A Farm Walk
The year stood at its equinox
And bluff the North was blowing,
A bleat of lambs came from the flocks,
Green hardy things were growing;
I met a maid with shining locks
Where milky kine were lowing.
She wore a kerchief on her neck,
Her bare arm showed its dimple,
Her apron spread without a speck,
Her air was frank and simple.
She milked into a wooden pail
And sang a country ditty,
An innocent fond lovers' tale,
That was not wise nor witty,
Pathetically rustical,
Too pointless for the city.
She kept in time without a beat
As true as church-bell ringers,
Unless she tapped time with her feet,
Or squeezed it with her fingers;
Her clear unstudied notes were sweet
As many a practised singer's.
I stood a minute out of sight,
Stood silent for a minute
To eye the pail, and creamy white
The frothing milk within it;
To eye the comely milking maid
Herself so fresh and creamy:
'Good day to you,' at last I said;
She turned her head to see me:
'Good day,' she said with lifted head;
Her eyes looked soft and dreamy,
And all the while she milked and milked
The grave cow heavy-laden:
I've seen grand ladies plumed and silked,
But not a sweeter maiden;
But not a sweeter fresher maid
Than this in homely cotton,
Whose pleasant face and silky braid
I have not yet forgotten.
Seven springs have passed since then, as I
Count with a sober sorrow;
Seven springs have come and passed me by,
And spring sets in to-morrow.
I've half a mind to shake myself
Free just for once from London,
To set my work upon the shelf
And leave it done or undone;
To run down by the early train,
Whirl down with shriek and whistle,
And feel the bluff North blow again,
And mark the sprouting thistle
Set up on waste patch of the lane
Its green and tender bristle.
And spy the scarce-blown violet banks,
Crisp primrose leaves and others,
And watch the lambs leap at their pranks
And butt their patient mothers.
Alas, one point in all my plan
My serious thoughts demur to:
Seven years have passed for maid and man,
Seven years have passed for her too;
Perhaps my rose is overblown,
Not rosy or too rosy;
Perhaps in farmhouse of her own
Some husband keeps her cosy,
Where I should show a face unknown.
Good-bye, my wayside posy.
poem by Christina Georgina Rossetti
Submitted by Poetry Lover
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Related quotes
The Martyr of Bovinia
She milked the cow; and all the morn was hushed
(It was a beast that never kicked or rushed)
The startled dicky-birds of early Spring
Sat up amazed to mark this splendid thing,
Nigh fainting with delight upon the bough . . . .
She milked the cow.
She milked the cow; nor all the glory rare
Of that October morning could compare
With that sweet sylvan scene; the grace, the charm
The rhythmic movement of her dimpled arm,
Would make a poor bloke feel just anyhow . . . .
She milked the cow.
She milked the cow. 'Twas at South Sassafras
(Which is a cruel word to rhyme,alas)
And all who gazed thereon decalred, with force,
It was sublime - except the cow, of course
Who wore a patient frown upn her brow . . . .
She milked the cow.
She milked the cow - at least, she said she did.
There was the milk in proof; and God forbid
That I should doubt the statement in the least,
(I sympathised in private with the beast
Who said - but still, what does it matter now?)
She milked the cow.
poem by Clarence Michael James Stanislaus Dennis
Submitted by Poetry Lover
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Kaw-liga
Hank williams
Kaw-liga was a wooden indian standing by the door
He fell in love with an indian maid over in the antique store
Kaw-liga just stood there and never let it show
So she could never answer yes or no
He always wore his sunday feathers and held a tomahawk
The maiden wore her beads and braids and hoped someday hed talk
Kaw-liga, too stubborn to ever show a sign
Because his heart was made of knotty pine
Poor old kaw-liga, he never got a kiss
Poor old kaw-liga, he dont know what he missed
Is it any wonder that his face is red?
Kaw-liga,that poor old wooden head
Kaw-liga was a lonely indian, never went nowhere
His heart was set on the indian maid with the coal black hair
Kaw-liga just stood there and never let it show
So she could never answer yes or no
Poor old kaw-liga, he never got a kiss
Poor old kaw-liga, he dont know what he missed
Is it any wonder that his face is red?
Kaw-liga,that poor old wooden head
Then one day a wealthy customer bought the indian maid
And took her oh so far away, but old kaw-liga stayed
Kaw-liga just stands there as lonely as can be
And wishes he was still an old pine tree
Poor old kaw-liga, he never got a kiss
Poor old kaw-liga, he dont know what he missed
Is it any wonder that his face is red?
Kaw-liga,that poor old wooden head
Kaw-liga, kaw-liga kaw-liga....
song performed by by Roy Orbison
Submitted by Lucian Velea
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Kaw-liga
Recorded by hank williams
Written by hank williams and fred rose
Key: e capo: 2nd play: d
Kaw- [dm] liga, was a wooden indian standing by the door
He fell in love with an indian maid over in the antique store
Kaw-liga - a, just stood there and never let it [a7] show
So she could never answer yes or [dm] no.
He always wore his sunday feathers and held a tomahawk
The maiden wore her beads and braids and hoped someday hed talk
Kaw-liga - a, too stubborn to ever show a sign
Because his heart was made of knotty pine.
Chorus
[d] poor ol kaw-liga, he never got a kiss
[g] poor ol kaw-liga, he dont know what he missed
[d] is it any wonder that his face is [a7] red
Kaw-liga, that poor ol wooden [d] head. ... [dm]
Kaw-liga, was a lonely indian never went nowhere
His heart was set on the indian maiden with the coal black hair
Kaw-liga - a, just stood there and never let it show
So she could never answer yes or no.
Then one day a wealthy customer bought the indian maid
And took her, oh, so far away, but ol kaw-liga stayed
Kaw-liga - a, just stands there as lonely as can be
And wishes he was still an old pine tree.
Chorus
song performed by by Hank Williams
Submitted by Lucian Velea
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The Young Friar
When leaves broke out on the wild briar,
And bells for matins rung,
Sorrow came to the old friar
– Hundreds of years ago it was! –
And May came to the young.
The old was ripening for the sky,
The young was twenty-four.
The Franklin's daughter passed him by,
Reading a painted missal-book,
Beside the chapel door.
With brown cassock and sandalled feet,
And red Spring wine for blood;
The very next noon he chanced to meet
The Franklin's daughter, in a green May twilight,
Walking through the wood.
Pax vobiscum – to a maid
The crosiered ferns among!
But hers was only the Saxon,
And his the Norman tongue;
And the Latin taught by the old friar
Made music for the young.
And never a better deed was done
By Mother Church below
Than when she made old England one,
– Hundreds of years ago it was! –
Hundreds of years ago.
Rich was the painted page they read
Before that sunset died;
Nut-brown hood by golden head,
Murmuring Rosa Mystica,
While nesting thrushes cried.
A Saxon maid with flaxen hair,
And eyes of Sussex grey;
A young monk out of Normandy: –
'May is our Lady's month,' he said,
'And O, my love, my May!'
Then over the fallen missal-book
The missel-thrushes sung
Till – Domus Aurea – rose the moon
And bells for vespers rung.
It was gold and blue for the old friar,
But hawthorn for the young.
For gown of green and brown hood,
Before that curfew tolled,
Had flown for ever through the wood
– Hundreds of years ago it was! –
But twenty summers old.
And empty stood his chapel stall,
Empty his thin grey cell,
Empty her seat in the Franklin's hall;
And there were swords that searched for them
Before the matin bell.
And, crowders tell, a sword that night
Wrought them an evil turn,
And that the may was not more white
Than those white bones the robin found
Among the roots of fern.
But others tell of stranger things
Half-heard on Whitsun eves,
Of sweet and ghostly whisperings –
Though hundreds of years ago it was –
Among the ghostly leaves: –
Sero te amavi –
Grey eyes of sun-lit dew! –
Tam antiqua, tam nova –
Augustine heard it, too.
Late have I loved that May, Lady,
So ancient, and so new!
And no man knows where they were flown,
For the wind takes the may:
But white and fresh the may was blown
– Though hundreds of years ago it was –
As this that blooms to-day.
And the leaves break out on the wild briar,
And bells must still be rung;
But sorrow comes to the old friar,
For he remembers a May, a May,
When his old heart was young.
poem by Alfred Noyes
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The Organist
In his dim chapel day by day
The organist was wont to play,
And please himself with fluted reveries;
And all the spirit's joy and strife,
The longing of a tender life,
Took sound and form upon the ivory keys;
And though he seldom spoke a word,
The simple hearts that loved him heard
His glowing soul in these.
One day as he wrapped, a sound
Of feet stole near; he turned and found
A little maid that stood beside him there.
She started, and in shrinking-wise
Besought him with her liquid eyes
And little features, very sweet and spare.
'You love the music, child,' he said,
And laid his hand upon her head,
And smoothed her matted hair.
She answered, 'At the door one day
I sat and heard the organ play;
I did not dare to come inside for fear;
But yesterday, a little while,
I crept half up the empty aisle
And heard the music sounding sweet and clear;
To-day I thought you would not mind,
For, master dear, your face was kind,
And so I came up here.'
'You love the music then,' he said,
And still he stroked her golden head,
And followed out some winding reverie;
'And you are poor?' said he at last;
The maiden nodded, and he passed
His hand across his forehead dreamingly;
'And will you be my friend?' he spake,
'And on the organ learn to make
Grand music here with me?'
And all the little maiden's face
Was kindled with a grateful grace;
'Oh, master, teach me; I will slave for thee!'
She cried; and so the child grew dear
To him, and slowly year by year
He taught her all the organ's majesty;
And gave her from his slender store
Bread and warm clothing, that no more
Her cheeks were pinched to see.
And year by year the maiden grew
Taller and lovelier, and the hue
Deepened upon her tender cheeks untried.
Rounder, and queenlier, and more fair
Her form grew, and her golden hair
Fell yearly richer at the master's side.
In speech and bearing, form and face,
Sweeter and graver, grace by grace,
Her beauties multiplied.
And sometimes at his work a glow
Would touch him, and he murmured low
'How beautiful she is?' and bent his head;
And sometimes when the day went by
And brought no maiden he would sigh,
And lean and listen to her velvet tread;
And he would drop his hands and say,
'My music cometh not to-day;
Pray God she be not dead!'
So the sweet maiden filled his heart,
And with her growing grew his art,
For day by day more wondrously he played.
Such heavenly things the master wrought,
That in his happy dreams he thought,
The organ's self did love the gold-haired maid:
But she, the maiden, never guessed-
What prayers for her in hours of rest
The sombre organ prayed.
At last, one summer morning fair,
The maiden came with braided hair,
And took his hands, and held them eagerly.
'To-morrow is my wedding day;
Dear master, bless me that the way
Of life be smooth, not bitter unto me.'
He stirred not; but the light did go
Out of his shrunken cheeks, and oh!
His head hung heavily.
'You love him, then?' 'I love him well,'
She answered, and a numbness fell
Upon his eyes and all his heart that bled.
A glory, half a smile, abode
Within the maiden's eyes and glowed
Upon her parted lips. The master said,
'God bless and bless thee, little maid,
With peace and long delight,' and laid
His hands upon her head.
And she was gone; and all that day
The hours crept up and slipped away,
And he sat still, as moveless as a stone.
The night came down, with quiet stars,
And darkened him: in coloured bars
Along the shadowy aisle the moonlight shone.
And then the master woke and passed
His hands across the keys at last,
And made the organ moan.
The organ shook, the music wept;
For sometimes like a wail it crept
In broken moanings down the shadows drear;
And otherwhiles the sound did swell,
And like a sudden tempest fell
Through all the windows wonderful and clear.
The people gathered from the street,
And filled the chapel seat by seat-
They could not choose but hear.
And there they sat till dawning light,
Nor ever stirred to awe. 'To-night,
The master hath a noble mood,' they said.
But on a sudden ceased the sound:
Like ghosts the people gathered round,
And on the keys they found his fallen head.
The silent organ had received
The master's broken heart relieved,
And he was white and dead.
poem by Archibald Lampman
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The Drummer Boy
A drummer boy dressed in white tapped his drum as he passed by my bed,
he never looked at me, and not a word was said.
Tippy tap drum, tippy tap drum, tippy tap drum, was his marching beat.
There was blood from a wound, but he kept to his feet.
As he marched back and forth it looked as though he was going to fall,
but he continued to beat his drum, as he walked through the wall.
On his departure the sound of a bugle was heard above the drum,
whistling rifle shots and cannon fire added to the battle’s hum.
A boy dressed in red and white, blowing a bugle marched passed my bed,
he had suffered a wound, and blood was flowing from his head.
Blowing with all his might I could see the determination on his face,
he seemed to be running out of breath, as he slowly lost the pace.
The drummer boy came up beside him and marched by his side,
the bugle boy stood up straight, and blew the charge as he cried.
Another drummer boy passed my bed followed by two more,
the bugle boy stood and looked ahead, and then fell to the floor.
Several soldiers charged pass, with bayonets fixed for attack,
passing the drummer boy one yelled, “Keep playing and don’t look back.”
With the sound of bullets in the air and shells exploding all around
soldiers charged and fell by my bed to the now distant drumming sound.
It suddenly all went quiet as everyone disappeared through the wall,
except for the drummer boy who played as he stood tall.
Tippy tap drum, tippy tap drum, tippy tap drum; a much softer beat,
he then looked at me with tears in his eyes, as he faded at my feet.
poem by Orlando Belo
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Maiden-Song
Long ago and long ago,
And long ago still,
There dwelt three merry maidens
Upon a distant hill.
One was tall Megan,
And one was dainty May,
But one was fair Margaret,
More fair than I can say,
Long ago and long ago.
When Megan plucked the thorny rose,
And when May pulled the brier,
Half the birds would swoop to see,
Half the beasts draw nigher;
Half the fishes of the streams
Would dart up to admire:
But when Margaret plucked a flag-flower,
Or poppy hot aflame,
All the beasts and all the birds
And all the fishes came
To her hand more soft than snow.
Strawberry leaves and May-dew
In brisk morning air,
Strawberry leaves and May-dew
Make maidens fair.
'I go for strawberry leaves,'
Megan said one day:
'Fair Margaret can bide at home,
But you come with me, May;
Up the hill and down the hill,
Along the winding way 30
You and I are used to go.'
So these two fair sisters
Went with innocent will
Up the hill and down again,
And round the homestead hill:
While the fairest sat at home,
Margaret like a queen,
Like a blush-rose, like the moon
In her heavenly sheen,
Fragrant-breathed as milky cow
Or field of blossoming bean,
Graceful as an ivy bough
Born to cling and lean;
Thus she sat to sing and sew.
When she raised her lustrous eyes
A beast peeped at the door;
When she downward cast her eyes
A fish gasped on the floor;
When she turned away her eyes
A bird perched on the sill,
Warbling out its heart of love,
Warbling warbling still,
With pathetic pleadings low.
Light-foot May with Megan
Sought the choicest spot,
Clothed with thyme-alternate grass:
Then, while day waxed hot,
Sat at ease to play and rest,
A gracious rest and play;
The loveliest maidens near or far,
When Margaret was away,
Who sat at home to sing and sew.
Sun-glow flushed their comely cheeks,
Wind-play tossed their hair,
Creeping things among the grass
Stroked them here and there;
Megan piped a merry note,
A fitful wayward lay,
While shrill as bird on topmost twig
Piped merry May;
Honey-smooth the double flow.
Sped a herdsman from the vale,
Mounting like a flame,
All on fire to hear and see,
With floating locks he came.
Looked neither north nor south,
Neither east nor west,
But sat him down at Megan's feet
As love-bird on his nest,
And wooed her with a silent awe,
With trouble not expressed;
She sang the tears into his eyes,
The heart out of his breast:
So he loved her, listening so.
She sang the heart out of his breast,
The words out of his tongue;
Hand and foot and pulse he paused
Till her song was sung.
Then he spoke up from his place
Simple words and true:
'Scanty goods have I to give,
Scanty skill to woo;
But I have a will to work,
And a heart for you:
Bid me stay or bid me go.'
Then Megan mused within herself:
'Better be first with him,
Than dwell where fairer Margaret sits,
Who shines my brightness dim,
For ever second where she sits,
However fair I be:
I will be lady of his love,
And he shall worship me;
I will be lady of his herds
And stoop to his degree,
At home where kids and fatlings grow.'
Sped a shepherd from the height
Headlong down to look,
(White lambs followed, lured by love
Of their shepherd's crook):
He turned neither east nor west,
Neither north nor south,
But knelt right down to May, for love
Of her sweet-singing mouth;
Forgot his flocks, his panting flocks
In parching hill-side drouth;
Forgot himself for weal or woe.
Trilled her song and swelled her song
With maiden coy caprice
In a labyrinth of throbs,
Pauses, cadences;
Clear-noted as a dropping brook,
Soft-noted like the bees,
Wild-noted as the shivering wind
Forlorn through forest trees:
Love-noted like the wood-pigeon
Who hides herself for love,
Yet cannot keep her secret safe,
But coos and coos thereof:
Thus the notes rang loud or low.
He hung breathless on her breath;
Speechless, who listened well;
Could not speak or think or wish
Till silence broke the spell.
Then he spoke, and spread his hands,
Pointing here and there:
'See my sheep and see the lambs,
Twin lambs which they bare.
All myself I offer you,
All my flocks and care,
Your sweet song hath moved me so.'
In her fluttered heart young May
Mused a dubious while:
'If he loves me as he says'--
Her lips curved with a smile:
'Where Margaret shines like the sun
I shine but like a moon;
If sister Megan makes her choice
I can make mine as soon;
At cockcrow we were sister-maids,
We may be brides at noon.'
Said Megan, 'Yes;' May said not 'No.'
Fair Margaret stayed alone at home,
Awhile she sang her song,
Awhile sat silent, then she thought:
'My sisters loiter long.'
That sultry noon had waned away,
Shadows had waxen great:
'Surely,' she thought within herself,
'My sisters loiter late.'
She rose, and peered out at the door,
With patient heart to wait,
And heard a distant nightingale
Complaining of its mate;
Then down the garden slope she walked,
Down to the garden gate,
Leaned on the rail and waited so.
The slope was lightened by her eyes
Like summer lightning fair,
Like rising of the haloed moon
Lightened her glimmering hair,
While her face lightened like the sun
Whose dawn is rosy white.
Thus crowned with maiden majesty
She peered into the night,
Looked up the hill and down the hill,
To left hand and to right,
Flashing like fire-flies to and fro.
Waiting thus in weariness
She marked the nightingale
Telling, if any one would heed,
Its old complaining tale.
Then lifted she her voice and sang,
Answering the bird:
Then lifted she her voice and sang,
Such notes were never heard
From any bird when Spring's in blow.
The king of all that country
Coursing far, coursing near,
Curbed his amber-bitted steed,
Coursed amain to hear;
All his princes in his train,
Squire, and knight, and peer,
With his crown upon his head,
His sceptre in his hand,
Down he fell at Margaret's knees
Lord king of all that land,
To her highness bending low.
Every beast and bird and fish
Came mustering to the sound,
Every man and every maid
From miles of country round:
Megan on her herdsman's arm,
With her shepherd May,
Flocks and herds trooped at their heels
Along the hill-side way;
No foot too feeble for the ascent,
Not any head too grey;
Some were swift and none were slow.
So Margaret sang her sisters home
In their marriage mirth;
Sang free birds out of the sky,
Beasts along the earth,
Sang up fishes of the deep--
All breathing things that move
Sang from far and sang from near
To her lovely love;
Sang together friend and foe;
Sang a golden-bearded king
Straightway to her feet,
Sang him silent where he knelt
In eager anguish sweet.
But when the clear voice died away,
When longest echoes died,
He stood up like a royal man
And claimed her for his bride.
So three maids were wooed and won
In a brief May-tide,
Long ago and long ago.
poem by Christina Georgina Rossetti
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The Story
They met each other in the glade –
She lifted up her eyes;
Alack the day! Alack the maid!
She blushed in swift surprise.
Alas! Alas! the woe that comes from lifting up the eyes.
The pail was full, the path was steep –
He reached to her his hand;
She felt her warm young pulses leap,
But did not understand.
Alas! Alas! the woe that comes from clasping hand with hand.
She sat beside him in the wood –
He wooed with words and sighs;
Ah! love in spring seems sweet and good,
And maidens are not wise.
Alas! Alas! the woe that comes from listing lovers’ sighs.
The summer sun shone fairly down,
The wind blew from the south;
As his blue eyes gazed in eyes of brown,
His kiss fell on her mouth.
Alas! Alas! the woe that comes from kisses on the mouth.
And now the autumn time is near,
The lover roves away,
With breaking heart and falling tear,
She sits the livelong day.
Alas! Alas! for breaking hearts when lovers rove away.
poem by Ella Wheeler Wilcox
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The Rouseabout
In a humble hut, on a scrubby flat,
Near the land of the setting sun,
Lived a simple but honest rouseabout,
Who rejoiced in the name of Dunn.
He could warble as sweet as a bandicoot,
He could dance like a kangaroo,
His age, it was just about four-feet ten,
And his height about thirty-two.
He worshipped a beautiful female maid
Who lived on a distant plain;
Whose husband had gone to a far-off land,
And had never come back again.
She had bright blue hair, she had rosy eyes,
And her cheeks were of golden hue.
So Tommy set off, as the sun went down,
To tell her he loved her true.
He traversed the hills and the mountain peaks,
He climbed up a rugged plain,
He swam the beds of the dried-up creeks
And he tramped o'er the raging main.
He saw not the wind on the distant hills,
He heard not the rising moon,
For his soul was dead, and his burning head
Was as calm as a big monsoon.
His eye, like a hurricane, roared aloud,
His voice, like the lightning flashed,
The blustering blizzard it boomed and burst
As on through the dust he splashed.
He rode on a flea-bitten chestnut mare,
With a patent pneumatic tyre;
And the sparks from the feet of his flying steed
Set Billabong Creek on fire.
He leapt from the train at the half-way house,
And stood at the maiden's door;
He wept at the sight of that dear old spot
Which he never had seen before;
He stood on his head at the maiden's feet,
And he begged her his lot to share,
Then, brushing tear from his glist'ning ear,
He spoke of his dumb despair.
"See! see!" he exclaimed to the winsome maid,
in syllables tall and sweet,
"The whole of my expectations I cast
At thy beautiful, blushing feet.
For you I would live - through eternity!
Say ‘yes' - for my own sweet sake,
And without a murmur I'll sacrifice
All the millions I hope to make.
Then the maiden rested her blushing nose
For a moment on Tommy's chest,
And she said, as she cuddled his crumpled form
To her soft and capacious breast,
"As I have been true in the years to come,
I'll be true in the past," said she.
And she winked her ear at a native bear
That was perched on a pumpkin tree.
poem by Thomas E. Spencer
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The Mad Maid's Song
Good morrow to the day so fair;
Good morning, sir, to you;
Good morrow to mine own torn hair,
Bedabbled with the dew.
Good morning to this primrose too;
Good morrow to each maid;
That will with flowers the tomb bestrew
Wherein my Love is laid.
Ah! woe is me, woe, woe is me,
Alack and well-a-day!
For pity, sir, find out that bee,
Which bore my Love away.
I'll seek him in your bonnet brave;
I'll seek him in your eyes;
Nay, now I think they've made his grave
I' th' bed of strawberries.
I'll seek him there; I know, ere this,
The cold, cold earth doth shake him;
But I will go, or send a kiss
By you, sir, to awake him.
Pray hurt him not; though he be dead,
He knows well who do love him;
And who with green turfs rear his head,
And who do rudely move him.
He's soft and tender, pray take heed,
With bands of cowslips bind him,
And bring him home;--but 'tis decreed
That I shall never find him.
poem by Robert Herrick
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We are Seven
--------A Simple Child,
That lightly draws its breath,
And feels its life in every limb,
What should it know of death?
I met a little cottage Girl:
She was eight years old, she said;
Her hair was thick with many a curl
That clustered round her head.
She had a rustic, woodland air,
And she was wildly clad:
Her eyes were fair, and very fair;
--Her beauty made me glad.
"Sisters and brothers, little Maid,
How many may you be?"
"How many? Seven in all," she said
And wondering looked at me.
"And where are they? I pray you tell."
She answered, "Seven are we;
And two of us at Conway dwell,
And two are gone to sea.
"Two of us in the church-yard lie,
My sister and my brother;
And, in the church-yard cottage, I
Dwell near them with my mother."
"You say that two at Conway dwell,
And two are gone to sea,
Yet ye are seven!--I pray you tell,
Sweet Maid, how this may be."
Then did the little Maid reply,
"Seven boys and girls are we;
Two of us in the church-yard lie,
Beneath the church-yard tree."
"You run about, my little Maid,
Your limbs they are alive;
If two are in the church-yard laid,
Then ye are only five."
"Their graves are green, they may be seen,"
The little Maid replied,
"Twelve steps or more from my mother's door,
And they are side by side.
"My stockings there I often knit,
My kerchief there I hem;
And there upon the ground I sit,
And sing a song to them.
"And often after sunset, Sir,
When it is light and fair,
I take my little porringer,
And eat my supper there.
"The first that died was sister Jane;
In bed she moaning lay,
Till God released her of her pain;
And then she went away.
"So in the church-yard she was laid;
And, when the grass was dry,
Together round her grave we played,
My brother John and I.
"And when the ground was white with snow,
And I could run and slide,
My brother John was forced to go,
And he lies by her side."
"How many are you, then," said I,
"If they two are in heaven?"
Quick was the little Maid's reply,
"O Master! we are seven."
"But they are dead; those two are dead!
Their spirits are in heaven!"
'Twas throwing words away; for still
The little Maid would have her will,
And said, "Nay, we are seven!"
poem by William Wordsworth
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Diana
What are you looking for at night
When moon is shining in the springs
And where the birds in warble fight
Flapping enchanted their wings?
Can't you perceive this nice array
Of leaves that whisper in the glade
And kiss each other and they play
In the refreshing forest's shade?
And like in mirrors moving fast
You want to watch a funny game,
In waters that have come and passed,
While your big eyes remain the same?
The spring has filled the woods again
Reviving everything, in truth,
However, all your thoughts are vain,
Like Endymion's, that fair youth.
Why do you want to be alone
With the low voice of secret source?
To hear the leaves by the wind blown
And sleep on grass, dark green and coarse?
And from that light reaching the glade,
From the cold waves, from shadow's charms,
To rise a fairy, a dear maid,
With big blue eyes and naked arms?
Oh! Now the boughs are bent with care
By little arms, so snowy white,
By a sweet face with yellow hair
On a tall body, slim, upright.
A golden bow makes her complete
And going hunting with much grace
On the innumerable leaves
She barely left a tiny trace.
poem by Mihai Eminescu, translated by Octavian Cocoş
Submitted by Octavian Cocoş
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Alone
There came to me softly a small wind from the sea.
And it lifted a curl as it passed by me.
But I sang sorrow and ho the heavy day!
And I sang heigho and well-away!
Again there came softly a small wind from the sea,
And it lifted a curl as it passed by me.
And still I sang sorrow and ho the heavy day!
And I sang heigho and well-away!
Once more there came softly that small wind from the sea,
And it lifted a curl as it passed by me.
I hushed my song of sorrow and ho the heavy day,
And I hushed my heigho and well-away.
Then, when I was silent, that small wind from the sea,
It came the fourth time tenderly to me;
To me, to me,
Sitting by the sea,
Sitting sad and solitary thinking of thee.
Like warm lips it touched me-that soft wind from the sea,
And I trembled and wept as it passed by me.
poem by Sydney Thompson Dobell
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Star Of The County Down
In banbridge town in the county down
One morning last july,
From a boreen green came a sweet colleen
And she smiled as she passed me by.
She looked so sweet fronn her two bare feet
To the sheen of her nut brown hair.
Such a coaxing elf, sure I shook myself
For to see I was really there.
Chorus:
From bantry bay up to derry quay and
From galway to dublin town,
No maid Ive seen like the brown colleen
That I met in the county down.
As she onward sped, sure I scratched my head,
And I looked with a feelin rare,
And I says, says i, to a passer-by,
Whose the maid with the nut brown hair?
He smiled at me and he sayss, says he,
Thats the gem of irelands crown.
Its rosie mccann from the banks of the bann,
Shes the star of the county down.
Chorus:
From bantry bay up to derry ouay and
From galway to dublin town,
No maid Ive seen like the brown colleen
That I met in the county down.
At the harvest fair shell be surely there
And Ill dress in my sunday clothes,
With my shoes shone bright and my hat cocked
Right for a smile from my nut brown rose.
No pipe Ill smoke, no horse Ill yoke
Till my plough turns rust coloured brown.
Till a smiling bride, by my own fireside
Sits the star of the county down.
Chorus / repeat
song performed by by Van Morrison
Submitted by Lucian Velea
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An Interlude
IN the greenest growth of the Maytime,
I rode where the woods were wet,
Between the dawn and the daytime;
The spring was glad that we met.
There was something the season wanted,
Though the ways and the woods smelt sweet;
The breath at your lips that panted,
The pulse of the grass at your feet.
You came, and the sun came after,
And the green grew golden above;
And the flag-flowers lightened with laughter,
And the meadow-sweet shook with love.
Your feet in the full-grown grasses
Moved soft as a weak wind blows;
You passed me as April passes,
With face made out of a rose.
By the stream where the stems were slender,
Your bright foot paused at the sedge;
It might be to watch the tender
Light leaves in the springtime hedge,
On boughs that the sweet month blanches
With flowery frost of May:
It might be a bird in the branches,
It might be a thorn in the way.
I waited to watch you linger
With foot drawn back from the dew,
Till a sunbeam straight like a finger
Struck sharp through the leaves at you.
And a bird overhead sang Follow,
And a bird to the right sang Here;
And the arch of the leaves was hollow,
And the meaning of May was clear.
I saw where the sun’s hand pointed,
I knew what the bird’s note said;
By the dawn and the dewfall anointed,
You were queen by the gold on your head.
As the glimpse of a burnt-out ember
Recalls a regret of the sun,
I remember, forget, and remember
What Love saw done and undone.
I remember the way we parted,
The day and the way we met;
You hoped we were both broken-hearted,
And knew we should both forget.
And May with her world in flower
Seemed still to murmur and smile
As you murmured and smiled for an hour;
I saw you turn at the stile.
A hand like a white wood-blossom
You lifted, and waved, and passed,
With head hung down to the bosom,
And pale, as it seemed, at last.
And the best and the worst of this is
That neither is most to blame
If you’ve forgotten my kisses
And I’ve forgotten your name.
poem by Algernon Charles Swinburne
Submitted by Poetry Lover
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At Home
When I was dead, my spirit turned
To seek the much-frequented house:
I passed the door, and saw my friends
Feasting beneath green orange boughs;
From hand to hand they pushed the wine,
They sucked the pulp of plum and peach;
They sang, they jested, and they laughed,
For each was loved of each.
I listened to thier honest chat:
Said one: "To-morrow we shall be
Plod plod along the featureless sands,
And coasting miles and miles of sea."
Said one: "Before the turn of tide
We will achieve the eyrie-seat."
Said one: "To-morrow shall be like
To-day, but much more sweet."
"To-morrow," said they, strong with hope,
And dwelt upon the pleasant way:
"To-morrow," cried they, one and all,
While no one spoke of yesterday.
Their life stood full at blessed noon;
I, only I, had passed away:
"To-morrow and to-day," they cried;
I was of yesterday.
I shivered comfortless, but cast
No chill across the table-cloth;
I, all-forgotten, shivered, sad
To stay, and yet to part how loth:
I passed from the familiar room,
I who from love had passed away,
Like the remembrance of a guest
That tarrieth but a day.
poem by Christina Georgina Rossetti
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The Brown Dwarf of Rügen (From Narrative and Legendary Poems )
THE pleasant isle of Rügen looks the Baltic water o'er,
To the silver-sanded beaches of the Pomeranian shore;
And in the town of Rambin a little boy and maid
Plucked the meadow-flowers together and in the sea-surf played.
Alike were they in beauty if not in their degree:
He was the Amptman's first-born, the miller's child was she.
Now of old the isle of Rügen was full of Dwarfs and Trolls,
The brown-faced little Earth-men, the people without souls;
And for every man and woman in Rügen's island found
Walking in air and sunshine, a Troll was underground.
It chanced the little maiden, one morning, strolled away
Among the haunted Nine Hills, where the elves and goblins play.
That day, in barley fields below, the harvesters had known
Of evil voices in the air, and heard the small horns blown.
She came not back; the search for her in field and wood was vain:
They cried her east, they cried her west, but she came not again.
"She's down among the Brown Dwarfs," said the dream-wives wise and old,
And prayers were made, and masses said, and Rambin's church bell tolled.
Five years her father mourned her; and then John Deitrich said:
"I will find my little playmate, be she alive or dead."
He watched among the Nine Hills, he heard the Brown Dwarfs sing,
And saw them dance by moonlight merrily in a ring.
And when their gay-robed leader tossed up his cap of red,
Young Deitrich caught it as it fell, and thrust it on his head.
The Troll came crouching at his feet and wept for lack of it.
"Oh, give me back my magic cap, for your great head unfit!"
"Nay," Deitrich said; "the Dwarf who throws his charmëd cap away,
Must serve its finder at his will, and for his folly pay.
"You stole my pretty Lisbeth, and hid her in the earth;
And you shall ope the door of glass and let me lead her forth."
"She will not come; she's one of us; she's mine!" the Brown Dwarf said;
"The day is set, the cake is baked, to-morrow we shall wed."
"The fell fiend fetch thee!" Deitrich cried, "and keep thy foul tongue still.
Quick! open, to thy evil world, the glass door of the hill!"
The Dwarf obeyed; and youth and Troll down the long stairway passed,
And saw in dim and sunless light a country strange and vast.
Weird, rich, and wonderful, he saw the elfin under-land, --
Its palaces of precious stones, its streets of golden sand.
He came unto a banquet-hall with tables richly spread,
Where a young maiden served to him the red wine and the bread.
How fair she seemed among the Trolls so ugly and so wild!
Yet pale and very sorrowful, like one who never smiled!
Her low, sweet voice, her gold-brown hair, her tender blue eyes seemed
Like something he had seen elsewhere or something he had dreamed.
He looked; he clasped her in his arms; he knew the long-lost one;
"O Lisbeth! See thy playmate -- I am the Amptman's son!"
She leaned her fair head on his breast, and through her sobs she spoke:
"Oh, take me from this evil place, and from the elfin folk!
"And let me tread the grass-green fields and smell the flowers again,
And feel the soft wind on my cheek and hear the dropping rain!
"And oh, to hear the singing bird, the rustling of the tree,
The lowing cows, the bleat of sheep, the voices of the sea;
"And oh, upon my father's knee to set beside the door,
And hear the bell of vespers ring in Rambin church once more!"
He kissed her cheek, he kissed her lips; the Brown Dwarf groaned to see,
And tore his tangled hair and ground his long teeth angrily.
But Deitrich said: "For five long years this tender Christian maid
Has served you in your evil world, and well must she be paid!
"Haste! -- hither bring me precious gems, the richest in your store;
Then when we pass the gate of glass, you'll take your cap once more."
No choice was left the baffled Troll, and, murmuring, he obeyed,
And filled the pockets of the youth and apron of the maid.
They left the dreadful under-land and passed the gate of glass;
They felt the sunshine's warm caress, they trod the soft, green grass.
And when, beneath, they saw the Dwarf stretch up to them his brown
And crooked claw-like fingers, they tossed his red cap down.
Oh, never shone so bright a sun, was never sky so blue,
As hand in hand they homeward walked the pleasant meadows through!
And never sang the birds so sweet in Rambin's woods before,
And never washed the waves so soft along the Baltic shore;
And when beneath his door-yard trees the father met his child,
The bells rung out their merriest peal, the folks with joy ran wild.
And soon from Rambin's holy church the twain came forth as one,
The Amptman kissed a daughter, the miller blest a son.
John Deitrich's fame went far and wide, and nurse and maid crooned o'er
Their cradle song: "Sleep on, sleep well, the Trolls shall come no more!"
for in the haunted Nine Hills he set a cross of stone;
And Elf and Brown Dwarf sought in vain a door where door was none.
The tower he built in Rambin, fair Rügen's pride and boast,
Looked o'er the Baltic water to the Pomeranian coast;
And, for his worth ennobled, and rich beyond compare,
Count Deitrich and his lovely bride dwelt long and happy there.
poem by John Greenleaf Whittier
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Corydon
A PASTORAL
SCENE: A roadside in Arcady
SHEPHERD.
Good sir, have you seen pass this way
A mischief straight from market-day?
You'd know her at a glance, I think;
Her eyes are blue, her lips are pink;
She has a way of looking back
Over her shoulder, and, alack!
Who gets that look one time, good sir,
Has naught to do but follow her.
PILGRIM.
I have not seen this maid, methinks,
Though she that passed had lips like pinks.
SHEPHERD.
Or like two strawberries made one
By some sly trick of dew and sun.
PILGRIM.
A poet!
SHEPHERD.
Nay, a simple swain
That tends his flock on yonder plain,
Naught else, I swear by book and bell.
But she that passed, you marked her well.
Was she not smooth as any be
That dwell herein in Arcady?
PILGRIM.
Her skin was as the satin bark
Of birches
SHEPHERD.
Light or dark?
PILGRIM.
Quite dark.
SHEPHERD.
Then 'twas not she.
PILGRIM.
The peach's side
That's next the sun is not so dyed
As was her cheek. Her hair hung down
Like summer twilight falling brown;
And when the breeze swept by, I wist
Her face was in a sombre mist.
SHEPHERD.
No, that is not the maid I seek.
Her hair lies gold against the cheek;
Her yellow tresses take the morn
Like silken tassles of the corn.
And yet--brown locks are far from bad.
PILGRIM.
Now I bethinks me, this one had
A figure like the willow-tree
Which, slight and supple, wondrously
Inclines to droop with pensive grace,
And still retains its proper place;
A foot so arched and very small
The marvel was she walked at all;
Her hand--in sooth I lack for words--
her hand, five slender snow-white birds.
Her voice--though she but said "God-speed"--
Was melody blown through a reed;
The girl Pan changed into a pipe
Had not a note so full and ripe.
And then her eye--my lad her eye!
Discreet, inviting, candid, shy,
An outward ice, an inward fire,
And lashes to the heart's desire--
Soft fringes blacker than the sloe.
SHEPHERD.
Good sir, which way did this one go?
PILGRIM, solus.
So, he is off! The silly youth
Knoweth not love in sober sooth.
He loves, thus lads at first are blind--
No woman, only Womankind.
I needs must laugh, for, by the Mass,
No maid at all did this way pass!
poem by Thomas Bailey Aldrich
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The Lover’s Song
When Winter hoar no longer holds
The young year in his gripe,
And bleating voices fill the folds,
And blackbirds pair and pipe;
Then coax the maiden where the sap
Awakes the woodlands drear,
And pour sweet wildflowers in her lap,
And sweet words in her ear.
For Springtime is the season, sure,
Since Love's game first was played,
When tender thoughts begin to lure
The heart of April maid,
Of maid,
The heart of April maid.
When June is wreathed with wilding rose,
And all the buds are blown,
And O, 'tis joy to dream and doze
In meadows newly mown;
Then take her where the graylings leap,
And where the dabchick dives,
Or where the bees in clover reap
The harvest for their hives.
For Summer is the season when,
If you but know the way,
A maid that's kissed will kiss again,
Then pelt you with the hay,
The hay,
Then pelt you with the hay.
When sickles ply among the wheat,
Then trundle home the sheaves,
And there's a rustling of the feet
Through early-fallen leaves;
Entice her where the orchard glows
With apples plump and tart,
And tell her plain the thing she knows,
And ask her for her heart.
For Autumn is the season, boy,
To gather what we sow:
If you be bold, she won't be coy,
Nor ever say you no,
Say no,
Nor ever say you no.
When woodmen clear the coppice lands,
And arch the hornbeam drive,
And stamp their feet, and chafe their hands,
To keep their blood alive;
Then lead her where, when vows are heard,
The church-bells peal and swing,
And, as the parson speaks the word,
Then on her clap the ring.
For Winter is a cheerless time
To live and lie alone;
But what to him is snow or rime,
Who calls his love his own,
His own,
Who calls his love his own?
poem by Alfred Austin
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Songs In A Cornfield
A song in a cornfield
Where corn begins to fall,
Where reapers are reaping,
Reaping one, reaping all.
Sing pretty Lettice,
Sing Rachel, sing May;
Only Marian cannot sing
While her sweetheart's away.
Where is he gone to
And why does he stay?
He came across the green sea
But for a day,
Across the deep green sea
To help with the hay.
His hair was curly yellow
And his eyes were grey,
He laughed a merry laugh
And said a sweet say.
Where is he gone to
That he comes not home?
To-day or to-morrow
He surely will come.
Let him haste to joy
Lest he lag for sorrow,
For one weeps to-day
Who'll not weep to-morrow:
To-day she must weep
For gnawing sorrow,
To-night she may sleep
And not wake to-morrow.
May sang with Rachel
In the waxing warm weather,
Lettice sang with them,
They sang all together:—
'Take the wheat in your arm
Whilst day is broad above,
Take the wheat to your bosom,
But not a false love.
Out in the fields
Summer heat gloweth,
Out in the fields
Summer wind bloweth,
Out in the fields
Summer friend showeth,
Out in the fields
Summer wheat groweth;
But in the winter
When summer heat is dead
And summer wind has veered
And summer friend has fled,
Only summer wheat remaineth,
White cakes and bread.
Take the wheat, clasp the wheat
That's food for maid and dove;
Take the wheat to your bosom,
But not a false false love.'
A silence of full noontide heat
Grew on them at their toil:
The farmer's dog woke up from sleep,
The green snake hid her coil.
Where grass stood thickest, bird and beast
Sought shadows as they could,
The reaping men and women paused
And sat down where they stood;
They ate and drank and were refreshed,
For rest from toil is good.
While the reapers took their ease,
Their sickles lying by,
Rachel sang a second strain,
And singing seemed to sigh:—
'There goes the swallow—
Could we but follow!
Hasty swallow stay,
Point us out the way;
Look back swallow, turn back swallow, stop swallow.
'There went the swallow—
Too late to follow:
Lost our note of way,
Lost our chance to-day;
Good bye swallow, sunny swallow, wise swallow.
'After the swallow
All sweet things follow:
All things go their way,
Only we must stay,
Must not follow; good bye swallow, good swallow.'
Then listless Marian raised her head
Among the nodding sheaves;
Her voice was sweeter than that voice;
She sang like one who grieves:
Her voice was sweeter than its wont
Among the nodding sheaves;
All wondered while they heard her sing
Like one who hopes and grieves:—
'Deeper than the hail can smite,
Deeper than the frost can bite,
Deep asleep through day and night,
Our delight.
'Now thy sleep no pang can break,
No to-morrow bid thee wake,
Not our sobs who sit and ache
For thy sake.
'Is it dark or light below?
Oh, but is it cold like snow?
Dost thou feel the green things grow
Fast or slow?
'Is it warm or cold beneath,
Oh, but is it cold like death?
Cold like death, without a breath,
Cold like death?'
If he comes to-day
He will find her weeping;
If he comes to-morrow
He will find her sleeping;
If he comes the next day
He'll not find her at all,
He may tear his curling hair,
Beat his breast and call.
poem by Christina Georgina Rossetti
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