Life And Death
Life is not sweet. One day it will be sweet
To shut our eyes and die:
Nor feel the wild flowers blow, nor birds dart by
With flitting butterfly,
Nor grass grow long above our heads and feet,
Nor hear the happy lark that soars sky high,
Nor sigh that spring is fleet and summer fleet,
Nor mark the waxing wheat,
Nor know who sits in our accustomed seat.
Life is not good. One day it will be good
To die, then live again;
To sleep meanwhile: so not to feel the wane
Of shrunk leaves dropping in the wood,
Nor hear the foamy lashing of the main,
Nor mark the blackened bean-fields, nor where stood
Rich ranks of golden grain
Only dead refuse stubble clothe the plain:
Asleep from risk, asleep from pain.
poem by Christina Georgina Rossetti
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Cadences
I
(MINOR)
THE ANCIENT memories buried lie,
And the olden fancies pass;
The old sweet flower-thoughts wither and fly,
And die as the April cowslips die,
That scatter the bloomy grass.
All dead, my dear! And the flowers are dead,
And the happy blossoming spring;
The winter comes with its iron tread,
The fields with the dying sun are red,
And the birds have ceas’d to sing.
I trace the steps on the wasted strand
Of the vanish’d springtime’s feet:
Wither’d and dead is our Fairyland,
For Love and Death go hand in hand
Go hand in hand, my sweet!
II
(MAJOR)
OH, what shall be the burden of our rhyme,
And what shall be our ditty when the blossom’s on the lime?
Our lips have fed on winter and on weariness too long:
We will hail the royal summer with a golden-footed song!
O lady of my summer and my spring,
We shall hear the blackbird whistle and the brown sweet throstle sing,
And the low clear noise of waters running softly by our feet,
When the sights and sounds of summer in the green clear fields are sweet.
We shall see the roses blowing in the green,
The pink-lipp’d roses kissing in the golden summer sheen;
We shall see the fields flower thick with stars and bells of summer gold,
And the poppies burn out red and sweet across the corn-crown’d wold.
The time shall be for pleasure, not for pain;
There shall come no ghost of grieving for the past betwixt us twain;
But in the time of roses our lives shall grow together,
And our love be as the love of gods in the blue Olympic weather.
poem by John Howard Payne
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In Autumn
The leaves are many under my feet,
And drift one way.
Their scent of death is weary and sweet.
A flight of them is in the grey
Where sky and forest meet.
The low winds moan for sad sweet years;
The birds sing all for pain,
Of a common thing, to weary ears,--
Only a summer's fate of rain,
And a woman's fate of tears.
I walk to love and life alone
Over these mournful places,
Across the summer overthrown,
The dead joys of these silent faces,
To claim my own.
I know his heart has beat to bright
Sweet loves gone by;
I know the leaves that die to-night
Once budded to the sky;
And I shall die from his delight.
O leaves, so quietly ending now,
You heard the cuckoos sing.
And I will grow upon my bough
If only for a spring,
And fall when the rain is on my brow.
O tell me, tell me ere you die,
Is it worth the pain?
You bloomed so fair, you waved so high;
Now that the sad days wane,
Are you repenting where you lie?
I lie amongst you, and I kiss
Your fragrance mouldering.
O dead delights, is it such bliss,
That tuneful Spring?
Is love so sweet, that comes to this?
Kiss me again as I kiss you;
Kiss me again;
For all your tuneful nights of dew,
In this your time of rain,
For all your kisses when Spring was new.
You will not, broken hearts; let be.
I pass across your death
To a golden summer you shall not see,
And in your dying breath
There is no benison for me.
There is an autumn yet to wane,
There are leaves yet to fall,
Which, when I kiss, may kiss again,
And, pitied, pity me all for all,
And love me in mist and rain.
poem by Alice Meynell
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True Pain
The darkness overwhelms my soul
with a power so great you could never know
tell me why was i chosen,
chosen to bare this gift
this ultimate curse
you look at me, and what do you see
nothing, and that's whats hurt
i feel the flesh on my body being burnt
ohh the pain yea the pain
so great so marvelous
pain you could never know
what i live through every day
forever stuck in the dark
forever in pain
all when you're asleep
i gaze in your eyes too take your life
cause you get to sleep and i don't
i hear your voices as you complain
about every petty thing
but i don't so you don't hear me
and then you fall asleep
and feel good
whiles the battle in my mind continues
i have prayed for better days and have wandered
if the any as i walk through the dark
i am he
he is me
I AM PAIN...
poem by Robert Roberts
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Silvercrank london 1994
i hear your winter
i hear you rain
and i've failed your summer ways
and i feel no pain
i hear what you want
and i feel that way
i hear what you want
and i feel that way
i hear you fade away
and i hear you crawl
i gave my life away
and i feel no pain
and i feel no pain
and i feel no pain
and i feel your pain
and she is my lover so sweet
and she is my angel
and what i've recovered of me
i put into a box underneath my bed
when you lie in your bed
and you lie to yourself
when you lie in your bed
and you lie to yourself
when you lie
lie
song performed by by Smashing Pumpkins from Vieuphoria
Submitted by Lucian Velea
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Silverfuck
I hear your winter
I hear your rain
I've failed your summer ways
And I feel no pain
I hear what you want
And I feel that way
I hear what you want
And I feel that way
I hear you fade away
And I hear you crawl
I gave my life away
And I feel no pain
And I feel no pain
And I feel no pain
And I feel your pain
And she was my lover so sweet
And she was my angel
And what I've recovered of me
I put into a box underneath my bed
When you lie in your bed
And you lie to yourself
When you lie in your bed
And you lie to yourself
Lie
Lie
Bang bang your dead hole in your head
Bang bang your dead hole in your head
Bang bang your dead hole in your head
Bang bang your dead hole in your head
I hear what you want
And I feel that way
I hear what you want
And I feel that way
[This take
song performed by by Smashing Pumpkins from Siamese Dream
Submitted by Lucian Velea
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Songs In A Cornfield
A song in a cornfield
Where corn begins to fall,
Where reapers are reaping,
Reaping one, reaping all.
Sing pretty Lettice,
Sing Rachel, sing May;
Only Marian cannot sing
While her sweetheart's away.
Where is he gone to
And why does he stay?
He came across the green sea
But for a day,
Across the deep green sea
To help with the hay.
His hair was curly yellow
And his eyes were grey,
He laughed a merry laugh
And said a sweet say.
Where is he gone to
That he comes not home?
To-day or to-morrow
He surely will come.
Let him haste to joy
Lest he lag for sorrow,
For one weeps to-day
Who'll not weep to-morrow:
To-day she must weep
For gnawing sorrow,
To-night she may sleep
And not wake to-morrow.
May sang with Rachel
In the waxing warm weather,
Lettice sang with them,
They sang all together:—
'Take the wheat in your arm
Whilst day is broad above,
Take the wheat to your bosom,
But not a false love.
Out in the fields
Summer heat gloweth,
Out in the fields
Summer wind bloweth,
Out in the fields
Summer friend showeth,
Out in the fields
Summer wheat groweth;
But in the winter
When summer heat is dead
And summer wind has veered
And summer friend has fled,
Only summer wheat remaineth,
White cakes and bread.
Take the wheat, clasp the wheat
That's food for maid and dove;
Take the wheat to your bosom,
But not a false false love.'
A silence of full noontide heat
Grew on them at their toil:
The farmer's dog woke up from sleep,
The green snake hid her coil.
Where grass stood thickest, bird and beast
Sought shadows as they could,
The reaping men and women paused
And sat down where they stood;
They ate and drank and were refreshed,
For rest from toil is good.
While the reapers took their ease,
Their sickles lying by,
Rachel sang a second strain,
And singing seemed to sigh:—
'There goes the swallow—
Could we but follow!
Hasty swallow stay,
Point us out the way;
Look back swallow, turn back swallow, stop swallow.
'There went the swallow—
Too late to follow:
Lost our note of way,
Lost our chance to-day;
Good bye swallow, sunny swallow, wise swallow.
'After the swallow
All sweet things follow:
All things go their way,
Only we must stay,
Must not follow; good bye swallow, good swallow.'
Then listless Marian raised her head
Among the nodding sheaves;
Her voice was sweeter than that voice;
She sang like one who grieves:
Her voice was sweeter than its wont
Among the nodding sheaves;
All wondered while they heard her sing
Like one who hopes and grieves:—
'Deeper than the hail can smite,
Deeper than the frost can bite,
Deep asleep through day and night,
Our delight.
'Now thy sleep no pang can break,
No to-morrow bid thee wake,
Not our sobs who sit and ache
For thy sake.
'Is it dark or light below?
Oh, but is it cold like snow?
Dost thou feel the green things grow
Fast or slow?
'Is it warm or cold beneath,
Oh, but is it cold like death?
Cold like death, without a breath,
Cold like death?'
If he comes to-day
He will find her weeping;
If he comes to-morrow
He will find her sleeping;
If he comes the next day
He'll not find her at all,
He may tear his curling hair,
Beat his breast and call.
poem by Christina Georgina Rossetti
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Poppies on the Wheat
Along Ancona's hills the shimmering heat,
A tropic tide of air with ebb and flow
Bathes all the fields of wheat until they glow
Like flashing seas of green, which toss and beat
Around the vines. The poppies lithe and fleet
Seem running, fiery torchmen, to and fro
To mark the shore.
The farmer does not know
That they are there. He walks with heavy feet,
Counting the bread and wine by autumn's gain,
But I,--I smile to think that days remain
Perhaps to me in which, through bread be sweet
No more, and red wine warm my blood in vain,
I shall be glad remembering how the fleet,
Lithe poppies ran like torchmen with the wheat.
poem by Helen Hunt Jackson
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My Playmate
The pines were dark on Ramoth hill,
Their song was soft and low;
The blossoms in the sweet May wind
Were falling like the snow.
The blossoms drifted at our feet,
The orchard birds sang clear;
The sweetest and the saddest day
It seemed of all the year.
For, more to me than birds or flowers,
My playmate left her home,
And took with her the laughing spring,
The music and the bloom.
She kissed the lips of kith and kin,
She laid her hand in mine
What more could ask the bashful boy
Who fed her father's kine?
She left us in the bloom of May
The constant years told o'er
Their seasons with as sweet May morns,
But she came back no more.
I walk, with noiseless feet, the round
Of uneventful years;
Still o'er and o'er I sow the spring
And reap the autumn ears.
She lives where all the golden year
Her summer roses blow;
The dusky children of the sun
Before her come and go.
There haply with her jewelled hands
She smooths her silken gown,-
No more the homespun lap wherein
I shook the walnuts down.
The wild grapes wait us by the brook,
The brown nuts on the hill,
And still the May-day flowers make sweet
The woods of Follymill.
The lilies blossom in the pond,
The bird builds in the tree,
The dark pines sing on Ramoth hill
The slow song of the sea.
I wonder if she thinks of them,
And how the old time seems,-
If ever the pines of Ramoth wood
Are sounding in her dreams.
I see her face, I hear her voice;
Does she remember mine?
And what to her is now the boy
Who fed her father's kine?
What cares she that the orioles build
For other eyes than ours,-
That other hands with nuts are filled,
And other laps with flowers?
O playmate in the golden time!
Our mossy seat is green,
Its fringing violets blossom yet,
The old trees o'er it lean.
The winds so sweet with birch and fern
A sweeter memory blow;
And there in spring the veeries sing
The song of long ago.
And still the pines of Ramoth wood
Are moaning like the sea,-
The moaning of the sea of change
Between myself and thee!
poem by John Greenleaf Whittier
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Chains Invisible
THE lilies in my garden grow,
Wide meadows ring my garden round,
In that green copse wild violets blow,
And pale, frail cuckoo flowers are found.
For all you see and all you hear,
The city might be miles away,
And yet you feel the city near
Through all the quiet of the day.
Sweet smells the earth--wet with sweet rain--
Sweet lilac waves in moonlight pale,
And from the wood beyond the lane
I hear the hidden nightingale.
Though field and wood about me lie,
Hushed soft in dew and deep delight,
Yet can I hear the city's sigh
Through all the silence of the night.
For me the skylark builds and sings,
For me the vine her garland weaves;
The swallow folds her glossy wings
To build beneath my cottage eaves.
But I can feel the giant near,
Can hear his slaves by daylight weep,
And when at last the night is here,
I hear him moaning in his sleep.
Oh! for a little space of ground,
Though not a flower should make it gay,
Where miles of meadows wrapped me round,
And leagues and leagues of silence lay.
Oh! for a wind-lashed, treeless down,
A black night and a rising sea,
And never a thought of London town,
To steal the world's delight from me.
poem by Edith Nesbit
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Harvest time
Pillowed and hushed on the silent plain,
Wrapped in her mantle of golden grain,
Wearied of pleasuring weeks away,
Summer is lying asleep to-day,--
Where winds come sweet from the wild-rose briers
And the smoke of the far-off prairie fires;
Yellow her hair as the goldenrod,
And brown her cheeks as the prairie sod;
Purple her eyes as the mists that dream
At the edge of some laggard sun-drowned stream;
But over their depths the lashes sweep,
For Summer is lying to-day asleep.
The north wind kisses her rosy mouth,
His rival frowns in the far-off south,
And comes caressing her sunburnt cheek,
And Summer awakes for one short week,--
Awakes and gathers her wealth of grain,
Then sleeps and dreams for a year again.
poem by Emily Pauline Johnson
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The Battle Autumn of 1862
The flags of war like storm birds fly,
The charging trumpets blow;
Yet rolls no thunder in the sky,
No earthquake strives below.
And, calm and patient, Nature keeps
Her ancient promises well,
Though o'er her bloom and greenness sweeps,
The battle's breath of hell.
And still she walks in golden hours,
Through harvest-happy farms,
And still she wears her fruits and flowers
Like jewels on her arms.
What means the gladness of the plain,
This joy of eve and morn,
The mirth that shakes the bread of grain
And yellow locks of corn?
Ah! eyes may well be full of tears,
And hearts with hate are hot;
But even-paced come round the years,
And nature changes not.
She meets with smiles our bitter grief,
With songs our groans of pain;
She mocks with tints of flowers and leaf,
The war-field's crimson stain.
Still, in the cannon's pause, we hear
Her sweet thanksgiving psalm;
Too near to God for doubt or fear,
She shares the eternal calm.
She knows the seed lies safe below
The fires that blast and burn;
For all the tears of blood we sow
She waits the rich return.
She sees with clearer eye than ours
The good of suffering born,
The hearts that blossom like her flowers
And ripen like her corn.
Oh, give to us, in times like these,
The vision of her eyes;
And make her fields and fruited trees
Our golden prophecies.
Oh, give to us her finer ear;
Above this stormy din,
We, too, would hear the bells of cheer
Ring peace and freedom in.
poem by John Greenleaf Whittier
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Harvest Song
I am a reaper whose muscles set at sundown. All my oats are cradled.
But I am too chilled, and too fatigued to bind them.
And I hunger.
I crack a grain between my teeth. I do not taste it.
I have been in the fields all day. My throat is dry.
I hunger.
My eyes are caked with dust of oatfields at harvest-time.
I am a blind man who stares across the hills, seeking stack'd fields of other harvesters.
It would be good to see them . . crook'd, split, and iron-ring'd handles of the scythes. It would be good to see them, dust-caked and blind. I hunger.
(Dusk is a strange fear'd sheath their blades are dull'd in.)
My throat is dry. And should I call, a cracked grain like the oats...eoho--
I fear to call. What should they hear me, and offer me their grain, oats, or wheat, or corn? I have been in the fields all day. I fear I could not taste it. I fear knowledge of my hunger.
My ears are caked with dust of oatfields at harvest-time.
I am a deaf man who strains to hear the calls of other harvesters whose throats are also dry.
It would be good to hear their songs . . reapers of the sweet-stalk'd cane, cutters of the corn...even though their throats cracked and the strangeness of their voices deafened me.
I hunger. My throat is dry. Now that the sun has set and I am chilled, I fear to call. (Eoho, my brothers!)
I am a reaper. (Eoho!) All my oats are cradled.
But I am too fatigued to bind them. And I hunger.
I crack a grain. It has no taste to it.
My throat is dry...
O my brothers, I beat my palms, still soft, against the stubble of my harvesting. (You beat your soft palms, too.) My pain is sweet. Sweeter than the oats or wheat or corn. It will not bring me knowledge of my hunger.
poem by Jean Toomer
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Spring
See how new green shoots
and branches and leaves
and flowers appear
and the green grass
rises everywhere,
the gods had set a part
of Eden here.
Hear the birds
sing and cheer
and see them fly past
and follow the white-hot sun
while the rays comes to stay
for a longer time.
Smell the first rain
and wild flowers
in the fields
and get thrilled
by the sweet scent
that every flower brings
Abide with me
as the trees dress fit
for a royal wedding
and new life
appears from where it hides
and realise that Spring
is a living thing.
poem by Gert Strydom
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Dewdrops
Dewdrops on the sweet grass
on a summer's morn
Bare feet feel so good now
unbound by shoes I've worn.
Sparkling like a crystal
shining in the sun
how my feet just love you.
Now I want to run.
Dewdrops on the sweet grass
moisture oh so sweet
before the sun does dry you,
before I must retreat
I'll meet you on the morrow
so once again I'll know
just what the grass must feel like
when it feels your shiny glow.
poem by Edwina Reizer
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Compensation
In that new world toward which our feet are set,
Shall we find aught to make our hearts forget
Earth's homely joys and her bright hours of bliss?
Has heaven a spell divine enough for this?
For who the pleasure of the spring shall tell
When on the leafless stalk the brown buds swell,
When the grass brightens and the days grow long,
And little birds break out in rippling song?
O sweet the dropping eve, the blush of morn,
The starlit sky, the rustling fields of corn,
The soft airs blowing from the freshening seas,
The sunflecked shadow of the stately trees,
The mellow thunder and the lulling rain,
The warm, delicious, happy summer rain,
When the grass brightens and the days grow long,
And little birds break out in rippling song!
O beauty manifold, from morn till night,
Dawn's flush, noon's blaze and sunset's tender light!
O fair, familiar features, changes sweet
Of her revolving seasons, storm and sleet
And golden calm, as slow she wheels through space,
From snow to roses, - and how dear her face,
When the grass brightens, when the days grow long,
And little birds break out in rippling song!
O happy earth! O home so well beloved!
What recompense have we, from thee removed?
One hope we have that overtops the whole, -
The hope of finding every vanished soul,
We love and long for daily, and for this
Gladly we turn from thee, and all thy bliss,
Even at thy loveliest, when the days are long,
And little birds break out in rippling song.
poem by Celia Thaxter
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Not To Be
THE rose said 'Let but this long rain be past,
And I shall feel my sweetness in the sun
And pour its fullness into life at last.'
But when the rain was done,
But when dawn sparkled through unclouded air,
She was not there.
The lark said 'Let but winter be away,
And blossoms come, and light, and I will soar,
And lose the earth, and be the voice of day.'
But when the snows were o'er,
But when spring broke in blueness overhead,
The lark was dead.
And myriad roses made the garden glow,
And skylarks carolled all the summer long—
What lack of birds to sing and flowers to blow?
Yet, ah, lost scent, lost song!
Poor empty rose, poor lark that never trilled!
Dead unfulfilled!
poem by Augusta Davies Webster
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Early Works - The Seasons
Sky clouded and morbid blue
with cracks for the sun to shine through.
Fields barren and dead
with leaves turning from green to red.
Birds on high winging south
as rivers flow from its mouth.
Sun shines a light of cold on the
ground as autumn approaching us surrounds.
The leaves of orange and red mould where they are blown
as upon us winder begins to grow.
After a while comes a white blanket of snow
covering everything that will grow.
The nights get long
and the winter winds blow strong.
Everything is frozen fast
and in this wintry waste, none must trespass.
Overnight comes the warmth of a rearing sun
bringing with it the spring,
life to every living thing.
Trees and flowers bud, bloom,
and around the corner summer begins to loom.
As everything, turns’ smiling around
there is heard in the wind loves sweet sound.
Then with sunsets beautiful, but not rare
we can tell summer is in the air.
Flowers in full bloom spread multicolour around
as small creatures scamper on the ground
under the sun profound.
All the mysteries that summer does involve
will soon be gone as the seasons again revolve.
Date Unknown. (Early 1970’s I think)
poem by David Harris
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Pleasant As May
Writer Dolly Parton
Copyright 1973
The mid summer sun shines but dim the fields try in vain to look gay
But when I was happy with him December was pleasant as May
There once was a time he and I picked flowers to braid in my hair
And the songbirds would sing sweet song of love that was tender and fair
No difference the seasons may quit our love was as warm as the sun
And it mattered not where did the snow
Or green grass kissed the fields where we'd run
Now the mid summer sun shines...
Sweet flowers sweet birds and sweet song have now lost their sweetness to me
For ever my darling is gone and for ever my heartbroken I'll be
Now the mid summer sun shines...
The mid summer sun shines but dim mmm
song performed by by Dolly Parton
Submitted by Lucian Velea
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The Village of Tayport and Its Surroundings
All ye pleasure-seekers, where'er ye be,
I pray ye all be advised by me,
Go and visit Tayport on the banks o' the Tay,
And there ye can spend a pleasant holiday.
The village and its surroundings are magnificent to be seen,
And the shops on the High Street are tidy and clean,
And the goods, I'm sure, would please the Queen,
They cannot be surpassed in Edinburgh or Aberdeen.
And the villagers' gardens are lovely to be seen,
There sweet flowers grow and gooseberries green.
And the fragrant air will make you feel gay
While viewing the scenery there on the banks of the Tay.
Scotscraig is an ancient and a most charming spot,
And once seen by visitors will never be forgot.
'Twas there that Archbishop Sharp lived long ago,
And the flower-garden there is a very grand show.
The flower beds there are very beautiful to see,
They surpass the Baxter Park flower beds in Dundee,
And are all enclosed in a round ring,
And there the bee and the butterfly are often on the wing.
Scotscraig farm-house is magnificent to see
With its beautiful rich fields of wheat and barley,
And the farm-house steading is certainly very fine,
And the scenery is charming in the summer time.
The Serpentine Walk is a secluded spot in Scotscraig wood,
And to be walking there 'twould do one's heart good.
There the lovers can enjoy themselves in its shady bowers
By telling tales of love to wile away the tedious hours.
There innocent rabbits do sport and play
During the livelong summer day
Amongst the ivy and shrubberies green,
And screened all day from the sun's sheen.
Then, lovers of the picturesque, off and away
To the village of Tayport on the banks o' the Tay,
And ramble through Scotscraig wood,
It will, I'm sure, do your bodies good.
And, as ye walk along the Serpentine Walk,
With each other ye can have a social talk,
And ye will hear the birds singing away,
Which will make your hearts feel light and gay.
And while walking underneath the branches of the trees,
Ye will hear the humming of the bees.
Therefore, pleasure-seekers, make no delay,
But visit Scotscraig wood on a fine summer day.
There visitors can be shaded from the sun in the summer time,
While walking along the secluded Serpentine,
By the spreading branches of the big trees,
Or from the undergrowth ivy, if they please.
Do not forget to visit the old Tower,
Where Archbishop Sharp spent many an hour,
Viewing the beautiful scenery for miles away
Along the bonnie banks o' the silvery Tay.
poem by William Topaz McGonagall
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Mark of Pain
Fading, what we feel about pain, eaten by the rolling times
Whether long or short time will it take to be faded away
One can say that pain never leave, one can say that pain is curable
But one thing surely happens is pain leaves its mark
even when the touch of its torchery has gone
Like hammering that wooden body of our feeling and flesh
that mean mark of the nail will never recover
Now life will easier to walk through if you see that sickening mark is left behind
but never dare to forget its warning, when you're about to face the same swinging hit again
Never again you feel your pain stay forever
'Cause only its mark remains silent, but not its real flames