Ambrose Bierce

A Poet's Hope

'Twas a weary-looking mortal, and he wandered near the portal
Of the melancholy City of the Discontented Dead.
He was pale and worn exceeding and his manner was unheeding,
As if it could not matter what he did nor what he said.

'Sacred stranger'-I addressed him with a reverence befitting
The austere, unintermitting, dread solemnity he wore;
'Tis the custom, too, prevailing in that vicinage when hailing
One who possibly may be a person lately 'gone before'

'Sacred stranger, much I ponder on your evident dejection,
But my carefulest reflection leaves the riddle still unread.
How do you yourself explain your dismal tendency to wander
By the melancholy City of the Discontented Dead?'

Then that solemn person, pausing in the march that he was making,
Roused himself as if awaking, fixed his dull and stony eye
On my countenance and, slowly, like a priest devout and holy,
Chanted in a mournful monotone the following reply:

'O my brother, do not fear it; I'm no disembodied spirit
I am Lampton, the Slang Poet, with a price upon my head.
I am watching by this portal for some late lamented mortal
To arise in his disquietude and leave his earthy bed.

'Then I hope to take possession and pull in the earth above me
And, renouncing my profession, ne'er be heard of any more.
For there's not a soul to love me and no living thing respects me,
Which so painfully affects me that I fain would 'go before.''

Then I felt a deep compassion for the gentleman's dejection,
For privation of affection would refrigerate a frog.
So I said: 'If nothing human, and if neither man nor woman
Can appreciate the fashion of your merit-buy a dog.'

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Melancholy Mood

A little collie weed to ease I grief
too much agony living in the limits of big city
a little collie weed to meditate
too much insanity in this society
melancholy mood I eat for my food melancholy mood
rise this morning smile with the sun
oh I'm blessed another day has begun
everything in life has its purpose
find its reason it has its season
melancholy mood I eat for my food melancholy mood
tears leave my eyes I just want to fly
deep down I feel pain
but I know I must rise again
from this melancholy mood melancholy mood
melancholy mood I eat for my food melancholy mood

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Grey and Mournful Stranger

Years haunted by that stranger
That dark stranger from my past
Now diminished in his influence
With his picture fading fast.

You ask me who’s that stranger
And why did he have that power
To regulate my daily life
And render sweetness sour?

That stranger was false memories
That stranger was a dream
Of how I seemed to others
Not what I might have been.

That stranger would forbid me
From seeking freedom’s goals
That stranger like a tourniquet
Was slow strangling my soul.

That grey and mournful stranger
Now a stranger clear to me
Was simply an illusion
And was never meant to be.

But now his picture’s fading
My feelings now feel real once more
I shan’t seek out that stranger
Nor invite him to my door.

For I’d mistaken that cold stranger
For a person I once knew
But that person was not ever me
And it’s now time to start anew.

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Khalil Gibran

The City of the Dead XX

Yesterday I drew myself from the noisome throngs and proceeded into the field until I reached a knoll upon which Nature had spread her comely garments. Now I could breathe.

I looked back, and the city appeared with its magnificent mosques and stately residences veiled by the smoke of the shops.

I commenced analyzing man's mission, but could conclude only that most of his life was identified with struggle and hardship. Then I tried not to ponder over what the sons of Adam had done, and centered my eyes on the field which is the throne of God's glory. In one secluded corner of the field I observed a burying ground surrounded by poplar trees.

There, between the city of the dead and the city of the living, I meditated. I thought of the eternal silence in the first and the endless sorrow in the second.

In the city of the living I found hope and despair; love and hatred, joy and sorrow, wealth and poverty, faith and infidelity.

In the city of the dead there is buried earth in earth that Nature converts, in the night's silence, into vegetation, and then into animal, and then into man. As my mind wandered in this fashion, I saw a procession moving slowly and reverently, accompanied by pieces of music that filled the sky with sad melody. It was an elaborate funeral. The dead was followed by the living who wept and lamented his going. As the cortege reached the place of interment the priests commenced praying and burning incense, and musicians blowing and plucking their instruments, mourning the departed. Then the leaders came forward one after the other and recited their eulogies with fine choice of words.

At last the multitude departed, leaving the dead resting in a most spacious and beautiful vault, expertly designed in stone and iron, and surrounded by the most expensively-entwined wreaths of flowers.

The farewell-bidders returned to the city and I remained, watching them from a distance and speaking softly to myself while the sun was descending to the horizon and Nature was making her many preparations for slumber.

Then I saw two men laboring under the weight of a wooden casket, and behind them a shabby-appearing woman carrying an infant on her arms. Following last was a dog who, with heartbreaking eyes, stared first at the woman and then at the casket.

It was a poor funeral. This guest of Death left to cold society a miserable wife and an infant to share her sorrows and a faithful dog whose heart knew of his companion's departure.

As they reached the burial place they deposited the casket into a ditch away from the tended shrubs and marble stones, and retreated after a few simple words to God. The dog made one last turn to look at his friend's grave as the small group disappeared behind the trees.

I looked at the city of the living and said to myself, "That place belongs to the few." Then I looked upon the trim city of the dead and said, "That place, too, belongs to the few. Oh Lord, where is the haven of all the people?"

As I said this, I looked toward the clouds, mingled with the sun's longest and most beautiful golden rays. And I heard a voice within me saying, "Over there!"

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Aeschylus

Song Of The Furies

Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies' troop forever stands.

O'er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies' hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.

The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene'er our dark-stoled troop advances,
Whene'er our feet lead on the dismal dances.

For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven's light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.

What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though 'neath the earth our realm in unsunned regions pale.

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No Stranger To Love

Cold is the night
Lonely till dawn
Cry for the light
For the love that wont come
You said that youd never
Leave me alone
I gave you my heart
You cried for my soul
An angel wont come
This devil wont go
Something is wrong
I just cant get away
Living on the street, Im no stranger to love
Why cant you see Im no stranger to love
But Im a stranger in your arms
Yes, Im a stranger in your arms
Maybe its right
But I just cant understand
The hurt that I feel
For my love second hand
I know I should leave
But I just cant walk away
Living on the street, Im no stranger to love
Why cant you see Im no stranger to love
Living on the street, Im no stranger to love
Im a stranger in your arms
Living on the street, Im no stranger to love
Why cant you see Im no stranger to love

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That's The Man

Unknown -a stranger in Antioch- the man from Edessa
writes and writes. And at last, there,
the final canto's done. That makes

eighty-three poems in all. But so much writing,
so much versifying, the intense strain
of phrasing in Greek, has worn the poet out,
and now everything has gone stale.

But a thought suddenly brings him out of his dejection:
the sublime 'That's the man'
which Lucian once heard in his sleep.

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The Beautiful City

The Beautiful City! Forever
Its rapturous praises resound;
We fain would behold it-- but never
A glimpse of its dory is found:
We slacken our lips at the tender
White breasts of our mothers to hear
Of its marvellous beauty and splendor--;
We see-- but the gleam of a tear!

Yet never the story may tire us--
First graven in symbols of stone--
Rewritten on scrolls of papyrus
And parchment, and scattered and blown
By the winds of the tongues of all nations,
Like a litter of leaves wildly whirled
Down the rack of a hundred translations,
From the earliest lisp of the world.

We compass the earth and the ocean,
From the Orient's uttermost light,
To where the last ripple in motion
Lips hem of the skirt of the night--,
But the Beautiful City evades us--
No spire of it glints in the sun--
No glad-bannered battlement shades us
When all our Journey is done.

Where lies it? We question and listen;
We lean from the mountain, or mast,
And see but dull earth, or the glisten
Of seas inconceivably vast:
The dust of the one blurs our vision,
The glare of the other our brain,
Nor city nor island Elysian
In all of the land or the main!

We kneel in dim fanes where the thunders
Of organs tumultuous roll,
And the longing heart listens and wonders,
And the eyes look aloft from the soul:
But the chanson grows fainter and fainter,
Swoons wholly away and is dead;
AND our eyes only reach where the painter
Has dabbled a saint overhead.

The Beautiful City! O mortal,
Fare hopefully on in thy quest,
Pass down through the green grassy portal
That leads to the Valley of Rest;
There first passed the One who, in pity
Of all thy great yearning, awaits
To point out The Beautiful City,
And loosen the trump at the gates.

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Ære Perennius

Look on the dead. Stately and pure he lies
Under the white sheet's marble folds. For him
The solemn bier, the scented chamber dim,
The sacred hush, the bowed heads of the wise,
The slow pomp, the majestical disguise
Of haughty death, the conjurer—even for him,
Poor trivial one, pale shadow on the rim,.
Whom life marked not, but death may not despise.
Now is he level with the great; no king
Enthroned and crowned more royal is, more sure
Of the world's reverence. Yesterday this thing
Was but a man, mortal and insecure;
Now chance and change their homage to him bring
And he is one with all things that endure.

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The Pale Woman

I spoke to the pale and heavy-lidded woman, and said:
O pale and heavy-lidded woman, why is your cheek
Pale as the dead, and what are your eyes afraid lest they speak?
And the woman answered me: I am pale as the dead,
For the dead have loved me, and I dream of the dead.

But I see in the eyes of the living, as a living fire,
The thing that my soul in triumph tells me I have forgot;
And therefore mine eyelids are heavy, and I raise them not,
For always I see in the eyes of men the old desire,
And I fear lest they see that I desire their desire.

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Holy City

Holy City
We arrived here yesterday
Holy city
We sat foot here yesterday
Holy city
We felt in love with you already
Holy city
Is the city where our God was born
Holy city
Here we saw where God died in the cross with Pontius pilate
And risen from his death
Holy City
Today we end up in the Sea of Galilee
It is so good to breathe the fresh air from the Sea of Galilee
This sea is amazing
Holy city
This is a journey we will never forget in our lives
Holy city
Has been an interesting point in our lives
Holy city
Was a discovery of our roots

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John Keats

Staffa

Not Aladdin magian
Ever such a work began;
Not the wizard of the Dee
Ever such a dream could see;
Not St. John, in Patmos' Isle,
In the passion of his toil,
When he saw the churches seven,
Golden aisl'd, built up in heaven,
Gaz'd at such a rugged wonder.
As I stood its roofing under
Lo! I saw one sleeping there,
On the marble cold and bare.
While the surges wash'd his feet,
And his garments white did beat.
Drench'd about the sombre rocks,
On his neck his well-grown locks,
Lifted dry above the main,
Were upon the curl again.
'What is this? and what art thou?'
Whisper'd I, and touch'd his brow;
'What art thou? and what is this?'
Whisper'd I, and strove to kiss
The spirit's hand, to wake his eyes;
Up he started in a trice:
'I am Lycidas,' said he,
'Fam'd in funeral minstrely!
This was architectur'd thus
By the great Oceanus!--
Here his mighty waters play
Hollow organs all the day;
Here by turns his dolphins all,
Finny palmers great and small,
Come to pay devotion due--
Each a mouth of pearls must strew.
Many a mortal of these days,
Dares to pass our sacred ways,
Dares to touch audaciously
This Cathedral of the Sea!
I have been the pontiff-priest
Where the waters never rest,
Where a fledgy sea-bird choir
Soars for ever; holy fire
I have hid from mortal man;
Proteus is my Sacristan.
But the dulled eye of mortal
Hath pass'd beyond the rocky portal;
So for ever will I leave
Such a taint, and soon unweave
All the magic of the place.'
* * * * * *
So saying, with a Spirit's glance
He dived!

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0314 Executive Decision

‘Look! now briefly, mortal living head -
As severed from thy now so lifeless limbs
In brief and, who knows, truthful, godly view,
So solemn, oncely, rare - that fleshly instrument
That thou hath used, misused…
And learn this last of life’s live lessons, quick and dread
In these few seconds of a living death…’

So Dean John Donne might have wrung out
that detail, had he known it – tolled
his solemn, tortured, feargod, ringing knell
- had he but known this ‘metaphysical’ quaint fact:

that, when the executioner’s sharp axeblade
slices through your neck with such finality,
the head maintains its human faculties
for eight brief seconds after body falls;

the executioner, it’s said, with great formality, then
takes hold that still-life head by its warm hair,
and turns it round with all solemnity,
to gaze its last repentence or regret
upon its frail accomplice on life’s way;
the gathered audience awed to silent, ice-cold heart..
last freeze-frame photo of an undeveloped film.

This solemn final courtesy of soul to soul
I’ll leave to metaphysicals, to speak life whole.

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The Robes Which Bind

the ropes which bind the human soul
to the mortal earth are frayed and old
the are made filthy and washed by rain
the storms of times passing
the knots like fists cling tightly
while cracks and holes do nothing
the ropes which bind the human soul
to the mortal earth are frayed
weathered, worn, abused and cut
still, still they hold on regardless
like an indomitable spirit
those fist knots, those woven strands
anchor the soul to the earth
as though life itself depends
the day, the night the heavens above
names of faultless graces written
upon the fabricated strands
perhaps those of the fates themselves
the ropes which bind the human soul
to the mortal earth are frayed and old
but still, still they hold

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Ave atque Vale

Through many countries and over many seas
I have come, Brother, to these melancholy rites,
to show this final honour to the dead,
and speak (to what purpose?) to your silent ashes,
since now fate takes you, even you, from me.
Oh, Brother, ripped away from me so cruelly,
now at least take these last offerings, blessed
by the tradition of our parents, gifts to the dead.
Accept, by custom, what a brother’s tears drown,
and, for eternity, Brother, ‘Hail and Farewell’.

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The Other

I cannot write.
The star is dead.
The poet in me returns to slumber.
So fleeting the instant, so silent the time,
Already Fall slips into December.
The twilight has come.
The end is near.
The final sigh of Winter.
Nature heaves, my heart dies.
Life poised on a balanced whisper.
That cannot fly, is already gone,
Far away, twisted by a convulsive mutter.
I am lost, I am dread,
The illusion so faint, so sweet.
It was said, I once said.
You are mine, I am yours,
In you fulfilled, I drink and meet.
Lost, oh lost, hopelessly lost forever.
Escape, escape, I fly, I run, I go.
On the precipice of dreams, I roam.
Roam in search of another.
But I am, no more, I know,
No more will Beauty shine.
For what is right, what was mine
Has left, has left me for no other.
I cannot write.
The star is dead.
The poet in me has fallen.
Fallen asleep, away from me,
Fallen in the hands of another.
It was said, I once said.
That love lasted forever.
The brilliant bushel of light
I surmise
Has fallen to the shadows of Winter.
So have you betrayed me,
With lies,
In lies, you lied with another.
So fall I have, in Fall I shook,
In Fall I met with a stranger.
Not of peace, not of hope.
The sightless eyes of restless demise,
These eyes of sorrow did whisper.
Of the deed you did, of the cries of joy,
The cries you never would utter.
For me, for me, for me,
For me you ever did slumber.
But for him, this man,
The alien, the fool,
You did turn yourself traitor,
You gave yourself, so entirely,
So entirely to another.
I cannot write.
The poet is dead.
I finally put an end to the torture.
It was a beautiful night,
Not a breeze crossed my sight,
On this longest twilight of December.
I slew the poet,
I slaughtered the stranger,
I murdered the man, this Other.
But in shame, in shame,
In misery, I did exclaim,
In shock I beheld another.
Not a stranger, no other man,
Truly
None other, none other was the stranger.
One and the same,
Yes, one and the same,
I had been deceived forever.
This curse, this doom,
This misery, this gloom,
Must look no further for its maker.
The artist of design,
The creator of the Line,
The one and only Stranger.
I cannot write,
This poem is dead.
I am now trapped in eternal slumber.
The poet was right.
It was said, I once said.
Beware the longest night of Winter.
The Beautiful night, the absence of light,
Will bring you, truly,
Will bring you naught but dread.
And so it was, the poet was dead.
The deed was done,
I ended the stranger, the impostor,
The traitor.
But in death, in death,
Even with his final words he said:
My brother, my brother,
What have you done my brother.
There is no Other.
Rest peacefully brother.
For together, in each Other.
I am dead.

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Who Is This Mortal

Who is this mortal
Who ventures to-night
To woo an immortal,
Cold, cold the moon's light
For sleep at this portal,
Bold lover of night.
Fair is the mortal
In soft, silken white,
Who seeks an immortal.
Ah, lover of night,
Be warned at the portal,
And save thee in flight!

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Jerusalem, Jerusalem How Glad

Jerusalem, Jerusalem how glad
am I in prayer to have stood;
in thee blessed city at remains
of thy second temple’s walls.

Jerusalem, Jerusalem Oh how glad
am I sacred Via Dolorosa walked;
in remembrance atonement passed
stations of The Cross to have passed.

Jerusalem, Jerusalem Oh how glad
am I who before entering sacred;
Garden of Gethsemane to view aged
olive trees was cast down humbled.

For Jesus in agony fear here sweated
blood in prayer to heaven to father God;
when last among these olives he stood
thus rejoice all bowed before our Lord.

In pilgrimage to Calvary where our Lord
for my sins humanities Christ was Crucified;
where a group of witnesses Marys stood
bewailing in heart soul worship as we should.

This most Holy City Jerusalem City of our God
site of our Saviour’s Cross where our Saviour trod;
Almighty God this is thy most sacred Holy City still
at Messiah’s return here raise holy men at thy will.


The Via Dolorosa (Latin for Way of Grief or Way of Suffering) is the sacred two part street, within the Old City of Jerusalem; where Jesus walked carrying the cross, on the way to his crucifixion.

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Requiescit

I cannot tell his story. He was one
To whom the riddle of our human life
Was strangely put, and who, because of that
And that he could not read it, died. But a short hour
Before he passed, the woman who stood by,
Weeping as once she had wept to see him born,
Tired with her watching looked into his face
And saw the heavy eyelids dropping down
Loaded with sleep. And she, for all her tears,
Bent for the hundredth time to ease his bed.
And, as she almost touched him, smoothing out
The ruffled pillows, close into her ear
He whispered, never lifting up his eyes:
``No matter now. I shall be soon asleep.''
And then, as if he would pursue the thought
A little way as once he loved to do,
And yet too weak to catch it, he went on:
``And what a trouble it has been to keep
This pillow smooth! And in a little while
It will not want another touch; and then--
This aching head of mine will have done with thought.
Thought! Thought!'' But loud the aged woman sobbed,
``Poor soul, poor gentleman.'' So they remained
For a brief space, the goodwife standing there
Knotting her wrinkled hands and he hard by
Upon the bed and breathing heavily.
For he seemed sunk again in that dull trance
Through which men often pass away from life,
When death, as the lion does, has shaken his prey
And he lies numb and dumb and powerless.

She listened. He was telling slowly over
The names of those whom he had loved in youth.
Many were strange to her; and then there came
One she knew well. She started at the sound
She had not heard for years, and bending near
Heard him repeat it twice. She whispered hoarsely:
``Have you no word for her?''--yet stopped again
Because his eyes were open. Doubtingly
They wandered to her own and seemed to say
``Who, and what is it that you ask?'' And she
Spoke it again. He seemed to catch the name
And said it after her, but like a child
Which knows not what it speaks; and afterwards:
``Ah! Bridget, I have quite forgot that story,
And now, in half an hour, it is not long,
I shall have clean forgotten the name too.''
She cried, ``Oh Sir, it is a life too late.
Would God you had forgot it long ago!''

The tears stole slowly down her withered cheeks
And fell upon his hands. She did not move
While he went murmuring on: ``'Tis very well
Thus to forget. And what a wonder too
It now is''--and there came a sudden light
Into his eyes--``that one should ever care
To recollect a single day of life.
I used to think and plan and plot and scheme
How I might build my life in such a way
That I should take fine memories to my grave.
And now what a small matter 'tis to know
How the years went, when death in half an hour
Is all that is left of them! No matter now,
But only to sleep sound in any bed
And have no dreams.'' His eyes grew dim again
As he ceased speaking. And the woman knew
That he was dying. ``He is gone,'' she said.
And then she started muttering half aloud
``They cannot pass without the sacraments,
These gentle--folks.'' And so she hurried out.

The dying man smiled. When they came again,
She whispered in his ear, and looking down
Saw him still smiling; so she lit in haste
A candle by the bed and knelt aside.
They put the holy oils upon his hands,
Which closed upon the fingers of the priest.
The priest bent over him and laid his ear
To the half--open mouth and presently,
Thinking he heard some words, gave absolution.
But, when they would have gone on with the rest,
They found that he was dead. They buried him
With some small pomp to comfort the old dame,
Who said her master was a gentleman
And must be followed with a mourning coach
And mutes and weepers. There was no one else.

His name is cut upon a stone. His dreams
Were written on Time's hem; and Time has fled
And taken him and them. The grass is green
Upon his grave. I cannot doubt he sleeps.

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Marlene Dietrich

To be completely woman you need a master, and in him a compass for your life. You need a man you can look up to and respect. If you dethrone him it's no wonder that you are discontented, and discontented women are not loved for long.

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The Clearer Self

Before me grew the human soul,
And after I am dead and gone,
Through grades of effort and control
The marvellous work shall still go on.

Each mortal in his little span
Hath only lived, if he have shown
What greatness there can be in man
Above the measured and the known;

How through the ancient layers of night,
In gradual victory secure,
Grows ever with increasing light
The Energy serene and pure:

The Soul, that from a monstrous past,
From age to age, from hour to hour,
Feels upward to some height at last
Of unimagined grace and power.

Though yet the sacred fire be dull,
In folds of thwarting matter furled,
Ere death be nigh, while life is full,
O Master Spirit of the world,

Grant me to know, to seek, to find,
In some small measure though it be,
Emerging from the waste and blind,
The clearer self, the grander me!

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