
L'audace
Daughter of God! Audacity divine
Of clowns the terror and of brains the sign
Not thou the inspirer of the rushing fool,
Not thine of idiots the vocal drool:
Thy bastard sister of the brow of brass,
Presumption, actuates the charging ass.
Sky-born Audacity! of thee who sings
Should strike with freer hand than mine the strings;
The notes should mount on pinions true and strong,
For thou, the subject shouldst sustain the song,
Till angels lean from Heaven, a breathless throng!
Alas! with reeling heads and wavering tails,
They (notes, not angels) dropp and the hymn fails;
The minstrel's tender fingers and his thumbs
Are torn to rags upon the lyre he strums.
Have done! the lofty thesis makes demand
For stronger voices and a harder hand:
Night-howling apes to make the notes aspire,
And Poet Riley's fist to slug the rebel wire!
poem by Ambrose Bierce

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Spirit Of Song
Where is thy dwelling-place? Echo of sweetness,
Seraph of tenderness, where is thy home?
Angel of happiness, herald of fleetness,
Thou hast the key of the star-blazon'd dome.
Where lays that never end
Up to God's throne ascend,
And our fond heart-wishes lovingly throng,
Soaring with thee above,
Bearer of truth and love,
Teacher of heaven's tongue - Spirit of Song!
Euphony, born in the realms of the tearless,
Mingling thy notes with the voices of Earth;
Wanting thee, all would be dreary and cheerless,
Weaver of harmony, giver of mirth.
Comfort of child and sage,
With us in youth and age,
Soothing the weak and inspiring the strong,
Illuming the blackest night,
Making the day more bright,
Oh! thou art dear to us, Spirit of Song!
Oft in the springtime, sweet words of affection
Are whispered by thee in thy tenderest tone,
And in the winter dark clouds of dejection
By thee are dispelled till all sorrow has flown.
Thou'rt with the zephyrs low,
And with the brooklet's flow,
And with the feathered choir all the year long;
Happy each child of thine,
Blest with thy gifts divine,
Charming our senses, sweet Spirit of Song!
poem by Thomas Bracken

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Sonnet XVII
My poet, thou canst touch on all the notes
God set between his After and Before,
And strike up and strike off the general roar
Of the rushing worlds a melody that floats
In a serene air purely. Antidotes
Of medicated music, answering for
Mankind's forlornest uses, thou canst pour
From thence into their ears. God's will devotes
Thine to such ends, and mine to wait on thine.
How, Dearest, wilt thou have me for most use ?
A hope, to sing by gladly ? or a fine
Sad memory, with thy songs to interfuse ?
A shade, in which to sing--of palm or pine ?
A grave, on which to rest from singing ? Choose.
poem by Elizabeth Barrett Browning

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Sonnet XVII: My Poet, Thou Canst Touch
My poet, thou canst touch on all the notes
God set between his After and Before,
And strike up and strike off the general roar
Of the rushing worlds a melody that floats
In a serene air purely. Antidotes
Of medicated music, answering for
Mankind's forlornest uses, thou canst pour
From thence into their ears. God's will devotes
Thine to such ends, and mine to wait on thine.
How, Dearest, wilt thou have me for most use?
A hope, to sing by gladly? or a fine
Sad memory, with thy songs to interfuse?
A shade, in which to sing--of palm or pine?
A grave, on which to rest from singing? Choose.
poem by Elizabeth Barrett Browning

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Xvii
My poet, thou canst touch on all the notes
God set between his After and Before,
And strike up and strike off the general roar
Of the rushing worlds a melody that floats
In a serene air purely. Antidotes
Of medicated music, answering for
Mankind's forlornest uses, thou canst pour
From thence into their ears. God's will devotes
Thine to such ends, and mine to wait on thine.
How, Dearest, wilt thou have me for most use ?
A hope, to sing by gladly ? or a fine
Sad memory, with thy songs to interfuse ?
A shade, in which to sing--of palm or pine ?
A grave, on which to rest from singing ? Choose.
poem by Elizabeth Barrett Browning

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Sonnet 17 - My poet, thou canst touch on all the notes
XVII
My poet, thou canst touch on all the notes
God set between his After and Before,
And strike up and strike off the general roar
Of the rushing worlds a melody that floats
In a serene air purely. Antidotes
Of medicated music, answering for
Mankind's forlornest uses, thou canst pour
From thence into their ears. God's will devotes
Thine to such ends, and mine to wait on thine.
How, Dearest, wilt thou have me for most use?
A hope, to sing by gladly? or a fine
Sad memory, with thy songs to interfuse?
A shade, in which to sing—of palm or pine?
A grave, on which to rest from singing? Choose.
poem by Elizabeth Barrett Browning

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Corinne at the Capitol
DAUGHTER of th' Italian heaven!
Thou, to whom its fires are given,
Joyously thy car hath roll'd
Where the conqueror's pass'd of old;
And the festal sun that shone,
O'er three hundred triumphs gone,
Makes thy day of glory bright,
With a shower of golden light.
Now thou tread'st th' ascending road,
Freedom's foot so proudly trode;
While, from tombs of heroes borne,
From the dust of empire shorn,
Flowers upon thy graceful head,
Chaplets of all hues, are shed,
In a soft and rosy rain,
Touch'd with many a gem-like stain.
Thou hast gain'd the summit now!
Music hails thee from below;
Music, whose rich notes might stir
Ashes of the sepulchre;
Shaking with victorious notes
All the bright air as it floats.
Well may woman's heart beat high
Unto that proud harmony!
Now afar it rolls-it dies-
And thy voice is heard to rise
With a low and lovely tone
In its thrilling power alone;
And thy lyre's deep silvery string,
Touched as by a breeze's wing,
Murmurs tremblingly at first,
Ere the tide of rapture burst.
All the spirit of thy sky
Now hath lit thy large dark eye,
And thy cheek a flush hath caught
From the joy of kindled thought;
And the burning words of song
From thy lip flow fast and strong,
With a rushing stream's delight
In the freedom of its might.
Radiant daughter of the sun!
Now thy living wreath is won.
Crown'd of Rome!-Oh! art thou not
Happy in that glorious lot?-
Happier, happier far than thou,
With the laurel on thy brow,
She that makes the humblest hearth
Lovely but to one on earth!
poem by Felicia Dorothea Hemans

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Spirit of Song
Where is thy dwelling-place? Echo of sweetness,
Seraph of tenderness, where is thy home?
Angel of happiness, herald of fleetness,
Thou hast the key of the star-blazon'd dome.
Where lays that never end
Up to God's throne ascend,
And our fond heart-wishes lovingly throng,
Soaring with thee above,
Bearer of truth and love,
Teacher of heaven's tongue -- Spirit of Song!
Euphony, born in the realms of the tearless,
Mingling thy notes with the voices of Earth;
Wanting thee, all would be dreary and cheerless,
Weaver of harmony, giver of mirth.
Comfort of child and sage,
With us in youth and age,
Soothing the weak and inspiring the strong,
Illuming the blackest night,
Making the day more bright,
Oh! thou art dear to us, Spirit of Song!
Oft in the springtime, sweet words of affection
Are whispered by thee in thy tenderest tone,
And in the winter dark clouds of dejection
By thee are dispelled till all sorrow has flown.
Thou'rt with the zephyrs low,
And with the brooklet's flow,
And with the feathered choir all the year long;
Happy each child of thine,
Blest with thy gifts divine,
Charming our senses, sweet Spirit of Song!
poem by James Brunton Stephens

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An Anarchist
False to his art and to the high command
God laid upon him, Markham's rebel hand
Beats all in vain the harp he touched before:
It yields a jingle and it yields no more.
No more the strings beneath his finger-tips
Sing harmonies divine. No more his lips,
Touched with a living coal from sacred fires,
Lead the sweet chorus of the golden wires.
The voice is raucous and the phrases squeak;
They labor, they complain, they sweat, they reek!
The more the wayward, disobedient song
Errs from the right to celebrate the wrong,
More diligently still the singer strums,
To drown the horrid sound, with all his thumbs.
Gods, what a spectacle! The angels lean
Out of high Heaven to view the sorry scene,
And Israfel, 'whose heart-strings are a lute,'
Though now compassion makes their music mute,
Among the weeping company appears,
Pearls in his eyes and cotton in his ears.
poem by Ambrose Bierce

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A Ballad Of Past Meridian
I
Last night returning from my twilight walk
I met the grey mist Death, whose eyeless brow
Was bent on me, and from his hand of chalk
He reached me flowers as from a withered bough:
O Death, what bitter nosegays givest thou!
II
Death said, I gather, and pursued his way.
Another stood by me, a shape in stone,
Sword-hacked and iron-stained, with breasts of clay,
And metal veins that sometimes fiery shone:
O Life, how naked and how hard when known!
III
Life said, As thou hast carved me, such am I.
Then memory, like the nightjar on the pine,
And sightless hope, a woodlark in night sky,
Joined notes of Death and Life till night's decline
Of Death, of Life, those inwound notes are mine.
poem by George Meredith

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The Skylark
Go, tuneful bird! that gladd'st the skies.
To Daphne's window speed thy way,
And there on quivering pinions rise,
And there thy vocal art display.
And if she deign thy notes to hear,
And if she praise thy matin song,
Tell her the sounds that soothe her ear
To Damon's native plains belong.
Tell her in livelier plumes array'd,
The bird from Indian groves may shine;
But ask the lovely partial maid
What are his notes compared to thine!
Then bid her treat yon witless beau,
And all his flaunting race with scorn,
And lend an ear to Damon's woe,
Who sings her praise, and sings forlorn.
poem by William Shenstone

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Of the Cuckoo
Thou booby, say'st thou nothing but cuckoo?
The robin and the wren can thee outdo.
They to us play thoróugh their little throats,
Not one, but sundry pretty tuneful notes.
But thou hast fellows, some like thee can do
Little but suck our eggs, and sing cuckoo.
Thy notes do not first welcome in our spring,
Not dost thou its first tokens to us bring.
Birds less than thee by far, like prophets, do
Tell us 'tis coming, though not by cuckoo.
Nor dost thou summer have away with thee,
Though thou a yawling, bawling cuckoo be.
When thou dost cease among us to appear,
Then doth our harvest bravely crown our year.
But thou hast fellows, some like thee can do
Little but suck our eggs, and sing cuckoo.
Since cuckoos forward not our early spring,
Nor help with notes to bring our harvest in:
And since while here she only makes a noise,
So pleasing unto none as girls and boys,
The formalist we may compare her to,
For he doth suck our eggs, and sing cuckoo.
poem by John Bunyan

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Early Death
Oh grieve not with thy bitter tears
The life that passes fast;
The gates of heaven will open wide
And take me in at last.
Then sit down meekly at my side
And watch my young life flee;
Then solemn peace of holy death
Come quickly unto thee.
But true love, seek me in the throng
Of spirits floating past,
And I will take thee by the hands
And know thee mine at last.
He and She and Angels Three
Ruthless hands have torn her
From one that loved her well;
Angels have upborn her,
Christ her grief to tell.
She shall stand to listen,
She shall stand and sing,
Till three winged angels
Her lover’s soul shall bring.
He and she and the angels three
Before God’s face shall stand;
There they shall pray among themselves
And sing at His right hand.
poem by Elizabeth Eleanor Siddal

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With Mine Own Petard
Time was the local poets sang their songs
Beneath their breath in terror of the thongs
I snapped about their shins. Though mild the stroke
Bards, like the conies, are 'a feeble folk,'
Fearing all noises but the one they make
Themselves-at which all other mortals quake.
Now from their cracked and disobedient throats,
Like rats from sewers scampering, their notes
Pour forth to move, where'er the season serves,
If not our legs to dance, at least our nerves;
As once a ram's-horn solo maddened all
The sober-minded stones in Jerich's wall.
A year's exemption from the critic's curse
Mends the bard's courage but impairs his verse.
Thus poolside frogs, when croaking in the night,
Are frayed to silence by a meteor's flight,
Or by the sudden plashing of a stone
From some adjacent cottage garden thrown,
But straight renew the song with double din
Whene'er the light goes out or man goes in.
Shall I with arms unbraced (my casque unlatched,
My falchion pawned, my buckler, too, attached)
Resume the cuishes and the broad cuirass,
Accomplishing my body all in brass,
And arm in battle royal to oppose
A village poet singing through the nose,
Or strolling troubadour his lyre who strums
With clumsy hand whose fingers all are thumbs?
No, let them rhyme; I fought them once before
And stilled their songs-but, Satan! how they swore!
Cuffed them upon the mouth whene'er their throats
They cleared for action with their sweetest notes;
Twisted their ears (they'd oft tormented mine)
And damned them roundly all along the line;
Clubbed the whole crew from the Parnassian slopes,
A wreck of broken heads and broken hopes!
What gained I so? I feathered every curse
Launched at the village bards with lilting verse.
The town approved and christened me (to show its
High admiration) Chief of Local Poets!
poem by Ambrose Bierce

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The Rosary
Not on the lute, nor harp of many strings
Shall all men praise the Master of all song.
Our life is brief, one saith, and art is long;
And skilled must be the laureates of kings.
Silent, O lips that utter foolish things!
Rest, awkward fingers striking all notes wrong!
How from your toil shall issue, white and strong,
Music like that God's chosen poet sings?
There is one harp that any hand can play,
And from its strings what harmonies arise!
There is one song that any mouth can say, --
A song that lingers when all singing dies.
When on their beads our Mother's children pray
Immortal music charms the grateful skies.
poem by Joyce Kilmer

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On Æolus's Harp
Ethereal race, inhabitants of air,
Who hymn your god amid the secret grove;
Ye unseen beings, to my harp repair,
And raise majestic strains, or melt in love.
Those tender notes, how kindly they upraid,
With what soft woe they thrill the lover's heart!
Sure from the hand of some unhappy maid,
Who died for love, these sweet complainings part.
But hark! that strain was of a graver tone,
On the deep strings his hand some hermit throws;
Or he, the sacred Bard, who sat alone
In the drear waste, and wept his people's woes.
Such was the song which Zion's children sung,
When by Euphrates' stream they made their plaint;
And to such sadly solemn notes are strung
Angelic harps, to soothe a dying saint.
Methinks I hear the full celestial choir,
Through Heaven's high dome their awful anthem raise;
Now chanting clear, and now they all conspire
To swell the lofty hymn from praise to praise.
Let me, ye wandering spirits of the wind,
Who, as wild fancy prompts you, touch the string,
Smit with your theme, be in your chorus joined,
For, till you cease, my Muse forgets to sing.
poem by James Thomson

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A Carol
This gospel sang the angels bright:
Lord Jhesu shall be born this night;
Born not in house nor yet in hall,
Wrapped not in purple nor in pall,
Rocked not in silver, neither gold;
This word the angels sang of old;
Nor christened with white wine nor red;
This word of old the angels said
Of Him which holdeth in His hand
The strong sea and green land.
This thrice and four times happy night—
These tidings sang the angels bright—
Forlorn, betwixen ear and horn,
A babe shall Jhesu Lord be born,
A weeping babe in all the cold;—
This word the angels sang of old—
And wisps of hay shall be his bed;
This word of old the angels said
Of Him which keepeth in His hand
The strong sea and green land.
O babe and Lord, Thou Jhesu bright,—
Let all and some now sing this night—
Betwixt our sorrow and our sin,
Be thou new-born our hearts within;
New-born, dear babe and little King,
So letten some and all men sing—
To wipe for us our tears away!
This night so letten all men say
Of Him which spake, and lo! they be—
The green land and strong sea.
poem by William Canton

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Juliet: Wilt thou be gone? it is not yet near day:
It was the nightingale, and not the lark,
That pierced the fearful hollow of thine ear;
Nightly she sings on yon pomegranate-tree:
Believe me, love, it was the nightingale.
Romeo: It was the lark, the herald of the morn,
No nightingale. Look, love, what envious streaks
Do lace the severing clouds in yonder east.
Night‘s candles are burnt out, and jocund day
Stands tiptoe on the misty mountain tops.
I must be gone and live, or stay and die.
Juliet: Yon light is not daylight, I know it, I:
It is some meteor that the sun exhal‘d,
To be to thee this night a torch-bearer,
And light thee on thy way to Mantua.
Therefore stay yet; thou need‘st not to be gone.
Romeo: Let me be ta‘en, let me be put to death;
I am content, so thou wilt have it so.
I‘ll say yon grey is not the morning‘s eye,
‘Tis but the pale reflex of Cynthia‘s brow;
Nor that is not the lark, whose notes do beat
The vaulty heaven so high above our heads.
I have more care to stay than will to go:
Come, death, and welcome! Juliet wills it so.
How is‘t, my soul? let‘s talk; it is not day.
Juliet: It is, it is: hie hence, be gone, away!
It is the lark that sings so out of tune,
Straining harsh discords and unpleasing sharps.
Some say the lark makes sweet division;
This doth not so, for she divideth us.
Some say the lark and loathed toad change eyes,
O, now I would they had changed voices too!
Since arm from arm that voice doth us affray,
Hunting thee hence with hunt‘s-up to the day.
O, now be gone; more light and light it grows.
Romeo: More light and light; more dark and dark our woes!
line from Romeo and Juliet by William Shakespeare

Submitted by Veronica Serbanoiu
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On the Death of Mrs. Browning
WHICH of the Angels sang so well in Heaven
That the approving Archon of the quire
Cried, “Come up hither!” and he, going higher,
Carried a note out of the choral seven;
Whereat that cherub to whom choice is given
Among the singers that on earth aspire
Beckon’d thee from us, and thou, and thy lyre
Sudden ascended out of sight? Yet even
In Heaven thou weepest! Well, true wife, to weep!
Thy voice doth so betray that sweet offence
That no new call should more exalt thee hence
But for thy harp. Ah, lend it, and such grace
Shall still advance thy neighbor that thou keep
Thy seat, and at thy side a vacant place!
poem by Sydney Thompson Dobell

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To His Lute
My lute, be as thou wert when thou didst grow
With thy green mother in some shady grove,
When immelodious winds but made thee move,
And birds their ramage did on thee bestow.
Since that dear Voice which did thy sounds approve,
Which wont in such harmonious strains to flow,
Is reft from Earth to tune those spheres above,
What art thou but a harbinger of woe?
Thy pleasing notes be pleasing notes no more,
But orphans' wailings to the fainting ear;
Each stroke a sigh, each sound draws forth a tear;
For which be silent as in woods before:
Or if that any hand to touch thee deign,
Like widowed turtle, still her loss complain.
poem by William Henry Drummond

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A Supplication
Awake, awake, my Lyre!
And tell thy silent master's humble tale
In sounds that may prevail;
Sounds that gentle thoughts inspire:
Though so exalted she
And I so lowly be
Tell her, such different notes make all thy harmony.
Hark, how the strings awake!
And, though the moving hand approach not near,
Themselves with awful fear
A kind of numerous trembling make.
Now all thy forces try;
Now all thy charms apply;
Revenge upon her ear the conquests of her eye.
Weak Lyre! thy virtue sure
Is useless here, since thou art only found
To cure, but not to wound,
And she to wound, but not to cure,
Too weak too wilt thou prove
My passion to remove;
Physic to other ills, thou'rt nourishment to love.
Sleep, sleep again, my Lyre!
For thou canst never tell my humble tale
In sounds that will prevail,
Nor gentle thoughts in her inspire;
All thy vain mirth lay by,
Bid thy strings silent lie,
Sleep, sleep again, my Lyre, and let thy master die.
poem by Abraham Cowley

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