Madeline in Church
Here, in the darkness, where this plaster saint
Stands nearer than God stands to our distress,
And one small candle shines, but not so faint
As the far lights of everlastingness,
I'd rather kneel than over there, in open day
Where Christ is hanging, rather pray
To something more like my own clay,
Not too divine;
For, once, perhaps my little saint
Before he got his niche and crown,
Had one short stroll about the town;
It brings him closer, just that taint—
And anyone can wash the paint
Off our poor faces, his and mine!
Is that why I see Monty now? equal to any saint, poor boy, as good as gold,
But still, with just the proper trace
Of earthliness on his shining wedding face;
And then gone suddenly blank and old
The hateful day of the divorce:
Stuart got his, hands down, of course
Crowing like twenty cocks and grinning like a horse:
But Monty took it hard. All said and done I liked him best,—
He was the first, he stands out clearer than the rest.
It seems too funny all we other rips
Should have immortal souls; Monty and Redge quite damnably
Keep theirs afloat while we go down like scuttled ships.—
It's funny too, how easily we sink,
One might put up a monument, I think
To half the world and cut across it "Lost at Sea!"
I should drown Jim, poor little sparrow, if I netted him to-night—
No, it's no use this penny light—
Or my poor saint with his tin-pot crown—
The trees of Calvary are where they were,
When we are sure that we can spare
The tallest, let us go and strike it down
And leave the other two still standing there.
I, too, would ask Him to remember me
If there were any Paradise beyond this earth that I could see.
Oh! quiet Christ who never knew
The poisonous fangs that bite us through
And make us do the things we do,
See how we suffer and fight and die,
How helpless and how low we lie,
God holds You, and You hang so high,
Though no one looking long at You,
Can think You do not suffer too,
But, up there, from your still, star-lighted tree
What can You know, what can You really see
Of this dark ditch, the soul of me!
We are what we are: when I was half a child I could not sit
Watching black shadows on green lawns and red carnations burning in the sun,
Without paying so heavily for it
That joy and pain, like any mother and her unborn child were almost one.
I could hardly bear
The dreams upon the eyes of white geraniums in the dusk,
The thick, close voice of musk,
The jessamine music on the thin night air,
Or, sometimes, my own hands about me anywhere —
The sight of my own face (for it was lovely then) even the scent of my own hair,
Oh! there was nothing, nothing that did not sweep to the high seat
Of laughing gods, and then blow down and beat
My soul into the highway dust, as hoofs do the dropped roses of the street.
I think my body was my soul,
And when we are made thus
Who shall control
Our hands, our eyes, the wandering passion of our feet,
Who shall teach us
To thrust the world out of our heart: to say, till perhaps in death,
When the race is run,
And it is forced from us with our last breath
"Thy will be done"?
If it is Your will that we should be content with the tame, bloodless things.
As pale as angels smirking by, with folded wings—
Oh! I know Virtue, and the peace it brings!
The temperate, well-worn smile
The one man gives you, when you are evermore his own:
And afterwards the child's, for a little while,
With its unknowing and all-seeing eyes
So soon to change, and make you feel how quick
The clock goes round. If one had learned the trick—
(How does one though?) quite early on,
Of long green pastures under placid skies,
One might be walking now with patient truth.
What did we ever care for it, who have asked for youth,
When, oh! my God! this is going or has gone?
There is a portrait of my mother, at nineteen,
With the black spaniel, standing by the garden seat,
The dainty head held high against the painted green
And throwing out the youngest smile, shy, but half haughty and half sweet.
Her picture then: but simply Youth, or simply Spring
To me to-day: a radiance on the wall,
So exquisite, so heart-breaking a thing
Beside the mask that I remember, shrunk and small,
Sapless and lined like a dead leaf,
All that was left of oh! the loveliest face, by time and grief!
And in the glass, last night, I saw a ghost behind my chair—
Yet why remember it, when one can still go moderately gay—?
Or could—with any one of the old crew,
But oh! these boys! the solemn way
They take you and the things they say—
This "I have only as long as you"
When you remind them you are not precisely twenty-two—
Although at heart perhaps—God! if it were
Only the face, only the hair!
If Jim had written to me as he did to-day
A year ago—and now it leaves me cold—
I know what this means, old, old, old:
Et avec ça—mais on a vécu, tout se paie.
That is not always true: there was my Mother (well at least the dead are free!)
Yoked to the man that Father was; yoked to the woman I am, Monty too;
The little portress at the Convent School, stewing in hell so patiently;
The poor, fair boy who shot himself at Aix. And what of me—and what of me ?
But I, I paid for what I had, and they for nothing. No, one cannot see
How it shall be made up to them in some serene eternity.
If there were fifty heavens God could not give us back the child who went or never came;
Here, on our little patch of this great earth, the sun of any darkened day.
Not one of all the starry buds hung on the hawthorn trees of last year's May,
No shadow from the sloping fields of yesterday;
For every hour they slant across the hedge a different way,
The shadows are never the same.
"Find rest in Him" One knows the parsons' tags—
Back to the fold, across the evening fields, like any flock of baa-ing sheep:
Yes, it may be, when He has shorn, led us to slaughter, torn the bleating soul in us to rags,
For so He giveth His belovèd sleep.
Oh! He will take us stripped and done,
Driven into His heart. So we are won:
Then safe, safe are we? in the shelter of His everlasting wings—
I do not envy Him his victories, His arms are full of broken things.
But I shall not be in them. Let Him take
The finer ones, the easier to break.
And they are not gone, yet, for me, the lights, the colours, the perfumes,
Though now they speak rather in sumptuous rooms.
In silks and in gemlike wines;
Here, even, in this corner where my little candle shines
And overhead the lancet-window glows
With golds and crimsons you could almost drink
To know how jewels taste, just as I used to think
There was the scent in every red and yellow rose
Of all the sunsets. But this place is grey,
And much too quiet. No one here,
Why, this is awful, this is fear!
Nothing to see, no face.
Nothing to hear except your heart beating in space
As if the world was ended. Dead at last!
Dead soul, dead body, tied together fast.
These to go on with and alone, to the slow end:
No one to sit with, really, or to speak to, friend to friend:
Out of the long procession, black or white or red
Not one left now to say "Still I am here, then see you, dear, lay here your head".
Only the doll's house looking on the Park
To-night, all nights, I know, when the man puts the lights out, very dark.
With, upstairs, in the blue and gold box of a room, just the maids' footsteps overhead,
Then utter silence and the empty world—the room—the bed—
The corpse! No, not quite dead, while this cries out in me.
But nearly: very soon to be
A handful of forgotten dust—
There must be someone. Christ! there must,
Tell me there will be someone. Who?
If there were no one else, could it be You?
How old was Mary out of whom you cast
So many devils? Was she young or perhaps for years
She had sat staring, with dry eyes, at this and that man going past
Till suddenly she saw You on the steps of Simon's house
And stood and looked at You through tears.
I think she must have known by those
The thing, for what it was that had come to her.
For some of us there is a passion, I suppose,
So far from earthly cares and earthly fears
That in its stillness you can hardly stir
Or in its nearness, lift your hand,
So great that you have simply got to stand
Looking at it through tears, through tears.
Then straight from these there broke the kiss,
I think You must have known by this
The thing, for what it was, that had come to You:
She did not love You like the rest,
It was in her own way, but at the worst, the best,
She gave You something altogether new.
And through it all, from her, no word,
She scarcely saw You, scarcely heard:
Surely You knew when she so touched You with her hair,
Or by the wet cheek lying there,
And while her perfume clung to You from head to feet all through the day
That You can change the things for which we care,
But even You, unless You kill us, not the way.
This, then was peace for her, but passion too.
I wonder was it like a kiss that once I knew,
The only one that I would care to take
Into the grave with me, to which if there were afterwards, to wake.
Almost as happy as the carven dead
In some dim chancel lying head by head
We slept with it, but face to face, the whole night through—
One breath, one throbbing quietness, as if the thing behind our lips was endless life,
Lost, as I woke, to hear in the strange earthly dawn, his "Are you there?"
And lie still, listening to the wind outside, among the firs.
So Mary chose the dream of Him for what was left to her of night and day,
It is the only truth: it is the dream in us that neither life nor death nor any other
thing can take away:
But if she had not touched Him in the doorway of the dream could she have
cared so much ?
She was a sinner, we are what we are: the spirit afterwards, but first the touch.
And He has never shared with me my haunted house beneath the trees
Of Eden and Calvary, with its ghosts that have not any eyes for tears,
And the happier guests who would not see, or if they did, remember these,
Though they lived there a thousand years.
Outside, too gravely looking at me. He seems to stand,
And looking at Him, if my forgotten spirit came
Unwillingly back, what could it claim
Of those calm eyes, that quiet speech,
Breaking like a slow tide upon the beach,
The scarred, not quite human hand ?—
Unwillingly back to the burden of old imaginings
When it has learned so long not to think, not to be,
Again, again it would speak as it has spoken to me of things
That I shall not see!
I cannot bear to look at this divinely bent and gracious head:
When I was small I never quite believed that He was dead:
And at the Convent school I used to lie awake in bed
Thinking about His hands. It did not matter what they said,
He was alive to me, so hurt, so hurt! And most of all in Holy Week
When there was no one else to see
I used to think it would not hurt me too, so terribly,
If He had ever seemed to notice me
Or, if, for once, He would only speak.
poem by Charlotte Mary Mew
Submitted by Poetry Lover
Vote! | Copy!
Related quotes
The Gift Of The Sea
The dead child lay in the shroud,
And the widow watched beside;
And her mother slept, and the Channel swept
The gale in the teeth of the tide.
But the mother laughed at all.
"I have lost my man in the sea,
And the child is dead. Be still," she said,
"What more can ye do to me?"
The widow watched the dead,
And the candle guttered low,
And she tried to sing the Passing Song
That bids the poor soul go.
And "Mary take you now," she sang,
"That lay against my heart."
And "Mary smooth your crib to-night,"
But she could not say "Depart."
Then came a cry from the sea,
But the sea-rime blinded the glass,
And "Heard ye nothing, mother?" she said,
"'Tis the child that waits to pass."
And the nodding mother sighed.
"'Tis a lambing ewe in the whin,
For why should the christened soul cry out
That never knew of sin?"
"O feet I have held in my hand,
O hands at my heart to catch,
How should they know the road to go,
And how should they lift the latch?"
They laid a sheet to the door,
With the little quilt atop,
That it might not hurt from the cold or the dirt,
But the crying would not stop.
The widow lifted the latch
And strained her eyes to see,
And opened the door on the bitter shore
To let the soul go free.
There was neither glimmer nor ghost,
There was neither spirit nor spark,
And "Heard ye nothing, mother?" she said,
"'Tis crying for me in the dark."
And the nodding mother sighed:
"'Tis sorrow makes ye dull;
Have ye yet to learn the cry of the tern,
Or the wail of the wind-blown gull?"
"The terns are blown inland,
The gray gull follows the plough.
'Twas never a bird, the voice I heard,
O mother, I hear it now!"
"Lie still, dear lamb, lie still;
The child is passed from harm,
'Tis the ache in your breast that broke your rest,
And the feel of an empty arm."
She put her mother aside,
"In Mary's name let be!
For the peace of my soul I must go," she said,
And she went to the calling sea.
In the heel of the wind-bit pier,
Where the twisted weed was piled,
She came to the life she had missed by an hour,
For she came to a little child.
She laid it into her breast,
And back to her mother she came,
But it would not feed and it would not heed,
Though she gave it her own child's name.
And the dead child dripped on her breast,
And her own in the shroud lay stark;
And "God forgive us, mother," she said,
"We let it die in the dark!"
poem by Rudyard Kipling
Submitted by Poetry Lover
Vote! | Copy!
Ken
The town is old and very steep
A place of bells and cloisters and grey towers,
And black-clad people walking in their sleep—
A nun, a priest, a woman taking flowers
To her new grave; and watched from end to end
By the great Church above, through the still hours:
But in the morning and the early dark
The children wake to dart from doors and call
Down the wide, crooked street, where, at the bend,
Before it climbs up to the park,
Ken's is in the gabled house facing the Castle wall.
When first I came upon him there
Suddenly, on the half-lit stair,
I think I hardly found a trace
Of likeness to a human face
In his. And I said then
If in His image God made men,
Some other must have made poor Ken—
But for his eyes which looked at you
As two red, wounded stars might do.
He scarcely spoke, you scarcely heard,
His voice broke off in little jars
To tears sometimes. An uncouth bird
He seemed as he ploughed up the street,
Groping, with knarred, high-lifted feet
And arms thrust out as if to beat
Always against a threat of bars.
And oftener than not there'd be
A child just higher than his knee
Trotting beside him. Through his dim
Long twilight this, at least, shone clear,
That all the children and the deer,
Whom every day he went to see
Out in the park, belonged to him.
"God help the folk that next him sits
He fidgets so, with his poor wits,"
The neighbours said on Sunday nights
When he would go to Church to "see the lights!"
Although for these he used to fix
His eyes upon a crucifix
In a dark corner, staring on
Till everybody else had gone.
And sometimes, in his evil fits,
You could not move him from his chair—
You did not look at him as he sat there,
Biting his rosary to bits.
While pointing to the Christ he tried to say,
"Take it away".
Nothing was dead:
He said "a bird" if he picked up a broken wing,
A perished leaf or any such thing
Was just "a rose"; and once when I had said
He must not stand and knock there any more,
He left a twig on the mat outside my door.
Not long ago
The last thrush stiffened in the snow,
While black against a sullen sky
The sighing pines stood by.
But now the wind has left our rattled pane
To flutter the hedge-sparrow's wing,
The birches in the wood are red again
And only yesterday
The larks went up a little way to sing
What lovers say
Who loiter in the lanes to-day;
The buds begin to talk of May
With learned rooks on city trees,
And if God please
With all of these
We, too, shall see another Spring.
But in that red brick barn upon the hill
I wonder—can one own the deer,
And does one walk with children still
As one did here?
Do roses grow
Beneath those twenty windows in a row—
And if some night
When you have not seen any light
They cannot move you from your chair
What happens there?
I do not know.
So, when they took
Ken to that place, I did not look
After he called and turned on me
His eyes. These I shall see—
poem by Charlotte Mary Mew
Submitted by Poetry Lover
Vote! | Copy!
Monsieur Qui Passe
A purple blot against the dead white door
In my friend's rooms, bathed in their vile pink light,
I had not noticed her before
She snatched my eyes and threw them back to me:
She did not speak till we came out into the night,
Paused at this bench beside the klosk on the quay.
God knows precisely what she said--
I left to her the twisted skein,
Though here and there I caught a thread,--
Something, at first, about "the lamps along the Seine,
And Paris, with that witching card of Spring
Kept up her sleeve,--why you could see
The trick done on these freezing winter nights!
While half the kisses of the Quay--
Youth, hope,-the whole enchanted string
Of dreams hung on the Seine's long line of lights."
Then suddenly she stripped, the very skin
Came off her soul,-a mere girl clings
Longer to some last rag, however thin,
When she has shown you-well-all sorts of things:
"If it were daylight-oh! one keeps one's head--
But fourteen years!--No one has ever guessed--
The whole thing starts when one gets to bed--
Death?-If the dead would tell us they had rest!
But your eyes held it as I stood there by the door--
One speaks to Christ-one tries to catch His garment's hem--
One hardly says as much to Him--no more:
It was not you, it was your eyes--I spoke to them."
She stopped like a shot bird that flutters still,
And drops, and tries to run again, and swerves.
The tale should end in some walled house upon a hill.
My eyes, at least, won't play such havoc there,--
Or hers--But she had hair!--blood dipped in gold;
And there she left me throwing back the first odd stare.
Some sort of beauty once, but turning yellow, getting old.
Pouah! These women and their nerves!
God! but the night is cold!
poem by Charlotte Mary Mew
Submitted by Poetry Lover
Vote! | Copy!
No Lilies For Lisette
Said the Door: "She came in
With no shadow of sin;
Turned the key in the lock,
Slipped out of her frock,
The robe she liked best
When for supper she dressed.
Then a letter she tore . . .
What a wan look she wore!"
Said the Door.
Said the Chair: "She sat down
With a pitiful frown,
And then (oh, it's queer)
Just one lonely tear
Rolled down her pale cheek.
How I hoped she would speak
As she let down her hair,"
Said the Chair.
Said the Glass: "Then she gazed
Into me like one dazed;
As with delicate grace
She made up her face,
Her cheeks and her lips
With rose finger-tips,
So lovely - alas!
Then she turned on the gas."
Said the Glass.
Said the Bed: "Down she lay
In a weariful way,
Like an innocent child,
To her fate reconciled;
Hands clasped to her breast,
In prayer or in rest:
'Dear Mother,' she said,
Then pillowed her head,"
Said the Bed.
Said the Room: "Then the gleam
Of the moon like a dream,
Soft silvered my space,
And it fell on her face
That was never so sweet
As her heart ceased to beat . . .
Then the moon fled and gloom
Fell like funeral plume,"
Said the Room.
"Just a whore,"
Said the Door;
"Yet so fair,"
Said the Chair;
"Frail, alas!"
Said the Glass;
"Now she's dead,"
Said the Bed;
"Sorry doom,"
Said the Room. . . .
Then they all,
Floor and wall,
Quiet grew,
Ceiling too;
Like a tomb
Was the room;
With hushed breath
Hailing Death:
Soul's release,
Silence, Peace.
poem by Robert William Service
Submitted by Poetry Lover
Vote! | Copy!
The Woman and the Wife
I--THE EXPLANATION
"You thought we knew," she said, "but we were wrong.
This we can say, the rest we do not say;
Nor do I let you throw yourself away
Because you love me. Let us both be strong,
And we shall find in sorrow, before long,
Only the price Love ruled that we should pay:
The dark is the end of every day,
And silence is the end of every song.
"You ask me for one more proof that I speak right,
But I can answer only what I know;
You look for just one lie to make black white,
But I can tell you only what is true--
God never made me for the wife of you.
This we can say,--believe me! . . . Tell me so!"
II--THE ANNIVERSARY
"Give me the truth, whatever it may be.
You thought we knew, but now tell me what you miss:
You are the one to tell me what it is--
You are a man, and you have married me.
What is it worth to-night that you can see
More marriage in the dream of one dead kiss
Than in a thousand years of life like this?
Passion has turned the lock. Pride keeps the key.
"Whatever I have said or left unsaid,
Whatever I have done or left undone,--
Tell me. Tell me the truth . . . Are you afraid?
Do you think that Love was ever fed with lies
But hunger lived thereafter in his eyes?
Do you ask me to take moonlight for the sun?"
poem by Edwin Arlington Robinson
Submitted by Poetry Lover
Vote! | Copy!
Realization
I smiled with skeptic mocking where they told me you were dead,
You of the airy laughter and lightly twinkling feet;
"They tell a dream that haunted a chill gray dawn," I said,
"Death could not touch or claim a thing so vivid and so sweet!"
I looked upon you coffined amid your virgin flowers,
But even that white silence could bring me no belief:
"She lies in maiden sleep," I said. "and in the youngling hours
Her sealed dark eyes will open to scorn our foolish grief."
But when I went at moonrise to our ancient trysting place. . . . .
And, oh, the wind was keening in the fir-boughs overhead! . . . .
And you came never to me with your little gypsy face,
Your lips and hands of welcome, I knew that you were dead!
poem by Lucy Maud Montgomery
Submitted by Poetry Lover
Vote! | Copy!
The Forest Road
The forest road,
The infinite straight road stretching away
World without end: the breathless road between the walls
Of the black listening trees: the hushed, grey road
Beyond the window that you shut to-night
Crying that you would look at it by day -
There is a shadow there that sings and calls
But not for you. Oh! hidden eyes that plead in sleep
Against the lonely dark, if I could touch the fear
And leave it kissed away on quiet lids -
If I could hush these hands that are half-awake,
Groping for me in sleep I could go free.
I wish that God would take them out of mine
And fold them like the wings of frightened birds
Shot cruelly down, but fluttering into quietness so soon.
Broken, forgotten things? there is no grief for them in the green Spring
When the new birds fly back to the old trees.
But it shall not be so with you. I will look back. I wish I knew that God would stand
Smiling and looking down on you when morning comes,
To hold you, when you wake, closer than I,
So gently though: and not with famished lips or hungry arms:
He does not hurt the frailest, dearest things
As we do in the dark. See, dear, your hair -
I must unloose this hair that sleeps and dreams
About my face, and clings like the brown weed
To drowned, delivered things, tossed by the tired sea
Back to the beaches. Oh! your hair! If you had lain
A long time dead on the rough, glistening ledge
Of some black cliff, forgotten by the tide,
The raving winds would tear, the dripping brine would rust away
Fold after fold of all the loveliness
That wraps you round, and makes you, lying here,
The passionate fragrance that the roses are.
But death would spare the glory of your head
In the long sweetness of the hair that does not die:
The spray would leap to it in every storm,
The scent of the unsilenced sea would linger on
In these dark waves, and round the silence that was you -
Only the nesting gulls would hear - but there would still be whispers in your hair;
Keep them for me; keep them for me. What is this singing on the road
That makes all other music like the music in a dream -
Dumb to the dancing and the marching feet; you know, in dreams, you see
Old pipers playing that you cannot hear,
And ghostly drums that only seem to beat. This seems to climb:
Is it the music of a larger place? It makes our room too small: it is like a stair,
A calling stair that climbs up to a smile you scarcely see,
Dim, but so waited for; and you know what a smile is, how it calls,
How if I smiled you always ran to me.
Now you must sleep forgetfully, as children do.
There is a Spirit sits by us in sleep
Nearer than those who walk with us in the bright day.
I think he has a tranquil, saving face: I think he came
Straight from the hills: he may have suffered there in time gone by,
And once, from those forsaken heights, looked down,
Lonely himself, on all the lonely sorrows of the earth.
It is his kingdom - Sleep. If I could leave you there -
If, without waking you, I could get up and reach the door -!
We used to go together. - Shut, scared eyes,
Poor, desolate, desperate hands, it is not I
Who thrust you off. No, take your hands away -
I cannot strike your lonely hands. Yes, I have struck your heart,
It did not come so near. Then lie you there
Dear and wild heart behind this quivering snow
With two red stains on it: and I will strike and tear
Mine out, and scatter it to yours. Oh! throbbing dust,
You that were life, our little wind-blown hearts!
The road! the road!
There is a shadow there: I see my soul,
I hear my soul, singing among the trees!
poem by Charlotte Mary Mew
Submitted by Poetry Lover
Vote! | Copy!
The Step Mother
Well I recall my Father's wife,
The day he brought her home.
His children looked for years of strife,
And troubles sure to come --
Ungraciously we welcomed her,
A thing to scorn and blame;
And swore we never would confer
On her, a Mother's name
I see her yet -- a girl in years,
With eyes so blue and mild;
She greeted us with smiles and tears,
How sweetly too she smiled --
She bent to kiss my sullen brow,
With woman's gentle grace;
And laid her tiny hand of snow
On my averted face --
"Henry -- is this your son? She said --
"Dear boy -- he now is mine --
What not one kiss? --" I shook my head,
"I am no son of thine! --"
She sighed -- and from her dimpled cheek
The rosy colour fled;
She turned away and did not speak,
My thoughts were with the dead --
There leaped from out my Father's eyes
A jet of swarthy fire;
That flashed on me in fierce surprise --
I fled before his ire
I heard her gentle voice entreat --
"Forgiveness for her sake" --
Which added swiftness to my feet,
A sad and strange mistake --
A year had scarcely rolled away
When by that hated bride;
I loved to linger half the day,
In very joy and pride;
Her voice was music to mine ear,
So soft its accent fell;
"Dear Mother now" -- and oh, how dear
No words of mine can tell --
She was so gentle, fair and kind,
So pure in soul and free from art;
That woman with her noble mind,
Subdued my rebel heart --
I just had learned to know her worth,
My Father's second choice to bless;
When God removed her from the earth,
And plunged us all in deep distress --
Hot fever smote with burning blight
Stretchd on a restless bed of pain;
I moaning lay from morn till night
With aching limbs and throbbing brain --
Four weary weeks beside my bed,
She sat within a darkened room;
Untiring held my aching head,
Nor heeded silence -- cold and gloom --
And when my courage quite gave way,
And fainter grew my struggling breath;
She taught my stricken soul to pray
And calmly meet approaching death --
"Fear not God's angel, sent by Him,
The weary spirit to release;
Before the mortal eyes grow dim,
Floats down the white winged dove of peace" --
There came a change -- but fingers small,
No longer smoothed my matted hair;
She sprang not to my feeble call,
Nor helped to lift me to my chair --
And I arose as from the dead,
A life for her dear life was given;
The angel who had watched my bed
Had vanished into Heaven! --
poem by Susanna Strickland Moodie
Submitted by Poetry Lover
Vote! | Copy!
When You See Millions of the Mouthless Dead
When you see millions of the mouthless dead
Across your dreams in pale battalions go,
Say not soft things as other men have said,
That you'll remember. For you need not so.
Give them not praise. For, deaf, how should they know
It is not curses heaped on each gashed head?
Nor tears. Their blind eyes see not your tears flow.
Nor honour. It is easy to be dead.
Say only this, "They are dead." Then add thereto,
"Yet many a better one has died before."
Then, scanning all the o'ercrowded mass, should you
Perceive one face that you loved heretofore,
It is a spook. None wears the face you knew.
Great death has made all his for evermore.
poem by Charles Hamilton Sorley
Submitted by Poetry Lover
Vote! | Copy!
Sister Helen
"Why did you melt your waxen man
Sister Helen?
To-day is the third since you began."
"The time was long, yet the time ran,
Little brother."
(O Mother, Mary Mother,
Three days to-day, between Hell and Heaven!)
"But if you have done your work aright,
Sister Helen,
You'll let me play, for you said I might."
"Be very still in your play to-night,
Little brother."
(O Mother, Mary Mother,
Third night, to-night, between Hell and Heaven!)
"You said it must melt ere vesper-bell,
Sister Helen;
If now it be molten, all is well."
"Even so,--nay, peace! you cannot tell,
Little brother."
(O Mother, Mary Mother,
O what is this, between Hell and Heaven?)
"Oh the waxen knave was plump to-day,
Sister Helen;
How like dead folk he has dropp'd away!"
"Nay now, of the dead what can you say,
Little brother?"
(O Mother, Mary Mother,
What of the dead, between Hell and Heaven?)
"See, see, the sunken pile of wood,
Sister Helen,
Shines through the thinn'd wax red as blood!"
"Nay now, when look'd you yet on blood,
Little brother?"
(O Mother, Mary Mother,
How pale she is, between Hell and Heaven!)
"Now close your eyes, for they're sick and sore,
Sister Helen,
And I'll play without the gallery door."
"Aye, let me rest,--I'll lie on the floor,
Little brother."
(O Mother, Mary Mother,
What rest to-night, between Hell and Heaven?)
"Here high up in the balcony,
Sister Helen,
The moon flies face to face with me."
"Aye, look and say whatever you see,
Little brother."
(O Mother, Mary Mother,
What sight to-night, between Hell and Heaven?)
"Outside it's merry in the wind's wake,
Sister Helen;
In the shaken trees the chill stars shake."
"Hush, heard you a horse-tread as you spake,
Little brother?"
(O Mother, Mary Mother,
What sound to-night, between Hell and Heaven?)
"I hear a horse-tread, and I see,
Sister Helen,
Three horsemen that ride terribly."
"Little brother, whence come the three,
Little brother?"
(O Mother, Mary Mother,
Whence should they come, between Hell and Heaven?)
"They come by the hill-verge from Boyne Bar,
Sister Helen,
And one draws nigh, but two are afar."
"Look, look, do you know them who they are,
Little brother?"
(O Mother, Mary Mother,
Who should they be, between Hell and Heaven?)
"Oh, it's Keith of Eastholm rides so fast,
Sister Helen,
For I know the white mane on the blast."
"The hour has come, has come at last,
Little brother!"
(O Mother, Mary Mother,
Her hour at last, between Hell and Heaven!)
"He has made a sign and called Halloo!
Sister Helen,
And he says that he would speak with you."
"Oh tell him I fear the frozen dew,
Little brother."
(O Mother, Mary Mother,
Why laughs she thus, between Hell and Heaven?)
"The wind is loud, but I hear him cry,
Sister Helen,
That Keith of Ewern's like to die."
"And he and thou, and thou and I,
Little brother."
(O Mother, Mary Mother,
And they and we, between Hell and Heaven!)
"Three days ago, on his marriage-morn,
Sister Helen,
He sicken'd, and lies since then forlorn."
"For bridegroom's side is the bride a thorn,
Little brother?"
(O Mother, Mary Mother,
Cold bridal cheer, between Hell and Heaven!)
"Three days and nights he has lain abed,
Sister Helen,
And he prays in torment to be dead."
"The thing may chance, if he have pray'd,
Little brother!"
(O Mother, Mary Mother,
If he have pray'd, between Hell and Heaven!)
"But he has not ceas'd to cry to-day,
Sister Helen,
That you should take your curse away."
"My prayer was heard,--he need but pray,
Little brother!"
(O Mother, Mary Mother,
Shall God not hear, between Hell and Heaven?)
"But he says, till you take back your ban,
Sister Helen,
His soul would pass, yet never can."
"Nay then, shall I slay a living man,
Little brother?"
(O Mother, Mary Mother,
A living soul, between Hell and Heaven!)
"But he calls for ever on your name,
Sister Helen,
And says that he melts before a flame."
"My heart for his pleasure far'd the same,
Little brother."
(O Mother, Mary Mother,
Fire at the heart, between Hell and Heaven!)
"Here's Keith of Westholm riding fast,
Sister Helen,
For I know the white plume on the blast."
"The hour, the sweet hour I forecast,
Little brother!"
(O Mother, Mary Mother,
Is the hour sweet, between Hell and Heaven?)
"He stops to speak, and he stills his horse,
Sister Helen;
But his words are drown'd in the wind's course."
"Nay hear, nay hear, you must hear perforce,
Little brother!" .
(O Mother, Mary Mother,
What word now heard, between Hell and Heaven?)
"Oh he says that Keith of Ewern's cry,
Sister Helen,
Is ever to see you ere he die."
"In all that his soul sees, there am I
Little brother!"
(O Mother, Mary Mother,
The soul's one sight, between Hell and Heaven!)
"He sends a ring and a broken coin,
Sister Helen,
And bids you mind the banks of Boyne."
"What else he broke will he ever join,
Little brother?"
(O Mother, Mary Mother,
No, never join'd, between Hell and Heaven!)
"He yields you these and craves full fain,
Sister Helen,
You pardon him in his mortal pain."
"What else he took will he give again,
Little brother?"
(O Mother, Mary Mother,
Not twice to give, between Hell and Heaven!)
"He calls your name in an agony,
Sister Helen,
That even dead Love must weep to see."
"Hate, born of Love, is blind as he,
Little brother!"
(O Mother, Mary Mother,
Love turn'd to hate, between Hell and Heaven!)
"Oh it's Keith of Keith now that rides fast,
Sister Helen,
For I know the white hair on the blast."
"The short short hour will soon be past,
Little brother!"
(O Mother, Mary Mother,
Will soon be past, between Hell and Heaven!)
"He looks at me and he tries to speak,
Sister Helen,
But oh! his voice is sad and weak!"
"What here should the mighty Baron seek,
Little brother?"
(O Mother, Mary Mother,
Is this the end, between Hell and Heaven?)
"Oh his son still cries, if you forgive,
Sister Helen,
The body dies but the soul shall live."
"Fire shall forgive me as I forgive,
Little brother!"
(O Mother, Mary Mother,
As she forgives, between Hell and Heaven!)
"Oh he prays you, as his heart would rive,
Sister Helen,
To save his dear son's soul alive."
"Fire cannot slay it, it shall thrive,
Little brother!"
(O Mother, Mary Mother,
Alas, alas, between Hell and Heaven!)
"He cries to you, kneeling in the road,
Sister Helen,
To go with him for the love of God!"
"The way is long to his son's abode,
Little brother."
(O Mother, Mary Mother,
The way is long, between Hell and Heaven!)
"A lady's here, by a dark steed brought,
Sister Helen,
So darkly clad, I saw her not."
"See her now or never see aught,
Little brother!"
(O Mother, Mary Mother,
What more to see, between Hell and Heaven?)
"Her hood falls back, and the moon shines fair,
Sister Helen,
On the Lady of Ewern's golden hair."
"Blest hour of my power and her despair,
Little brother!"
(O Mother, Mary Mother,
Hour blest and bann'd, between Hell and Heaven!)
"Pale, pale her cheeks, that in pride did glow,
Sister Helen,
'Neath the bridal-wreath three days ago."
"One morn for pride and three days for woe,
Little brother!"
(O Mother, Mary Mother,
Three days, three nights, between Hell and Heaven!)
"Her clasp'd hands stretch from her bending head,
Sister Helen;
With the loud wind's wail her sobs are wed."
"What wedding-strains hath her bridal-bed,
Little brother?"
(O Mother, Mary Mother,
What strain but death's, between Hell and Heaven?)
"She may not speak, she sinks in a swoon,
Sister Helen,--
She lifts her lips and gasps on the moon."
"Oh! might I but hear her soul's blithe tune,
Little brother!"
(O Mother, Mary Mother,
Her woe's dumb cry, between Hell and Heaven!)
"They've caught her to Westholm's saddle-bow,
Sister Helen,
And her moonlit hair gleams white in its flow."
"Let it turn whiter than winter snow,
Little brother!"
(O Mother, Mary Mother,
Woe-wither'd gold, between Hell and Heaven!)
"O Sister Helen, you heard the bell,
Sister Helen!
More loud than the vesper-chime it fell."
"No vesper-chime, but a dying knell,
Little brother!"
(O Mother, Mary Mother,
His dying knell, between Hell and Heaven!)
"Alas! but I fear the heavy sound,
Sister Helen;
Is it in the sky or in the ground?"
"Say, have they turn'd their horses round,
Little brother?"
(O Mother, Mary Mother,
What would she more, between Hell and Heaven?)
"They have rais'd the old man from his knee,
Sister Helen,
And they ride in silence hastily."
"More fast the naked soul doth flee,
Little brother!"
(O Mother, Mary Mother,
The naked soul, between Hell and Heaven!)
"Flank to flank are the three steeds gone,
Sister Helen,
But the lady's dark steed goes alone."
"And lonely her bridegroom's soul hath flown,
Little brother."
(O Mother, Mary Mother,
The lonely ghost, between Hell and Heaven!)
"Oh the wind is sad in the iron chill,
Sister Helen,
And weary sad they look by the hill."
"But he and I are sadder still,
Little brother!"
(O Mother, Mary Mother,
Most sad of all, between Hell and Heaven!)
"See, see, the wax has dropp'd from its place,
Sister Helen,
And the flames are winning up apace!"
"Yet here they burn but for a space,
Little brother! "
(O Mother, Mary Mother,
Here for a space, between Hell and Heaven!)
"Ah! what white thing at the door has cross'd,
Sister Helen?
Ah! what is this that sighs in the frost?"
"A soul that's lost as mine is lost,
Little brother!"
(O Mother, Mary Mother,
Lost, lost, all lost, between Hell and Heaven!)
poem by Dante Gabriel Rossetti
Submitted by Poetry Lover
Vote! | Copy!
The Three Enemies
THE FLESH
"Sweet, thou art pale."
"More pale to see,
Christ hung upon the cruel tree
And bore His Father's wrath for me."
"Sweet, thou art sad."
"Beneath a rod
More heavy, Christ for my sake trod
The winepress of the wrath of God."
"Sweet, thou art weary."
"Not so Christ:
Whose mighty love of me suffic'd
For Strength, Salvation, Eucharist."
"Sweet, thou art footsore."
"If I bleed,
His feet have bled; yea in my need
His Heart once bled for mine indeed."
THE WORLD
"Sweet, thou art young."
"So He was young
Who for my sake in silence hung
Upon the Cross with Passion wrung."
"Look, thou art fair."
"He was more fair
Than men, Who deign'd for me to wear
A visage marr'd beyond compare."
"And thou hast riches."
"Daily bread:
All else is His: Who, living, dead,
For me lack'd where to lay His Head."
"And life is sweet."
"It was not so
To Him, Whose Cup did overflow
With mine unutterable woe."
THE DEVIL
"Thou drinkest deep."
"When Christ would sup
He drain'd the dregs from out my cup:
So how should I be lifted up?"
"Thou shalt win Glory."
"In the skies,
Lord Jesus, cover up mine eyes
Lest they should look on vanities."
"Thou shalt have Knowledge."
"Helpless dust!
In Thee, O Lord, I put my trust:
Answer Thou for me, Wise and Just."
"And Might."--
"Get thee behind me. Lord,
Who hast redeem'd and not abhorr'd
My soul, oh keep it by Thy Word."
poem by Christina Georgina Rossetti
Submitted by Poetry Lover
Vote! | Copy!
Uhland's
There were three cavaliers that went over the Rhine,
And gayly they called to the hostess for wine.
"And where is thy daughter? We would she were here,--
Go fetch us that maiden to gladden our cheer!"
"I'll fetch thee thy goblets full foaming," she said,
"But in yon darkened chamber the maiden lies dead."
And lo! as they stood in the doorway, the white
Of a shroud and a dead shrunken face met their sight.
Then the first cavalier breathed a pitiful sigh,
And the throb of his heart seemed to melt in his eye,
And he cried, "Hadst thou lived, O my pretty white rose,
I ween I had loved thee and wed thee--who knows?"
The next cavalier drew aside a small space,
And stood to the wall with his hands to his face;
And this was the heart-cry that came with his tears:
"I loved her, I loved her these many long years!"
But the third cavalier kneeled him down in that place,
And, as it were holy, he kissed that dead face:
"I loved thee long years, and I love thee to-day,
And I'll love thee, dear maiden, forever and aye!"
poem by Eugene Field
Submitted by Poetry Lover
Vote! | Copy!
A True Account of Talking to the Sun on Fire Island
The Sun woke me this morning loud
and clear, saying "Hey! I've been
trying to wake you up for fifteen
minutes. Don't be so rude, you are
only the second poet I've ever chosen
to speak to personally
so why
aren't you more attentive? If I could
burn you through the window I would
to wake you up. I can't hang around
here all day."
"Sorry, Sun, I stayed
up late last night talking to Hal."
"When I woke up Mayakovsky he was
a lot more prompt" the Sun said
petulantly. "Most people are up
already waiting to see if I'm going
to put in an appearance."
I tried
to apologize "I missed you yesterday."
"That's better" he said. "I didn't
know you'd come out." "You may be
wondering why I've come so close?"
"Yes" I said beginning to feel hot
wondering if maybe he wasn't burning me
anyway.
"Frankly I wanted to tell you
I like your poetry. I see a lot
on my rounds and you're okay. You may
not be the greatest thing on earth, but
you're different. Now, I've heard some
say you're crazy, they being excessively
calm themselves to my mind, and other
crazy poets think that you're a boring
reactionary. Not me.
Just keep on
like I do and pay no attention. You'll
find that people always will complain
about the atmosphere, either too hot
or too cold too bright or too dark, days
too short or too long.
If you don't appear
at all one day they think you're lazy
or dead. Just keep right on, I like it.
And don't worry about your lineage
poetic or natural. The Sun shines on
the jungle, you know, on the tundra
the sea, the ghetto. Wherever you were
I knew it and saw you moving. I was waiting
for you to get to work.
And now that you
are making your own days, so to speak,
even if no one reads you but me
you won't be depressed. Not
everyone can look up, even at me. It
hurts their eyes."
"Oh Sun, I'm so grateful to you!"
"Thanks and remember I'm watching. It's
easier for me to speak to you out
here. I don't have to slide down
between buildings to get your ear.
I know you love Manhattan, but
you ought to look up more often.
And
always embrace things, people earth
sky stars, as I do, freely and with
the appropriate sense of space. That
is your inclination, known in the heavens
and you should follow it to hell, if
necessary, which I doubt.
Maybe we'll
speak again in Africa, of which I too
am specially fond. Go back to sleep now
Frank, and I may leave a tiny poem
in that brain of yours as my farewell."
"Sun, don't go!" I was awake
at last. "No, go I must, they're calling
me."
"Who are they?"
Rising he said "Some
day you'll know. They're calling to you
too." Darkly he rose, and then I slept.
poem by Frank O'Hara
Submitted by Poetry Lover
Vote! | Copy!
The Christ upon the Hill
Part I.
A couple old sat o'er the fire,
And they were bent and gray;
They burned the charcoal for their Lord,
Who lived long leagues away.
Deep in the wood the old pair dwelt,
Far from the paths of men,
And saw no face but their poor son's,
And a wanderer's now and then.
The son, alas! Had grown apace,
And left his wits behind;
He was as helpless as the air,
As empty as the wind.
With puffing lips and shambling feet,
And eyes a-staring wide,
He whistled ever as he went,
And little did beside.
He whistled high, he whistled low,
He whistled sharp and sweet;
He brought the redbreast to his hand,
And the brown hare to his feet.
Without a fear of beast or bird,
He wandered all the day;
But when the light began to fail
His courage passed away.
He feared the werewolf in the wood,
The dragon in the dell,
And home he fled as if pursued
By all the hosts of hell.
"Ah! we are old," the woman said,
"And soon shall we be gone,
And what will our poor Michael do
When he is left alone?
"We are forgotten of all men;
And he is dead, I fear,
That good old priest, who used to come
And shrive us thrice a year.
"We have no kin," the mother said,
"We have no friend," said she;
The father gazed upon the fire,
And not a word said he.
Again she spoke, "No friend or kin,
'Death, only Death,' is near;
And he will take us both away,
And leave our Michael here.
"And who shall give him bite or sup?
And who shall keep him neat?
Ah! what were Heaven if we must weep
Before God's mercy-seat!"
And when the woman ceased, the man
A little waited still,
And then he said, "We have one friend --
The Christ upon the Hill."
Part II.
The Christ upon the Hill --so gaunt
And lean and stark and drear;
It made the heart with pity start,
It smote the soul with fear.
High reared against a cliff it stood,
Just where the great roads met;
And many a knee had worn the stone
Wherein the Rood was set.
For deadly was the pass beyond,
And all men paused to pray
For courage, or to pour their thanks
For dangers passed away.
But not for fear of beast or fiend,
But boding deeper ill,
The charcoal-burner and his wife
Slow climbed the weary hill.
Before the Rood their simple son
Lay stretched upon the ground,
And crumbled black bread for the birds
That hopped and pecked around.
(For he had gone before with feet
As wild and light as air,
And borne the basket on his back
That held their frugal fare.)
And they were faint, and, ere they prayed,
They sat them down to eat;
And much they marvelled at their son,
Who never touched his meat,
But, now the birds were flown away,
Sat up, and only gazed
Upon the Christ upon the cross,
As one with wonder dazed.
Full long he sat and never moved;
But then he gave a cry,
And caught his mother by the wrist
And said, "I heard a sigh."
"It is an image made of wood,
It has no voice," she said;
"'Twas but the wind you heard, my son,"
But Michael shook his head,
And gazed again, so earnestly
His face grew almost wise;
And now he cried again, and said,
"Look, how he closed his eyes!"
"'Tis but the shadow of a bird
That passed across his face,"
The mother said; "see, even now
It hovers near the place."
And then the father said, "My son,
The image is of wood;
And do you think a man could live
Without a taste of food?"
"No food?" the silly youth replied,
And pointed to a wren,
Who with a crumb upon Christ's lip
Had just alighted then.
And now the old man held his peace,
And the woman ceased to strive,
For still he shook his silly head,
And said, "The man's alive."
"It is God's will," they said, and knelt,
And knew not what to say;
But when they rose they felt as though
All fear had passed away.
And they could smile when Michael left
His dinner on the stone;
He said, "The birds will feed the Christ
When they are quite alone."
Part III.
The couple sat before the fire,
More old, and sad, and poor,
For there was winter at the heart,
And winter at the door.
It shook the roof with shocks of wind;
It caked the pane with snow;
The candle flickered on the sill,
Like a soul that longed to go.
'Twas Michael's beacon, -- gone to feed
The Christ upon the Hill;
And midnight long had passed and gone,
And he was absent still.
And now and then they turned a log,
And now they dropped a word:
"'Twas all the wind," the mother said;
The father said, "The bird."
"I hoped that it was God himself,"
The mother muttered low;
"It must have been the fiend," he said,
"For to deceive him so."
And then the mother cried aloud,
"What matter it?" she said;
"Or wind, or bird, or fiend, or God,
For he is dead -- is dead!"
"Hark!" cried the man, and through the storm
A note came high and clear;
It was the whistle of their son,
That sound they longed to hear.
And then a cry for help, and out
Into the snow they ran;
And there was Michael. On his back
He bore a helpless man.
"He lives, he lives," he wildly cried;
"His wounds are dripping still;"
And surely, red from hand and side
There ran a tiny rill.
They brought Him in and laid Him down,
Upon the warm hearthstone;
It was the Christ, but not of wood,
But made of flesh and bone.
They washed His wounds, and at their touch
They turned to purple scars,
Like a young moon upon the breast,
On hands and feet like stars.
They brought to moisten His dry lips
They hoarded flask of wine;
They wrapped Him round with blankets warm,
And waited for a sign.
And soon without the help of hand
He rose upon His feet,
And like a friend beside the fire
He took the vacant seat.
He sat up in the chair then,
And straight began to shine,
Until His face and raiment poured
A glory most divine.
The thorns upon His forehead
Broke out in leaves of gold;
The blood-drops turned to berries,
Like rubies rich and bold.
The blankets that bewrapped Him
Flowed into folds of white,
Bestarred with gold and jewels
Which sparkled in the light.
The very chair He sat on
Became a crystal throne;
The oaken stool beneath His feet
Turned to a jasper stone.
He stretched an arm to Michael,
And touched him with His hand,
And he arose beside the throne
An angel, bright and grand.
And then His lips were opened,
And strong and sweet and clear,
Like water from a fountain,
His voice was good to hear.
"I am the King of Glory;
I am your brother too;
And even as you do to Me,
So do I unto you.
"You took Me in and clothed Me;
You washed My body pierced;
You gave me of your wine to drink
When I was sore athirst.
"And you have suffered also,
And you must suffer still;
I suffered upon Calvary;
I suffer on the Hill.
"But I am Prince of Sorrow,
And I am Lord of Care;
I come to bring you comfort,
And save you from despair.
"Your son, your only son, is safe
And beautiful to see;
And though you miss him for a while,
You know he is with Me.
"And I will give him peace and joy
As no man every knew --
A little grief, a little pain,
And I will come for you."
He rose, His arms around their son;
And through the open door
They only saw a whirl of snow,
And heard the tempest roar.
poem by William Cosmo Monkhouse
Submitted by Poetry Lover
Vote! | Copy!
Beauty XXV
And a poet said, "Speak to us of Beauty."
Where shall you seek beauty, and how shall you find her unless she herself be your way and your guide?
And how shall you speak of her except she be the weaver of your speech?
The aggrieved and the injured say, "Beauty is kind and gentle.
Like a young mother half-shy of her own glory she walks among us."
And the passionate say, "Nay, beauty is a thing of might and dread.
Like the tempest she shakes the earth beneath us and the sky above us."
The tired and the weary say, "beauty is of soft whisperings. She speaks in our spirit.
Her voice yields to our silences like a faint light that quivers in fear of the shadow."
But the restless say, "We have heard her shouting among the mountains,
And with her cries came the sound of hoofs, and the beating of wings and the roaring of lions."
At night the watchmen of the city say, "Beauty shall rise with the dawn from the east."
And at noontide the toilers and the wayfarers say, "we have seen her leaning over the earth from the windows of the sunset."
In winter say the snow-bound, "She shall come with the spring leaping upon the hills."
And in the summer heat the reapers say, "We have seen her dancing with the autumn leaves, and we saw a drift of snow in her hair."
All these things have you said of beauty.
Yet in truth you spoke not of her but of needs unsatisfied,
And beauty is not a need but an ecstasy.
It is not a mouth thirsting nor an empty hand stretched forth,
But rather a heart enflamed and a soul enchanted.
It is not the image you would see nor the song you would hear,
But rather an image you see though you close your eyes and a song you hear though you shut your ears.
It is not the sap within the furrowed bark, nor a wing attached to a claw,
But rather a garden forever in bloom and a flock of angels for ever in flight.
People of Orphalese, beauty is life when life unveils her holy face.
But you are life and you are the veil.
Beauty is eternity gazing at itself in a mirror.
But you are eternity and you are the mirror.
poem by Khalil Gibran
Submitted by Poetry Lover
Vote! | Copy!
The Changeling ( From The Tent on the Beach )
FOR the fairest maid in Hampton
They needed not to search,
Who saw young Anna favor
Come walking into church,--
Or bringing from the meadows,
At set of harvest-day,
The frolic of the blackbirds,
The sweetness of the hay.
Now the weariest of all mothers,
The saddest two years' bride,
She scowls in the face of her husband,
And spurns her child aside.
"Rake out the red coals, goodman,--
For there the child shall lie,
Till the black witch comes to fetch her
And both up chimney fly.
"It's never my own little daughter,
It's never my own," she said;
"The witches have stolen my Anna,
And left me an imp instead.
"Oh, fair and sweet was my baby,
Blue eyes, and hair of gold;
But this is ugly and wrinkled,
Cross, and cunning, and old.
"I hate the touch of her fingers,
I hate the feel of her skin;
It's not the milk from my bosom,
But my blood, that she sucks in.
"My face grows sharp with the torment;
Look! my arms are skin and bone!
Rake open the red coals, goodman,
And the witch shall have her own.
"She'll come when she hears it crying,
In the shape of an owl or bat,
And she'll bring us our darling Anna
In place of her screeching brat."
Then the goodman, Ezra Dalton,
Laid his hand upon her head:
Thy sorrow is great, O woman!
I sorrow with thee," he said.
"The paths to trouble are many
And never but one sure way
Leads out to the light beyond it:
My poor wife, let us pray."
Then he said to the great All-Father,
"Thy daughter is weak and blind;
Let her sight come back, and clothe her
Once more in her right mind.
"Lead her out of this evil shadow,
Out of these fancies wild;
Let the holy love of the mother
Turn again to her child.
"Make her lips like the lips of Mary
Kissing her blessed Son;
Let her hands, like the hands of Jesus,
Rest on her little one.
"Comfort the soul of thy handmaid,
Open her prison-door,
And thine shall be all the glory
And praise forevermore."
Then into the face of its mother
The baby looked up and smiled;
And the cloud of her soul was lifted,
And she knew her little child.
A beam of the slant west sunshine
Made the wan face almost fair,
Lit the blue eyes' patient wonder
And the rings of pale gold hair.
She kissed it on lip and forehead,
She kissed it on cheek and chink
And she bared her snow-white bosom
To the lips so pale and thin.
Oh, fair on her bridal morning
Was the maid who blushed and smiled,
But fairer to Ezra Dalton
Looked the mother of his child.
With more than a lover's fondness
He stooped to her worn young face,
And the nursing child and the mother
He folded in one embrace.
"Blessed be God!" he murmured.
"Blessed be God!" she said;
"For I see, who once was blinded,--
I live, who once was dead.
"Now mount and ride, my goodman,
As thou lovest thy own soul!
Woe's me, if my wicked fancies
Be the death of Goody Cole!"
His horse he saddled and bridled,
And into the night rode he,
Now through the great black woodland,
Now by the white-beached sea.
He rode through the silent clearings,
He came to the ferry wide,
And thrice he called to the boatman
Asleep on the other side.
He set his horse to the river,
He swam to Newbury town,
And he called up Justice Sewall
In his nightcap and his gown.
And the grave and worshipful justice
(Upon whose soul be peace!)
Set his name to the jailer's warrant
For Goodwife Cole's release.
Then through the night the hoof-beats
Went sounding like a flail;
And Goody Cole at cockcrow
Came forth from Ipswich jail.
.
poem by John Greenleaf Whittier
Submitted by Poetry Lover
Vote! | Copy!
The Blind And The Dead
She lay like a saint on her copper couch;
Like an angel asleep she lay,
In the stare of the ghoulish folks that slouch
Past the Dead and sneak away.
Then came old Jules of the sightless gaze,
Who begged in the streets for bread.
Each day he had come for a year of days,
And groped his way to the Dead.
"What's the Devil's Harvest to-day?" he cried;
"A wanton with eyes of blue!
I've known too many a such," he sighed;
"Maybe I know this . . . mon Dieu!"
He raised the head of the heedless Dead;
He fingered the frozen face. . . .
Then a deathly spell on the watchers fell --
God! it was still, that place!
He raised the head of the careless Dead;
He fumbled a vagrant curl;
And then with his sightless smile he said:
"It's only my little girl."
"Dear, my dear, did they hurt you so!
Come to your daddy's heart. . . ."
Aye, and he held so tight, you know,
They were hard to force apart.
No! Paris isn't always gay;
And the morgue has its stories too:
You are a writer of tales, you say --
Then there is a tale for you.
poem by Robert William Service
Submitted by Poetry Lover
Vote! | Copy!
A Trembling Star
"There is my little trembling star," she said.
I looked; once more
The tender sea had put the sun to bed,
And heaven's floor
Was grey.
And nowhere yet in all that young night sky
Was any star,
But one that hung above the sea. Not high,
Nor very far
Away.
"I watch it every night," she said, and crept
Within my arm.
"Soft little star, I wish the angels kept
It safe from harm
Alway.
"I know it is afraid," she said; her eyes
Held a sweet tear.
"They send it all alone into the skies,
No big stars near,
To stay.
"They push it out before the sweet, kind moon
Lights up the sea.
They laugh because it fears the dark. `Soon, soon,
You'll braver be,'
They say.
"One night I climbed far up that high white tree
Beside the beach,
And tried to stretch my hand across the sea
And tried to reach
The grey.
"For something made me feel my heart would break
Unless that night
I in my hand my trembling star could take
And kiss its fright
Away.
"There only blew a strange wind chillily,
And clouds were swept.
The angels would not let my own star see
That someone wept.
I pray
"To Christ, who hears my little prayers each night,
That He will seek
Through all His skies for that sweet, frightened light,
And stoop His cheek
And say
"`My angels must not send so frail a thing
To light the West.
Lift up the little trembling star to cling
About my breast
Alway.'"
poem by Ethel Turner
Submitted by Poetry Lover
Vote! | Copy!
Goodbye Mine M.j.
A "Stranger in Moscow" told me that you've gone!
But is it true that you've gone my M.J.?
And with tears in my eyes I say goodbye my M.J.
You who feeds the eyes and the ears
And has graced our African soil
But why did you have to go, you "Smooth criminal"
When you know "They don't care about us"
Tell me, who will "Heal the world"?
Who will make it a better place for us?
Who will give to the poor once and again to their necessity?
Who will be there for them in their anguish and pain?
O', know you not that admired you are of those that hate you most
And did you have to go; or where you too lonely?
But you said "We're the world" that "You are not alone"
Then why did you have to go? And did you leave another "Thriller"
If no, then why choose to be "The man in the mirror"
Thus dirge and elegy now met in my heart. Why?
"Do you remember the time" we first met in my dream
And "The way you make me feel" with your "Childhood"?
Oh king of pop, my M.J., "I want you back"
And you "Got to be there" for me on my birthday
To sing me your song, "Don't stop till you get enough"
While "Rockin Robin and Ben" "Off the wall" till they "Scream"
For your love is magical because you're angelica
You are so wonderful because you're beautiful
You are indispensable because you're irreplaceable
And now I see the "Liberian girl" cry because you're "Speechless"
And upon our bodies the nighted color of mourning you. Why?
Alas death! Why taketh him away when all that look on him yet not satisfied?
O', let not the world lose another "Michael Jackson".
Michael I love you "Yesterday, today and forever."
May the spirit light your way
Through the land of the shadow
To the halls of eternal peace. Amen.
In the cabinet of my imagination, in the treasury of my reason, in the registry of my conscience, and in the council chamber of my thought, there shall you live forever.
I LOVE YOU MINE M.J.
poem by Lightcheerful Briggs
Submitted by Poetry Lover
Vote! | Copy!
A Child's Nightmare
Through long nursery nights he stood
By my bed unwearying,
Loomed gigantic, formless, queer,
Purring in my haunted ear
That same hideous nightmare thing,
Talking, as he lapped my blood,
In a voice cruel and flat,
Saying for ever, "Cat! ... Cat! ... Cat!..."
That one word was all he said,
That one word through all my sleep,
In monotonous mock despair.
Nonsense may be light as air,
But there's Nonsense that can keep
Horror bristling round the head,
When a voice cruel and flat
Says for ever, "Cat! ... Cat! ... Cat!..."
He had faded, he was gone
Years ago with Nursery Land,
When he leapt on me again
From the clank of a night train,
Overpowered me foot and head,
Lapped my blood, while on and on
The old voice cruel and flat
Says for ever, "Cat! ... Cat! ... Cat!..."
Morphia drowsed, again I lay
In a crater by High Wood:
He was there with straddling legs,
Staring eyes as big as eggs,
Purring as he lapped my blood,
His black bulk darkening the day,
With a voice cruel and flat,
"Cat! ... Cat! ... Cat! ... Cat!..." he said, "Cat! ... Cat!..."
When I'm shot through heart and head,
And there's no choice but to die,
The last word I'll hear, no doubt,
Won't be "Charge!" or "Bomb them out!"
Nor the stretcher-bearer's cry,
"Let that body be, he's dead!"
But a voice cruel and flat
Saying for ever, "Cat! ... Cat! ... Cat!"
poem by Robert Graves
Submitted by Poetry Lover
Vote! | Copy!