Country Towns - Boort
She knows the Mallee's tragedy
Of thwarted hope, of pain,
Of promise wrecked, when weak men flee
And strong men pray in vain;
While day on burning day drifts by
Beneath a brazen, cloudless sky.
She knows the bane of Mallee dust
When Mallee droughts come down
To filch the last of lingering trust
And darken her small town
Darken men's hearts and minds until
Nought serves her, save a stubborn will.
All this she knows. Yet she knows, too
On thro' the tale of years
The changing luck of gamblers, who
Undaunted, scorning fears
Strive on, till fickle fortune rains
A wondrous gift of sudden gains.
And then she knows that mystic thing
Her jealous earth concealed
The glory of a Mallee spring
And many a fruitful yield
Of green corn quickened by sweet showers,
And kine that flatten mid the flowers.
So has she lived beside her lake
The good and bad years thro';
Till man-made streams now flow to slake
Her thirsty earth anew,
And man's unconquered will has planned
New life for this unstable land.
And who shall say no day may dawn
When, from the Mallee's soil
Drought's fingers are at last withdrawn,
Seeking no more their spoil;
And, man and Nature in accord,
Win, year by year, toll's meet reward
poem by Clarence Michael James Stanislaus Dennis
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Old Town Types No.1 - The Old Town
Fierce on the wheat-sown Mallee plain
The ruthless summer suns burned down,
And dust-storms, heralding the rain,
Swept thro' the street and on again
While tradesfolk cursed in the old white town.
Of sand and line-stone stoutly built,
She'd lived to prosper and to wilt,
Because, as all wiseacres knew,
'They went and brought the railway thro'.'
Deep-voiced, bewhiskered townsfolk these,
Remnant of pioneering days,
Full of high tales and memories
Of wild, rough work and wilder sprees,
When coach and teamster went their ways;
When men pushed out to newer land
And cash came easy to the hand
And went: The golden days men knew
'Before that put that railway thro'.'
Yet even in those days of stress -
Or seeming stress - the old town knew
Nothing of wnat or wretchedness;
For wealth was there and work to bless
All men who sought them work to do.
To me, a child in those far years,
Now as a time-dimmed dream appears
The olden life that once I knew
After the railway wandered thro'.
Like myths in some long-fabled tale -
Figures and scenes to conjure with
They seem. Yet 'spite the deepening veil,
Their memories grow never stales;
Big George, the lumper; Toll, the smith;
Long John, the snob - long have they slept
While suns burned down and dustorm swept
Across the Mallee plains they knew
Before men brought the railway thro'.
poem by Clarence Michael James Stanislaus Dennis
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The Mallee Fire
I SUPPOSE it just depends on where you’re raised,
Once I met a cove as swore by green belar!
Couldn’t sight the good old mallee-stump I praised;
Well!—I couldn’t sight belar, and there you are!
But the faces in the fire where the mallee stump’s a-blinking
Are the friendliest I ever seen, to my way o’ thinking!
In the city where the fires is mostly coal—
There! I can’t a-bear to go and warm my feet!
Spitting, fizzing things as hasn’t got no soul!
Things as puffs out yaller smoke instead of heat!
But at home—well, it is home when the mallee-stump’s a-burning,
And the evenin’s drawing chilly and the season is a-turning.
And there’s some as runs ’em down because they’re tough.
Well? And what’s the good of anythink as ain’t?
No. It’s nary use to serve ’em any bluff,
For they’d use up all the patience of a saint.
But they’ll split as sweet as sugar if you know the way to take ’em;
If you don’t, there isn’t nothink in the world as’ll make ’em.
They’re tremenjus hard to kindle, tho’, at first:
Like the friendship of the kind that comes to stay.
You can blow and blow and blow until you burst,
And when they won’t, they won’t burn, anyway!
But when once they gets a start, tho’ they make no showy flashes,
Well, they’ll serve you true and honest to the last pinch of ashes
poem by Charles Henry Souter
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Harvest Time
When the cranky German waggon,
With its ten or fifteen bag on
Comes a-jerkin’ and a-joltin’ down the dusty, limestone street,
And the “Norther’s” blowin’ blindin’,
And the rollers are a-grindin’,
And the agent jabs his sampler thro’ the sackin’ to the wheat,
Let ’em slide along the plank! slide along! slide along!
Sixty bushels for the Bank; slide along!
When your back is fairly breakin’
And your very fingers shakin’
With the heavin’, heavin’, heavin’, in the blarsted, blazin’ sun;
And the agent finds the spots out
And takes all his sample lots out
Where its rusty, pinched, or smutty—knockin’ off five pound a ton;
Sling ’em over with a jerk! slide along! slide along!
Sixty days of wasted work! slide along!
Sixty days a-ploughin’ mallee
In the God-forgotten valley
Of the creepin’, crawlin’ Murray, with the dingoes for your mates!
Sow and harrow, roll and reap it,
But you get no show to keep it,
For it’s “Boom and bust yer biler” when the cocky speculates!
Let the bankers take the lot: slide along! slide along!
Farmin’ mallee’s bloomin’ rot—slide along!
poem by Charles Henry Souter
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Mallee Wife
Home's best (she said), and the tale
Of the hungering soil and the flail
Of the sun and the shuddering threat
Of the heat, and more heat yet;
Of more than a woman can stand,
Almost, in that merciless land,
With its lifelong, lingering strife,
For the Mallee mother and wife.
Oh, I've seen all the spurious zest
Of the city, and yet, home's best;
The sweep of the plain's vast verge,
And the calling of Life and the urge
To struggle and hope in vain,
Then struggle and hope again
That, and the faith that clings
For the solving of human things.
Home's best (she said). I have seen
The glamor of cities, the sheen
Of the silken garments rare
And they spell for me despair;
Despair for the woman who cleaves
To luxury's yellowing leaves
Despair for the weakening race,
Who, faltering, fall from grace.
Life, as I know it is stern;
And the seed of my seed must learn
That nothing has life to give
Save a man must labor to live
Struggle and ache and toil
For the gifts that come of the soil,
Since every treasure of worth
Comes of the hard, kind earth.
Home's best (she said), and the dust
And the finger of God out-thrust,
Saying, 'You toil, or die
Under this pitiless sky.'
Even as long since said
To the Parents of Man long dead;
Even as 'twas decreed
In Man's first, passionate need.
Home's best. For what do they know,
Who cleave to glitter and show,
And strive in a strange excess
Of pleasure for happiness?
What do they know of worth
Of the secret lure of the earth,
And the peace, and the exquisite ache of the battle
For my man's sake?
poem by Clarence Michael James Stanislaus Dennis
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On Seeing Little Lorikeets
They looked like African lovebirds that I see
On trees near Dimboola in the Vic Mallee
But then I told myself this cannot be
As African lovebirds in Australia don't live free.
Lit by a shaft of bright April sun shine
On pleasant evening in middle Autumn time
Small green feathered Parrots with red faces and dark bills
On eucalyptus branches uttered high pitched trills.
It took me back to photograph I'd seen
Of litle red faced parrots dressed in green
That fly from tree to tree in daylight hours
In search of fruit and eucalyptus flowers.
And 'twas then I realized that I had come to meet
The smallest of the lories little lorikeets
Near Dimboola Town on small roadside Parkway
On eucalyptus trees on sunlit April day.
poem by Francis Duggan
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The Spoilers
Ye are the Great White People, masters and lords of the earth,
Spreading your stern dominion over the world's wide girth.
Here, where my fathers hunted since Time's primordial morn,
To our land's sweet, fecund places, you came with your kine and corn.
Mouthing your creed of Culture to cover a baser creed,
Your talk was of White Man's magic, but your secret god was Greed.
And now that your generations to the second, the third have run,
White Man, what of my country? Answer, what have you done?
Now the God of my Simple People was a simple, kindly God,
Meting his treasure wisely that sprang from this generous sod,
With never a beast too many and never a beast too few,
Thro' the lean years and the fruitful, he held the balance true.
Then the White Lords came in their glory; and their cry was: 'More! Yet more!'
And to make them rich for a season they filched Earth's age-old store,
And they hunted my Simple People - hunters of yester-year -
And they drove us into the desert - while they wrought fresh deserts here.
They ravaged the verdant uplands and spoiled wealth ages old,
Laid waste with their pumps and sluices for a gunny-bag of gold;
They raided the primal forests and the kind, rain-bringing trees
That poured wealth over the lowlands thro' countless centuries;
They fed their kine on the grasslands, crowding them over the land,
Till blade and root in the lean years gave place to hungry sand.
Then, warned too late of their folly, the White Lords grew afraid,
And they cried to their great god Science; but Science could not aid.
This have you done to our country, lords of the air and the seas,
This to the hoarded riches of countless centuries -
Life-yielding loam, uncovered, unsheltered in the drought,
In the floods your hand unbridled, to the age-old sea drifts out.
You have sold man's one true birthright for a White Man's holiday,
And the smothering sands drift over where once green fields turn grey -
Filched by the White Man's folly to pamper the White Lords' vice;
And leave to your sons a desert where you found a paradise.
poem by Clarence Michael James Stanislaus Dennis
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Eight Years Old
SUN, whom the faltering snow-cloud fears,
Rise, let the time of year be May,
Speak now the word that April hears,
Let March have all his royal way;
Bid all spring raise in winter’s ears
All tunes her children hear or play,
Because the crown of eight glad years
On one bright head is set to-day.
II.
What matters cloud or sun to-day
To him who wears the wreath of years
So many, and all like flowers at play
With wind and sunshine, while his ears
Hear only song on every way?
More sweet than spring triumphant hears
Ring through the revel-rout of May
Are these, the notes that winter fears.
III.
Strong-hearted winter knows and fears
The music made of love at play,
Or haply loves the tune he hears
From hearts fulfilled with flowering May,
Whose molten music thaws his ears
Late frozen, deaf but yesterday
To sounds of dying and dawning years,
Now quickened on his deathward way.
IV.
For deathward now lies winter’s way
Down the green vestibule of years
That each year brightens day by day
With flower and shower till hope scarce fears
And fear grows wholly hope of May.
But we—the music in our ears
Made of love’s pulses as they play
The heart alone that makes it hears.
V.
The heart it is that plays and hears
High salutation of to-day.
Tongue falters, hand shrinks back, song fears
Its own unworthiness to play
Fit music for those eight sweet years,
Or sing their blithe accomplished way.
No song quite worth a young child’s ears
Broke ever even from birds in May.
VI.
There beats not in the heart of May,
When summer hopes and springtide fears,
There falls not from the height of day,
When sunlight speaks and silence hears,
So sweet a psalm as children play
And sing, each hour of all their years,
Each moment of their lovely way,
And know not how it thrills our ears.
VII.
Ah child, what are we, that our ears
Should hear you singing on your way,
Should have this happiness? The years
Whose hurrying wings about us play
Are not like yours, whose flower-time fears
Nought worse than sunlit showers in May,
Being sinless as the spring, that hears
Her own heart praise her every day.
VIII.
Yet we too triumph in the day
That bare, to entrance our eyes and ears,
To lighten daylight, and to play
Such notes as darkness knows and fears,
The child whose face illumes our way,
Whose voice lifts up the heart that hears,
Whose hand is as the hand of May
To bring us flowers from eight full years.
poem by Algernon Charles Swinburne
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Mallee in October
When clear October suns unfold
mallee tips of red and gold
children on their way to school
discover tadpoles in a pool,
iceplants sheathed in beaded glass
spider orchids and shivery grass,
webs with globes of dew alight
budgerigars on their first flight,
tottery lambs and a stilty foal
a papers slough that a snake shed whole,
and a bronzewing's nest of twigs so few
that both the sky and the eggs show through.
poem by Flexmore Hudson
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Fruit of Earth
The winds that blow about the world
(Said Old George Jones)
See here all hope to ruin hurled,
See there triumphant flags unfurled,
Over chance-favored zones.
And no man's wisdom, no man's might
Foresees, much les controls
Some little breeze born of the night
That brings perchance a sudden blight
Or balm for tortured souls.
But growin' things and sowin' things
And watchin' of 'em grow
Not hastenin' things or slowin' things
Nor seekin' to be knowin' things
That men may never know.
'Tis so the kind earth pays a man
'Tis so content is made.
Not work, but worry slays a man;
I take what tricks Fate plays a man
An' sticks to Adam's trade.
The fears that creep about the earth
Vague fears and short-lived joys
What in reckonin' are they worth?
Too quickly swayed by grief or mirth
We live like foolish boys.
Year in, year out, earth mothers us
And offers livelihood,
This year ill fortune bothers us
Next year her bounty smothers us:
The sum of all is good.
'Tis futile man proposes things;
But Nature goes her ways
And God alone disposes things,
And Time alone discloses things
That rule our future says.
Earth yields me her fertility
And till she takes my bones,
I'll nought of man's futility.
For peace bides in humility
(Said Old George Jones).
poem by Clarence Michael James Stanislaus Dennis
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The Gumsucker's Dirge
Sing the evil days we see, and the worse that are to be,
In such doggerel as dejection will allow,
We are pilgrims, sorrow-led, with no Beulah on ahead,
No elysian Up the Country for us now.
For the settlements extend till they seem to have no end;
Spreading silently, you can't tell when or how;
And a home-infested land stretches out on every hand,
So there is no Up the Country for us now.
On the six-foot Mountain peak, up and down the dubious creek,
Where the cockatoos alone should make a row,
There the rooster tears his throat, to announce with homely note,
That there is no Up the Country for us now.
Where the dingo should be seen, sounds the Amy tambourine,
While the hardest case surrenders with a vow;
And the church-bell, going strong, makes us feel we've lived too long,
Since there is no Up the Country for us now.
And along the pine-ridge side, where the mallee-hen should hide,
You will see some children driving home a cow;
Whilst, ballooning on a line, female garniture gives sign,
That there is no Up the Country for us now.
Here, in place of emu's eggs, you will find surveyors' pegs,
And the culvert where there ought to be a slough;
There, a mortise in the ground, shows the digger has been round,
And has left no Up the Country for us now.
And across this fenced-in view, like our friend the well-sung Jew,
Goes the swaggy, with a frown upon his brow,
He is cabin'd, cribb'd, confin'd, for the thought is on his mind,
That there is no Up the Country for him now.
And the boy that bolts from home has no decent place to roam,
No region with adventure to endow,
But his ardent spirit cools at the sight of farms and schools,
Hence, there is no Up the Country for him now.
Such a settling, spreading curse must infallibly grow worse,
Till the saltbush disappears before the plough,
But the future, evil-fraught, is forgotten in the thought,
That there is no Up the Country for us now.
We must do a steady shift, and devote our minds to thrift,
Till we reach at length the standard of the Chow
For we're crumpled side by side in a world no longer wide,
And there is no Up the Country for us now.
Better we were cold and still, with our famous Jim and Bill,
Beneath the interdicted wattle-bough,
For the angels made our date five-and-twenty years too late,
And there is no Up the Country for us now.
poem by Joseph Furphy
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Happy New Year 2012 (a song)
Happy New Year, Two Thousand Twelve!
With hope anew, let us all delve;
Forget the past year’s woes galore;
To each, God opens newer door!
Happy New Year, resolve sans fears;
Pray God should give all lesser tears;
Why waste money going to moon?
Our earth is wealthy, great a boon!
Happy New Year, aim to labour;
To brethren, no hatred harbour;
To share our love, God wants us to;
The rest of things, He’ll surely do!
Happy New Year, give others joy;
Obey your parents, if girl or boy;
Pray God gives leaders, clear minds, hearts;
You give your mite and do your parts!
Happy New Year, live and let live;
Help the poor; to God, glory give;
This earth can turn a Paradise,
If toil can all, becoming wise!
Copyright by Dr John Celes 30-12-11
poem by John Celes
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The Soul Of The Anzac
THE form that was mine was brown and hard,
And thewed and muscled, and tall and straight;
And often it rode from the station yard,
And often it passed through the stockyard gate;
And often it paused on the grey skyline
'Twixt mulga and mallee or gum and pine.
There was never a task that it would not do;
There was never a labour it left undone;
But ever and always it battled through,
And took the rest that its toil had won,
And slept the sleep of the weary-limbed
Till the stars grew pale and the planets dimmed.
The form that was mine is mine no more,
For low it lies in a soldier's grave
By an alien sea on an alien shore;
And over its sleep no wattles wave,
And stars unseen on their journey creep;
But it wakes no more from its dreamless sleep.
O Mother of mine, what is is best!
And our graves are dug at the hour of birth;
And the form that slept on your shielding breast
Sleeps soundly here in the mothering earth.
And dust to dust! When our part is played,
Does it matter much where the change is made?
O Heart that was mine, you were brave and strong —
How strong, how brave, let another tell!
You loved the lilt of the bushman's song,
And loved the land that he loved so well,
And loved — ah, well! — as well she knew,
The sweet, white girl who was all to you.
O Heart of mine, though your love was great,
Yet a greater than Love is lord of man;
The rose-path wound to the garden gate,
And there the track to The Peaks began;
And though storm threatened and skies grew black,
You dared the menace and took the track.
O Heart, when the cliffs were hard to climb,
How sweet was home, and her eyes how sweet!
How sweet the moments when Love kept time,
And you and her heart gave beat for beat,
And the waters sang, and the sun-rays glanced,
And the flowers laughed out, and the saplings danced.
Yet better, O Heart, to do as you did
Than to lie on her breast, as your love-gift lies;
For how can Love prosper when Honour lies hid,
Ashamed to look Love fair and square in the eyes?
Though grave-mould be round you, grey grasses above,
You live, and shall live, evermore in her love!
O Man that I was, you were foe to Death;
For Life was fair to you — wonderful, rare;
You had your being and drew your breath
In ample spaces of earth and air;
While ever and always, by night and day,
Bright Promise pointed the Golden Way.
And yet 'twas your choice to be this thing —
A young man dead on an alien shore,
Where the immemorial surges sing
As once they sang in the days of yore,
When Greek and Trojan matched their might
And Troy shone down upon the fight.
O Man that I was, well done! Well done!
You chose the nobler, the better part;
Though a mother weep for her soldier son,
And a fair, sweet girl be sad at heart,
Yet the soul of your country glows with pride
At the deed you did and the death you died.
poem by Roderic Quinn
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In the Land of Dreams
A bridle-path in the tangled mallee,
With blossoms unnamed and unknown bespread,
And two who ride through its leafy alley,
But never the sound of a horse's tread.
And one by one whilst the foremost rider
Puts back the boughs which have grown apace,
And side by side where the track is wider,
Together they come to the olden place.
To the leaf-dyed pool whence the mallards flattered,
Or ever the horses had paused to drink;
Where the word was said and the vow was uttered
That brighten for ever its weedy brink.
And Memory closes her sad recital,
In Fate's cold eyes there are kindly gleams,
While for one brief moment of blest requital,
The parted have met, in the Land of Dreams.
poem by Mary Hannay Foott
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Evelyn Hope
I
Beautiful Evelyn Hope is dead!
Sit and watch by her side an hour.
That is her book-shelf, this her bed;
She plucked that piece of geranium-flower,
Beginning to die too, in the glass;
Little has yet been changed, I think:
The shutters are shut, no light may pass
Save two long rays thro' the hinge's chink.
II
Sixteen years old, when she died!
Perhaps she had scarcely heard my name;
It was not her time to love; beside,
Her life had many a hope and aim,
Duties enough and little cares,
And now was quiet, now astir,
Till God's hand beckoned unawares,—
And the sweet white brow is all of her.
III
Is it too late then, Evelyn Hope?
What, your soul was pure and true,
The good stars met in your horoscope,
Made you of spirit, fire and dew—
And, just because I was thrice as old
And our paths in the world diverged so wide,
Each was nought to each, must I be told?
We were fellow mortals, nought beside?
IV
No, indeed! for God above
Is great to grant, as mighty to make,
And creates the love to reward the love:
I claim you still, for my own love's sake!
Delayed it may be for more lives yet,
Through worlds I shall traverse, not a few:
Much is to learn, much to forget
Ere the time be come for taking you.
V
But the time will come,—at last it will,
When, Evelyn Hope, what meant (I shall say)
In the lower earth, in the years long still,
That body and soul so pure and gay?
Why your hair was amber, I shall divine,
And your mouth of your own geranium's red—
And what you would do with me, in fine,
In the new life come in the old one's stead.
VI
I have lived (I shall say) so much since then,
Given up myself so many times,
Gained me the gains of various men,
Ransacked the ages, spoiled the climes;
Yet one thing, one, in my soul's full scope,
Either I missed or itself missed me:
And I want and find you, Evelyn Hope!
What is the issue? let us see!
VII
I loved you, Evelyn, all the while.
My heart seemed full as it could hold?
There was place and to spare for the frank young smile,
And the red young mouth, and the hair's young gold.
So, hush,—I will give you this leaf to keep:
See, I shut it inside the sweet cold hand!
There, that is our secret: go to sleep!
You will wake, and remember, and understand.
poem by Robert Browning from Men and Women (1855)
Submitted by Veronica Serbanoiu
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The Battle-Field
Once this soft turf, this rivulet's sands,
Were trampled by a hurrying crowd,
And fiery hearts and armed hands
Encountered in the battle cloud.
Ah! I never shall the land forget
How gushed the life-blood of her brave--
Gushed, warm with hope and courage yet,
Upon the soil they fought to save.
Now all is calm, and fresh, and still,
Alone the chirp of flitting bird,
And talk of children on the hill,
And bell of wandering kine are heard.
No solemn host goes trailing by
The black-mouthed gun and staggering wain;
Men start not at the battle-cry,
Oh, be it never heard again!
Soon rested those who fought; but thou
Who minglest in the harder strife
For truths which men receive not now
Thy warfare only ends with life.
A friendless warfare! lingering long
Through weary day and weary year.
A wild and many-weaponed throng
Hang on thy front, and flank, and rear.
Yet nerve thy spirit to the proof,
And blench not at thy chosen lot.
The timid good may stand aloof,
The sage may frown--yet faint thou not.
Nor heed the shaft too surely cast,
The foul and hissing bolt of scorn;
For with thy side shall dwell, at last,
The victory of endurance born.
Truth, crushed to earth, shall rise again;
The eternal years of God are hers;
But Error, wounded, writhes with pain,
And dies among his worshippers.
Yea, though thou lie upon the dust,
When they who helped thee flee in fear,
Die full of hope and manly trust,
Like those who fell in battle here.
Another hand thy sword shall wield,
Another hand the standard wave,
Till from the trumpet's mouth is pealed
The blast of triumph o'er thy grave.
poem by William Cullen Bryant
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Drought
Midsummer noon: and the timbered walls
start in the heat;
and the children sag listlessly over the desks,
with bloodless faces oozing sweat
sipped by the stinging flies.
Outside, the tall sun fades the shabby mallee
and drives the ants deep underground;
the stony driftsand shrivels
the drab, sparse plants;
there's not a cloud in all the sky to cast
a shadow on the tremulous plain.
Stirless the windmills; thirsty cattle, standing despondently about the empty tanks;
stamping and tossing their heads,
in torment of the flies from dawn to dark.
For ten parched days it has been like this
and, although I love the desert I
have found myself
dreaming
of upright gums by a mountain creek
where the red borinia blooms,
where bellbirds chime through the morning mists,
and greeness can hide from the sun;
of rock-holes where the brumbies slink
like swift cloud-shadows from the gidgee scrub
to drink when the moon is low.
And as I stoop to drink, I too,
just as I raise my cupped hands to my lips,
I am recalled the drought-stricken plain
but the petulant question
of a summer - wearied child.
poem by Flexmore Hudson
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A Nupial Eve (excerpt)
The murmur of the mourning ghost
That keeps the shadowy kine,
"Oh, Keith of Ravelston,
The sorrows of thy line!"
Ravelston, Ravelston,
The merry path that leads
Down the golden morning hill,
And thro' the silver meads;
Ravelston, Ravelston,
The stile beneath the tree,
The maid that kept her mother's kine,
The song that sang she!
She sang her song, she kept her kine,
She sat beneath the thorn,
When Andrew Keith of Ravelston
Rode thro' the Monday morn.
His henchmen sing, his hawk-bells ring,
His belted jewels shine!
Oh, Keith of Ravelston,
The sorrows of thy line!
Year after year, where Andrew came,
Comes evening down the glade,
And still there sits a moonshine ghost
Where sat the sunshine maid.
Her misty hair is faint and fair,
She keeps the shadowy kine;
Oh, Keith of Ravelston,
The sorrows of thy line!
I lay my hand upon the stile,
The stile is lone and cold,
The burnie that goes babbling by
Says nought that can be told.
Yet, stranger! here, from year to year,
She keeps her shadowy kine;
Oh, Keith of Ravelston,
The sorrows of thy line!
Step out three steps, where Andrew stood--
Why blanch thy cheeks for fear?
The ancient stile is not alone,
'Tis not the burn I hear!
She makes her immemorial moan,
She keeps her shadowy kine;
Oh, Keith of Ravelston,
The sorrows of thy line!
poem by Sydney Thompson Dobell
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The Drought King's Trumpeter
Said old Pete, the Pensioner:
'I met him down the road
Where, twixt the shadders of the gums,
The silver moonlight flowed.
His skin was white like shrivelled grass,
His eyes was eyes o' flame.
He was the Drought King's trumpeter,
An' tooted as he came.
He tooted on a holler bone, of some thing dead o' thirst,
Like dry winds a-moanin' low. Then into song he burst:
'Ho! The Drought King's a-comin, as he came to men afore,
Out of his home within the sun. They're flingin' wide the door.
Then shall Folly flee before him an' Destruction spread behind.
He comes to purify the earth an' chasten humankind. . . .,'
I saw the Drought King's trumpeter as plain as I see you.
An' not a dropp inside o' me - save, maybe, one or two.'
Said old Pete, 'I saw him there
Underneath the moon,
He tooted on his holler bone
An' danced a rigadoon.
I took one look into his face
Then fled into the night;
I fell in thro' my old hut door
An' banged an' barred it tight.
But thro' the night I heard him there; the way he keened an' cried,
The callin' of the curlew was sweet melody beside.
'Ho! The Drought King's a-comin' from his home within the sun
To lay his curse upon the earth for sins that men have done.
Grace ye had an' gifts ye had, but gambled 'em away
An' schemed to make a mockery of many a fruitful day. . . .'
I tell yeh, man, 'twas not the wind! I heard him at my door.
An' ne'er a dropp inside o' me - save maybe, three or four.'
poem by Clarence Michael James Stanislaus Dennis
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Psalm 65 part 3
The blessings of the spring; or, God gives rain.
A Psalm for the husbandman.
Good is the Lord, the heav'nly King,
Who makes the earth his care;
Visits the pastures ev'ry spring,
And bids the grass appear.
The clouds, like rivers raised on high,
Pour out at thy command
Their wat'ry blessings from the sky,
To cheer the thirsty land.
The softened ridges of the field
Permit the corn to spring;
The valleys rich provision yield,
And the poor lab'rers sing.
The little hills, on every side,
Rejoice at falling showers;
The meadows, dressed in all their pride,
Perfume the air with flowers.
The barren clods, refreshed with rain,
Promise a joyful crop;
The parching grounds look green again,
And raise the reaper's hope.
The various months thy goodness crowns;
How bounteous are thy ways!
The bleating flocks spread o'er the downs,
And shepherds shout thy praise.
poem by Isaac Watts
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Farewell To Spring
I saw this morning, with a sudden smart,
Spring preparing to depart.
I know her well and so I told her all my heart.
``Why did you, Spring, your coming so delay,
If, now here, you cannot stay?
You win my love and then unloving pass away.
``We waited, waited, O so long, so long,
Just to hear the ousel's song.
To-morrow 'twill be hushed, to-day that is so strong.
``Day after day, and dawn again on dawn,
Winter's shroud was on the lawn,
So still, so smooth, we thought 'twould never be withdrawn.
`Now that at last your welcome mimic snow
Doth upon the hawthorn blow,
It bides not on the bough, but melts before we know.
``Scarce hath the primrose o'er the sordid mould
Lavished treasure, than behold!
Our wealth of simple joy is robbed of all its gold.
``When to the woods we hie with feet of mirth,
Now the hyacinths have birth,
Swiftly the blue of Heaven fades from the face of earth.
``You with dry gusts and unrelenting wrack
Kept the liquid cuckoo back.
Now, even ere he goes, he turneth hoarse, alack!
``When, in the long warm nights of June,
Nightingales have got their tune,
Their sweet woe dies, and we are beggared of the boon.
``First drops the bloom, then darkens the green leaf;
Everything in life is brief,
Save autumn's deepening gloom and winter's changeless grief.''
Then with a smile thus answered me the Spring:
``To my voice and flight you cling,
For I, before I perch, again am on the wing.
``With you were I the whole year round to stay,
'Twould be you that went away,
Your love made fickle by monotony of May.
``Love cannot live save upon love beyond.
Leaving you, I keep you fond,
Not letting you despair, but making you despond.
`Farewell, and love me still, my lover dear,
Love me till another year,
And you, if you be true, again will find me here.''
Then darker, deeper, waxed the woods; the ground
Flowerless turned and then embrowned;
And less was of sweet scent, and less was of sweet sound.
Mute was the mavis, moulted was the thorn,
Meads were cut, and lambs were shorn,
And I by Spring was left forsaken and forlorn.
Forlorn, forsaken, shall I be until
Primrose peep and throstle shrill,
And in the orchard gleam the outriding daffodil.
Then shall I know that Spring among the trees
Hiding is, and that the breeze
Anew will fling abroad odours and melodies.
poem by Alfred Austin
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