The Road to Gundagai
The mountain road goes up and down
From Gundagai to Tumut Town
And, branching off, there runs a track
Across the foothills grim and black,
Across the plains and ranges grey
To Sydney city far away.
It came by chance one day that I
From Tumut rode to Gundagai,
And reached about the evening tide
The crossing where the roads divide;
And, waiting at the crossing place,
I saw a maiden fair of face,
With eyes of deepest violet blue,
And cheeks to match the rose in hue --
The fairest maids Australia knows
Are bred among the mountain snows.
Then, fearing I might go astray,
I asked if she could show the way.
Her voice might well a man bewitch --
Its tones so supple, deep, and rich.
"The tracks are clear," she made reply,
"And this goes down to Sydney Town,
And that one goes to Gundagai."
Then slowly, looking coyly back,
She went along the Sydney track
And I for one was well content
To go the road the lady went;
But round the turn a swain she met --
The kiss she gave him haunts me yet!
I turned and travelled with a sigh
The lonely road to Gundagai.
poem by Andrew Barton Paterson

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Related quotes
On the road to Gundagai
Oh, we started down from Roto when the sheds had all cut out.
We'd whips and whips of Rhino as we meant to push about,
So we humped our blues serenely and made for Sydney town,
With a three-spot cheque between us, as wanted knocking down.
Chorus
But we camped at Lazy Harry's, on the road to Gundagai.
The road to Gundagai! Not five miles from Gundagai!
Yes, we camped at Lazy Harry's, on the road to Gundagai.
Well, we struck the Murrumbidgee near the Yanko in a week,
And passed through old Narrandera and crossed the Burnet Creek.
And we never stopped at Wagga, for we'd Sydney in our eye.
But we camped at Lazy Harry's, on the road to Gundagai.
Oh, I've seen a lot of girls, my boys, and drunk a lot of beer,
And I've met with some of both, chaps, as has left me mighty queer;
But for beer to knock you sideways, and for girls to make you sigh,
You must camp at Lazy Harry's, on the road to Gundagai.
Well, we chucked our blooming swags off, and we walked into the bar,
And we called for rum-an'-raspb'ry and a shilling each cigar.
But the girl that served the pizen, she winked at Bill and I —
And we camped at Lazy Harry's, not five miles from Gundagai.
In a week the spree was over and the cheque was all knocked down,
So we shouldered our "Matildas," and we turned our backs on town,
And the girls they stood a nobbler as we sadly said "Good bye,"
And we tramped from Lazy Harry's, not five miles from Gundagai.
poem by Anonymous Oceania

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On The Road To Gundagai
Oh, we started down from Roto when the sheds had all cut out.
We'd whips and whips of Rhino as we meant to push about,
So we humped our blues serenely and made for Sydney town,
With a three-spot cheque between us, as wanted knocking down.
But we camped at Lazy Harry's, on the road to Gundagai
The road to Gundagai! Not five miles from Gundagai!
Yes, we camped at Lazy Harry's, on the road to Gundagai.
Well, we struck the Murrumbidgee near the Yanko in a week,
And passed through old Narrandera and crossed the Burnet Creek.
And we never stopped at Wagga, for we'd Sydney in our eye.
But we camped at Lazy Harry's, on the road to Gundagai.
Oh, I've seen a lot of girls, my boys, and drunk a lot of beer,
And I've met with some of both, chaps, as has left me mighty queer;
But for beer to knock you sideways, and for girls to make you sigh,
You must camp at Lazy Harry's, on the road to Gundagai.
Well, we chucked our blooming swags off, and we walked into the bar,
And we called for rum-an'-raspb'ry and a shilling each cigar.
But the girl that served the pizen, she winked at Bill and I
And we camped at Lazy Harry's, not five miles from Gundagai.
In a week the spree was over and the cheque was all knocked down,
So we shouldered our "Matildas," and we turned our backs on town,
And the girls they stood a nobbler as we sadly said "Good bye,"
And we tramped from Lazy Harry's, not five miles from Gundagai;
poem by Andrew Barton Paterson

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The Traveller
As I rode in to Burrumbeet,
I met a man with funny feet;
And, when I paused to ask him why
His feet were strange, he rolled his eye
And said the rain would spoil the wheat;
So I rode on to Burrumbeet.
As I rode in to Beetaloo,
I met a man whose nose was blue;
And when I asked him how he got
A nose like that, he answered, "What
Do bullocks mean when they say 'Moo'?"
So I rode on to Beetaloo.
As I rode in to Ballarat,
I met a man who wore no hat;
And, when I said he might take cold,
He cried, "The hills are quite as old
As yonder plains, but not so flat."
So I rode on to Ballarat.
As I rode in to Gundagai,
I met a man and passed him by
Without a nod, without a word.
He turned, and said he'd never heard
Or seen a man so wise as I.
But I rode on to Gundagai.
As I rode homeward, full of doubt,
I met a stranger riding out:
A foolish man he seemed to me;
But, "Nay, I am yourself," said he,
"Just as you were when you rode out."
So I rode homeward, free of doubt.
poem by Clarence Michael James Stanislaus Dennis

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The Passing of Gundagai
"I'll introduce a friend!" he said,
"And if you've got a vacant pen
You'd better take him in the shed
And start him shearing straight ahead;
He's one of these here quiet men.
"He never strikes -- that ain't his game;
No matter what the others try
He goes on shearing just the same.
I never rightly knew his name --
We always call him 'Gundagai!'"
Our flashest shearer then had gone
To train a racehorse for a race;
And, while his sporting fit was on
He couldn't be relied upon,
So Gundagai shore in his place.
Alas for man's veracity!
For reputations false and true!
This Gundagai turned out to be
For strife and all-round villainy
The very worst I ever knew!
He started racing Jack Devine,
And grumbled when I made him stop.
The pace he showed was extra fine,
But all those pure-bred ewes of mine
Were bleeding like a butcher's shop.
He cursed the sheep, he cursed the shed,
From roof to rafter, floor to shelf:
As for my mongrel ewes, he said,
I ought to get a razor-blade
And shave the blooming things myself.
On Sundays he controlled a "school",
And played "two-up" the livelong day;
And many a young confiding fool
He shore of his financial wool;
And when he lost he would not pay.
He organised a shearers' race,
And "touched" me to provide the prize.
His pack-horse showed surprising pace
And won hands down -- he was The Ace,
A well-known racehorse in disguise.
Next day the bruiser of the shed
Displayed an opal-tinted eye,
With large contusions on his head,
He smiled a sickly smile, and said
He's "had a cut at Gundagai!"
But, just as we were getting full
Of Gundagai and all his ways,
A telgram for "Henry Bull"
Arrived. Said he, "That's me -- all wool!
Let's see what this here message says."
He opened it; his face grew white,
He dropped the shears and turned away
It ran, "Your wife took bad last night;
Come home at once -- no time to write,
We fear she may not last the day."
He got his cheque -- I didn't care
To dock him for my mangled ewes;
His store account, we called it square,
Poor wretch! he had enough to bear,
Confronted by such dreadful news.
The shearers raised a little purse
To help a mate, as shearers will.
"To pay the doctor and the nurse.
And, if there should be something worse,
To pay the undertaker's bill."
They wrung his hand in sympathy,
He rode away without a word,
His head hung down in misery . . .
A wandering hawker passing by
Was told of what had just occurred.
"Well! that's a curious thing," he siad,
"I've known that feller all his life --
He's had the loan of this here shed!
I know his wife ain't nearly dead,
Because he hasn't got a wife!"
You should have heard the whipcord crack
As angry shearers galloped by;
In vain they tried to fetch him back --
A little dust along the track
Was all they saw of "Gundagai".
poem by Andrew Barton Paterson

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I like your books
In the betting line the other
day
man behind me asked,
"are you Henry
Chinaski?"
"uh huh," I answered.
"I like your books," he went
on.
"thanks," I answered.
"who do you like in this
race?" he asked.
"uh uh," I answered.
"I like the 4 horse," he
told me.
I made my bet and went back
to my seat....
the next race I am standing in
line and here is this same man
standing behind me
again.
there are at least 50 lines at
the windows but
he has to find mine
again.
"I think this race favors the
closers," he said to the back of
my neck. "the track looks
heavy."
"listen," I said, not looking
around, "it's the kiss of death to
talk about horses at the
track..."
"what kind of rule is that?"
he asked. "God doesn't make
rules..."
I turned around and looked at him:
"maybe not, but I
do."
after the next race
I got in line, glanced behind
me:
he was not there:
lost another reader.
I lose 2 or 3 each
week.
fine.
let 'em go back to
Kafka.
poem by Charles Bukowski

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Sonnet V: Nothing But No
Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."
poem by Michael Drayton

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Scots of the Riverina
The boy cleared out to the city from his home at harvest time --
They were Scots of the Riverina, and to run from home was a crime.
The old man burned his letters, the first and last he burned,
And he scratched his name from the Bible when the old wife's back was turned.
A year went past and another. There were calls from the firing-line;
They heard the boy had enlisted, but the old man made no sign.
His name must never be mentioned on the farm by Gundagai --
They were Scots of the Riverina with ever the kirk hard by.
The boy came home on his "final", and the township's bonfire burned.
His mother's arms were about him; but the old man's back was turned.
The daughters begged for pardon till the old man raised his hand --
A Scot of the Riverina who was hard to understand.
The boy was killed in Flanders, where the best and bravest die.
There were tears at the Grahame homestead and grief in Gundagai;
But the old man ploughed at daybreak and the old man ploughed till the mirk --
There were furrows of pain in the orchard while his housefolk went to the kirk.
The hurricane lamp in the rafters dimly and dimly burned;
And the old man died at the table when the old wife's back was turned.
Face down on his bare arms folded he sank with his wild grey hair
Outspread o'er the open Bible and a name re-written there.
poem by Henry Lawson

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The Swagman
Oh, he was old and he was spare;
His bushy whiskers and his hair
Were all fussed up and very grey
He said he'd come a long, long way
And had a long, long way to go.
Each boot was broken at the toe,
And he'd a swag upon his back.
His billy-can, as black as black,
Was just the thing for making tea
At picnics, so it seemed to me.
'Twas hard to earn a bite of bread,
He told me. Then he shook his head,
And all the little corks that hung
Around his hat-brim danced and swung
And bobbed about his face; and when
I laughed he made them dance again.
He said they were for keeping flies -
"The pesky varmints" - from his eyes.
He called me "Codger". . . "Now you see
The best days of your life," said he.
"But days will come to bend your back,
And, when they come, keep off the track.
Keep off, young codger, if you can.
He seemed a funny sort of man.
He told me that he wanted work,
But jobs were scarce this side of Bourke,
And he supposed he'd have to go
Another fifty mile or so.
"Nigh all my life the track I've walked,"
He said. I liked the way he talked.
And oh, the places he had seen!
I don't know where he had not been -
On every road, in every town,
All through the country, up and down.
"Young codger, shun the track," he said.
And put his hand upon my head.
I noticed, then, that his old eyes
Were very blue and very wise.
"Ay, once I was a little lad,"
He said, and seemed to grow quite sad.
I sometimes think: When I'm a man,
I'll get a good black billy-can
And hang some corks around my hat,
And lead a jolly life like that.
poem by Clarence Michael James Stanislaus Dennis

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The Rhyme of the Three Greybeards
He'd been for years in Sydney "a-acting of the goat",
His name was Joseph Swallow, "the Great Australian Pote",
In spite of all the stories and sketches that he wrote.
And so his friends held meetings (Oh, narrow souls were theirs!)
To advertise their little selves and Joseph's own affairs.
They got up a collection for Joseph unawares.
They looked up his connections and rivals by the score –
The wife who had divorced him some twenty years before,
And several politicians he'd made feel very sore.
They sent him down to Coolan, a long train ride from here,
Because of his grey hairs and "pomes" and painted blondes – and beer.
(I mean to say the painted blondes would always give him beer.)
(They loved him for his eyes were dark, and you must not condemn
The love for opposites that mark the everlasting fem.
Besides, he "made up" little bits of poetry for them.)
They sent him "for his own sake", but not for that alone –
A poet's sins are public; his sorrows are his own.
And poets' friends have skins like hides, and mostly hearts of stone.
They said "We'll send some money and you must use your pen.
"So long," they said. "Adoo!" they said. "And don't come back again.
Well, stay at least a twelve-month – we might be dead by then."
Two greybeards down at Coolan – familiar grins they had –
They took delivery of the goods, and also of the bad.
(Some bread and meat had come by train – Joe Swallow was the bad.)
They'd met him shearing west o' Bourke in some forgotten year.
They introduced him to the town and pints of Wagga beer.
(And Wagga pints are very good –- I wish I had some here.)
It was the Busy Bee Hotel where no one worked at all,
Except perhaps to cook the grub and clean the rooms and "hall".
The usual half-wit yardman worked at each one's beck and call.
'Twas "Drink it down!" and "Fillemup!" and "If the pub goes dry,
There's one just two-mile down the road, and more in Gundagai" –
Where married folk by accident get poison in the pie.
The train comes in at eight o'clock – or half-past, I forget,
And when the dinner table at the Busy Bee was set,
Upon the long verandah stool the beards were wagging yet.
They talked of where they hadn't been and what they hadn't won;
They talked of mostly everything that's known beneath the sun.
The things they didn't talk about were big things they had done.
They talked of what they called to mind, and couldn't call to mind;
They talked of men who saw too far and people who were "blind".
Tradition says that Joe's grey beard wagged not so far behind.
They got a horse and sulky and a riding horse as well,
And after three o'clock they left the Busy Bee Hotel –
In case two missuses should send from homes where they did dwell.
No barber bides in Coolan, no baker bakes the bread;
And every local industry, save rabbitin', is dead –
And choppin' wood. The women do all that, be it said.
(I'll add a line and mention that two-up goes ahead.)
The shadows from the sinking sun were long by hill and scrub;
The two-up school had just begun, in spite of beer and grub;
But three greybeards were wagging yet down at the Two-mile pub.
A full, round, placid summer moon was floating in the sky;
They took a demijohn of beer, in case they should go dry;
And three greybeards went wagging down the road to Gundagai.
At Gundagai next morning (which poets call "th' morn")
The greybeards sought a doctor – a friend of the forlorn –
Whose name is as an angel's who sometimes blows a horn.
And Doctor Gabriel fixed 'em up, but 'twas not in the bar.
It wasn't rum or whisky, nor yet was it Three Star.
'Twas mixed up in a chemist's shop, and swifter stuff by far.
They went out to the backyard (to make my meaning plain);
The doctor's stuff wrought mightily, but by no means in vain.
Then they could eat their breakfasts and drink their beer again.
They made a bond between the three, as rock against the wave,
That they'd go to the barber's shop and each have a clean shave,
To show the people how they looked when they were young and brave.
They had the shave and bought three suits (and startling suits in sooth),
And three white shirts and three red ties (to tell the awful truth),
To show the people how they looked in their hilarious youth.
They burnt their old clothes in the yard, and their old hats as well;
The publican kicked up a row because they made a smell.
They put on bran'-new "larstin'-sides" – and, oh, they looked a yell!
Next morning, or the next (or next), from demon-haunted beds,
And very far from feeling like what sporting men call "peds",
The three rode back without their beards, with "boxers" on their heads!
They tried to get Joe lodgings at the Busy Bee in vain;
They did not take him to their homes, they took him to the train;
They sent him back to Sydney till grey beards grew again.
They sent him back to Sydney to keep away a year;
Because of shaven beards and wives they thought him safer here.
And so he cut his friends and stuck to powdered blondes and beer.
Until the finish came at last, as 'twill to any "bloke";
But in Joe's case it chanced to be a paralytic stroke;
The soft heart of a powdered blonde was, as she put it, "broke".
She sought Joe in the hospital and took the choicest food;
She went there very modestly and in a chastened mood,
And timid and respectful-like – because she was no good.
She sat the death-watch out alone on the verandah dim;
And after all was past and gone she dried her eyes abrim,
And sought the head-nurse timidly, and asked "May I see him?"
And then she went back to her bar, where she'd not been for weeks,
To practise there her barmaid's smile and mend and patch the streaks
The only real tears for Joe had left upon her cheeks
poem by Henry Lawson

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There was one I met upon the road
There was one I met upon the road
Who looked at me with kind eyes.
He said, "Show me of your wares."
And this I did,
Holding forth one.
He said, "It is a sin."
Then held I forth another;
He said, "It is a sin."
Then held I forth another;
He said, "It is a sin."
And so to the end;
Always he said, "It is a sin."
And, finally, I cried out,
"But I have none other."
Then did he look at me
With kinder eyes.
"Poor soul!" he said.
poem by Stephen Crane

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DYSPNOEA (short story)
"He's choking" I cried
looking at that sixty plus old man in a dhothi and a tattered wet shirt.
"Dyspnoea! " commented my friend Rajan
staring at him.
"What's dyspnoea? " I yelled.
The rain-lashed black-top road
was looking like a crawling snake..
That desolate bus-shelter beside
that village road was damp and leaking.
The old man settled on the cement bench
was panting, coughing and staring into the skies as if he's waiting to see the angels from heaven or agents of the Hades.
His wife was pressing his back and telling..."Wait...the rain will abate soon...it won't take much time."
I cried at her, "Give him his inhaler! "
"What's inhaler? " she asked.
"I mean inhaler; O' God! " I cried.
"How do they know about inhaler? " Rajan said coolly.
Ignoring my friend, I cried again,
"Don't you have any medicine ready...
Something like deriphyllin or salbutamol? "
I didn't wait for her reply...rushed into the rain and reached the street corner and asked a passer-by, "Where's the medical shop here? ", "No medical shop here...in fact up to a distance of 20 kms" he replied. "No medical shop? ! ! " stunned I shouted aloud.
He added, "That old couple live in a small hut. Even a small rain is enough to make them run. They come to this bus-shelter and remain till the rain abates...it's usual for them...don't worry...once the rain abates they go back to their hut"
Returned to the bus-shelter and cried at her
"Take him to the town by next bus...his condition is serious. We're riding on a motor bike. It's too risky to drive him town"
We returned to town, but remained my heart guilty.
"I could have done better than leaving that old man like that"
I thought.
Next morn, Rajan called over phone, "Read today's news...that old man died"
(In India there are hundreds of villages where no medical shop is available. This poem is based on a true incident. Rajan is a real name of my friend who is a newspaper correspondent.)
poem by Sathya Narayana

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Upon the road of my life,
Upon the road of my life,
Passed me many fair creatures,
Clothed all in white, and radiant.
To one, finally, I made speech:
"Who art thou?"
But she, like the others,
Kept cowled her face,
And answered in haste, anxiously,
"I am good deed, forsooth;
You have often seen me."
"Not uncowled," I made reply.
And with rash and strong hand,
Though she resisted,
I drew away the veil
And gazed at the features of vanity.
She, shamefaced, went on;
And after I had mused a time,
I said of myself,
"Fool!"
poem by Stephen Crane

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Fragment
At last I entered a long dark gallery,
Catacomb-lined; and ranged at the side
Were the bodies of men from far and wide
Who, motion past, were nevertheless not dead.
"The sense of waiting here strikes strong;
Everyone's waiting, waiting, it seems to me;
What are you waiting for so long? --
What is to happen?" I said.
"O we are waiting for one called God," said they,
"(Though by some the Will, or Force, or Laws;
And, vaguely, by some, the Ultimate Cause;)
Waiting for him to see us before we are clay.
Yes; waiting, waiting, for God to know it." ...
"To know what?" questioned I.
"To know how things have been going on earth and below it:
It is clear he must know some day."
I thereon asked them why.
"Since he made us humble pioneers
Of himself in consciousness of Life's tears,
It needs no mighty prophecy
To tell that what he could mindlessly show
His creatures, he himself will know.
"By some still close-cowled mystery
We have reached feeling faster than he,
But he will overtake us anon,
If the world goes on."
poem by Thomas Hardy

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The Old Tin Hat
In the good old days when the Army's ways were simple and unrefined,
With a stock to keep their chins in front, and a pigtail down behind,
When the only light in the barracks at night was a candle of grease or fat,
When they put the extinguisher on the light, they called it the Old Tin Hat.
Now, a very great man is the C. in C., for he is the whole of the show --
The reins and the whip and the driver's hand that maketh the team to go --
But the road he goes is a lonely road, with ever a choice to make,
When he comes to a place where the roads divide, which one is the road to take.
For there's one road right, and there's one road wrong, uphill, or over the flat,
And one road leads to the Temple of Fame, and one to the Old Tin Hat.
And a very great man is the man who holds an Army Corps command,
For he hurries his regiments here and there as the C. in C. has planned.
By day he travels about in state and stirreth them up to rights,
He toileth early and toileth late, and sitteth up half the nights;
But the evening comes when the candle throws twin shadows upon the mat,
And one of the shadows is like a wreath, and one like an Old Tin Hat.
And a very proud man is the Brigadier at the sound of the stately tread
Of his big battalions marching on, as he rides with his staff ahead.
There's never a band to play them out, and the bugle's note is still,
But he hears two tunes in the gentle breeze that blows from over the hill.
And one is a tune in a stirring key, and the other is faint and flat,
For one is the tune of "My new C.B." and the other, "My Old Tin Hat."
And the Colonel heading his regiment is life and soul of the show,
It's "Column of route", "Form troops", "Extend", and into the fight they go;
He does not duck when the air is full of the "wail of the whimpering lead",
He does not scout for the deep dugout when the 'planes are overhead;
He fears not hog, nor devil, nor dog, and he'd scrap with a mountain cat,
But he goeth in fear of the Brigadier, and in fear of the Old Tin Hat.
poem by Andrew Barton Paterson

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Sydney my Love
Sydney my love, Sydney my city.
Pretty pretty place,
Plenty- plenty beauty.
Sydney my love, Sydney my city.
First rays of sun –
Spread here fun,
Splendour and majesty,
Nothing so beauty.
Sydney my love, Sydney my city.
Tidy beaches, green green trees,
Heavenly blowing cool cool breeze,
Kissing the shore waves sporty.
Sydney my love, Sydney my city.
Fort Dension, port Jackson,
Kings Cross, Opera attraction,
Harbour bridge, Bondi beach,
Place to find calm & peace,
Sydney is our identity.
Sydney my love, Sydney my city.
Kangaroo, emu, blue mountain,
Adventure, romance, 4x, fun.
Flora fauna, folk, fidelity.
Sydney my love, Sydney my city.
poem by S.D. Tiwari

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Lead "me" to "me
What is this place?
Where have I reached?
I stand infront
The mirror,
As a stranger
Stares back at me.
Do I know her?
Have we met before?
Why do I see in her traces of' me'?
Or is this…
The new ‘me"?
Do I like her?
Brazen she stands…
Her hair wind swept,
Her eyes, wild
No longer windows
To the divinity of her soul.
But her smile has
Traces of "me".
That strange
Devil in "me".
As I shudder in peril,
Where have I reached?
Its miles and miles of mist,
Paths untread,
Lonely beings.
But…
Its this mysterious "me"
Which terrifies my soul.
Did I ever want to be
"her"?
Do I have a choice?
Is it too late to decide,
Revert, run back?
Where did I lose the "me"
I was so proud about?
Pray, give me your magic hand
Do lead "me to"me"…
For without "you" holding "me"
I remain not even "me"
Daddy…
your little 'ai'is all lost
Please lead "me" to "me"….
poem by Anjali Kakati

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Kingdom of Love
In the dawn of the day when the sea and the earth
Reflected the sunrise above,
I set forth with a heart full of courage and mirth
To seek for the Kingdom of Love.
I asked of a Poet I met on the way
Which cross-road would lead me aright.
And he said: "Follow me, and not long you shall see
Its glittering turrets of light."
And soon in the distance a city shone fair,
"Look yonder," he said; "how it gleams!"
But alas! for the hopes that were doomed to despair,
It was only the "Kingdom of Dreams."
Then the next man I asked was a gay Cavalier,
And he said: "Follow me, follow me;"
And with laughter and song we went speeding along
By the shores of Life's beautiful sea.
Then we came to a valley more tropical far
Than the wonderful vale of Cashmere,
And I saw from a bower a face like a flower
Smile out on the gay Cavalier.
And he said: "We have come to humanity's goal:
Here love and delight are intense."
But alas and alas! for the hopes of my soul
It was only the "Kingdom of Sense."
As I journeyed more slowly I met on the road
A coach with retainers behind.
And they said: "Follow me, for our Lady's abode
Belongs in that realm, you will find."
'Twas a grand dame of fashion, a newly made bride,
I followed, encouraged and bold;
But my hopes died away like the last gleams of day,
For we came to the "Kingdom of Gold."
At the door of a cottage I asked a fair maid.
"I have heard of that realm," she replied;
"But my feet never roam from the "Kingdom of Home,"
So I know not the way," and she sighed.
I looked on the cottage; how restful it seemed!
And the maid was as fair as a dove.
Great light glorified my soul as I cried:
"Why home is the 'Kingdom of Love!'"
poem by Ella Wheeler Wilcox

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The Ruined Maid
"O 'Melia, my dear, this does everything crown!
Who could have supposed I should meet you in Town?
And whence such fair garments, such prosperi-ty?"-
"O didn't you know I'd been ruined?" said she.
-"You left us in tatters, without shoes or socks,
Tired of digging potatoes, and spudding up docks;
And now you've gay bracelets and bright feathers three!"-
"Yes: that's how we dress when we're ruined," said she.
-"At home in the barton you said 'thee' and 'thou,'
And 'thik oon' and 'theäs oon' and 't'other'; but now
Your talking quite fits 'ee for high compan-ny!"-
"Some polish is gained with one's ruin," said she.
-"Your hands were like paws then, you face blue and bleak
But now I'm bewitched by your delicate cheek,
And your little gloves fit as on any la-dy!"-
"We never do work when we're ruined," said she.
-"You used to call home-life a hag-ridden dream,
And you'd sigh, and you'd sock; but at present you seem
To know not of megrims or melancho-ly!"-
"True. One's pretty lively when ruined," said she.
-"I wish I had feathers, a fine sweeping gown,
And a delicate face, and could strut about Town"-
"My dear - raw country girl, such as you be,
Cannot quite expect that. You ain't ruined," said she.
poem by Thomas Hardy

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You Are Old Father William
"You are old, father William," the young man said,
"And your hair has become very white;
And yet you incessantly stand on your head --
Do you think, at your age, it is right?
"In my youth," father William replied to his son,
"I feared it might injure the brain;
But, now that I'm perfectly sure I have none,
Why, I do it again and again."
"You are old," said the youth, "as I mentioned before,
And you have grown most uncommonly fat;
Yet you turned a back-somersault in at the door --
Pray what is the reason for that?"
"In my youth," said the sage, as he shook his grey locks,
"I kept all my limbs very supple
By the use of this ointment -- one shilling a box --
Allow me to sell you a couple?"
"You are old," said the youth, "and your jaws are too weak
For anything tougher than suet;
Yet you finished the goose, with the bones and the beak --
Pray, how did you mange to do it?"
"In my youth," said his fater, "I took to the law,
And argued each case with my wife;
And the muscular strength, which it gave to my jaw,
Has lasted the rest of my life."
"You are old," said the youth, "one would hardly suppose
That your eye was as steady as every;
Yet you balanced an eel on the tend of your nose --
What made you so awfully clever?"
"I have answered three questions, and that is enough,"
Said his father. "Don't give yourself airs!
Do you think I can listen all day to such stuff?
Be off, or I'll kick you down stairs.
poem by Lewis Carroll

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The ABC
'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"
Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"
"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."
C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."
"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."
"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.
"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."
X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."
poem by Spike Milligan

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