Posterity's Award
I'd long been dead, but I returned to earth.
Some small affairs posterity was making
A mess of, and I came to see that worth
Received its dues. I'd hardly finished waking,
The grave-mould still upon me, when my eye
Perceived a statue standing straight and high.
'Twas a colossal figure-bronze and gold
Nobly designed, in attitude commanding.
A toga from its shoulders, fold on fold,
Fell to the pedestal on which 'twas standing.
Nobility it had and splendid grace,
And all it should have had-except a face!
It showed no features: not a trace nor sign
Of any eyes or nose could be detected
On the smooth oval of its front no line
Where sites for mouths are commonly selected.
All blank and blind its faulty head it reared.
Let this be said: 'twas generously eared.
Seeing these things, I straight began to guess
For whom this mighty image was intended.
'The head,' I cried, 'is Upton's, and the dress
Is Parson Bartlett's own.' True, _his_ cloak ended
Flush with his lowest vertebra, but no
Sane sculptor ever made a toga so.
Then on the pedestal these words I read:
'_Erected Eighteen Hundred Ninety-seven_'
(Saint Christofer! how fast the time had sped!
Of course it naturally does in Heaven)
'_To_ --' (here a blank space for the name began)
'_The Nineteenth Century's Great Foremost Man_!'
'_Completed_' the inscription ended, '_in
The Year Three Thousand_'-which was just arriving.
By Jove! thought I, 'twould make the founders grin
To learn whose fame so long has been surviving
To read the name posterity will place
In that blank void, and view the finished face.
Even as I gazed, the year Three Thousand came,
And then by acclamation all the people
Decreed whose was our century's best fame;
Then scaffolded the statue like a steeple,
To make the likeness; and the name was sunk
Deep in the pedestal's metallic trunk.
Whose was it? Gentle reader, pray excuse
The seeming rudeness, but I can't consent to
Be so forehanded with important news.
'Twas neither yours nor mine-let that content you.
If not, the name I must surrender, which,
Upon a dead man's word, was George K. Fitch!
poem by Ambrose Bierce
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Related quotes
Blank
I wish I was blank
I wish I was blank
I wish I could thank
I wish I was blank
I'd write a letter to you
And there'd be nothing to it
I wouldn't hem and haw
On just how to start it
I wish I was blank
I wish I was blank
I wish I could thank
I wish I was blank
I wish I'd stand up straight
I wish I'd said things different
I wish I'd said nothing
Things would be so perfect
I wish myself to keep
I pray my soul to sleep
I wish myself away
I wish I was blank
song performed by by Smashing Pumpkins from The Aeroplane Flies High
Submitted by Lucian Velea
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I Had No Need
I had no need to be awake.
'Twas better in my bed.
The thought of facing life without him
was a thought better dead.
I had no need to open my eyes.
'Twas better not to see.
The thought of seeing the sun without him
was devastating to me.
I had no need to know the time.
'Twas better that time slip away.
The thought of time lingering now
is endless time each day.
There are no needs that now are mine.
'Twas a time I had them all.
We woke, we saw and knew the time,
now too hurtful to recall.
poem by Edwina Reizer
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The Separation
We knew too little of the world,
And you and I were good—
’Twas paltry things that wrecked our lives
As well I knew they would.
The people said our love was dead,
But how were they to know?
Ah! had we loved each other less
We’d not have quarrelled so.
We knew too little of the world,
And you and I were kind,
We listened to what others said
And both of us were blind.
The people said ’twas selfishness,
But how were they to know?
Ah! had we both more selfish been
We’d not have parted so.
But still when all seems lost on earth
Then heaven sets a sign—
Kneel down beside your lonely bed,
And I will kneel by mine,
And let us pray for happy days—
Like those of long ago.
Ah! had we knelt together then
We’d not have parted so.
poem by Henry Lawson
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The Cab Horses' Story
Now, you wouldn't imagine, to look at me,
That I was a racehorse once.
I have done my mile in - let me see
No matter. I was no dunce.
But you'd not believe me if I told
Of gallops I did in days of old.
I was first in - ah, well! What's the good?
It hurts to recall those days
When I drew from men, as a proud horse should,
Nothing but words of praise:
Oh, the waving hats, and the cheering crowd!
How could a horse help being proud?
My owner was just as proud as I;
I was cuddled and petted and praised.
My fame was great and my price was high,
And every year 'twas raised.
Then I strained a sinew in ninety-nine,
And that's when started my swift decline.
I was turned to grass for a year or so;
Then dragged to an auction sale;
And a country sport gave me a go;
But how could I hope but fail?
'A crock,' said he. And I here began
To learn of the ways of cruel man.
A year I spent as a lady's hack
I was growing old and spent
But she said that the riding hurt her back;
So we parted; and I went
For a while - and it nearly broke my heart
Dragging a greasy butcher's cart.
Then my stifle went. And I, proud horse,
Son of the nobly born,
The haughty king of a city course,
Knew even a butcher's scorn!
So down the ladder I quickly ran;
Till I came to be owned by a bottle man.
And my bed was hard and my food was poor,
And my work was harder still
Dragging a cart from door to door
The slave of Bottle-oh Bill.
Till even he, for a few mean bob,
Sold me into this hateful job.
As I dozed and dreamed in the ranks one day,
Thinking of good days past,
I heard a voice that I knew cry, 'Hey!
Say, cabby, is this horse fast?'
And he looked at me in a way I know.
'Twas the man I'd loved in the long ago.
'Twas my dear, old master of ninety-nine,
And I waited, fair surprised.
But ne'er by a look and ne'er by sign
Did he show he recognised.
Then I heard his words ('twas my last hard knock):
'Why don't you pole-axe the poor old crock?'
And he turned aside to a low-bred mare
That was foaled on some cockie's farm,
And he drove away. What do I care?
I can come to no more harm.
In a knacker's yard I am worth at least
Some pence for a hungry lion's feast.
poem by Clarence Michael James Stanislaus Dennis
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The Way I Treated Father [A Bush Song]
I WORKED with father in the bush
At splitting rails and palings.
He never was unkind to me,
Although he “had his failings:”
And now his grave is old and green,
And now at times I’m rather
Inclined to think ’twas very mean
The way I treated father.
The mother had for years been dead,
And Dad and I and Stumpy
Were living in a little shed—
What bushmen call a humpy;
And now I think when day began,
And it was cold and chilly,
’Twas mean to see a grey old man
Get up and boil the billy.
And though my lazy limbs were stiff;
And though ’twas winter weather.
And though my eyes were shut as if
The lids were glued together,
I think ’twas mean to lie in bed;
I think that I was silly,
Because I growled if father said,
“Git up and bile the billy!”
I didn’t help the cooking much
For I was always “tired”—
’Twas strange that I could eat with such
An appetite as I had;
But now I mind I never growled
When father shouted, “Willie!
It’s gittin’ on for dinnertime;
Go home and bile the hilly.”
His grave is growing old and green
And things have altered rather;
But still I think ’twas mighty mean
The way I treated father.
He left a tidy sum to me,
But I’d give all the money
To hear him say, “Will you get up
And bile the billy, Sonny?”
poem by Henry Lawson
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Technology
'Twas a serious person with locks of gray
And a figure like a crescent;
His gravity, clearly, had come to stay,
But his smile was evanescent.
He stood and conversed with a neighbor, and
With (likewise) a high falsetto;
And he stabbed his forefinger into his hand
As if it had been a stiletto.
His words, like the notes of a tenor drum,
Came out of his head unblended,
And the wonderful altitude of some
Was exceptionally splendid.
While executing a shake of the head,
With the hand, as it were, of a master,
This agonizing old gentleman said:
''Twas a truly sad disaster!
'Four hundred and ten longs and shorts in all,
Went down'-he paused and snuffled.
A single tear was observed to fall,
And the old man's drum was muffled.
'A very calamitous year,' he said.
And again his head-piece hoary
He shook, and another pearl he shed,
As if he wept _con amore.
'O lacrymose person,' I cried, 'pray why
Should these failures so affect you?
With speculators in stocks no eye
That's normal would ever connect you.'
He focused his orbs upon mine and smiled
In a sinister sort of manner.
'Young man,' he said, 'your words are wild:
I spoke of the steamship 'Hanner.'
'For she has went down in a howlin' squall,
And my heart is nigh to breakin'
Four hundred and ten longs and shorts in all
Will never need undertakin'!
'I'm in the business myself,' said he,
'And you've mistook my expression;
For I uses the technical terms, you see,
Employed in my perfession.'
That old undertaker has joined the throng
On the other side of the River,
But I'm still unhappy to think I'm a 'long,'
And a tape-line makes me shiver.
poem by Ambrose Bierce
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In Upper San Francisco
I heard that Heaven was bright and fair,
And politicians dwelt not there.
'Twas said by knowing ones that they
Were in the Elsewhere-so to say.
So, waking from my last long sleep,
I took my place among the sheep.
I passed the gate-Saint Peter eyed
Me sharply as I stepped inside.
He thought, as afterward I learned,
That I was Chris, the Unreturned.
The new Jerusalem-ah me,
It was a sorry sight to see!
The mansions of the blest were there,
And mostly they were fine and fair;
But O, such streets!-so deep and wide,
And all unpaved, from side to side!
And in a public square there grew
A blighted tree, most sad to view.
From off its trunk the bark was ripped
Its very branches all were stripped!
An angel perched upon the fence
With all the grace of indolence.
'Celestial bird,' I cried, in pain,
'What vandal wrought this wreck? Explain.'
He raised his eyelids as if tired:
'What is a Vandal?' he inquired.
'This is the Tree of Life. 'Twas stripped
By Durst and Siebe, who have shipped
'The bark across the Jordan-see?
And sold it to a tannery.'
'Alas,' I sighed, 'their old-time tricks!
That pavement, too, of golden bricks
'They've gobbled that?' But with a scowl,
'You greatly wrong them,' said the fowl:
''Twas Gilleran did that, I fear-
Head of the Street Department here.'
'What! what!' cried I-'you let such chaps
Come here? You've Satan, too, perhaps.'
'We had him, yes, but off he went,
Yet showed some purpose to repent;
'But since your priests and parsons filled
The place with those their preaching killed'
(Here Siebe passed along with Durst,
Psalming as if their lungs would burst)
'He swears his foot no more shall press
('Tis cloven, anyhow, I guess)
'Our soil. In short, he's out on strike
But devils are not all alike.'
Lo! Gilleran came down the street,
Pressing the soil with broad, flat feet!
poem by Ambrose Bierce
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This Must Be The Place
Home is where i want to be
Pick me up and turn me round
I feel numb - burn with a weak heart
(so i) guess i must be having fun
The less we say about it the better
Make it up as we go along
Feet on the ground
Head in the sky
It's ok i know nothing's wrong . . nothing
Hi yo i got plenty of time
Hi yo you got light in your eyes
And you're standing here beside me
I love the passing of time
Never for money
Always for love
Cover up + say goodnight . . . say goodnight
Home - is where i want to be
But i guess i'm already there
I come home - -she lifted up her wings
Guess that this must be the place
I can't tell one from another
Did i find you, or you find me?
There was a time before we were born
If someone asks, this where i'll be . . . where i'll be
Hi yo we drift in and out
Hi yo sing into my mouth
Out of all tose kinds of people
You got a face with a view
I'm just an animal looking for a home
Share the same space for a minute or two
And you love me till my heart stops
Love me till i'm dead
Eyes that light up, eyes look through you
Cover up the blank spots
Hit me on the head ah ooh
song performed by by Talking Heads
Submitted by Lucian Velea
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This Must Be The Place (Naive Melody)
(Original by Talking Heads)
Home is where I want to be
Pick me up and turn me around
I feel numb - burn with a weak heart
(So I) guess I must be having fun
The less we say about it the better
Make it up as we go along
Feet on the ground
Head in the sky
It's okay I know nothing's wrong . . nothing
Hi yo I got plenty of time
Hi yo you got light in your eyes
And you're standing here beside me
I love the passing of time
Never for money
Always for love
Cover up and say goodnight . . . say goodnight
Home - is where I want to be
But I guess I'm already there
I come home - -she lifted up her wings
Guess that this must be the place
I can't tell one from another
Did I find you, or you find me?
There was a time before we were born
If someone asks, this is where I'll be . . . where I'll be
Hi yo We drift in and out
Hi yo sing into my mouth
Out of all those kinds of people
You got a face with a view
I'm just an animal looking for a home
Share the same space for a minute or two
And you love me till my heart stops
Love me till I'm dead
Eyes that light up, eyes look through you
Cover up the blank spots
Hit me on the head Ah ooh
song performed by by Talking Heads
Submitted by Lucian Velea
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Statue Got Me High
The statue got me high
The statue got me high
A monument of granite sent a beam into my eye
The statue made me die
The statue made me die
It took my hand it killed me and it threw me to the sky
The stone it called to me
(and now I see the things the stone has shown to me)
A rock that spoke a word
(an animated mineral it can be heard)
And though I once preferred a human being's company
they pale before the monolith that towers over me
The statue got me high
The statue got me high
The truth is where the sculptor's chisel chipped away the lie
The statue made me fry
The statue made me fry
My coat contained a furnace where there used to be a guy
The stone it called to me
(and now I see the things the stone has shown to me)
A rock that spoke a word
(an animated mineral it can be heard)
And as the screaming fire engine siren filled the air
the evidence had vanished from my charred and smoking chair
and what they found was just a statue
standing where the statue got me high
And now it is your turn
(your turn to hear the stone and then your turn to burn)
The stone it calls to you
(you can't refuse to do the things it tells you to)
And as the screaming fire engine siren fills the air
the evidence will vanish from your charred and smoking chair
and what they found was just a statue
standing where the statue got me high
and what they'll find is just a statue
standing where the statue got you high
song performed by by They Might Be Giants
Submitted by Lucian Velea
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The Horrors of Majuba
'Twas after the great Majuba fight:
And the next morning, at daylight,
Captain Macbean's men were ordered to headquarters camp,
So immediately Captain Macbean and his men set out on tramp.
And there they were joined by the Blue Jackets and 58th men,
Who, for unflinching courage, no man can them condemn;
And that brave little band was commissioned to bury their dead,
And the little band numbered in all about one hundred.
And they were supplied with a white flag, fit emblem of death,
Then they started off to O'Neill's farm, with bated breath,
Where their comrades had been left the previous night,
And were lying weltering in their gore, oh! what a horrible sight.
And when they arrived at the foot of Majuba Hill,
They were stopped by a Boer party, but they meant no ill,
Who asked them what they wanted without dismay,
And when they said, their dead, there was no further delay.
Then the brave heroes marched on, without any dread,
To the Hill of Majuba to collect and bury their dead;
And to see them climbing Majuba it was a fearful sight,
And much more so on a dark pitch night.
And on Majuba there was a row of dead men,
Numbering about forty or fifty of them;
There were also numbers of wounded men lying on the ground,
And when Captain Macbean's party gazed on them their sorrow was profound.
Oh, heaven! what a sight of blood and brains!
While the grass was red all o'er with blood-stains;
Especially at the edge of the Hill, where the 92nd men were killed,
'Twas there that the eyes of Macbean's party with tears filled,
When they saw their dead and dying comrades in arms,
Who were always foremost in the fight during war's alarms;
But who were now lying dead on Majuba Hill,
And, alas! beyond the aid of all human skill.
They then went about two hundred yards down the Hill,
And collected fourteen more bodies, which made their blood run chill;
And, into one grave, seventy-five bodies they buried there,
All mostly 92nd men, who, I hope, are free from all care.
Oh! think of that gallant British band,
Who, at Majuba, made such a heroic stand,
And, take them altogether, they behaved like brave men,
But, alas! they were slaughtered like sheep in a pen.
Poor fellows! there were few of them left to retire,
Because undauntedly they faced that murderous fire,
That the mighty host poured in upon them, left and right,
From their numerous rifles, day and night.
The conduct of the 92nd was most brave throughout,
Which has always been the case, without any doubt;
At least, it has been the case in general with the Highland Brigade,
Because in the field they are the foremost, and seldom afraid.
And to do the British justice at Majuba they behaved right well,
But by overwhelming numbers the most of them fell,
Which I'm very sorry to relate,
That such a brave little band met with such a fate.
The commanders and officers deserve great praise,
Because they told their men to hold Majuba for three days;
And so they did, until the most of them fell,
Fighting nobly for their Queen and country they loved right well.
But who's to blame for their fate I'm at a loss to know,
But I think 'twas by fighting too numerous a foe;
But there's one thing I know, and, in conclusion, will say,
That their fame will be handed down to posterity for many a day!
poem by William Topaz McGonagall
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Blank
Blank pages, blank lines
Blank heart, blank mind
Blank feeling, blank soul
Blank high, blank low.
I dont know why
You just cant see
That all you've ever known
Is the blank side of me.
The Record
HE sleeps, his head upon his sword,
His soldier's cloak a shroud;
His church-yard is the open field,--
Three times it has been plough'd:
The first time that the wheat sprung up
'Twas black as if with blood,
The meanest beggar turn'd away
From the unholy food.
The third year, and the grain grew fair,
As it was wont to wave;
None would have thought that golden corn
Was growing on the grave.
His lot was but a peasant's lot,
His name a peasant's name,
Not his the place of death that turns
Into a place of fame.
He fell as other thousands do,
Trampled down where they fall,
While on a single name is heap'd
The glory gain'd by all.
Yet even he whose common grave
Lies in the open fields,
Died not without a thought of all
The joy that glory yields.
That small white church in his own land,
The lime trees almost hide,
Bears on the walls the names of those
Who for their country died.
His name is written on those walls,
His mother read it there,
With pride,--oh! no, there could not be
Pride in the widow's prayer.
And many a stranger who shall mark
That peasant roll of fame,
Will think on prouder ones, yet say
This was a hero's name.
poem by Letitia Elizabeth Landon
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The apathy of the people is enough to make every statue leap from its pedestal and hasten the resurrection of the dead.
quote by William Lloyd Garrison
Submitted by Lucian Velea
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My Song
I wrote a song
It's called 'my life'
I tried my best to make it a good one
I'd never written a song
Twas indeed my first
I had an eraser
I couldn't clean my mistakes though
It turned out to be a long song
A hundred and twenty pages worth
A page a year
I made a mess of it
Blue pen made a mark
As depression took a quarter of it
Yellow pen made an entrance
I decided it was better than blue
Red pen tried to hurt me
As all anger was kept inside
Green pen whispered a note
I wished I had my neighbour's song
So many colours on just one song
Twenty-five pages were dark
I knew not which way to go
I tried to turn a page but couldn't
I basked in pages gone
Hence left several pages blank
Twenty-five pages were wet
As tears serenaded my heart, it did the pages
Too much pain in one song
Tried to change the words
The things I thought all made the song
On a scale of good to bad, bad stole the day
I searched and found other songs titled 'my life'
I wrote my song the way they had
My song was like a painting
One in utter disharmony
One drawn by a clueless artist
But an artist whose passion burned his painting
I set my heart on fire on page 35
There had to be more
And more I had
On page 120, my eyes were dim and hands tired
Since pages couldn't be turned
My mind sat, and looked back
What had I done?
I'd been mountain high
I'd been valley low
I'd been good
I'd been bad
I'd been....
I lay my head on my song
Took my last breath
But before I did
I held a girl
Who had a song called 'my life'
She read my song
And shed a tear
And said I had written....a masterpiece.
poem by Jenim Dibie
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A Funeral Elegy on the Death of The Lady Penelope Clifton
Since thou art dead, Clifton, the world may see
A certain end of flesh and blood in thee;
Till then a way was left for man to cry,
Flesh may be made so pure it cannot die;
But now thy unexpected death doth strike
With grief the better and the worse alike;
The good are sad they are not with thee there,
The bad have found they must not tarry here.
Death, I confess, 'tis just in thee to try
Thy pow'r on us, for thou thyself must die;
Thou pay'st but wages, Death, yet I would know
What strange delight thou tak'st to pay them so;
When thou com'st face to face thou strik'st us mute
And all our liberty is to dispute
With thee behind thy back, which I will use:
If thou hadst bravery in thee, thou wouldst choose
(Since thou art absolute, and canst controul
All things beneath a reasonable soul)
Some looked for way of killing; if her day
Had ended in a fire, a sword, or sea,
Or hadst thou come hid in a hundred years
To make an end of all her hopes and fears,
Or any other way direct to thee
Which Nature might esteem an enemy,
Who would have chid thee? now it shews thy hand
Desires to cozen where it might command:
Thou art not prone to kill, but where th' intent
Of those that suffer is their nourishment;
If thou canst steal into a dish, and creep
When all is still as though into a sleep,
And cover thy dry body with a draught,
Whereby some innocent lady may be caught,
And cheated of her life, then thou wilt come
And stretch thyself upon her early tomb,
And laugh as pleased, to show thou canst devour
Mortality as well by wit as pow'r.
I would thou hadst had eyes, or not a dart,
That yet at least, the clothing of that heart
Thou struck'st so spitefully might have appear'd
To thee, and with a reverence have been fear'd:
But since thou art so blind, receive from me
Who 'twas on whom thou wrought'st this tragedy;
She was a lady, who for public fame,
Never (since she in thy protection came,
Who sett'st all living tongues at large) received
A blemish; with her beauty she deceived
No man; when taken with it, they agree
'Twas Nature's fault, when from 'em 'twas in thee.
And such her virtue was, that although she
Received as much joy, having pass'd through thee,
As ever any did; yet hath thy hate
Made her as little better in her state,
As ever it did any being here;
She lived with us as if she had been there.
Such ladies thou canst kill no more, but so
I give thee warning here to kill no moe;
For if thou dost, my pen shall make the rest
Of those that live, especially the best,
Whom thou most thirstest for, to abandon all
Those fruitless things, which thou wouldst have us call
Preservatives, keeping, their diet so,
As the long-living poor their neighbours do:
Then shall we have them long, and they at last
Shall pass from thee to her, but not so fast.
poem by Francis Beaumont
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On the Death of a Very Young Gentleman
He, who could view the book of destiny,
And read whatever there was writ of thee,
O charming youth, in the first opening page,
So many graces in so green an age,
Such wit, such modesty, such strength of mind,
A soul at once so manly and so kind,
Would wonder when he turned the volume o'er,
And, after some few leaves, should find no more,
Nought but a blank remain, a dead void space,
A step of life that promised such a race.
We must not, dare not, think, that heaven began
A child, and could not finish him a man;
Reflecting what a mighty store was laid
Of rich materials, and a model made:
The cost already furnished; so bestowed,
As more was never to one soul allowed:
Yet after this profusion spent in vain,
Nothing but mouldering ashes to remain,
I guess not, lest I split upon the shelf,
Yet, durst I guess, heaven kept it for himself;
And giving us the use, did soon recall,
Ere we could spare the mighty principal.
Thus then he disappeared, was rarified,
For 'tis improper speech to say he died:
He was exhaled; his great Creator drew
His spirit, as the sun the morning dew.
'Tis sin produces death; and he had none,
But the taint Adam left on every son.
He added not, he was so pure, so good,
'Twas but the original forfeit of his blood;
And that so little, that the river ran
More clear than the corrupted fount began.
Nothing remained of the first muddy clay;
The length of course had washed it in the way:
So deep, and yet so clear, we might behold
The gravel bottom, and that bottom gold.
As such we loved, admired, almost adored,
Gave all the tribute mortals could afford.
Perhaps we gave so much, the powers above
Grew angry at our superstitious love;
For when we more than human homage pay,
The charming cause is justly snatched away.
Thus was the crime not his, but ours alone;
And yet we murmur that he went so soon,
Though miracles are short, and rarely shown.
Learn then, ye mournful parents, and divide
That love in many, which in one was tied.
That individual blessing is no more,
But multiplied in your remaining store.
The flame's dispersed, but does not all expire;
The sparkles blaze, though not the globe of fire.
Love him by parts, in all your numerous race,
And from those parts form one collected grace;
Then, when you have refined to that degree,
Imagine all in one, and think that one is he.
poem by John Dryden
Submitted by Poetry Lover
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Most she touched me by her muteness
760
Most she touched me by her muteness—
Most she won me by the way
She presented her small figure—
Plea itself—for Charity—
Were a Crumb my whole possession—
Were there famine in the land—
Were it my resource from starving—
Could I such a plea withstand—
Not upon her knee to thank me
Sank this Beggar from the Sky—
But the Crumb partook—departed—
And returned On High—
I supposed—when sudden
Such a Praise began
'Twas as Space sat singing
To herself—and men—
'Twas the Winged Beggar—
Afterward I learned
To her Benefactor
Making Gratitude
poem by Emily Dickinson
Submitted by Poetry Lover
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Over My Head
What happened to you
You played the victim for so long now in this game
What I thought was true
Is made of fiction and I'm following the same
But if I try to make sense of this mess I'm in
I'm not sure where I should begin
I'm fallin'
I'm fallin'
Now I'm over my head
for something I said
Completely misread
I'm better off dead
And now I can see
How fake you can be
This hypocrisy is beginning to get to me
It's none of my concern
Don't look to me I don't believe in fame
I guess you never heard
I've met our makers they don't even know your name
But if I had to say goodbye to leave this hell
I'd say my time has served me well
I'm fallin'
I'm fallin'
[Chorus]
This came long before
Those who suffer more
I'm too awake for this to be a nightmare
What's with my disgrace
I lost the human race
No one plans for it to blow up in their face
Who said it was easy to put back all of these pieces
Who said it was so easy to put back all of these pieces
[Chorus]
Over my head
Better off dead
Over my head
Better off dead
song performed by by Sum 41
Submitted by Lucian Velea
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The Statue Got Me High
The statue got me high
The statue got me high
The monument of granite sent a beam into my eye
The statue made me die
The statue made me die
It took my hand it killed me and it turned me to the sky
The stone it called to me
(and now I see the things the stone has shown to me)
A rock that spoke a word
(an animated mineral it can be heard)
And though I once preferred a human beings company
They pale before the monolith that towers over me
The statue got me high
The statue got me high
The truth is where the sculptors chisel chipped away the lie
The statue made me fry
The statue made me fry
My coat contained a furnace where there used to be a guy
The stone it called to me
(and now I see the things the stone has shown to me)
A rock that spoke a word
(an animated mineral it can be heard)
And as the screaming fire engine siren filled the air
The evidence had vanished from my charred and smoking chair
And what they found was just a statue
Standing where the statue got me high
And what they found was just a statue
Standing where the statue got me high
And now it is your turn
(your turn to hear the stone and then your turn to burn)
The stone it calls to you
(you cant refuse to do the things it tells you to)
And as the screaming fire engine siren fills the air
The evidence will vanish from your charred and smoking chair
And what they found was just a statue
Standing where the statue got me high
And what theyll find is just a statue
Standing where the statue got you high
song performed by by They Might Be Giants
Submitted by Lucian Velea
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