
Sappho
She lay among the myrtles on the cliff;
Above her glared the noon; beneath, the sea.
Upon the white horizon Atho's peak
Weltered in burning haze; all airs were dead;
The cicale slept among the tamarisk's hair;
The birds sat dumb and drooping. Far below
The lazy sea-weed glistened in the sun;
The lazy sea-fowl dried their steaming wings;
The lazy swell crept whispering up the ledge,
And sank again. Great Pan was laid to rest;
And Mother Earth watched by him as he slept,
And hushed her myriad children for a while.
She lay among the myrtles on the cliff;
And sighed for sleep, for sleep that would not hear,
But left her tossing still; for night and day
A mighty hunger yearned within her heart,
Till all her veins ran fever; and her cheek,
Her long thin hands, and ivory-channelled feet,
Were wasted with the wasting of her soul.
Then peevishly she flung her on her face,
And hid her eyeballs from the blinding glare,
And fingered at the grass, and tried to cool
Her crisp hot lips against the crisp hot sward:
And then she raised her head, and upward cast
Wild looks from homeless eyes, whose liquid light
Gleamed out between deep folds of blue-black hair,
As gleam twin lakes between the purple peaks
Of deep Parnassus, at the mournful moon.
Beside her lay her lyre. She snatched the shell,
And waked wild music from its silver strings;
Then tossed it sadly by.-'Ah, hush!' she cries;
'Dead offspring of the tortoise and the mine!
Why mock my discords with thine harmonies?
Although a thrice-Olympian lot be thine,
Only to echo back in every tone
The moods of nobler natures than thine own.'
Eversley, 1847
From Yeast.
poem by Charles Kingsley

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The Forest Road
The forest road,
The infinite straight road stretching away
World without end: the breathless road between the walls
Of the black listening trees: the hushed, grey road
Beyond the window that you shut to-night
Crying that you would look at it by day -
There is a shadow there that sings and calls
But not for you. Oh! hidden eyes that plead in sleep
Against the lonely dark, if I could touch the fear
And leave it kissed away on quiet lids -
If I could hush these hands that are half-awake,
Groping for me in sleep I could go free.
I wish that God would take them out of mine
And fold them like the wings of frightened birds
Shot cruelly down, but fluttering into quietness so soon.
Broken, forgotten things? there is no grief for them in the green Spring
When the new birds fly back to the old trees.
But it shall not be so with you. I will look back. I wish I knew that God would stand
Smiling and looking down on you when morning comes,
To hold you, when you wake, closer than I,
So gently though: and not with famished lips or hungry arms:
He does not hurt the frailest, dearest things
As we do in the dark. See, dear, your hair -
I must unloose this hair that sleeps and dreams
About my face, and clings like the brown weed
To drowned, delivered things, tossed by the tired sea
Back to the beaches. Oh! your hair! If you had lain
A long time dead on the rough, glistening ledge
Of some black cliff, forgotten by the tide,
The raving winds would tear, the dripping brine would rust away
Fold after fold of all the loveliness
That wraps you round, and makes you, lying here,
The passionate fragrance that the roses are.
But death would spare the glory of your head
In the long sweetness of the hair that does not die:
The spray would leap to it in every storm,
The scent of the unsilenced sea would linger on
In these dark waves, and round the silence that was you -
Only the nesting gulls would hear - but there would still be whispers in your hair;
Keep them for me; keep them for me. What is this singing on the road
That makes all other music like the music in a dream -
Dumb to the dancing and the marching feet; you know, in dreams, you see
Old pipers playing that you cannot hear,
And ghostly drums that only seem to beat. This seems to climb:
Is it the music of a larger place? It makes our room too small: it is like a stair,
A calling stair that climbs up to a smile you scarcely see,
Dim, but so waited for; and you know what a smile is, how it calls,
How if I smiled you always ran to me.
Now you must sleep forgetfully, as children do.
There is a Spirit sits by us in sleep
Nearer than those who walk with us in the bright day.
I think he has a tranquil, saving face: I think he came
Straight from the hills: he may have suffered there in time gone by,
And once, from those forsaken heights, looked down,
Lonely himself, on all the lonely sorrows of the earth.
It is his kingdom - Sleep. If I could leave you there -
If, without waking you, I could get up and reach the door -!
We used to go together. - Shut, scared eyes,
Poor, desolate, desperate hands, it is not I
Who thrust you off. No, take your hands away -
I cannot strike your lonely hands. Yes, I have struck your heart,
It did not come so near. Then lie you there
Dear and wild heart behind this quivering snow
With two red stains on it: and I will strike and tear
Mine out, and scatter it to yours. Oh! throbbing dust,
You that were life, our little wind-blown hearts!
The road! the road!
There is a shadow there: I see my soul,
I hear my soul, singing among the trees!
poem by Charlotte Mary Mew

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Lines: The cold earth slept below
The cold earth slept below;
Above the cold sky shone;
And all around,
With a chilling sound,
From caves of ice and fields of snow
The breath of night like death did flow
Beneath the sinking moon.
The wintry hedge was black;
The green grass was not seen;
The birds did rest
On the bare thorn's breast,
Whose roots, beside the pathway track,
Had bound their folds o'er many a crack
Which the frost had made between.
Thine eyes glow'd in the glare
Of the moon's dying light;
As a fen-fire's beam
On a sluggish stream
Gleams dimly--so the moon shone there,
And it yellow'd the strings of thy tangled hair,
That shook in the wind of night.
The moon made thy lips pale, belov{`e}d;
The wind made thy bosom chill;
The night did shed
On thy dear head
Its frozen dew, and thou didst lie
Where the bitter breath of the naked sky
Might visit thee at will.
poem by Percy Bysshe Shelley

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A Voice On The Wind
I
She walks with the wind on the windy height
When the rocks are loud and the waves are white,
And all night long she calls through the night,
'O my children, come home!'
Her bleak gown, torn as a tattered cloud,
Tosses around her like a shroud,
While over the deep her voice rings loud,-
'O my children, come home, come home!
O my children, come home!'
II
Who is she who wanders alone,
When the wind drives sheer and the rain is blown?
Who walks all night and makes her moan,
'O my children, come home!'
Whose face is raised to the blinding gale;
Whose hair blows black and whose eyes are pale,
While over the world goes by her wail,-
'O my children, come home, come home!
O my children, come home!'
III
She walks with the wind in the windy wood;
The dark rain drips from her hair and hood,
And her cry sobs by, like a ghost pursued,
'O my children, come home!'
Where the trees loom gaunt and the rocks stretch drear,
The owl and the fox crouch back with fear,
As wild through the wood her voice they hear,-
'O my children, come home, come home!
O my children, come home!'
IV
Who is she who shudders by
When the boughs blow bare and the dead leaves fly?
Who walks all night with her wailing cry,
'O my children, come home!'
Who, strange of look, and wild of tongue,
With wan feet wounded and hands wild-wrung,
Sweeps on and on with her cry, far-flung,-
'O my children, come home, come home!
O my children, come home!'
V
'Tis the Spirit of Autumn, no man sees,
The mother of Death and of Mysteries,
Who cries on the wind all night to these,
'O my children, come home!'
The Spirit of Autumn, pierced with pain,
Calling her children home again,
Death and Dreams, through ruin and rain,-
'O my children, come home, come home!
O my children, come home!'
poem by Madison Julius Cawein

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Song Of A Mad Girl, Whose Lover Has Died At Sea
Under the green white blue of this and that and the other,
That and the other, and that and the other, for ever and ever,
Under the up and down and the swaying ships swingswonging,
There they flung him to sleep who will never come back to my longing.
The Father comes back to his child and the son comes back to his Mother,
But neither by land or sea
Will he ever come back to me,
Never, never, never
Will he come back to me.
All day I run by the Cliff, all night I stand in the sand,
All day I furrow and burrow the holmes and the heights.
But whether by night or day
There's never a trace or a track,
Never a word or a breath,
In the swill and the swoop and the flash and the foam and the wind,
Never a fleck or a speck
Coming, coming my way.
The mew comes back to the strand and the ship comes back to the land,
But he will never come back
To all the prayers that I pray thro' the scorching black of the day
And the freezing black of the nights,
Never, never come back
To the ear that harks itself deaf and the eye that strains itself blind,
And the heart that is starving to death.
He was chill and they threw him to cold,
He was dead and they threw him to drown,
He was weary and wanted rest-
They should have laid him on my breast,
He would have slept on my breast,
But they threw him into the boiling boil and bubble,
The wheel and the whirl, the driff and the draff
Of the everlasting trouble.
I swear to you he was mine! I swear to you he was my own.
Madam, if I may make so bold,
Do you know what the dead men do
In the black and blue, in the green and brown?
Deep, deep, you think they sleep
Where the mermen moan and the mermaids weep?
Ah, ah, you make me laugh!
I'm not yet twenty years old,
But lean your ear
And you shall hear
A little thing that I know.
Up and up they come to the top,
Down and down they go down.
To and fro the finny fish go,
But slow and slow, and so and so,
Low over high, high under low,
Up and up they come to the top,
Down and down they go down:
When the sun comes up they come to the top,
When the sun sinks they go down.
poem by Sydney Thompson Dobell

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Sonnet: We Can See God
The Sun looks like Thine heart afilled with joy;
0 God, the Rain is like Thine compassion;
The Moon appears like Thine face as when coy;
The Galaxies are like divine Mansion.
The quadrillion stars look like Heaven's eyes;
The thunder seems to be Thine angry voice;
The Lightning is Thine pow'r of sample size,
The songs of birds akin Thine happy noise.
The verdure spring looks like Thine beauteous face;
The winter cold is Thine heart's discontent;
The summer’s yield is sign of Thine own pace;
The autumn’s wind appears to be Thine vent.
The earth is footstool for Thine lovely feet;
Thine Replica is Mother Nature sweet.
poem by John Celes

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The Sisters
ANNIE and Rhoda, sisters twain,
Woke in the night to the sound of rain,
The rush of wind, the ramp and roar
Of great waves climbing a rocky shore.
Annie rose up in her bed-gown white,
And looked out into the storm and night.
'Hush, and hearken!' she cried in fear,
'Hearest thou nothing, sister dear?'
'I hear the sea, and the plash of rain,
And roar of the northeast hurricane.
'Get thee back to the bed so warm,
No good comes of watching a storm.
'What is it to thee, I fain would know,
That waves are roaring and wild winds blow?
'No lover of thine's afloat to miss
The harbor-lights on a night like this.'
'But I heard a voice cry out my name,
Up from the sea on the wind it came.
'Twice and thrice have I heard it call,
And the voice is the voice of Estwick Hall!'
On her pillow the sister tossed her head.
'Hall of the Heron is safe,' she said.
'In the tautest schooner that ever swam
He rides at anchor in Anisquam.
'And, if in peril from swamping sea
Or lee shore rocks, would he call on thee?'
But the girl heard only the wind and tide,
And wringing her small white hands she cried,
'O sister Rhoda, there's something wrong;
I hear it again, so loud and long.
''Annie! Annie!' I hear it call,
And the voice is the voice of Estwick Hall!'
Up sprang the elder, with eyes aflame,
'Thou liest! He never would call thy name!
'If he did, I would pray the wind and sea
To keep him forever from thee and me!'
Then out of the sea blew a dreadful blast;
Like the cry of a dying man it passed.
The young girl hushed on her lips a groan,
But through her tears a strange light shone,--
The solemn joy of her heart's release
To own and cherish its love in peace.
'Dearest!' she whispered, under breath,
'Life was a lie, but true is death.
'The love I hid from myself away
Shall crown me now in the light of day.
'My ears shall never to wooer list,
Never by lover my lips be kissed.
'Sacred to thee am I henceforth,
Thou in heaven and I on earth!'
She came and stood by her sister's bed
'Hall of the Heron is dead!' she said.
'The wind and the waves their work have done,
We shall see him no more beneath the sun.
'Little will reek that heart of thine,
It loved him not with a love like mine.
'I, for his sake, were he but here,
Could hem and 'broider thy bridal gear,
'Though hands should tremble and eyes be wet,
And stitch for stitch in my heart be set.
'But now my soul with his soul I wed;
Thine the living, and mine the dead!'
poem by John Greenleaf Whittier

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Ode To The Setting Sun - Prelude
The wailful sweetness of the violin
Floats down the hush-ed waters of the wind,
The heart-strings of the throbbing harp begin
To long in aching music. Spirit-pined,
In wafts that poignant sweetness drifts, until
The wounded soul ooze sadness. The red sun,
A bubble of fire, drops slowly toward the hill,
While one bird prattles that the day is done.
O setting Sun, that as in reverent days
Sinkest in music to thy smooth-ed sleep,
Discrowned of homage, though yet crowned with rays,
Hymned not at harvest more, though reapers reap:
For thee this music wakes not. O deceived,
If thou hear in these thoughtless harmonies
A pious phantom of adorings reaved,
And echo of fair ancient flatteries!
Yet, in this field where the Cross planted reigns,
I know not what strange passion bows my head
To thee, whose great command upon my veins
Proves thee a god for me not dead, not dead!
For worship it is too incredulous,
For doubt--oh, too believing-passionate!
What wild divinity makes my heart thus
A fount of most baptismal tears?--Thy straight
Long beam lies steady on the Cross. Ah me!
What secret would thy radiant finger show?
Of thy bright mastership is this the key?
Is THIS thy secret, then? And is it woe?
Fling from thine ear the burning curls, and hark
A song thou hast not heard in Northern day;
For Rome too daring, and for Greece too dark,
Sweet with wild wings that pass, that pass away!
poem by Francis Thompson

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Summer Storm
We lay together in the sultry night.
A feeble light
From some invisible street-lamp crept
Into the corner where you slept;
Fingered your cheeks, flew softly round your hair,
Then dipped in the sweet valley of your breasts
And fluttered, like a bird between two nests,
Till it lay quiet there.
My eyes were closing and I may have dreamed--
At least it seemed
That you and I
Had ceased to be but were somehow
As earth and sky....
The night grew closer still, and now
Heat-lightnings played between us and warm thrills
Ran through the cool sides of the trembling hills.
Then darkness and a tension in the black
Hush like a breath held back;
A rippling through the ground, a windless breeze
That reached down to the sensitive roots of trees;
A tremor like the pulse of muffled knocks,
Or like the silent opening of locks ...
There was a rising of unfettered seas
With great tides pulling at the stars and rocks
As though to draw them all together.
Then in a burst of blinding weather,
The lightnings flung
Long, passionate arms about the earth that clung
To her wild lover.
Suddenly above her
The whole sky tumbled in a sweeping blaze,
Gathering earth in one tight-locked embrace,
Drenching her in a flood of silver flame.
Hot thunders came;
And still the storm kept plunging, seeking ever
The furthest cranny, till the faraway
Streams felt each penetrating quiver
And the most hidden river
Rose and became released....
At last the stabbings ceased,
The thunders died.
But still they lay
Side by side,
While the moonbeams crept
Into the heavenly corner where earth slept;
Dipping among her rosy hills, lighting above
Her curved and sloping hollows, till
She too was still.
Beloved and blest,
His cloudy head lay, seeking rest
In the sweet-smelling valley of her breast,
And each was huddled in each other's love;
Or so it seemed....
My eyes were closing and I may have dreamed.
poem by Louis Untermeyer

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The Chapel in Lyonesse
SIR OZANA.
All day long and every day,
From Christmas-Eve to Whit-Sunday,
Within that Chapel-aisle I lay,
And no man came a-near.
Naked to the waist was I,
And deep within my breast did lie,
Though no man any blood could spy,
The truncheon of a spear.
No meat did ever pass my lips
Those days. Alas! the sunlight slips
From off the gilded parclose, dips,
And night comes on apace.
My arms lay back behind my head;
Over my raised-up knees was spread
A samite cloth of white and red;
A rose lay on my face.
Many a time I tried to shout;
But as in dream of battle-rout,
My frozen speech would not well out;
I could not even weep.
With inward sigh I see the sun
Fade off the pillars one by one,
My heart faints when the day is done,
Because I cannot sleep.
Sometimes strange thoughts pass through my head;
Not like a tomb is this my bed,
Yet oft I think that I am dead;
That round my tomb is writ,
"Ozana of the hardy heart,
Knight of the Table Round,
Pray for his soul, lords, of your part;
A true knight he was found."
Ah! me, I cannot fathom it.
[He sleeps.]
SIR GALAHAD.
All day long and every day,
Till his madness pass'd away,
I watch'd Ozana as he lay
Within the gilded screen.
All my singing moved him not;
As I sung my heart grew hot,
With the thought of Launcelot
Far away, I ween.
So I went a little space
From out the chapel, bathed my face
In the stream that runs apace
By the churchyard wall.
There I pluck'd a faint wild rose,
Hard by where the linden grows,
Sighing over silver rows
Of the lilies tall.
I laid the flower across his mouth;
The sparkling drops seem'd good for drouth;
He smiled, turn'd round towards the south,
Held up a golden tress.
The light smote on it from the west;
He drew the covering from his breast,
Against his heart that hair he prest;
Death him soon will bless.
SIR BORS.
I enter'd by the western door;
I saw a knight's helm lying there:
I raised my eyes from off the floor,
And caught the gleaming of his hair.
I stept full softly up to him;
I laid my chin upon his head;
I felt him smile; my eyes did swim,
I was so glad he was not dead.
I heard Ozana murmur low,
"There comes no sleep nor any love."
But Galahad stoop'd and kiss'd his brow:
He shiver'd; I saw his pale lips move.
SIR OZANA.
There comes no sleep nor any love;
Ah me! I shiver with delight.
I am so weak I cannot move;
God move me to thee, dear, to-night!
Christ help! I have but little wit:
My life went wrong; I see it writ,
"Ozana of the hardy heart,
Knight of the Table Round,
Pray for his soul, lords, on your part;
A good knight he was found."
Now I begin to fathom it.
[He dies.]
SIR BORS.
Galahad sits dreamily;
What strange things may his eyes see,
Great blue eyes fix'd full on me?
On his soul, Lord, have mercy.
SIR GALAHAD.
Ozana, shall I pray for thee?
Her cheek is laid to thine;
No long time hence, also I see
Thy wasted fingers twine
Within the tresses of her hair
That shineth gloriously,
Thinly outspread in the clear air
Against the jasper sea.
poem by William Morris

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Mama
Mama’s face
is smooth and pale as tea-rose leaves.
That ivory oval of aunt Gem
you sucked the miniature off
had black black hair like mama.
Pit-it-ty-pat,
Mama walks so fast,
street lamps jig
without bending a leg…
lights in the windows
play twinkling tunes
on crimson and blue
bottles like bubbles
big as balloons…
Faster and faster…
and pink light spurts
over cakes doing polkas
in little white shirts,
with cake-princesses
in flounced white skirts.
Pit-pat—
mama walks slower…
slower and… slower…
Eyes… lamps… stars…
acres and acres of stars…
bells… and sleepily
flapping feet….
You’re glad mama walks slow.
It’s nice to be carried along
up high near the stars
that look at you with a grave, great look.
Every night
mama sings you to sleep.
When she sings, O for the light of thine eyes Dolores,
there’s a castle on a cliff
and the sea roars like lions.
It leaps at the castle
and the cliff knocks it down
but always the sea
shakes its flattened head
and gets up again.
The castle has no roof
so the rain spins silvery webs in it,
and Dolores’ face
floats dim and beautiful
the way flowers do when they are drowned.
Step by white step
she goes up the castle stairs,
but the stair goes up into the sky
and the sky keeps going up too,
and none of them ever get there.
When mama sings Ba ba black sheep,
the stars seem to shine through her voice
so everything has to be still,
and when she has finished singing
her song goes up off the earth,
higher and higher…
till it is only as big as a tiny silver bird
with nothing but moonlight around it.
poem by Lola Ridge

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The Suliote Mother
She stood upon the loftiest peak,
Amidst the clear blue sky,
A bitter smile was on her cheek,
And a dark flash in her eye.
'Dost thou see then, boy?-through the dusky pines
Dost thou see where the foeman's armour shines?
Hast thou caught the gleam of the conqueror's crest?
My babe, that I cradled on my breast!
Wouldst thou spring from thy mother's arms with joy?
-That sight hath cost thee a father, boy!'
For in the rocky strait beneath,
Lay Suliote sire and son;
They had heap'd high the piles of death
Before the pass was won.
'They have cross'd the torrent, and on they come!
Woe for the mountain hearth and home!
There, where the hunter laid by his spear,
There, where the lyre hath been sweet to hear,
There, where I sang thee, fair babe! to sleep,
Nought but the blood-stain our trace shall keep!'
And now the horn's loud blast was heard,
And now the cymbal's clang,
Till ev'n the upper air was stirr'd,
As cliff and hollow rang.
'Hark! they bring music, my joyous child!
What saith the trumpet to Suli's wild!
Doth it light thine eye with so quick a fire,
As if at a glance of thine armed sire?
-Still!-be thou still!-there are brave men low-
Thou wouldst not smile couldst thou seem him now!'
But nearer came the clash of steel,
And louder swell'd the horn,
And farther yet the tambour's peal
Through the dark pass was borne.
'Hear'st thou the sound of their savage mirth?
-Boy! thou wert free when I gave thee birth,
Free, and how cherish'd, my warrior's son!
He too hath bless'd thee, as I have done!
Aye, and unchain'd must his lov'd ones be-
-Freedom, young Suliote! for thee and me!'
And from the arrowy peak she sprung,
And fast the fair child bore,
A veil upon the wind was flung,
A cry-and all was o'er!
poem by Felicia Dorothea Hemans

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Love-Trilogy
I.
SHE stood against the Orient sun,
Her face inscrutable for light;
A myriad larks in unison
Sang o'er her, soaring out of sight.
A myriad flowers around her feet
Burst flame-like from the yielding sod,
Till all the wandering airs were sweet
With incense mounting up to God.
A mighty rainbow shook, inclined
Towards her, from the Occident,
Girdling the cloud-wrack which enshrined
Half the light-bearing firmament.
Lit showers flashed golden o'er the hills,
And trees flung silver to the breeze,
And, scattering diamonds, fleet-foot rills
Fled laughingly across the leas.
Yea Love, the skylarks laud but thee,
And writ in flowers thine awful name;
Spring is thy shade, dread Ecstasy,
And life a brand which feeds thy flame.
II.
WINDING all my life about thee,
Let me lay my lips on thine;
What is all the world without thee,
Mine--oh mine!
Let me press my heart out on thee,
Crush it like a fiery vine,
Spilling sacramental on thee
Love's red wine.
Let thy strong eyes yearning o'er me
Draw me with their force divine;
All my soul has gone before me
Clasping thine.
Irresistibly I follow,
As wherever we may run
Runs our shadow, as the swallow
Seeks the sun.
Yea, I tremble, swoon, surrender
All my spirit to thy sway,
As a star is drowned in splendour
Of the day.
III.
I CHARGE you, O winds of the West, O winds with the wings of the dove,
That ye blow o'er the brows of my Love, breathing low that I sicken for love.
I charge you, O dews of the Dawn, O tears of the star of the morn,
That ye fall at the feet of my love with the sound of one weeping forlorn.
I charge you, O birds of the Air, O birds flying home to your nest,
That ye sing in his ears of the joy that for ever has fled from my breast.
I charge you, O flowers of the Earth, O frailest of things, and most fair,
That ye droop in his path as the life in me shrivels consumed by despair.
O Moon, when he lifts up his face, when he seeth the waning of thee,
A memory of her who lies wan on the limits of life let it be.
Many tears cannot quench, nor my sighs extinguish, the flames of love's fire,
Which lifteth my heart like a wave, and smites it, and breaks its desire.
I rise like one in a dream when I see the red sun flaring low,
That drags me back shuddering from sleep each morning to life with its woe.
I go like one in a dream, unbidden my feet know the way
To that garden where love stood in blossom with the red and white hawthorn of May.
The song of the throstle is hushed, and the fountain is dry to its core,
The moon cometh up as of old; she seeks, but she finds him no more.
The pale-faced, pitiful moon shines down on the grass where I weep,
My face to the earth, and my breast in an anguish ne'er soothed into sleep.
The moon returns, and the spring, birds warble, trees burst into leaf,
But Love once gone, goes for ever, and all that endures is the grief.
poem by Mathilde Blind

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The Torments Of Love
Fragments 84, 45, 82, 36, 38, 37, 40, 80, 50, 55, and 42 combined.
O Queens of Song, descend from your home.
From the golden halls of Olumpus on high!
O shell divine, now, now become
Voiceful, to utter mine heart's wild cry!
O Calliope, vouchsafe thine aid
Unto one whom the Muse of Love hath betrayed!
Ah me, I know not what to do
Who am wildered all, in a strait betwixt two!
I cry from a homeless heart storm-tossed
As a child for her mother, a young child lost.
Yet not after all-unattainable things
Do I strain, nor I hope on passion's wings
To soar to the heavens' empyreal blue.
But oh, I yearn, how I yearn to slake
My thirst where Love's feet brush the dew!
For he who the strength of the mighty can break,
He whose bitter sweetness no tongue may tell,
The dragon whose onslaught none may quell,
Love — mine whole being doth Love's breath shake.
Ah, sleep I cannot: soft-cushioned bed
Wooes never my wearied frame to sleep;
No pillow brings rest to my throbbing head.
From my couch, as one in a nightmare, I leap.
Ever Eros is tossing to and fro
My spirit, as when great storm-winds blow
O'er a tempest-tormented mountain-steep,
And down on its groaning oak-woods sweep;
So groaneth my spirit, love-scourged so.
The Tryst
I raised the veil, I loosed the bands,
I took the dead thing from its place.
Like a warm stream in frozen lands
My lips went wandering on her face,
My hands burnt in her hands.
She could not stay me, being dead;
Her body here was mine to hold.
What if her lips had lost their red?
To me they always tasted cold
With the cold words she said.
Did my breath run along her hair,
And free the pulse, and fire the brain,
My wild blood wake her wild blood there?
Here eyelids lifted wide again
In a blue, sudden stare.
Beneath my fierce, profane caress
The whole white length of body moved;
The drowsy bosom seemed to press
As if against a breast beloved,
Then fail for weariness.
No, not that anguish! Christ forbid
That I should raise such dead! I rose,
Stifled the mouth with lilies, hid
Those eyes, And drew the long hair close,
And shut the coffin lid.
My cold brow on the cold wood laid,
Quiet and close to-night we lie.
No cruel words her lips have said.
I shall not take nor she deny.
The dead is with the dead.
poem by Muriel Stuart

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Mater Dolorosa
Who is this that sits by the way, by the wild wayside,
In a rent stained raiment, the robe of a cast-off bride,
In the dust, in the rainfall sitting, with soiled feet bare,
With the night for a garment upon her, with torn wet hair?
She is fairer of face than the daughters of men, and her eyes,
Worn through with her tears, are deep as the depth of skies.
This is she for whose sake being fallen, for whose abject sake,
Earth groans in the blackness of darkness, and men's hearts break.
This is she for whose love, having seen her, the men that were
Poured life out as water, and shed their souls upon air.
This is she for whose glory their years were counted as foam;
Whose face was a light upon Greece, was a fire upon Rome.
Is it now not surely a vain thing, a foolish and vain,
To sit down by her, mourn to her, serve her, partake in the pain?
She is grey with the dust of time on his manifold ways,
Where her faint feet stumble and falter through year-long days.
Shall she help us at all, O fools, give fruit or give fame,
Who herself is a name despised, a rejected name?
We have not served her for guerdon. If any do so,
That his mouth may be sweet with such honey, we care not to know.
We have drunk from a wine-unsweetened, a perilous cup,
A draught very bitter. The kings of the earth stood up,
And the rulers took counsel together, to smite her and slay;
And the blood of her wounds is given us to drink today.
Can these bones live? or the leaves that are dead leaves bud?
Or the dead blood drawn from her veins be in your veins blood?
Will ye gather up water again that was drawn and shed?
In the blood is the life of the veins, and her veins are dead.
For the lives that are over are over, and past things past;
She had her day, and it is not; was first, and is last.
Is it nothing unto you then, all ye that pass by,
If her breath be left in her lips, if she live now or die?
Behold now, O people, and say if she be not fair,
Whom your fathers followed to find her, with praise and prayer,
And rejoiced, having found her, though roof they had none nor bread;
But ye care not; what is it to you if her day be dead?
It was well with our fathers; their sound was in all men's lands;
There was fire in their hearts, and the hunger of fight in their
hands.
Naked and strong they went forth in her strength like flame,
For her love's and her name's sake of old, her republican name.
But their children, by kings made quiet, by priests made wise,
Love better the heat of their hearths than the light of her eyes.
Are they children of these thy children indeed, who have sold,
O golden goddess, the light of thy face for gold?
Are they sons indeed of the sons of thy dayspring of hope,
Whose lives are in fief of an emperor, whose souls of a Pope?
Hide then thine head, O beloved; thy time is done;
Thy kingdom is broken in heaven, and blind thy sun.
What sleep is upon you, to dream she indeed shall rise,
When the hopes are dead in her heart as the tears in her eyes?
If ye sing of her dead, will she stir? if ye weep for her, weep?
Come away now, leave her; what hath she to do but sleep?
But ye that mourn are alive, and have years to be;
And life is good, and the world is wiser than we.
Yea, wise is the world and mighty, with years to give,
And years to promise; but how long now shall it live?
And foolish and poor is faith, and her ways are bare,
Till she find the way of the sun, and the morning air.
In that hour shall this dead face shine as the face of the sun,
And the soul of man and her soul and the world's be one.
poem by Algernon Charles Swinburne

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Sleeping Out: Full Moon
They sleep within. . . .
I cower to the earth, I waking, I only.
High and cold thou dreamest, O queen, high-dreaming and lonely.
We have slept too long, who can hardly win
The white one flame, and the night-long crying;
The viewless passers; the world's low sighing
With desire, with yearning,
To the fire unburning,
To the heatless fire, to the flameless ecstasy! . . .
Helpless I lie.
And around me the feet of thy watchers tread.
There is a rumour and a radiance of wings above my head,
An intolerable radiance of wings. . . .
All the earth grows fire,
White lips of desire
Brushing cool on the forehead, croon slumbrous things.
Earth fades; and the air is thrilled with ways,
Dewy paths full of comfort. And radiant bands,
The gracious presence of friendly hands,
Help the blind one, the glad one, who stumbles and strays,
Stretching wavering hands, up, up, through the praise
Of a myriad silver trumpets, through cries,
To all glory, to all gladness, to the infinite height,
To the gracious, the unmoving, the mother eyes,
And the laughter, and the lips, of light.
poem by Rupert Brooke (1908)

Submitted by Veronica Serbanoiu
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The Moon's Minion
Thine eyes are like the sea, my dear,
The wand'ring waters, green and grey;
Thine eyes are wonderful and clear,
And deep, and deadly, even as they;
The spirit of the changeful sea
Informs thine eyes at night and noon,
She sways the tides, and the heart of thee,
The mystic, sad, capricious Moon!
The Moon came down the shining stair
Of clouds that fleck the summer sky,
She kissed thee, saying, 'Child, be fair,
And madden men's hearts, even as I;
Thou shalt love all things strange and sweet,
That know me and are known of me;
The lover thou shalt never meet,
The land where thou shalt never be!'
She held thee in her chill embrace,
She kissed thee with cold lips divine,
She left her pallor on thy face,
That mystic ivory face of thine;
And now I sit beside thy feet,
And all my heart is far from thee,
Dreaming of her I shall not meet,
And of the land I shall not see!
poem by Andrew Lang

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The Chamois Hunter's Love
Thy heart is in the upper world, where fleet the chamois bounds;
Thy heart is where the mountain-fir shakes to the torrent-sounds;
And where the snow-peaks gleam like stars, through the stillness of the air,
And where the Lauwine's peal is heart - Hunter! thy heart is there!
I know thou lovest me well, dear friend! but better, better far,
Thou lovest that high and haughty life, with rocks and storms at war;
In the green sunny vales with me, thy spirit would but pine,
And yet I will be thine, my love! and yet I will be thine!
And I will not seek to woo thee down from those thy native heights,
With the sweet song, our land's own song, of pastoral delights;
For thou must live as eagles live, thy path is not as mine,
And yet I will be thine, my love! and yet I will be thine!
And I will leave my blessed home, my father's joyous hearth,
With all the voices meeting there in tenderness and mirth,
With all the kind and laughing eyes that in its firelight shine,
To sit forsaken in thy hut, yet know that thou art mine!
It is my youth, it is my bloom, it is my glad free heart,
That I cast away for thee - for thee, all reckless as thou art!
With tremblings and with vigils lone, I bind myself to dwell,
Yet, yet I would not change that lot, oh no! I love too well!
A mournful thing is love which grows to one so wild as thou,
With that bright restlessness of eye, that tameless fire of brow.
Mournful! - but dearer far I call its mingled fear and pride,
And the trouble of its happiness, than aught on earth beside.
To listen for thy step in vain, to start at every breath,
To watch through long long nights of storm, to sleep and dream of death,
To wake in doubt and loneliness - this doom I know is mine
And yet I will be thine, my love! and yet I will be thine!
That I may greet thee from thine Alps, when thence thou comest at last,
That I may hear thy thrilling voice tell o'er each danger past,
That I may kneel and pray for thee, and win thee aid divine -
For this I will be thine, my love! for this I will be thine!
poem by Felicia Dorothea Hemans

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The Stream's Secret
What thing unto mine ear
Wouldst thou convey,--what secret thing,
O wandering water ever whispering?
Surely thy speech shall be of her.
Thou water, O thou whispering wanderer,
What message dost thou bring?
Say, hath not Love leaned low
This hour beside thy far well-head,
And there through jealous hollowed fingers said
The thing that most I long to know--
Murmuring with curls all dabbled in thy flow
And washed lips rosy red?
He told it to thee there
Where thy voice hath a louder tone;
But where it welters to this little moan
His will decrees that I should hear.
Now speak: for with the silence is no fear,
And I am all alone.
Shall Time not still endow
One hour with life, and I and she
Slake in one kiss the thirst of memory?
Say, streams, lest Love should disavow
Thy service, and the bird upon the bough
Sing first to tell it me.
What whisperest thou? Nay, why
Name the dead hours? I mind them well.
Their ghosts in many darkened doorways dwell
With desolate eyes to know them by.
That hour must still be born ere it can die
Of that I'd have thee tell.
But hear, before thou speak!
Withhold, I pray, the vain behest
That while the maze hath still its bower for quest
My burning heart should cease to seek.
Be sure that Love ordained for souls more meek
His roadside dells of rest.
Stream, when this silver thread
In flood-time is a torrent brown,
May any bulwark bind thy foaming crown?
Shall not the waters surge and spread
And to the crannied boulders of their bed
Still shoot the dead drift down
Let no rebuke find place
In speech of thine: or it shall prove
That thou dost ill expound the words of Love.
Even as thine eddy's rippling race
Would blur the perfect image of his face
I will have none thereof.
O learn and understand
That 'gainst the wrongs himself did wreak
Love sought her aid; until her shadowy cheek
And eyes beseeching gave command;
And compassed in her close compassionate hand
My heart must burn and speak.
For then at last we spoke
What eyes so oft had told to eyes
Through that long-lingering silence whose half-sighs
Alone the buried secret broke,
Which with snatched hands and lips' reverberate stroke
Then from the heart did rise.
But she is far away
Now; nor the hours of night grown hoar
Bring yet to me, long gazing from the door,
The wind-stirred robe of roseate gray
And rose-crown of the hour that leads the day
When we shall meet once more.
Dark as thy blinded wave
When brimming midnight floods the glen,--
Bright as the laughter of thy runnels when
The dawn yields all the light they crave;
Even so these hours to wound and that to save
Are sisters in Love's ken.
Oh sweet her bending grace
Then when I kneel beside her feet;
And sweet her eyes' o'erhanging heaven; and sweet
The gathering folds of her embrace;
And her fall'n hair at last shed round my face
When breaths and tears shall meet.
Beneath her sheltering hair,
In the warm silence near her breast,
Our kisses and our sobs shall sink to rest;
As in some still trance made aware
That day and night have wrought to fulness there
And Love has built our nest.
And as in the dim grove,
When the rains cease that hushed them long,
'Mid glistening boughs the song-birds wake to song,--
So from our hearts deep-shrined in love,
While the leaves throb beneath, around, above,
The quivering notes shall throng.
Till tenderest words found vain
Draw back to wonder mute and deep,
And closed lips in closed arms a silence keep,
Subdued by memory's circling strain,--
The wind-rapt sound that the wind brings again
While all the willows weep.
Then by her summoning art
Shall memory conjure back the sere
Autumnal Springs, from many a dying year
Born dead; and, bitter to the heart,
The very ways where now we walk apart
Who then shall cling so near.
And with each thought new-grown,
Some sweet caress or some sweet name
Low-breathed shall let me know her thought the same:
Making me rich with every tone
And touch of the dear heaven so long unknown
That filled my dreams with flame.
Pity and love shall burn
In her pressed cheek and cherishing hands;
And from the living spirit of love that stands
Between her lips to soothe and yearn,
Each separate breath shall clasp me round in turn
And loose my spirit's bands.
Oh passing sweet and dear,
Then when the worshipped form and face
Are felt at length in darkling close embrace;
Round which so oft the sun shone clear,
With mocking light and pitiless atmosphere,
In many an hour and place.
Ah me! with what proud growth
Shall that hour's thirsting race be run;
While, for each several sweetness still begun
Afresh, endures love's endless drouth;
Sweet hands, sweet hair, sweet cheeks, sweet eyes, sweet mouth,
Each singly wooed and won.
Yet most with the sweet soul
Shall love's espousals then be knit;
What time the governing cloud sheds peace from it
O'er tremulous wings that touch the goal,
And on the unmeasured height of Love's control
The lustral fires are lit.
Therefore, when breast and cheek
Now part, from long embraces free,--
Each on the other gazing shall but see
A self that has no need to speak:
All things unsought, yet nothing more to seek,--
One love in unity.
O water wandering past,--
Albeit to thee I speak this thing,
O water, thou that wanderest whispering,
Thou keep'st thy counsel to the last.
What spell upon thy bosom should Love cast,
Its secret thence to wring?
Nay, must thou hear the tale
Of the past days,--the heavy debt
Of life that obdurate time withholds,--ere yet
To win thine ear these prayers prevail,
And by thy voice Love's self with high All-hail
Yield up the amulet?
How should all this be told?--
All the sad sum of wayworn days,--
Heart's anguish in the impenetrable maze;
And on the waste uncoloured wold
The visible burthen of the sun grown cold
And the moon's labouring gaze?
Alas! shall hope be nurs'd
On life's all-succouring breast in vain,
And made so perfect only to be slain?
Or shall not rather the sweet thirst
Even yet rejoice the heart with warmth dispers'd
And strength grown fair again?
Stands it not by the door!--
Love's Hour--Till she and I shall meet
With bodiless form and unapparent feet
That cast no shadow yet before,
Though round its head the dawn begins to pour
The breath that makes day sweet?
Its eyes invisible
Watch till the dial's thin-thrown shade
Be born,--yea, till the journeying line be laid
Upon the point that wakes the spell,
And there in lovelier light than tongue can tell
Its presence stands array'd.
Its soul remembers yet
Those sunless hours that passed it by;
And still it hears the night's disconsolate cry,
And feels the branches wringing wet
Cast on its brow, that may not once forget,
Dumb tears from the blind sky.
But oh! when now her foot
Draws near, for whose sake night and day
Were long in weary longing sighed away,--
The hour of Love, 'mid airs grown mute,
Shall sing beside the door, and Love's own lute
Thrill to the passionate lay.
Thou know'st, for Love has told
Within thine ear, O stream, how soon
That song shall lift its sweet appointed tune.
O tell me, for my lips are cold,
And in my veins the blood is waxing old
Even while I beg the boon.
So, in that hour of sighs
Assuaged, shall we beside this stone
Yield thanks for grace; while in thy mirror shown
The twofold image softly lies,
Until we kiss, and each in other's eyes
Is imaged all alone.
Still silent? Can no art
Of Love's then move thy pity? Nay,
To thee let nothing come that owns his sway:
Let happy lovers have no part
With thee; nor even so sad and poor a heart
As thou hast spurned to-day.
To-day? Lo! night is here.
The glen grows heavy with some veil
Risen from the earth or fall'n to make earth pale;
And all stands hushed to eye and ear,
Until the night-wind shake the shade like fear
And every covert quail.
Ah! by another wave
On other airs the hour must come
Which to thy heart, my love, shall call me home.
Between the lips of the low cave
Against that night the lapping waters lave,
And the dark lips are dumb.
But there Love's self doth stand,
And with Life's weary wings far flown,
And with Death's eyes that make the water moan,
Gathers the water in his hand:
And they that drink know nought of sky or land
But only love alone.
O soul-sequestered face
Far off,--O were that night but now!
So even beside that stream even I and thou
Through thirsting lips should draw Love's grace,
And in the zone of that supreme embrace
Bind aching breast and brow.
O water whispering
Still through the dark into mine ears,--
As with mine eyes, is it not now with hers?--
Mine eyes that add to thy cold spring,
Wan water, wandering water weltering,
This hidden tide of tears.
poem by Dante Gabriel Rossetti

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Hermaphroditus
I.
LIFT UP thy lips, turn round, look back for love,
Blind love that comes by night and casts out rest;
Of all things tired thy lips look weariest,
Save the long smile that they are wearied of.
Ah sweet, albeit no love be sweet enough,
Choose of two loves and cleave unto the best;
Two loves at either blossom of thy breast
Strive until one be under and one above.
Their breath is fire upon the amorous air,
Fire in thine eyes and where thy lips suspire:
And whosoever hath seen thee, being so fair,
Two things turn all his life and blood to fire;
A strong desire begot on great despair,
A great despair cast out by strong desire.
II.
Where between sleep and life some brief space is,
With love like gold bound round about the head,
Sex to sweet sex with lips and limbs is wed,
Turning the fruitful feud of hers and his
To the waste wedlock of a sterile kiss;
Yet from them something like as fire is shed
That shall not be assuaged till death be dead,
Though neither life nor sleep can find out this.
Love made himself of flesh that perisheth
A pleasure-house for all the loves his kin;
But on the one side sat a man like death,
And on the other a woman sat like sin.
So with veiled eyes and sobs between his breath
Love turned himself and would not enter in.
III.
Love, is it love or sleep or shadow or light
That lies between thine eyelids and thine eyes?
Like a flower laid upon a flower it lies,
Or like the night’s dew laid upon the night.
Love stands upon thy left hand and thy right,
Yet by no sunset and by no moonrise
Shall make thee man and ease a woman’s sighs,
Or make thee woman for a man’s delight.
To what strange end hath some strange god made fair
The double blossom of two fruitless flowers?
Hid love in all the folds of all thy hair,
Fed thee on summers, watered thee with showers,
Given all the gold that all the seasons wear
To thee that art a thing of barren hours?
IV.
Yea, love, I see; it is not love but fear.
Nay, sweet, it is not fear but love, I know;
Or wherefore should thy body’s blossom blow
So sweetly, or thine eyelids leave so clear
Thy gracious eyes that never made a tear—
Though for their love our tears like blood should flow,
Though love and life and death should come and go,
So dreadful, so desirable, so dear?
Yea, sweet, I know; I saw in what swift wise
Beneath the woman’s and the water’s kiss
Thy moist limbs melted into Salmacis,
And the large light turned tender in thine eyes,
And all thy boy’s breath softened into sighs;
But Love being blind, how should he know of this?
Au Musée du Louvre, Mars 1863.
poem by Algernon Charles Swinburne

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