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The Old Women

They pass upon their old, tremulous feet,
Creeping with little satchels down the street,
And they remember, many years ago,
Passing that way in silks. They wander, slow
And solitary, through the city ways,
And they alone remember those old days
Men have forgotten. In their shaking heads
A dancer of old carnivals yet treads
The measure of past waltzes, and they see
The candles lit again, the patchouli
Sweeten the air, and the warm cloud of musk
Enchant the passing of the passionate dusk.
Then you will see a light begin to creep
Under the earthen eyelids, dimmed with sleep,
And a new tremor, happy and uncouth,
Jerking about the corners of the mouth.
Then the old head drops down again, and shakes,
Muttering.

Sometimes, when the swift gaslight wakes
The dreams and fever of the sleepless town,
A shaking huddled thing in a black gown
Will steal at midnight, carrying with her
Violet bags of lavender,
Into the taproom full of noisy light;
Or, at the crowded earlier hour of night,
Sidle, with matches, up to some who stand
About a stage-door, and, with furtive hand,
Appealing: "I too was a dancer, when
Your fathers would have been young gentlemen!"
And sometimes, out of some lean ancient throat,
A broken voice, with here and there a note
Of unspoiled crystal, suddenly will arise
Into the night, while a cracked fiddle cries
Pantingly after; and you know she sings
The passing of light, famous, passing things.
And sometimes, in the hours past midnight, reels
Out of an alley upon staggering heels,
Or into the dark keeping of the stones
About a doorway, a vague thing of bones
And draggled hair.

And all these have been loved.
And not one ruinous body has not moved
The heart of man's desire, nor has not seemed
Immortal in the eyes of one who dreamed
The dream that men call love. This is the end
Of much fair flesh; it is for this you tend
Your delicate bodies many careful years,
To be this thing of laughter and of tears,
To be this living judgment of the dead,
An old gray woman with a shaking head.

poem by Arthur Symons
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Related quotes

Once

That day her eyes were deep as night.
She had the motion of the rose,
The bird that veers across the light,
The waterfall that leaps and throws
Its irised spindrift to the sun.
She seemed a wind of music passing on.
Alone I saw her that one day
Stand in the window of my life.
Her sudden hand melted away
Under my lips, and without strife
I held her in my arms awhile
And drew into my lips her living smile,
Now many a day ago and year!
Since when I dream and lie awake
In summer nights to feel her near,
And from the heavy darkness break
Glitters, till all my spirit swims
And her hand hovers on my shaking limbs.
If once again before I die
I drank the laughter of her mouth
And quenched my fever utterly,
I say, and should it cost my youth,
'T were well! for I no more should wait
Hammering midnight on the doors of fate.

poem by Trumbull Stickney from Dramatic Verses (1902)
Submitted by anonym
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Too Scared To Run

Too scared I could not run
I could not make a sound
Lights were flashing
My whole life passing
My feet were stuck to the ground
Too light to call it night
Too dark to call it day
Too scared to stay and fight
Too scared to run away
So scared I could not move
I could not make a sound
There were people running
People shouting
Flashes all around
Too scared to run
Too scared to run away
Too scared I could not think
My eyes could not scarcely see
My heart was racing
My legs were shaking
They would not carry me
Lights were flashing
My whole life passing
My heart, my heart
My heart was racing
My legs were shaking
Could not see, I could not see

song performed by by Uriah Heep
Submitted by Lucian Velea
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Too Scared Too Run (live)

song performed by by Uriah Heep
Submitted by Lucian Velea
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The Poppy

To Monica

Summer set lip to earth's bosom bare,
And left the flushed print in a poppy there:
Like a yawn of fire from the grass it came,
And the fanning wind puffed it to flapping flame.

With burnt mouth, red like a lion's, it drank
The blood of the sun as he slaughtered sank,
And dipped its cup in the purpurate shine
When the Eastern conduits ran with wine.

Till it grew lethargied with fierce bliss,
And hot as a swinked gipsy is,
And drowsed in sleepy savageries,
With mouth wide a-pout for a sultry kiss.

A child and man paced side by side,
Treading the skirts of eventide;
But between the clasp of his hand and hers
Lay, felt not, twenty withered years.

She turned, with the rout of her dusk South hair,
And saw the sleeping gipsy there:
And snatched and snapped it in swift child's whim,
With-- "Keep it, long as you live!" -- to him.

And his smile, as nymphs from their laving meres,
Trembled up from a bath of tears;
And joy, like a mew sea-rocked apart,
Tossed on the wave of his troubled heart.

For he saw what she did not see,
That -- as kindled by its own fervency --
The verge shrivelled inward smoulderingly:
And suddenly 'twixt his hand and hers
He knew the twenty withered years --
No flower, but twenty shrivelled years.

"Was never such thing until this hour,"
Low to his heart he said; "the flower
Of sleep brings wakening to me,
And of oblivion, memory."

"Was never this thing to me," he said,
"Though with bruisèd poppies my feet are red!"
And again to his own heart very low:
"O child! I love, for I love and know;

"But you, who love nor know at all
The diverse chambers in Love's guest-hall,
Where some rise early, few sit long:
In how differing accents hear the throng
His great Pentecostal tongue;

"Who know not love from amity,
Nor my reported self from me;
A fair fit gift is this, meseems,
You give -- this withering flower of dreams.

"O frankly fickle, and fickly true,
Do you know what the days will do to you?
To your love and you what the days will do,
O frankly fickle, and fickly true?

"You have loved me, Fair, three lives -- or days:
'Twill pass with the passing of my face.
But where I go, your face goes too,
To watch lest I play false to you.

"I am but, my sweet, your foster-lover,
Knowing well when certain years are over
You vanish from me to another;
Yet I know, and love, like the foster-mother.

"So, frankly fickle, and fickly true!
For my brief life while I take from you
This token, fair and fit, meseems,
For me -- this withering flower of dreams."

The sleep-flower sways in the wheat its head,
Heavy with dreams, as that with bread:
The goodly grain and the sun-flushed sleeper
The reaper reaps, and Time the reaper.

I hang 'mid men my needless head,
And my fruit is dreams, as theirs is bread:
The goodly men and the sun-hazed sleeper
Time shall reap, but after the reaper
The world shall glean of me, me the sleeper.

Love, love! your flower of withered dream
In leavèd rhyme lies safe, I deem,
Sheltered and shut in a nook of rhyme,
From the reaper man, and his reaper Time.

Love! I fall into the claws of Time:
But lasts within a leavèd rhyme
All that the world of me esteems --
My withered dreams, my withered dreams.

poem by Francis Thompson
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Passing Trains In Winter Rain

Adrift within a dismal night,
While trudging down deserted track,
Beyond the bend, a peering light,
Illumed alone through vacant black.
Such are the tricks that fate will feign,
With passing trains in winter rain.

The darkling sky, sighed, dripping dew,
Beguiling to the trek anew.
In diamond dusk the demons came,
There was no dread, there was no claim,
But distant thoughts will entertain
On passing trains in winter rain.

Through shadow's fog a form appeared,
Which slowed its pace as though it feared,
A lonesome, meek and wistful thing,
A fallen bird with broken wing.
Such are the shapes and weary strain
Of passing trains in winter rain.

We paused a moment, side by side,
And in each face a question lay.
The answer which our eyes replied
Was she and I had separate way,
We had our courses to maintain
Like passing trains in winter rain.

I often harken, reaching back,
To hear the formless twisted track
Muse "Few have loved though all have toyed
Inside this vast and vacant void -
The what and why? At heart, mundane! "
We're passing trains in winter rain...

poem by Terry O'Leary
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Fasting

'Tis morning now, yet silently I stand,
Uplift the curtain with a weary hand,
Look out while darkness overspreads the way,
And long for day.

Calm peace is frighted with my mood to-night,
Nor visits my dull chamber with her light,
To guide my senses into her sweet rest
And leave me blest.

Long hours since the city rocked and sung
Itself to slumber: only the stars swung
Aloft their torches in the midnight skies
With watchful eyes.

No sound awakes; I, even, breathe no sigh,
Nor hear a single footstep passing by;
Yet I am not alone, for now I feel
A presence steal

Within my chamber walls; I turn to see
The sweetest guest that courts humanity;
With subtle, slow enchantment draws she near,
And Sleep is here.

What care I for the olive branch of Peace?
Kind Sleep will bring a thrice-distilled release,
Nepenthes, that alone her mystic hand
Can understand.

And so she bends, this welcome sorceress,
To crown my fasting with her light caress.
Ah, sure my pain will vanish at the bliss
Of her warm kiss.

But still my duty lies in self-denial;
I must refuse sweet Sleep, although the trial
Will reawaken all my depth of pain.
So once again

I lift the curtain with a weary hand,
With more than sorrow, silently I stand,
Look out while darkness overspreads the way,
And long for day.

"Go, Sleep," I say, "before the darkness die,
To one who needs you even more than I,
For I can bear my part alone, but he
Has need of thee.

"His poor tired eyes in vain have sought relief,
His heart more tired still, with all its grief;
His pain is deep, while mine is vague and dim,
Go thou to him.

"When thou hast fanned him with thy drowsy wings,
And laid thy lips upon the pulsing strings
That in his soul with fret and fever burn,
To me return."

She goes. The air within the quiet street
Reverberates to the passing of her feet;
I watch her take her passage through the gloom
To your dear home.

Beloved, would you knew how sweet to me
Is this denial, and how fervently
I pray that Sleep may lift you to her breast,
And give you rest--

A privilege that she alone can claim.
Would that my heart could comfort you the same,
But in the censer Sleep is swinging high,
All sorrows die.

She comes not back, yet all my miseries
Wane at the thought of your calm sleeping eyes--
Wane, as I hear the early matin bell
The dawn foretell.

And so, dear heart, still silently I stand,
Uplift the curtain with a weary hand,
The long, long night has bitter been and lone,
But now 'tis gone.

Dawn lights her candles in the East once more,
And darkness flees her chariot before;
The Lenten morning breaks with holy ray,
And it is day!

poem by Emily Pauline Johnson
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Passing Friend

Well theres nothing worse than a passing friend
Who will die on you till the bitter end
Theres nothing worse than a burning heart
Or a past that tears the world apart
Ive been thinking about my situation
Nothing ventured nothing left to lose
When its easier to just say nothing
I had thought about what I might lose
But through the childs eyes
There were feelings
Touching my violet skin
When the love games start appealing
You better get out and move on in
cause theres nothing worse than a passing friend
Or a pioneer of a dying trend
Nothing worse than a silent ghost
Or to lose your head at the starting post
Aint it always just a short vacation
When its love it always has an end
Under the sheets of life its just frustation
While the body goes in search again
But in the childs eyes
There were feelings
Touching my violet skin
When the love games start appealing
You better get out and move on in
cause theres nothing worse than a passing friend
Who will die on you till the bitter end
Theres nothing worse than a burning heart
Or a past that tears the world apart
Why do you love someone
Who wants to break your heart
Why do you need someone
Who wants to tear your world apart
No no not again
I was packing up my life in cases
For a hundred years or maybe more
Ive been talking to a million people
Dont you think I should have known the score
But in the childs eyes
There were feelings
Touching my violet skin
When the love games start appealing
You better get out and move on in
cause theres nothing worse than a passing friend
Who will die on you till the bitter end
Theres nothing worse than a burning heart
Or a past that tears the world apart
Nothing worse than a passing friend
Or a pioneer of a dying trend
Nothing worse than a silent ghost
Or to lose your head at the starting post
No no not again

song performed by by Beach Boys
Submitted by Lucian Velea
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The Hero

Mother, let us imagine we are travelling, and passing through a
strange and dangerous country.
You are riding in a palanquin and I am trotting by you on a
red horse.
It is evening and the sun goes down. The waste of Joradighi
lies wan and grey before us. The land is desolate and barren.
You are frightened and thinking-"I know not where we have come
to."
I say to you, "Mother, do not be afraid."
The meadow is prickly with spiky grass, and through it runs
a narrow broken path.
There are no cattle to be seen in the wide field; they have
gone to their village stalls.
It grows dark and dim on the land and sky, and we cannot tell
where we are going.
Suddenly you call me and ask me in a whisper, "What light is
that near the bank?"
Just then there bursts out a fearful yell, and figures come
running towards us.
You sit crouched in your palanquin and repeat the names of the
gods in prayer.
The bearers, shaking in terror, hide themselves in the thorny
bush.
I shout to you, "Don't be afraid, mother. I am here."
With long sticks in their hands and hair all wild about their
heads, they come nearer and nearer.
I shout, "Have a care, you villains! One step more and you are
dead men."
They give another terrible yell and rush forward.
You clutch my hand and say, "Dear boy, for heaven's sake, keep
away from them."
I say, "Mother, just you watch me."
Then I spur my horse for a wild gallop, and my sword and
buckler clash against each other.
The fight becomes so fearful, mother, that it would give you
a cold shudder could you see it from your palanquin.
Many of them fly, and a great number are cut to pieces.
I know you are thinking, sitting all by yourself, that your
boy must be dead by this time.
But I come to you all stained with blood, and say,"Mother, the
fight is over now."
You come out and kiss me, pressing me to your heart, and you
say to yourself,
"I don't know what I should do if I hadn't my boy to escort
me."
A thousand useless things happen day after day, and why
couldn't such a thing come true by chance?
It would be like a story in a book.
My brother would say, "Is it possible? I always thought he was
so delicate!"
Our village people would all say in amazement, "Was it not
lucky that the boy was with his mother?"

poem by Rabindranath Tagore
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Passing Away

THE SPIRIT of beautiful faces,
The light on the forehead of Love,
And the spell of past visited places,
And the songs and the sweetness thereof;
These, touched by a hand that is hoary;
These, vext with a tune of decay,
Are spoiled of their glow and their glory;
And the burden is, “Passing away!
Passing away!”

Old years and their changes come trooping
At nightfall to you and to me,
When Autumn sits faded and drooping
By the sorrowful waves of the sea.
Faint phantoms that float in the gloaming,
Return with the whispers that say,
“The end which is quiet is coming;
Ye are weary, and passing away!
Passing away!”

It is hard to awake and discover
The swiftness that waits upon Time;
But youth and its beauty are over,
And Love has a sigh in its rhyme.
The Life that looks back and remembers,
Is troubled and tired and gray,
And sick of the sullen Decembers,
Whose burden is, “Passing away!
Passing away!”

We have wandered and wandered together,
And our joys have been many and deep;
But seasons of alien weather
Have ended in longings for sleep.
Pale purpose and perishing passion,
With never a farewell to say,
Die down into sobs of suppression;
The burden is, “Passing away!
Passing away!”

We loved the soft tangle of tresses,
The lips that were fain and afraid.
And the silence of far wildernesses,
With their dower of splendour and shade!
For faces of sweetness we waited,
And days of delight and delay,
Ere Time and its voices were mated
To a voice that sighs, “Passing away!
Passing away!”

O years interwoven with stories
Of strong aspirations and high,
How fleet and how false were the glories
That lived in your limited sky!
Here, sitting by ruinous altars
Of Promise, what word shall we say
To the speech that the rainy wind falters,
Whose burden is, “Passing away!
Passing away!”

poem by Henry Kendall
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The Fourth Shepherd

(For Thomas Walsh)

On nights like this the huddled sheep
Are like white clouds upon the grass,
And merry herdsmen guard their sleep
And chat and watch the big stars pass.

It is a pleasant thing to lie
Upon the meadow on the hill
With kindly fellowship near by
Of sheep and men of gentle will.

I lean upon my broken crook
And dream of sheep and grass and men --
O shameful eyes that cannot look
On any honest thing again!

On bloody feet I clambered down
And fled the wages of my sin,
I am the leavings of the town,
And meanly serve its meanest inn.

I tramp the courtyard stones in grief,
While sleep takes man and beast to her.
And every cloud is calling "Thief!"
And every star calls "Murderer!"

The hand of God is sure and strong,
Nor shall a man forever flee
The bitter punishment of wrong.
The wrath of God is over me!

With ashen bread and wine of tears
Shall I be solaced in my pain.
I wear through black and endless years
Upon my brow the mark of Cain.

III

Poor vagabond, so old and mild,
Will they not keep him for a night?
And She, a woman great with child,
So frail and pitiful and white.

Good people, since the tavern door
Is shut to you, come here instead.
See, I have cleansed my stable floor
And piled fresh hay to make a bed.

Here is some milk and oaten cake.
Lie down and sleep and rest you fair,
Nor fear, O simple folk, to take
The bounty of a child of care.

On nights like this the huddled sheep --
I never saw a night so fair.
How huge the sky is, and how deep!
And how the planets flash and glare!

At dawn beside my drowsy flock
What winged music I have heard!
But now the clouds with singing rock
As if the sky were turning bird.

O blinding Light, O blinding Light!
Burn through my heart with sweetest pain.
O flaming Song, most loudly bright,
Consume away my deadly stain!

The stable glows against the sky,
And who are these that throng the way?
My three old comrades hasten by
And shining angels kneel and pray.

The door swings wide -- I cannot go --
I must and yet I dare not see.
Lord, who am I that I should know --
Lord, God, be merciful to me!

O Whiteness, whiter than the fleece
Of new-washed sheep on April sod!
O Breath of Life, O Prince of Peace,
O Lamb of God, O Lamb of God!

poem by Joyce Kilmer
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Home Train Improvisation 04 02 2004

HOME TRAIN:
Improvisation Number 01 24 04

From city light horizons she is going to become my day-lady
rising too soon sprung spouting with tulips and the early spring
on the home train my heart beats fiddle bass tones and sings
desperate reasoning in the heart: why her whole body stands on
my soul softly resting upon that generation of secret separate trusts
intended in the passing smile for the joy of being alive being alive
for just one more day from distant light horizons on the home train
from distant city light horizons my city leaves me with my lady
my joy on the home train to soon sprung early tulips crocus in
the rain in the solar fun my lady to soon sprung in the early spring
all rise to spread the joy and join the fun on the home train for just
one more day from distant light horizons my city leaves me with
my lady on the home train to soon my heartbeats fiddle bass tones
and sings she is too soon sprung joyously into spring my heart beat
sings for her whole body stands on my soul softly resting in my joy
time is passing rapaciously through the night passing city after city
the home train races out of light horizons sucking my city away
fading into the rhythm of the blues quietly my lady to soon sprung
begins to make her midnight move joyously leaping into spring
blooming with the rising sun with tulips and the joy of passing time
rapaciously through the night I will hold her softly for nothing more
than the repetitious passing of time while she will hold me too; city
after city the home train races out of light horizons onto spirit lifted
tracks with my lady to soon sprung from city light horizons on
the home train from distant light horizons the city leaves a mellow
glowing cinder each time I leave her she is the love that draws me
back; city after city now nearer home where my love to soon sprung
in springs come and gone she is my wife my mistress my platonic
friend city after city wherever she lets me in; she’s with me every day
she sits with me on the home train she sits a seat away at the cinema
on the benches in the park in the lobby the dining and the sleeping car
the lounge and café I sleep where the memories stay -on the home train.

poem by Lee B Mack
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A Child's Nightmare

Through long nursery nights he stood
By my bed unwearying,
Loomed gigantic, formless, queer,
Purring in my haunted ear
That same hideous nightmare thing,
Talking, as he lapped my blood,
In a voice cruel and flat,
Saying for ever, "Cat! ... Cat! ... Cat!..."

That one word was all he said,
That one word through all my sleep,
In monotonous mock despair.
Nonsense may be light as air,
But there's Nonsense that can keep
Horror bristling round the head,
When a voice cruel and flat
Says for ever, "Cat! ... Cat! ... Cat!..."

He had faded, he was gone
Years ago with Nursery Land,
When he leapt on me again
From the clank of a night train,
Overpowered me foot and head,
Lapped my blood, while on and on
The old voice cruel and flat
Says for ever, "Cat! ... Cat! ... Cat!..."

Morphia drowsed, again I lay
In a crater by High Wood:
He was there with straddling legs,
Staring eyes as big as eggs,
Purring as he lapped my blood,
His black bulk darkening the day,
With a voice cruel and flat,
"Cat! ... Cat! ... Cat! ... Cat!..." he said, "Cat! ... Cat!..."

When I'm shot through heart and head,
And there's no choice but to die,
The last word I'll hear, no doubt,
Won't be "Charge!" or "Bomb them out!"
Nor the stretcher-bearer's cry,
"Let that body be, he's dead!"
But a voice cruel and flat
Saying for ever, "Cat! ... Cat! ... Cat!"

poem by Robert Graves
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Roundel

She's passing fair; but so demure is she,
So quiet is her gown, so smooth her hair,
That few there are who note her and agree
She's passing fair.

Yet when was ever beauty held more rare
Than simple heart and maiden modesty?
What fostered charms with virtue could compare?

Alas, no lover ever stops to see;
The best that she is offered is the air.
Yet- if the passing mark is minus D-
She's passing fair.

poem by Dorothy Parker
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Passing Through

I saw jesus on the cross on a hill called calvary
Do you hate mankind for what they done to you?
He said, talk of love not hate, things to do - its getting late.
Ive so little time and Im only passing through.
Passing through, passing through.
Sometimes happy, sometimes blue,
Glad that I ran into you.
Tell the people that you saw me passing through.
I saw adam leave the garden with an apple in his hand,
I said now youre out, what are you going to do?
Plant some crops and pray for rain, maybe raise a little cane.
Im an orphan now, and Im only passing through.
Passing through, passing through ...
I was with washington at valley ford, shivering in the snow.
I said, how come the men here suffer like they do?
Men will suffer, men will fight, even die for what is right
Even though they know theyre only passing through
Passing through, passing through ...
I was with franklin roosevelts side on the night before he died.
He said, one world must come out of world war two (ah, the fool)
Yankee, russian, white or tan, he said, a man is still a man.
Were all on one road, and were only passing through.
Passing through, passing through ...
(lets do it one more time)
Passing through, passing through ...

song performed by by Leonard Cohen
Submitted by Lucian Velea
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Tenebrae

At the chill high tide of the night,
At the turn of the fluctuant hours,
When the waters of time are at height,
In a vision arose on my sight
The kingdoms of earth and the powers.

In a dream without lightening of eyes
I saw them, children of earth,
Nations and races arise,
Each one after his wise,
Signed with the sign of his birth.

Sound was none of their feet,
Light was none of their faces;
In their lips breath was not, or heat,
But a subtle murmur and sweet
As of water in wan waste places.

Pale as from passionate years,
Years unassuaged of desire,
Sang they soft in mine ears,
Crowned with jewels of tears,
Girt with girdles of fire.

A slow song beaten and broken,
As it were from the dust and the dead,
As of spirits athirst unsloken,
As of things unspeakable spoken,
As of tears unendurable shed.

In the manifold sound remote,
In the molten murmur of song,
There was but a sharp sole note
Alive on the night and afloat,
The cry of the world's heart's wrong.

As the sea in the strait sea-caves,
The sound came straitened and strange;
A noise of the rending of graves,
A tidal thunder of waves,
The music of death and of change.

"We have waited so long," they say,
"For a sound of the God, for a breath,
For a ripple of the refluence of day,
For the fresh bright wind of the fray,
For the light of the sunrise of death.

"We have prayed not, we, to be strong,
To fulfil the desire of our eyes;
- Howbeit they have watched for it long,
Watched, and the night did them wrong,
Yet they say not of day, shall it rise?

"They are fearful and feeble with years,
Yet they doubt not of day if it be;
Yea, blinded and beaten with tears,
Yea, sick with foresight of fears,
Yet a little, and hardly, they see.

"We pray not, we, for the palm,
For the fruit ingraffed of the fight,
For the blossom of peace and the balm,
And the tender triumph and calm
Of crownless and weaponless right.

"We pray not, we, to behold
The latter august new birth,
The young day's purple and gold,
And divine, and rerisen as of old,
The sun-god Freedom on earth.

"Peace, and world's honour, and fame,
We have sought after none of these things;
The light of a life like flame
Passing, the storm of a name
Shaking the strongholds of kings:

"Nor, fashioned of fire and of air,
The splendour that burns on his head
Who was chiefest in ages that were,
Whose breath blew palaces bare,
Whose eye shone tyrannies dead:

"All these things in your day
Ye shall see, O our sons, and shall hold
Surely; but we, in the grey
Twilight, for one thing we pray,
In that day though our memories be cold:

"To feel on our brows as we wait
An air of the morning, a breath
From the springs of the east, from the gate
Whence freedom issues, and fate,
Sorrow, and triumph, and death

"From a land whereon time hath not trod,
Where the spirit is bondless and bare,
And the world's rein breaks, and the rod,
And the soul of a man, which is God,
He adores without altar or prayer:

For alone of herself and her right
She takes, and alone gives grace:
And the colours of things lose light,
And the forms, in the limitless white
Splendour of space without space:

"And the blossom of man from his tomb
Yearns open, the flower that survives;
And the shadows of changes consume
In the colourless passionate bloom
Of the live light made of our lives:

"Seeing each life given is a leaf
Of the manifold multiform flower,
And the least among these, and the chief,
As an ear in the red-ripe sheaf
Stored for the harvesting hour.

"O spirit of man, most holy,
The measure of things and the root,
In our summers and winters a lowly
Seed, putting forth of them slowly
Thy supreme blossom and fruit;

"In thy sacred and perfect year,
The souls that were parcel of thee
In the labour and life of us here
Shall be rays of thy sovereign sphere,
Springs of thy motion shall be.

"There is the fire that was man,
The light that was love, and the breath
That was hope ere deliverance began,
And the wind that was life for a span,
And the birth of new things, which is death

There, whosoever had light,
And, having, for men's sake gave;
All that warred against night;
All that were found in the fight
Swift to be slain and to save;

"Undisbranched of the storms that disroot us,
Of the lures that enthrall unenticed;
The names that exalt and transmute us;
The blood-bright splendour of Brutus,
The snow-bright splendour of Christ.

"There all chains are undone;
Day there seems but as night;
Spirit and sense are as one
In the light not of star nor of sun;
Liberty there is the light.

She, sole mother and maker,
Stronger than sorrow, than strife;
Deathless, though death overtake her;
Faithful, though faith should forsake her;
Spirit, and saviour, and life."

poem by Algernon Charles Swinburne
Submitted by Poetry Lover
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In passing

I pass by your house today,
And in passing I saw your shadow appear,
Then turn as if to stay, and half disappear,
Retreat slowly away.

As if in haste you had to go,
And may seek to find another illusive time,
Opportunity to come again into my mind,
If passing the same way tomorrow.

You leave the vestment of your shadow,
To perfumed the air,
And if the thoughts I have of you should go,
And wearily disappear.

I will remember when I grieve,
That you were distinctly here,
Passing amidst the realm I leave,
To turn in silence and upon your beauty stare.

To think about the shadow I have seen,
And all the sleepless hours through the night,
Your shadow reflect the moonlight,
Of the vision that should have been in my dream.

I will arise and come to you softly again,
Passing by your house in the patient breeze,
And in darkness, I shall have some peace,
When I see you as you were in my dream.

poem by Gerry Legister
Submitted by Poetry Lover
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New Year's Eve

The other night I had a dream, most clear
And comforting, complete
In every line, a crystal sphere,
And full of intimate and secret cheer.
Therefore I will repeat
That vision, dearest heart, to you,
As of a thing not feigned, but very true,
Yes, true as ever in my life befell;
And you, perhaps, can tell
Whether my dream was really sad or sweet.

The shadows flecked the elm-embowered street
I knew so well, long, long ago;
And on the pillared porch where Marguerite
Had sat with me, the moonlight lay like snow.
But she, my comrade and my friend of youth,
Most gaily wise,
Most innocently loved, --
She of the blue-grey eyes
That ever smiled and ever spoke the truth, --
From that familiar dwelling, where she moved
Like mirth incarnate in the years before,
Had gone into the hidden house of Death.
I thought the garden wore
White mourning for her blessed innocence,
And the syringa's breath
Came from the corner by the fence,
Where she had made her rustic seat,
With fragrance passionate, intense,
As if it breathed a sigh for Marguerite.
My heart was heavy with a sense
Of something good forever gone. I sought
Vainly for some consoling thought,
Some comfortable word that I could say
To the sad father, whom I visited again
For the first time since she had gone away.
The bell rang shrill and lonely, -- then
The door was opened, and I sent my name
To him, -- but ah! 't was Marguerite who came!

There in the dear old dusky room she stood
Beneath the lamp, just as she used to stand,
In tender mocking mood.
"You did not ask for me," she said,
"And so I will not let you take my hand;
"But I must hear what secret talk you planned
"With father. Come, my friend, be good,
"And tell me your affairs of state:
"Why you have stayed away and made me wait
"So long. Sit down beside me here, --
"And, do you know, it seemed a year
"Since we have talked together, -- why so late?"

Amazed, incredulous, confused with joy
I hardly dared to show,
And stammering like a boy,
I took the place she showed me at her side;
And then the talk flowed on with brimming tide
Through the still night,
While she with influence light
Controlled it, as the moon the flood.
She knew where I had been, what I had done,
What work was planned, and what begun;
My troubles, failures, fears she understood,
And touched them with a heart so kind,
That every care was melted from my mind,
And every hope grew bright,
And life seemed moving on to happy ends.
(Ah, what self-beggared fool was he
That said a woman cannot be
The very best of friends?)
Then there were memories of old times,
Recalled with many a gentle jest;
And at the last she brought the book of rhymes
We made together, trying to translate
The Songs of Heine (hers were always best).
"Now come," she said,
"To-night we will collaborate
"Again; I'll put you to the test.
"Here's one I never found the way to do, --
"The simplest are the hardest ones, you know, --
"I give this song to you."
And then she read:
Mein kind, wir waren Kinder,
Zei Kinder, jung und froh.

* * * * * * * * * *

But all the while a silent question stirred
Within me, though I dared not speak the word:
"Is it herself, and is she truly here,
"And was I dreaming when I heard
"That she was dead last year?
"Or was it true, and is she but a shade
"Who brings a fleeting joy to eye and ear,
"Cold though so kind, and will she gently fade
"When her sweet ghostly part is played
"And the light-curtain falls at dawn of day?"

But while my heart was troubled by this fear
So deeply that I could not speak it out,
Lest all my happiness should disappear,
I thought me of a cunning way
To hide the question and dissolve the doubt.
"Will you not give me now your hand,
"Dear Marguerite," I asked, "to touch and hold,
"That by this token I may understand
"You are the same true friend you were of old?"
She answered with a smile so bright and calm
It seemed as if I saw new stars arise
In the deep heaven of her eyes;
And smiling so, she laid her palm
In mine. Dear God, it was not cold
But warm with vital heat!
"You live!" I cried, "you live, dear Marguerite!"
Then I awoke; but strangely comforted,
Although I knew again that she was dead.

III

Yes, there's the dream! And was it sweet or sad?
Dear mistress of my waking and my sleep,
Present reward of all my heart's desire,
Watching with me beside the winter fire,
Interpret now this vision that I had.
But while you read the meaning, let me keep
The touch of you: for the Old Year with storm
Is passing through the midnight, and doth shake
The corners of the house, -- man oh! my heart would break
Unless both dreaming and awake
My hand could feel your hand was warm, warm, warm!

poem by Henry Van Dyke
Submitted by Poetry Lover
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Passing By

Close your eyes
Can't you see it's burning slow
Fading down the sparks of fire earth bound
Space in two
Warm beyond the love below
Close your eyes
It's time for us to go
Over our heads
Light keeps passing through
Over our heads
Lite from me to you
Falling down
Way beneath the healing skies
Rise and shine
The crying times left behind
Over our heads
All we see is true
Over our heads
Can't you see it too
Over our heads
Light keeps passing through
Over our heads
Lite from me to you

song performed by by Zero 7
Submitted by Lucian Velea
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Mother and sphinx

(EGYPTIAN FOLK-SONG)

Grim is the face that looks into the night
Over the stretch of sands;
A sullen rock in a sea of white--
A ghostly shadow in ghostly light,
Peering and moaning it stands.
"Oh, is it the king that rides this way--
Oh, is it the king that rides so free?
I have looked for the king this many a day,
But the years that mock me will not say
Why tarrieth he!"

'T is not your king that shall ride to-night,
But a child that is fast asleep;
And the horse he shall ride is the Dream-horse white--
Aha, he shall speed through the ghostly light
Where the ghostly shadows creep!
"My eyes are dull and my face is sere,
Yet unto the word he gave I cling,
For he was a Pharaoh that set me here--
And, lo! I have waited this many a year
For him--my king!"

Oh, past thy face my darling shall ride
Swift as the burning winds that bear
The sand clouds over the desert wide--
Swift to the verdure and palms beside
The wells off there!
"And is it the mighty king I shall see
Come riding into the night?
Oh, is it the king come back to me--
Proudly and fiercely rideth he,
With centuries dight!"

I know no king but my dark-eyed dear
That shall ride the Dream-Horse white;
But see! he wakes at my bosom here,
While the Dream-Horse frettingly lingers near
To speed with my babe to-night!
And out of the desert darkness peers
A ghostly, ghastly, shadowy thing
Like a spirit come out of the mouldering years,
And ever that waiting spectre hears
The coming king!

poem by Eugene Field
Submitted by Poetry Lover
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Stella Maris

Why is it I remember yet
You, of all women one has met
In random wayfare, as one meets
The chance romances of the streets,
The Juliet of a night? I know
Your heart holds many a Romeo.
And I, who call to mind your face
In so serene a pausing-place,
Where the bright pure expanse of sea,
The shadowy shore's austerity,
Seems a reproach to you and me,
I too have sought on many a breast
The ecstasy of love's unrest,
I too have had my dreams, and met
(Ah me!) how many a Juliet.
Why is it, then, that I recall
You, neither first nor last of all?
For, surely as I see tonight
The glancing of the lighthouse light,
Against the sky, across the bay,
As turn by turn it falls my way,
So surely do I see your eyes
Out of the empty night arise,
Child, you arise and smile to me
Out of the night, out of the sea,
The Nereid of a moment there,
And is it seaweed in your hair?

O lost and wrecked, how long ago,
Out of the drownèd past, I know,
You come to call me, come to claim
My share of your delicious shame.
Child, I remember, and can tell,
One night we loved each other well;
And one night's love, at least or most,
Is not so small a thing to boast.
You were adorable, and I
Adored you to infinity,
That nuptial night too briefly borne
To the oblivion of morn.
Oh, no oblivion! for I feel
Your lips deliriously steal
Along my neck and fasten there;
I feel the perfume of your hair,
And your soft breast that heaves and dips,
Desiring my desirous lips,
And that ineffable delight
When souls turn bodies, and unite
In the intolerable, the whole
Rapture of the embodied soul.

That joy was ours, we passed it by;
You have forgotten me, and I
Remember you thus strangely, won
An instant from oblivion.
And I, remembering, would declare
That joy, not shame, is ours to share,
Joy that we had the will and power,
In spite of fate, to snatch one hour,
Out of vague nights, and days at strife,
So infinitely full of life.
And 'tis for this I see you rise,
A wraith, with starlight in your eyes,
Here, where the drowsy-minded mood
Is one with Nature's solitude;
For this, for this, you come to me
Out of the night, out of the sea.