A Ballad Of François Villon, Prince Of All Ballad-Makers
Bird of the bitter bright grey golden morn
Scarce risen upon the dusk of dolorous years,
First of us all and sweetest singer born
Whose far shrill note the world of new men hears
Cleave the cold shuddering shade as twilight clears;
When song new-born put off the old world's attire
And felt its tune on her changed lips expire,
Writ foremost on the roll of them that came
Fresh girt for service of the latter lyre,
Villon, our sad bad glad mad brother's name!
Alas the joy, the sorrow, and the scorn,
That clothed thy life with hopes and sins and fears,
And gave thee stones for bread and tares for corn
And plume-plucked gaol-birds for thy starveling peers
Till death clipt close their flight with shameful shears;
Till shifts came short and loves were hard to hire,
When lilt of song nor twitch of twangling wire
Could buy thee bread or kisses; when light fame
Spurned like a ball and haled through brake and briar,
Villon, our sad bad glad mad brother's name!
Poor splendid wings so frayed and soiled and torn!
Poor kind wild eyes so dashed with light quick tears!
Poor perfect voice, most blithe when most forlorn,
That rings athwart the sea whence no man steers
Like joy-bells crossed with death-bells in our ears!
What far delight has cooled the fierce desire
That like some ravenous bird was strong to tire
On that frail flesh and soul consumed with flame,
But left more sweet than roses to respire,
Villon, our sad bad glad mad brother's name?
Prince of sweet songs made out of tears and fire,
A harlot was thy nurse, a God thy sire;
Shame soiled thy song, and song assoiled thy shame.
But from thy feet now death has washed the mire,
Love reads out first at head of all our quire,
Villon, our sad bad glad mad brother's name.
poem by Algernon Charles Swinburne

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Ballade: Epistre
Have pity now, have pity now on me,
If you at least would, friends of mine.
I'm in the depths, not holly or may,
In exile, where I've been consigned
By Fortune, as God too has designed.
Girls, lovers, youngsters, fresh to hand,
Dancers, tumblers that leap like lambs,
Agile as arrows, like shots from a cannon,
Throats tinkling, clear as bells on rams,
Will you leave him here, your poor old Villon?
Singers, singing in lawless freedom,
Jokers, pleasant in word and deed,
Run free of false gold, alloy, come,
Men of wit - somewhat deaf indeed -
Hurry, be quick now, he's dying poor man.
Makers of lays, motets and rondeaux,
Will you bring him warmth when he's down below?
No lightning or storm reach where he's gone.
With these thick walls they've blinded him so.
Will you leave him here, your poor old Villon?
Come see him here, in his piteous plight,
Noblemen, free of tax and tithe,
Holding nothing by king or emperor's right,
But by grace of the God of Paradise.
Sundays and Tuesdays he fasts and sighs,
His teeth are as sharp as the rats' below,
After dry bread, and no gateaux,
Water for soup that floats his guts along.
With no table or chair, he's lying low.
Will you leave him here, your poor old Villon?
Princes of note, old, new, don't fail:
Beg the king's pardon for me, and seal,
And a basket to raise me, I'll sit upon:
So pigs behave, to each other, they say,
When one pig squeals, all rush that way.
Will you leave him here, your poor old Villon?
poem by François Villon

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Seven Years Old
I.
SEVEN white roses on one tree,
Seven white loaves of blameless leaven,
Seven white sails on one soft sea,
Seven white swans on one lake’s lee,
Seven white flowerlike stars in heaven,
All are types unmeet to be
For a birthday’s crown of seven.
II.
Not the radiance of the roses,
Not the blessing of the bread,
Not the breeze that ere day grows is
Fresh for sails and swans, and closes
Wings above the sun’s grave spread,
When the starshine on the snows is
Sweet as sleep on sorrow shed,
III.
Nothing sweetest, nothing best,
Holds so good and sweet a treasure
As the love wherewith once blest
Joy grows holy, grief takes rest,
Life, half tired with hours to measure,
Fills his eyes and lips and breast
With most light and breath of pleasure
IV.
As the rapture unpolluted,
As the passion undefiled,
By whose force all pains heart-rooted
Are transfigured and transmuted,
Recompensed and reconciled,
Through the imperial, undisputed,
Present godhead of a child.
V.
Brown bright eyes and fair bright head,
Worth a worthier crown than this is,
Worth a worthier song instead,
Sweet grave wise round mouth, full fed
With the joy of love, whose bliss is
More than mortal wine and bread,
Lips whose words are sweet as kisses,
VI.
Little hands so glad of giving,
Little heart so glad of love,
Little soul so glad of living,
While the strong swift hours are weaving
Light with darkness woven above,
Time for mirth and time for grieving,
Plume of raven and plume of dove,
VII.
I can give you but a word
Warm with love therein for leaven,
But a song that falls unheard
Yet on ears of sense unstirred
Yet by song so far from heaven,
Whence you came the brightest bird,
Seven years since, of seven times seven.
poem by Algernon Charles Swinburne

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A Bird and flower upon the tree
A bird and flower upon the tree,
Sweet peony and oriole,
Each of them a perfect soul,
Song and sweetness manifest
The bird and flower we love the best
Side by side on the tall tree.
'Flower who art sunlight and fire, flower who art perfume and joy,
Sweetest of sweet,
Ah for the gift withheld!
Ah for the given gift's alloy!
Why must thy spirit exhale only in beauty and breath?
Ah for the voice thou hast not! I by thy side on the tree,
Telling the world of love, pain, and all raptures that be,
Raptures of laughter and life, raptures of tears and death,
Singing my heart to heaven, singing to earth at my feet;
Silence in thee.'
'Bird who art dew-drops and flame, bird who art rapture and song,
Sweetest of sweet,
Lo there's a voice part mine, songs that to me too belong,
Songs that grew of my growth, voice that has breathed my breath.
Bird that while I sit mute singest beside on the tree,
Hast thou ever a song taking no perfume of me?
Give forth my sweetness in song; bird, thou art singing for both,
Singing our hearts to heaven, singing to earth at our feet;
My voice in thee.'
On the tree-top side by side,
Sweet oriole and peony;
Music rings through earth and sky,
Sweet and sweet in sweetness lost
The flower and bird we love the most,
On the tree-top side by side.
poem by Augusta Davies Webster

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Francois Villon
If I were Francois Villon and Francois Villon I,
What would it matter to me how the time might drag or fly?
_He_ would in sweaty anguish toil the days and night away,
And still not keep the prowling, growling, howling wolf at bay!
But, with my valiant bottle and my frouzy brevet-bride,
And my score of loyal cut-throats standing guard for me outside,
What worry of the morrow would provoke a casual sigh
If I were Francois Villon and Francois Villon I?
If I were Francois Villon and Francois Villon I,
To yonder gloomy boulevard at midnight I would hie;
'Stop, stranger! and deliver your possessions, ere you feel
The mettle of my bludgeon or the temper of my steel!'
He should give me gold and diamonds, his snuffbox and his cane--
'Now back, my boon companions, to our brothel with our gain!'
And, back within that brothel, how the bottles they would fly,
If I were Francois Villon and Francois Villon I!
If I were Francois Villon and Francois Villon I,
We both would mock the gibbet which the law has lifted high;
_He_ in his meager, shabby home, _I_ in my roaring den--
He with his babes around him, _I_ with my hunted men!
His virtue be his bulwark--my genius should be mine!--
'Go fetch my pen, sweet Margot, and a jorum of your wine!'
* * * * *
So would one vainly plod, and one win immortality--
If I were Francois Villon and Francois Villon I!
poem by Eugene Field

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Question and answer
THE CHILD
Father! Within the forest's bound
No bird I found,
No sound of song the woods around.
THE FATHER
The bird that glad his song us gave,
Flies o'er the wave;
Perhaps he there will find his grave.
THE CHILD
But why does he not wait till later?
THE FATHER
He goes where light and warmth are greater
THE CHILD
Father! It selfish seems to me,
Far off to flee,
When all we others here must be.
THE FATHER
With new-born spring comes new-born song;
By instinct strong
The better new he'll bring erelong.
THE CHILD
But if in death the cold waves swallow-?
THE FATHER
Others will come; his kin will follow.
poem by Bjørnstjerne Bjørnson

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Encore
The singer stood in a blaze of light,
And fronted the flowery throng;
Her lips parted with her greeting smile,
Her soul soared out in her song.
Now hovering like an imprisoned bird
With is plainings thrilling nigh,
Then faintly sweet, as the reapers hear
A lark afar in the sky;
And forth like thunder the praises broke,
And the singer bowed and smiled,
And flowers fell fast in a scented storm--
But she was not to be wiled.
'Shall I throw my gifts to this fickle throng?'
She thought with a bitter sigh.
'What do they care for my simple song?'
As she courtesied a glad good-by.
The singer sat in her lonely room,
As the stars peeped out of the haze,
And her voice poured forth in its sweetest gush,
Though none was beside to praise--
Till she saw a form to her window creep
And crouch by its misty pane,--
An old dame wept at the wondrous song
That gave back her youth again!
The singer stirred not, nor made a sign
That she saw where the listener stood,
But once and again she raised her voice
And poured out its golden flood,
And only ceased when the minster bells
Shook out their evening clang--
Then one thanked God for the song she heard,
And one for the song she sang.
poem by Anonymous Americas

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The Sister's Appeal.
You remember--don't you, brother--
In our early years,
The counsels of our poor, dear mother,
And her hopes and fears?
She told us to love one another--
Brother, dry your tears!
We are only two, dear brother,
In his babel wide!
In the churchyard sleeps poor mother,
By our father's side!--
Then let us cherish one another
Till in death we bide.
poem by George Pope Morris

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Le Testament: Epitaph et Rondeau
Epitaph
Here there lies, and sleeps in the grave,
One whom Love killed with his scorn,
A poor little scholar in every way,
He was named François Villon.
He never reaped a morsel of corn:
Willed all away, as all men know:
Bed, table, and basket all are gone.
Gallants, now sing his song below:
Rondeau
Oh, grant him now eternal peace,
Lord, and everlasting light,
He wasn't worth a candle bright,
Nor even a sprig of parsley.
Of eyebrows, hair, and beard he's free,
A turnip scraped with a spade, all right:
Oh, grant him now eternal peace.
Exiled with strict severity,
Rapped behind with a spade, despite
It all he cried: ‘Appeal, for me!'
- Which wasn't the height of subtlety.
Oh, grant him now eternal peace.
poem by François Villon

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A Poet's Wooing
I woo'd a woman once,
But she was sharper than an eastern wind.
Tennyson
"What may I do to make you glad,
To make you glad and free,
Till your light smiles glance
And your bright eyes dance
Like sunbeams on the sea?
Read some rhyme that is blithe and gay
Of a bright May morn and a marriage day?"
And she sighed in a listless way she had,--
"Do not read--it will make me sad!"
"What shall I do to make you glad--
To make you glad and gay,
Till your eyes gleam bright
As the stars at night
When as light as the light of day
Sing some song as I twang the strings
Of my sweet guitar through its wanderings?"
And she sighed in the weary way she had,--
"Do not sing--it will make me sad!"
"What can I do to make you glad--
As glad as glad can be,
Till your clear eyes seem
Like the rays that gleam
And glint through a dew-decked tree?--
Will it please you, dear, that I now begin
A grand old air on my violin?"
And she spoke again in the following way,--
"Yes, oh yes, it would please me, sir;
I would be so glad you'd play
Some grand old march--in character,--
And then as you march away
I will no longer thus be sad,
But oh, so glad--so glad--so glad!"
poem by James Whitcomb Riley

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The Complaint of Lisa
There is no woman living who draws breath
So sad as I, though all things sadden her.
There is not one upon life's weariest way
Who is weary as I am weary of all but death.
Toward whom I look as looks the sunflower
All day with all his whole soul toward the sun;
While in the sun's sight I make moan all day,
And all night on my sleepless maiden bed.
Weep and call out on death, O Love, and thee,
That thou or he would take me to the dead.
And know not what thing evil I have done
That life should lay such heavy hand on me.
Alas! Love, what is this thou wouldst with me?
What honor shalt thou have to quench my breath,
Or what shall my heart broken profit thee?
O Love, O great god Love, what have I done,
That thou shouldst hunger so after my death?
My heart is harmless as my life's first day:
Seek out some false fair woman, and plague her
Till her tears even as my tears fill her bed:
I am the least flower in thy flowery way,
But till my time be come that I be dead,
Let me live out my flower-time in the sun,
Though my leaves shut before the sunflower.
O Love, Love, Love, the kingly sunflower!
Shall he the sun hath looked on look on me,
That live down here in shade, out of the sun,
Here living in the sorrow and shadow of death?
Shall he that feeds his heart full of the day
Care to give mine eyes light, or my lips breath?
Because she loves him, shall my lord love her
Who is as a worm in my lord's kingly way?
I shall not see him or know him alive or dead;
But thou, I know thee, O Love, and pray to thee
That in brief while my brief life-days be done,
And the worm quickly make my marriage-bed.
For underground there is no sleepless bed.
But here since I beheld my sunflower
These eyes have slept not, seeing all night and day
His sunlike eyes, and face fronting the sun.
Wherefore, if anywhere be any death,
I fain would find and fold him fast to me,
That I may sleep with the world's eldest dead,
With her that died seven centuries since, and her
That went last night down the night-wandering way.
For this is sleep indeed, when labor is done,
Without love, without dreams, and without breath,
And without thought, O name unnamed! of thee.
Ah! but, forgetting all things, shall I thee?
Wilt thou not be as now about my bed
There underground as here before the sun?
Shall not thy vision vex me alive and dead,
Thy moving vision without form or breath?
I read long since the bitter tale of her
Who read the tale of Launcelot on a day,
And died, and had no quiet after death,
But was moved ever along a weary way,
Lost with her love in the underworld; ah me,
O my king, O my lordly sunflower,
Would God to me, too, such a thing were done!
But if such sweet and bitter things be done,
Then, flying from life, I shall not fly from thee.
For in that living world without a sun
Thy vision will lay hold upon me dead,
And meet and mock me, and mar my peace in death.
Yet if being wroth, God had such pity on her,
Who was a sinner and foolish in her day,
That even in hell they twain should breathe one breath,
Why should he not in some wise pity me?
So if I sleep not in my soft strait bed,
I may look up and see my sunflower
As he the sun, in some divine strange way.
O poor my heart, well knowest thou in what way
This sore sweet evil unto us was done.
For on a holy and a heavy day
I was arisen out of my still small bed
To see the knights tilt, and one said to me
"The king;" and seeing him, somewhat stopped my breath;
And if the girl spake more, I heard her not,
For only I saw what I shall see when dead,
A kingly flower of knights, a sunflower,
That shone against the sunlight like the sun,
And like a fire, O heart, consuming thee,
The fire of love that lights the pyre of death.
Howbeit I shall not die an evil death
Who have loved in such a sad and sinless way,
That this my love, lord, was no shame to thee.
So when mine eyes are shut against the sun,
O my soul's sun, O the world's sunflower,
Thou nor no man will quite despise me dead.
And dying I pray with all my low last breath
That thy whole life may be as was that day,
That feast-day that made trothplight death and me,
Giving the world light of thy great deeds done;
And that fair face brightening thy bridal bed,
That God be good as God hath been to her.
That all things goodly and glad remain with her,
All things that make glad life and goodly death;
That as a bee sucks from a sunflower
Honey, when summer draws delighted breath,
Her soul may drink of thy soul in like way,
And love make life a fruitful marriage-bed
Where day may bring forth fruits of joy to day
And night to night till days and nights be dead.
And as she gives light of her love to thee,
Give thou to her the old glory of days long done;
And either give some heat of light to me,
To warm me where I sleep without the sun.
O sunflower make drunken with the sun,
O knight whose lady's heart draws thine to her,
Great king, glad lover, I have a word to thee.
There is a weed lives out of the sun's way,
Hid from the heat deep in the meadow's bed,
That swoons and whitens at the wind's least breath,
A flower star-shaped, that all a summer day
Will gaze her soul out on the sunflower
For very love till twilight finds her dead.
But the great sunflower heeds not her poor death,
Knows not when all her loving life is done;
And so much knows my lord the king of me.
Ay, all day long he has no eye for me;
With golden eye following the golden sun
From rose-colored to purple-pillowed bed,
From birthplace to the flame-lit place of death,
From eastern end to western of his way,
So mine eye follows thee, my sunflower,
So the white star-flower turns and yearns to thee,
The sick weak weed, not well alive or dead,
Trod under foot if any pass by her,
Pale, without color of summer or summer breath
In the shrunk shuddering petals, that have done
No work but love, and die before the day.
But thou, to-day, to-morrow, and every day,
Be glad and great, O love whose love slays me.
Thy fervent flower made fruitful from the sun
Shall drop its golden seed in the world's way,
That all men thereof nourished shall praise thee
For grain and flower and fruit of works well done;
Till thy shed seed, O shining sunflower,
Bring forth such growth of the world's garden-bed
As like the sun shall outlive age and death.
And yet I would thine heart had heed of her
Who loves thee alive; but not till she be dead.
Come, Love, then, quickly, and take her utmost breath.
Song, speak for me who am dumb as are the dead;
From my sad bed of tears I send forth thee,
To fly all day from sun's birth to sun's death
Down the sun's way after the flying sun,
For love of her that gave thee wings and breath
Ere day be done, to seek the sunflower.
poem by Algernon Charles Swinburne

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A Maxim Of Peace
Never have regrets, brother,
But for sake of sin;
The treacherous heart within
All too soon forgets, brother,
How it felt, and was, in thought,
Acting out the thing it ought.
All thy will was well, brother,
Well didst thou deserve;
Circumstance might swerve,
But, the truth to tell, brother,
Consequences none foresee
Never need be cares to thee.
Always for the best, brother,
Hourly hast thou striven;
Though to be forgiven,
This shall be thy test, brother,--
Did not honest zeal obey
Duty's impulse every day?
What seem'd then so right, brother,
Let no censure now,
No unkindly brow,
Damage in thy sight, brother;
Yesterday did what it could;
Scorn not thou its humbler good!
To thyself be true, brother;
Yield not to regret;
Nor thy spirit fret
To do, or to undo, brother,
What is now beyond thy skill;
Facts are facts, do what we will.
Every Present seems, brother,
Girt about with friends;
Every Future sends
Glory to thy dreams, brother;
But we all condemn too fast
The friendless and the hopeless Past.
Scorn not what thou wast, brother,--
Trust not what thou art;
Watch thy coward heart;
Look to that thou hast, brother;
Nothing is within thy power,
But the swiftly passing hour.
Therefore do not set, brother,
Sorrow on the past;
When the die is cast
Never nurse regret, brother:
Only for thy sin be sad,
For all beside be wisely glad!
poem by Martin Farquhar Tupper

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Tribute To The Memory Of The Same Dog
LIE here, without a record of thy worth,
Beneath a covering of the common earth!
It is not from unwillingness to praise,
Or want of love, that here no Stone we raise;
More thou deserv'st; but 'this' man gives to man,
Brother to brother, 'this' is all we can.
Yet they to whom thy virtues made thee dear
Shall find thee through all changes of the year:
This Oak points out thy grave; the silent tree
Will gladly stand a monument of thee.
We grieved for thee, and wished thy end were past;
And willingly have laid thee here at last:
For thou hadst lived till everything that cheers
In thee had yielded to the weight of years;
Extreme old age had wasted thee away,
And left thee but a glimmering of the day;
Thy ears were deaf, and feeble were thy knees,--
I saw thee stagger in the summer breeze,
Too weak to stand against its sportive breath,
And ready for the gentlest stroke of death.
It came, and we were glad; yet tears were shed;
Both man and woman wept when thou wert dead;
Not only for a thousand thoughts that were,
Old household thoughts, in which thou hadst thy share;
But for some precious boons vouchsafed to thee,
Found scarcely anywhere in like degree!
For love, that comes wherever life and sense
Are given by God, in thee was most intense;
A chain of heart, a feeling of the mind,
A tender sympathy, which did thee bind
Not only to us Men, but to thy Kind:
Yea, for thy fellow-brutes in thee we saw
A soul of love, love's intellectual law:--
Hence, if we wept, it was not done in shame;
Our tears from passion and from reason came,
And, therefore, shalt thou be an honoured name!
poem by William Wordsworth

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Spring Dirge
A child came singing through the dusty town
A song so sweet that all men stayed to hear,
Forgetting for a space their ancient fear
Of evil days and death and fortune’s frown.
She sang of Winter dead and Spring new-born
In the green fields beyond the far hills’ bound;
And how this fair Spring, coming blossom-crowned,
Would cross the city’s threshold on the morn.
And each caged bird in every house anigh,
Even as she sang, caught up the glad refrain
Of Love and Hope and fair days come again,
Till all who heard forgot they had to die.
And all the ghosts of buried woes were laid
That heard the song of this sweet sorceress;
The Past grew to a dream of old distress,
And merry were the hearts of man and maid.
So, at the first faint blush of tender dawn,
Spring stole with noiseless steps through the gray gloom,
And men knew only by a strange perfume
That she had softly entered and withdrawn.
But ah! the lustre of her violet eyes
Was dimmed with tears for her sweet singing maid,
Whose voice would sound no more in shine or shade
To charm men’s souls at set of sun or rise.
For there, with dews of dawn upon her hair,
Like a fair flower plucked and flung away,
Dead in the street the little maiden lay
Who gave new life to hearts nigh dead of care.
Alas! must this be still the bitter doom
Awaiting those, the finer-souled of earth,
Who make for men a morning song of mirth
While yet the birds are dumb amid the gloom?
They walk on thorny ways with feet unshod,
Sing one last song, and die as that song dies.
There is no human hand to close their eyes,
And very heavy is the hand of God.
poem by Victor James Daley

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The bier of precentor a. reitan
With smiles his soft eyes ever gleamed,
When God and country thinking;
With endless joy, his soul, it seemed,
Faith, fatherland, was linking.
His word, his song,
Like springs flowed strong;
They fruitful made the valley long,
And quickened all there drinking.
Poor people and poor homes among
In wintry region saddest,
In Sunday's choir he always sung,
Of all the world the gladdest:
'The axis stout
It turns about,
Falls not the poorest home without,
For thus, O God, Thou badest.'
With sickness came a heavy year
And put to proof his singing,
While helpless children standing near
His trust to test were bringing.
But glad the more,
As soft notes soar
When winds o'er hidden harp-strings pour,
His song his soul was winging.
His life foretold us that erelong
With faith in God unshaken
Shall all our nation stand in song,
And church, home, school, awaken,
In Norway's song,
In gladness' song,
In glory of the Lord's own song,
From life's low squalor taken.
Fair fatherland, do not forget,
The children of his bower!
He, poor as is the rosebush, yet
Gave gladness till death's hour-
With failure's smart
Let not depart
From this thy soil so glad a heart,-
His garden, let it flower!
poem by Bjørnstjerne Bjørnson

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At Dawn and Dusk
At Dawn and Dusk
Love-Laurel
IN MEMORY OF HENRY KENDALL
AH! that God once would touch my lips with song
To pierce, as prayer doth heaven, earth’s breast of iron,
So that with sweet mouth I might sing to thee,
O sweet dead singer buried by the sea,
A song, to woo thee, as a wooing siren,
Out of that silent sleep which seals too long
Thy mouth of melody.
For, if live lips might speak awhile to dead,
Or any speech could reach the sad world under
This world of ours, song surely should awake
Thee who didst dwell in shadow for song’s sake!
Alas! thou canst not hear the voice of thunder,
Nor low dirge over thy low-lying head
The winds of morning make.
Down through the clay there comes no sound of these;
Down in the grave there is no sign of Summer,
Nor any knowledge of the soft-eyed Spring;
But Death sits there, with outspread ebon wing,
Closing with dust the mouth of each new-comer
To that mute land, where never sound of seas
Is heard, and no birds sing.
Now thou hast found the end of all thy days
Hast thou found any heart a vigil keeping
For thee among the dead—some heart that heard
Thy singing when thou wert a brown, sweet bird
Gray Æons gone, in some old forest sleeping
Beneath the seas long since? in Death’s dim ways
Has thy heart any word?
For surely those in whom the deathless spark
Of song is kindled, sang from the beginning
If life were always? But the old desires—
Do they exist when sad-eyed Hope expires?
How live the dead? what crowns have they for winning?
Have they, to warm them in the dreamless dark,
For sun earth’s central fires?
Are the dead dead indeed whom we call dead?
Has God no life but this of ours for giving?—
When that they took thee by each well-known place,
Stark in thy coffin with a cold white face,
What thought, O Brother, hadst thou of the living?
What of the sun that round thee glory shed?
What of the fair day’s grace?
Is thy new life made up of memories
Or dreams that lull the dead, bright visions bringing
Of Spring above! Are thy days short or long?
Thou who wert master of our singing throng
Mayhap in death thou hast not lost thy singing,
But chauntst unheard, beside the moaning sea,
A solitary song.
The chance spade turns up skulls. God help the dead
And thee whose singing days have all passed over—
Thee, whom the gold-haired Spring shall seek in vain
When at the glad year’s doors she stands again,
Remembering the song-garlands thou hast wove her
In years gone by: but all these years have fled
With all their joy and pain.
. . . . .
My soul laughed out to hear my heart speak so,
And sprang forth skyward, as an eagle, hoping
To look upon thy soul with living eyes,
Until it came to where our dim life dies,
And dead suns darkly for a grave are groping
Through cycles of immeasurable woe,
Stone-blind in the blind skies.
The stars walk shuddering on that awful verge
From which my soul, with swift and fearless motion,
Clove the black depths, and sought for God and thee;
But God dwells where nor stars nor suns there be—
No shore there is to His Eternal Ocean;
A thousand systems are a fringe of surge
On that great starless sea.
And thou wert not. So that, with weary plumes,
My soul through the great void its way came winging
To earth again. “What hope for him who sings
Is there?” it sighed. “Death ends all sweetest things.”
When lo! there came a swell of mighty singing,
Flooding all space, and swift athwart the glooms
A flash of sudden wings.
. . . . .
Dreamer of dreams, thy songs and dreams are done.
Down where thou sleepest in earth’s secret bosom
There is no sorrow and no joy for thee,
Who canst not see what stars at eve there be,
Nor evermore at morn the green dawn blossom
Into the golden king-flower of the sun
Across the golden sea.
But haply there shall come in days to be
One who shall hear his own heart beating faster,
Plucking a rose sprung from thy heart beneath,
And from his soul, as sword from out its sheath,
Song shall leap forth where now, O silent master,
On thy lone grave beside the sounding sea,
I lay this laurel-wreath.
poem by Victor James Daley

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Our Lives
Our lives are songs. God writes the words,
And we set them to music at pleasure;
And the song grows glad, or sweet, or sad,
As we choose to fashion the measure.
We must write the music, whatever the song,
Whatever its rhyme, or metre;
And if it is sad, we can make it glad,
Or if sweet, we can make it sweeter.
One has a song that is free and strong;
But the music he writes is minor;
And the sad, sad strain is replete with pain,
And the singer becomes a repiner.
And he thinks God gave him a dirge-like lay,
Nor knows that the words are cheery;
And the song seems lonely and solemn-only
Because the music is dreary.
And the song of another has through the words
An under current of sadness;
But he sets it to music of ringing chords,
And makes it a pean of gladness.
So whether our songs are sad or not,
We can give the world more pleasure,
And better ourselves, by setting the words
To a glad, triumphant measure.
1872
poem by Ella Wheeler Wilcox

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Route March
All the hills and vales along
Earth is bursting into song,
And the singers are the chaps
Who are going to die perhaps.
O sing, marching men,
Till the valleys ring again.
Give your gladness to earth's keeping,
So be glad, when you are sleeping.
Cast away regret and rue,
Think what you are marching to,
Little live, great pass.
Jesus Christ and Barabbas
Were found the same day.
This died, that, went his way.
So sing with joyful breath.
For why, you are going to death.
Teeming earth will surely store
All the gladness that you pour.
Earth that never doubts nor fears
Earth that knows of death, not tears,
Earth that bore with joyful ease
Hemlock for Socrates,
Earth that blossomed and was glad
'Neath the cross that Christ had,
Shall rejoice and blossom too
When the bullet reaches you.
Wherefore, men marching
On the road to death, sing!
Pour gladness on earth's head,
So be merry, so be dead.
From the hills and valleys earth
Shouts back the sound of mirth,
Tramp of feet and lilt of song
Ringing all the road along.
All the music of their going,
Ringing swinging glad song-throwing,
Earth will echo still, when foot
Lies numb and voice mute.
On marching men, on
To the gates of death with song.
Sow your gladness for earth's reaping,
So you may be glad though sleeping.
Strew your gladness on earth's bed,
So be merry, so be dead.
poem by Charles Hamilton Sorley

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Oh, Brother Of Mine IN LOVING MEMORY OF MILFORD BLACKWELL FEB. 18,1932- AUG. 23, 1995
What was his life but a vapor
A grain in the sands of time
A drop of dew in the morning
And a ray of lost sunshine
His love was deep as the ocean
It reached from the earth to the sky
He looked for the wings of an angel
And the land of "Sweet Bye and Bye"
Sometimes his pain was a puzzle
Sometimes his joy a rhyme
But his heart reached out and touched me
That wonderful brother of mine
I know that the cross was heavy
And the pain was hard to bear
But I always watched from the shadows
And you knew that I was there
Life is never a highway
But a mountainous road to climb
I'm glad I had you beside me
Oh. wonderful brother of mine
You were here for only a moment
Now you have slipped away
The stage of life's been traded
For one of earth and clay
I think of the days of childhood
When we played on meadow and Lea
All that is left is an echo
Your voice is calling to me
How many drops of water
Has gone down the river of time
But none will be more precious
Than ours- Oh, brother of mine
The twilight of life came creeping
Across the portals of time
And when the veil was lifted
Gone--that brother of mine
Gone like the mist of the morning
Or flowers at ending of day
The song of the bird has ended
And the music has faded away
If God would grant me the power
To turn back the pages of time
I'd turn them back one by one
"Til I found that brother of mine
Life's little day has ended
Your race on earth is run
So fold your hands my brother
And wait for the morning sun
Farewell, oh wonderful brother of mine
And may these words be read
By those who see the Epitaph
In stone above thy head
Epitaph transition
When life and death at twilight meet
All my days and years are spent
I shall pause beneath the sod
To resurrect -- And ornament
poem by Dana Preston Blackwell

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Love-Laurel
Ah! that God once would touch my lips with song
To pierce, as prayer doth heaven, earth’s breast of iron,
So that with sweet mouth I might sing to thee,
O sweet dead singer buried by the sea,
A song, to woo thee, as a wooing siren,
Out of that silent sleep which seals too long
Thy mouth of melody.
For, if live lips might speak awhile to dead,
Or any speech could reach the sad world under
This world of ours, song surely should awake
Thee who didst dwell in shadow for song’s sake!
Alas! thou canst not hear the voice of thunder,
Nor low dirge over thy low-lying head
The winds of morning make.
Down through the clay there comes no sound of these;
Down in the grave there is no sign of Summer,
Nor any knowledge of the soft-eyed Spring;
But Death sits there, with outspread ebon wing,
Closing with dust the mouth of each new-comer
To that mute land, where never sound of seas
Is heard, and no birds sing.
Now thou hast found the end of all thy days
Hast thou found any heart a vigil keeping
For thee among the dead—some heart that heard
Thy singing when thou wert a brown, sweet bird
Gray Æons gone, in some old forest sleeping
Beneath the seas long since? in Death’s dim ways
Has thy heart any word?
For surely those in whom the deathless spark
Of song is kindled, sang from the beginning
If life were always? But the old desires—
Do they exist when sad-eyed Hope expires?
How live the dead? what crowns have they for winning?
Have they, to warm them in the dreamless dark,
For sun earth’s central fires?
Are the dead dead indeed whom we call dead?
Has God no life but this of ours for giving?—
When that they took thee by each well-known place,
Stark in thy coffin with a cold white face,
What thought, O Brother, hadst thou of the living?
What of the sun that round thee glory shed?
What of the fair day’s grace?
Is thy new life made up of memories
Or dreams that lull the dead, bright visions bringing
Of Spring above! Are thy days short or long?
Thou who wert master of our singing throng
Mayhap in death thou hast not lost thy singing,
But chauntst unheard, beside the moaning sea,
A solitary song.
The chance spade turns up skulls. God help the dead
And thee whose singing days have all passed over—
Thee, whom the gold-haired Spring shall seek in vain
When at the glad year’s doors she stands again,
Remembering the song-garlands thou hast wove her
In years gone by: but all these years have fled
With all their joy and pain.
My soul laughed out to hear my heart speak so,
And sprang forth skyward, as an eagle, hoping
To look upon thy soul with living eyes,
Until it came to where our dim life dies,
And dead suns darkly for a grave are groping
Through cycles of immeasurable woe,
Stone-blind in the blind skies.
The stars walk shuddering on that awful verge
From which my soul, with swift and fearless motion,
Clove the black depths, and sought for God and thee;
But God dwells where nor stars nor suns there be—
No shore there is to His Eternal Ocean;
A thousand systems are a fringe of surge
On that great starless sea.
And thou wert not. So that, with weary plumes,
My soul through the great void its way came winging
To earth again. “What hope for him who sings
Is there?” it sighed. “Death ends all sweetest things.”
When lo! there came a swell of mighty singing,
Flooding all space, and swift athwart the glooms
A flash of sudden wings.
Dreamer of dreams, thy songs and dreams are done.
Down where thou sleepest in earth’s secret bosom
There is no sorrow and no joy for thee,
Who canst not see what stars at eve there be,
Nor evermore at morn the green dawn blossom
Into the golden king-flower of the sun
Across the golden sea.
But haply there shall come in days to be
One who shall hear his own heart beating faster,
Plucking a rose sprung from thy heart beneath,
And from his soul, as sword from out its sheath,
Song shall leap forth where now, O silent master,
On thy lone grave beside the sounding sea,
I lay this laurel-wreath.
poem by Victor James Daley

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Eight Years Old
SUN, whom the faltering snow-cloud fears,
Rise, let the time of year be May,
Speak now the word that April hears,
Let March have all his royal way;
Bid all spring raise in winter’s ears
All tunes her children hear or play,
Because the crown of eight glad years
On one bright head is set to-day.
II.
What matters cloud or sun to-day
To him who wears the wreath of years
So many, and all like flowers at play
With wind and sunshine, while his ears
Hear only song on every way?
More sweet than spring triumphant hears
Ring through the revel-rout of May
Are these, the notes that winter fears.
III.
Strong-hearted winter knows and fears
The music made of love at play,
Or haply loves the tune he hears
From hearts fulfilled with flowering May,
Whose molten music thaws his ears
Late frozen, deaf but yesterday
To sounds of dying and dawning years,
Now quickened on his deathward way.
IV.
For deathward now lies winter’s way
Down the green vestibule of years
That each year brightens day by day
With flower and shower till hope scarce fears
And fear grows wholly hope of May.
But we—the music in our ears
Made of love’s pulses as they play
The heart alone that makes it hears.
V.
The heart it is that plays and hears
High salutation of to-day.
Tongue falters, hand shrinks back, song fears
Its own unworthiness to play
Fit music for those eight sweet years,
Or sing their blithe accomplished way.
No song quite worth a young child’s ears
Broke ever even from birds in May.
VI.
There beats not in the heart of May,
When summer hopes and springtide fears,
There falls not from the height of day,
When sunlight speaks and silence hears,
So sweet a psalm as children play
And sing, each hour of all their years,
Each moment of their lovely way,
And know not how it thrills our ears.
VII.
Ah child, what are we, that our ears
Should hear you singing on your way,
Should have this happiness? The years
Whose hurrying wings about us play
Are not like yours, whose flower-time fears
Nought worse than sunlit showers in May,
Being sinless as the spring, that hears
Her own heart praise her every day.
VIII.
Yet we too triumph in the day
That bare, to entrance our eyes and ears,
To lighten daylight, and to play
Such notes as darkness knows and fears,
The child whose face illumes our way,
Whose voice lifts up the heart that hears,
Whose hand is as the hand of May
To bring us flowers from eight full years.
poem by Algernon Charles Swinburne

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