En.Citatepedia^®.ro

The Young Friar

When leaves broke out on the wild briar,
And bells for matins rung,
Sorrow came to the old friar
– Hundreds of years ago it was! –
And May came to the young.

The old was ripening for the sky,
The young was twenty-four.
The Franklin's daughter passed him by,
Reading a painted missal-book,
Beside the chapel door.

With brown cassock and sandalled feet,
And red Spring wine for blood;
The very next noon he chanced to meet
The Franklin's daughter, in a green May twilight,
Walking through the wood.

Pax vobiscum – to a maid
The crosiered ferns among!
But hers was only the Saxon,
And his the Norman tongue;
And the Latin taught by the old friar
Made music for the young.

And never a better deed was done
By Mother Church below
Than when she made old England one,
– Hundreds of years ago it was! –
Hundreds of years ago.

Rich was the painted page they read
Before that sunset died;
Nut-brown hood by golden head,
Murmuring Rosa Mystica,
While nesting thrushes cried.

A Saxon maid with flaxen hair,
And eyes of Sussex grey;
A young monk out of Normandy: –
'May is our Lady's month,' he said,
'And O, my love, my May!'

Then over the fallen missal-book
The missel-thrushes sung
Till – Domus Aurea – rose the moon
And bells for vespers rung.
It was gold and blue for the old friar,
But hawthorn for the young.

For gown of green and brown hood,
Before that curfew tolled,
Had flown for ever through the wood
– Hundreds of years ago it was! –
But twenty summers old.

And empty stood his chapel stall,
Empty his thin grey cell,
Empty her seat in the Franklin's hall;
And there were swords that searched for them
Before the matin bell.

And, crowders tell, a sword that night
Wrought them an evil turn,
And that the may was not more white
Than those white bones the robin found
Among the roots of fern.

But others tell of stranger things
Half-heard on Whitsun eves,
Of sweet and ghostly whisperings –
Though hundreds of years ago it was –
Among the ghostly leaves: –

Sero te amavi –
Grey eyes of sun-lit dew! –
Tam antiqua, tam nova –
Augustine heard it, too.
Late have I loved that May, Lady,
So ancient, and so new!

And no man knows where they were flown,
For the wind takes the may:
But white and fresh the may was blown
– Though hundreds of years ago it was –
As this that blooms to-day.

And the leaves break out on the wild briar,
And bells must still be rung;
But sorrow comes to the old friar,
For he remembers a May, a May,
When his old heart was young.

poem by Alfred Noyes
Submitted by Poetry Lover
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The Barefooted Friar

I'll give thee, good fellow, a twelvemonth or twain,
To search Europe through, from Byzantium to Spain;
But ne'er shall you find, should you search till you tire,
So happy a man as the Barefooted Friar.

Your knight for his lady pricks forth in career,
And is brought home at even-song bunny'd through with a spear;
I confess him in haste - for his lady desires
No comfort on earth save the Barefooted Friar's.

Your monarch? - Pshaw! many a prince has been known
To barter his robes for our cowl and our gown,
But which of us e'er felt the idle desire
To exchange for a crown the grey hood of a Friar!

The Friar has walk'd out, and where'er he has gone,
The land and its fatness is mark'd for his own;
He can roam where he lists, he can stop when he tires,
For every man's house is the Barefooted Friar's.

He's expected at noon, and no wight till he comes
May profane the great chair, or the porridge of plums
For the best of the cheer, and the seat by the fire,
Is the undenied right of the Barefooted Friar.

He's expected at night, and the pasty's made hot,
They broach the brown ale, and they fill the black pot,
And the goodwife would wish the goodman in the mire,
Ere he lack'd a soft pillow, the Barefooted Friar.

Long flourish the sandal, the cord, and the cope,
The dread of the devil and trust of the Pope;
For to gather life's roses, unscathed by the briar,
Is granted alone to the Barefooted Friar.

poem by Sir Walter Scott
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Only One Mother

Hundreds of stars in the pretty sky,
But only one mother to dry your eyes,
Hundreds of shells on the shore together,
But only one mother to have forever
Hundreds of birds that go singing by,
But only one mother to help you try
Hundreds of lambs in the sunny weather.
But only one mother to treat us like treasure
Hundreds of dewdrops to greet the dawn,
But only one mother to help us move on
Hundreds of bees in the purple clover,
But only one mother the world wide over
Hundreds of people to tell apart
But only one mother to give us her heart

poem by Kaitlin Skelding
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Sherwood

Sherwood in the twilight, is Robin Hood awake?
Grey and ghostly shadows are gliding through the brake;
Shadows of the dappled deer, dreaming of the morn,
Dreaming of a shadowy man that winds a shadowy horn.

Robin Hood is here again: all his merry thieves
Hear a ghostly bugle-note shivering through the leaves,
Calling as he used to call, faint and far away,
In Sherwood, in Sherwood, about the break of day.

Merry, merry England has kissed the lips of June:
All the wings of fairyland were here beneath the moon;
Like a flight of rose-leaves fluttering in a mist
Of opal and ruby and pearl and amethyst.

Merry, merry England is waking as of old,
With eyes of blither hazel and hair of brighter gold:
For Robin Hood is here again beneath the bursting spray
In Sherwood, in Sherwood, about the break of day.

Love is in the greenwood building him a house
Of wild rose and hawthorn and honeysuckle boughs;
Love it in the greenwood: dawn is in the skies;
And Marian is waiting with a glory in her eyes.

Hark! The dazzled laverock climbs the golden steep:
Marian is waiting: is Robin Hood asleep?
Round the fairy grass-rings frolic elf and fay,
In Sherwood, in Sherwood, about the break of day.

Oberon, Oberon, rake away the gold,
Rake away the red leaves, roll away the mould,
Rake away the gold leaves, roll away the red,
And wake Will Scarlett from his leafy forest bed.

Friar Tuck and Little John are riding down together
With quarter-staff and drinking-can and grey goose-feather;
The dead are coming back again; the years are rolled away
In Sherwood, in Sherwood, about the break of day.

Softly over Sherwood the south wind blows;
All the heart of England hid in every rose
Hears across the greenwood the sunny whisper leap,
Sherwood in the red dawn, is Robin Hood asleep?

Hark, the voice of England wakes him as of old
And, shattering the silence with a cry of brighter gold,
Bugles in the greenwood echo from the steep,
Sherwood in the red dawn, is Robin Hood asleep?

Where the deer are gliding down the shadowy glen
All across the glades of fern he calls his merry men;
Doublets of the Lincoln green glancing through the May,
In Sherwood, in Sherwood, about the break of day;

Calls them and they answer: from aisles of oak and ash
Rings the Follow! Follow! and the boughs begin to crash;
The ferns begin to flutter and the flowers begin to fly;
And through the crimson dawning the robber band goes by.

Robin! Robin! Robin! All his merry thieves
Answer as the bugle-note shivers through the leaves:
Calling as he used to call, faint and far away,
In Sherwood, in Sherwood, about the break of day.

poem by Alfred Noyes
Submitted by Poetry Lover
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A Song of Sherwood

Sherwood in the twilight, is Robin Hood awake?
Grey and ghostly shadows are gliding through the brake,
Shadows of the dappled deer, dreaming of the morn,
Dreaming of a shadowy man that winds a shadowy horn.

Robin Hood is here again: all his merry thieves
Hear a ghostly bugle-note shivering through the leaves,
Calling as he used to call, faint and far away,
In Sherwood, in Sherwood, about the break of day.

Merry, merry England has kissed the lips of June:
All the wings of fairyland were here beneath the moon,
Like a flight of rose-leaves fluttering in a mist
Of opal and ruby and pearl and amethyst.

Merry, merry England is waking as of old,
With eyes of blither hazel and hair of brighter gold:
For Robin Hood is here again beneath the bursting spray
In Sherwood, in Sherwood, about the break of day.

Love is in the greenwood building him a house
Of wild rose and hawthorn and honeysuckle boughs:
Love is in the greenwood, dawn is in the skies,
And Marian is waiting with a glory in her eyes.

Hark! The dazzled laverock climbs the golden steep!
Marian is waiting: is Robin Hood asleep?
Round the fairy grass-rings frolic elf and fay,
In Sherwood, in Sherwood, about the break of day.

Oberon, Oberon, rake away the gold,
Rake away the red leaves, roll away the mould,
Rake away the gold leaves, roll away the red,
And wake Will Scarlett from his leafy forest bed.

Friar Tuck and Little John are riding down together
With quarter-staff and drinking-can and grey goose-feather.
The dead are coming back again, the years are rolled away
In Sherwood, in Sherwood, about the break of day.

Softly over Sherwood the south wind blows.
All the heart of England his in every rose
Hears across the greenwood the sunny whisper leap,
Sherwood in the red dawn, is Robin Hood asleep?

Hark, the voice of England wakes him as of old
And, shattering the silence with a cry of brighter gold
Bugles in the greenwood echo from the steep,
Sherwood in the red dawn, is Robin Hood asleep?

Where the deer are gliding down the shadowy glen
All across the glades of fern he calls his merry men--
Doublets of the Lincoln green glancing through the May
In Sherwood, in Sherwood, about the break of day--

Calls them and they answer: from aisles of oak and ash
Rings the Follow! Follow! and the boughs begin to crash,
The ferns begin to flutter and the flowers begin to fly,
And through the crimson dawning the robber band goes by.

Robin! Robin! Robin! All his merry thieves
Answer as the bugle-note shivers through the leaves,
Calling as he used to call, faint and far away,
In Sherwood, in Sherwood, about the break of day.

poem by Alfred Noyes
Submitted by Poetry Lover
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Ten Grey hairs and a silver one

I discovered my first grey hair
when I was Seventeen years old
It had to do with broken up my first relationship

I discovered my second grey hair
when I was Twenty years old
It had to do with the quarrels at home

I discovered my third grey hair
when I was Twenty-one years old
It had to do with searching for work

I discovered my fourth grey hair
when I was Twenty-three years old
It had to do with loosing my job

I discovered my fifth grey hair
when I was Twenty-five years old
It had to do with giving up my unborn child

I discovered my sixth grey hair
When I was Twenty-eight years old
It had to do with opening my pub

I discovered my seventh grey hair
When I was thirty years old
It had to do with giving birth to my daughter

I discovered my eight grey hair
When I was thirty –two years old
It had to do with the first day at the kinder garden school

I discovered my ninth grey hair
When I was thirty-four years old
It had to do with to find out that some thing was missing

I discovered my tenth grey hair
When I was thirty-five years old
It had to do with the fights between my sisters and mum

My one Silver hair I discovered lately
Has to do with you
Because I miss you so hard …

poem by Pascale Ost
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100s Of Years

Trees can live for hundreds of years,
They well know to live together!
They tuft to earth, as child's to mom,
Light, water, and air they do share!
When storm does come they low their heads,
To show him respect out of fear!
The branches welcome, greet and laugh.
Leaves dance with the beat of the air.
The roots sometimes, take hold of each,
Thus, they make bridge, over the ditch.
What men ignore, they may do care
And mend that always, just to teach.
They whisper, and send their message,
Thru breeze, and soil, thru ether-
If nature lives, then all can live...
We should do that which can help her.
Hundreds, hundreds years they can live,
In warm friendship, fraternity.
But, we, intelligent creatures,
Can't keep this nature's sanctity!

poem by Nilakshi Das
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A Highly-Colored Romance

Ben Green was a New-Hampshire boy,
Who stood full six feet two:
A jovial chap this same Ben Green,
Though he had oft been blue.
He loved a girl named Olive Brown,
Who lived near Bixby's pond,
And who, despite her brunette name,
Was a decided blonde.
"A Highly Colored Romance."
A pink of rare perfection she,
The belle of all the town;
Though Ben oft wished her Olive Green,
Instead of Olive Brown.
And she loved Ben, and said that nought
Should mar their joy serene;
And, when she changed from Olive Brown,
'Twould surely be to Green.
She kept her word in-violet,
And vowed, ere she was wed,
Although when Brown she had Be(e)n Green.
When Green she'd be well read.
But, ah! her young affections changed
To Gray, a Southern fellow;
And Green turned white the news to hear,
Though first it made him yell, oh!
Says he, " How can you lilac this,
When you vowed to be true?
I'll take your fine young lover, Gray,
And beat him till he's blue."
Then Olive Brown to crimson turned,
And said, "Do as you say:
The country long has wished to see
'The Blue combined with Gray.'"
Ben Green to purple turned with rage,
And black his brow as night;
While on the cheek of Olive Brown
The crimson changed to white.
"O cruel Olive Brown!" says Ben,
"I've been dun-brown by you:
Let this 'Grayback' his steps retrace,
And take Greenback, — oh, do!"
Poor Olive Brown, what could she say,
To sea-Green look so sad ?
And so she rose, and said to him,
"I'll go and ask my dad."
. . . .
The years rolled by: Ben's raven locks
For silver did not lack;
And Olive, with her hair of gold,
Was glad she took Greenback.

poem by Charles Follen Adams from Yawcob Strauss and Other Poems
Submitted by Veronica Serbanoiu
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The Red-Tressed Maiden

RED she is in a robe of sable,
Rosy with pictures and tales to tell:
She is a fairy, and yet no fable,
Weaving the dreams that we love so well.
Out in the dark where the night-winds hurry
And dead leaves carpet the silent bush,
She has a charm for minds that worry,
For the worn white face a fresh young blush.
Tell her a story of some love laid in
The grave long since with a maiden white —
She will not taunt you, the Red-Tressed Maiden
Dressed in her mantle of starless night.
With fingers potent as rich wine chosen
From dusty cellars where years lie dead,
She melts the ice in the veins long frozen,
The blood runs chainless, and young and red.
Her ears have hearkened the joyous laughter,
Man-made, maid-lifted through years and years
To frescoed dome and to smoky rafter,
And tears and tears and ceaseless tears.
Old as the world, and some say older,
Is she, and yet she is young and sweet:
She heard the story the Cave-man told her,
When hearts were bolder and ruder their beat.
No tale so trifling but she will listen,
The long day ended, the day's toil done;
Then wheresoever her great eyes glisten
An ancient battle is fought and won.
She is ready to hearken to some chance roamer,
A lyre on his shoulder, a lilt on his tongue,
As she was of old to the blind-eyed Homer
Who sang high strains when the world was young.
On winter nights, when the roads are cheerless
And west winds under a frosty moon,
She paints us Summer in colours peerless
And the broad gold charm of a tropic noon.
On summer evenings, in sylvan places
(The picnic over and stars in the skies),
She heightens the blush on sun-kissed faces
And deepens the dream in dear young eyes.
And who is the Maiden? When Night is about you,
Pile high dry leaves and dead wood, and so
Make a light for the darkness within and without you . . .
And now do you see her — and now do you know?

poem by Roderic Quinn
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Retrospection

WHEN you and I were young, the days
Were filled with scent of pink and rose,
And full of joy from dawn till close,
From morning's mist till evening's haze.
And when the robin sung his song
The verdant woodland ways along,
We whistled louder than he sung.
And school was joy, and work was sport
For which the hours were all too short,
When you and I were young, my boy,
When you and I were young.
When you and I were young, the woods
Brimmed bravely o'er with every joy
To charm the happy-hearted boy.
The quail turned out her timid broods;
The prickly copse, a hostess fine,
Held high black cups of harmless wine;
And low the laden grape-vine swung
With beads of night-kissed amethyst
Where buzzing lovers held their tryst,
When you and I were young, my boy,
When you and I were young.
When you and I were young, the cool
And fresh wind fanned our fevered brows
When tumbling o'er the scented mows,
Or stripping by the dimpling pool,
Sedge-fringed about its shimmering face,
Save where we'd worn an ent'ring place.
How with our shouts the calm banks rung!
How flashed the spray as we plunged in, —
Pure gems that never caused a sin!
When you and I were young, my boy,
When you and I were young.
When you and I were young, we heard
All sounds of Nature with delight, —
The whirr of wing in sudden flight,
The chirping of the baby-bird.
The columbine's red bells were rung;
The locust's vested chorus sung;
While every wind his zithern strung
To high and holy-sounding keys,
And played sonatas in the trees —
When you and I were young, my boy,
When you and I were young.
When you and I were young, we knew
To shout and laugh, to work and play,
And night was partner to the day
In all our joys. So swift time flew
On silent wings that, ere we wist,
The fleeting years had fled unmissed;
And from our hearts this cry was wrung —
To fill with fond regret and tears
The days of our remaining years —
'When you and I were young, my boy,
When you and I were young.'

poem by Paul Laurence Dunbar
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The Farmer's Bride

Three summers since I chose a maid,
Too young maybe-but more's to do
At harvest-time that a bide and woo.
When us was wed she turned afraid
Of love and me and all things human;
Like the shut of winter's day
Her smile went out, and `twadn't a woman-
More like a little frightened fay.
One night, in the Fall, she runned away.

"Out 'mong the sheep, her be," they said,
Should properly have been abed;
But sureenough she wadn't there
Lying awake with her wide brown stare.
So over seven-acre field and up-along across the down
We chased her, flying like a hare
Before out lanterns. To Church-Town
All in a shiver and a scare
We caught her, fetched her home at last
And turned the key upon her, fast.

She does the work about the hosue
As well as most, but like a mouse:
Happy enough to cheat and play
With birds and rabbits and such as they,
So long as men-folk keep away
"Not near, not near!" her eyes beseech
When one of us comes within reach.
The woman say that beasts in stall
Look round like children at her call.
I've hardly heard her speak at all.
Shy as a leveret, swift as he,
Straight and slight as a young larch tree,
Sweet as the first wild violets, she,
To her wild self. But what to me?

The short days shorten and the oaks are brown,
The blue smoke rises to the low grey sky,
One leaf in the still air falls slowly down,
A magpie's spotted feathers lie
An the black earth spread white with rime,
The berries redden up to Christmas-time.
What's Christmas-time without there be
Some other in the house than we!

She sleeps up in the attic there
Alone, poor maid. `Tis but a stair
Betwixt us. Oh! my God! the down,
The soft young down of her, the brown,
The brown of her-her eyes, her hair, her hair!

poem by Charlotte Mary Mew
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The Brown Dwarf of Rügen (From Narrative and Legendary Poems )

THE pleasant isle of Rügen looks the Baltic water o'er,
To the silver-sanded beaches of the Pomeranian shore;

And in the town of Rambin a little boy and maid
Plucked the meadow-flowers together and in the sea-surf played.

Alike were they in beauty if not in their degree:
He was the Amptman's first-born, the miller's child was she.

Now of old the isle of Rügen was full of Dwarfs and Trolls,
The brown-faced little Earth-men, the people without souls;

And for every man and woman in Rügen's island found
Walking in air and sunshine, a Troll was underground.

It chanced the little maiden, one morning, strolled away
Among the haunted Nine Hills, where the elves and goblins play.

That day, in barley fields below, the harvesters had known
Of evil voices in the air, and heard the small horns blown.

She came not back; the search for her in field and wood was vain:
They cried her east, they cried her west, but she came not again.

"She's down among the Brown Dwarfs," said the dream-wives wise and old,
And prayers were made, and masses said, and Rambin's church bell tolled.

Five years her father mourned her; and then John Deitrich said:
"I will find my little playmate, be she alive or dead."

He watched among the Nine Hills, he heard the Brown Dwarfs sing,
And saw them dance by moonlight merrily in a ring.

And when their gay-robed leader tossed up his cap of red,
Young Deitrich caught it as it fell, and thrust it on his head.

The Troll came crouching at his feet and wept for lack of it.
"Oh, give me back my magic cap, for your great head unfit!"

"Nay," Deitrich said; "the Dwarf who throws his charmëd cap away,
Must serve its finder at his will, and for his folly pay.

"You stole my pretty Lisbeth, and hid her in the earth;
And you shall ope the door of glass and let me lead her forth."

"She will not come; she's one of us; she's mine!" the Brown Dwarf said;
"The day is set, the cake is baked, to-morrow we shall wed."

"The fell fiend fetch thee!" Deitrich cried, "and keep thy foul tongue still.
Quick! open, to thy evil world, the glass door of the hill!"

The Dwarf obeyed; and youth and Troll down the long stairway passed,
And saw in dim and sunless light a country strange and vast.

Weird, rich, and wonderful, he saw the elfin under-land, --
Its palaces of precious stones, its streets of golden sand.

He came unto a banquet-hall with tables richly spread,
Where a young maiden served to him the red wine and the bread.

How fair she seemed among the Trolls so ugly and so wild!
Yet pale and very sorrowful, like one who never smiled!

Her low, sweet voice, her gold-brown hair, her tender blue eyes seemed
Like something he had seen elsewhere or something he had dreamed.

He looked; he clasped her in his arms; he knew the long-lost one;
"O Lisbeth! See thy playmate -- I am the Amptman's son!"

She leaned her fair head on his breast, and through her sobs she spoke:
"Oh, take me from this evil place, and from the elfin folk!

"And let me tread the grass-green fields and smell the flowers again,
And feel the soft wind on my cheek and hear the dropping rain!

"And oh, to hear the singing bird, the rustling of the tree,
The lowing cows, the bleat of sheep, the voices of the sea;

"And oh, upon my father's knee to set beside the door,
And hear the bell of vespers ring in Rambin church once more!"

He kissed her cheek, he kissed her lips; the Brown Dwarf groaned to see,
And tore his tangled hair and ground his long teeth angrily.

But Deitrich said: "For five long years this tender Christian maid
Has served you in your evil world, and well must she be paid!

"Haste! -- hither bring me precious gems, the richest in your store;
Then when we pass the gate of glass, you'll take your cap once more."

No choice was left the baffled Troll, and, murmuring, he obeyed,
And filled the pockets of the youth and apron of the maid.

They left the dreadful under-land and passed the gate of glass;
They felt the sunshine's warm caress, they trod the soft, green grass.

And when, beneath, they saw the Dwarf stretch up to them his brown
And crooked claw-like fingers, they tossed his red cap down.

Oh, never shone so bright a sun, was never sky so blue,
As hand in hand they homeward walked the pleasant meadows through!

And never sang the birds so sweet in Rambin's woods before,
And never washed the waves so soft along the Baltic shore;

And when beneath his door-yard trees the father met his child,
The bells rung out their merriest peal, the folks with joy ran wild.

And soon from Rambin's holy church the twain came forth as one,
The Amptman kissed a daughter, the miller blest a son.

John Deitrich's fame went far and wide, and nurse and maid crooned o'er
Their cradle song: "Sleep on, sleep well, the Trolls shall come no more!"

for in the haunted Nine Hills he set a cross of stone;
And Elf and Brown Dwarf sought in vain a door where door was none.

The tower he built in Rambin, fair Rügen's pride and boast,
Looked o'er the Baltic water to the Pomeranian coast;

And, for his worth ennobled, and rich beyond compare,
Count Deitrich and his lovely bride dwelt long and happy there.

poem by John Greenleaf Whittier
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The Headless Friar of Santo Tomas

In my alma mater, Santo Tomas
We had heard of a mysterious tale
Of a gentle, young Spanish friar who was
A sight that turned anyone very pale.

They said he was a handsome novice
And that time, his superior took fancy.
But the events after that were amiss,
When this friar was lost into mystery.

They say he had been beheaded
By civilians the Spanish called 'Indios'
Though no one believed what was said,
And presumed the circumstances - devious.

Through the years the old building there saw
The appearance of a friar without head,
Frightening students in this age and so
There were masses and prayers for this dead.

It seemed the solution was ineffective-
For soon the appearances became many,
The building had seemed quite conducive
And the ghosts there included the nunnery!

At graduation, we avoided that building
For fear the friar will greet us 'Congrats! '
And had sighed much relief at the leaving
Santo Tomas, and its ghostly 'frats'.

-
Copyright Cynthia Buhain-Baello
February 17,2010
Philippines

poem by Cynthia Buhain-Baello
Submitted by Poetry Lover
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Callous women folk

Hundreds and hundreds of women
Were on the way, on who you set your eyes.
hundreds and hundreds of men
might set on them their eyes.
Women grow immune to men
and undermine them altogether,
with delight in men’s plethora.
Light attracting swam! Woman is callous.
25.12.2000, Pmdi

poem by Rm. Shanmugam Chettiar
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Leaves That Are Green

I was twenty-one years when I wrote this song
I'm twenty-two now but I won't be for long
Time hurries on
And the leaves that are green turn to brown
And they wither in the wind
And they crumble in your hand
Once my heart was filled with the love of a girl
I held her close but she faded in the night
Like a poem I meant to write
And the leaves that are green turn to brown
And they wither in the wind
And they crumble in your hand
I threw a pebble in a brook
And watched the ripple run away
And they never made a sound
And the leaves that are green turn to brown
And they wither in the wind
And they crumble in your hand
Hello, hello, hello, hello
Goodbye, goodbye, goodbye, goodbye
That's all there is
And the leaves that are green turn to brown
And they wither in the wind
And they crumble in your hand

song performed by by Simon & Garfunkel
Submitted by Lucian Velea
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Hundreds and hundreds of the dead were so badly burned in the terrific heat generated by the bomb that it was not even possible to tell whether they were men or women, old or young.

quote by Wilfred Burchett
Submitted by Lucian Velea
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Friar Lubin. (From The French)

To gallop off to town post-haste,
So oft, the times I cannot tell;
To do vile deed, nor feel disgraced,--
Friar Lubin will do it well.
But a sober life to lead,
To honor virtue, and pursue it,
That's a pious, Christian deed,--
Friar Lubin can not do it.

To mingle, with a knowing smile,
The goods of others with his own,
And leave you without cross or pile,
Friar Lubin stands alone.
To say 't is yours is all in vain,
If once he lays his finger to it;
For as to giving back again,
Friar Lubin cannot do it.

With flattering words and gentle tone,
To woo and win some guileless maid,
Cunning pander need you none,--
Friar Lubin knows the trade.
Loud preacheth he sobriety,
But as for water, doth eschew it;
Your dog may drink it,--but not he;
Friar Lubin cannot do it.

ENVOY
When an evil deed 's to do
Friar Lubin is stout and true;
Glimmers a ray of goodness through it,
Friar Lubin cannot do it.

poem by Henry Wadsworth Longfellow
Submitted by Poetry Lover
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Oh, how stingy this elite can be, wearing the same mask for hundreds and hundreds of years !

quote by Octav Bibere
Submitted by Kitzy Bush
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The Three Roads

There is a town in Ireland,
A little town I know;
Its girls have tender Irish eyes
Beneath their brows of snow;
And in the field around it
The Fairy Hawthorns grow.

O, the Hawthorn is a Queen
And the daughter of a King,
And amidst her branches green
The sweet brown thrushes sing.

And from that little city
Three roads forever run
And on those roads the people,
The father and the son,
The mother and the daughter,
Walk till the day is done.

O, the Hawthorn is a Queen
And the daughter of a King,
And amidst her branches green
The thrushes sadly sing.

One road runs to the seaport
Where stately vessels lie -
American, Australian -
The weeping exiles cry,
Farewell to Grave and Hearthstone!
Dear Ireland - good-bye!

O, the Hawthorn is a Queen
And the daughter of a King,
And amidst her branches green
'Farewell!' the thrushes sing.

One road it is a red, red road -
That road to England goes;
The battle-drums are sounding,
The trump of battle blows;
And Ireland's sons go forth to fight
Against Red England's foes.

O, the Hawthorn is a Queen
And the daughter of a King,
And within her heart of green
The mournful thrushes sing.

One road it is a quiet road;
They travel it full slow,
Their eyes are filled with sorrow,
The silent folk who go
To where the Stones of Silence
Are shining, row on row.

O, the Hawthorn is a Queen
And a Lady fair and grand,
And the thrushes sing the keen
Of the Dead - in Ireland.

poem by Victor James Daley
Submitted by Poetry Lover
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Beauty's Blemish

You are as young, O lady mine,
As ere you were in olden days,
Your lips are red, your blue eyes shine,
And still you have your girlish ways.
I hate to think what years have flown
Since first I praised these things, mine own.

Your frocks still have that youthful cut,
Garbing a svelte form, slim and flat.
You should be spreading, darling but
Your middle-age has brought no fat.
Indeed, you sometimes seem at nights
A flapper, seen in certain lights.

My fond eyes have surveyed you, sweet,
Thro' all these years and found no fault.
Your lustrous hair, your tiny feet
Are still perfection. Yet a halt
In my high praise wakes sudden fears:
You're growing old behind the ears!

Yet, even then, I'd not repine
If that grey matter which should fill
That pretty head, O lady mine,
Gained age, 'twere compensation still;
And I'd forgive the ravening years,
If you'd mature above the ears.

poem by Clarence Michael James Stanislaus Dennis
Submitted by Poetry Lover
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Apollo Is Alive and Well and Living in Suburbia...

Last night, a great lute-player
as full of enthusiasm for the power of music
and its history of the human heart
as far as history recedes, as I remember him
forty years ago before his fame had spread,

handed his lute around the dinner-table
as if we were at some christening party
for the eternal birth of eternal music
in the eternal present moment…

the lute shining like a promise
of things greater and unknown..
yet… not unknown to the eager heart...
made of several woods, matured

for around eight years; like pearwood,
the driest wood known; all nature
had conspired (as poets put it) ,
the trees had conferred together

in praise of the music which they hear
hints of through their winter branches,
in their rustling young spring leaves,
in the wind’s dry whisper in red and brown late curling leaves…

and a man had put all this together
with its invisible fierce tensions held
by cunning of design, to permit
the gentlest sounds of laughter, tears…

a man who after years of skill
built into priceless treasures such as this
now works in La Jolla as a restorer
of heritage houses from the nineteen-hundreds…

and the lute itself! when holding it, it seemed
to have a ‘negative weight’ – as if
its very balance, laws of immaterial sound
made material in our human world

had made a thing of spirit, which begged
return to its very elements of ether,
sound, air, touch, and music’s fire,
the flow of love in laughter and in tears,

so that I swear, it had no weight
but rather, was its opposite…
he played an ancient song
composed before songs were written down,

recorded for us – its sole record, this –
by the first inventor, from the Italian courts,
of moveable musical type; a song
which transcended its Christian story

of sin and sorrow and repenting grief;
its music, roaming in its memory,
over Africa, Asia, all the length
and breadth of the human heart

recorded in the sound of music…
this the magic that rose in the air
around a dinner-table in a suburban house
touched by a boundless, weightless eternity of grace.

poem by Michael Shepherd
Submitted by Poetry Lover
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