
Yorick
Hard by an excavated street one sat
In solitary session on the sand;
And ever and anon he spake and spat
And spake again-a yellow skull in hand,
To which that retrospective Pioneer
Addressed the few remarks that follow here:
'Who are you? Did you come 'der blains agross,'
Or 'Horn aroundt'? In days o' '49
Did them thar eye-holes see the Southern Cross
From the Antarctic Sea git up an' shine?
Or did you drive a bull team 'all the way
From Pike,' with Mr. Joseph Bowers?-say!
'Was you in Frisco when the water came
Up to Montgum'ry street? and do you mind
The time when Peters run the faro game
Jim Peters from old Mississip-behind
Wells Fargo's, where he subsequent was bust
By Sandy, as regards both bank and crust?
'I wonder was you here when Casey shot
James King o' William? And did you attend
The neck-tie dance ensuin'? _I_ did not,
But j'ined the rush to Go Creek with my friend
Ed'ard McGowan; for we was resolved
In sech diversions not to be involved.
'Maybe I knowed you; seems to me I've seed
Your face afore. I don't forget a face,
But names I disremember-I'm that breed
Of owls. I'm talking some'at into space
An' maybe my remarks is too derned free,
Seein' yer name is unbeknown to me.
'Ther' was a time, I reckon, when I knowed
Nigh onto every dern galoot in town.
That was as late as '50. Now she's growed
Surprisin'! Yes, me an' my pardner, Brown,
Was wide acquainted. If ther' was a cuss
We didn't know, the cause was-he knowed us.
'Maybe you had that claim adjoinin' mine
Up thar in Calaveras. Was it you
To which Long Mary took a mighty shine,
An' throwed squar' off on Jake the Kangaroo?
I guess if she could see ye now she'd take
Her chance o' happiness along o' Jake.
'You ain't so purty now as you was then:
Yer eyes is nothin' but two prospect holes,
An' women which are hitched to better men
Would hardly for sech glances damn their souls,
As Lengthie did. By G--! I _hope_ it's you,
For' _(kicks the skull)_ 'I'm Jake the Kangaroo.'
poem by Ambrose Bierce

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Nine from Eight
I was drivin' my two-mule waggin,
With a lot o' truck for sale,
Towards Macon, to git some baggin'
(Which my cotton was ready to bale),
And I come to a place on the side o' the pike
Whar a peert little winter branch jest had throw'd
The sand in a kind of a sand-bar like,
And I seed, a leetle ways up the road,
A man squattin' down, like a big bull-toad,
On the ground, a-figgerin' thar in the sand
With his finger, and motionin' with his hand,
And he looked like Ellick Garry.
And as I driv up, I heerd him bleat
To hisself, like a lamb: 'Hauh? nine from eight
Leaves nuthin' -- and none to carry?'
And Ellick's bull-cart was standin'
A cross-wise of the way,
And the little bull was a-expandin',
Hisself on a wisp of hay.
But Ellick he sat with his head bent down,
A-studyin' and musin' powerfully,
And his forrud was creased with a turrible frown,
And he was a-wurken' appearently
A 'rethmetic sum that wouldn't gee,
Fur he kep' on figgerin' away in the sand
With his finger, and motionin' with his hand,
And I seed it WAS Ellick Garry.
And agin I heard him softly bleat
To hisself, like a lamb: 'Hauh? nine from eight
Leaves nuthin' -- and none to carry!'
I woa'd my mules mighty easy
(Ellick's back was towards the road
And the wind hit was sorter breezy)
And I got down off'n my load,
And I crep' up close to Ellick's back,
And I heerd him a-talkin' softly, thus:
'Them figgers is got me under the hack.
I caint see how to git out'n the muss,
Except to jest nat'ally fail and bus'!
My crap-leen calls for nine hundred and more.
My counts o' sales is eight hundred and four,
Of cotton for Ellick Garry.
Thar's eight, ought, four, jest like on a slate:
Here's nine and two oughts -- Hauh? nine from eight
Leaves nuthin' -- and none to carry.
'Them crap-leens, oh, them crap-leens!
I giv one to Pardman and Sharks.
Hit gobbled me up like snap-beans
In a patch full o' old fiel'-larks.
But I thought I could fool the crap-leen nice,
And I hauled my cotton to Jammel and Cones.
But shuh! 'fore I even had settled my price
They tuck affidavy without no bones
And levelled upon me fur all ther loans
To the 'mount of sum nine hundred dollars or more,
And sold me out clean for eight hundred and four,
As sure as I'm Ellick Garry!
And thar it is down all squar and straight,
But I can't make it gee, fur nine from eight
Leaves nuthin' -- and none to carry.'
Then I says 'Hello, here, Garry!
However you star' and frown
Thare's somethin' fur YOU to carry,
Fur you've worked it upside down!'
Then he riz and walked to his little bull-cart,
And made like he neither had seen nor heerd
Nor knowed that I knowed of his raskilly part,
And he tried to look as if HE wa'nt feared,
And gathered his lines like he never keered,
And he driv down the road 'bout a quarter or so,
And then looked around, and I hollered 'Hello,
Look here, Mister Ellick Garry!
You may git up soon and lie down late,
But you'll always find that nine from eight
Leaves nuthin' -- and none to carry.'
poem by Sidney Lanier

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Thar's More In the Man Than Thar Is In The Land
I knowed a man, which he lived in Jones,
Which Jones is a county of red hills and stones,
And he lived pretty much by gittin' of loans,
And his mules was nuthin' but skin and bones,
And his hogs was flat as his corn-bread pones,
And he had 'bout a thousand acres o' land.
This man -- which his name it was also Jones --
He swore that he'd leave them old red hills and stones,
Fur he couldn't make nuthin' but yallerish cotton,
And little o' THAT, and his fences was rotten,
And what little corn he had, HIT was boughten
And dinged ef a livin' was in the land.
And the longer he swore the madder he got,
And he riz and he walked to the stable lot,
And he hollered to Tom to come thar and hitch
Fur to emigrate somewhar whar land was rich,
And to quit raisin' cock-burrs, thistles and sich,
And a wastin' ther time on the cussed land.
So him and Tom they hitched up the mules,
Pertestin' that folks was mighty big fools
That 'ud stay in Georgy ther lifetime out,
Jest scratchin' a livin' when all of 'em mought
Git places in Texas whar cotton would sprout
By the time you could plant it in the land.
And he driv by a house whar a man named Brown
Was a livin', not fur from the edge o' town,
And he bantered Brown fur to buy his place,
And said that bein' as money was skace,
And bein' as sheriffs was hard to face,
Two dollars an acre would git the land.
They closed at a dollar and fifty cents,
And Jones he bought him a waggin and tents,
And loaded his corn, and his wimmin, and truck,
And moved to Texas, which it tuck
His entire pile, with the best of luck,
To git thar and git him a little land.
But Brown moved out on the old Jones' farm,
And he rolled up his breeches and bared his arm,
And he picked all the rocks from off'n the groun',
And he rooted it up and he plowed it down,
Then he sowed his corn and his wheat in the land.
Five years glid by, and Brown, one day
(Which he'd got so fat that he wouldn't weigh),
Was a settin' down, sorter lazily,
To the bulliest dinner you ever see,
When one o' the children jumped on his knee
And says, 'Yan's Jones, which you bought his land.'
And thar was Jones, standin' out at the fence,
And he hadn't no waggin, nor mules, nor tents,
Fur he had left Texas afoot and cum
To Georgy to see if he couldn't git sum
Employment, and he was a lookin' as hum-
Ble as ef he had never owned any land.
But Brown he axed him in, and he sot
Him down to his vittles smokin' hot,
And when he had filled hisself and the floor
Brown looked at him sharp and riz and swore
That, 'whether men's land was rich or poor
Thar was more in the MAN than thar was in the LAND.'
poem by Sidney Lanier

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Joney
Had a hare-lip-- Joney had:
Spiled his looks, and Joney knowed it:
Fellers tried to bore him, bad--
But ef ever he got mad,
He kep' still and never showed it.
'Druther have his mouth all pouted
And split up, and like it wuz,
Than the ones 'at laughed about it.
Purty is as purty does!
Had to listen ruther clos't
'Fore you knowed 'what he wuz givin'
You; and yet, without no boast,
Joney he wuz jest the most
Entertainin' talker livin'!
Take the Scriptur's and run through 'em,
Might say, like a' auctioneer,
And 'ud argy and review 'em
'At wuz beautiful to hear!
Hare-lip and inpediment,
Both wuz bad, and both ag'in' him--
But the old folks where he went,
'Preared like, knowin' his intent,
'Scused his mouth fer what wuz in him.
And the childern all loved Joney--
And he loved 'em back, you bet--!
Putt their arms around him-- on'y
None had ever kissed him yet!
In young company, someway,
Boys 'ud grin at one another
On the sly; and girls 'ud lay
Low, with nothin' much to say,
Er leave Joney with their mother.
Many and many a time he's fetched 'em
Candy by the paper sack,
And turned right around and ketched 'em
Makin mouths behind his back!
S'prised sometimes, the slurs he took--.
Chap said onc't his mouth looked sorter
Like a fish's mouth 'ud look
When he'd be'n jerked off the hook
And plunked back into the worter--.
Same durn feller-- it's su'prisin',
But it's facts-- 'at stood and cherred
From the bank that big babtizin'
'Pike-bridge accident occurred--!
Cherred for Joney while he give
Life to little childern drowndin'!
Which wuz fittenest to live--
Him 'at cherred, er him 'at div'
And saved thirteen lives...? They found one
Body, three days later, floated
Down the by-o, eight mile' south,
All so colored-up and bloated--
On'y knowed him by his mouth!
Had a hare-lip-- Joney had--
Folks 'at filed apast all knowed it--.
Them 'at ust to smile looked sad,
But ef he thought good er bad,
He kep' still and never showed it.
'Druther have that mouth, all pouted
And split up, and like it wuz,
Than the ones 'at laughed about it--.
Purty is as purty does!
poem by James Whitcomb Riley

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Days Of 49
Im old tom moore from the bummers shore in that good old golden days
They call me a bummer and a ginsot too, but what cares I for praise ?
I wander around from town to town just like a roving sign
And all the people say, there goes tom moore, in the days of 49
In the days of old, in the days of gold
How ofttimes I repine for the days of old
When we dug up the gold, in the days of 49.
My comrades they all loved me well, a jolly saucy crew
A few hard cases I will recall though they all were brave and true
Whatever the pitch they never would flinch, they never would fret or whine
Like good old bricks they stood the kicks in the days of 49
In the days of old, in the days of gold
How ofttimes I repine for the days of old
When we dug up the gold, in the days of 49.
There was new york jake, the butcher boy, he was always getting tight
And every time that hed get full he was spoiling for a fight
But jake rampaged against a knife in the hands of old bob stein
And over jake they held a wake in the days of 49
In the days of old, in the days of gold
How ofttimes I repine for the days of old
When we dug up the gold, in the days of 49.
There was poker bill, one of the boys who was always in a game
Whether he lost or whether he won, to him it was always the same
He would ante up and draw his cards and he would you go a hatful blind
In the game with death bill lost his breath, in the days of 49
In the days of old, in the days of gold
How ofttimes I repine for the days of old
When we dug up the gold, in the days of 49.
There was ragshag bill from buffalo, I never will forget
He would roar all day and hed roar all night and I guess hes roaring yet
One day he fell in a prospect hole, in a roaring bad design
And in that hole he roared out his soul, in the days of 49
In the days of old, in the days of gold
How ofttimes I repine for the days of old
When we dug up the gold, in the days of 49.
Of the comrades all that Ive had, theres none thats left to boast
And Im left alone in my misery like some poor wandering ghost
And I pass by from town to town, they call me a rambling sign
There goes tom moore, a bummer shore in the days of 49
In the days of old, in the days of gold
How ofttimes I repine for the days of old
When we dug up the gold, in the days of 49.
song performed by by Bob Dylan

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Jake Roberts has a hard enough time being Jake Roberts. The truth is a brutal thing, I just hope that the kids take the time to learn about each of the wrestlers in the game, and if the kids can learn from our mistakes, that would make me a happy man.
quote by Jake Roberts

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Jake Green isn't just Jake Green. Jake represents all of us. The colour green is the central column of the spectrum and the name Jake has all sorts of numerical values. All things come back to him within the film's world of cons and games.
quote by Guy Ritchie

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It's_Got_To Be
'When it's _got_ to be,'--like! always say,
As I notice the years whiz past,
And know each day is a yesterday,
When we size it up, at last,--
Same as I said when my _boyhood_ went
And I knowed _we_ had to quit,--
'It's _got_ to be, and it's _goin'_ to be!'--
So I said 'Good-by' to _it_.
It's _got_ to be, and it's _goin'_ to be!
So at least I always try
To kind o' say in a hearty way,--
'Well, it's _got_ to be. Good-by!'
The time jes melts like a late, last snow,--
When it's _got_ to be, it melts!
But I aim to keep a cheerful mind,
Ef I can't keep nothin' else!
I knowed, when I come to twenty-one,
That I'd soon be twenty-two,--
So I waved one hand at the soft young man,
And I said, 'Good-by to _you_!'
It's _got_ to be, and it's _goin'_ to be!
So at least I always try
To kind o' say, in a cheerful way,--
'Well, it's _got_ to be.--Good-by!'
They kep' a-goin', the years and years,
Yet still I smiled and smiled,--
For I'd said 'Good-by' to my single life,
And I now had a wife and child:
Mother and son and the father--one,--
Till, last, on her bed of pain,
She jes' smiled up, like she always done,--
And I said 'Good-by' again.
It's _got_ to be, and it's _goin'_ to be!
So at least I always try
To kind o' say, in a humble way,--
'Well, it's _got_ to be. Good-by!'
And then my boy--as he growed to be
Almost a man in size,--
Was more than a pride and joy to me,
With his mother's smilin' eyes.--
He gimme the slip, when the War broke out,
And followed me. And I
Never knowed till the first right's end ...
I found him, and then, ... 'Good-by.'
It's _got_ to be, and it's _goin'_ to be!
So at least I always try
To kind o' say, in a patient way,
'Well, it's _got_ to be. Good-by!'
I have said, 'Good-by!--Good-by!--Good-by!'
With my very best good will,
All through life from the first,--and I
Am a cheerful old man still:
But it's _got_ to end, and it's _goin'_ to end!
And this is the thing I'll do,--
With my last breath I will laugh, O Death,
And say 'Good-by' to _you_!...
It's _got_ to be! And again I say,--
When his old scythe circles high,
I'll laugh--of course, in the kindest way,--
As I say 'Good-by!--Good-by!'
poem by James Whitcomb Riley

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Who Santy-Claus Wuz
Jes' a little bit o' feller--I remember still--
Ust to almost cry fer Christmas, like a youngster will.
Fourth o' July's nothin' to it!--New Year's ain't a smell!
Easter-Sunday--Circus-day--jes' all dead in the shell!
Lawzy, though! at night, you know, to set around an' hear
The old folks work the story off about the sledge an' deer,
An' 'Santy' skootin' round the roof, all wrapt in fur an' fuzz--
Long afore
I knowed who
'Santy-Claus' wuz!
Ust to wait, an' set up late, a week er two ahead;
Couldn't hardly keep awake, ner wouldn't go to bed;
Kittle stewin' on the fire, an' Mother settin' here
Darnin' socks, an' rockin' in the skreeky rockin'-cheer;
Pap gap', an' wonder where it wuz the money went,
An' quar'l with his frosted heels, an' spill his liniment;
An' me a-dreamin' sleigh-bells when the clock 'ud whir an' buzz,
Long afore
I knowed who
'Santy-Claus' wuz!
Size the fire-place up an' figger how 'Ole Santy' could
Manage to come down the chimbly, like they said he would;
Wisht 'at I could hide an' see him--wunderd what he'd say
Ef he ketched a feller layin' fer him thataway!
But I _bet_ on him, an' _liked_ him, same as ef he had
Turned to pat me on the back an' say, 'Look here, my lad,
Here's my pack,--jes' he'p yourse'f, like all good boys does!'
Long afore
I knowed who
'Santy-Claus' wuz!
Wisht that yarn was true about him, as it 'peared to be--
Truth made out o' lies like that-un's good enough fer me!--
Wisht I still wuz so confidin' I could jes' go wild
Over hangin' up my stockin's, like the little child
Climbin' in my lap to-night, an' beggin' me to tell
'Bout them reindeers, and 'Old Santy' that she loves so well
I'm half sorry fer this little-girl-sweetheart of his--
Long afore
She knows who
'Santy-Claus' is!
poem by James Whitcomb Riley

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A Woman Is A Sometime Thing
Jake
(to clara)
What, that chile aint asleep yet? give him to me.
Ill fix him for you.
(jake takes the baby from clara)
Lissen to yo daddy warn you,
fore you start a-travelling,
Woman may born you, love you and mourn you,
But a woman is a sometime thing,
Yes, a woman is a sometime thing.
Mingo
Oh, a woman is a sometime thing.
Jake
Yo mammy is the first to name you,
Then shell tie you to her apron string,
Then shell shame you and shell blame you
Till yo woman comes to claim you,
cause a woman is a sometime thing,
Yes, a woman is a sometime thing.
Sporting life
Oh, a woman is a sometime thing.
Jake
Dont you never let a woman grieve you
Jus cause she got yo weddin ring.
Shell love you and deceive you,
Take yo clothes and leave you
cause a woman is a sometime thing.
All
Yes, a woman is a sometime thing.
Yes, a woman is a sometime thing,
Yes, a woman is a sometime thing.
Jake
There now, what I tells you; hes asleep already.
(baby wails)
(men at crap game laugh).
song performed by by Ella Fitzgerald

Submitted by Lucian Velea
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Jake
Now I know you've heard the stories
About animals who are smart
But here's a tale of a dog named Jake
Who was a genius from the start
Now, this dog could do anything
He could even add and subtract
He even starred in a broadway play
And, man, that dog could act
Now, nobody ever had to feed him
For, he was even a gourmet chef
Did I mention he was a teacher?
He taught sign language to the deaf
Now Jake was not an ordinary dog
He remembers everything he sees
He has a photographic memory
And even knows the names of his fleas
He wouldn't just bring your slippers
He would put them on your feet
That dog would remember to flush
And put down the toilet seat
Jake even took the children to school
And stayed with them, all day long
He heard every word the teacher said
And corrected her, when she was wrong
Now, you probably think I made this up
And, everything I've told you is fake
But I'll bet you'll be surprised to know
That this poem was written by Jake
poem by Larry Belt

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Travelin' Man
The man i loved ran a salesman route
Selling goods from house to house
Now i knew my mama would never stand
For me stepping out with no traveling man
Mama bought things that he was a'selling
But mama didn't know and i sure wasn't telling
That behind her back i was making plans
To meet somewhere with that traveling man
Oh the traveling man was a good bit older
But a girl needs arms to hold her
Mama didn't know 'cause i didn't told her
But mama wouldn't understand
Me stepping out with a traveling man
Mama didn't allow me a'going courting
And i'd tell lies that i reckon i oughtn't
Oh but she'd a'give me the back a' her hand
If she'd a'seen me with that traveling man
So i tell my mama that i reckon i oughta
Go to the spring and fetch us some water
What mama didn't know is i had a plan
To meet down there with that traveling man
Now i make plans to run away
With that traveling man on a saturday
Well saturday's here and here i stand
And there goes my mama with that traveling man
Oh that traveling man was a two-time lover
He took my love then he took my mother
But i didn't know 'cause mama didn't told me and i don't understand
My mama running off with my traveling man
Mama, you know you oughtn't a'done that
You just like my daddy
He run off before i ever knowed him
You done run-off with my traveling man
And i really don't think i ever knowed you either
Oh there goes my mama with my traveling man
And i'm really gonna miss that traveling man
Mm-hm
song performed by by Dolly Parton

Submitted by Lucian Velea
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Reaping
You want to know what's the matter with me, do yer?
My! ain't men blinder'n moles?
It ain't nothin' new, be sure o' that.
Why, ef you'd had eyes you'd ha' seed
Me changin' under your very nose,
Each day a little diff'rent.
But you never see nothin', you don't.
Don't touch me, Jake,
Don't you dars't to touch me,
I ain't in no humour.
That's what's come over me;
Jest a change clear through.
You lay still, an' I'll tell yer,
I've had it on my mind to tell yer
Fer some time.
It's a strain livin' a lie from mornin' till night,
An' I'm goin' to put an end to it right now.
An' don't make any mistake about one thing,
When I married yer I loved yer.
Why, your voice 'ud make
Me go hot and cold all over,
An' your kisses most stopped my heart from beatin'.
Lord! I was a silly fool.
But that's the way 'twas.
Well, I married yer
An' thought Heav'n was comin'
To set on the door-step.
Heav'n didn't do no settin',
Though the first year warn't so bad.
The baby's fever threw you off some, I guess,
An' then I took her death real hard,
An' a mopey wife kind o' disgusts a man.
I ain't blamin' yer exactly.
But that's how 'twas.
Do lay quiet,
I know I'm slow, but it's harder to say 'n I thought.
There come a time when I got to be
More wife agin than mother.
The mother part was sort of a waste
When we didn't have no other child.
But you'd got used ter lots o' things,
An' you was all took up with the farm.
Many's the time I've laid awake
Watchin' the moon go clear through the elm-tree,
Out o' sight.
I'd foller yer around like a dog,
An' set in the chair you'd be'n settin' in,
Jest to feel its arms around me,
So long's I didn't have yours.
It preyed on me, I guess,
Longin' and longin'
While you was busy all day, and snorin' all night.
Yes, I know you're wide awake now,
But now ain't then,
An' I guess you'll think diff'rent
When I'm done.
Do you mind the day you went to Hadrock?
I didn't want to stay home for reasons,
But you said someone 'd have to be here
'Cause Elmer was comin' to see t' th' telephone.
An' you never see why I was so set on goin' with yer,
Our married life hadn't be'n any great shakes,
Still marriage is marriage, an' I was raised God-fearin'.
But, Lord, you didn't notice nothin',
An' Elmer hangin' around all Winter!
'Twas a lovely mornin'.
The apple-trees was jest elegant
With their blossoms all flared out,
An' there warn't a cloud in the sky.
You went, you wouldn't pay no 'tention to what I said,
An' I heard the Ford chuggin' for most a mile,
The air was so still.
Then Elmer come.
It's no use your frettin', Jake,
I'll tell you all about it.
I know what I'm doin',
An' what's worse, I know what I done.
Elmer fixed th' telephone in about two minits,
An' he didn't seem in no hurry to go,
An' I don't know as I wanted him to go either,
I was awful mad at your not takin' me with yer,
An' I was tired o' wishin' and wishin'
An' gittin' no comfort.
I guess it ain't necessary to tell yer all the things.
He stayed to dinner,
An' he helped me do the dishes,
An' he said a home was a fine thing,
An' I said dishes warn't a home
Nor yet the room they're in.
He said a lot o' things,
An' I fended him off at first,
But he got talkin' all around me,
Clost up to the things I'd be'n thinkin',
What's the use o' me goin' on, Jake,
You know.
He got all he wanted,
An' I give it to him,
An' what's more, I'm glad!
I ain't dead, anyway,
An' somebody thinks I'm somethin'.
Keep away, Jake,
You can kill me to-morrer if you want to,
But I'm goin' to have my say.
Funny thing! Guess I ain't made to hold a man.
Elmer ain't be'n here for mor'n two months.
I don't want to pretend nothin',
Mebbe if he'd be'n lately
I shouldn't have told yer.
I'll go away in the mornin', o' course.
What you want the light fer?
I don't look no diff'rent.
Ain't the moon bright enough
To look at a woman that's deceived yer by?
Don't, Jake, don't, you can't love me now!
It ain't a question of forgiveness.
Why! I'd be thinkin' o' Elmer ev'ry minute;
It ain't decent.
Oh, my God! It ain't decent any more either way!
poem by Amy Lowell

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Farmer Downs Changes His Opinion Of Nature
'No,' said old Farmer Downs to me,
'I ain't the facts denyin',
That all young folks in love must be,
As birds must be a-flyin'.
Don't go agin sech facts, because
I'm one as re-specks Natur's laws.
'No, sir! Old Natur knows a thing
Or two, I'm calculatin',
She don't make cat-fish dance and sing,
Or sparrow-hawks go skatin';
She knows her business ev'ry time,
You bet your last an' lonely dime!
'I guess, I'm posted pooty fair
On that old gal's capers;
She allers acts upon the square
Spite o' skyentific papers.
(I borrows one most ev'ry week
From Jonses down to 'Pincher's Creek.')
'It sorter freshens up a man
To read the newest notions,
Tho' I don't freeze much tew that thar plan,
About the crops ratotions;
You jest leave Natur do her work,
She'll do it! she ain't one tew shirk!
'I'm all fur lettin Natur go
The way she's sot on choosin'.
Ain't that the figger of a beau
That's talkin' thar tew Susan?
Down by the orchard snake-fence? Yes.
All right, it's Squire Sims, I guess.
'He's jest the one I want tew see
Come sparkin'; guess they're lyin',
That say that of old age he be
Most sartinly a-dyin'--
He's no sech thing! Good sakes alive,
The man is only seventy-five!
'An' she's sixteen. I'm not the man
Tew act sort of inhuman,
An' meanly spile old Natur's plan
To jine a man and woman
In wedlock's bonds. Sirree, she makes,
This grand old Natur, no mistakes.
'They're standin' pooty clus; the leaves
Is round 'em like a bower,
The Squire's like the yaller sheaves
An' she's the Corn Flower,
Natur's the binder, allus true,
Tew make one heart of them thar two.
'Yas--as I was a-sayin', friend,
I'm all for Natur's teachins;
_She_ ain't one in the bitter end
Tew practice over-reachins.
You trust her, and she'll treat you well,
Don't doubt her by the leastest spell.
'I'm not quite clar but subsoil looks
Jest kinder not quite pious;
I sorter think them farmin' books,
Will in the long run sky us,
Right in the mud; the way they balk
Old Natur with thar darn fool talk!
'When Susie marries Squire Sims,
I'll lease his upland farm;
I'll get it cheap enough from him--
Jest see his long right arm
About her waist--looks orful big!
Why, gosh! he's bought a new brown wig!
'Wal, that's the way old Natur acts
When bald folks go a-sparkin';
The skyentists can't alter facts
With all their hard work larkin',
A sparkin man _will_ look his best--
That's Natur--tain't no silly jest!
'Old Natur, you and me is twins;
I never will git snarly
With you, old gal. Why, darn my shins!
That's only Jonses Charlie.
She's cuddlin' right agin his vest!
Eh? What? 'Old Natur knows what's best!'
'Oh, does she? Wal, p'raps 'tis so;
Jest see the rascal's arm
About her waist! You've got tew go
Young man, right off this farm;
Old Natur knows a pile, no doubt,
But you an' her hed best get out!
'You, Susie, git right hum. I'm mad
Es enny bilin' crater!
In futur, sick or well or sad
I'll take no stock in Natur.
I'm that disgusted with her capers
I'll run the farm by skyence papers.'
poem by Isabella Valancy Crawford

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Two bright eyes
Bare eyes shine in night,
look so powerful and bright
Keep staring but not made known,
Seem they are made for my own
Say not words but also not hide,
just smile broad with eyes wide,
convey deep feelings with no regret,
bright and shining eyes speak not yet,
why close eyes alone?
and face not covered,
So eyes when shut,
face may reveal,
You close the eyes,
life come to an end,
glitter and shine,
smile peters out,
find me so close even not near,
distance more but mind fear,
eyes shut but separation bear,
Near to come is idea to cheer,
You may say you are around, ,
even go round but not found
with steps so gentle on ground,
little it heard with no sound,
Oh, two eyes,
just face unveil,
lower it down to neck,
Find me there just to check,
Eyes may shine,
face may reveal,
wounds may heal,
love may look real,
poem by Hasmukh Amathalal

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Source Code
Jake Gyllenhaal, Michelle Monaghan, Vera Farmiga, Jeffrey Wright, Russell Peters
by Ben Ripley from Source Code (2011)

Submitted by Film Fan
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The Unpardonable Sin
I reckon that ye never knew,
That dandy slugger, Tom Carew,
He had a touch as light an' free
As that of any honey-bee;
But where it lit there wasn't much
To jestify another touch.
O, what a Sunday-school it was
To watch him puttin' up his paws
An' roominate upon their heft
Particular his holy left!
Tom was my style-that's all I say;
Some others may be equal gay.
What's come of him? Dunno, I'm sure
He's dead-which make his fate obscure.
I only started in to clear
One vital p'int in his career,
Which is to say-afore he died
He soiled his erming mighty snide.
Ye see he took to politics
And learnt them statesmen-fellers' tricks;
Pulled wires, wore stovepipe hats, used scent,
Just like he was the President;
Went to the Legislator; spoke
Right out agin the British yoke
But that was right. He let his hair
Grow long to qualify for Mayor,
An' once or twice he poked his snoot
In Congress like a low galoot!
It had to come-no gent can hope
To wrastle God agin the rope.
Tom went from bad to wuss. Being dead,
I s'pose it oughtn't to be said,
For sech inikities as flow
From politics ain't fit to know;
But, if you think it's actin' white
To tell it-Thomas throwed a fight!
poem by Ambrose Bierce

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Jake
The boy gets crazy when he's sittin' at the bar
Don't you mess with Jake don't you push him to far
Rot gut whiskey and home made wine
Make a good country boy just lose his mind
Like a run away train rollin' through the night
The boy ain't got no fear
Like a race car hittin' the wall he gets hard to steer
Waitin' for the smoke to clear
OOOOHH
Betty got caught in the back of Bobby's car
Bobby got caught with his hand in the cookie jar
Her daddy blew a fuse and he went for his gun
EEEEE
Now Bobby and Betty thier on the run
Like a run away train rollin' through the nite
Nothin's gonna stop them now
Gotta keep on movin', coverin' tracks somehow
Like a run away train rollin' through the night
The kids ain't got no fear
Daddy's (wizz?) bang is the last sound Bobby's gonna hear
ooohhh
Waitin for the smoke to clear
Daddy finally caught him in the end of his gun
Put a dead end to all of Bobby's fun
OOhh
Good God almighty, Oh heaven sakes
Betty's Daddy turned out to be Jake
Like a run away train rollin' through the nite
Jake ain't got no fear
Know the hangman judge gonna give the boy 99 years
Here sits Jake at the back of this bar
Sippin' on a nice cold beer
If the law had a clue all they'd do is look right here
When they see Jake..... waitin' for the smoke to clear
Waitin for...OOOOHHHAAA
song performed by by Lynyrd Skynyrd

Submitted by Lucian Velea
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The Line
Can U talk 2 me with your body, baby?
Can U tell me what I wanna hear?
Can U lay on me a good enough reason 2 cross the line?
Yeah, ho! {x2}
Can U be my lover and still be my friend? (Can U be my friend?)
Can U stick with me till the bitter end? (The bitter end)
Can U lay on me a good enough reason 2 cross the line?
Yeah, ho! (Cross the line)
CHORUS:
The line, line - it's a happy step 2 make
It takes time, time - all is what it takes
The line, line - and soon your life is so much better
The water's so much better on the other side (Cross the line)
Can U tolerate? Why am I not so free?
How I did the plan
Can U understand I'm a free man?
But will I stop the dam if I don't cross the line?
Yeah, ho! {x2}
Ow!
Hey
Cross the line sugar, cross the line {x2}
Cross the line
CHORUS
(Cross the line)
Cross the line sugar, cross the line {x3}
I want U 2 cross the line, hey! {sample used in "Acknowledge Me"}
Talk 2 me, say the things I wanna hear, oh!
Cross the line
Cross the line
Cross the line
Baby, baby, baby, can U make me cross the line?
Cross the line, sugar, cross the line
U know U got 2 cross the line!
(New dance) {repeat in BG}
People, people, I got a brand new dance {x2}
Ain't talkin' 'bout Housequake! No!
Ain't talkin' 'bout Shake 'N' Bake! No!
Ain't talkin' 'bout Rice-O-Roni! No!
I'm talkin' 'bout Macaroni? No!
Lord have mercy
Boni? (What?)
On the 2 (Yeah!)
What we gonna do? (Kangaroo!)
Say it! (Kangaroo!)
Come on
Boni? (What?)
On the 2 (Yeah!)
What U wanna do? (Kangaroo!)
Do the do (Do the do!)
Cross the line {repeat}
Baby, baby, baby, cross the line {repeat 2 fade}
Precious Lord, take my hand
Lead me on, help me stand
I try, I have need, I am whole
Through the door, through the shore
Precious Lord, I believe in your name
song performed by by Prince

Submitted by Lucian Velea
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The Duck and the Kangaroo
Said the Duck to the Kangaroo,
'Good gracious! how you hop!
Over the fields and the water too,
As if you never would stop!
My life is a bore in this nasty pond,
And I long to go out in the world beyond!
I wish I could hop like you!'
Said the Duck to the Kangaroo.
'Please give me a ride on your back!'
Said the Duck to the Kangaroo.
'I would sit quite still, and say nothing but 'Quack',
The whole of the long day through!
And we'd go to the Dee, and the Jelly Bo Lee,
Over the land, and over the sea;
Please take me a ride! O do!'
Said the Duck to the Kangaroo.
Said the Kangaroo to the Duck,
'This requires some little reflection;
Perhaps on the whole it might bring me luck,
And there seems but one objection,
Which is, if you'll let me speak so bold,
Your feet are unpleasantly wet and cold,
And would probably give me the roo-
Matiz!' said the Kangaroo.
Said the Duck, 'As I sat on the rocks,
I have thought over that completely,
And I bought four pairs of worsted socks
Which fit my web-feet neatly.
And to keep out the cold I've bought a cloak,
And every day a cigar I'll smoke,
All to follow my own dear true
Love of a Kangaroo!'
Said the Kangaroo, 'I'm ready!
'All in the moonlight pale;
'But to balance me well, dear Duck, sit steady!
'And quite at the end of my tail!'
So away they went with a hop and a bound,
And they hopped the whole world three times round;
And who so happy - O who,
As the Duck and the Kangaroo?
poem by Edward Lear

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What Smith Knew About Farming
There wasn't two purtier farms in the state
Than the couple of which I'm about to relate;--
Jinin' each other--belongin' to Brown,
And jest at the edge of a flourishin' town.
Brown was a man, as I understand,
That allus had handled a good 'eal o' land,
And was sharp as a tack in drivin' a trade--
For that's the way most of his money was made.
And all the grounds and the orchards about
His two pet farms was all tricked out
With poppies and posies
And sweet-smellin' rosies;
And hundreds o' kinds
Of all sorts o' vines,
To tickle the most horticultural minds
And little dwarf trees not as thick as your wrist
With ripe apples on 'em as big as your fist:
And peaches,--Siberian crabs and pears,
And quinces--Well! ANY fruit ANY tree bears;
And th purtiest stream--jest a-swimmin' with fish,
And--JEST O'MOST EVERYTHING HEART COULD WISH!
The purtiest orch'rds--I wish you could see
How purty they was, fer I know it 'ud be
A regular treat!--but I'll go ahead with
My story! A man by the name o' Smith--
(A bad name to rhyme,
But I reckon that I'm
Not goin' back on a Smith! nary time!)
'At hadn't a soul of kin nor kith,
And more money than he knowed what to do with,--
So he comes a-ridin' along one day,
And HE says to Brown, in his offhand way--
Who was trainin' some newfangled vines round a bay-
Winder--'Howdy-do--look-a-here--say:
W hat'll you take fer this property here?--
I'm talkin' o' leavin' the city this year,
And I want to be
Where the air is free,
And I'll BUY this place, if it ain't too dear!'--
Well--they grumbled and jawed aroun'--
'I don't like to part with the place,' says Brown;
'Well,' says Smith, a-jerkin' his head,
'That house yonder--bricks painted red--
Jest like this'n--a PURTIER VIEW--
Who is it owns it?' 'That's mine too,'
Says Brown, as he winked at a hole in his shoe,
'But I'll tell you right here jest what I KIN do:--
If you'll pay the figgers I'll sell IT to you.,'
Smith went over and looked at the place--
Badgered with Brown, and argied the case--
Thought that Brown's figgers was rather too tall,
But, findin' that Brown wasn't goin' to fall,
In final agreed,
So they drawed up the deed
Fer the farm and the fixtures--the live stock an' all.
And so Smith moved from the city as soon
As he possibly could--But 'the man in the moon'
Knowed more'n Smith o' farmin' pursuits,
And jest to convince you, and have no disputes,
How little he knowed,
I'll tell you his 'mode,'
As he called it, o' raisin' 'the best that growed,'
In the way o' potatoes--
Cucumbers--tomatoes,
And squashes as lengthy as young alligators.
'Twas allus a curious thing to me
How big a fool a feller kin be
When he gits on a farm after leavin' a town!--
Expectin' to raise himself up to renown,
And reap fer himself agricultural fame,
By growin' of squashes--WITHOUT ANY SHAME--
As useless and long as a technical name.
To make the soil pure,
And certainly sure,
He plastered the ground with patent manure.
He had cultivators, and double-hoss plows,
And patent machines fer milkin' his cows;
And patent hay-forks--patent measures and weights,
And new patent back-action hinges fer gates,
And barn locks and latches, and such little dribs,
And patents to keep the rats out o' the cribs--
Reapers and mowers,
And patent grain sowers;
And drillers
And tillers
And cucumber hillers,
And horries;--and had patent rollers and scrapers,
And took about ten agricultural papers.
So you can imagine how matters turned out:
But BROWN didn't have not a shadder o' doubt
That Smith didn't know what he was about
When he said that 'the OLD way to farm was played out.'
But Smith worked ahead,
And when any one said
That the OLD way o' workin' was better instead
O' his 'modern idees,' he allus turned red,
And wanted to know
What made people so
INFERNALLY anxious to hear theirselves crow?
And guessed that he'd manage to hoe his own row.
Brown he come onc't and leant over the fence,
And told Smith that he couldn't see any sense
In goin' to such a tremendous expense
Fer the sake o' such no-account experiments
'That'll never make corn!
As shore's you're born
It'll come out the leetlest end of the horn!'
Says Brown, as he pulled off a big roastin'-ear
From a stalk of his own
That had tribble outgrown
Smith's poor yaller shoots, and says he, 'Looky here!
THIS corn was raised in the old-fashioned way,
And I rather imagine that THIS corn'll pay
Expenses fer RAISIN' it!--What do you say?'
Brown got him then to look over his crop.--
HIS luck that season had been tip-top!
And you may surmise
Smith opened his eyes
And let out a look o' the wildest surprise
When Brown showed him punkins as big as the lies
He was stuffin' him with--about offers he's had
Fer his farm: 'I don't want to sell very bad,'
He says, but says he,
'Mr. Smith, you kin see
Fer yourself how matters is standin' with me,
I UNDERSTAND FARMIN' and I'd better stay,
You know, on my farm;--I'm a-makin' it pay--
I oughtn't to grumble!--I reckon I'll clear
Away over four thousand dollars this year.'
And that was the reason, he made it appear,
Why he didn't care about sellin' his farm,
And hinted at his havin' done himself harm
In sellin' the other, and wanted to know
If Smith wouldn't sell back ag'in to him.--So
Smith took the bait, and says he, 'Mr. Brown,
I wouldn't SELL out but we might swap aroun'--
How'll you trade your place fer mine?'
(Purty sharp way o' comin' the shine
Over Smith! Wasn't it?) Well, sir, this Brown
Played out his hand and brought Smithy down--
Traded with him an', workin' it cute,
Raked in two thousand dollars to boot
As slick as a whistle, an' that wasn't all,--
He managed to trade back ag'in the next fall,--
And the next--and the next--as long as Smith stayed
He reaped with his harvests an annual trade.--
Why, I reckon that Brown must 'a' easily made--
On an AVERAGE--nearly two thousand a year--
Together he made over seven thousand--clear.--
Till Mr. Smith found he was losin' his health
In as big a proportion, almost, as his wealth;
So at last he concluded to move back to town,
And sold back his farm to this same Mr. Brown
At very low figgers, by gittin' it down.
Further'n this I have nothin' to say
Than merely advisin' the Smiths fer to stay
In their grocery stores in flourishin' towns
And leave agriculture alone--and the Browns.
poem by James Whitcomb Riley

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