
A Jack-At-All-Views
So, Estee, you are still alive! I thought
That you had died and were a blessed ghost
I know at least your coffin once was bought
With Railroad money; and 'twas said by most
Historians that Stanford made a boast
The seller 'threw you in.' That goes for naught
Man takes delight in fancy's fine inventions,
And woman too, 'tis said, if they are French ones.
Do you remember, Estee-ah, 'twas long
And long ago!-how fierce you grew and hot
When anything impeded the straight, strong,
Wild sweep of the great billow you had got
Atop of, like a swimmer bold? Great Scott!
How fine your wavemanship! How loud your song
Of 'Down with railroads!' When the wave subsided
And left you stranded you were much divided.
Then for a time you were content to wade
The waters of the 'robber barons'' moat.
To fetch, and carry was your humble trade,
And ferry Stanford over in a boat,
Well paid if he bestowed the kindly groat
And spoke you fair and called you pretty maid.
And when his stomach seemed a bit unsteady
You got your serviceable basin ready.
Strange man! how odd to see you, smug and spruce,
There at Chicago, burrowed in a Chair,
Not made to measure and a deal too loose,
And see you lift your little arm and swear
Democracy shall be no more! If it's a fair
And civil question, and not too abstruse,
Were you elected as a 'robber baron,'
Or as a Communist whose teeth had hair on?
poem by Ambrose Bierce

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Related quotes
I save for them
A robber appointed as the Government.
A robber inherited as the religion.
A robber elected as the minister.
A robber allowed as a trader.
You save money for them.
31.08.2005
poem by Rm. Shanmugam Chettiar

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Mysterious doings
As once I rambled in the woods
I chanced to spy amid the brake
A huntsman ride his way beside
A fair and passing tranquil lake;
Though velvet bucks sped here and there,
He let them scamper through the green--
Not one smote he, but lustily
He blew his horn--what could it mean?
As on I strolled beside that lake,
A pretty maid I chanced to see
Fishing away for finny prey,
Yet not a single one caught she;
All round her boat the fishes leapt
And gambolled to their hearts' content,
Yet never a thing did the maid but sing--
I wonder what on earth it meant.
As later yet I roamed my way,
A lovely steed neighed loud and long,
And an empty boat sped all afloat
Where sang a fishermaid her song;
All underneath the prudent shade,
Which yonder kindly willows threw,
Together strayed a youth and maid--
I can't explain it all, can you?
poem by Eugene Field

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Long Ago
I loved a maiden, long ago,
She held within her hand my fate;
And in the ruddy sunset glow
We lingered at the garden gate.
The splendor of the western skies
Lay in a halo on her hair.
I gazed with worship in her eyes,
And deemed her true and knew her fair.
'Good night,' I said, and turned away;
She held me with her subtle smile.
I saw her red lips whisper 'stay,'
And so I lingered yet awhile.
'I love you, love you, sweet!' I said,
She laughed, and whispered, 'I love you.'
I kissed her small mouth, ripe and red,
And knew her fair, and deemed her true.
'Twas very, very long ago,
And I was young, and so was she;
My faith as love was strong, for oh!
The maid was all the world to me.
But as the sunset died away
And left the heavens cold and blue,
So died my dream of love one day.
The maid was only fair,
not
true.
poem by Ella Wheeler Wilcox

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Tinker Dick
Good Parson Dickson preached, I'm told,
A sermon-ah, 'twas very old
And very, very, bald!
'Twas all about-I know not what
It was about, nor what 'twas not.
'A Screw Loose' it was called.
Whatever, Parson Dick, you say,
The world will get each blessed day
Still more and more askew,
And fall apart at last. Great snakes!
What skillful tinker ever takes
His tongue to turn a screw?
poem by Ambrose Bierce

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Of all tyrannies a tyranny exercised for the good of its victims may be the most oppressive. It may be better to live under robber barons than under omnipotent moral busybodies. The robber baron's cruelty may sometimes sleep, his cupidity may at some point be satiated but those who torment us for our own good will torment us without end for they do so with the approval of their own conscience.
quote by C.S. Lewis

Submitted by Lucian Velea
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Make It All Okay
You threw away the ballast and you rowed your boat ashore
Didn't you, now? Didn't you?
You made your ultimatum too big to ignore
Didn't you, now? Didn't you?
So you worked out your excuses,
turned away and shut the door.
The world's too vast for us now,
and you wanted to explore
It's a long, long long road
And I don't know which way to go
If you offered me your hand again I'd have to walk away.
When I saw you at the street fair, you called out my name
Didn't you, now? Didn't you?
You said we could start over, try and make it all okay.
Didn't you, now? Didn't you?
So our past has been rewritten
and you threw away the pen.
You'd said that I was useless,
but now you'll take me in again
Well Jesus loves me fine.
And your words fall flat this time.
Was it my imagination, or did I hear you say,
"We don't have a prayer between us."
Didn't you believe that I have finally turned away?
Didn't you, now? Didn't you?
Anything to hold onto to help me through my day.
Didn't you, now? Didn't you?
Jesus loves me fine.
But his words fall flat this time.
It's a long, long long road
And I don't know which way to go
If you offered me your world, did you think I'd really stay?
If you offered me the heavens, I would have to turn away.
Was it my imagination, or did I hear you say,
"We don't have a prayer between us."
Didn't you, now? Didn't you, now?
Didn't you?
song performed by by REM

Submitted by Lucian Velea
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Make It All OK
You threw away the ballast and you rowed your boat ashore
Didn't you, now? Didn't you?
You made your ultimatum too big to ignore
Didn't you, now? Didn't you?
So you worked out your excuses,
turned away and shut the door.
The world's too vast for us now,
and you wanted to explore
It's a long, long long road
And I don't know which way to go
If you offered me your hand again I'd have to walk away.
When I saw you at the street fair, you called out my name
Didn't you, now? Didn't you?
You said we could start over, try and make it all okay.
Didn't you, now? Didn't you?
So our past has been rewritten
and you threw away the pen.
You'd said that I was useless,
but now you'll take me in again
Well Jesus loves me fine.
And your words fall flat this time.
Was it my imagination, or did I hear you say,
"We don't have a prayer between us."
Didn't you believe that I have finally turned away?
Didn't you, now? Didn't you?
Anything to hold onto to help me through my day.
Didn't you, now? Didn't you?
Jesus loves me fine.
But his words fall flat this time.
It's a long, long long road
And I don't know which way to go
If you offered me your world, did you think I'd really stay?
If you offered me the heavens, I would have to turn away.
Was it my imagination, or did I hear you say,
"We don't have a prayer between us."
Didn't you, now? Didn't you, now?
Didn't you?
song performed by by REM

Submitted by Lucian Velea
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The Horse and Cart Ferry
It was old Jerry Brown,
Who’d an office in town,
And he used to get jocular, very;
And he’d go to the Shore
When they’d serve him no more,
And, of course, by the passenger ferry,
A sight on the passenger ferry.
Now this is a song of the ferry,
And a lay of the juice of the berry;
’Tis the ballad of Brown,
Who’d a business in town,
And commenced to go down
Very slow,
Don’t you know?
By coming home just a bit merry.
By the Drunks’ Boat—that’s right—
On a Saturday night
He would often be past being merry;
With his back teeth afloat,
On the twelve o’clock boat,
And a spectacle there on the ferry
(A picture to all on the ferry).
In the mornings, ashamed—
’Twas the last drink he blamed,
Though the first was the matter with Jerry,
With his nerve out of joint,
He’d sneak down to Blue’s Point,
And he’d cross by the horse-and-cart ferry,
Like a thief—by the horse-and-cart ferry.
But long before night
He’d most likely be tight,
And a subject and theme for George Perry;
And he’d cross to the Shore,
Somewhat worse than before,
And a nuisance to all on the ferry;
Singing-drunk on the passenger ferry.
And so it went on
Till his reason seemed gone,
And the Law, so it seemed, got a derry
On Brown. He went down,
And they sent him to town
One day, by “the trap,” on the ferry—
The Government trap on the ferry.
He was sober and sane
When he came back again,
And the past he’d determined to bury—
Or, I mean, live it down—
And he crossed from the town
Like a man, on the passenger ferry.
(There were sceptical souls on that ferry.)
They say ’twas the jaw
Of his mother-in-law
Drove him back to the juice of the berry;
But he soon got afloat
On the passenger boat
Or adrift on the horse-and-cart ferry
(Wrongly called the ve-hic-ular ferry).
The drink had him fast,
And he drank till at last
He dried up—a withered old cherry;
And they thought him no loss
When they sent him across
In a box, on the cart-and-horse ferry—
In a low, covered trap on the ferry.
Which I rise to explain—
If the moral ain’t plain,
And if you’re a cove that gets merry—
Always stick, when “afloat,”
To the passenger boat;
Or else to the cart-and-horse ferry,
Or you’ll make matters worse, like old Jerry.
But this is the song of the ferry,
And the lay of the juice of the berry;
And you will not deny—
If you read by-and-bye—
That the casual eye
Of the Tight
At first sight
Misses much in the song of the ferry.
poem by Henry Lawson

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Ghost Bear, page 1 of 4
Long ago, in a small village
Where the Great River meets the
Limitless Salt Sea, lived Muin Manitu,
An aging shaman.
Ghost Bear had two good wives
Who gave him four fine daughters
And many grand-children.
But now both wives were dead.
Ghost Bear was getting old,
So old that he made his death song
Mumbling it often under his breath
So he would not forget it.
One night, Raven came to Ghost Bear
In a dream, bringing an important message.
“You must leave wigwam and village,
before the sun rises again.”
“This must be my time, ” thought
Ghost Bear, “My time to die.
I am glad. It is a good time
to leave this world.”
And so, taking only his knife and
His Medicine Bag, Ghost Bear pushed
His canoe out into the river while
All the village slept.
“I will go west on the Great River, ”
Thought Ghost Bear to himself, “Then,
When it is my time to go, I will be
pointed in the right direction.”
All morning long, Ghost Bear paddled
Westward on the Great River, and when
Sun was directly above him, he saw
A raven flying high above.
“I am going true, ” he thought, “Raven
Has sent me an unmistakeable sign.”
And Ghost Bear kept paddling with
Neither food nor drink.
As day became night, Ghost Bear
Continued on, for the full moon was bright
And showed him the right path on the
Great River clearly, brightly.
poem by John Bliven Morin

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On The Flag Of The Southern Cross
On the flagpost in the freshening winds the flag of the Southern Cross
That brave workers once fought under does flap and wave and toss
In Ballarat in Australia where history was made
For their rights brave men died fighting at the Eureka Stockade
The Southern Cross above where they fought in the southern winds did blow
There history was created one hundred and fifty four years ago
The happening at Ballarat became known of Worldwide
Some of the miners who fought the Government troops were badly injured and some even died
For workers rights in Ballarat the price in human blood was paid
For the rights of a fair go it did not seem a fair trade
Each time I see the flag of the Southern Cross Ballarat comes to mind
The miners there who fought for workers rights were of the bravest kind
That great flag has a history for historians to recall
It surely stands for workers rights and a fair go for all.
poem by Francis Duggan

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The Squatter Of The Olden Time
I'll sing to you a fine new song, made by my blessed mate,
Of a fine Australian squatter who had a fine estate,
Who swore by right pre-emptive at a sanguinary rate
That by his rams, his ewes, his lambs, Australia was made great
Like a fine Australian squatter, one of the olden time.
His hut around was hung with guns, whips, spurs, and boots and shoes,
And kettles and tin pannikins to hold the tea he brews;
And here his worship lolls at ease and takes his smoke and snooze,
And quaffs his cup of hysouskin, the beverage old chums choose
Like a fine Australian squatter, one of the olden time.
And when shearing time approaches he opens hut to all,
And though ten thousand are his flocks, he featly shears them all,
Even to the scabby wanderer you'd think no good at all;
For while he fattens all the great, he boils down all the small
Like a fine old Murray squatter, one of the olden time.
And when his worship comes to town his agents for to see,
His wool to ship, his beasts to sell, he lives right merrily;
The club his place of residence, as becomes a bush J.P.,
He darkly hints that Thompson's run from scab is scarcely free
This fine old Murray settler, one of the olden time.
And now his fortune he has made to England straight goes he,
But finds with grief he's not received as he had hoped to be.
His friends declare his habits queer, his language much too free,
And are somewhat apt to cross the street when him they chance to see
This fine Australian squatter, the boy of the olden time.
poem by Andrew Barton Paterson

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Four Candidates For Senator
To flatter your way to the goad of your hope,
O plausible Mr. Perkins,
You'll need ten tons of the softest soap
And butter a thousand firkins.
The soap you could put to a better use
In washing your hands of ambition
Ere the butter's used for cooking your goose
To a beautiful brown condition.
'The Railroad can't run Stanford.' That is so
The tail can't curl the pig; but then, you know,
Inside the vegetable-garden's pale
The pig will eat more cabbage than the tail.
When Sargent struts by all the lawmakers say:
'Right-left!' It is fair to infer
The right will get left, nor polar the day
When he makes that thing to occur.
Not so, not so, 'tis a joke, that cry
Foolish and dull and small:
He so bores them for votes that they mean to imply
He's a drill-Sargent, that is all.
Gods! what a sight! Astride McClure's broad back
Estee jogs round the Senatorial track,
The crowd all undecided, as they pass,
Whether to cheer the man or cheer the ass.
They stop: the man to lower his feet is seen
And the tired beast, withdrawing from between,
Mounts, as they start again, the biped's neck,
And scarce the crowd can say which one's on deck.
poem by Ambrose Bierce

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An Ode
WHAT boots it to be great?
To live in royal state
And feast with kings,
Since now all things
One doom await?
5
What boots it to be fair?
Sweet eyes and golden hair,
And youthful bloom,
Since in the tomb
All foulness there?
10
To live in royal state—
That is not to be great;
Sweet eyes and golden hair—
That is not to be fair.
What is it to be great?
15
Content with thine estate;
To serve thy God and King
In everything—
That is it to be great.
What is it to be fair?
20
Sweet modesty to wear;
To keep thine honour sure,
Thy bosom pure—
That is it to be fair.
Much boots it to be great,
25
Much boots it to be fair.
poem by Frederick George Scott

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Old Town Types No. 26 - Dr. Andy Deveraux
Some saw in him a Scottish wreck; some said that he was mad;
A few proclaimed his genius, but all agreed 'twas sad
That Doctor Andy Deveraux had let things slide so far.
'A mighty clever cove,' they said, 'but weak, and - there you are.'
For down at Paddy Clancy's bar you find him night or day,
A silent and sardonic man, who went his bitter way.
'Last night,' some housewife would exclaim, 'I thought I'd seen a ghost;
'Twas that awful Doctor Deveraux, going home by post.'
'Going home by post,' they said. A sorry township jest;
Long since had Clancy tackled him, and had to give him best.
''Tis under this 'Blackfeller's Act' I'll put yeh! Not a sup!'
But the bitter tongue had lashed him till he gladly gave it up.
So Deveraux would drink alone, brooding, till wits grew dense,
Then sought his own home, late at night, along the three-wire fence;
From post to post, in staggering spurts, he made his shameful way.
'Doc's going home by post,' men sneered. 'Broke out again today.'
None knew his story in the town nor, clearly, whence he came;
Nor yet what foul thing rode him - what sorrow or what shame -
To cause a once fine, brilliant mind (as his degrees inferred),
Its urge to brief forgetfulness. And Deveraux spoke no word.
Long since, kind Doctor Littlejohn had sought to play the friend,
To meet a wall of fierce reserve, and get snubbed in the end.
So age and drink took Deveraux, and he sank down and down,
To be a thing for men's contempt, the butt of half the town.
Some say it was a drunken freak; some say a hero's act,
An epic of self-sacrifice. Yet there remains the fact
That there's a tale in that old town men tell until today,
And I have gained thro' hearsay, for I'd been long away.
The details are a little vague - a garbled tale and wild,
Of how the drunken Deveraux died to save a stricken child.
And whether by the truth or by tradition 'twas devised,
I only know that there today he has been canonised.
poem by Clarence Michael James Stanislaus Dennis

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Bank Robber Man
I was walking down the street today
Just as somebody blew the doors off of the B of A
Just then I head them call my name
As I was thrown against the car
I was being framed
All units we've got our man
We've got the bank robber man
We don't need no reason
You're going in the can
You look like the bank robber man
I think you misunderstand
Do you think that I am the one that did it
Just because I'm tan?
Just then the officer at hand said
I don't give a damn that you are in a rock and roll band
All units we've got our man
We've got the bank robber man
We don't need no reason
You're going in the can
You look like the bank robber man
Just tell me what's going on ?
Can you tell me what I did wrong ?
Does busting me make you feel strong ?
Make you feel strong
All units we've got our man
We've got the bank robber man
We don't need no reason
You're going in the can
You look like the bank robber man
song performed by by Lenny Kravitz from Lenny

Submitted by Lucian Velea
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Child Woman, Woman Child
Orbison/dees
Coo coo, thats you, wonder why I love you, you do voodoo, thunder clouds above you
Crazy, kooky, lazy spooky, oh what a clown, always around
And I have found youre a woman. child woman. woman child
Long legged woman when I see you walking you look good
Hey little woman when I hear you talking you sound good
Child woman, woman child youre driving me wild child woman woman child
Youre into my mind then youre out of my mind child woman
You wind and unwind my mind, time after time child woman ooh child woman, yeah child woman
Flying uptight, dont know where youre going, trying your kite when the wind is blowing
Funny lady, sunny, shady off to the fair, sun in your hair
Oh, youre aware youre a woman child woman, woman child
Strong minded woman when you start groovin you look fine
My kind of woman when you start movin you look fine
Child woman, woman child youre driving me wild child woman woman child
I dont see you there, I see you everywhere child woman
I dont even care -yes, I really do care child woman, ooh child woman,
Hey child woman child woman, woman child
song performed by by Roy Orbison

Submitted by Lucian Velea
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A Humble Bucket
There have been some great inventions
and some are not noted for their worth.
Take a humble bucket and all the uses
of it that can be employed.
It can carry water
when you’re thirty for a drink
or when you want a wash.
It can carry clothes
and most objects you can name.
You can put a bag in it
and use it as a waste paper bin
and it can be used as an overnight latrine
in case you are caught out
in the middle of the night.
A humble bucket
is one of the most versatile inventions ever made.
Australia’s most famous bushranger Ned Kelly
used a metal one to cover his head and hide his identity.
The list of uses go on and on,
so the next time you see a humble bucket
raise a glass to him
for all the work he has done for us.
18 September 2009
poem by David Harris

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Everything Takes Me Back
(michael p. heeney/casey beathard/michael white)
Its a song on the radio
Its your picture on the wall in my bedroom
Its any one of a million memories
Girl, everything takes me back but you
Its every place that weve ever been
Its running into someone we both knew
Or its the face of a total stranger
Girl, everything takes me back but you
Ive called you up Ive begged and pleaded left love letters at your door
Though I broke your heart you gotta believe it hurt me even more
So whats it gonna take, what ya wanna hear girl, I think Ive paid my dues
And it might be just but it dont seem fair that everything takes me back but you
Its a sound or its the silence
Its the thought of what Ive done
I cant undo
Or its the dream I cant put behind me
Girl, everything takes me back but you
Ive called you up Ive begged and pleaded left love letters at your door
Though I broke your heart you gotta believe it hurt me even more
So whats it gonna take, what ya wanna hear girl, I think Ive paid my dues
And it might be just but it dont seem fair that everything takes me back but you
Its the night or its the morning
Its the thunder rolling in before it rains
Or its a long, long, long, long stretch of highway
Girl, its nothing and its everything, its everything
Everything takes me back but you
Girl, everything takes me back but you
song performed by by Trace Adkins

Submitted by Lucian Velea
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Kingdom of Love
In the dawn of the day when the sea and the earth
Reflected the sunrise above,
I set forth with a heart full of courage and mirth
To seek for the Kingdom of Love.
I asked of a Poet I met on the way
Which cross-road would lead me aright.
And he said: "Follow me, and not long you shall see
Its glittering turrets of light."
And soon in the distance a city shone fair,
"Look yonder," he said; "how it gleams!"
But alas! for the hopes that were doomed to despair,
It was only the "Kingdom of Dreams."
Then the next man I asked was a gay Cavalier,
And he said: "Follow me, follow me;"
And with laughter and song we went speeding along
By the shores of Life's beautiful sea.
Then we came to a valley more tropical far
Than the wonderful vale of Cashmere,
And I saw from a bower a face like a flower
Smile out on the gay Cavalier.
And he said: "We have come to humanity's goal:
Here love and delight are intense."
But alas and alas! for the hopes of my soul
It was only the "Kingdom of Sense."
As I journeyed more slowly I met on the road
A coach with retainers behind.
And they said: "Follow me, for our Lady's abode
Belongs in that realm, you will find."
'Twas a grand dame of fashion, a newly made bride,
I followed, encouraged and bold;
But my hopes died away like the last gleams of day,
For we came to the "Kingdom of Gold."
At the door of a cottage I asked a fair maid.
"I have heard of that realm," she replied;
"But my feet never roam from the "Kingdom of Home,"
So I know not the way," and she sighed.
I looked on the cottage; how restful it seemed!
And the maid was as fair as a dove.
Great light glorified my soul as I cried:
"Why home is the 'Kingdom of Love!'"
poem by Ella Wheeler Wilcox

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The Parcae; Or, Three Dainty Destinies:the Armilet
Three lovely sisters working were,
As they were closely set,
Of soft and dainty maiden-hair,
A curious Armilet.
I, smiling, ask'd them what they did,
Fair Destinies all three?
Who told me they had drawn a thread
Of life, and 'twas for me.
They shew'd me then how fine 'twas spun
And I replied thereto;
'I care not now how soon 'tis done,
Or cut, if cut by you.'
poem by Robert Herrick

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