Wallflower
Come friend,
I have an old story to tell you—
Listen.
Sit down beside me and listen.
My face is red with sorrow
and my breasts are made of straw.
I sit in the ladder-back chair
in a corner of the polished stage.
I have forgiven all the old actors for dying.
A new one comes on with the same lines,
like large white growths, in his mouth.
The dancers come on from the wings,
perfectly mated.
I look up. The ceiling is pearly.
My thighs press, knotting in their treasure.
Upstage the bride falls in satin to the floor.
Beside her the tall hero in a red wool robe
stirs the fire with his ivory cane.
The string quartet plays for itself,
gently, gently, sleeves and waxy bows.
The legs of the dancers leap and catch.
I myself have little stiff legs,
my back is as straight as a book
and how I came to this place—
the little feverish roses,
the islands of olives and radishes,
the blissful pastimes of the parlor—
I'll never know.
poem by Anne Sexton

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SOUNDS & SIGHTS OF THE RIVERDANCE...[Observations From A Live Irish Step Dance Performance/Radio City Music Hall, New York]
Tap, Tap, Tap...
Shoe-point on wood
One lone Dancer
Striking the floor
With hyperbole...
While ignominiously
Glaring, left to right
Twenty Dancers
Being watched
By twenty more
Awaiting their key
Standing in position
Clad in dark solids
Burgandy and black
Orchestra anxious
Ready to commence
Turn a silent stage
Alive with fifes 'n strings
Hear the sound of Violins
Tight-string pulling
...Rosin!
Dancers juxtaposed
Spotlights frame
each glacing movement
Madonna's......in tights
Dark Angels in taps
As the orchestra leader
SHOUTS.... in soprano
ONE, TWO, THREE..FOUR
One, Two, Three...
one, two, three...AND....
Twenty more Dancers
Edge of the stage
While Irish reels join
The romp of ''Firedance''
And, twenty-five more
Dancers in backdrop
Under white lights
Confluenced, and stunning
Commanding the audience
Front and Center
Like silhouette figures
And marionettes
All synchronized...Yes...
And on single deaf cue
Break from the middle
Like a gaelic Red Sea
And twenty-five more
Dancers line...Synchronized...YES!
All in one line...
Front and Center
To stamping feet
To thunderclap
To violins...screaming!
To one-hundred and thirty
Feet on the floor...
To the beat of the rhythm
The rhythm of the dance
The Irish Step hard shoe
As sixty-five Dancers
All in synchronized step
The violins peak....YES!
As the Dancers stamp hard
To the beat of the Riverdance
The Sound is shrilling
As the Dancers come forward
Dancing edged at stagefront
Legs in full measure
Knees over chins
Legs lifting higher
In measure and balance
To the kicked-up impact
Of the titillating music
'Til the grande-leader calls
Time to do justice
Render sweet climax
To this sterling performance
And the Dancers take flight
With utopic perfection
And land with a clamor
Of one deafening strike
Of shoes to the floor......
.................................. ......
A moments dead still
The Dancers stand silent
No movement, feet crossed
.....................................A N D
The Audience stands LOUD...
The applause just as deafening
As the applauded were clamorous
And sustains for minutes
After the very last Dancer
Walks of the stage....
'''The Riverdance'''.......
AND, THERE IS NOTHING LIKE IT!
Dedicated to my daughter, Lauren Marie Elizabeth who in 2003,
at age 9, placed 3rd in a Regional Irish Feis Competition, in N.Y.C.
poem by Frank James Ryan Jr.

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I Hear The Cat. Listen. Listen....
If I told you hawks' secrets,
Should you listen...
If I whispered willow shadows,
Would you listen...
If I sang the ice of fire,
Could you listen...
A cat lay soft on garden wall.
A cat then gently slept.
A cat play-pawed the dawn
A cat Night's ending kept.
If I spoke the sands of Sun,
Would you turn away...
If I chanted mist to life,
Could you turn away...
If I laughed your nightmare fears,
Should you turn away...
A cat lay soft on garden soil.
A cat so gently slept.
A cat once purred into the Day
A cat had playfully kept.
Listen, listen, listen...
I heard the cat
Call my name...
*Note: Thanks to Margaret Craven's book, 'I Heard The Owl
Call My Name'...this last line is owed to her....
poem by Elysabeth Faslund

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Reminiscing The Dorm And The College Years
i had the chance of looking back
at the pictures of our college years.
the thin guy
so shy just making himself felt
at the corner of the hall
when she comes
the thin guy leaves at once
hiding his face
behind the pile of books
at the library
at the beach one Sunday
he is at the back of everyone
only his face is shown
his body again hidden from
the fat guy in front
he had crushes on those
tall women with big breasts
and white legs
but he had no courage
to be himself
i look at the pictures again
and i begin to laugh at myself
i could have said all that i wanted to say all those years
but i was a coward then
and lived within the world of my own
like the rain man.
poem by Ric S. Bastasa

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Roses On White Lace
I saw you in your wedding gown
The prettiest dress
I came into the room that night
And made such a mess
In my own way, I lovingly kiss the bride
With your ring in your hand
Your eyes and your mouth open wide
In my eyes
Blood drops look like roses on white lace
They won't wash away
In my mind they're roses on white lace
Straight from the heart
So dead upon the bed
You hurt me in the deepest way
I'm crippled inside
I took your evil skin away
It's all cut and dried
I saw you tonight and carefully took your hand
With some smears on my cheeks
I knew that you would understand
In my eyes
Blood drops look like roses on white lace
They won't wash away
In my mind they're roses on white lace
Straight from the heart
So dead upon the bed, still searching for your head
They're never gonna find your face
It's hidden away
I found a very special place where you used to play
In my own way, I lovingly kiss the bride
With your ring in your hand
Your eyes and your mouth open wide
In my eyes
Blood drops look like roses on white lace
They won't wash away
In my mind they're roses on white lace
Straight from the heart
Blood drops look like roses on white lace
Crimson and sweet, stained on the sheet
Roses on white lace, pretty in red, dripping and wet
Roses on white lace, spilled on the walls, dark in the hall
song performed by by Alice Cooper

Submitted by Lucian Velea
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The Party
THE house is bright with lights and lights,
Like a palace in the Arabian Nights,
Lights in festoons and lights in clusters,
In chandeliers and crystal lustres;
And all the length of the stairs' broad way,
Tapestries green and pink and gray
Tell a story of ladies' bowers
Hung with apples and paved with flowers;
And beyond, an open arch discloses
An inner garden of palms and roses,
With lines of lilies against the walls,
And a fountain that falls - and waits - and falls.
And from the ballroom comes the beat
Of dance music and dancing feet,
And through the doorways of gold and glass
Figures of dancers pass and pass,
Lovely creatures in dripping laces,
And all have sad, unhopeful faces.
One person only yields to joy,
And he is a footman - a round-faced boy -
Stiff in a livery of black and green,
And he laughs at something heard or seen,
Laughs with a loud and lonely gladness,
Laughs perhaps at the dancers' sadness;
He only seemed for an instant gay,
And he was instantly sent away.
poem by Alice Duer Miller

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Roses in the Valley
roses roses in the valley below
peaking up from the dead ground we know
one lil angle stands there crying
but not a single rose is dying
she tries to take flight with thorns in her wings
white is turning to deep deep red
red just like the roses she looks down upon
with thorns made red, and tears rolling down
the angel is dying with every tear that falls
the roses with petals of silk
shall catch the angel who's wings are no longer white as milk
now she lays down to stay
in a valley of roses that will live everyday
i am the angel
the angel that can no longer fly away
my dreams live on
like the roses, each and every day
poem by Sally Minns

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Hold Back The River
Stop your pretending
Listen to what Ive got to say
How your heads went away
Only here for a day
And that grave I just made
Is for me when I get paid
Wont you wait a while
Move to the blue
Sometimes people dont want to say
Old time dancers dont die that way
See that grave Ive just made
Its for me when I get paid
Somebodys gotta hold back the river
Somebody like you
Do you love and surrender
Sometimes I dont feel I can remember
I think its fair to mention
About the days when I get paid
Somebodys gotta hold back the river
Somebody like you
Somebodys gotta hold back the river
Somebody like you
I want a little loving
I told you all to listen
But you never liked what you heard
I take what I am given
This may sound absurd
I share a double vision
That started the transition
Hey wheres jimmy jazz
Steady on the scale
I told you to listen
I told you all to listen
Somebodys gotta hold back the river
Somebody like you
Somebodys gotta hold back the river
Somebody like you
You know that somebody
You know that somebody
You know that somebody
But it aint you
song performed by by Wet Wet Wet

Submitted by Lucian Velea
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The dreaded chair
He knew his time had arrived
his heart was beating fast
sweat trickled down his back
he felt faint and nauseous.
The night before he couldn't sleep
he lay there staring at the ceiling
the clock ticked noisily by his bed
he hoped tomorrow wouldn't come.
He wished he could find a way out
but he knew it had to be done
there was no turning back now
he just had to stay strong.
Then his name was called out
he was ushered to the large chair
his legs wobbled like jelly
strong hands stopped him from falling.
A light was shining into his face
a pair of eyes stared down at him
his throat was so dry he couldn't talk
fear gripped him like an evil vice.
He hoped this would be over quickly
get it over with he tried to say
but he was so scared it hardly came out
his heart wanted to explode out of his chest.
Then a calm voice spoke gently to him
'Don't be nervous, your in safe hands
your only going to have a tooth out.'
How he hated going to the Dentists!
poem by Kevin Halls

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Dance Figure
Dark-eyed,
O woman of my dreams,
Ivory sandalled,
There is none like thee among the dancers,
None with swift feet.
I have not found thee in the tents,
In the broken darkness.
I have not found thee at the well-head
Among the women with pitchers.
Thine arms are as a young sapling under the bark;
Thy face as a river with lights.
White as an almond are thy shoulders;
As new almonds stripped from the husk.
They guard thee not with eunuchs;
Not with bars of copper.
Gilt turquoise and silver are in the place of thy rest.
A brown robe, with threads of gold woven in
patterns, hast thou gathered about thee,
O Nathat-Ikanaie, 'Tree-at-the-river'.
As a rillet among the sedge are thy hands upon me;
Thy fingers a frosted stream.
Thy maidens are white like pebbles;
Their music about thee!
There is none like thee among the dancers;
None with swift feet.
poem by Ezra Pound

Submitted by Veronica Serbanoiu
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this is not plagerism Made in the USA
Made in The USA
the models move to act like birds blindly culminating on a wire
saying things like let me sing you my blues
expose of virgin spring lines
dancers with legs extending weeks
oranges shed pulp white flesh
violets and buttercups
Romeo and juliets
moan from the backseats of breathless cars
poem by Jerome Moore

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Listen To The Rain
(Rain)
Listen listen
Listen listen
Listen listen
Listen listen
Listen (listen) listen (listen)
Listen (listen) listen (listen)
Listen (listen) listen (listen)
Listen listen
Listen to each drop of rain (listen listen)
Aaah
Whispering secrets in rain (listen listen)
Aaah
Frantically searching for someone to hear
That story be more than it hides
Please don't let go
Can't we stay for a while?
It's just to hard to say goodbye
Listen to the rain
Aa...ah
Listen listen listen listen listen listen to the rain
Weeping
Oo...ooh oooh ooh oo...ooh
Oo...ooh oooh oh oh
Listen (listen) listen (listen)
Listen (listen) listen
I stand alone in the storm (listen listen)
Suddenly sweet words take hold
(Listen listen)
Hurry they stay for you haven't much time
Open your eyes to the love around you
You can feel youre alone
But I'm here still with you
You can do what you dream
Just remember to listen to the rain
oo...ooh oh oh oh oh
ooh ooh oh oh oooh
Listen
song performed by by Evanescence

Submitted by Lucian Velea
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Famous Movie Poem - French Lieutenant's Woman
from the waves
she comes to your dream
a cauldron of longings
seeking your reassuring touch
thighs, legs, hands, breasts
blowing a tempest
in a bed of passions
please dont hold on to her
when it is over,
the waves will take her
to where she belongs
between the waves,
twinkling lights
charted by the breeze
and stars
the beautiest of passion
is what leaves
a bedfull of memory
which one can hold tightly to
reassuring as a treasure chest
warm as two sworn lovers'
bridge to paradise
legs, thighs,
hands, breasts..
the woman who comes
with a passion
the rolling of
incessant waves
and goes away,
quiet and swift
as a morning star
diluted by light of day
poem by John Tiong Chunghoo

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Hot Legs
(rod stewart)
Whos that knocking on my door
Its gotta be a quarter to four
Is it you again coming round for more
Well you can love me tonight if you want
But in the morning make sure youre gone
Im talkin to you
Hot legs, wearing me out
Hot legs, you can scream and shout
Hot legs, are you still in school
I love you honey
Gotta most persuasive tongue
You promise all kinds of fun
But what you dont understand
Im a working man
Gonna need a shot of vitamin e
By the time youre finished with me
Im talking to you
Hot legs, youre an alley cat
Hot legs, you scratch my back
Hot legs, bring your mother too
I love you honey
Imagine how my daddy felt
In your jet black suspender belt
Seventeen years old
Hes touching sixty four
You got legs right up to your neck
Youre making me a physical wreck
Im talking to you
Hot legs, in your satin shoes
Hot legs, are you still in school
Hot legs, youre making me a fool
I love you honey
Hot legs, making your mark
Hot legs, keep my pencil sharp
Hot legs, keep your hands to yourself
I love you honey
Hot legs, youre wearing me out
Hot legs, you can scream and shout
Hot legs, youre still in school
I love you honey
song performed by by Rod Stewart

Submitted by Lucian Velea
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I Have A Friend
I have a friend who cannot walk
I have a friend all he does is talk
I have a friend, Philippe is his name
I have a friend and we are just the same
I have a friend he’s seventeen years old
I have a friend who has a heart of gold
I have a friend who would catch me if I fall
It is only that he has no legs at all
I have a friend and when my friend was seven
A car ran over him and he almost went to heaven
I have a friend with a smile that I adore
I have a friend who lives in a house of four
I have a friend his family is his home
I have a friend who dreams of visiting Rome
I have a friend who is still finishing school
Yet some people tell him that for that he is a fool
I have a friend they say he is disabled
He has no legs and for that he is labeled
I have a friend who has a friend
They were made for each other; their love will never end
I have a friend who likes to name the stars
I have a friend and what he hates is cars
I have a friend who’s happier than you and me
I have a friend who’s shown me how happy I can be
I have a friend who’s had his bad times too
I have a friend who’s better than me and you
I have a friend so dear to me and kind
That another one like him I shall never find!
* * * * * * * * * * * * * * * * * * * * * * * * * *
His Mother's Best Friend
O’Brien fancied his mother’s best friend,
Mrs O’Hara, she with the daughter
Who showed her panties to boys for sixpence.
How are you, Micheal? She asked, as she sat
With legs crossed in the kitchen between sips
Of milky sweet tea. I’m fine, he replied,
Studying her legs, trying to pursue
With his greedy eyes, the length of her thighs.
How old are you now? Her soft voice inquired.
Fourteen, he replied. He lifted his sight
To her weighty breasts, picturing his head
Wedged tightly between. Don’t sit their gawping,
Go get to your play, his plump mother said.
He took a last look, trying to capture
Mrs O’ Hara with her legs and breasts
And what lay beneath, for his nightly dreams
In his sweaty bed, be they wet or dry,
And gave her a smile and wink of his eye.
poem by Terry Collett

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Let This Night Last Forever
Rain drops gently falling
A soft warm kiss you place
The scented flowers in vase
Your long dress in satin lace
Precious moments like this
Here by the warm open fire
Those brown deep eyes peer
I never known such a desire
Let This Night Last Forever
How you truly reach me inside
Like no other lover before
I gently rub your pale thighs
As you keep begging for more
Sharing a glass of chilled wine
I more then desire you ever so
How you know how to do me
And this you surely do know
Let This Night Last Forever
poem by Suelynn Walters

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uniformed Expression.
I mute the remote and watch the program in TV,
For the reasons known to them, you and me,
The hula-hula dancers from Hawaii shake the hips with wild wink,
The hip dancers from Middle East cover not their breasts,
The movements are swift and beautiful as the dancers,
from all around the globe. When the eyes are rotated,
from left to right to show the love, anger and fear,
the facial muscles are pulled, puffed and twisted,
to show the surprise, disgust and contempt,
the necks are moved in the same way as the other,
from Europe and Africa with their unique dance steps,
How is it possible that human have picked up,
The same method to express the emotions,
Even a silent movie tells us a story, visually.
poem by Veeraiyah Subbulakshmi

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An Ode for David
Inspiration
From a lopsided table?
Words written down
Told as a fable
Strange request you have
My dear friend
Inspiration I will find
This I do intend
Wooden Table
Possess my tongue
Wintered table
Cry from my lungs
Pen striking paper
You shall be my muse
May the bleeding ink
Cry of your blues
Splintered skin
In a corner rest forgotten
Winding legs
You stand wild as cotton
Pen stroke slide
Across your lofty floor
Three legs you stand
When you should have four
Awkward table
You have no friend
Ancient table
You've reached your bitterend
Should my pen learn sea legs
I'd love you once more
But, on three legs you stand
When you should have four
poem by Kay Gardner

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Goodby Mass
Sitting on a hard chair try to sit straight
Sitting on a hard chair this moment won't wait
Listening to the speakers they're talking about you
Look at all the people all the people you know
Sitting with my back straight it becomes hard to hear
Some people are crying it becomes hard to hear
I don't think you'd have liked it you would have made a joke
You would have made it easier you'd say "tomorrow I'm smoke"
Sitting on a hard chair how far we have come
Trying hard to listen to your friends who have come
Some of them are famous and some are just like me
Trying hard to listen trying hard to see
Sitting in a hard chair it's over time to stand
Some people are crying I turn to grab your hand
It's your daughter saying thank you
You, you would have made a joke
"Isn't this something," you say, "tomorrow I'm smoke
song performed by by Lou Reed

Submitted by Lucian Velea
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Not What You See
Wait a minute baby
I'll be right back
I just gotta talk
To a friend
For a couple of minutes
I see you looking
At the two of us
And what do you see
The oldest couple at the Mayflower
Esther and Me
I push her in the chair
I know she'd walk
If she could
She says "Take your pills"
As if they do any good
I'll bet you think
That what you're looking
At is all we are
Two old people forgetting
The way we were
Sonny, no one is
What they look like
Everyone's so much more
Sonny, no one is
What they look like
And we're not what
You see that's for sure
You should have known her before
You should have known her before
Legs she had legs
That made the guys drool
And her waist was as small
As your neck
And the face and the hair
And the rest of her
And when I look at her now
I still see her young and beautiful
She's my girl and I'm her Joe
And we're not what you see
In a minute baby I'll be right back
I just got some more to say
To my young new friend here
Esther just turned 80 and I'm 83
The oldest couple at the Mayflower
Esther and me
I knew that when I saw her
We were meant to be one
She says she didn't notice me
But don't you believe her
I'll bet you think that what you're looking at
Is all we are
Two old people
Stumbling through the days
Sonny, no one is what
They look like
Everyone's so much more
Sonny, no one is what
They look like
And we're not what you see
That's for sure
You should have known me before
You should have known me before-a
song performed by by Barry Manilow

Submitted by Lucian Velea
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