Picture of Twilight
Oh, Twilight! Spirit that dost render birth
To dim enchantments; melting heaven with earth,
Leaving on craggy hills and running streams
A softness like the atmosphere of dreams;
Thy hour to all is welcome! Faint and sweet
Thy light falls round the peasant's homeward feet,
Who, slow returning from his task of toil,
Sees the low sunset gild the cultured soil,
And, though such radiance round him brightly glows,
Marks the small spark his cottage-window throws.
Still as his heart forestalls his weary pace,
Fondly he dreams of each familiar face,
Recalls the treasures of his narrow life -
His rosy children and his sunburnt wife,
To whom his coming is the chief event
Of simple days in cheerful labour spent.
The rich man's chariot hath gone whirling past
And these poor cottagers have only cast
One careless glance on all that show of pride,
Then to their tasks turn'd quietly aside;
But him they wait for, him they welcome home,
Fix'd sentinels look forth to see him come;
The fagot sent for when the fire grew dim,
For him the watching of that sturdy boy,
For him those smiles of tenderness and joy,
For him - who plods his sauntering way along,
Whistling the fragment of some village song!
poem by Caroline Elizabeth Sarah Norton

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They Loved One Another
THEY loved one another! young Edward and his wife,
And in their cottage-home they dwelt, apart from sin and strife.
Each evening Edward weary came from a day of honest toil,
And Mary made the fire blaze, and smiled a cheerful smile.
Oh! what was wealth or pomp to them, the gaudy glittering show,
Of jewels blazing on the breast, where heaves a heart of woe!
The merry laugh, the placid sleep, were theirs; they hated sloth,
And all the little that they had, belonged alike to both,
For they loved one another!
They loved one another; but one of them is gone,
And by that vainly cheerful hearth poor Edward sits alone.
He gazes round on all which used to make his heart rejoice,
And he misses Mary's gentle smile, he misses Mary's voice.
There are many in this chilly world who would not care to part,
Tho' they dwell together in one home, and ought to have one heart,
And yet they live! while never more those happy ones may meet;
And the echo from her home is gone of Mary's busy feet:
And they loved one another!
They loved one another! but she hath past away,
And taken with her all the light, the sunshine of his day;
And Edward makes no loud lament, nor idly sits and mourns,
But quietly goes forth at morn, and quietly returns.
The cottage now is still and dark, no welcome bids him home,
He passes it and wanders on, to sit by Mary's tomb.
Oh! weep my friends-for very sad and bitter it must be
To yearn for some familiar face we never more may see-
When we loved one another!
poem by Caroline Elizabeth Sarah Norton

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Slow Down
You got it the wrong way round completely
The fact that I love you so
Doesn't make me a fool
One day you just might grow tired of chasing
The end of a rainbow
Your already there you know
So Slow down
Tell me why you're running
Turn round
Let it out keep and keep it coming
Nothing I can do if I can't get to you
Slow day
Remember the day you came to see me
Even that lonely long drive
Couldn't keep us apart
And you opened up to me completely
And you gave me peace of mind
The rest we can leave behind
So Slow down
Tell me why you're running
Turn round let it out and keep it coming
Nothing I can do if I can't get to you
Slow sown
You don't have to hurt yourself
And feel so small
It's so confusing
And you're already there
Slow down
Tell me why you're running
Turn round let it all out keep it coming
Nothing I can do if I can't get to you
Slow down
So slow down
Tell me why you're running
Turn round let it all out and keep it coming
Nothing I can do if I can't get to you
Slow down
Slow down
song performed by by Natalie Imbruglia

Submitted by Lucian Velea
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Sitting by the Fire
Barren Age and withered World!
Oh! the dying leaves,
Like a drizzling rain,
Falling round the roof -
Pattering on the pane!
Frosty Age and cold, cold World!
Ghosts of other days,
Trooping past the faded fire,
Flit before the gaze.
Now the wind goes soughing wild
O'er the whistling Earth;
And we front a feeble flame,
Sitting round the hearth!
Sitting by the fire,
Watching in its glow,
Ghosts of other days
Trooping to and fro.
Oh, the nights - the nights we've spent,
Sitting by the fire,
Cheerful in its glow;
Twenty summers back -
Twenty years ago!
If the days were days of toil
Wherefore should we mourn;
There were shadows near the shine,
Flowers with the thorn?
And we still can recollect
Evenings spent in mirth -
Fragments of a broken life,
Sitting round the hearth:
Sitting by the fire,
Cheerful in its glow,
Twenty summers back -
Twenty years ago.
Beauty stooped to bless us once,
Sitting by the fire,
Happy in its glow;
Forty summers back -
Forty years ago.
Words of love were interchanged,
Maiden hearts we stole;
And the light affection throws
Slept on every soul.
Oh, the hours went flying past -
Hours of priceless worth;
But we took no note of Time,
Sitting round the hearth:
Sitting by the fire,
Happy in its glow,
Forty summers back -
Forty years ago.
Gleesome children were we not?
Sitting by the fire,
Ruddy in its glow,
Sixty summers back -
Sixty years ago.
Laughing voices filled the room;
Oh, the songs we sung,
When the evenings hurried by -
When our hearts were young!
Pleasant faces watched the flame -
Eyes illumed with mirth -
And we told some merry tales,
Sitting round the hearth:
Sitting by the fire,
Ruddy in its glow,
Sixty summers back -
Sixty years ago.
Barren Age and withered World!
Oh, the dying leaves,
Like a drizzling rain,
Falling round the roof -
Pattering on the pane!
Frosty Age and cold, cold World!
Ghosts of other days,
Trooping past the faded fire,
Flit before the gaze.
Now the wind goes soughing wild
O'er the whistling Earth;
And we front a feeble flame,
Sitting round the hearth:
Sitting by the fire,
Watching, in its glow,
Ghosts of other days
Trooping to and fro!
poem by Henry Kendall

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Sonnet XI. To Sleep
COME, balmy Sleep! tired nature's soft resort!
On these sad temples all thy poppies shed;
And bid gay dreams, from Morpheus' airy court,
Float in light vision round my aching head!
Secure of all thy blessings, partial Power!
On his hard bed the peasant throws him down;
And the poor sea-boy, in the rudest hour,
Enjoys thee more than he who wears a crown.
Clasp'd in her faithful shepherd's guardian arms,
Well may the village girl sweet slumbers prove;
And they, O gentle Sleep! still taste thy charms,
Who wake to labour, liberty, and love.
But still thy opiate aid dost thou deny
To calm the anxious breast; to close the streaming eye.
poem by Charlotte Smith

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In A Swedish Graveyard
After wearisome toil and much sorrow,
How quietly sleep they at last,
Neither dreading and fearing the morrow,
Nor vainly bemoaning the past!
Shall we give them our envy or pity?
Shall we shun or yearn after such rest,
So calm near the turbulent city,
With their heart stilled at length in their breast?
They all sleep with their heads lying westward,
Where all suns and all days have gone down.
Do they long for the dawn, looking eastward?
Do they dream of the strife and the crown?
Each one held a lit taper when dying:
Where hath vanished the fugitive flame?
With his love, and his joy, and his sighing,
Alas! and his youth and his name.
The living stands o'er him and dreameth,
And wonders what dreams came to him.
While the tender, brief twilight still gleameth,
With a light strangely mournful and dim.
And he wonders what lights and what shadows
Passed over these dead long ago,
When their feet now at rest trod these meadows,
And their hearts throbbed to pleasure or woe
What dreams came to them in their living?
The self-same that come now to thee.
If thou findest those dreams are deceiving,
Then these lives thou wilt know and wilt see:
The same visions of love and of glory,
The same vain regret for the past;
All the same poor and pitiful story,
Till the taper's extinguished at last.
All the treasures on earth that they cherished,
Now they care not to clasp nor to save;
And the poor little lights, how they perished,
Slowly dying alone in the grave!
With a flickering faint on the features
Of age, or of youth in its bloom:
Lighting up for grim Death his weak creatures,
In the darkness and night of the tomb,—
With a radiance ghostly and mournful,
On the good, on the just and unjust;
For a space, till the monarch, so scornful,
Turned the light and the lighted to dust.
No taper of earth he desired
In his halls where they quietly rest;
For all those who have toiled and are tired,
Utter darkness and sleep may be best.
poem by Emma Lazarus

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Far West Emigrant .
I.
Mine eye is weary of the plains
Of verdure vast and wide
That stretch around me—lovely, calm,
From morn till even-tide;
And I recall with aching heart
My childhood’s village home;
Its cottage roofs and garden plots,
Its brooks of silver foam.
II.
True glowing verdure smiles around,
And this rich virgin soil
Gives stores of wealth in quick return
For hours of careless toil;
But oh! the reaper’s joyous song
Ne’er mounts to Heaven’s dome,
For unknown is the mirth and joy
Of the merry “Harvest Home.”
III.
The solemn trackless woods are fair,
And bright their summer dress;
But their still hush—their whisprings vague,
My heart seem to oppress;
And ’neath their shadow could I sit,
And think the livelong day
On my country’s fields and hedges green,
Gemmed with sweet hawthorn spray.
IV.
The graceful vines and strange bright flow’rs,
I meet in every spot,
I’d give up for a daisy meek,
A blue forget-me-not;
And from the brilliant birds I turn,
Warbling the trees among;
I know them not—and breathe a sigh
For lark or linnet’s song.
V.
But useless now those vain regrets!
My course must finish here;
In dreams alone I now can see
Again my home so dear,
Or those fond loving friends who clung
Weeping unto my breast;
And bade “God speed me” when I left,
To seek the far, far West.
poem by Rosanna Eleanor Leprohon

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Charity
'Lo! I am Charity,' she cries,
'Who waketh up before the day;
While yet asleep all nature lies,
God bids me rise and go my way.'
How fair her glorious features shine,
Whereon the hand of God hath set
An angel's attributes divine,
With all a woman's sweetness met.
Above the old man's couch of woe
She bows her forehead, pure and even.
There's nothing fairer here below,
There's nothing grander up in heaven,
Than when caressingly she stands
(The cold hearts wakening 'gain their beat),
And holds within her holy hands
The little children's naked feet.
To every den of want and toil
She goes, and leaves the poorest fed;
Leaves wine and bread, and genial oil,
And hopes that blossom in her tread,
And fire, too, beautiful bright fire,
That mocks the glowing dawn begun,
Where, having set the blind old sire,
He dreams he's sitting in the sun.
Then, over all the earth she runs,
And seeks, in the cold mists of life,
Those poor forsaken little ones
Who droop and weary in the strife.
Ah, most her heart is stirred for them,
Whose foreheads, wrapped in mists obscure,
Still wear a triple diadem--
The young, the innocent, the poor.
And they are better far than we,
And she bestows a worthier meed;
For, with the loaf of charity,
She gives the kiss that children need.
She gives, and while they wondering eat
The tear-steeped bread by love supplied,
She stretches round them in the street
Her arm that passers push aside.
If, with raised head and step alert,
She sees the rich man stalking by,
She touches his embroidered skirt,
And gently shows them where they lie.
She begs for them of careless crowd,
Of earnest brows and narrow hearts,
That when it hears her cry aloud,
Turns like the ebb-tide and departs.
O miserable he who sings
Some strain impure, whose numbers fall
Along the cruel wind that brings
Death to some child beneath his wall.
O strange and sad and fatal thing,
When, in the rich man's gorgeous hall,
The huge fire on the hearth doth fling
A light on some great festival,
To see the drunkard smile in state,
In purple wrapt, with myrtle crowned,
While Jesus lieth at the gate
With only rags to wrap him round.
poem by Victor Hugo

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A Bush Girl
She's milking in the rain and dark,
As did her mother in the past.
The wretched shed of poles and bark,
Rent by the wind, is leaking fast.
She sees the “home-roof” black and low,
Where, balefully, the hut-fire gleams—
And, like her mother, long ago,
She has her dreams; she has her dreams.
The daybreak haunts the dreary scene,
The brooding ridge, the blue-grey bush,
The “yard” where all her years have been,
Is ankle-deep in dung and slush;
She shivers as the hour drags on,
Her threadbare dress of sackcloth seems—
But, like her mother, years agone,
She has her dreams; she has her dreams.
The sullen “breakfast” where they cut
The blackened “junk.” The lowering face,
As though a crime were in the hut,
As though a curse was on the place;
The muttered question and reply,
The tread that shakes the rotting beams,
The nagging mother, thin and dry—
God help the girl! She has her dreams.
Then for “th’ separator” start,
Most wretched hour in all her life,
With “horse” and harness, dress and cart,
No Chinaman would give his “wife”;
Her heart is sick for light and love,
Her face is often fair and sweet,
And her intelligence above
The minds of all she’s like to meet.
She reads, by slush-lamp light, may be,
When she has dragged her dreary round,
And dreams of cities by the sea
(Where butter’s up, so much the pound),
Of different men from those she knows,
Of shining tides and broad, bright streams;
Of theatres and city shows,
And her release! She has her dreams.
Could I gain her a little rest,
A little light, if but for one,
I think that it would be the best
Of any good I may have done.
But, after all, the paths we go
Are not so glorious as they seem,
And—if t’will help her heart to know—
I’ve had my dream. ’Twas but a dream.
poem by Henry Lawson

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Final Day
When the rich die last
Like the rabbits
Running from a lucky past
Full of shadow cunning
And the world lights up
For the final day
We will all be poor
Having had our say
Put a blanket up on the window pane
When the baby cries lullaby again
As the light goes out on the final day
For the people who never had a say
There is so much noise
There is too much heat
And the living floor
Throws you off your feet
As the final day falls into the night
There is peace outside
In the narrow light
song performed by by Young Marble Giants

Submitted by Lucian Velea
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Twenty-First Sunday After Trinity
The morning mist is cleared away,
Yet still the face of Heaven is grey,
Nor yet this autumnal breeze has stirred the grove,
Faded yet full, a paler green
Skirts soberly the tranquil scene,
The red-breast warbles round this leafy cove.
Sweet messenger of "calm decay,"
Saluting sorrow as you may,
As one still bent to find or make the best,
In thee, and in this quiet mead,
The lesson of sweet peace I read,
Rather in all to be resigned than blest.
'Tis a low chant, according well
With the soft solitary knell,
As homeward from some grave beloved we turn,
Or by some holy death-bed dear,
Most welcome to the chastened ear
Of her whom Heaven is teaching how to mourn.
O cheerful tender strain! the heart
That duly bears with you its part,
Singing so thankful to the dreary blast,
Though gone and spent its joyous prime,
And on the world's autumnal time,
'Mid withered hues and sere, its lot be cast:
That is the heart for thoughtful seer,
Watching, in trance nor dark nor clear,
Th' appalling Future as it nearer draws:
His spirit calmed the storm to meet,
Feeling the rock beneath his feet,
And tracing through the cloud th' eternal Cause.
That is the heart for watchman true
Waiting to see what GOD will do,
As o'er the Church the gathering twilight falls
No more he strains his wistful eye,
If chance the golden hours be nigh,
By youthful Hope seen beaming round her walls.
Forced from his shadowy paradise,
His thoughts to Heaven the steadier rise:
There seek his answer when the world reproves:
Contented in his darkling round,
If only he be faithful found,
When from the east the eternal morning moves.
poem by John Keble

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The Yankee Girl
She sings by her wheel at that low cottage door,
Which the long evening shadow is stretching before;
With a music as sweet as the music which seems
Breathed softly and faintly in the ear of our dreams!
How brilliant and mirthful the light of her eye,
Like a star glancing out from the blue of the sky!
And lightly and freely her dark tresses play
O'er a brow and a bosom as lovely as they!
Who comes in his pride to that low cottage door-
The haughty and rich to the humble and poor?
'Tis the great Southern planter-the master who waves
His whip of dominion o'er hundreds of slaves.
'Nay, Ellen, for shame! Let those Yankee fools spin,
Who would pass for our slaves with a change of their skin;
Let them toil as they will at the loom or the wheel
Too stupid for shame and too vulgar to feel!
'But thou art too lovely and precious a gem
To be bound to their burdens and sullied by them-
For shame, Ellen, shame!-cast thy bondage aside,
And away to the South, as my blessing and pride.
'O, come where no winter thy footsteps can wrong,
But where flowers are blossoming all the year long,
Where the shade of the palm-tree is over my home,
And the lemon and orange are white in their bloom!
'O, come to my home, where my servants shall all
Depart at thy bidding and come at thy call;
They shall heed thee as mistress with trembling and awe,
And each wish of thy heart shall be felt as a law.'
O, could ye have seen her-that pride of our girls-
Arise and cast back the dark wealth of her curls,
With a scorn in her eye which the gazer could feel,
And a glance like the sunshine that flashes on steel:
'Go back, haughty Southron! thy treasures of gold
Are dim with the blood of the hearts thou hast sold!
Thy home may be lovely, but round it I hear
The crack of the whip and the footsteps of fear!
'And the sky of thy South may be brighter than ours,
And greener thy landscapes, and fairer thy flowers;
But, dearer the blast round our mountains which raves,
Than the sweet sunny zephyr which breathes over slaves!
'Full low at thy bidding thy negroes may kneel,
With the iron of bondage on spirit and heel;
Yet know that the Yankee girl sooner would be
In
fetters
with
them
, than in freedom with
thee!
'
poem by John Greenleaf Whittier

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He’s Gone to England for a Wife
HE’S GONE to England for a wife
Among the ladies there;
And yet I know a lass he deemed
The rarest of the rare.
He’s gone to England for a wife;
And rich and proud is he.
But he was poor and toiled for bread
When first he courted me.
He said I was the best on earth;
He said I was “his life”;
And now he thinks of noble birth,
And seeks a lady wife!
He said for me alone he’d toil
To win an honest fame;
But now no lass on southern soil
Is worthy of his name!
I think I see his lady bride,
A fair and faultless face,
And nothing in her heart beside
The empty pride of race.
And she will grace his gilded home,
The wife his gold shall buy;
But will she ever dream of him,
Or love as well as I?
poem by Henry Lawson

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Song : "Her Cheek is Like a Tinted Rose"
Her cheek is like a tinted rose
That June hath fondly cherished,
Her heart is like a star that glows
When day hath darkling perished,
Her voice is as a song-bird's sweet,
The drowsy wolds awaking—
But, ah, her love is past compare,
And keeps my heart from breaking!
Lost sunbeams light her tresses free,
Along their shadows gleaming,
Her smiles entangle memory
And set the soul a-dreaming,
Her thoughts, like seraphs, upward soar,
Earth's narrow bounds forsaking—
But, ah, her love abides with me
And keeps my heart from breaking!
poem by Florence Earle Coates from Poems (1898)

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A Dead March
PLAY me a march, low-ton’d and slow—a march for a silent tread,
Fit for the wandering feet of one who dreams of the silent dead,
Lonely, between the bones below and the souls that are overhead.
Here for a while they smil’d and sang, alive in the interspace,
Here with the grass beneath the foot, and the stars above the face,
Now are their feet beneath the grass, and whither has flown their grace?
Who shall assure us whence they come, or tell us the way they go?
Verily, life with them was joy, and, now they have left us, woe,
Once they were not, and now they are not, and this is the sum we know.
Orderly range the seasons due, and orderly roll the stars.
How shall we deem the soldier brave who frets of his wounds and scars?
Are we as senseless brutes that we should dash at the well-seen bars?
No, we are here, with feet unfix’d, but ever as if with lead
Drawn from the orbs which shine above to the orb on which we tread,
Down to the dust from which we came and with which we shall mingle dead.
No, we are here to wait, and work, and strain our banish’d eyes,
Weary and sick of soil and toil, and hungry and fain for skies
Far from the reach of wingless men, and not to be scal’d with cries.
No, we are here to bend our necks to the yoke of tyrant Time,
Welcoming all the gifts he gives us—glories of youth and prime,
Patiently watching them all depart as our heads grow white as rime.
Why do we mourn the days that go—for the same sun shines each day,
Ever a spring her primrose hath, and ever a May her may;
Sweet as the rose that died last year is the rose that is born to-day.
Do we not too return, we men, as ever the round earth whirls?
Never a head is dimm’d with gray but another is sunn’d with curls;
She was a girl and he was a boy, but yet there are boys and girls.
Ah, but alas for the smile of smiles that never but one face wore;
Ah, for the voice that has flown away like a bird to an unseen shore;
Ah, for the face—the flower of flowers—that blossoms on earth no more.
poem by William Cosmo Monkhouse

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I Could Feel The Whole World Turn Around Underneath Me
When I first saw you this strange kind of feeling set my head a-reeling
Like I hit the ceiling.
The same thing happened to me then, baby.
Something kind of crazy and everything went hazy.
Lightning and thunder shook the ground.
And I could feet the whole world turn round underneath me.
I could feet the whole world turn round.
My, have you never been set on fire?
Burning with desire growing higher and higher.
Like on a funny fair big wheel stopping when you are to topping,
The you feel it dropping
Rising and heaven falling down.
And I could feet the whole world turn round underneath me.
I could feet the whole world turn round.
I took my breath as though Ive been running.
Quite completely stunning, holy, overcoming.
And in a funny way it seemed frightening.
Tension and a hardening
Thunder and the lightning
And Ive grown the singer who wrote that song.
And I could feet the whole world turn round underneath me.
I could feet the whole world turn round when youre near me.
I could feet the whole world turn round.
I could feet the whole world turn round underneath me.
I could feet the whole world turn round when youre near me.
I could feet the whole world turn round.
song performed by by Rod Stewart

Submitted by Lucian Velea
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A Lament
Flowers in their freshness are flushing the earth,
And the voice-peopled forest is loud in its mirth,
And streams in their fulness are laughing at dearth—
Yet my bosom is aching.
There’s shadow on all things—the shadow of woe—
It falls from my spirit wherever I go,
As from a dark cloud drifting heavy and slow,
For my spirit is weary.
Ah! what can be flowers in their gladness to me,
Or the voices that people the green forest tree,
Or the full joy of streams—since my soul sighs, ah me!
O’er the grave of my Mary.
Under the glad face of nature, her face
Hath carried down with it all beauty and grace;
Pale is it there in that dark silent place—
Mary! oh Mary!
Children are by me—her children; oh God!
To see where their feet have unwittingly trod,
Tiny tracks in the loam of the new broken sod
Betwixt them and their mother!
Betwixt them and the true one who loved us in truth,
Who bore them, and died ’mid the hopes of her youth!
Who would live in a world where nor anguish nor ruth
May avail the bereaved ones.
Yet must I live, lest her spirit should say,
Meeting mine in its flight from this vesture of clay,
“Where are our little ones? Where do they stay?
And why did you leave them?”
If for them only, then, so must it be,
See, I remain with them, Mary! but see
How lonely we stand in a world without thee!
Mary! oh Mary!
I live, but death’s shadow is over me cast;
And even when wearied woe sleepeth at last,
Some dream of the dead, sighing out of the past,
Is alive in the darkness!
Could I but weep, it were comfort, though brief;
But the fountain of tears by the fire of my grief
Hath been dried to its dregs, and can shed no relief
On the thirst of my eyelids.
As music that wasteth away on the blast,
As the last ray by the sunken sun cast,
All my heart’s gladness hath died in the past,—
Mary! oh Mary!
poem by Charles Harpur

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Recollections
DO you remember all the sunny places,
Where in bright days, long past, we played together?
Do you remember all the old home faces
That gathered round the hearth in wintry weather?
Do you remember all the happy meetings,
In Summer evenings round the open door--
Kind looks, kind hearts, kind words and tender greetings,
And clasping hands whose pulses beat no more?
Do you remember them?
Do you remember all the merry laughter;
The voices round the swing in our old garden:
The dog that, when we ran, still followed after;
The teasing frolic sure of speedy pardon:
We were but children then, young happy creatures,
And hardly knew how much we had to lose--
But now the dreamlike memory of those features
Comes back, and bids my darkened spirit muse.
Do you remember them?
Do you remember when we first departed
From all the old companions who were round us,
How very soon again we grew light-hearted,
And talked with smiles of all the links which bound us?
And after, when our footsteps were returning,
With unfelt weariness, o'er hill and plain;
How our young hearts kept boiling up, and burning,
To think how soon we'd be at home again.
Do you remember this?
Do you remember how the dreams of glory
Kept fading from us like a fairy treasure;
How we thought less of being fam'd in story,
And more of those to whom our fame gave pleasure.
Do you remember in far countries, weeping,
When a light breeze, a flower, hath brought to mind
Old happy thoughts, which till that hour were sleeping,
And made us yearn for those we left behind?
Do you remember this?
Do you remember when no sound 'woke gladly,
But desolate echoes through our home were ringing,
How for a while we talked--then paused full sadly,
Because our voices bitter thoughts were bringing?
Ah me! those days--those days! my friend, my brother,
Sit down and let us talk of all our woe,
For we have nothing left but one another;
Yet where they went, old playmate, we shall go--
Let us remember this.
poem by Caroline Elizabeth Sarah Norton

Submitted by Poetry Lover
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Thou Dost Not Know
Thou dost not know it! but to hear
One word of praise from thee,
There is no pain I would not bear,
No task too great for me.
My hands could tireless toil all day,
My feet could tireless run,
If at the close thy lips would say,
'Brave, noble heart, well done.'
* * * * *
Thou dost not know it! but to win
Approval from thine eyes,
My soul has conquered many a sin,
And conquering neared the skies.
And though the reward may not be given,
In all my earthly days,
I feel that after death, in heaven,
Thy lips will give me praise.
* * * * *
Thou dost not know, may never know,
That all I strive to be,
All things praiseworthy that I do,
I strive, and do, for thee.
And though I seldom see thy face,
Or touch thy hand, my friend,
Those meetings are the means of grace,
That help me to the end.
* * * * *
Thou dost not know that thy grand life
Has been my beacon light.
I aim to conquer in the strife,
That I may reach thy height.
I strive to live, so that my feet
May walk the fields most fair,
For the after-life, seems, oh! so sweet,
Because thou wilt be there.
* * * * *
Thou dost not know how brave and strong
A woman's heart can be.
But few could hide so well and long
What mine has hid from thee.
So well, that should this idyl chance
To meet thine eye, my friend,
Thou'd scan it with a careless glance,
Nor dream to whom 'twas penned.
poem by Ella Wheeler Wilcox

Submitted by Poetry Lover
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The Circle Game
Yesterday a child came out to wonder
Caught a dragonfly inside a jar
Fearful when the sky was full of thunder
And tearful at the falling of a star
Then the child moved ten times round the seasons
Skated over ten clear frozen streams
Words like, when youre older, must appease him
And promises of someday make his dreams
And the seasons they go round and round
And the painted ponies go up and down
Were captive on the carousel of time
We cant return we can only look behind
From where we came
And go round and round and round
In the circle game
Sixteen springs and sixteen summers gone now
Cartwheels turn to car wheels thru the town
And they tell him,
Take your time, it wont be long now
Till you drag your feet to slow the circles down
And the seasons they go round and round
And the painted ponies go up and down
Were captive on the carousel of time
We cant return we can only look behind
From where we came
And go round and round and round
In the circle game
So the years spin by and now the boy is twenty
Though his dreams have lost some grandeur coming true
Therell be new dreams, maybe better dreams and plenty
Before the last revolving year is through
And the seasons they go round and round
And the painted ponies go up and down
Were captive on the carousel of time
We cant return, we can only look behind
From where we came
And go round and round and round
In the circle game
song performed by by Joni Mitchell

Submitted by Lucian Velea
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Languid, And Sad, And Slow, From Day To Day
Languid, and sad, and slow, from day to day
I journey on, yet pensive turn to view
(Where the rich landscape gleams with softer hue)
The streams and vales, and hills, that steal away.
So fares it with the children of the earth:
For when life's goodly prospect opens round,
Their spirits beat to tread that fairy ground,
Where every vale sounds to the pipe of mirth.
But them vain hope and easy youth beguiles,
And soon a longing look, like me, they cast
Back on the pleasing prospect of the past:
Yet Fancy points where still far onward smiles
Some sunny spot, and her fair colouring blends,
Till cheerless on their path the night descends!
poem by William Lisle Bowles

Submitted by Poetry Lover
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