A Vision Of Doom
I stood upon a hill. The setting sun
Was crimson with a curse and a portent,
And scarce his angry ray lit up the land
That lay below, whose lurid gloom appeared
Freaked with a moving mist, which, reeking up
From dim tarns hateful with some horrid ban,
Took shapes forbidden and without a name.
Gigantic night-birds, rising from the reeds
With cries discordant, startled all the air,
And bodiless voices babbled in the gloom-
The ghosts of blasphemies long ages stilled,
And shrieks of women, and men's curses. All
These visible shapes, and sounds no mortal ear
Had ever heard, some spiritual sense
Interpreted, though brokenly; for I
Was haunted by a consciousness of crime,
Some giant guilt, but whose I knew not. All
These things malign, by sight and sound revealed,
Were sin-begotten; that I knew-no more
And that but dimly, as in dreadful dreams
The sleepy senses babble to the brain
Imperfect witness. As I stood a voice,
But whence it came I knew not, cried aloud
Some words to me in a forgotten tongue,
Yet straight I knew me for a ghost forlorn,
Returned from the illimited inane.
Again, but in a language that I knew,
As in reply to something which in me
Had shaped itself a thought, but found no words,
It spake from the dread mystery about:
'Immortal shadow of a mortal soul
That perished with eternity, attend.
What thou beholdest is as void as thou:
The shadow of a poet's dream-himself
As thou, his soul as thine, long dead,
But not like thine outlasted by its shade.
His dreams alone survive eternity
As pictures in the unsubstantial void.
Excepting thee and me (and we because
The poet wove us in his thought) remains
Of nature and the universe no part
Or vestige but the poet's dreams. This dread,
Unspeakable land about thy feet, with all
Its desolation and its terrors-lo!
'T is but a phantom world. So long ago
That God and all the angels since have died
That poet lived-yourself long dead-his mind
Filled with the light of a prophetic fire,
And standing by the Western sea, above
The youngest, fairest city in the world,
Named in another tongue than his for one
Ensainted, saw its populous domain
Plague-smitten with a nameless shame. For there
Red-handed murder rioted; and there
The people gathered gold, nor cared to loose
The assassin's fingers from the victim's throat,
But said, each in his vile pursuit engrossed:
'Am I my brother's keeper? Let the Law
Look to the matter.' But the Law did not.
And there, O pitiful! the babe was slain
Within its mother's breast and the same grave
Held babe and mother; and the people smiled,
Still gathering gold, and said: 'The Law, the Law,'
Then the great poet, touched upon the lips
With a live coal from Truth's high altar, raised
His arms to heaven and sang a song of doom
Sang of the time to be, when God should lean
Indignant from the Throne and lift his hand,
And that foul city be no more!-a tale,
A dream, a desolation and a curse!
No vestige of its glory should survive
In fact or memory: its people dead,
Its site forgotten, and its very name
Disputed.'
'Was the prophecy fulfilled?'
The sullen disc of the declining sun
Was crimson with a curse and a portent,
And scarce his angry ray lit up the land
That lay below, whose lurid gloom appeared
Freaked with a moving mist, which, reeking up
From dim tarns hateful with a horrid ban,
Took shapes forbidden and without a name.
Gigantic night-birds, rising from the reeds
With cries discordant, startled all the air,
And bodiless voices babbled in the gloom.
But not to me came any voice again;
And, covering my face with thin, dead hands,
I wept, and woke, and cried aloud to God!
poem by Ambrose Bierce
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Finis Aeternitatis
Strolling at sunset in my native land,
With fruits and flowers thick on either hand,
I crossed a Shadow flung athwart my way,
Emerging on a waste of rock and sand.
'The apples all are gone from here,' I said,
'The roses perished and their spirits fled.
I will go back.' A voice cried out: 'The man
Is risen who eternally was dead!'
I turned and saw an angel standing there,
Newly descended from the heights of air.
Sweet-eyed compassion filled his face, his hands
A naked sword and golden trumpet bare.
'Nay, 'twas not death, the shadow that I crossed,'
I said. 'Its chill was but a touch of frost.
It made me gasp, but quickly I came through,
With breath recovered ere it scarce was lost.'
'Twas the same land! Remembered mountains thrust
Grayed heads asky, and every dragging gust,
In ashen valleys where my sons had reaped,
Stirred in familiar river-beds the dust.
Some heights, where once the traveler was shown
The youngest and the proudest city known,
Lifted smooth ridges in the steely light
Bleak, desolate acclivities of stone.
Where I had worshiped at my father's tomb,
Within a massive temple's awful gloom,
A jackal slunk along the naked rock,
Affrighted by some prescience of doom.
Man's vestiges were nowhere to be found,
Save one brass mausoleum on a mound
(I knew it well) spared by the artist Time
To emphasize the desolation round.
Into the stagnant sea the sullen sun
Sank behind bars of crimson, one by one.
'Eternity's at hand!' I cried aloud.
'Eternity,' the angel said, 'is done.
For man is ages dead in every zone;
The angels all are dead but I alone;
The devils, too, are cold enough at last,
And God lies dead before the great white throne!
'Tis foreordained that I bestride the shore
When all are gone (as Gabriel did before,
When I had throttled the last man alive)
And swear Eternity shall be no more.'
'O Azrael-O Prince of Death, declare
Why conquered I the grave?' I cried. 'What rare,
Conspicuous virtues won this boon for me?'
'You've been revived,' he said, 'to hear me swear.'
'Then let me creep again beneath the grass,
And knock thou at yon pompous tomb of brass.
If ears are what you want, Charles Crocker's there
Betwixt the greatest ears, the greatest ass.'
He rapped, and while the hollow echoes rang,
Out at the door a curst hyena sprang
And fled! Said Azrael: 'His soul's escaped,'
And closed the brazen portal with a bang.
poem by Ambrose Bierce
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The Poet
THEY tell you the poet is useless and empty the sound of his lyre,
That science has made him a phantom, and thinned to a shadow his fire:
Yet reformer has never demolished a dungeon or den of the foe
But the flame of the soul of a poet pulsated in every blow.
They tell you he hinders with tinklings, with gags from an obsolete stage,
The dramas of deed and the worship of Laws in a practical age:
But the deeds of to-day are the children of magical dreams he has sung,
And the Laws are ineffable Fires that from niggardly heaven he wrung!
The bosoms of women he sang of are heaving to-day in our maids:
The God that he drew from the Silence our woes or our weariness aids:
Not a maxim has needled through Time, but a poet had feathered its shaft,
Not a law is a boon to the people but he has dictated its draft.
And why do we fight for our fellows? For Liberty why do we long?
Because with the core of our nerve-cells are woven the lightnings of song!
For the poet for ages illumined the animal dreams of our sires,
And his Thought-Become-Flesh is the matrix of all our unselfish desires!
Yea, why are we fain for the Beautiful? Why should we die for the Right?
Because through the forested æons, in spite of the priests of the Night,
Undeterred by the faggot or cross, uncorrupted by glory or gold,
To our mothers the poet his Vision of Goodness and Beauty has told.
When, comrades, we thrill to the message of speaker in highway or hall,
The voice of the poet is reaching the silenter poet in all:
And again, as of old, when the flames are to leap up the turrets of Wrong,
Shall the torch of the New Revolution be lit from the words of a Song
poem by Bernard O'Dowd
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Not Marble Nor The Gilded Monuments
THE praisers of women in their proud and beautiful poems
Naming the grave mouth and the hair and the eyes
Boasted those they loved should be forever remembered
These were lies
The words sound but the face in the Istrian sun is forgotten
The poet speaks but to her dead ears no more
The sleek throat is gone -and the breast that was troubled to listen
Shadow from door
Therefore I will not praise your knees nor your fine walking
Telling you men shall remember your name as long
As lips move or breath is spent or the iron of English
Rings from a tongue
I shall say you were young and your arms straight and you!
mouth scarlet
I shall say you will die and none will remember you
Your arms change and none remember the swish of your garments
Nor the click of your shoe
Not with my hand's strength not with difficult labor
Springing the obstinate words to the bones of your breast
And the stubborn line to your young stride and the breath to your breathing
And the beat to your haste
Shall I prevail on the hearts of unborn men to remember
(What is a dead girl but a shadowy ghost
Or a dead man's voice but a distant and vain affirmation
Like dream words most)
Therefore I will not speak of the undying glory of women
I will say you were young and straight and your skin fair
And you stood in the door and the sun was a shadow of leaves on your shoulders
And a leaf on your hair
I will not speak of the famous beauty of dead women
I will say the shape of a leaf lay once on your hair
Till the world ends and the eyes are out and the mouths broken
Look! It is there!
poem by Archibald MacLeish
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The Other
I cannot write.
The star is dead.
The poet in me returns to slumber.
So fleeting the instant, so silent the time,
Already Fall slips into December.
The twilight has come.
The end is near.
The final sigh of Winter.
Nature heaves, my heart dies.
Life poised on a balanced whisper.
That cannot fly, is already gone,
Far away, twisted by a convulsive mutter.
I am lost, I am dread,
The illusion so faint, so sweet.
It was said, I once said.
You are mine, I am yours,
In you fulfilled, I drink and meet.
Lost, oh lost, hopelessly lost forever.
Escape, escape, I fly, I run, I go.
On the precipice of dreams, I roam.
Roam in search of another.
But I am, no more, I know,
No more will Beauty shine.
For what is right, what was mine
Has left, has left me for no other.
I cannot write.
The star is dead.
The poet in me has fallen.
Fallen asleep, away from me,
Fallen in the hands of another.
It was said, I once said.
That love lasted forever.
The brilliant bushel of light
I surmise
Has fallen to the shadows of Winter.
So have you betrayed me,
With lies,
In lies, you lied with another.
So fall I have, in Fall I shook,
In Fall I met with a stranger.
Not of peace, not of hope.
The sightless eyes of restless demise,
These eyes of sorrow did whisper.
Of the deed you did, of the cries of joy,
The cries you never would utter.
For me, for me, for me,
For me you ever did slumber.
But for him, this man,
The alien, the fool,
You did turn yourself traitor,
You gave yourself, so entirely,
So entirely to another.
I cannot write.
The poet is dead.
I finally put an end to the torture.
It was a beautiful night,
Not a breeze crossed my sight,
On this longest twilight of December.
I slew the poet,
I slaughtered the stranger,
I murdered the man, this Other.
But in shame, in shame,
In misery, I did exclaim,
In shock I beheld another.
Not a stranger, no other man,
Truly
None other, none other was the stranger.
One and the same,
Yes, one and the same,
I had been deceived forever.
This curse, this doom,
This misery, this gloom,
Must look no further for its maker.
The artist of design,
The creator of the Line,
The one and only Stranger.
I cannot write,
This poem is dead.
I am now trapped in eternal slumber.
The poet was right.
It was said, I once said.
Beware the longest night of Winter.
The Beautiful night, the absence of light,
Will bring you, truly,
Will bring you naught but dread.
And so it was, the poet was dead.
The deed was done,
I ended the stranger, the impostor,
The traitor.
But in death, in death,
Even with his final words he said:
My brother, my brother,
What have you done my brother.
There is no Other.
Rest peacefully brother.
For together, in each Other.
I am dead.
poem by Jeremy Cahoon
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Our Lady Of Solitude
All summer long she touched me
She gathered in my soul
From many a thorn, from many thickets
Her fingers, like a weavers
Quick and cool
And the light came from her body
And the night went through her grace
All summer long she touched me
And I knew her, I knew her
Face to face
And her dress was blue and silver
And her words were few and small
She is the vessel of the whole wide world
Mistress, oh mistress, of us all
Dearly dead; queen of solitude
I thank you with my heart
For keeping me so close to thee
While so many, oh so many, stood apart
And the light came from her body
And the night went through her grace
All summer long she touched me
I knew her, I knew her
Face to face
song performed by by Leonard Cohen
Submitted by Lucian Velea
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Introit : VIII. The Golden Joy
What has the poet but a glorious phrase
And the heart's wisdom? -- Oh, a Joy of gold!
A Joy to mint and squander on the Kind,--
Pure gold coined current for eternity,
Giving dear wealth to men for a long age,
And after, lost to sight and touch of hands,
Leaving a memory that will bud and bloom
And blossom all into a lyric phrase--
The glorious phrase again on other lips,
The heritage of Joy, the heart again,
Wisdom anew that ages not but lives
To Sappho-sing the Poet else forgot.
O Joy! O secret transport of mystic vision,
Who hold'st the keys of Ivory and Horn,
Who join'st the hands of Earth and Faerie!
Thou art the inmate of the hermit soul
That shuns the touch of every street-worn wind
Sweet to all else, the shuns doctrine and doubt,
To wait in trembling quietness for thee.
Thou art the spouse of the busy human mind
That bravely, sanely, bears his worldly part
And claims no favour for the gift of thee:
But, Nature's child, lives true in Nature's right,
Filling the duties of the Tribe of Man,
Keeping the heart, O Joy! untarnished still
And pinion-strong to soar the exalted way.
The Poet guards the philosophic soul
In contemplation that no importunate thought
May mar his ecstasy or change his song;
And though he see the gloom and sing of sorrow,
He is the world's Herald of Joy at last:
His song is Joy, the music that needs sorrow
To fill its closes, as Death fulfils Life,
As Life fills Time, and Time Eternity:
Joy that sees Death, yet in Death sees not woe.
O Joy! the Spring is green -- on many a wall
The roses straggle, on many a tree dew-laden;
And now the waters murmur 'neath their banks
And all the flocks are loud with firstling cries,
And in the heart of life Joy wakes anew
To live a long day ere the winter falls;
And now the song of an invisible lark,
And now a child's voice makes the morning glad;
The kindling sky and the mist-wreathed earth
Have broken from the drowsihood of night,--
Dawn widened grey, but now the orient blush
Is over all the roses on the wall,
Over the drooping trees that wait the winds
To join them to the murmur of the day.
The Pilgrim Seer who journeyed silently
When all the ways were Winter, wild and bare,
Tarries to-day to hear the call of bliss,--
Of Joy, Joy, Joy! thou emblem, symbol, sign
Of all the Pilgrim's dream of Paradise--
The Beatific Vision of Beauty supreme!
Thou art the Angel of the Gate of Heaven!
Thou art the great Vice-regent of the King!
Then forward goes and will not brook Life's house,
Yearning to dwell far away, far away,
In the wide palace of Eternity--
To hold a life beyond this birth and death
With the high Prophets in their calm sublime.--
Ah yet, in Joy's despite, his heart will keep
Memorial futile melancholy thought
Of this and some that never knew the gold!
And so he turns, bows down to toil with men,
To toil and strive and care for earthy cares;
The common life that has her claim on all
Claims him, and yet leaves him his ecstasy;
Knowing the glooms of life and the dark nights,
Sure of the dawns and the white Summer days,
He sings in twilight and the state of Job
One golden Dawn and one enduring Wealth!
So he keeps ever burning in his heart
The fire eternal that will flame and shine
When the man lies compounded with the rest
Who never knew to look upon his light,
Whose light none saw, whose lives are all forgot.
One is Eternity to common man,
Twain to the poet soul;-- though his name die,
Though after fall of years many or few
His phrases wander out of memory's fold,
His soul is twain, a heritage has he,
His dreams are children dreams and parent dreams.
What has the Poet but a glorious phrase
And the heart's wisdom? He has naught to do
With April changes that your lives endue,
Sunshine and shadow. Him your blame and praise
Trouble in calm along the spirit's ways
That are with the great Change, unchanging, true,
With the great Silence where no voice is new
And no voice old -- a train of prophet days.
What but the Golden Joy that sacred stands
As gift of Paradise to human art?
For though the lust of the world still claims and brands
All others, the Joy stands for us apart
And will not fail or tarnish touched by hands
That highly bear the trust of poet heart.
So would I rhythm and rime the glorious phrase
In this Spring lyric morning of my day,
When brown and green and nebulous silver lie
Quiet and happy 'neath the vernal pomp
Of that rich sky,--- the trees a dome of song,
Song in the waters, in the sea-born wind,
And in the human soul the Cherub hymn
Of Joy, which is the heart's philosophy.
Dear holy hymn, yet wert thou sad to hear
Matched with the dream song of the Ivory Gate
That waked a boy to rapture long ago,
That raised a boy to poet in an hour,
That the boy failed to mimic with his voice
But held heart-hid against his vocal day
And sings here to thee, Joy, this lyric morn!
For first he sang out of a book of Death
Before his day, and then with weaker voice
Chanted a resurrection, sang for Hope
All in a Spring like this, before his day.
Of Beauty now which is the light of Hope
He sings and of the Quest that cannot cease
Voyaging to Wonder on an endless road;
But chiefly and over all and through the whole
Sings yet the memory of untaught days
When dawn and dark brought to the waiting soul
The vision that he sees now through the dusk
Leading him back to thy tranquility.
I saw last night again the Unknown Land,
And, travelled far, I stood beside a sea
Whose pale waves crowding stared head over head
And mouthed warning inarticulate.
Spirits of poets they, high called and lost,
Thus missing half the Man's eternity
For gaining half the Poet's, Joy forgone.
And there by the dread waste of liquid life
My feet were set upon a living shore
Wrought of the souls that never knew the Joy
And never needed, never lost, -- all dumb
But at long rest while the waves turn and toss.
These quiet I loved more than the quick foam,
And yet the human pity at my heart
Stirred and would draw me to that passionate shame,
But that the Joy flamed and the glorious phrase
Broke into rapture: the waves wept to hear,
Wept for the exaltation once their own,
Wept for the gold they never more may spend
In mintage of the phrase upon the Kind,
Wept, wept, to scatter from the spirit's tower
The joy-notes and the glory of this song.
I hastened thence to spare them cruelty
Out through the Ivory Gate,-- and thus I know
The dream was but a symbol of the true.
It is the Spring and these the songs of Spring,
Songs of the rathe rose and the lily's hope;--
For now the Poet hears the lily call
That came to Christ from beauty's natural shrine
And, through his lips, soared sacred out and up
Into the space beyond of holiness,
The aether of the rapture of High God.
Oh! it steals to us like the breath of dawn
That fills the pipes of Nature with sweet sounds,--
Steals low and swells anon into a chant
To throb and triumph through the heart of Spring
With the clear canticle of Love that hails
The orient Epiphany of Joy.
And now the poet heart is calling too
And called aloud by every voice divine
Behind our wall out through the lattices.
Now is the season of the Golden Joy,
Now is the season of the birth of Love--
The perfect passion of the heart of God,
The rapture of the beauty of the world,
The rapture of eternity of bliss!
For all our Winters pass and all rains go,
And all the flowers of Joy appear again,
And Spring is green with figs more beautiful
And sweet with odours of the mystic Tree
That droops its branches over Heaven and Earth,
Scattering flowers and fruit and passionate wine
Down into all the places of the sun,
And into all the nether places dim,
Fragrant with ecstasy of Joy and Peace.
And who will steep his senses in the flowers
And who will feed his spirit on the fruit
And who will his veins with the great wine
Shall see no Winters and shall feel no rains
But Joy perpetual in the Land of God.
poem by Thomas MacDonagh
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Each Poet Is A Solitary Voice Sounding His Own Alone Through The Universe
EACH POET IS A SOLITARY VOICE SOUNDING HIS ALONE THROUGH THE UNIVERSE
Each poet is a solitary voice sounding his own alone through the universe
Each one writes what only he or she can
No one is the other and all for anyone else
We come into the world alone
And we die alone
And we are poets – alone
Yet what we dream alone
Is nonetheless what no alone can ever give
A kind of love and recognition
An affirmation of who we are
A blessedness
That may once have been had in our mother's love
But which in our long slow years
Can never fully come again.
I loved a woman once
And she seemed to love me
I knew then
There is Eternity.
Now in my old age
I also need love
A poet is alone
And only G-d above.
poem by Shalom Freedman
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To Isa in Heaven
Early, bright, transient, chaste as morning dew,
She sparkled, was exhaled, and went to heaven! — Young.
Where is she now?
Oh! Isa! tell me where thou art?
If death has laid his hand upon thy brow,
Has he not touched my heart?
Has he not laid it in the grave with thine,
And buried all my joys?—Speak! thou art mine!
If thou were dead,
I would not ask thee to reply;
But thou art living—thy dear soul has fled
To heaven, where it can never die!
Then why not come to me? Return—return
And comfort me, for I have much to mourn!
I sigh all day!
I mourn for thee the livelong night!
And when the next night comes, thou art away,
And so is absent my delight!
Oh! as the lone dove for his absent mate,
So is my soul for thee disconsolate!
I long for death—
For any thing—to be with thee!
I did inhale, alas! thy dying breath,
That it might have some power on me
To make me what thou art!—but, thou art dead!
And I am here!—it strengthened me instead!
Joy there is none—
It went into the grave with thee!
And grief, because my spirit is alone,
Is all that comes to comfort me!
The very air I breathe is turned to sighs,
And all mine soul is melting from mine eyes!
I hear, at even,
The liquid carol of birds;
Their music makes me think of thee in heaven,
It is so much like thy sweet words.
The brooklet whispers, as it runs along,
Our first love-story with its liquid tongue.
Wake, Isa! wake!
And come back in this world again!
Oh! come down to me, for my soul's dear sake,
And cure me of this trying pain!
I would give all that earth to man can be,
If thou wert only in this world with me!
Day after day
I seek thee, but thou art not near!
I sit down on thy grave in the cold clay,
And listen for thy soul!—oh! dear!
And when some withered leaf falls from the tree,
I start as if thy soul had spoke to me!
And so it is,
And so it ever more must ever be
To him, who has been robbed of all the bliss
He ever knew, by loving thee!
For misery, in thine absence, is my wife!
What joy had been, hadst thou remained in life!
It is now even;
The birds have sung themselves to sleep;
And all the stars seem coming out of heaven,
As if to look upon me weep!—
Oh! let me not look up to thee in vain,
But come back to me in this world again!
poem by Thomas Holley Chivers (1842)
Submitted by Veronica Serbanoiu
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The Dream
DEAR love, for nothing less than thee
Would I have broke this happy dream;
It was a theme
For reason, much too strong for fantasy.
Therefore thou waked'st me wisely; yet
My dream thou brokest not, but continued'st it.
Thou art so true that thoughts of thee suffice
To make dreams truths, and fables histories;
Enter these arms, for since thou thought'st it best,
Not to dream all my dream, let's act the rest.
As lightning, or a taper's light,
Thine eyes, and not thy noise waked me;
Yet I thought thee
—For thou lovest truth—an angel, at first sight;
But when I saw thou saw'st my heart,
And knew'st my thoughts beyond an angel's art,
When thou knew'st what I dreamt, when thou knew'st when
Excess of joy would wake me, and camest then,
I must confess, it could not choose but be
Profane, to think thee any thing but thee.
Coming and staying show'd thee, thee,
But rising makes me doubt, that now
Thou art not thou.
That love is weak where fear's as strong as he;
'Tis not all spirit, pure and brave,
If mixture it of fear, shame, honour have;
Perchance as torches, which must ready be,
Men light and put out, so thou deal'st with me;
Thou camest to kindle, go'st to come; then I
Will dream that hope again, but else would die.
poem by John Donne
Submitted by Veronica Serbanoiu
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To ——
LONG ere I knew thee—years of loveless days—
A Shape would gather from my dreams and pour
The soul-sweet influence of its gentle gaze
Into my being, thrilling it to the core,
Then would I wake, with lonely heart to pine
For that nocturnal image:—it was thine!
Thine—for though long with a fond moody heed
I sought to match it with the beauteous creatures
I met in the world’s ways, ’twas but to bleed
With disappointment; for all forms, all features,
Yet left it void of living counterpart—
The shadowy Mistress of my yearning heart.
Thine—for when first seen thou didst seem to me
A being known yet beautifully new!
Thus, warranting some sage’s theory,
Amid Heaven’s sisterhoods, into shining view
Is drawn a long-conjectured star, his name
To fold forever in its virgin flame!
But I forget! Far, far away from thee
Behold, I wander ’mid primeval woods
Where but all savage things are wont to be,
Mixing fond questionings with Solitude’s
Wild cadences, as through dim glades by fits
Yet dreaming her ancient dream, illusively she flits.
And now the HUNTER, with a swollen speed
Rushes in thunder at my feet, but wears
A softened charm in that it seems to lead
My willing vision whether Memory rears
Thy rural bower by the stream that erst
With murmurous heed my infant passion nurst.
And with the river’s torture, oft a tone
Of that far brook seems blending, accents too
Of the dear voice there heard—that voice alone
Unparagoned of mortal sound, like dew
Honeyed with manna, dropping near me seems,
As oft I listen—lost in Memory’s dreams!
But vain these musings! Though my spirit’s bride
Thou knew’st not of my love! Though all my days
To come must be inevitably dyed
Or bright or dark through thee—this missive says
Thy lot in life is cast, that thou wilt be
Another’s ere I look again on thee!
The bardic doom is on me! Poets make
Beauty immortal and yet luckless miss
The charms they sing,—martyrs at Fortune’s stake!
As though their soul’s capacity for bliss
Might else give Earth too much of Heaven and kill
The want that strengthens them for prowess still.
Wreathe then the Poet’s brows with blossoms bright!
Let waters ever, and the sway of trees
Sound through his thoughts, as the renewed delight
Of Even flows around him in a breeze
Laden with dying voices—till the night
Enroof him with her starry mysteries!
For Nature only (fated at his birth!)
May minister unto his love on Earth.
poem by Charles Harpur
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The House Of Dust: Part 03: 02: The Screen Maiden
You read—what is it, then that you are reading?
What music moves so silently in your mind?
Your bright hand turns the page.
I watch you from my window, unsuspected:
You move in an alien land, a silent age . . .
. . . The poet—what was his name—? Tokkei—Tokkei—
The poet walked alone in a cold late rain,
And thought his grief was like the crying of sea-birds;
For his lover was dead, he never would love again.
Rain in the dreams of the mind—rain forever—
Rain in the sky of the heart—rain in the willows—
But then he saw this face, this face like flame,
This quiet lady, this portrait by Hiroshigi;
And took it home with him; and with it came
What unexpected changes, subtle as weather!
The dark room, cold as rain,
Grew faintly fragrant, stirred with a stir of April,
Warmed its corners with light again,
And smoke of incense whirled about this portrait,
And the quiet lady there,
So young, so quietly smiling, with calm hands,
Seemed ready to loose her hair,
And smile, and lean from the picture, or say one word,
The word already clear,
Which seemed to rise like light between her eyelids . .
He held his breath to hear,
And smiled for shame, and drank a cup of wine,
And held a candle, and searched her face
Through all the little shadows, to see what secret
Might give so warm a grace . . .
Was it the quiet mouth, restrained a little?
The eyes, half-turned aside?
The jade ring on her wrist, still almost swinging? . . .
The secret was denied,
He chose his favorite pen and drew these verses,
And slept; and as he slept
A dream came into his heart, his lover entered,
And chided him, and wept.
And in the morning, waking, he remembered,
And thought the dream was strange.
Why did his darkened lover rise from the garden?
He turned, and felt a change,
As if a someone hidden smiled and watched him . . .
Yet there was only sunlight there.
Until he saw those young eyes, quietly smiling,
And held his breath to stare,
And could have sworn her cheek had turned—a little . . .
Had slightly turned away . . .
Sunlight dozed on the floor . . . He sat and wondered,
Nor left his room that day.
And that day, and for many days thereafter,
He sat alone, and thought
No lady had ever lived so beautiful
As Hiroshigi wrought . . .
Or if she lived, no matter in what country,
By what far river or hill or lonely sea,
He would look in every face until he found her . . .
There was no other as fair as she.
And before her quiet face he burned soft incense,
And brought her every day
Boughs of the peach, or almond, or snow-white cherry,
And somehow, she seemed to say,
That silent lady, young, and quietly smiling,
That she was happy there;
And sometimes, seeing this, he started to tremble,
And desired to touch her hair,
To lay his palm along her hand, touch faintly
With delicate finger-tips
The ghostly smile that seemed to hover and vanish
Upon her lips . . .
Until he knew he loved this quiet lady;
And night by night a dread
Leered at his dreams, for he knew that Hiroshigi
Was many centuries dead,—
And the lady, too, was dead, and all who knew her . .
Dead, and long turned to dust . . .
The thin moon waxed and waned, and left him paler,
The peach leaves flew in a gust,
And he would surely have died; but there one day
A wise man, white with age,
Stared at the portrait, and said, 'This Hiroshigi
Knew more than archimage,—
Cunningly drew the body, and called the spirit,
Till partly it entered there . . .
Sometimes, at death, it entered the portrait wholly . .
Do all I say with care,
And she you love may come to you when you call her . . . '
So then this ghost, Tokkei,
Ran in the sun, bought wine of a hundred merchants,
And alone at the end of day
Entered the darkening room, and faced the portrait,
And saw the quiet eyes
Gleaming and young in the dusk, and held the wine-cup,
And knelt, and did not rise,
And said, aloud, 'Lo-san, will you drink this wine?'
Said it three times aloud.
And at the third the faint blue smoke of incense
Rose to the walls in a cloud,
And the lips moved faintly, and the eyes, and the calm hands stirred;
And suddenly, with a sigh,
The quiet lady came slowly down from the portrait,
And stood, while worlds went by,
And lifted her young white hands and took the wine cup;
And the poet trembled, and said,
'Lo-san, will you stay forever?'—'Yes, I will stay.'—
'But what when I am dead?'
'When you are dead your spirit will find my spirit,
And then we shall die no more.'
Music came down upon them, and spring returning,
They remembered worlds before,
And years went over the earth, and over the sea,
And lovers were born and spoke and died,
But forever in sunlight went these two immortal,
Tokkei and the quiet bride . . .
poem by Conrad Potter Aiken
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The Poetess...the oak...the descent Pt 3
Deeper…darker,
the pull ever stronger
Girdling her arms…
tendrils of mist,
Toward a huge, hulking Oak,
seen dimly afar
Tugging her toward it,
unseen hands on her wrist
It stood alone in a clearing,
lit by gibbous moon
Long wide gash in it’s flank,
from long ago lightning
The poet could feel coldness,
and knew all too soon
That what was to come,
would become much more frightening
The far distant cry
of her name in the night
Was riven to pieces
and blown away in the breeze
Her heart hammered hopelessly,
face frozen in fright
As our young lady poet, …
Entered… “the land neath the trees”
poem by David Whalen
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Mater Tenebrarum
In the endless nights, from my bed, where sleepless in anguish I lie,
I startle the stillness and gloom with a bitter and strong cry:
0 Love! 0 Beloved long lost! come down from thy Heaven above,
For my heart is wasting and dying in uttermost famine for love!
Come down for a moment! oh, come! Come serious and mild
And pale, as thou wert on this earth, thou adorable Child!
Or come as thou art, with thy sanctitude, triumph and bliss,
For a garment of glory about thee; and give me one kiss,
One tender and pitying look of thy tenderest eyes,
One word of solemn assurance and truth that
the soul with its love never dies!
In the endless nights, from my bed, where sleepless in frenzy I lie,
I cleave through the crushing gloom with a bitter and deadly cry:
Oh! where have they taken my Love from our Eden
of bliss on this earth?
Which now is a frozen waste of sepulchral and horrible dearth?
Have they killed her indeed? Is her soul as her body, which long
Has moldered away in the dust where the foul worms throng?
O'er what abhorrent Lethes, to what remotest star,
Is she rapt away from my pursuit through cycles and systems far?
She is dead, she is utterly dead; for her life would hear and speed
To the wild imploring cry of my heart that cries in its dreadful need.
In the endless nights, on my bed, where sleeplessly brooding I lie,
I burden the heavy gloom with a bitter an weary sigh:
No hope in this worn-out world, no hope beyond the tomb;
No living and loving God, but blind and stony Doom.
Anguish and grief and sin, terror, disease, and despair:
Why throw not off this life, this garment of torture I wear,
And go down to sleep in the grave in everlasting rest?
What keeps me yet in this life., what spark in my frozen breast?
A fire of dread, 'a light of hope, kindled, 0 Love, by thee;
For thy pure and gentle and beautiful soul, it must immortal be.
poem by James Thomson
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Perinde AC Cadaver
In a vision Liberty stood
By the childless charm-stricken bed
Where, barren of glory and good,
Knowing nought if she would not or would,
England slept with her dead.
Her face that the foam had whitened,
Her hands that were strong to strive,
Her eyes whence battle had lightened,
Over all was a drawn shroud tightened
To bind her asleep and alive.
She turned and laughed in her dream
With grey lips arid and cold;
She saw not the face as a beam
Burn on her, but only a gleam
Through her sleep as of new-stamped gold.
But the goddess, with terrible tears
In the light of her down-drawn eyes,
Spake fire in the dull sealed ears;
"Thou, sick with slumbers and fears,
Wilt thou sleep now indeed or arise?
"With dreams and with words and with light
Memories and empty desires
Thou hast wrapped thyself round all night;
Thou hast shut up thine heart from the right,
And warmed thee at burnt-out fires.
"Yet once if I smote at thy gate,
Thy sons would sleep not, but heard;
O thou that wast found so great,
Art thou smitten with folly or fate
That thy sons have forgotten my word?
O Cromwell's mother, O breast
That suckled Milton! thy name
That was beautiful then, that was blest,
Is it wholly discrowned and deprest,
Trodden under by sloth into shame?
"Why wilt thou hate me and die?
For none can hate me and live.
What ill have I done to thee? why
Wilt thou turn from me fighting, and fly,
Who would follow thy feet and forgive?
"Thou hast seen me stricken, and said,
What is it to me? I am strong:
Thou hast seen me bowed down on my dead
And laughed and lifted thine head,
And washed thine hands of my wrong.
"Thou hast put out the soul of thy sight;
Thou hast sought to my foemen as friend,
To my traitors that kiss me and smite,
To the kingdoms and empires of night
That begin with the darkness, and end.
"Turn thee, awaken, arise,
With the light that is risen on the lands,
With the change of the fresh-coloured skies;
Set thine eyes on mine eyes,
Lay thy hands in my hands."
She moved and mourned as she heard,
Sighed and shifted her place,
As the wells of her slumber were stirred
By the music and wind of the word,
Then turned and covered her face.
"Ah," she said in her sleep,
"Is my work not done with and done?
Is there corn for my sickle to reap?
And strange is the pathway, and steep,
And sharp overhead is the sun.
"I have done thee service enough,
Loved thee enough in my day;
Now nor hatred nor love
Nor hardly remembrance thereof
Lives in me to lighten my way.
"And is it not well with us here?
Is change as good as is rest?
What hope should move me, or fear,
That eye should open or ear,
Who have long since won what is best?
"Where among us are such things
As turn men's hearts into hell?
Have we not queens without stings,
Scotched princes, and fangless kings?
Yea," she said, "we are well.
"We have filed the teeth of the snake
Monarchy, how should it bite?
Should the slippery slow thing wake,
It will not sting for my sake;
Yea," she said, "I do right."
So spake she, drunken with dreams,
Mad; but again in her ears
A voice as of storm-swelled streams
Spake; "No brave shame then redeems
Thy lusts of sloth and thy fears?
"Thy poor lie slain of thine hands,
Their starved limbs rot in thy sight;
As a shadow the ghost of thee stands
Among men living and lands,
And stirs not leftward or right.
"Freeman he is not, but slave,
Who stands not out on my side;
His own hand hollows his grave,
Nor strength is in me to save
Where strength is none to abide.
"Time shall tread on his name
That was written for honour of old,
Who hath taken in change for fame
Dust, and silver, and shame,
Ashes, and iron, and gold."
poem by Algernon Charles Swinburne
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The Mother
I
IT was April, blossoming spring,
They buried me, when the birds did sing;
Earth, in clammy wedging earth,
They banked my bed with a black, damp girth.
Under the damp and under the mould,
I kenned my breasts were clammy and cold.
Out from the red beams, slanting and bright,
I kenned my cheeks were sunken and white.
I was a dream, and the world was a dream,
And yet I kenned all things that seem.
I was a dream, and the world was a dream,
But you cannot bury a red sunbeam.
For though in the under-grave's doom-night
I lay all silent and stark and white,
Yet over my head I seemed to know
The murmurous moods of wind and snow,
The snows that wasted, the winds that blew,
The rays that slanted, the clouds that drew
The water-ghosts up from lakes below,
And the little flower-souls in earth that grow.
Under earth, in the grave's stark night,
I felt the stars and the moon's pale light.
I felt the winds of ocean and land
That whispered the blossoms soft and bland.
Though they had buried me dark and low,
My soul with the season's seemed to grow.
II
From throes of pain they buried me low,
For death had finished a mother's woe.
But under the sod, in the grave's dread doom,
I dreamed of my baby in glimmer and gloom.
I dreamed of my babe, and I kenned that his rest
Was broken in wailings on my dead breast.
I dreamed that a rose-leaf hand did cling;
Oh, you cannot bury a mother in spring!
When the winds are soft and the blossoms are red
She could not sleep in her cold earth-bed.
I dreamed of my babe for a day and a night,
And then I rose in my grave-clothes white.
I rose like a flower from my damp earth-bed
To the world of sorrowing overhead.
Men would have called me a thing of harm,
But dreams of my babe made me rosy and warm.
I felt my breasts swell under my shroud;
No star shone white, no winds were loud;
But I stole me past the graveyard wall,
For the voice of my baby seemed to call;
And I kenned me a voice, though my lips were dumb:
Hush, baby, hush! for mother is come.
I passed the streets to my husband's home;
The chamber stairs in a dream I clomb;
I heard the sound of each sleeper's breath,
Light waves that break on the shores of death.
I listened a space at my chamber door,
Then stole like a moon-ray over its floor.
My babe was asleep on a stranger's arm,
'O baby, my baby, the grave is so warm,
'Though dark and so deep, for mother is there!
O come with me from the pain and care!
'O come with me from the anguish of earth,
Where the bed is banked with a blossoming girth,
'Where the pillow is soft and the rest is long,
And mother will croon you a slumber-song–
'A slumber-song that will charm your eyes
To a sleep that never in earth-song lies!
'The loves of earth your being can spare,
But never the grave, for mother is there.'
I nestled him soft to my throbbing breast,
And stole me back to my long, long rest.
And here I lie with him under the stars,
Dead to earth, its peace and its wars;
Dead to its hates, its hopes, and its harms,
So long as he cradles up soft in my arms.
And heaven may open its shimmering doors,
And saints make music on pearly floors,
And hell may yawn to its infinite sea,
But they never can take my baby from me.
For so much a part of my soul he hath grown
That God doth know of it high on His throne.
And here I lie with him under the flowers
That sun-winds rock through the billowy hours,
With the night-airs that steal from the murmuring sea,
Bringing sweet peace to my baby and me.
poem by William Wilfred Campbell
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Sacred to the Memory of “Unknown”
Oh, the wild black swans fly westward still,
While the sun goes down in glory—
And away o’er lonely plain and hill
Still runs the same old story:
The sheoaks sigh it all day long—
It is safe in the Big Scrub’s keeping—
’Tis the butcher-birds’ and the bell-birds’ song
In the gum where ‘Unknown’ lies sleeping—
(It is heard in the chat of the soldier-birds
O’er the grave where ‘Unknown’ lies sleeping).
Ah! the Bushmen knew not his name or land,
Or the shame that had sent him here—
But the Bushmen knew by the dead man’s hand
That his past life lay not near.
The law of the land might have watched for him,
Or a sweetheart, wife, or mother;
But they bared their heads, and their eyes were dim,
For he might have been a brother!
(Ah! the death he died brought him near to them,
For he might have been a brother.)
Oh, the wild black swans to the westward fade,
And the sunset burns to ashes,
And three times bright on an eastern range
The light of a big star flashes,
Like a signal sent to a distant strand
Where a dead man’s love sits weeping.
And the night comes grand to the Great Lone Land
O’er the grave where ‘Unknown’ lies sleeping,
And the big white stars in their clusters blaze
O’er the Bush where ‘Unknown’ lies sleeping.
poem by Henry Lawson
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A Dream
I heard the dogs howl in the moonlight night;
I went to the window to see the sight;
All the Dead that ever I knew
Going one by one and two by two.
On they pass'd, and on they pass'd;
Townsfellows all, from first to last;
Born in the moonlight of the lane,
Quench'd in the heavy shadow again.
Schoolmates, marching as when they play'd
At soldiers once - but now more staid;
Those were the strangest sight to me
Who were drown'd, I knew, in the awful sea.
Straight and handsome folk, bent and weak, too;
Some that I loved, and gasp'd to speak to;
Some but a day in their churchyard bed;
Some that I had not known were dead.
A long, long crowd - where each seem'd lonely,
Yet of them all there was one, one only,
Raised a head or look'd my way;
She linger'd a moment - she might not stay.
How long since I saw that fair pale face!
Ah! Mother dear! might I only place
My head on thy breast, a moment to rest,
While thy hand on my tearful cheek were prest!
On, on, a moving bridge they made
Across the moon-stream, from shade to shade,
Young and old, women and men;
Many long-forgot, but remembered then,
And first there came a bitter laughter;
A sound of tears a moment after;
And then a music so lofty and gay,
That eve morning, day by day,
I strive to recall it if I may.
poem by William Allingham
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Error And Loss
Upon an eve I sat me down and wept,
Because the world to me seemed nowise good;
Still autumn was it, & the meadows slept,
The misty hills dreamed, and the silent wood
Seemed listening to the sorrow of my mood:
I knew not if the earth with me did grieve,
Or if it mocked my grief that bitter eve.
Then ’twixt my tears a maiden did I see,
Who drew anigh me on the leaf-strewn grass,
Then stood and gazed upon me pitifully
With grief-worn eyes, until my woe did pass
From me to her, and tearless now I was,
And she mid tears was asking me of one
She long had sought unaided and alone.
I knew not of him, and she turned away
Into the dark wood, and my own great pain
Still held me there, till dark had slain the day,
And perished at the grey dawn’s hand again;
Then from the wood a voice cried: “Ah, in vain,
In vain I seek thee, O thou bitter-sweet!
In what lone land are set thy longed-for feet?”
Then I looked up, and lo, a man there came
From midst the trees, and stood regarding me
Until my tears were dried for very shame;
Then he cried out: “O mourner, where is she
Whom I have sought o’er every land and sea?
I love her and she loveth me, and still
We meet no more than green hill meeteth hill.”
With that he passed on sadly, and I knew
That these had met and missed in the dark night,
Blinded by blindness of the world untrue,
That hideth love and maketh wrong of right.
Then midst my pity for their lost delight,
Yet more with barren longing I grew weak,
Yet more I mourned that I had none to seek.
poem by William Morris
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The Leader and the Bad Girl
Because he had sinned and suffered, because he loved the land,
And because of his wonderful sympathy, he held men’s hearts in his hand.
Born and bred of the people, he knew their every whim,
And because he had struggled through poverty he could draw the poor to him:
Speaker and leader and poet, tall and handsome and strong,
With the eyes of a dog for faith and truth that blazed at the thought of a wrong.
They thought in his country’s crisis that his time had come at last—
For they measured his brilliant future by the light of his brilliant past.
At every monster meeting the thousands called his name,
And a burst of triumphant cheering greeted him when he came.
They had faith in the strength of a single man, when their fighting lines were weak,
And a pregnant silence fell on all whenever he rose to speak.
But just when his power was greatest and the people’s cause went well,
And just as they needed their leader most, the leader stumbled and fell;
And his pitiful rivals exulted, for they thought that his star had set,
And the hearts of the people who worshipped him were filled with a keen regret;
The cowardly sneer was printed, and whispered the shameful word,
And the scandal was heard by thousands—the world and a bad girl heard.
Down in the frowsy alley, in a dark and narrow room,
On a mattress the shattered drunkard lay ghastly in his gloom;
And the bad girl nursed him and kept him from the drink for which he craved,
And she gave him broth and she watched him, and she soothed him when he raved,
For she’d heard the boast of his rivals and had sworn to lift him above—
And by day and by night she held him with the strength of a woman’s love.
They were holding a monster meeting, and the hour was close at hand
When his rivals would be triumphant and bad laws rule the land;
His people swayed and wavered and scattered like storm-swept birds,
For they needed his magical presence and the sound of his burning words.
But he heard the Drums of the Alley and the feeble answering cheer,
And he felt the strength to his limbs return, and his brain grow cool and clear.
He rose, and the bad girl dressed him well in the den where the lights were dim,
And her eyes grew bright as an angel’s might—for she knew the strength in him.
They had sneered when his name was mentioned in the hall with lights aglare.
But the crowd surged back to the platform when ’twas whispered that he was there.
Like the cry of a crowd from a sinking ship, his people called his name,
And gaunt and white but with eyes alight with the fire of old he came.
He spoke of the shameful sacrifice of the land where he was born;
Spoke with the burning words of truth and the withering words of scorn.
He spoke as he never had done before and his rivals were stricken dumb,
For the little men knew their master, and they knew that he had come;
His song of salvation went through the land in a loud, triumphant strain—
He held them all in the palm of his hand, and he was a king again.
So a man might fall to the gutter, though he be a king of men,
But a man might rise from the gutter with the strength of ten times ten;
And the people’s poet and leader for a long time led them all,
Wiser because of his weakness and stronger because of the fall.
They found the girl in the river—the river that flowed by the town—
She died that her spirit might strengthen him, where her love would drag him down.
poem by Henry Lawson
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The Nightingale
WHEN the moon a golden-pale
Lustre on my casement flings,
An enchanted nightingale
In the haunted silence sings.
Strange the song—its wondrous words
Taken from the primal tongue,
Known to men, and beasts, and birds,
When the care-worn world was young
Listening low, I hear the stars
Through her strains move solemnly,
And on lonesome banks and bars
Hear the sobbing of the sea.
And my memory dimly gropes
Hints to gather from her song
Of forgotten fears and hopes,
Joys and griefs forgotten long.
And I feel once more the strife
Of a passion, fierce and grand,
That, in some long-vanished life,
Held my soul at its command.
Ah, my Love, in robes of white
Standing by a moonlit sea,
Like a lily of the night,
Hast thou quite forgotten me?
Dost thou never dream at whiles
Of that silent, templed vale,
And the dim wood in whose aisles
Sang a secret nightingale?
Whither hast thou gone? What star
Holds thy spirit pure and fine?
In this world below there are
None like thee: and thou wert mine!
For a season all things last,
Love and Joy, and Life and Death;
Thou art portion of my past,
I of thine, whilst Time draws breath.
Fades the moonlight golden-pale,
And the bird has ceased to sing—
Ah, it was no nightingale,
But my heart—remembering.
poem by Victor James Daley
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