Lot's Wife

And the just man trailed God's shining agent,
over a black mountain, in his giant track,
while a restless voice kept harrying his woman:
"It's not too late, you can still look back

at the red towers of your native Sodom,
the square where once you sang, the spinning-shed,
at the empty windows set in the tall house
where sons and daughters blessed your marriage-bed."
A single glance: a sudden dart of pain
stitching her eyes before she made a sound . . .
Her body flaked into transparent salt,
and her swift legs rooted to the ground.

Who will grieve for this woman? Does she not seem
too insignificant for our concern?
Yet in my heart I never will deny her,
who suffered death because she chose to turn.

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Who will grieve for this woman? Does she not seem too insignificant for our concern? Yet in my heart I never will deny her, Who suffered death because she chose to turn.

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I like your books

In the betting line the other
day
man behind me asked,
"are you Henry
Chinaski?"

"uh huh," I answered.

"I like your books," he went
on.

"thanks," I answered.

"who do you like in this
race?" he asked.

"uh uh," I answered.

"I like the 4 horse," he
told me.

I made my bet and went back
to my seat....

the next race I am standing in
line and here is this same man
standing behind me
again.
there are at least 50 lines at
the windows but
he has to find mine
again.

"I think this race favors the
closers," he said to the back of
my neck. "the track looks
heavy."

"listen," I said, not looking
around, "it's the kiss of death to
talk about horses at the
track..."

"what kind of rule is that?"
he asked. "God doesn't make
rules..."

I turned around and looked at him:
"maybe not, but I
do."

after the next race
I got in line, glanced behind
me:
he was not there:

lost another reader.

I lose 2 or 3 each
week.

fine.

let 'em go back to
Kafka.

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Sons & Daughters

(ian hunter)
Theres a place in the city they call the archway
Where we rented three rooms for a dollar a day
And I worked semi-skilled at the capstans for years
And my wife was a good woman but the love disappeared
Sons and daughters, daughters and sons
When a marriage goes down theyre the loneliest ones
Sons and daughters, daughters and sons
How I hope they can cope with the damage Ive done
I found me a band, I went out on tour
So the kids wouldnt know I was with them no more
When they said, wheres me dad? shed say, hes a star!
Oh if only stars knew what fools they all are.
Sons and daughters, daughters and sons
When a marriage goes down theyre the loneliest ones
Sons and daughters, daughters and sons
How I hope they can cope with the damage Ive done
I got a new contract, I got a new life
No more capstans for me and Ive got a new wife
Sometimes she gets angry, says she wants a family
Then that nightmare returns like a ghost haunting me
Sons and daughters, daughters and sons
When a marriage breaks up youre the loneliest ones
Sons and daughters, daughters and sons
How I hope you all cope with the damage we done

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Sons And Daughters

There's a place in the city they call the Archway
Where we rented three rooms for a dollar a day
and I worked semi-skilled at the capstans for years
And my wife was a good woman but the love disappeared
Sons and Daughters, Daughters and Sons
When a marriage goes down they're the loneliest ones
Sons and Daughters, Daughters and Sons
How I hope they can cope with the damage I've done
I found me a band, I went out on tour
So the kids wouldn't know I was with them no more
When they said, "Where's me dad?" She'd say, "He's a star!"
Oh if only stars knew what fools they all are.
Sons and Daughters, Daughters and Sons
When a marriage goes down they're the loneliest ones
Sons and Daughters, Daughters and Sons
How I hope they can cope with the damage I've done
I got a new contract, I got a new life
No more capstans for me and I've got a new wife
Sometimes she gets angry, says she wants a family
Then that nightmare returns like a ghost haunting me
Sons and Daughters, Daughters and Sons
When a marriage breaks up you're the loneliest ones
Sons and Daughters, Daughters and Sons
How I hope you all cope with the damage we done

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Woman Reflect

Courage from the womb…
Camouflage by the outside world…
Fear…is that a destiny…?
Or is the past events so strong…
You are lead astray…?
Wake! Woman…you are…

The beginning of…whatever…
You are created to be RESPECTED…
And PROTECTED…
Not deflected nor neglected…
You are prime…keep that in mind…
"mercy, mercy me…
"woman can't you see"

You are the (HUM) in HUMMING BIRD…
Your vibrating voice is land mark…
You are created to rule…
And be smooth…
A rareness of rare…a super female…
Within and out, even when you pout…

Go to the mountain top and shout…
"I am woman, the best of the best"
I will pass the test…
And at my side you (man) will rest…
Be blessed…my guest………you pest…
With you… I am obsessed…


[email protected]

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Bjørnstjerne Bjørnson

A Day Of Sunshine

It was such a lovely sunshine-day,
The house and the yard couldn't hold me;
I roved to the woods, on my back I lay,
In cradle of fancy rolled me;
But there were ants, and gnats that bite,
The horse-fly was keen, the wasp showed fight.

"Dear me, don't you want to be out in this fine
weather?" --said mother, who sat on the steps and sang.

It was such a lovely sunshine-day,
The house and the yard couldn't hold me;
A meadow I found, on my back I lay,
And sang what my spirit told me;
Then snakes came crawling, a fathom long,
To bask in the sun,--I fled with my song.

"In such blessed weather we can go barefoot,"--said mother,
as she pulled off her stockings.

It was such a lovely sunshine-day,
The house and the yard couldn't hold me;
I loosened a boat, on my back I lay,
While blithely the current bowled me;
But hot grew the sun, and peeled my nose;
Enough was enough, and to land I chose.

"Now these are just the days to make hay in,"-- said mother,
as she stuck the rake in it.

It was such a lovely sunshine-day,
The house and the yard couldn't hold me;
I climbed up a tree, oh, what bliss to play,
As cooling the breeze consoled me;
But worms soon fell on my neck, by chance,
And jumping, I cried: "'T is the Devil's own dance!"

"Yes, if the cows aren't sleek and shiny to-day, they'll
never be so,"--said mother, gazing up the hillside.

It was such a lovely sunshine-day,
The house and the yard couldn't hold me;
I dashed to the waterfall's endless play,
There only could peace enfold me.
The shining sun saw me drown and die,--
If you made this ditty, 't was surely not I.

"Three more such sunshine-days, and everything will
be in,"--said mother, and went to make my bed.

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Dark Trinity

Said I to Pain: "You would not dare
Do ill to me."
Said Pain: "Poor fool! Why should I care
Whom you may be?
To clown and king alike I bring
My meed of bane;
Why should you shirk my chastening?"
Said Pain.

Said I to Grief: "No tears have I,
Go on your way."
Said Grief: "Why should I pass you by,
While others pay?
All men must know the way of woe,
From saint to thief,
And tears were meant to overflow,"
Said Grief.

Said I to Death: "From ail and fret
Grant me relief."
Said Death: "I know you are beset
By Pain and Grief.
But my good will you must await
Since human breath
To suffering is consecrate,"
Said Death.

Said I to God: "Pale Sister Grief,
Bleak Brother Pain,
Bedevil me beyond belief,
And Death's unfain . . ."
Said God: "Curse not that blessed Three,
Poor human clod!
Have faith! Believe the One with Me,"
Said God.

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Charles Baudelaire

Windows

Looking from outside into an open window one never sees as much as when one looks through a closed window. There is nothing more profound, more mysterious, more pregnant, more insidious, more dazzling than a window lighted by a single candle. What one can see out in the sunlight is always less interesting than what goes on behind a windowpane. In that black or luminous square life lives, life dreams, life suffers.

Across the ocean of roofs I can see a middle-aged woman, her face already lined, who is forever bending over something and who never goes out. Out of her face, her dress, and her gestures, our of practically nothing at all, I have made up this woman's story, or rather legend, and sometimes I tell it to myself and weep.

If it had been and old man I could have made up his just as well.

And I go to bed proud to have lived and to have suffered in some one besides myself.

Perhaps you will say "Are you sure that your story is the really one?" But what does it matter what reality is outside myself, so long as it has helped me to live, to feel that I am, and what I am?

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Lead "me" to "me

What is this place?
Where have I reached?
I stand infront
The mirror,
As a stranger
Stares back at me.
Do I know her?
Have we met before?
Why do I see in her traces of' me'?
Or is this…
The new ‘me"?
Do I like her?
Brazen she stands…
Her hair wind swept,
Her eyes, wild
No longer windows
To the divinity of her soul.
But her smile has
Traces of "me".
That strange
Devil in "me".
As I shudder in peril,
Where have I reached?
Its miles and miles of mist,
Paths untread,
Lonely beings.
But…
Its this mysterious "me"
Which terrifies my soul.
Did I ever want to be
"her"?
Do I have a choice?
Is it too late to decide,
Revert, run back?
Where did I lose the "me"
I was so proud about?
Pray, give me your magic hand
Do lead "me to"me"…
For without "you" holding "me"
I remain not even "me"
Daddy…
your little 'ai'is all lost
Please lead "me" to "me"….

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Louise Driscoll

Harbury

All the men of Harbury go down to the sea in ships,
The wind upon their faces, the salt upon their lips.

The little boys of Harbury when they are laid to sleep,
Dream of masts and cabins and the wonders of the deep.

The women-folk of Harbury have eyes like the sea,
Wide with watching wonder, deep with mystery.

I met a woman: "Beyond the bar," she said,
"Beyond the shallow water where the green lines spread,

"Out beyond the sand-bar and the white spray,
My three sons wait for the Judgment Day."

I saw an old man who goes to sea no more,
Watch from morn till evening down on the shore.

"The sea's a hard mistress," the old man said;
"The sea is always hungry and never full fed.

"The sea had my father and took my son from me --
Sometimes I think I see them, walking on the sea!

"I'd like to be in Harbury on the Judgment Day,
When the word is spoken and the sea is wiped away,

"And all the drowned fisher boys, with sea-weed in their hair,
Rise and walk to Harbury to greet the women there.

"I'd like to be in Harbury to see the souls arise,
Son and mother hand in hand, lovers with glad eyes.

"I think there would be many who would turn and look with me,
Hoping for another glimpse of the cruel sea!

"They tell me that in Paradise the fields are green and still,
With pleasant flowers everywhere that all may take who will,

"And four great rivers flowing from out the Throne of God
That no one ever drowns in and souls may cross dry-shod.

"I think among those wonders there will be men like me,
Who miss the old salt danger of the singing sea.

"For in my heart, like some old shell, inland, safe and dry,
Any one who harks will still hear the sea cry."

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The Ballad Of The Harp-Weaver

"Son," said my mother,
When I was knee-high,
"you've need of clothes to cover you,
and not a rag have I.

"There's nothing in the house
To make a boy breeches,
Nor shears to cut a cloth with,
Nor thread to take stitches.

"There's nothing in the house
But a loaf-end of rye,
And a harp with a woman's head
Nobody will buy,"
And she began to cry.

That was in the early fall.
When came the late fall,
"Son," she said, "the sight of you
Makes your mother's blood crawl,—

"Little skinny shoulder-blades
Sticking through your clothes!
And where you'll get a jacket from
God above knows.

"It's lucky for me, lad,
Your daddy's in the ground,
And can't see the way I let
His son go around!"
And she made a queer sound.

That was in the late fall.
When the winter came,
I'd not a pair of breeches
Nor a shirt to my name.

I couldn't go to school,
Or out of doors to play.
And all the other little boys
Passed our way.

"Son," said my mother,
"Come, climb into my lap,
And I'll chafe your little bones
While you take a nap."

And, oh, but we were silly
For half and hour or more,
Me with my long legs,
Dragging on the floor,

A-rock-rock-rocking
To a mother-goose rhyme!
Oh, but we were happy
For half an hour's time!

But there was I, a great boy,
And what would folks say
To hear my mother singing me
To sleep all day,
In such a daft way?

Men say the winter
Was bad that year;
Fuel was scarce,
And food was dear.

A wind with a wolf's head
Howled about our door,
And we burned up the chairs
And sat upon the floor.

All that was left us
Was a chair we couldn't break,
And the harp with a woman's head
Nobody would take,
For song or pity's sake.

The night before Christmas
I cried with cold,
I cried myself to sleep
Like a two-year old.

And in the deep night
I felt my mother rise,
And stare down upon me
With love in her eyes.

I saw my mother sitting
On the one good chair,
A light falling on her
From I couldn't tell where.

Looking nineteen,
And not a day older,
And the harp with a woman's head
Leaned against her shoulder.

Her thin fingers, moving
In the thin, tall strings,
Were weav-weav-weaving
Wonderful things.

Many bright threads,
From where I couldn't see,
Were running through the harp-strings
Rapidly,

And gold threads whistling
Through my mother's hand.
I saw the web grow,
And the pattern expand.

She wove a child's jacket,
And when it was done
She laid it on the floor
And wove another one.

She wove a red cloak
So regal to see,
"She's made it for a king's son,"
I said, "and not for me."
But I knew it was for me.

She wove a pair of breeches
Quicker than that!
She wove a pair of boots
And a little cocked hat.

She wove a pair of mittens,
Shw wove a little blouse,
She wove all night
In the still, cold house.

She sang as she worked,
And the harp-strings spoke;
Her voice never faltered,
And the thread never broke,
And when I awoke,—

There sat my mother
With the harp against her shoulder,
Looking nineteeen,
And not a day older,

A smile about her lips,
And a light about her head,
And her hands in the harp-strings
Frozen dead.

And piled beside her
And toppling to the skies,
Were the clothes of a king's son,
Just my size.

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Emily Dickinson

I cried at Pity—not at Pain

588

I cried at Pity—not at Pain—
I heard a Woman say
"Poor Child"—and something in her voice
Convicted me—of me—

So long I fainted, to myself
It seemed the common way,
And Health, and Laughter, Curious things—
To look at, like a Toy—

To sometimes hear "Rich people" buy
And see the Parcel rolled—
And carried, I supposed—to Heaven,
For children, made of Gold—

But not to touch, or wish for,
Or think of, with a sigh—
And so and so—had been to me,
Had God willed differently.

I wish I knew that Woman's name—
So when she comes this way,
To hold my life, and hold my ears
For fear I hear her say

She's "sorry I am dead"—again—
Just when the Grave and I—
Have sobbed ourselves almost to sleep,
Our only Lullaby—

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A Casualty

That boy I took in the car last night,
With the body that awfully sagged away,
And the lips blood-crisped, and the eyes flame-bright,
And the poor hands folded and cold as clay --
Oh, I've thought and I've thought of him all the day.

For the weary old doctor says to me:
"He'll only last for an hour or so.
Both of his legs below the knee
Blown off by a bomb. . . . So, lad, go slow,

And please remember, he doesn't know."
So I tried to drive with never a jar;
And there was I cursing the road like mad,
When I hears a ghost of a voice from the car:
"Tell me, old chap, have I `copped it' bad?"
So I answers "No," and he says, "I'm glad."

"Glad," says he, "for at twenty-two
Life's so splendid, I hate to go.
There's so much good that a chap might do,
And I've fought from the start and I've suffered so.
'Twould be hard to get knocked out now, you know."

"Forget it," says I; then I drove awhile,
And I passed him a cheery word or two;
But he didn't answer for many a mile,
So just as the hospital hove in view,
Says I: "Is there nothing that I can do?"

Then he opens his eyes and he smiles at me;
And he takes my hand in his trembling hold;
"Thank you -- you're far too kind," says he:
"I'm awfully comfy -- stay . . . let's see:
I fancy my blanket's come unrolled --
My feet, please wrap 'em -- they're cold . . . they're cold."

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Robert Graves

A Child's Nightmare

Through long nursery nights he stood
By my bed unwearying,
Loomed gigantic, formless, queer,
Purring in my haunted ear
That same hideous nightmare thing,
Talking, as he lapped my blood,
In a voice cruel and flat,
Saying for ever, "Cat! ... Cat! ... Cat!..."

That one word was all he said,
That one word through all my sleep,
In monotonous mock despair.
Nonsense may be light as air,
But there's Nonsense that can keep
Horror bristling round the head,
When a voice cruel and flat
Says for ever, "Cat! ... Cat! ... Cat!..."

He had faded, he was gone
Years ago with Nursery Land,
When he leapt on me again
From the clank of a night train,
Overpowered me foot and head,
Lapped my blood, while on and on
The old voice cruel and flat
Says for ever, "Cat! ... Cat! ... Cat!..."

Morphia drowsed, again I lay
In a crater by High Wood:
He was there with straddling legs,
Staring eyes as big as eggs,
Purring as he lapped my blood,
His black bulk darkening the day,
With a voice cruel and flat,
"Cat! ... Cat! ... Cat! ... Cat!..." he said, "Cat! ... Cat!..."

When I'm shot through heart and head,
And there's no choice but to die,
The last word I'll hear, no doubt,
Won't be "Charge!" or "Bomb them out!"
Nor the stretcher-bearer's cry,
"Let that body be, he's dead!"
But a voice cruel and flat
Saying for ever, "Cat! ... Cat! ... Cat!"

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Rabindranath Tagore

The Gardener XXVI: What Comes From Your Willing Hands

"What comes from your willing
hands I take. I beg for nothing
more."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If there be a stray flower for me
I will wear it in my heart."
"But if there be thorns?"
"I will endure them."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If but once you should raise your
loving eyes to my face it would make
my life sweet beyond death."
"But if there be only cruel
glances?"
"I will keep them piercing my
heart."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."

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The impact of a hammer on your thumb

despite the sign
"No peddlers here"
a woman rang at my door
"I only want to ask you just one simple question"

normally I would say
'No"
'I don't socialize with interviewers'
I am never the reason
they will have a rise
of completed inquiries
usually I tell them polite
the right thing to do
from my kind of view
'Go''

however
somehow
today
this woman
looked right inside of me
telling
with her sparkling eyes
"No
YOU should go for this"

I have a survey called
"the impact of a hammer however not on a brad …"
and she waited briefly
while I was thinking
"is this happening"
"this is really weird"
asking a question that dumb

then
she finished her line
" but on your thumb"

after listening
and realizing
what she said
intuitively I thought
"No way"
I wanted to decline
my cooperation to this survey

however
somehow
today
this woman
looked right inside of me
telling
with her sparkling eyes
"Let me continue,
'You know I am not mad'

"Let me please surprise YOU"

I asked her
"What is this all about? "

"Later"
she said completing her sentence
"for the sake of this survey
I have to ask you first"

"Would you please describe to me
the feeling
just after your thumb
has been beaten
by a hammer? "

Now I knew
for sure
no more questions I would answer
not even a few
this woman
with her sparkling eyes
is really crazy.
how do I get rid of this her.

she was persistent
she explained
what the survey was really about
and I found out she wasn't
telling a "trained" story

"a hammer can hit you
or someone else
and it might look the same
it is not the hitting
causing the difference
it is that feeling of yours
which is
of course the reason
for feeling and dealing
your way with your pain"

somehow
today
this woman
looked right inside of me
telling
with her sparkling eyes

" Now you know
all the how's and why's
you are obliged to yourself
to finds ways
to recover from your pain
your life will never be the same
again'

she was a wise woman
telling me
what a fool I was
for a short
but allowed
amount of time

Or not?
I was wise enough
to answer the door
and find out more….

©Ellie Daphne van Stralen 2012.

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Emily Dickinson

Unto Me? I do not know you—

"Unto Me?" I do not know you—
Where may be your House?

"I am Jesus—Late of Judea—
Now—of Paradise"—

Wagons—have you—to convey me?
This is far from Thence—

"Arms of Mine—sufficient Phaeton—
Trust Omnipotence"—

I am spotted—"I am Pardon"—
I am small—"The Least
Is esteemed in Heaven the Chiefest—
Occupy my House"—

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Anna Comnena

In the prologue to her Alexiad,
Anna Comnena laments her widowhood.

Her soul is dizzy. "And with rivers
of tears," she tells us "I wet
my eyes... Alas for the waves" in her life,
"alas for the revolts." Pain burns her
"to the the bones and the marrow and the cleaving of the soul."

But it seems the truth is, that this ambitious woman
knew only one great sorrow;
she only had one deep longing
(though she does not admit it) this haughty Greek woman,
that she was never able, despite all her dexterity,
to acquire the Kingship; but it was taken
almost out of her hands by the insolent John.

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Two Husbands

Unpenitent, I grieve to state,
Two good men stood by heaven's gate,
Saint Peter coming to await.
The stopped the Keeper of the Keys,
Saying: "What suppliants are these,
Who wait me not on bended knees?

"To get my heavenly Okay
A man should have been used to pray,
Or suffered in some grievous way."

"Oh I have suffered," cried the first.
"Of wives I had the wicked worst,
Who made my life a plague accurst.

"Such martyrdom no tongue can tell;
In mercy's name it is not well
To doom me to another hell."

Saint Peter said: "I comprehend;
But tribulations have their end.
The gate is open, - go my friend."

Then said the second: "What of me?
More I deserve to pass than he,
For I've been wedded twice, you see."

Saint Peter looked at him a while,
And then he answered with a smile:
"Your application I will file.

"Yet twice in double yoke you've driven . . .
Though sinners with our Saints we leaven,
We don't take IMBECILES in heaven."

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The Woman At The Gate

"Where is your little boy to-day?"
I asked her at the gate.
"I used to see him at his play,
And often I would wait:
He was so beautiful, so bright,
I watched him with delight.

"He had a tiny motor-car
And it was painted red;
He wound it up; it ran so far,
So merrily it sped.
I think he told me that it was
A gift from Santa Claus."

The woman said: "It ran so far
He followed it with joy.
Then came a real motor-car,--
He sought to save his toy . . .
My little boy is far away
Where angel children play.

"His father perished in the War;
Now I am all alone,
And death is all I'm longing for . . ."
So said with face of stone
That woman. "Curse their crazy cars
And cruel wars!"

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