Teatro Bambino. Dublin, N. H.
How still it is! Sunshine itself here falls
In quiet shafts of light through the high trees
Which, arching, make a roof above the walls
Changing from sun to shadow as each breeze
Lingers a moment, charmed by the strange sight
Of an Italian theatre, storied, seer
Of vague romance, and time's long history;
Where tiers of grass-grown seats sprinkled with white,
Sweet-scented clover, form a broken sphere
Grouped round the stage in hushed expectancy.
What sound is that which echoes through the wood?
Is it the reedy note of an oaten pipe?
Perchance a minute more will see the brood
Of the shaggy forest god, and on his lip
Will rest the rushes he is wont to play.
His train in woven baskets bear ripe fruit
And weave a dance with ropes of gray acorns,
So light their touch the grasses scarcely sway
As they the measure tread to the lilting flute.
Alas! 't is only Fancy thus adorns.
A cloud drifts idly over the shining sun.
How damp it seems, how silent, still, and strange!
Surely 't was here some tragedy was done,
And here the chorus sang each coming change?
Sure this is deep in some sweet, southern wood,
These are not pines, but cypress tall and dark;
That is no thrush which sings so rapturously,
But the nightingale in his most passionate mood
Bursting his little heart with anguish. Hark!
The tread of sandalled feet comes noiselessly.
The silence almost is a sound, and dreams
Take on the semblances of finite things;
So potent is the spell that what but seems
Elsewhere, is lifted here on Fancy's wings.
The little woodland theatre seems to wait,
All tremulous with hope and wistful joy,
For something that is sure to come at last,
Some deep emotion, satisfying, great.
It grows a living presence, bold and shy,
Cradling the future in a glorious past.
poem by Amy Lowell
Submitted by Poetry Lover
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How He Saw Angus, The God
I heard the swallow sing in the eaves and rose
All in a strange delight while others slept,
And down the creaking stair, alone, tip-toes,
So carefully I crept.
The house was dark with silly blinds yet drawn,
But outside the clean air was filled with light,
And underneath my feet the cold, wet lawn
With dew was twinkling bright.
The cobwebs hung from every branch and spray
Gleaming with pearly strands of laden thread,
And long and still the morning shadows lay
Across the meadows spread.
At that pure hour when yet no sound of man,
Stirs in the whiteness of the wakening earth,
Alone through innocent solitudes I ran
Singing aloud for mirth.
Till I had found the open mountain heath
Yellow with gorse, and rested there and stood
To gaze upon the misty sea beneath,
Or on the neighbouring wood,
—That little wood of hazel and tall pine
And youngling fir, where oft we have loved to see
The level beams of early morning shine
Freshly from tree to tree.
Through the denser wood there's many a pool
Of deep and night-born shadow lingers yet
Where the new-wakened flowers are damp and cool
And the long grass is wet.
In the sweet heather long I rested there
Looking upon the dappled, early sky,
When suddenly, from out the shining air
A god came flashing by.
Swift, naked, eager, pitilessly fair,
With a live crown of birds about his head,
Singing and fluttering, and his fiery hair,
Far out behind him spread,
Streamed like a rippling torch upon the breeze
Of his own glorious swiftness: in the grass
He bruised no feathery stalk, and through the trees
I saw his whiteness pass.
But when I followed him beyond the wood,
Lo! He was changed into a solemn bull
That there upon the open pasture stood
And browsed his lazy full.
poem by Clive Staples Lewis
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By the Camp Fire
Ah, 'twas but now I saw the sun flush pink on yonder placid tide;
The purple hill-tops, one by one, were strangely lit and glorified;
And yet how sweet the night has grown, with palest starlights dimly sown!
Those mountain ranges, far and near, enclasp me,— sharply pencilled there,
Like blackest sea-waves,—outlined here, like phantoms in the luminous air,
Between that cold and quiet sky, and the calm river running by.
The gum-trees whisper overhead, and, delicately dark and fine,
Their lovely shadow-patterns shed across the paths of white moonshine.
The golden wattles glimmer bright, scenting this cool, transparent night.
What spirits wake when earth is still? I hear wild wood-notes softly swell.
There's the strange clamour, hoarse and shrill, that drowns the bull-frogs' hollow
bell;
And there's the plaintive rise and fall of the lone mopoke's cuckoo-call.
And nearer, an opossum flits above the firelight, pauses, peers—
I see a round ball where he sits, with pendant tail and pointed ears;
And two are gruffly snarling now in hollows of yon upper bough.
Hark! that's the curlew's thrilling scream. What mountain echoes it has stirred!
The sound goes crying down the stream, the wildest bird-note ever heard.
And there's a crane, with legs updrawn, gone sailing out to meet the dawn.
It croaks its farewell, like a crow, beating the air with soft, wide wings.
On the white water down below its vague grey shadow-shape it flings,
And, dream-like, passes out of sight, a lonely vision of the night.
Ah me! how weird the undertones that thrill my wake-ful fancy through!
The river softly creeps and moans; the wind seems faintly crying too.
Such whisperings seem to come and pass across the orchis-flower'd grass.
The darkness gather'd all around is full of rustlings, strange and low,
The dead wood crackles on the ground, and shadowy shapes flit to and fro;
I think they are my own dim dreams, wandering amongst the woods and streams.
The tangled trees seem full of eyes,—still eyes that watch me as I sit;
A flame begins to fall and rise, their glances come and go with it.
And on the torn bark, rough and brown, I hear soft scratchings up and down.
Sometimes I hear a sound of feet,—a slow step through the darkness steals;
And then I think of yours, my sweet, in spirit following at my heels;
For leagues before, around, behind, part me from all my human-kind.
Coo-ey!—the long vibration throbs in countless echoes through the hills.
The lonely forest wakes and sobs, and then no sound the silence fills,—
Only the night-frogs' bubbling shriek in every water-hole and creek;
Only a rush of wind in flight, as startled wild-ducks flutter past,
Quivering and twinkling in the light, skimming the shining water fast;
And ripples from a black swan's breast, darting from out its rushy nest.
How is't in England?—Sunday morn, and organ-music, love, with you.
That breath of memory, idly born, like a great storm-wind shakes me through.
Ah, darling! bend your head and pray,—it cannot touch you far away.
Why do I care? My house of God, beyond all thought, is grand and great!
My prayerful knees, upon the sod, its flowers and grasses consecrate.
And I can see Him in the stars, undimmed by walls and window-bars.
Great Nature spreads her wondrous book, and shows me all her pages fair;
To me the language, when I look, seems but a letter here and there—
The very stones beneath me teach a lore beyond my utmost reach.
For all my pain, and toil, and strife, I see so dimly what is true!
O Art! O Science! O great Life! I grasp thee by so faint a clue!
No more of ocean tides I dream than minnows in their shallow stream.
Sea without bottom, without shore, where is the plumb to fathom thee?
O mystery! as I learn thee more, the more thy deeps are dark to me!
But who am I, that I should scan the Divine Maker's mighty plan?
And yet, oh yet, if I could hear that organ-music once again,
My soul, methinks, would lose its fear; and on this troubled heart and brain
Some light of knowledge would be shed, and some few riddles would be read.
poem by Ada Cambridge
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The Cloud Confines
The day is dark and the night
To him that would search their heart;
No lips of cloud that will part
Nor morning song in the light:
Only, gazing alone,
To him wild shadows are shown,
Deep under deep unknown
And height above unknown height.
Still we say as we go,--
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."
The Past is over and fled;
Nam'd new, we name it the old;
Thereof some tale hath been told,
But no word comes from the dead;
Whether at all they be,
Or whether as bond or free,
Or whether they too were we,
Or by what spell they have sped.
Still we say as we go,--
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."
What of the heart of hate
That beats in thy breast, O Time?--
Red strife from the furthest prime,
And anguish of fierce debate;
War that shatters her slain,
And peace that grinds them as grain,
And eyes fix'd ever in vain
On the pitiless eyes of Fate.
Still we say as we go,--
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."
What of the heart of love
That bleeds in thy breast, O Man?--
Thy kisses snatch'd 'neath the ban
Of fangs that mock them above;
Thy bells prolong'd unto knells,
Thy hope that a breath dispels,
Thy bitter forlorn farewells
And the empty echoes thereof?
Still we say as we go,--
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."
The sky leans dumb on the sea,
Aweary with all its wings;
And oh! the song the sea sings
Is dark everlastingly.
Our past is clean forgot,
Our present is and is not,
Our future's a seal'd seedplot,
And what betwixt them are we?--
We who say as we go,--
"Strange to think by the way,
Whatever there is to know,
That shall we know one day."
poem by Dante Gabriel Rossetti
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Tread Careful
Tread careful
Because youre treading on my dreams.
Tread careful
Because Ive just one heart
Tread careful
Let me down slowly
Or Ill forget how to dream.
Chorus:
I wont forget anything
(I love you)
I wont forgive anyone
(do you love me? )
Tread careful
You hear the sound of my breathing
Tread careful
Because I feel this sound
Tread careful
Im falling in a glasshouse
Im trying hard to begin
Because I want it to get harder
Tread careful
Before I change my mind
Tread careful
I could surprise you
I know something you want to do.
(repeat chorus)
Tread careful
Im sure you dont care but
Tread careful
I could change your mind
Tread careful
Ive been waiting for you
There is no comfort in here.
(repeat chorus)
song performed by by Gary Numan
Submitted by Lucian Velea
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A Gleam of Sunshine
This is the place. Stand still, my steed,
Let me review the scene,
And summon from the shadowy Past
The forms that once have been.
The Past and Present here unite
Beneath Time's flowing tide,
Like footprints hidden by a brook,
But seen on either side.
Here runs the highway to the town;
There the green lane descends,
Through which I walked to church with thee,
O gentlest of my friends!
The shadow of the linden-trees
Lay moving on the grass;
Between them and the moving boughs,
A shadow, thou didst pass.
Thy dress was like the lilies,
And thy heart as pure as they:
One of God's holy messengers
Did walk with me that day.
I saw the branches of the trees
Bend down thy touch to meet,
The clover-blossoms in the grass
Rise up to kiss thy feet,
"Sleep, sleep to-day, tormenting cares,
Of earth and folly born!"
Solemnly sang the village choir
On that sweet Sabbath morn.
Through the closed blinds the golden sun
Poured in a dusty beam,
Like the celestial ladder seen
By Jacob in his dream.
And ever and anon, the wind,
Sweet-scented with the hay,
Turned o'er the hymn-book's fluttering leaves
That on the window lay.
Long was the good man's sermon,
Yet it seemed not so to me;
For he spake of Ruth the beautiful,
And still I thought of thee.
Long was the prayer he uttered,
Yet it seemed not so to me;
For in my heart I prayed with him,
And still I thought of thee.
But now, alas! the place seems changed;
Thou art no longer here:
Part of the sunshine of the scene
With thee did disappear.
Though thoughts, deep-rooted in my heart,
Like pine-trees dark and high,
Subdue the light of noon, and breathe
A low and ceaseless sigh;
This memory brightens o'er the past,
As when the sun, concealed
Behind some cloud that near us hangs
Shines on a distant field.
poem by Henry Wadsworth Longfellow
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The Lonely Dancer
I had no heart to join the dance,
I danced it all so long ago-
Ah! light-winged music out of France,
Let other feet glide to and fro,
Weaving new patterns of romance
For bosoms of new-fallen snow.
But leave me thus where I may hear
The leafy rustle of the waltz,
The shell-like murmur in my ear,
The silken whisper fairy-false
Of unseen rainbows circling near,
And the glad shuddering of the walls.
Another dance the dancers spin,
A shadow-dance of mystic pain,
And other partners enter in
And dance within my lonely brain-
The swaying woodland shod in green,
The ghostly dancers of the rain;
The lonely dancers of the sea,
Foam-footed on the sandy bar,
The wizard dance of wind and tree,
The eddying dance of stream and star;
Yea, all these dancers tread for me
A measure mournful and bizarre:
An echo-dance where ear is eye,
And sound evokes the shapes of things,
Where out of silence and a sigh
The sad world like a picture springs,
As, when some secret bird sweeps by,
We see it in the sound of wings.
Those human feet upon the floor,
That eager pulse of rhythmic breath,-
How sadly to an unknown shore
Each silver footfall hurryeth;
A dance of autumn leaves, no more,
On the fantastic wind of death.
Fire clasped to elemental fire,
'Tis thus the solar atom whirls;
The butterfly in aery gyre,
On autumn mornings, swarms and swirls,
In dance of delicate desire,
No other than these boys and girls.
The same strange music everywhere,
The woven paces just the same,
Dancing from out the viewless air
Into the void from whence they came;
Ah! but they make a gallant flare
Against the dark, each little flame!
And what if all the meaning lies
Just in the music, not in those
Who dance thus with transfigured eyes,
Holding in vain each other close;
Only the music never dies,
The dance goes on,-the dancer goes.
A woman dancing, or a world
Poised on one crystal foot afar,
In shining gulfs of silence whirled,
Like notes of the strange music are;
Small shape against another curled,
Or dancing dust that makes a star.
To him who plays the violin
All one it is who joins the reel,
Drops from the dance, or enters in;
So that the never-ending wheel
Cease not its mystic course to spin,
For weal or woe, for woe or weal.
poem by Richard Le Gallienne
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Skeleton Flat
HERE’S never a bough to be tossed in the breeze,
For it’s long since the forest was green;
And round all the trunks of the naked white trees
The marks of the death-ring are seen.
The solemn-faced bear, who had looked on the blacks
From his home with the ’possum and cat,
Blinked anxiously down when the death-dealing axe
Was ring-barking Skeleton Flat.
And, strange to be seen in the evergreen south,
The gums for ten summers have stood,
And dried in the terrible furnace of drouth,
Till harder than flint is the wood.
Now tall grows the grass at the roots of the trees,
But a beautiful forest it cost;
And the heart of the splitter is sad when he sees
And thinks of the timber that’s lost.
Here flies, through a sky that is glazed, the black crow,
And the eagle goes circling around,
Or evilly sits on a branch that is low,
With his gleaming black eye on the ground.
And loudly the jackasses chuckle in mirth,
When a comrade flies upward, until
Like a fragment of thread, in its height from the earth,
Is the writhing brown snake in his bill.
O fit for the place are the curlews that wail
On the banks of a distant lagoon,
Or round by the swamps that are shallow and pale
In the light of the nights of the moon;
When glist’ning and white are the frost-covered trees
That dead for ten summers have stood;
And the stranger, benighted, might fancy he sees
The skeleton wraith of a wood.
poem by Henry Lawson
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As long as its music
Please play me a symphony
Make a simple cheerful harmony
Please play me a chord from a guitar
For me, it does not matter
If I’m the only audience of your theatre
Give me some instrumental vibes
All rhythms and tunes are musically ripe
There is no need to take precaution
While playing the Banjo or flamenco percussion
As long as its music
We can all heal
As long as its music
We can all feel
We can sing out our hearts and soul
We can let this music take control
Please play me the drums
We can sing or we can hum
Please play me a CD or a hit record
We could sing to the tunes of an ipod
With the sounds of music we can compose a song
Maybe sing to the town’s bells chiming ding-dong
Please play me the sweet keys of a piano
Hit a sweet note that is a major or minor
As long as its music
We can all heal or cry
As long as its music
We can all feel or fly high
And I will be lost in your voice and eyes
Holding on to each minute that flies
Whatever sounds or instruments
I shall feel good in the moment
Please play me a note from a flute
Those peaceful sounds tend to soothe
I want to hear sweet, sweet music
Choose your lyrics, take your pick
My heart will dance, till she is weak
Get out that guitar, acoustic or electric
Please play me the violins of an orchestra night
String me some melodies in broad daylight
And we can rap to melodious sense or crap
While our feet’s playfully tap, tap and tap
As long as its music
We can dance along the shore
As long as its music
We can all take to the dance floor
And I say once more, once more!
As long as its music, I will only ask for more
poem by Sylvia Chidi
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The Music of the World and of the Soul
I
Why should I say I see the things I see not?
Why be and be not?
Show love for that I love not, and fear for what I fear not?
And dance about to music that I hear not?
Who standeth still i’ the street
Shall be hustled and justled about;
And he that stops i’ the dance shall be spurned by the dancers’ feet,
Shall be shoved and be twisted by all he shall meet,
And shall raise up an outcry and rout;
And the partner, too,
What ’s the partner to do?
While all the while ’tis but, perchance, an humming in mine ear,
That yet anon shall hear,
And I anon, the music in my soul,
In a moment read the whole;
The music in my heart,
Joyously take my part,
And hand in hand, and heart with heart, with these retreat, advance;
And borne on wings of wavy sound,
Whirl with these around, around,
Who here are living in the living dance
Why forfeit that fair chance?
Till that arrive, till thou awake,
Of these, my soul, thy music make,
And keep amid the throng,
And turn as they shall turn, and bound as they are bounding,
Alas! alas! alas! and what if all along
The music is not sounding?
II
Are there not, then, two musics unto men?
One loud and bold and coarse,
And overpowering still perforce
All tone and tune beside;
Yet in despite its pride
Only of fumes of foolish fancy bred,
And sounding solely in the sounding head
The other, soft and low,
Stealing whence we not know,
Painfully heard, and easily forgot,
With pauses oft and many a silence strange
(And silent oft it seems, when silent it is not),
Revivals too of unexpected change
Haply thou think’st ’twill never be begun,
Or that ’t has come, and been, and passed away
Yet turn to other none,
Turn not, oh, turn not thou!
But listen, listen, listen, if haply be heard it may;
Listen, listen, listen, is it not sounding now?
III
Yea, and as thought of some departed friend
By death or distance parted will descend,
Severing, in crowded rooms ablaze with light,
As by a magic screen, the seer from the sight
(Palsying the nerves that intervene
The eye and central sense between);
So may the ear,
Hearing not hear,
Though drums do roll, and pipes and cymbals ring;
So the bare conscience of the better thing
Unfelt, unseen, unimaged, all unknown,
May fix the entrancèd soul ’mid multitudes alone.
poem by Arthur Hugh Clough
Submitted by Veronica Serbanoiu
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Vies Manquees
A YEAR ago we walked the wood--
A year ago to-day;
A blackbird fluttered round her brood
Deep in the white-flowered may.
We trod the happy woodland ways,
Where sunset streamed between
The hazel stems in long dusk rays,
And turned to gold the green.
A thrush sang where the ferns uncurled,
And clouds of wind-flowers grew:
I missed the meaning of the world
From lack of love for you.
You missed the beauty of the year,
And failed its self to see,
Through too much doubt and too much fear,
And too much love of me.
This year we hear the birds' glad strain,
Again the sunset glows,
We walk the wild wet woods again,
Again the wind-flower blows.
In cloudy white the falling may
Drifts down the scented wind,
And so the secret drifts away
Which we shall never find.
Our drifted spirits are not free
Spring's secret springs to touch,
For now you do not care for me,
And I love you too much.
poem by Edith Nesbit
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A Canadian Summer Evening
The rose-tints have faded from out of the West,
From the Mountain’s high peak, from the river’s broad breast.
And, silently shadowing valley and rill,
The twilight steals noiselessly over the hill.
Behold, in the blue depths of ether afar,
Now softly emerging each glittering star;
While, later, the moon, placid, solemn and bright,
Floods earth with her tremulous, silvery light.
Hush! list to the Whip-poor-will’s soft plaintive notes,
As up from the valley the lonely sound floats,
Inhale the sweet breath of yon shadowy wood
And the wild flowers blooming in hushed solitude.
Start not at the whispering, ’tis but the breeze,
Low rustling, ’mid maple and lonely pine trees,
Or willows and alders that fringe the dark tide
Where canoes of the red men oft silently glide.
See, rising from out of that copse, dark and damp,
The fire-flies, each bearing a flickering lamp!
Like meteors, gleaming and streaming, they pass
O’er hillside and meadow, and dew-laden grass,
Contrasting with ripple on river and stream,
Alternately playing in shadow and beam,
Till fullness of beauty fills hearing and sight
Throughout the still hours of a calm summer’s night.
poem by Rosanna Eleanor Leprohon
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Strange Fruit
Southern trees bear a strange fruit
Blood on the leaves and blood at the root
Black bodies swinging in the southern breeze
Strange fruit hanging from the poplar trees
Pastoral scene of the gallant south
The bulging eyes and the twisted mouth
Scent of magnolia sweet and fresh
Then the sudden smell of burning flesh.
Here is a fruit for the crow to pluck
For the rain to wither, for the wind to suck
For the sun to rot, for the trees to drop
Here is a strange and bitter crop.
song performed by by Ub40
Submitted by Lucian Velea
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The Mystic's Vision
Ah! I shall kill myself with dreams!
These dreams that softly lap me round
Through trance-like hours in which meseems
That I am swallowed up and drowned;
Drowned in your love, which flows o'er me
As o'er the seaweed flows the sea.
In watches of the middle night,
'Twixt vesper and 'twist matin bell,
With rigid arms and straining sight,
I wait within my narrow cell;
With muttered prayers, suspended will,
I wait your advent--statue-still.
Across the convent garden walls
The wind blows from the silver seas;
Black shadow of the cypress falls
Between the moon-meshed olive-trees;
Sleep-walking from their golden bowers,
Flit disembodied orange flowers.
And in God's consecrated house,
All motionless from head to feet,
My heart awaits her heavenly Spouse,
As white I lie on my white sheet;
With body lulled and soul awake,
I watch in anguish for your sake.
And suddenly, across the gloom,
The naked moonlight sharply swings;
A Presence stirs within the room,
A breath of flowers and hovering wings:--
Your presence without form and void,
Beyond all earthly joys enjoyed.
My heart is hushed, my tongue is mute,
My life is centred in your will;
You play upon me like a lute
Which answers to its master's skill,
Till passionately vibrating,
Each nerve becomes a throbbing string.
Oh, incommunicably sweet!
No longer aching and apart,
As rain upon the tender wheat,
You pour upon my thirsty heart;
As scent is bound up in the rose,
Your love within my bosom glows.
poem by Mathilde Blind
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Home 3
Often I had gone this way before
But now it seemed I never could be
And never had been anywhere else;
'Twas home; one nationality
We had, I and the birds that sang,
One memory.
They welcomed me. I had come back
That eve somehow from somewhere far:
The April mist, the chill, the calm,
Meant the same thing familiar
And pleasant to us, and strange too,
Yet with no bar.
The thrush on the oaktop in the lane
Sang his last song, or last but one;
And as he ended, on the elm
Another had but just begun
His last; they knew no more than I
The day was done.
Then past his dark white cottage front
A labourer went along, his tread
Slow, half with weariness, half with ease;
And, through the silence, from his shed
The sound of sawing rounded all
That silence said.
poem by Edward Thomas
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Books for the people
"Let there be light."
Light to the darkened mind
Bear, like the sun, the world's wide circle round,
Bright messengers that speak without a sound!
Sight on the spirit blind
Shall fall whene'er ye pass; your living ray
Shall change the night of ages into day: --
God speed ye on your way!
In closet and in hall,
Too long alone your message hath been spoken:
The spell of gold that bound ye there is broken;
Go forth and shine on all;
The world's inheritance, the legacy
Bequeathed by Genius to the race are ye;
Be like the sunlight, free!
A mighty power ye wield!
Ye wake grim centuries from their deep repose,
And bid their hoarded treasuries unclose,
The spoils of time to yield.
Ye hold the gift of immortality;
Bard, sage, and seer, whose fame shall never die,
Live through your ministry.
Noiseless upon your path,
Freighted with lore, romance, and song, ye speed,
Moving the world, in custom and in creed,
Waking its love or wrath.
Tyrants, that blench not on the battle-plain,
Quail at your silent coming, and in vain
Would bind the riven chain.
Shrines, that embalm great souls!
Where yet the illustrious dead high converse hold,
As gods spake through their oracles of old;
Upon your mystic scrolls,
There lives a spell to guide our destiny;
The fire by night, the pillared cloud by day,
Upon our upward way.
poem by Anne Lynch Botta from Poems (1848)
Submitted by Veronica Serbanoiu
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From the Somme
In other days I sang of simple things,
Of summer dawn, and summer noon and night,
The dewy grass, the dew wet fairy rings,
The larks long golden flight.
Deep in the forest I made melody
While squirrels cracked their hazel nuts on high,
Or I would cross the wet sand to the sea
And sing to sea and sky.
When came the silvered silence of the night
I stole to casements over scented lawns,
And softly sang of love and love’s delight
To mute white marble fauns.
Oft in the tavern parlour I would sing
Of morning sun upon the mountain vine,
And, calling for a chorus, sweep the string
In praise of good red wine.
I played with all the toys the gods provide,
I sang my songs and made glad holiday
Mow I have cast my broken toys aside
And flung my lute away.
A singer once, I now am fain to weep,
Within my soul I feel strange music swell,
Vast chants of tragedy too deep - too deep
For my poor lips to tell.
poem by Leslie Coulson
Submitted by Poetry Lover
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In November (2)
With loitering step and quiet eye,
Beneath the low November sky,
I wandered in the woods, and found
A clearing, where the broken ground
Was scattered with black stumps and briers,
And the old wreck of forest fires.
It was a bleak and sandy spot,
And, all about, the vacant plot,
Was peopled and inhabited
By scores of mulleins long since dead.
A silent and forsaken brood
In that mute opening of the wood,
So shrivelled and so thin they were,
So gray, so haggard, and austere,
Not plants at all they seemed to me,
But rather some spare company
Of hermit folk, who long ago,
Wandering in bodies to and fro,
Had chanced upon this lonely way,
And rested thus, till death one day
Surprised them at their compline prayer,
And left them standing lifeless there.
There was no sound about the wood
Save the wind's secret stir. I stood
Among the mullein-stalks as still
As if myself had grown to be
One of their sombre company,
A body without wish or will
And as I stood, quite suddenly,
Down from a furrow in the sky
The sun shone out a little space
Across that silent sober place,
Over the sand heaps and brown sod,
The mulleins and dead goldenrod,
And passed beyond the thickets gray,
And lit the fallen leaves that lay,
Level and deep within the wood,
A rustling yellow multitude.
And all around me the thin light,
So sere, so melancholy bright,
Fell like the half-reflected gleam
Or shadow of some former dream;
A moment's golden reverie
Poured out on every plant and tree
A semblance of weird joy, or less,
A sort of spectral happiness;
And I, too, standing idly there,
With muffled hands in the chill air,
Felt the warm glow about my feet,
And shuddering betwixt cold and heat,
Drew my thoughts closer, like a cloak,
While something in my blood awoke,
A nameless and unnatural cheer,
A pleasure secret and austere.
poem by Archibald Lampman
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Australian Scenery
The Mountains
A land of sombre, silent hills, where mountain cattle go
By twisted tracks, on sidelings deep, where giant gum trees grow
And the wind replies, in the river oaks, to the song of the stream below.
A land where the hills keep watch and ward, silent and wide awake
As those who sit by a dead campfire, and wait for the dawn to break,
Or those who watched by the Holy Cross for the dead Redeemer's sake.
A land where silence lies so deep that sound itself is dead
And a gaunt grey bird, like a homeless soul, drifts, noiseless, overhead
And the world's great story is left untold, and the message is left unsaid.
The Plains
A land as far as the eye can see, where the waving grasses grow
Or the plains are blackened and burnt and bare, where the false mirages go
Like shifting symbols of hope deferred -- land where you never know.
Land of plenty or land of want, where the grey Companions dance,
Feast or famine, or hope or fear, and in all things land of chance,
Where Nature pampers or Nature slays, in her ruthless, red, romance.
And we catch a sound of a fairy's song, as the wind goes whipping by,
Or a scent like incense drifts along from the herbage ripe and dry
-- Or the dust storms dance on their ballroom floor, where the bones of the cattle lie.
poem by Andrew Barton Paterson
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In a Minor Key
(AN ECHO FROM A LARGER LYRE.)
That was love that I had before
Years ago, when my heart was young;
Ev'ry smile was a gem you wore;
Ev'ry word was a sweet song sung.
You came--all my pulses burn'd and beat.
(O sweet wild throbs of an early day!)
You went--with the last dear sound of your feet
The light wax'd dim and the place grew grey.
And I us'd to pace with a stealthy tread
By a certain house which is under a hill;
A cottage stands near, wall'd white, roof'd red--
Tall trees grow thick--I can see it still!
How I us'd to watch with a hope that was fear
For the least swift glimpse of your gown's dear fold!
(You wore blue gowns in those days, my dear--
One light for summer, one dark for cold.)
Tears and verses I shed for you in show'rs;
I would have staked my soul for a kiss;
Tribute daily I brought you of flow'rs,
Rose, lily, your favourite eucharis.
There came a day we were doomed to part;
There's a queer, small gate at the foot of a slope:
We parted there--and I thought my heart
Had parted for ever from love and hope.
* * * *
Is it love that I have to-day?
Love, that bloom'd early, has it bloom'd late
For me, that, clothed in my spirit's grey,
Sit in the stillness and stare at Fate?
Song nor sonnet for you I've penned,
Nor passionate paced by your home's wide wall
I have brought you never a flow'r, my friend,
Never a tear for your sake let fall.
And yet--and yet--ah, who understands?
We men and women are complex things!
A hundred tunes Fate's inexorable hands
May play on the sensitive soul-strings.
Webs of strange patterns we weave (each owns)
From colour and sound; and like unto these,
Soul has its tones and its semitones,
Mind has its major and minor keys.
Your face (men pass it without a word)
It haunts my dreams like an odd, sweet strain;
When your name is spoken my soul is stirr'd
In its deepest depths with a dull, dim pain.
I paced, in the damp grey mist, last night
In the streets (an hour) to see you pass:
Yet I do not think that I love you--quite;
What's felt so finely 'twere coarse to class.
And yet--and yet--I scarce can tell why
(As I said, we are riddles and hard to read),
If the world went ill with you, and I
Could help with a hidden hand your need;
But, ere I could reach you where you lay,
Must strength and substance and honour spend;
Journey long journeys by night and day--
Somehow, I think I should come, my friend!
The Master of the Dance
A chant to which it is intended a group of children shall dance and improvise pantomime led by their dancing-teacher.
I
A master deep-eyed
Ere his manhood was ripe,
He sang like a thrush,
He could play any pipe.
So dull in the school
That he scarcely could spell,
He read but a bit,
And he figured not well.
A bare-footed fool,
Shod only with grace;
Long hair streaming down
Round a wind-hardened face;
He smiled like a girl,
Or like clear winter skies,
A virginal light
Making stars of his eyes.
In swiftness and poise,
A proud child of the deer,
A white fawn he was,
Yet a fwn without fear.
No youth thought him vain,
Or made mock of his hair,
Or laughed when his ways
Were most curiously fair.
A mastiff at fight,
He could strike to the earth
The envious one
Who would challenge his worth.
However we bowed
To the schoolmaster mild,
Our spirits went out
To the fawn-looted child.
His beckoning led
Our troop to the brush.
We found nothing there
But a wind and a hush.
He sat by a stone
And he looked on the ground,
As if in the weeds
There was something profound.
His pipe seemed to neigh,
Then to bleat like a sheep,
Then sound like a stream
Or a waterfall deep.
It whispered strange tales,
Human words it spoke not.
Told fair things to come,
And our marvellous lot
If now with fawn-steps
Unshod we advanced
To the midst of the grove
And in reverence danced.
We obeyed as he piped
Soft grass to young feet,
Was a medicine mighty,
A remedy meet.
Our thin blood awoke,
It grew dizzy and wild,
Though scarcely a word
Moved the lips of a child.
Our dance gave allegiance,
It set us apart,
We tripped a strange measure,
Uplifted of heart.
II
We thought to be proud
Of our fawn everywhere.
We could hardly see how
Simple books were a care.
No rule of the school
This strange student could tame.
He was banished one day,
While we quivered with shame.
He piped back our love
On a moon-silvered night,
Enticed us once more
To the place of delight.
A greeting he sang
And it made our blood beat,
It tramped upon custom
And mocked at defeat.
He builded a fire
And we tripped in a ring,
The embers our books
And the fawn our good king.
And now we approached
All the mysteries rare
That shadowed his eyelids
And blew through his hair.
That spell now was peace
The deep strength of the trees,
The children of nature
We clambered her knees.
Our breath and our moods
Were in tune with her own,
Tremendous her presence,
Eternal her throne.
The ostracized child
Our white foreheads kissed,
Our bodies and souls
Became lighter than mist.
Sweet dresses like snow
Our small lady-loves wore,
Like moonlight the thoughts
That our bosoms upbore.
Like a lily the touch
Of each cold little hand.
The loves of the stars
We could now understand.
O quivering air!
O the crystalline night!
O pauses of awe
And the faces swan-white!
O ferns in the dusk!
O forest-shrined hour!
O earth that sent upward
The thrill and the power,
To lift us like leaves,
A delirious whirl,
The masterful boy
And the delicate girl!
What child that strange night-time
Can ever forget?
His fealty due
And his infinite debt
To the folly divine,
To the exquisite rule
Of the perilous master,
The fawn-looted fool?
III
Now soldiers we seem,
And night brings a new thing,
A terrible ire,
As of thunder awing.
A warrior power,
That old chivalry stirred,
When knights took up arms,
As the maidens gave word.
THE END OF OUR WAR,
WILL BE GLORY UNTOLD.
WHEN THE TOWN LIKE A GREAT
BUDDING ROSE SHALL UNFOLD!
Near, nearer that war,
And that ecstasy comes,
We hear the trees beating
Invisible drums.
The fields of the night
Are starlit above,
Our girls are white torches
Of conquest and love.
No nerve without will,
And no breast without breath,
We whirl with the planets
That never know death!
poem by Vachel Lindsay
Submitted by Poetry Lover
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