'e's got 'imself to blame.'
'Er eyes spark up. 'A child like that! Now, Bill, it isn't fair!
You left it there!'

I cuts another slice an' sez, 'This spotted dog's a treat.
Uv course, 'ooever left it there,' I sez, 'wus - indiscreet.
'Careless!' she sez. 'You know you are! 'E might 'a' cut 'is face!
An axe as sharp as that,' she sez, 'should be kep' in its place.'
'Quite right,' I sez. 'An' not,' she sez, 'jist thrown round anywhere.
You left it there!'

An' then I lets 'er 'ave it, an' I sez, 'Now, think a bit.
I put that axe away last night when all the wood wus split.'
'Well, that's enough about it now,' she sez. I seen 'er wince,
An' sez, 'I put that axe away, an' 'aven't used it since;
But someone else wus usin' it this mornin', I kin swear,
An' left it there.'

'Well, never mind . . . Poor Bill!' she sez. 'Was 'is poor thumb all 'urt?'
(Oh, it's entertainin' sometimes fer to argue wiv a skirt.)
'There's someone else,' I sez, an' grins, an' kids I'm doin' fine,
'Wus usin' it this mornin' fer to cut a bit uv pine.
So now,' I sez, 'apolergise! I've beat you fair an' square!
You left it there!'

Fer 'arf a mo she pets young Bill, an' would'nt meet me eye.
Thinkin' she wus - I knew she wus. An' then she lets it fly:
'If you 'ad cut that wood,' she sez, 'an' I implored you to,
There wouldn't be no need fer me to 'ave sich things to do!
It ain't right fer a woman . . .' ''Ere!' I sez. 'Now, I don't care
'Oo left it there!'

'Uv course you don't!' she gits me back. 'You never care a bit!
An' it ain't right fer a woman to 'ave kin'lin' wood to split;
While there's a man about the 'ouse!' I sees the tears is near,
An' pats 'er 'air. 'Now, let it drop,' I sez. 'Don't worry, dear.'
'Ow can I let it drop?' she sobs. 'You said you didn't care
'Oo left it there'

'I do!' I yells. 'I mean - I don't - I . . .' Oh, Gaw spare me days!
When you argue wiv a woman she 'as got you either ways!
You 'ave to do it in the end; an' so I licks the dirt,
An' sez, 'Dear, I apolergise. I'm - sorry - if I 'urt.'
Yes, I'm marri'd to a woman. An' she smiles, an' strokes me 'air,
An - leaves it there.

poem by Clarence Michael James Stanislaus Dennis
Submitted by Poetry Lover
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I Miss You

I miss you…
but not the you
that you are now

I miss the you that I used to know
Not the you that’s
Changed somehow

I miss the one,
with the smile
bright as the sun

I miss the you
that could make me feel
As if I were the only one

I miss your leg tight against mine
in the front seat
of my ol' Chevy

I miss the you that I could take to
lonely country roads
down by the levee

The one that I couldn’t
Get out of my car, tho’ I didn’t
Really try too hard anyhow

I miss you…really, really
Miss you…just not the you
That you are now

poem by David Whalen
Submitted by Poetry Lover
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I’m So Lost

I’m so lost
I’m barely alive
I wouldn’t be missed
If I were to die

I’m so lost
only my bills would miss me
My girlfriend wouldn’t know
until she tried to kiss me

I’m so lost
all my lost things I’ve found
Not sure if it was them
or me on the ground

I’m so lost
I don’t remember my name
What I do
or from where I came

I’m so lost
Who even cares
No one understands
Just a lot of blank stares

I'm so lost
and all alone
I can't reach you
even on the phone

I’m so lost
Just wondering around
If I were any more lost
I would probably get found

poem by Rusty Gibson
Submitted by Poetry Lover
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Told Me Then(fav!)

Why couldn't you ave have told me then...
I still remember the first day I saw you.
Your white tee and your bright blue gym shorts.
Our teams played soccer against each other.
You had to play on our team because you were just too great.

We used to Instant Message each other everyday.
Guitars, soccer, just bout every other thing.
We used to talk, we used to share, well we used to be.
Why couldn't you have told me then?

I regret many things I did, that weren't bout you,
But oh how they affected you and me.
There's a long long list of things I regret not telling you then.
Because if we didn't keep our secrets way back when,
I wouldn't have to think,
'Why couldn't you have told me then? '

I miss when you talked to me first.
I remember all those smiles when we used to talk.
I remember when you said 'Should I sing for a special girl? '
I can only imagine if you meant that for me.
Because imagining you and me is all it will ever be.

But if you ever realize that you don't just used to like me,
Aaron, please..you just tell me.
So I won't have to be thinking, wouldn't be wondering anymore,
Why couldn't you have told me then?

But until then, I'll sit back and wait.
Cuz you are worth any wait.
There's no one else on this earth whom I can more relate.
You're my soul mate, for goodness sake, maybe it's fate.
Why couldn't you have told me, you loved me, dreamed of me?
Why didn't you realize I'm falling for you from the highest height?
Why couldn't you have told me back then...
Because things could've been different.

We coulda been together.
We could be the best ever.
Aaron, why couldn't you see my obvious lovestruck face back then?
I hate endings with no beginnings..
But if you ever want to begin, you know I'll always be waiting.

AMH

poem by Khloe Chace
Submitted by Poetry Lover
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The Capture

Duck come switchin' 'cross de lot
Hi, oh, Miss Lady!
Hurry up an' hide de pot
Hi, oh, Miss Lady!
Duck's a mighty 'spicious fowl,
Slick as snake an' wise as owl;
Hol' dat dog, don't let him yowl!
Hi, oh, Miss Lady!

Th'ow dat co'n out kind o' slow
Hi, oh, Miss Lady!
Keep yo'se'f behin' de do'
Hi, oh, Miss Lady!
Lots o' food'll kill his feah,
Co'n is cheap but fowls is deah--
'Come, good ducky, come on heah.'
Hi, oh, Miss Lady!

Ain't he fat and ain't he fine,
Hi, oh, Miss Lady!
Des can't wait to make him mine.
Hi, oh, Miss Lady!
See him waddle when he walk,
'Sh! keep still and don't you talk!
Got you! Don't you daih to squawk!
Hi, oh, Miss Lady!

poem by Paul Laurence Dunbar
Submitted by Poetry Lover
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You'll Miss Me Love

you’ll miss me love
when you hear these words
you’ll miss me love
and when they start to hit home for you
then think about all the times we could have made things right
you’ll miss me love
when you need me
like I did the day you told me that you didn’t love me
I couldn’t wait any more
even knowing that my heart was going to be destroyed
by the same words that make me smile
day after day
the first day your lips smiled at me
I was captured instantly
the first time I looked into your eyes
I was hipmatized

ya I was the crazy one to ever think that you could love me
but if you dream they might come true
they also can be destroyed in just a few words
You’ll miss me love
cause when your holdin her know that it’s killing me
let that guilt of not being my man
be the reason that you cant sleep
and every time you feel her touch I pray to god
it’s not enough
cause I love you
yes I need you
you’ll miss me love until you finally realize that you love me
I’ll be here waiting for you
to be the one holding me
every time you read my words
you’ll miss me love

poem by Mrs. Cynosure
Submitted by Poetry Lover
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Urry

Now, Ma-til-der! Ain't cher dressed yet? I declare, the girl ain't up!
Last as ushul. Move yerself, you sleepy'-ead!
Are you goin' to lie there lazin',
W'ile I -- Nell, put down that basin;
Go an' see if Bill has got the poddies fed;
Tell 'im not to move that clucky -- ho, yer up, me lady, eh?
That's wot comes from gallivantin' lat ut night.
Why, the sun is nearly -- see now,
Don't chu dare talk back at me now!
Set the table, Nell! Where's Nell? Put out that light!

Now then, 'urry, goodness, 'urry! Mary, tell the men to come.
Oh there, drat the girl! MA-TIL-DER! where's the jam?
You fergot it? Well, uv all ther ...
Mary! 'Ear me tell you call ther ...
Lord! there's Baldy TANGLED IN THE BARB'-WIRE -- SAM!
Now, then, take 'er steady, clumsy, or she'll cut herself -- LEAVE OFF!
Do you want the cow to -- There! I never did!
Well, you mighter took 'er steady.
Sit up, Dad, yer late already.
Did ju put the tea in, Mary? Where's the lid?

Oh, do 'urry! Where's them buckets? Nell, 'as Bill brought in the cows?
Where's that boy? Ain't finished eatin' yet, uv course;
Eat all day if 'e wus let to.
Mary, where'd yer father get to?
Gone! Wot! Call 'im back! DAD! Wot about that 'orse?
No, indeed, it ain't my business; you kin see the man yerself.
No, I won't! I'm sure I've quite enough to do.
If 'e calls ter-day about it,
'E kin either go without it,
Or lest walk acrost the paddick out to you.

Are the cows in, B-i-ll? Oh, there they are. Well, nearly time they -- Nell,
Feed the calves, an' pack the -- Yes, indeed ju will!
Get the sepy-rater ready.
Woa, there, Baldy -- steady, steady.
Bail up. Stop-er! Hi, Matilder! MARY! BILL!
Well, uv all th' . . . Now you've done it.
Wait till Dad comes 'ome to-night;
When 'e sees the mess you've -- Don't stand starin' there!
Go an' get the cart an' neddy;
An' the cream cans - are they ready?
Where's the ... There! Fergot the fowls, I do declare!

Chuck! -- Chook! -- CHOOK! Why, there's that white un lost another chick to-day!
Nell, 'ow many did I count? -- Oh, stop that row!
Wot's 'e doin'? Oh, you daisy!
Do you mean to tell me, lazy,
Thet you 'aven't fed the pigs until jus' now?
Oh, do 'urry! There's the men ull soon be knockin' off fer lunch.
An' we 'aven't got the ... Reach that bacon down.
Get the billies, Nell, an' - Mary,
Go an' fetch the ... Wot? 'Ow dare 'e!
Bill, yer NOT to wear yer best 'at inter town!

'Ave you washed the things, Matilder? Oh, do 'urry, girl, yer late!
Seems to me you trouble more -- TAKE CARE! -- You dunce!
Now you've broke it! Well I never!
Ain't chu mighty smart an' clever;
Try'n to carry arf a dozen things at once.
No back answers now! You hussy! Don't chu dare talk back at me
Or I'll ... Nelly, did ju give them eggs to Bill?
Wot? CHU NEVER? Well I ... Mary,
Bring them dishes frum the dairy;
No, not them, the ... Lord, the sun's be'ind the hill!

'Ave you cleaned the sepy-rater, Nell? Well, get along to bed.
No; you can't go 'crost to Thompson's place to-night;
You wus there las' Chusday - See, miss,
Don't chu toss your head at me, miss!
I won't 'ave it. Mary, 'urry with that light!
Now then, get yer Dad the paper. Set down, Dad -- ju must be tired.
'Ere, Matilder, put that almanick away!
Where's them stockin's I wus darnin'?
Bill an' Mary, stop yer yarnin'!
Now then, Dad. Heigh-ho! Me fust sit down ter-day

poem by Clarence Michael James Stanislaus Dennis
Submitted by Poetry Lover
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The Road to Hogan's Gap

Now look, you see, it’s this way like,
You cross the broken bridge
And run the crick down till you strike
The second right-hand ridge.
The track is hard to see in parts,
But still it’s pretty clear;
There’s been two Injin hawkers’ carts
Along that road this year.

Well, run that right-hand ridge along—
It ain’t, to say, too steep—
There’s two fresh tracks might put you wrong
Where blokes went out with sheep.

But keep the crick upon your right,
And follow pretty straight
Along the spur, until you sight
A wire and sapling gate.

Well, that’s where Hogan’s old grey mare
Fell off and broke her back;
You’ll see her carcase layin’ there,
Jist down below the track.

And then you drop two mile, or three,
It’s pretty steep and blind;
You want to go and fall a tree
And tie it on behind.

And then you pass a broken cart
Below a granite bluff;
And that is where you strike the part
They reckon pretty rough.

But by the time you’ve got that far
It’s either cure or kill,
So turn your horses round the spur
And face ’em up the hill.

For look, if you should miss the slope
And get below the track,
You haven’t got the whitest hope
Of ever gettin’ back.

An’ half way up you’ll see the hide
Of Hogan’s brindled bull;
Well, mind and keep the right-hand side,
The left’s too steep a pull.

And both the banks is full of cracks;
An’ just about at dark
You’ll see the last year’s bullock tracks
Where Hogan drew the bark.

The marks is old and pretty faint—
And grown with scrub and such;
Of course the track to Hogan’s ain’t
A road that’s travelled much.

But turn and run the tracks along
For half a mile or more,
And then, of course, you can’t go wrong—
You’re right at Hogan’s door.

When first you come to Hogan’s gate
He mightn’t show, perhaps;
He’s pretty sure to plant and wait
To see it ain’t the traps.

I wouldn’t call it good enough
To let your horses out;
There’s some that’s pretty extra rough
Is livin’ round about.

It’s likely if your horses did
Get feedin’ near the track,
It’s goin’ to cost at least a quid
Or more to get them back.

So, if you find they’re off the place,
It’s up to you to go
And flash a quid in Hogan’s face—
He’ll know the blokes that know.

But listen—if you’re feelin’ dry,
Just see there’s no one near,
And go and wink the other eye
And ask for ginger beer.

The blokes come in from near and far
To sample Hogan’s pop;
They reckon once they breast the bar
They stay there till they drop.

On Sundays you can see them spread
Like flies around the tap.
It’s like that song “The Livin’ Dead”
Up there at Hogan’s Gap.

They like to make it pretty strong
Whenever there’s a charnce;
So when a stranger comes along
They always holds a dance.

There’s recitations, songs, and fights—
A willin’ lot you’ll meet.
There’s one long bloke up there recites,
I tell you—he’s a treat.

They’re lively blokes all right up there,
It’s never dull a day.
I’d go meself if I could spare
The time to get away.

. . . . .
The stranger turned his horses quick.
He didn’t cross the bridge;
He didn’t go along the crick
To strike the second ridge;

He didn’t make the trip, because
He wasn’t feeling fit.
His business up at Hogan’s was
To serve him with a writ.

He reckoned if he faced the pull
And climbed the rocky stair,
The next to come might find his hide
A land-mark on the mountain side,
Along with Hogan’s brindled bull
And Hogan’s old grey mare!

poem by Andrew Barton Paterson
Submitted by Poetry Lover
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Grass Is Greener

One thing that I have heard
As I have often been told
Was the grass is always greener
On the other side of the road,
And to the that one statement
I truly had no ideal,
Was it but a lie that I often heard
Or was that assumption for real.
So on top of my own roof
I went to, after my climb
To check another ones yard
Of course a yard, that wasn't mine.
And there is where I stood
As I surveyed across the road
To see if anyone's grass was greener
As I often had heard and also been told.
And there from where that I stood
And from what that I could see
Their grass was not any greener
Than my yard, that I do believe.
So I surveyed the yards of my neighbors
As up on my roof I stood as I thought
Maybe all yards are all different then
So I got off my roof, and I went for a walk.
I walked down the street
Then I walked up the next block
Seems as though the houses got bigger
Along with their possession's and their lots.
Their grass didn't seem any greener
Than mine or the other that I have seen
Though theirs yards were much larger
As though a good picture from everyone's dream.
So there I left, and I continued my walk
I then came across some railroad tracks
And there stood houses and from what I saw,
Their grass was as green, front yard and back.
Though their yards they wasn't as large
As the ones I have seen
And their houses weren't as large or as nice
But their yards, they were just as green.
So then I headed back unto my home
To reflect back on the things that I have seen,
And of the ideals people thought of and said
And what in their mind they really did mean.
So when I got back unto my home
I climbed again on top of my roof
So there I could reflect and think to myself
About my neighbors and me and to tell the truth.
Though the grass might be greener, I did say
On the other side of the road,
But this one thing I tell you my friend,
The grass, it still has to be mowed.

Randy L. McClave

poem by Randy McClave
Submitted by Poetry Lover
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Red Robin

Hi, it's a funny world! This mornin' when I woke
I saw red robin on the fence, an' heard the words he spoke.
Red robin, he's a perky chap, an' this was his refrain:
'Dear, it's a pity that poor Jenny is so plain.'

To talk like that about his wife! It had me scandalized.
I'd heard him singin' so before, but never recognised
The meaning of his chatter, or that he could be so vain:
'Dear, it's a pity that poor Jenny is so plain.'

I don't know how, I don't know why, but this reminded me
I was promised to the widow for this Sunday night to tea.
I'd promised her for weeks an' weeks, until she pinned me down.
I recollects this is the day, an' gets up with a frown.

I was thinkin' of the widow while I gets me clobber on -
Like a feller will start thinkin' of the times that's past an' gone.
An', while my thoughts is runnin' so, that bird chips in again:
'Dear, it's a pity that poor Jenny is so plain.'

Now, the widow's name is Jenny, an' it strikes me sort of queer
That my thoughts should be upon her when that robin's song I hear.
She ain't so homely neither; but she never could compare
With a certain bonzer vision with the sunlight in her hair.

When I wander down that evenin', she come smilin' to the gate,
An' her look is calculatin', as she scolds because I'm late.
She takes my hat an' sits me down an' heaves a little sigh.
But I get a queer sensation from that glimmer in her eye.

She starts to talk about the mill, an' then about the strike,
An' then she digs Ben Murray up an' treats him nasty-like;
She treats him crool an' cattish, as them soft, sweet women can.
But I ups an' tells her plainly that I think Ben is a man.

First round to me. But she comes back, an' says Ben is a cad
Who's made a laughin'-stock of her, an' treated her reel bad.
I twig she's out for sympathy; so counters that, an' says
That Ben's a broken-hearted man about the mill these days.

The second round to me on points; an' I was havin' hopes.
(I might have known that widows were familiar with the ropes.)
'But he'd never make a husband!' says the widow, with a sigh.
An' again I gets a warnin' from that glimmer in her eye.

I says I ain't no judge of that; an' treats it with a laugh.
But she keeps the talk on 'usbands for a minute an' a half.
I can't do much but spar a bit, an' keep her out of range;
So the third round is the widow's; an' the fight takes on a change.

I'm longin' for a breather, for I've done my nerve a lot,
When suddenly she starts on 'Love,' an' makes the pace reel hot.
In half a jiff she has me on the ropes, an' breathin' hard,
With not a fight inside me - I can only duck an' guard.

She uppercuts me with a sigh, an' jabs me with a glance.
(When a widow is the fighter, has a single bloke a chance?)
Her short-arm blows are amorous, most lovin' is her lunge;
Until it's just a touch an' go I don't throw up the sponge.

I use my head-piece here a bit to wriggle from the fix;
For the widow is a winner 'less I fluke a win by tricks.
An' I lets a reel mean notion (that I don't seek to excuse),
when I interrupts her rudely with, 'But have you heard the news?'

Now, to a woman, that's a lead dead certain of a score,
An' a question that the keenest is unable to ignore.
An' good old Curiosity comes in to second me,
As I saw her struggle hopeless, an' 'What news is that?' says she.

An' here I spins a lovely yarn, a gloomy hard-luck tale
Of how I've done my money in, an' I'm about to fail,
How my house an' land is mortgaged, how I've muddled my affairs
Through foolin' round with racin' bets and rotten minin' shares.

I saw the fight was easy mine the minute I begun;
An', after half a dozen words, the time-keep counted 'One.'
An' when I finish that sad tale there ain't the slightest doubt
I am winner of the contest, an' the widow's down an' out.

But not for long. Although she's lost, the widow is dead game:
'I'm sorry, Mister Jim,' says she, 'for both your loss an' shame.
All things is changed between us now, of course; the past is dead.
An' what you were about to say you please will leave unsaid.'

. . . . . . . . . .

I was thinkin' in the evenin' over how I had escaped,
An' how the widow took it all - the way she stared an' gaped.
She looked her plainest at that time; but that don't matter now;
For, plain or fair, I know of one who's fairer, anyhow.

I tells meself that beauty ain't a thing to count with man,
An' I would never choose a wife on that unthinkin' plan.
No robin was awake, I swear; but still I heard that strain;
'Dear, it's a pity that poor Jenny is so plain.'

poem by Clarence Michael James Stanislaus Dennis
Submitted by Poetry Lover
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