Hertha

I AM that which began;
   Out of me the years roll;
   Out of me God and man;
   I am equal and whole;
God changes, and man, and the form of them bodily; I am the soul.

   Before ever land was,
   Before ever the sea,
   Or soft hair of the grass,
   Or fair limbs of the tree,
Or the flesh-colour'd fruit of my branches, I was, and thy soul was in
me.

   First life on my sources
   First drifted and swam;
   Out of me are the forces
   That save it or damn;
Out of me man and woman, and wild-beast and bird: before God was, I
am.

   Beside or above me
   Naught is there to go;
   Love or unlove me,
   Unknow me or know,
I am that which unloves me and loves; I am stricken, and I am the
blow.

   I the mark that is miss'd
   And the arrows that miss,
   I the mouth that is kiss'd
   And the breath in the kiss,
The search, and the sought, and the seeker, the soul and the body that
is.

   I am that thing which blesses
   My spirit elate;
   That which caresses
   With hands uncreate
My limbs unbegotten that measure the length of the measure of fate.

   But what thing dost thou now,
   Looking Godward, to cry,
   'I am I, thou art thou,
   I am low, thou art high'?
I am thou, whom thou seekest to find him; find thou but thyself, thou
art I.

   I the grain and the furrow,
   The plough-cloven clod
   And the ploughshare drawn thorough,
   The germ and the sod,
The deed and the doer, the seed and the sower, the dust which is God.

   Hast thou known how I fashion'd thee,
   Child, underground?
   Fire that impassion'd thee,
   Iron that bound,
Dim changes of water, what thing of all these hast thou known of or
found?

   Canst thou say in thine heart
   Thou hast seen with thine eyes
   With what cunning of art
   Thou wast wrought in what wise,
By what force of what stuff thou wast shapen, and shown on my breast
to the skies?

   Who hath given, who hath sold it thee,
   Knowledge of me?
   Has the wilderness told it thee?
   Hast thou learnt of the sea?
Hast thou communed in spirit with night? have the winds taken counsel
with thee?

   Have I set such a star
   To show light on thy brow
   That thou sawest from afar
   What I show to thee now?
Have ye spoken as brethren together, the sun and the mountains and
thou?

   What is here, dost thou know it?
   What was, hast thou known?
   Prophet nor poet
   Nor tripod nor throne
Nor spirit nor flesh can make answer, but only thy mother alone.

   Mother, not maker,
   Born, and not made;
   Though her children forsake her,
   Allured or afraid,
Praying prayers to the God of their fashion, she stirs not for all
that have pray'd.

   A creed is a rod,
   And a crown is of night;
   But this thing is God,
   To be man with thy might,
To grow straight in the strength of thy spirit, and live out thy life
as the light.

   I am in thee to save thee,
   As my soul in thee saith;
   Give thou as I gave thee,
   Thy life-blood and breath,
Green leaves of thy labour, white flowers of thy thought, and red
fruit of thy death.

   Be the ways of thy giving
   As mine were to thee;
   The free life of thy living,
   Be the gift of it free;
Not as servant to lord, nor as master to slave, shalt thou give thee
to me.

   O children of banishment,
   Souls overcast,
   Were the lights ye see vanish meant
   Alway to last,
Ye would know not the sun overshining the shadows and stars overpast.

   I that saw where ye trod
   The dim paths of the night
   Set the shadow call'd God
   In your skies to give light;
But the morning of manhood is risen, and the shadowless soul is in
sight.

   The tree many-rooted
   That swells to the sky
   With frondage red-fruited,
   The life-tree am I;
In the buds of your lives is the sap of my leaves: ye shall live and
not die.

   But the Gods of your fashion
   That take and that give,
   In their pity and passion
   That scourge and forgive,
They are worms that are bred in the bark that falls off; they shall
die and not live.

   My own blood is what stanches
   The wounds in my bark;
   Stars caught in my branches
   Make day of the dark,
And are worshipp'd as suns till the sunrise shall tread out their
fires as a spark.

   Where dead ages hide under
   The live roots of the tree,
   In my darkness the thunder
   Makes utterance of me;
In the clash of my boughs with each other ye hear the waves sound of
the sea.

   That noise is of Time,
   As his feathers are spread
   And his feet set to climb
   Through the boughs overhead,
And my foliage rings round him and rustles, and branches are bent with
his tread.

   The storm-winds of ages
   Blow through me and cease,
   The war-wind that rages,
   The spring-wind of peace,
Ere the breath of them roughen my tresses, ere one of my blossoms
increase.

   All sounds of all changes,
   All shadows and lights
   On the world's mountain-ranges
   And stream-riven heights,
Whose tongue is the wind's tongue and language of storm-clouds on
earth-shaking nights;

   All forms of all faces,
   All works of all hands
   In unsearchable places
   Of time-stricken lands,
All death and all life, and all reigns and all ruins, drop through me
as sands.

   Though sore be my burden
   And more than ye know,
   And my growth have no guerdon
   But only to grow,
Yet I fail not of growing for lightnings above me or deathworms below.

   These too have their part in me,
   As I too in these;
   Such fire is at heart in me,
   Such sap is this tree's,
Which hath in it all sounds and all secrets of infinite lands and of
seas.

   In the spring-colour'd hours
   When my mind was as May's
   There brake forth of me flowers
   By centuries of days,
Strong blossoms with perfume of manhood, shot out from my spirit as
rays.

   And the sound of them springing
   And smell of their shoots
   Were as warmth and sweet singing
   And strength to my roots;
And the lives of my children made perfect with freedom of soul were my
fruits.

   I bid you but be;
   I have need not of prayer;
   I have need of you free
   As your mouths of mine air;
That my heart may be greater within me, beholding the fruits of me
fair.

   More fair than strange fruit is
   Of faiths ye espouse;
   In me only the root is
   That blooms in your boughs;
Behold now your God that ye made you, to feed him with faith of your
vows.

   In the darkening and whitening
   Abysses adored,
   With dayspring and lightning
   For lamp and for sword,
God thunders in heaven, and his angels are red with the wrath of the
Lord.

   O my sons, O too dutiful
   Toward Gods not of me,
   Was not I enough beautiful?
   Was it hard to be free?
For behold, I am with you, am in you and of you; look forth now and
see.

   Lo, wing'd with world's wonders,
   With miracles shod,
   With the fires of his thunders
   For raiment and rod,
God trembles in heaven, and his angels are white with the terror of
God.

   For his twilight is come on him,
   His anguish is here;
   And his spirits gaze dumb on him,
   Grown gray from his fear;
And his hour taketh hold on him stricken, the last of his infinite
year.

   Thought made him and breaks him,
   Truth slays and forgives;
   But to you, as time takes him,
   This new thing it gives,
Even love, the beloved Republic, that feeds upon freedom and lives.

   For truth only is living,
   Truth only is whole,
   And the love of his giving
   Man's polestar and pole;
Man, pulse of my centre, and fruit of my body, and seed of my soul.

   One birth of my bosom;
   One beam of mine eye;
   One topmost blossom
   That scales the sky;
Man, equal and one with me, man that is made of me, man that is I.

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People at Night

A night that cuts between you and you
and you and you and you
and me : jostles us apart, a man elbowing
through a crowd.       & nbsp;  We won't
      &nbs p;         ;     look for each other, either-
wander off, each alone, not looking
in the slow crowd. Among sideshows
               & nbsp;     under movie signs,
      &nb sp;       &nbs p;     pictures made of a million lights,
      &n bsp;       &nb sp;     giants that move and again move
        ;              again, above a cloud of thick smells,
      &n bsp;       &nb sp;     franks, roasted nutmeats-

Or going up to some apartment, yours
      &nbs p;         ;     or yours, finding
someone sitting in the dark:
who is it really? So you switch the
light on to see: you know the name but
who is it ?
       &n bsp;  But you won't see.

The fluorescent light flickers sullenly, a
pause. But you command. It grabs
each face and holds it up
by the hair for you, mask after mask.
      &nbs p;         ;     You  &nb sp;and   you and I   repeat
   &n bsp;       &nb sp;       &nbs p;gestures that make do when speech
      &nb sp;       &nbs p;     has failed       & nbsp;  and talk
        ;              and talk, laughing, saying
      &nb sp;       &nbs p;     'I', and 'I',
meaning 'Anybody'.
       ;                 & nbsp;       No one.

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The Words

Clouds scattered across the sky       &nbs p;all so far away
and then the space between         this strange 'distance'
What does 'normal' mean, after all?       &nb sp;you move
toward the window       & nbsp;lights marking the headland
and the night becomes a milestone      &nbs p; though
I         the fog rolls up the hill from the sea
in waves the town       &nb sp;desperate?
Whichever way we look       &nb sp;though so much at hand
only held back by obsessions
but 'home' is so long ago       &nbs p;don't cry
the light's a very pale blue       &nb sp;then maybe       &n bsp;the next time too
a faint glimmer across the bay       &nbs p;neither moon
nor stars
and your letter making signs       &n bsp;concerning 'understanding'
and 'the magic tortoise'      &nbs p; what then?       &n bsp;or just tiredness

At each alternative      &n bsp; the colours in the sky
gradually changing        ; until you're lulled into believing
you've seen this before       & nbsp;but not quite
The wood-cut of a lone horseman
riding through a deathly countryside      &n bsp; raped

'You're very brave'       & nbsp;I clean the table-top
and you sat in that chair       &n bsp;two red poppies
in the garden below       &n bsp;at dawn
This apparent clumsiness is far from true

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A Revocation

WHAT should I say?
   --Since Faith is dead,
And Truth away
   From you is fled?
   Should I be led
   With doubleness?
   Nay! nay! mistress.

I promised you,
   And you promised me,
To be as true
   As I would be.
   But since I see
   Your double heart,
   Farewell my part!

Thought for to take
   'Tis not my mind;
But to forsake
   One so unkind;
   And as I find
   So will I trust.
   Farewell, unjust!

Can ye say nay
   But that you said
That I alway
   Should be obeyed?
   And--thus betrayed
   Or that I wist!
   Farewell, unkist!

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Old Woman

I see Senora Sanchez
along the river.
Black catfish
pop the silver
water surface,
waves unroll
as the gnarled
bronze face and
black eyes
remember
cool sea shells
and warm turquoise,
the turkey gobbling
behind bushes,
and the red skirt
hanging on boughs
as she bathed….
She pulls her black sweater
snug around her, folded arms
across her stomach.
She who remembers
cannot say amen
but smiles to sunrise
as she walks through the grass,
      &nb sp;       &nbs p;         ;       the tall,
      &nbs p;         ;                green grass,
grass that does not listen to
       & nbsp;       &n bsp;       &nb sp;      the priest
in black robes, blooms green
as she walks through the grass
and talks with them.

poem by Jimmy Santiago BacaReport problemRelated quotes
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Music in an Empty House

The house was empty and
      the people of the house
      gone many months

Months for the weevil
      for the patient worm
      timbe r-mole softly tunnelling
       ;for the parliament of rats

Footsteps slink past
      damp walls
      down
      long
& nbsp;     corridors

Slow feet
      warily scuff
      bare boards
The much-bitten
     &nbs p;tapestry
       ;  holds
    &nb sp;     many
 &n bsp;    moths

In a certain curtain'd room
      the halting steps evade
      chai rs white shrouded

To twitch the winding-sheet
     &n bsp;around a grand piano
      thin phalanx of sound
      sharp rat's teeth edge yellow
      with decay

The much-bitten
     &nbs p;tapestry
       ;holds
      man y
      moths

On rat's teeth-edge
       ;fingers preparate
       hesitate

Then falling send
  as tenantry
    darnp-muffied chords
      rus ting strings
  a still-born song

Their fortissimoThe tattered   scarcetapestry   stirsholds   nearmany   cobwebsmoths

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William Shakespeare

Fairy Land i

OVER hill, over dale,
   Thorough bush, thorough brier,
   Over park, over pale,
   Thorough flood, thorough fire,
   I do wander everywhere,
   Swifter than the moone's sphere;
   And I serve the fairy queen,
   To dew her orbs upon the green:
   The cowslips tall her pensioners be;
   In their gold coats spots you see;
   Those be rubies, fairy favours,
   In those freckles live their savours:
   I must go seek some dew-drops here,
And hang a pearl in every cowslip's ear.

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Thomas Hardy

A Spot

In years defaced and lost,
   Two sat here, transport-tossed,
   Lit by a living love
The wilted world knew nothing of:
   Scared momently
   By gaingivings,
   Then hoping things
   That could not be.

   Of love and us no trace
   Abides upon the place;
   The sun and shadows wheel,
Season and season sereward steal;
   Foul days and fair
   Here, too, prevail,
   And gust and gale
   As everywhere.

   But lonely shepherd souls
   Who bask amid these knolls
   May catch a faery sound
On sleepy noontides from the ground:
   "O not again
   Till Earth outwears
   Shall love like theirs
   Suffuse this glen!"

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Amy Lowell

Apology

Be not angry with me that I bear
   Your colours everywhere,
   All through each crowded street,
   And meet
   The wonder-light in every eye,
   As I go by.

Each plodding wayfarer looks up to gaze,
   Blinded by rainbow haze,
   The stuff of happiness,
   No less,
   Which wraps me in its glad-hued folds
   Of peacock golds.

Before my feet the dusty, rough-paved way
   Flushes beneath its gray.
   My steps fall ringed with light,
   So bright,
   It seems a myriad suns are strown
   About the town.

Around me is the sound of steepled bells,
   And rich perfumed smells
   Hang like a wind-forgotten cloud,
   And shroud
   Me from close contact with the world.
   I dwell impearled.

You blazon me with jewelled insignia.
   A flaming nebula
   Rims in my life. And yet
   You set
   The word upon me, unconfessed
   To go unguessed.

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Thomas Hardy

To Life

O life with the sad seared face,
   I weary of seeing thee,
And thy draggled cloak, and thy hobbling pace,
   And thy too-forced pleasantry!

   I know what thou would'st tell
   Of Death, Time, Destiny -
I have known it long, and know, too, well
   What it all means for me.

   But canst thou not array
   Thyself in rare disguise,
And feign like truth, for one mad day,
   That Earth is Paradise?

   I'll tune me to the mood,
   And mumm with thee till eve;
And maybe what as interlude
   I feign, I shall believe!

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John Bunyan

The Shepherd Boy sings in the Valley of Humiliation

HE that is down needs fear no fall,
   He that is low, no pride;
He that is humble ever shall
   Have God to be his guide.

I am content with what I have,
   Little be it or much:
And, Lord, contentment still I crave,
   Because Thou savest such.

Fullness to such a burden is
   That go on pilgrimage:
Here little, and hereafter bliss,
   Is best from age to age.

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William Shakespeare

Fairy Land iii

COME unto these yellow sands,
   And then take hands:
Court'sied when you have, and kiss'd,--
   The wild waves whist,--
Foot it featly here and there;
And, sweet sprites, the burthen bear.
   Hark, hark!
   Bow, wow,
   The watch-dogs bark:
   Bow, wow.
   Hark, hark! I hear
   The strain of strutting chanticleer
   Cry, Cock-a-diddle-dow!

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Wedding-Ring

My wedding-ring lies in a basket
as if at the bottom of a well.
Nothing will come to fish it back up
and onto my finger again.
       &nb sp;       &nbs p;    It lies
among keys to abandoned houses,
nails waiting to be needed and hammered
into some wall,
telephone numbers with no names attached,
idle paperclips.
       &nb sp;  It can't be given away
for fear of bringing ill-luck.
       &nb sp;  It can't be sold
for the marriage was good in its own
time, though that time is gone.
       &nb sp;  Could some artificer
beat into it bright stones, transform it
into a dazzling circlet no one could take
for solemn betrothal or to make promises
living will not let them keep? Change it
into a simple gift I could give in friendship?

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Soft White

When the sea is as grey as her eyes
On these days for sure       &nb sp;the soft white
mist blown in from the ocean       &n bsp;the town dissolving
It all adds up         ;her bare shoulders

Nakedness     ;    rolling in from the sea
on winter afternoons - a fine rain
looking down on the sand       &nb sp;& shingle
the waves breaking on the shore       &n bsp;& white

It is impossible to deny what
taken by surprise        ; then wonder
the many details of her body
to be held first now       &nbs p;then later

In body & mind       &nb sp;the fine rain outside
on winter afternoons      &nb sp; the nakedness
of her bare shoulders      &nbs p; as grey as her eyes
the sea rushing up the beach as white as

The whole outline called 'geography'
meeting at a set of erotic points
lips    shoulders&n bsp;   breasts   &n bsp;stomach
the town dissolves      &nbs p; sex    thighs &n bsp;  legs

Outside  &n bsp;     then across her nakedness
it rains in the afternoon      &nbs p; then the wonder
her body so young & firm       &nb sp;dissolves the town
in winter       & nbsp;grey as her eyes

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Thomas Hardy

The Superseded

I

As newer comers crowd the fore,
   We drop behind.
- We who have laboured long and sore
   Times out of mind,
And keen are yet, must not regret
   To drop behind.

II

Yet there are of us some who grieve
   To go behind;
Staunch, strenuous souls who scarce believe
   Their fires declined,
And know none cares, remembers, spares
   Who go behind.

III

'Tis not that we have unforetold
   The drop behind;
We feel the new must oust the old
   In every kind;
But yet we think, must we, must WE,
   Too, drop behind?

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To Mistress Margaret Hussey

MERRY Margaret
   As midsummer flower,
   Gentle as falcon
   Or hawk of the tower:
With solace and gladness,
Much mirth and no madness,
All good and no badness;
   So joyously,
   So maidenly,
   So womanly
   Her demeaning
   In every thing,
   Far, far passing
   That I can indite,
   Or suffice to write
   Of Merry Margaret
   As midsummer flower,
   Gentle as falcon
   Or hawk of the tower.
   As patient and still
   And as full of good will
   As fair Isaphill,
   Coliander,
   Sweet pomander,
   Good Cassander;
   Steadfast of thought,
   Well made, well wrought,
   Far may be sought,
   Ere that ye can find
   So courteous, so kind
   As merry Margaret,
   This midsummer flower,
   Gentle as falcon
   Or hawk of the tower.

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Beauty Clear and Fair

BEAUTY clear and fair,
   Where the air
Rather like a perfume dwells;
   Where the violet and the rose
   Their blue veins and blush disclose,
And come to honour nothing else:

   Where to live near
   And planted there
Is to live, and still live new;
   Where to gain a favour is
   More than light, perpetual bliss--
Make me live by serving you!

Dear, again back recall
   To this light,
A stranger to himself and all!
   Both the wonder and the story
   Shall be yours, and eke the glory;
I am your servant, and your thrall.

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Thomas Hardy

Rome at the Pyramid of Cestius Near the Graves of Shelley and Keats (1887)

Who, then, was Cestius,
   And what is he to me? -
Amid thick thoughts and memories multitudinous
   One thought alone brings he.

   I can recall no word
   Of anything he did;
For me he is a man who died and was interred
   To leave a pyramid

   Whose purpose was exprest
   Not with its first design,
Nor till, far down in Time, beside it found their rest
   Two countrymen of mine.

   Cestius in life, maybe,
   Slew, breathed out threatening;
I know not. This I know: in death all silently
   He does a kindlier thing,

   In beckoning pilgrim feet
   With marble finger high
To where, by shadowy wall and history-haunted street,
   Those matchless singers lie . . .

   --Say, then, he lived and died
   That stones which bear his name
Should mark, through Time, where two immortal Shades abide;
   It is an ample fame.

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Thank-you Note

I wanted small pierced earrings (gold).
You gave me slippers (gray).
My mother said that she would scold
Unless I wrote to say
How much I liked them.

               & nbsp; Not much.

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Lucy ii

SHE dwelt among the untrodden ways
   Beside the springs of Dove,
A Maid whom there were none to praise
   And very few to love:

A violet by a mossy stone
   Half hidden from the eye!
Fair as a star, when only one
   Is shining in the sky.

She lived unknown, and few could know
   When Lucy ceased to be;
But she is in her grave, and oh,
   The difference to me!

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Bridal Song

CYNTHIA, to thy power and thee
   We obey.
Joy to this great company!
   And no day
Come to steal this night away
   Till the rites of love are ended,
And the lusty bridegroom say,
   Welcome, light, of all befriended!

Pace out, you watery powers below;
   Let your feet,
Like the galleys when they row,
   Even beat;
Let your unknown measures, set
   To the still winds, tell to all
That gods are come, immortal, great,
   To honour this great nuptial!

poem by John FletcherReport problemRelated quotes
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